PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX TO FEATURED PUBLISHERS

Welcome to our new catalogue featuring 156 titles from many of the most innovative Arnolfini 1 galleries, museums and publishers working in contemporary visual arts. We are Art Editions North 1 particularly pleased to have been appointed distributor for Blain|Southern, Lisson Gallery, Blain|Southern 1 Parasol unit, and Tatton Park Biennial, and new titles from these publishers are featured. Cornerhouse 2 Our list encompasses all the visual arts including architecture, art theory and education, Drawing Room 3 design, digital media, fashion, film and video, painting, photography, performance and DuMont Buchverlag 3 sculpture. We have over 2,700 titles currently available. If you require further details or if Ffotogallery 4 you want to order any of these titles, please contact us or visit our online bookstore. Firstsite 5 GlobalArtAffairs Publishing 5 For further information about our services, please contact Paul Daniels, Publications Haunch of Venison 5 Director. Hayward Publishing 7 Cornerhouse Publications Information as Material 9 JRP|Ringier* 10 70 Oxford Street, Manchester M1 5NH, England Kerber Verlag** 19 Publications Director Paul Daniels Verlag der Buchhandlung Walther König 25 Lisson Gallery 39 Arnolfini Art Editions North Blain|Southern orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide trade orders / enquiries +44 (0)161 200 1501 Manchester Art Gallery 40 mail order / enquiries +44 (0)161 200 1502 Matt’s Gallery 40 general enquiries +44 (0)161 200 1503 Verlag für moderne Kunst Nürnberg 41 fax +44 (0)161 200 1504 Parasol unit 45 Save Me: A Parallax View Lucian Freud: email [email protected] Photoworks 46 Conversation Across Andrew Livingstone Drawings online bookstore www.cornerhouse.org/books Rakennustieto Publishing 46 the City texts by Andrew Livingstone, Jo Dahn, Selected by William Feaver Research Group for Artists Publications 46 Juliette MacDonald, Fiona Venables A Search Party Project texts by William Feaver, Mark Rosenthal Ridinghouse 47 TRADE TERMS Parallax View illustrates and Please email orders to [email protected] Saatchi Gallery Publications 51 artists: Search Party (Jodie Hawkes, Lucian Freud: Drawings brings Pete Phillips) contextualises a two-year research Standard discount 35% Stour Valley Arts 51 together a compilation of Lucian compiled by Ben Francombe, Jodie Hawkes, project and solo exhibition by A small order surcharge of £3.00 will be added to orders of less than £25 invoice value Tatton Park Biennial 51 Pete Phillips Andrew Livingstone at Tullie House Freud’s graphic work selected with UK orders carriage free. Overseas carriage charged at cost Turnpike Gallery 52 Museum and Art Gallery, Carlisle the assistance of the late artist. Witte de With 52 For two hours each day, for 11 RETURNS in 2010. This book examines the Beginning in the 1940s and spanning days during Mayfest, Bristol-based Returns by permission only. In case of damage, defect or dispatch error please contact *JRP|Ringier titles are distributed by Cornerhouse in the UK and Europe expanded field of ceramics and the artist’s career, this densely performance duo, Search Party, Cornerhouse Publications at the address above (excluding Germany, Austria, Switzerland and France) investigates the employment of and illustrated volume features a number **Kerber Verlag titles are distributed by Cornerhouse in the UK, Scandinavia spoke to each other across the Authorised returns must be sent to: Cornerhouse Returns, c/o NBN International, interface between digital media, film, of the works never before exhibited and Eastern Europe reaches of Bristol harbour, using Airport Business Centre (ABC), 10 Thornbury Road, Plymouth, PL6 7PP, England animation, photography and non- or reproduced. Distinguished semaphore. Save Me now returns writer and art critic William Feaver Please note that returns sent to Cornerhouse’s Manchester address will not be accepted Cornerhouse also distributes titles for the following publishers: ceramic intervention. Texts from Jo as a book, both as a reflection of a Dahn, Juliette MacDonald, Fiona presents works that range from the PAYMENT remarkable few days in spring, when Art and Sacred Places | Artangel | The Arts Catalyst | Arts Council England Venables and Andrew Livingstone intimate to landscapes and studies Cheques should be made payable to Cornerhouse Publications and drawn on a UK Aspex | August Projects | Autograph ABP | Aye-Aye Books | Beam a very simple act of performance of animals. Etchings, watercolours, bank. Payment can be made directly into our bank account – please contact us for further British Council | Camerawork | The Caravan Gallery | Castlefield Gallery examine the exhibition from different enveloped a part of the city with gouaches and works rendered in details. We also accept payment by American Express, Eurocard, Maestro, MasterCard Publications | Centre for Art International Research (CAIR) | Centre for perspectives and set these within Contemporary Arts (CCA) | Chinese Arts Centre | Control Magazine its striking representation of the chalk, charcoal, pastel, conté, and or VISA, and through PayPal. All payments must be made in £ sterling current contemporary debates. Coracle | Éditions Revue Noire | Engage (National Association for Gallery struggles of distant connection, pen and ink, are interspersed with Education) | Forma | Henry Moore Institute | Ikon Gallery | Institute of Andrew Livingstone graduated but also as a celebration of the SALES REPRESENTATIVES Contemporary Arts (ICA) | Institute of International Visual Arts (Iniva) from Camberwell School of Art in oil paintings, constantly interrelating. Inventory | Khadija Productions | Len Grant Photography | Liverpool Biennial contribution of passers-by who For details of our sales representatives please refer to the Trade Information page on our 1989, and gained an MA and PhD, William Feaver is the former art critic website www.cornerhouse.org/books Lowry Press | Manchester Metropolitan University | Mead Gallery | Milton wrote of their own feelings of love Keynes Gallery | Modern Art Oxford | National Museums Liverpool The Authenticity of Clay and its for London’s Observer newspaper. The New Art Gallery Walsall | New Contemporaries (1988) Ltd | Pharos Arts and separation on little yellow tags, Mark Rosenthal is adjunct curator at ONLINE BOOKSTORE Redefinition within Contemporary Foundation | Picture This | Richter Verlag | Sainsbury Centre for Visual Arts that became the backdrop for the the Norton Museum of Art in West Full details of all titles distributed by Cornerhouse are available from our online bookstore Salon3 | Shisha | Site Gallery | Southampton City Art Gallery | Tramway Practice: Ceramic Familiarity and event. Search Party wants to share Palm Beach, Florida. Published by www.cornerhouse.org/books where customers can purchase titles quickly and securely University of Hertfordshire Galleries | Velvet Press the Contribution to Expansion, from Viewpoint Photography Gallery | The Wellcome Trust these yellow tags and, perhaps, in the University of Ulster, Belfast. Blain|Southern in association with Greater Manchester Arts Centre Limited trading as Cornerhouse Publications the process, a few more thoughts He is both a writer and artist and Acquavella Galleries to accompany Reg no. 1681278 VAT no. GB383410758 Reg Charity no. 514719 on the acts of coding and decoding has exhibited extensively including the exhibition Lucian Freud: that occur in our daily acts of Drawings at Blain|Southern, London, Cornerhouse is Greater Manchester’s international centre for contemporary visual arts international exhibitions at the communication. and film. Located in the heart of Manchester, UK, the centre has 3 floors of contemporary Smithsonian Institution, Washington 17 February – 5 April 2012, and art galleries, 3 cinema screens, a bar, café and bookshop. For weekly updates on films, DC; Garth Clark Gallery, New York; Acquavella Galleries, NY, 1 May – 9 Arnolfini £14.95 exhibitions, events and the latest news, log on to www.cornerhouse.org and Museum of Fine Arts, Houston. June 2012. ISBN 978-0-9568886-2-4 softback 160 pages While every effort has been made to ensure that the contents of this catalogue are Blain|Southern / Acquavella Galleries £40.00 illustrated in colour Art Editions North £17.00 ISBN 978-0-9569904-3-3 accurate, all details are subject to change at any time and without notice 175 x 195 mm ISBN 978-1-906832-05-6 hardback 92 pages hardback 228 pages 68 colour, 3 b&w illustrations 148 colour illustrations 230 x 220 mm Cover image: Polly Morgan, Systemic Inflammation, 2010. Taxidermy finches, taxidermy canaries, 252 x 205 mm steel, leather, 130 x 113 cm diameter. Courtesy Haunch of Venison. Photo: Tessa Angus 1 SPRING 2012

Rachel Howard Tim Noble & Sue Self Made Cornerhouse A Film by Gillian Wearing Drawing Room DuMont Buchverlag texts by Martin Gayford, Mario Codognato, Webster Cressida Connelly distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse in the UK Turning the Seventh Corner directed by Gillian Wearing

Rachel Howard’s works are like text by James Putnam Self Made is the debut documentary psychological snares: they capture foreword by David Adjaye Rashid Rana feature from Turner Prize winning Graphology Emil Nolde an essence of life that seldom edited by Louisa Elderton, Mark Inglefield, Everything is Happening artist Gillian Wearing. Filmed on Drawing: from Automatism to The Journey to the South Seas Eloise Maxwell materialises in painting. Her large at Once location in Newcastle it follows Automation 1913 – 1914 canvases are horizontal and vertical Tim Noble & Sue Webster: Turning adverts that ask the public: ‘If planes of architecture, their form and texts by David Elliott, Alnoor Mitha, artists: William Anastasi, Carl Andre, Fiona edited by Manfred Reuther the Seventh Corner comprehensively Sarah Perks you were to play a part in a film, Banner, Anna Barham, Pierre Bismuth, Marcel shape coaxed into being with the documents the conception and interview with Rashid Rana by Hans Ulrich would you be yourself or a fictional Broodthaers, Steffan Bruggeman, Tony In October 1913 the German assistance of gravity. Her figurative Conrad, Mekhitar Garabedian, Dean Hughes, realisation of the artists’ recent Obrist character?’ Successful applicants Expressionist artists Emil Nolde works combine the simple elegance Wim Janssen, Antony McCall, László Moholy- exhibition at Blain|Southern, were cast, undertaking a method Nagy, Brian O’Doherty, Man Ray, Paul Sharits (1867 – 1956) and his wife, Ada, of drawing with the complex Cornerhouse, with Asia Triennial Berlin. A monumental, site-specific workshop and subsequently featuring texts by Edwin Carels, Thomas Zummer joined a government-sponsored expressive qualities of painting. Vivid Manchester 11, presents this installation, Turning the Seventh in the final film. Wearing makes edited by Edwin Carels, Kate Macfarlane expedition to German New Guinea, colours and heavy gloss are layered accompanying publication on the Corner was created by Noble the provocation that in a world travelling by way of Siberia, Korea, to construct luminous, shiny surfaces occasion of the first major UK and Webster in collaboration where CCTV, reality television and Graphology considers the range Japan, China and the Philippines. that look seductively wet. As if alive, public solo show from Rashid with the architect David Adjaye. ‘fictionalised’ documentary make us of graphic devices, used by artists Nolde had a life-long fascination her works seem better described Rana (Cornerhouse, Manchester, The installation responded to the all into performers, reality and fiction working across the disciplines of film, with the art of non-European as ‘layers of emotion’ and ‘limitless October – December 2011; New monumental tombs of the Egyptian are interchangeable commodities. photography, painting and sculpture, cultures, admiring its directness and poetry’ than mere compositions of oil, Art Exchange, Nottingham, January Pharaohs and was specifically Are we all playing a role, consciously to mediate direct experience. The expressiveness. During his year-long acrylic, and household gloss: they – March 2012). Included are new inspired by The Great Pyramid of or unconsciously? In addition to scope of the exhibition reaches back trip he constantly drew and painted are skins of paint. This publication and recent works that cut across Giza, one of the Seven Wonders of the full feature film, the DVD extras to the beginning of the twentieth what he saw around him completely offers a comprehensive overview conventional notions of the scale the Ancient World. This publication include previously unseen footage century and includes artists working absorbed by the indigenous people’s of Howard’s artistic practice to and status of the photographic includes intriguing images, drawings from two of the seven participants. today with techniques that translate close harmony with nature. This date, presenting the chronological object, opening up its potential and diagrams which chart the Previous solo shows include the direct experience into different forms superbly produced book presents the development of her work. Divided to represent cultural, social and development of the work, and the Serpentine Gallery, London, ICA of systematised representation, vibrant landscapes and portraits that into separate chapters, the paintings physical realities. The works in this artists’ own photographs reveal Philadelphia, MCA Chicago and the between the trace and the sign, Nolde created during his travels and and drawings convey the sense that exhibition blur the divide between the intricate process of how the Musée Rodin, Paris, with exhibitions between writing and drawing. The includes Ada’s engaging recollections the drawn image assumes a distinct two and three-dimensional forms to installation’s internal sculpture, in 2012 at the Whitechapel Gallery, exhibition and book renew questions of the journey published here for the role in her practice, and yet, these challenge the viewer’s understanding The Gamekeeper’s Gibbet was London and K21m Dusseldorf. Her about medium-specificity through first time. two are undeniably linked as the of the world in which they live. created. A foreword written by David work is also held in the collections of the combination of works from drawings often inform the painted Photo sculptures, large-scale photo Adjaye, which describes the working the Tate and the Museum of Modern different eras and created by various DuMont Buchverlag £27.95 forms. Published on the occasion of mosaics, installations and new video relationship between himself and Art, New York. technologies. The featured artworks ISBN 978-3-8321-9083-5 the exhibition Rachel Howard: Folie à work subvert perception of size and investigate the human hand as a 102 colour, 22 b&w illustrations the artists, is accompanied by both hardback 144 pages Deux at Blain|Southern, London, 12 structure and urge us to look deeper Cornerhouse £17.00 living seismograph of inner life, yet James Putnam’s essay, formerly 300 x 240 mm October – 22 December 2011. into the relationship between the ISBN 978-0-9569571-1-5 concurrently address the ‘mechanical a curator of the British Museum’s DVD multi region PAL fragment and the bigger picture. unconscious of the machine’ which Blain|Southern £35.00 Egyptian Antiquities Collection, running time: 88.00 imposes itself on the human eye. ISBN 978-0-9569904-0-2 and an interview between the three Cornerhouse £15.00 tbc 190 x 135 mm

hardback 224 pages collaborators conducted by curator ISBN 978-0-9550478-9-3 Lesley Robinson in Self Made. Photo credit Drawing Room / M HKA, Antwerp £10.00 tbc illustrated in colour Louisa Elderton. hardback 92 pages Dean Rogers. ISBN 978-0-9558299-5-6 275 x 235 mm 52 colour illustrations softback 64 pages Blain|Southern £25.00 260 x 220 mm tbc 45 b&w illustrations ISBN 978-0-9569904-1-9 240 x 210 mm hardback 126 pages Rashid Rana, The Anatomy Lessons (2011) May 2012 illustrated in colour and b&w Image courtesy the artist 285 x 245 mm 2 3 SPRING 2012

Inside the View Works on Memory GlobalArtAffairs Ffotogallery Helen Sear Daniel Blaufuks firstsite Haunch of Venison distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Publishing distributed by Cornerhouse world-wide texts by David Chandler, Sharon Morris texts by David Drake, David Campany, distributed by Cornerhouse world-wide Filipa Oliveira, Mark Durden, Derrick Price,

Inside the View brings together for Eileen Little Believing is Seeing the first time key bodies of work Culpable Earth Hans Kotter Ahmed Alsoudani Published on the occasion of his produced by Helen Sear over the Steven Claydon Light Flow artists: Je Baak, Duck Hyun Cho, Seihon Cho, exhibition at Ffotogallery, Works on text by Suzannah Biernoff Kyungwoo Chun, Byung-hun Min, Hein-Kuhn last 25 years, reflecting the artist’s texts by Martin Clark, Steven Claydon, texts by Annett Zinsmeister, Kai-Uwe Hemken Oh, Hyun Mi Yoo Memory charts the last 10 years of exploration of the relationship Michelle Cotton, Patrizia Dander This catalogue features works from texts by David Drake, Jiyoon Lee Portuguese artist Daniel Blaufuks’ between colour and form, figure edited by Michelle Cotton the first solo show in Britain by practice. The distinct format of the Colour and light are the main and ground, the visible and the themes in Hans Kotter’s work, acclaimed Iraqi-born artist Ahmed On the occasion of the exhibition book is based on designs by the unseen. Helen Sear’s photographic Culpable Earth is a monographic which comprises photography, light Alsoudani. In this new series of Believing is Seeing at Ffotogallery French publishing imprint Série Noire practice has developed from a fine publication about British artist Steven objects, and installations. It is the paintings, Alsoudani continues (November – December 2011), who released detective thrillers in art background in performance, Claydon’s work, published by firstsite playful treatment of a wide range of his complex exploration of war this new publication focuses on the the 1950s. Daniel Blaufuks is an film and installation work in the on the occasion of Claydon’s solo materials such as oil, water, acrylic and conflict, its physical atrocities work of seven Korean artists who artist fascinated by the processes 1980s and she continues to explore exhibition of the same name. This glass, stainless steel, chrome etc. and psychological consequences. each adopt different approaches of memory – how we construct ideas of vision, touch and the book features over 300 illustrations and their effects in relation to light Featuring deformed, almost bestial, to contemporary photography or meaning in our lives through the representation of the nature of and previously unpublished texts and colour which fascinates the figures twisting in vivid and surreal photography-based work. Focusing accrual of details and traces, from experience, combining drawing, about and by the artist, alongside an artist and inspires him to try out new landscapes, these tableaux are on some common themes in the mental residue and after-images lens-based media and digital extended interview between Claydon forms of expression continually. The often laced with a barbed or morbid contemporary Korean photographic of our daily existence. Blaufuks is technologies. Sear’s work challenges and Martin Clark, Artistic Director, abstraction of colour and light creates humour in the manner of artists art, the publication expands on the interested not only in the ways that the dominant view of photography as Tate St Ives. diffuse landscapes, the illusion of such as Francisco Goya and Max themes explored in the exhibition. photography and film are changing a documentary medium, questioning distance, mysterious waves, the Beckmann among others. Imagery of The term Junsinsaj, used in as media, but also in the methods by its indexical relationship with the firstsite £19.95 impression of water, shimmering heat devastation and violence abounds, traditional Korean portrait painting, which we archive, store and retrieve ISBN 978-0-948252-33-4 world. Photography, whether in its or the finest of fabrics, which seem with figures depicted at the moment signifies the replication of a person’s information – our ability to remember. softback 144 pages analogue or digital form, may enable to glide across the picture surface of a dramatic transition – through shape and spirit. This means that His photographic images of film 260 colour, 45 b&w illustrations us to view in close up the surface 242 x 212 mm in undulating folds. The apparent fear or agony – from the human taking a photograph of a person canisters, cassette tapes, celluloid detail of objects, but in doing so materiality of Kotter’s unmanipulated to the grotesque. While Alsoudani is not restricted to a replication of film strips and negatives etc. remind our perceptual experience of them photographs of the immaterial – of acknowledges the influence of many their physical likeness, but should us that as each analogue ‘memory becomes more ambiguous and light and colour – points to their artists on his work – from Caravaggio also embody the essence of their container’ is superceded by new fragmented, belying their unity and origins in painting, yet at the same to Carroll Dunham – he has at the personality. Inverting the Western technological developments, our coherence. time they document physical same time developed his own unique idiom ‘seeing is believing’, the capacity to record data may increase processes. The incredible degree pictorial language, one based on his exhibition features artists with exponentially, but something is also Ffotogallery £30.00 of beauty, opulence, brilliance and personal experiences of growing up markedly different strategies in ISBN 978-1-872771-88-5 lost in the process. For Blaufuks, simultaneous mystery with which in Baghdad under Saddam Hussein’s relation to photographic portraiture, hardback 144 pages photography is more than simply a natural scientific insights can be regime during the first Gulf War but who all reject any approach to 70 colour illustrations trigger for retrieving past memories. manifest in art is quite remarkable. and of the more recent Iraq conflict. photography that emphasises visual 280 x 230 mm Photography is memory. English and Welsh text Included is an interview with Hans Published on the occasion of the verification and purely mechanical Kotter. exhibition at Haunch of Venison, reproduction. Ffotogallery £10.00 London, 14 October – 26 November ISBN 978-1-872771-87-8 GlobalArtAffairs Publishing £20.00 Ffotogallery £15.00 softback 152 pages 2011. ISBN 978-3-941763-10-4 ISBN 978-1-872771-86-1 92 b&w illustrations softback 120 pages softback 100 pages 178 x 115 mm Haunch of Venison £20.00 85 colour illustrations 32 colour, 16 b&w photographs ISBN 978-1-905620-59-3 260 x 210 mm 255 x 200 mm softback 62 pages English, Welsh and Korean text illustrated in colour 310 x 240 mm 4 5 SPRING 2012

Edward Barber & Jay Enrico Castellani Richard Long Polly Morgan The Mystery of Castellani e Castellani Karoo Highveld: Works from Psychopomps Hayward Publishing Osgerby Appearance distributed by Cornerhouse world-wide South Africa Ascent text by Marcia E. Vetrocq texts by Tom Hunt, Anthony Haden-Guest Conversations Between Ten text by Ben Tuffnell interview with the artist by Guy Kennaway British Post-War Painters text by Thomas Phongsathorn Castellani e Castellani is a special exhibition of both new and seminal Psychopomps was Polly Morgan’s artists: David Hockney, Euan Uglow, Francis Roger Hiorns Edward Barber and Jay Osgerby are Renowned British conceptual and Bacon, Frank Auerbach, Leon Kossoff, Lucian two of the most innovative design work by Enrico Castellani, one of land artist, Richard Long presents his first solo exhibition with Haunch of Freud, Michael Andrews, Patrick Caulfield, Engines Italy’s most influential artists. The Richard Hamilton, William Coldstream practitioners working in Britain today. first solo exhibition of works made Venison in 2010. It consisted of four text by Tom Morton show features new paintings that text by Catherine Lampert, Tom Hunt Recently chosen to design the in southern Africa over the last 50 suspended taxidermy sculptures, foreword by Caroline Douglas Olympic Torch for the London 2012 continue the dialogue set forth in his years. His fascination with land and each poised between metamorphosis formative Angolare series as well walking translates, in this exhibition, and flight. Named Psychopomps The Mystery of Appearance is a Roger Hiorns is perhaps best known Games, they engage in many forms fresh appraisal of 10 British artists of design, from industrial design as presents his critically acclaimed into large-scale installations made after the mythical creatures that for sculptures made by dipping Spazio Ambiente, a room-like using rocks recovered from the conduct souls into the after-life, their with a display of over 40 paintings objects into copper sulphate to to architecture. Their collaborative and drawings including works that exhibition Ascent, presented eight environment from 1970 that has Cradle of Humankind in Gauteng, historical representation includes encrust their surfaces with glittering rarely been exhibited publicly, and wall-text interventions and Hermes and Charon from Greek haven’t been on public display blue barnacles. In Nunhead (2004), new pieces (and related drawings) for decades. In the mid-twentieth inspired by the structures and which is graciously on loan from the photographs. Long made his first mythology, the Valkyries from Norse a pair of BMW car engines has Fendi collection. Although created trip to Africa in 1969 to climb Mount myth, Anubis the jackal-headed century this group of artists revived been transformed using this process engineered forms of moving craft: portrait and landscape painting forms that have, what Barber and decades apart, the works exemplify Kilimanjaro. His journey culminated Egyptian God, and in various to create a sculpture of jewel-like Castellani’s signature style and with his creating, and then leaving, cultures, horses, bees, birds and at a time when abstract painting beauty. In 2010 the artist was Osgerby refer to as ‘hidden design’. dominated. Their continued influence Interest in these fields originated in merge art, space and architecture to a sculpture on the summit. Since shamans. In Morgan’s vision, these commissioned by the Art Institute transcend the confines of painting. this early work, the internationally winged creatures are represented as on a younger generation of artists of Chicago to produce a work their respective childhoods. Osgerby is demonstrated by the powerful grew up close to a Royal Airforce Formally trained as an architect, renowned artist has maintained an a fabulous troupe made up of a flying consisting of two decommissioned Castellani focuses on manipulating affinity for Africa’s diverse landscapes machine, a bright red cardinal held in hold figurative art has today. The aircraft engines that were once part base in Oxfordshire and spent many exhibition examines the influence of hours watching the airplanes flying the surface configurations of his and has returned to the continent a human ribcage carried by balloons, of military surveillance planes. Hiorns canvases to alter perceptions of several times over the years to and two winged cornucopias. The the personal relationships between has explored his further interest in there. Barber developed a fascination these artists and looks at the way with boat design while sailing as space. In a recent interview with the create his unique sculptural works flying machine offers a fantastical machine forms in this work, and has artist, Hans Ulrich Obrist described directly in the landscape. Twice, in inversion of the life of a caged bird. their conversations impacted on subjected the engines to material a child. Ascent references these the development of their work, moving craft, for example in the fin- Castellani’s break from traditionally 2004 and 2009, Long visited South Rather than imprisoned, these alteration. In Untitled (Alliance) conceived paintings as ‘an epiphany’. Africa and produced works in the flame-coloured finches fly above demonstrating that despite their (2011), he has incorporated crushed like shape of Foil V, a wall mounted wide-ranging styles they are each brass structure, or the satellite shape Published on the occasion of the Karoo and in the Highveld, near to their cage, carrying it off as if to forms of three pharmaceuticals – exhibition at Haunch of Venison, New the Cradle of Humankind. Published another world. Inert but seemingly linked by a desire to catch what Effexor, Citalopram and Mannitol of Planform Array V, an angular, Bacon describes as ‘the mystery of hanging chandelier comprising of York, 11 November 2011 – 7 January by Haunch of Venison on the poised to journey somewhere far – which are used to treat trauma and 2012. occasion of the exhibition (supported away Morgan’s Psychopomps are appearance within the mystery of depression. eight segments that are fixed around making’, and in doing so broke new a central axis. Published on the by British Council) at Iziko South hybrids that evoke, on the one hand, Haunch of Venison £16.00 ground in contemporary painting. Hayward Publishing £9.99 tbc occasion of the exhibition Ascent African National Gallery, Cape Town, the metaphoric nature of these soul ISBN 978-1-905620-61-6 9 November 2011 – 10 April 2012. conductors, and on the other, the Published on the occasion of the ISBN 978-1-85332-308-9 at Haunch of Venison, London, 24 softback 52 pages softback tbc 112 pages tbc traditions of taxidermy and its attempt exhibition at Haunch of Venison, September – 19 November 2011. illustrated in colour and b&w 30 colour illustrations tbc Haunch of Venison £18.00 London, 7 December 2011 – 18 270 x 210 mm to reinvigorate the bodies of dead 170 x 110 mm ISBN 978-1-905620-62-3 February 2012. Haunch of Venison £20.00 animals. July 2012 hardback 46 pages ISBN 978-1-905620-60-9 not available to customers in North, South and illustrated in colour hardback 48 pages Haunch of Venison £18.00 Haunch of Venison £38.00 Central America 193 x 295 mm illustrated in colour ISBN 978-1-905620-52-4 ISBN 978-1-905620-63-0 235 x 235 mm hardback 104 pages hardback 128 pages Untitled (Alliance) (2011) © the artist. Gift of the illustrated in colour illustrated in colour and b&w artist and Corvi Mora, London. Supported by The 290 x 220 mm Henry Moore Foundation. Image courtesy Arts 225 x 165 mm Council Collection, Southbank Centre, London

6 7 SPRING 2012

Henry Moore New Chinese Sculpture David Shrigley Freud on Holiday Freud on Holiday

text by Benedict Read Pass the Spoon: A Sort-of- Information as Material Appendix I: Freud’s Weather Five Artists from China distributed by Cornerhouse world-wide Volume III foreword by Caroline Douglas Opera About Cookery Appendix II: Freud’s Dining artists: Liang Shoij, Gu Dexin, Cai Guo-Qiang, The Forgetting of a Xu Xhen, Sun Yuan/Peng Yu illustrated libretto by David Shrigley, David Proper Name artist: Sharon Kivland This beautiful, small-format book texts by Stephanie Rosenthal and others Fennessy, Nicholas Bone edited by Simon Morris, Nick Thurston artist: Sharon Kivland not only presents a number of key foreword by David Shrigley Exercise in Pathetic works by this major sculptor, but Amongst a host of exhibitions and edited by Simon Morris, Nick Thurston, Criticism Eleni Saroglou Almost every year Sigmund Freud also examines his early relationship books surveying ‘New Art from Best-known for his wry and witty Kate Briggs translation by Eleanna Panagou went on holiday, often accompanied with the Arts Council Collection, as China’, this title stands out as a drawings, David Shrigley’s artistic by his brother Alexander, an expert advisor to its acquisitions committee practice extends well beyond drawing uniquely focussed and daring Exercise in Pathetic Criticism, The third volume in the series Freud on railway transport, timetables, and during the early 1950s. Moore was a to include photography, sculpture, investigation of Chinese sculpture the first in a planned series of on Holiday describes a number of travel tariffs. Freud prepared carefully major force in shaping the sculpture neon signs, animation, painting, and installation. Taking five artists as literary experiments by writer and holiday possibilities, the problem of for his trips, consulting tourist guides collection of the ACC, advocating the printmaking, publishing and music. exemplary and illustrating their most translator Kate Briggs, is a one-page deciding where to go and when, the and other travel literature concerning acquisition of a significant group of Pass the Spoon is a ‘sort-of-opera’ powerful and engaging works, the reconstruction of Alexandre Dumas’ matters of cost and convenience, of the places he intended to visit post-war British sculpture by artists written by Shrigley featuring TV book traces a very particular seam The Count of Monte Cristo according appropriate companions and correct attentively, especially those of the including Kenneth Armitage, Lynn chefs June Spoon and Philip Fork, of performative Chinese art from the to the precepts of ‘pathetic criticism’. context. There are descriptions of sites of classical antiquity, and of Chadwick and Barbara Hepworth. a manic-depressive Egg and a host late 1980s to the present. The artists The exercise materialises a new train itineraries, of hotel rooms and course, the famous Baedeker. The Moore himself is strongly represented of other surreal characters. The featured here privilege performance, form of literary criticism dreamt up restaurant menus, but the name of 56 letters and 189 postcards of his in the Collection by 11 powerful libretto is published on the occasion the body and individual expression by Roland Barthes in his last lecture one restaurant resists recall for most travel correspondence with his family sculptures, as well as 15 works of performances taking place at in their works. Often working on a course at the Collège de France: a of the book. There is a surprising between 1895 and 1923 reveal his on paper spanning five decades. Edinburgh’s Traverse Theatre, and grand scale, they invite the audience mode of affective reading that dares connection with hysteria and enjoyment of these holidays, his These works provide a succinct the Southbank Centre in London. to engage with overwhelming, yet to ruin the literary work ‘in order to another name is forgotten en route, pleasure in his liberty, in getting a history of Henry Moore’s practice Featuring 20 brand-new black- ephemeral experiences – works make it live’. Designed by Lucrezia accompanied by an embarrassing bargain, in the blue skies and the between 1929 and 1962, with key and-white illustrations and original which transform or even disappear Russo. error in chronology. At last, forgotten southern warmth, in the beauty of the developments in both two and three- text, this is the first-ever libretto over time. Published to coincide names are remembered, although an landscape, in wine and food. From dimensional works illustrated in this written by David Shrigley and a with a major exhibition at London’s Information as Material £8.99 image that has been talked away is this correspondence descriptions of truly unique addition to the popular unique and rigorously researched Hayward Gallery (September – ISBN 978-1-907468-08-7 not seen again. the weather have been collected in titles already available on this little book alongside important December 2012), this lavishly hardback 1 fold out page Appendix I, and descriptions of what documentary material. illustrated book explores the political, acclaimed contemporary artist. See text only Information as Material / Cubearteditions, he ate and drank (and the state of 195 x 125 mm social and cultural conditions that also David Shrigley: Brain Activity, Athens £12.50 his digestion) have been collected in Hayward Publishing £9.99 tbc have shaped contemporary Chinese (hardback, ISBN 978-1-85332-297-6, ISBN 978-1-907468-06-3 Appendix II. ISBN 978-1-85332-302-7 softback 56 pages sculpture of this kind. £24.99) Hayward Publishing’s new softback tbc 80 pages tbc 16 colour, 2 b&w illustrations companion to the artist’s work, Information as Material £7.50 per volume 30 colour illustrations 230 x 145 mm Appendix I ISBN 978-1-907468-09-4 170 x 110 mm Hayward Publishing £24.99 tbc featuring an exclusive 7” vinyl English and Greek text Appendix II ISBN 978-1-907468-10-0 not available to customers in North, South and ISBN 978-1-85332-303-4 picture-disk with brand-new spoken not available to customers in Greece Central America softback tbc 192 pages tbc word tracks by the artist. softback 16 pages 230 x 145 mm 100 colour illustrations tbc Henry Moore, Working Model for Reclining Figure: 210 x 180 mm English and Greek text Hayward Publishing £7.99 Internal/External Form, 1951. Image courtesy Arts September 2012 ISBN 978-1-85332-307-2 Council Collection, Southbank Centre, London not available to customers in North, South and softback 112 pages tbc Central America 20 b&w illustrations tbc Cai Guo-Qiang, Tornado: Explosion Project for 185 x 110 mm the Kennedy Center, 2005 not available to customers in North, South and Central America

8 9 SPRING 2012

The Persons Reisen II John Baldessari John Baldessari & Yto Barrada Peter Jaeger JRP|Ringier More Than You Wanted to artist: Sharon Kivland distributed by Cornerhouse in the UK Naomi Shohan texts by Jean-François Chevrier, Juan and Europe Know About John Baldessari Goytisolo, Marie Muracciole, Sina Najafi texts by John Baldessari, David Campany, The Persons is a scrapbook of Reisen II is the second in a series of edited by Lionel Bovier, Clément Dirié Volumes I & II Amy Cappellazzo, Jessica Morgan, found texts which have been occasional pamphlets, which refer Naomi Shohan edited by Meg Cranston, Hans Ulrich Obrist For more than a decade now, clipped, archived, sorted for their to the trains, train journeys, railway- Antidote edited by Cristina Bechtler, David Campany French-Moroccan artist Yto parallel grammatical structure, and lines, stations, station platforms, The Ginette Moulin More Than You Wanted to Know Barrada has offered a reflection then rearranged so that no two railway timetables, ticket collectors, & Guillaume Houzé About John Baldessari is the first PA is an artist’s magazine which on postcolonial history and current consecutive sentences come from and train compartments in the life Contemporary Art Collection complete collection of the writings is published annually. Each geopolitical changes from a ‘non- the same source. Peter Jaeger’s and work of Sigmund Freud. This of artist John Baldessari. Edited issue presents an in-depth look texts by Pierre Bal-Blanc, Jean-Marc Ballée, at the oeuvre of a contemporary Western’ art world perspective. life, here, is thus written through the modest booklet contains details Jens Hoffmann, Claire Le Restif, Christiane and with essays by Meg Cranston Trained at the International Center of words of others: those protagonists of some of the train journeys of Rekade, Alexis Vaillant and Hans Ulrich Obrist, the texts artist working in the medium of Photography (New York), she gained who animated his imagination and Freud’s holidays, gleaned from edited by Guillaume Houzé, Mathias in this two-volume set trace the photography. The artists are given recognition in 2004 with her long- left their traces in the newspapers, his correspondence home, with Schweizer, Aurélie Voltz development of Baldessari’s the opportunity to invite a fellow lasting project entitled A Life Full of emails, diaries, books (from reference to contemporary editions understanding of art from the early artist of their choice to make a Since 2005, Guillaume Houzé and Hopes – The Strait Project. In this literature to philosophy), and all of Cook’s Continental Time Tables, 1960s through to the present, and contribution to the issue and to his grandmother Ginette Moulin have photographic series – for which she the countless ephemera with which Tourist’s Handbook and Steamship includes an extended interview engage in a dialogue about their presented contemporary art in La received the Ellen Auerbach Award in the externalized inner drama of our Tables, supplemented by consultation with the artist on the subject of his practice. American artist John Galerie des Galeries, an art space 2006 – she presents an unexpected lives plays out. Peter Jaeger is a of the European rail timetables of the writing. The collection also includes Baldessari and film set designer they created in the Paris Galeries portrait of her hometown Tangier. Canadian poet, literary critic and text- present day. numerous never-before-published Naomi Shohan created PA #3 Lafayette flagship store, which was Her works include films, installations, based artist now living in the UK. His texts as well as facsimiles of the presenting a unique combination: film Information as Material £5.00 founded by Guillaume Houzé’s great- sculptures, and publications, published work includes the books original documents that illustrate stills from the outsider’s view – the ISBN 978-1-907468-07-0 grandfather. Each year they organize and propose a combination of Eckhart Cars (2004), Prop (2007), Baldessari’s composition of words, artist’s take on Hollywood – and film softback 16 pages the Antidote exhibition, which is documentary strategies with a and Rapid Eye Movement (2009). He which achieve both literary and stills from the insider’s view – the 1 b&w illustration devoted to French and foreign artists. meditative approach to images. currently teaches poetry and literary 150 x 105 mm graphic impact. Baldessari’s set designer who has worked on They have also started a collection Introduced by Spanish writer Juan theory at Roehampton University in writing addresses a broad range of many major film productions such together, which is now one of the Goytisolo, this reference monograph London, and lives in rural Somerset topics from the problem of colour as American Beauty, Constantine, leading French private collections puts together a retrospective essay with his family. ‘The Persons extends in sculpture, to the problem of art The Replacement Killers, The and includes works by Xavier by the art critic and curator Marie the necessary criticism of the world students who need ideas, to the Sorcerer’s Apprentice, as well as Veilhan, Tatiana Trouvé, Cyprien Muracciole, a visual essay by the inside a celebration of life.’ (Allen problem of money in the art world, many others. They engage in a visual Gaillard, Sâadane Afif, Gedi Sibony, art historian and theoretician Jean- Fisher) while returning throughout to the very dialogue and play with juxtapositions, Wade Guyton, Ugo Rondinone, and François Chevrier, and an interview focused set of issues that are key correspondences, and contrasts, David Noonan. Although this book with Sina Najafi, the editor-in-chief of Information as Material £7.50 to his own work. Principle among which add new surprising, ironic, ISBN 978-1-907468-04-9 includes a complete inventory of the Cabinet magazine. Together with a them is Baldessari’s love of words and witty dimensions and narrations softback 50 pages works, the collection is presented in to the images. Published with large selection of works, these texts text only and his long-standing investigation the form of a comic by Jean-Marc Cristina Bechtler in collaboration with offer an overview of Barrada’s work 210 x 147 mm into the similarity and possible Ballée which is also a carte blanche – a practice that deals with history interchangeability of word and image. Christie’s. to graphic designer and artist Mathias and geography, family stories, and

Schweizer, who has conceived this JRP|Ringier £15.00 JRP|Ringier £15.00 per volume layered memories. ISBN 978-3-03764-252-8 surprising book. ISBN 978-3-03764-192-7 Volume I softback 128 pages ISBN 978-3-03764-256-6 Volume II JRP|Ringier £25.00 59 colour, 46 b&w illustrations JRP|Ringier £34.00 softback 250 pages ISBN 978-3-03764-202-3 English edition 310 x 240 mm ISBN 978-3-03764-229-0 English edition 15 b&w illustrations ISBN 978-3-03764-203-0 French edition ISBN: 978-3-03764-248-1 French edition 210 x 150 mm softback 160 pages softback 240 pages June 2012 100 colour illustrations 72 colour, 401 b&w illustrations 286 x 238 mm 320 x 220 mm April 2012 10 11 SPRING 2012

Ericka Beckman Jennifer Bolande Kerstin Brätsch / Adele Gerard Byrne Ross Chisholm Isabelle Cornaro The Super-8 Trilogy Landmarks Röder Case Study: Loch Ness (Some texts by Jonathan Griffin, John Reardon texts by Glenn Adamson, Alice Motard, Vivian Sky Rehberg edited by Lionel Bovier texts by Dennis Balk, Jack Bankowsky, DAS INSTITUT: Triennial Possibilities and Problems) edited by Lionel Bovier Rosetta Brooks, Nicholas Frank, edited by Clément Dirié texts by Brian Dillon, Anthony Spira, Ingrid Schaffner, Christina Valentine Report 2011 – 2009 Beckman began making films Andrea Viliani This monograph presents a survey edited by Nicholas Frank text by Seth Price Isabelle Cornaro investigates in the mid 1970s using Super-8 edited by Anthony Spira, Andrea Vilani of British artist Ross Chisholm’s sound film. Neither documentaries edited by Katharina Hegewisch von Perfall, work which is characterised by his the relationship between objects For the past 25 years Jennifer Kathrin Jentjens, Anja Nathan-Dorn, Sandra nor narratives, these works, as J. In this book, Gerard Byrne brings ongoing use of repetition and motif to – especially decorative objects – Bolande has engaged in an intuitive Patron, Beatrix Ruf Hoberman puts it, are ‘like primitive together the culmination of 10 years explore the temporality of the painted value, and art, through the issues form of conceptualism, working cartoons ... enigmatic allegories Das Institut presents a lavishly of research into the Loch Ness surface. Using painting, drawing, and of representation, perceptual in a variety of media including filled with nervous activity and illustrated review of the productions, Monster, the myth fuelled in the altered found photographs, Chisholm experience, and reproduction. She is photography, sculpture, photo- comic violence, sexual imagery exhibitions, and collaborations in 1930s by the popular press in order takes as his starting point imagery also exploring how to translate forms objects, collage, film, installation, and ... perceptual game-playing and which it has been involved over to sell newspapers. Appropriating mined from centuries of British visual and languages, for example an old dance. She has built a career out of ingenious homemade optical effects.’ the past three years in the style of formal conventions from the history culture; his source materials range master painting into a 3D installation, being attentive to visual anomalies, This first anthology gathers three a business report. Das Institut was of Land Art that position landscape from eighteenth-century society a film into a graphic score, or the making once-ephemeral perceptual pieces from 1979 – 1980, made after founded in New York in 2007 by as the ‘other’, Byrne has compiled portraiture by Allan Ramsay and vocabulary of Minimalism into a and cultural slippages concrete. her CalArts studies and featuring Kerstin Brätsch and Adele Röder as a series of images that deploy Joshua Reynolds to photographs more emotional language. She Her work questions the distinctions many other artists as actors. a notional free space in which they Loch Ness as a signifier for the of twentieth-century families on mines ambiguity by setting up a between objects and events, and both gave themselves the opportunity enigmatic, the unreadable. Using vacation, which he collects at flea tension between the analytical, between what is real and what is JRP|Ringier £30.00 of working independently from the both the populist literature spawned markets. The artist painstakingly symbolic, lyrical, and anecdotal, imagined. Landmarks is the title of ISBN 978-3-03764-259-7 concept of their own oeuvres, for by the Loch Ness myth and the recreates these original images using addressing how our way of looking DVD running time: 83.00 the first book dedicated to her work. their promotion and reproduction. photographic material his own the rich techniques of Old Master constructs the world and its uses. 190 x 135 mm Sequenced and co-designed by Each smuggles her works into expeditions have yielded as ‘found painting, and then disrupts our She works with various media such the artist, it carries the viewer into the agency as models for further material’, Byrne has developed historical and narrative associations as installation, painting, sculpture, and through the sets of elements, processing by the other. Sources a project both humorous and with his subjects through various video, and drawing. To accompany themes, and narratives that recur, of inspiration, costs, sales revenue, melancholic, that ultimately reflects formal means. By conflating the first publication on Isabelle build, and dovetail throughout her and exhibition techniques are frankly a crisis of belief in the photographic disparate historical moments and Cornaro’s works, this book brings work. This publication has been disclosed. What at first looks like a image that has surfaced since the modes of portraiture, the artist draws together a comprehensive essay produced on the occasion of the strong overstatement that treads a last heyday of Loch Ness interest attention to the shifting conventions by art historian and critic Vivian Sky first critical survey exhibition by fine line between art, knitwear, role in the 1970s. Published with Milton of, but sustained urge for, self- Rehberg, an interview with London- Jennifer Bolande, and spans three play, and marketing is at the same Keynes Gallery following their representation. Published with Marc based Raven Row deputy director decades of her work in a wide array time a trenchant observation of the exhibition, 14 January – 3 April 2011. Jancou Contemporary, New York. Alice Motard, and an examination of of media. The exhibition began at the art scene, and a plea for artistic her relationship with decorative arts Institute for Visual Arts, Milwaukee, experiment and the potential of JRP|Ringier £23.00 JRP|Ringier £17.00 by Glenn Adamson, Deputy Head Wisconsin, and traveled to the ICA, ISBN 978-3-03764-271-9 painting. ISBN 978-3-03764-261-0 of Research and Head of Graduate Philadelphia in January of 2012. hardback 96 pages hardback 64 pages Studies at the Victoria and Albert 70 b&w illustrations 40 colour illustrations JRP|Ringier £38.00 Museum. JRP|Ringier £28.00 290 x 300 mm 286 x 205 mm ISBN 978-3-03764-231-3 April 2012 ISBN 978-3-03764-260-3 softback 344 pages JRP|Ringier £17.00 softback 160 pages 1200 colour illustrations ISBN 978-3-03764-208-5 English edition 116 colour, 25 b&w illustrations 297 x 210 mm ISBN 978-3-03764-209-2 French edition 318 x 220 mm English, French and German text hardback 64 pages May 2012 56 colour, 2 b&w illustrations 286 x 205 mm

12 13 SPRING 2012

Jef Cornelis Jef Cornelis Nicole Eisenman Everything Is In Florian Germann Luigi Ghirri Documenta 4 Documenta 5 texts by Nicole Eisenman, Beatrix Ruf, Everything The Poltergeist Experimental Project Prints Lynne Tillman, Laurie Weeks edited by Yves Aupetitallot edited by Yves Aupetitallot Jacques Rancière Between Group (PEG) Applied text by Andrea Bellini, Luigi Ghirri, Paola edited by Beatrix Ruf Intellectual Emancipation and Spirituality and Physical Spirit Ghirri, Massimo Minini, Elena Re Documenta 4 by Jef Cornelis is Documenta 5 by Jef Cornelis is the edited by Elena Re Aesthetic Education Manifestation the first title of the new Archives second title of the new Archives Since the 1990s the American edited by Raphael Gygax, Heike Munder collection, which is dedicated to collection. Held in Kassel in 1972, artist Nicole Eisenman has gained texts by Arne de Boever, Claire Fontaine, In the early 1970s Luigi Ghirri delved attention with her figurative paintings Peter Friedl, Jeremy Gilbert-Rolfe, Maria into fundamental ideas about the landmark exhibitions and curatorial Documenta 5 was curated by Muhle, Jacques Rancière, Jason E. Smith, In his wide-ranging cycles of works, that, playfully and with great role of photography in contemporary practices, and which provides ‘master-curator’ Harald Szeemann Jan Voelker, Annette Weisser, Evan Calder each of which is devoted to a unifying artistic freedom, cross stylistic and Williams art. As he began to structure his first reference material and moving and remains one of the most thematic narrative, the Swiss artist compositional elements from the edited by Jason E. Smith, Annette Weisser series he often created ‘maquettes’ images to a growing field of research, important international exhibitions Florian Germann creates complex history of art from Renaissance in order to visualize his work and that of curatorial studies and of the past few decades. Entitled systems of reference, playing with the painting to modernism with comics, For Jacques Rancière, politics is not think about it. In the early 1980s, exhibition history. Held in Kassel Interrogation of Reality – Picture role of the artist-researcher. As points slapstick, TV culture, pornography, primarily the exercise of, or struggle as he probed deeper in his search in 1968, Documenta 4 – the last to Worlds Today, it brought together of departure for these individual and subcultural image strategies. for, power, but the institution of a for expression on the subject of be directed by Documenta founder works by Marcel Broodthaers, experimental arrangements, Central to Eisenman’s oeuvre is a certain type of space and time, a landscapes, Ghirri started producing Arnold Bode – was plagued by Christian Boltanski, Arnulf Rainer, Germann uses characters from complex, excessive, drawing-based mode of visibility and intelligibility larger negatives, clearly not for the controversy and debate: artistic Claes Oldenburg, Gerhard Richter, history such as Napoleon, or motifs work that comprises all the classical that creates a tear in the consensual sake of technique itself, but rather and political and generational and Ed Ruscha, and could be called from myth and fantasy such as picture genres as well as a wit fabric of a given form of collective to ‘get inside’ the subject more and aesthetic conflicts, as well as the first exhibition as a spectacle. lycanthropy (from the Greek lukos, formulated between the outrageous life. Art institutes just such a space intensely. Thanks to these master tensions between European and Introducing the different sections ‘wolf’, and anthropos, ‘man’: the and the idiotic. Nicole Eisenman’s and time, in which the fundamental copies, Ghirri was able to produce American art were some of the issues (Artist’s Museum, Individual werewolf), which he subjects to a work is an inspired and gleeful polarities of experience – activity excellent contact prints, small that affected this edition, echoing Mythologies etc.) and protagonists, revisionary rewriting, interweaving deconstruction of conventions in art and passivity, form and matter, photographs that he could cut out, the social and political upheavals the film is both a report on trends factual and fictional aspects. This and society and it questions social appearance and reality – are file, and line up in order to see each that were taking place elsewhere at and pacesetters of the time, as well first monograph documents the models above all by reversing the suspended and transformed. The image, plan his series, organise his the same time. The film reflects this as an approach to the phenomenon cycles of works The Poltergeist clichés of female and male roles. It questions forming the horizon of this own view; he could leave the images effervescence, giving voice to the of Documenta, questioning the Experimental Group (PEG), Applied is about power and powerlessness, collection are therefore: What would loose and bring them together again artists, curators, and audience, but definitions of exhibition maker, Spirituality and Physical Spirit about art and commerce, it mean to propose a new aesthetic in endless combinations. These small also offers a unique approach to an artist, exhibition, contemporary (2011), Saint Helena/Riches from consumerism and sex, about the education of humanity today? How photographs that enabled Ghirri to exhibition in progress. We can watch art. Jef Cornelis has realised the Depths of the Mountains (2010), possibilities made available by would the resurrection of this concept organize his own vision from the Sol LeWitt constructing Three Part more than 200 films, especially on and The Werewolf of Vienna (2009). professionalism and dilettantism, and transform the current concepts of art, early 1980s until 1992 were the Variation, Joseph Beuys installing his architecture, literature, and the arts. Published with the Migros Museum how artistic success and everyday politics, and pedagogy? And to what ‘project prints’. Raumplastik, Martial Raysse talking Yves Aupetitallot is an art historian, für Gegenwartskunst, Zurich. life are constructed. At the same time extent is it necessary to return to the about the place of the artist curator, art critic, and director of at Kassel, Harald Szeemann Le Magasin – Centre National d’Art her work deals with the subsequent founding moments of aesthetic theory JRP|Ringier £32.00 JRP|Ringier £28.00 ISBN 978-3-03764-249-8 defending the concept of the Contemporain, Grenoble. His essay question of how the individual and to rearticulate the relation between ISBN 978-3-03764-270-2 she herself as artist and woman can art and politics today. Published hardback 180 pages museum, Edward Kienholz explaining offers essential reference points that hardback 148 pages 200 colour illustrations with Art Center Graduate Press, his work from inside his Roxy elucidate the context and debates. take up a position within these roles. 51 colour, 30 b&w illustrations 200 x 260 mm 235 x 175 mm installation, and so on. Published with the Kunsthalle Zürich. Pasadena. English and Italian text English and German text JRP|Ringier £17.00 April 2012 JRP|Ringier £12.00 JRP|Ringier £17.00 ISBN 978-3-03764-258-0 JRP|Ringier £17.00 ISBN 978-3-03764-265-8 ISBN 978-3-03764-257-3 DVD multi region PAL/SECAM ISBN 978-3-905770-78-0 softback 144 pages DVD multi region PAL/SECAM running time: 54.00 hardback 96 pages 19 b&w illustrations running time: 54.00 190 x 135 mm 63 colour illustrations 230 x 140 mm 190 x 135 mm English and French text 255 x 205 mm English and French text April 2012 English and German text April 2012

14 15 SPRING 2012

Piero Gilardi Richard Hughes Pierre Keller Daria Martin Hans Ulrich Obrist Tim Rollins & K.O.S. texts by Andrea Bellini, Charles Esche texts by Martin Clark, Tom O’Sullivan, texts by John Armleder, Lionel Bovier, Nicolas Sensorium Tests A Brief History of New Music An Index Joanne Tatham Henchoz, Elisabeth Lebovici, Claude-Alain edited by Benoit Porcher texts by Melissa Gronlund, Daria Martin edited by Lionel Bovier texts by Nicholas Cullinan, Nikola Dietrich, Mayor, Stéphanie Moisdon, François Rappo, edited by Lionel Bovier Suzanne Hudson, Alessandro Rabottini, Tommaso Trini, Eric Troncy edited by Anthony Spira Piero Gilardi is a pioneer of Arte Andrea Viliani edited by Lionel Bovier Following the success of A Brief Povera and a proud advocate of an Drawing inspiration from the This monograph revolves around History of Curating (now available edited by Alessandro Rabottini ecological-concerned undertaking in seemingly banal objects of daily life, Daria Martin’s new film Sensorium in five different languages, in its The journey of Pierre Keller in Tim Rollins and K.O.S. (Kids of visual arts. He is a peripatetic artist the sculptural installations of Richard Tests, 2011, which uses the recently fourth reprint, and soon as an the cultural field is resolutely Survival) have been collaboratively who gathered information about Hughes reflect upon instances of the recognized neurological condition of e-book), this publication gathers multidimensional. Trained as a drawing and painting on book pages experimental art and creators in everyday with formal clarity and wit. mirror-touch synaesthesia to explore together interviews with pioneering graphic designer, he first worked in since 1982. This publication has the 1960s, promoting the work of Often refashioning his subjects using how sensations are transmitted, musicians of the 1950s to the 1980s. Switzerland and Italy (with Eugenio been conceived as a guide to this Richard Long or Jan Dibbets, and materials such as fiberglass, cast shared, and created in film, raising The book thus brings together Carmi), mixing his interest in optical work, analysing the group’s artistic introducing Bruce Nauman or Eva resin, silicone, and polyurethane, the question: Can a spectator feel avant-garde composers such as and kinetic art with his knowledge of method from its inception through to Hesse into Europe. He is also a Hughes engages us in a process of a bodily reaction to film? Exploring Elliot Carter, Pierre Boulez, and modernist applied arts’ vocabulary. today. The aim is to set up an index political activist who marched with illusion and artifice, a strategy that the spectrum that lies between sight Karlheinz Stockhausen; originators Traveling to the USA and the Nova that gathers together all the books on FIAT workers in the 1970s, and who continually plays upon our sense of and touch, the publication includes of electro-acoustic music such as Scotia College of Art in the early which the group has worked: each founded, in the 2000s the Living Art order, knowledge, and perception. key texts selected by Martin into François Bayle, Pauline Oliveros, 1970s, he discovered Conceptual one will be discussed based on the Park, commissioning earthworks This new publication considers the such pressing issues, which are also Iannis Xenakis, and Peter Zinovieff; art and realized his ‘Kilo-Art’, a reasons for its selection, alongside to contemporary artists such as artist’s work to date with a text by related to voyeurism and projection, Minimalist and Fluxus-inspired artists new measurement, which he had images of the work itself. The book Dominique Gonzalez-Foerster or Joanne Tatham and Tom O’Sullivan, artificial intelligence, and magic, such as Tony Conrad, Henry Flynt, authenticated by the relevant contains critical essays by Nicholas Lara Almarcegui. For all this and for and a conversation between the from a host of leading writers and Phil Niblock, Yoko Ono, Steve Reich, Federal Office. In the mid 1970s, Cullinan, Curator of Contemporary much more – his design and fashion artist and Martin Clark, Artistic thinkers from Mary Shelley to Wayne and Terry Riley; as well figures he started using photography as a Art at Tate Modern, and Suzanne creations, his social endeavors, Director of Tate St Ives. Hughes Koestenbaum, via Maurice Merleau- such as Brian Eno, Kraftwerk, Arto medium, in particular Polaroids. In Hudson, Associate Professor of etc. – Piero Gilardi is emblematic has exhibited at Tate Britain and Ponty, Rainer-Werner Fassbinder, Lindsay, and Gaetano Veloso. Their the vibrant New York scene of the Art History at the Center for the of the evolutions of art and society the Institute of Contemporary Arts, and Laura Mulvey. Martin’s contributions map the evolution of the 1970s – 1980s, he crossed paths Study of Modern Art at the Phillips of the last five decades. He is an London; the Carnegie Museum of introduction to this section addresses musical field, from early experiments with people such as Nan Goldin Collection in Washington, DC, and artist whose works and theoretical Art, Pittsburgh; the Palazzo Grassi, subjects such as mirroring, paralysis, in concrete and abstract music, to and Keith Haring, and started to a conversation between Tim Rollins researches are still relevant to map Venice; and the Museum Abteiberg, and animism, asking such far- the electronic development and use his art world understanding and Alessandro Rabottini, Nikola what art could achieve and how art Mönchengladbach. He lives and reaching questions as how empathy the hybridisation between Pop and and contacts to teaching, before Dietrich, Curator of the Museum could be useful in the ‘real world’. works in London. and desire, identification and lust avant-garde culture. The book is becoming, in the 1990s, the Director für Gegenwartskunst in Basel, Published with Castello di Rivoli, are related. Daria Martin was born in part of the Documents series, JRP|Ringier £17.00 of the Lausanne art school, ECAL. and Andrea Viliani, Director of the Turin, and Van Abbemuseum, San Francisco in 1973 and currently co-published with Les presses du ISBN 978-3-03764-239-9 This book, stemming from a state- Fondazione Galleria Civica in Trento. Eindhoven. lives in London. Her films have been réel and dedicated to critical writings. hardback 64 pages funded research project headed by Published with the GAMeC – Galleria 40 colour illustrations screened in many international Lionel Bovier, follows this trajectory d’Arte Moderna e Contemporanea, JRP|Ringier £40.00 286 x 205 mm venues, including Tate Modern, Tate JRP|Ringier £15.00 and gathers together for the first time Bergamo; the Museum für ISBN 978-3-03764-242-9 April 2012 Britain, the Royal College of Art, the ISBN 978-3-03764-190-3 hardback 144 pages exhaustive documentation of Keller’s softback 320 pages Gegenwartskunst in Basel; and the Vienna Secession, and Arnolfini, 150 colour, 50 b&w illustrations work. 210 x 150 mm Fondazione Galleria Civica in Trento. Bristol. Published with Milton Keynes 272 x 280 mm June 2012 JRP|Ringier £23.00 Gallery alongside their exhibition, JRP|Ringier £29.00 ISBN 978-3-03764-251-1 Daria Martin: Sensorium Tests, 20 ISBN 978-3-03764-241-2 hardback 168 pages January – 8 April 2012. hardback 224 pages 67 colour, 39 b&w illustrations 150 colour illustrations 240 x 170 mm JRP|Ringier £19.00 238 x 174 mm French text ISBN 978-3-03764-272-6 softback 152 pages 95 colour, 35 b&w illustrations 280 x 205 mm 16 17 SPRING 2012

Carlo Scarpa Katerina Seda Hedi Slimane Beat Streuli Paul Thek in Process L’art d’exposer Anthology of a Decade: UK Public Works 1996 – 2011 Kerber Verlag texts by Hamza Walker, Adam Szymczyk, text and edited by Susanne Neubauer distributed by Cornerhouse in the UK, Fanni Fetzer Scandinavia and Eastern Europe texts by Philippe Duboy, Carlo Scarpa edited by Lionel Bovier texts by Raymond Bellour, Roberta Valtorta, Jonathan Watkins Paul Thek in Process evolved from edited by Philippe Duboy During the development of her Hedi Slimane began taking the discovery of an unrealised The Italian architect Carlo Scarpa projects, usually in close relation photographs long before he started Swiss artist Beat Streuli takes the publication project by the American Belvedere (1908 – 1978) is today recognized with a community, Katerina Seda making clothes, as the four volume urban environment and its inhabitants artist Paul Thek (1933 – 1988), Why is Landscape Beautiful? as one of the most inspiring and uses media such as video, drawing, series Anthology of a Decade as the central motif of his work. His which had been discussed while he installation and performance. Her artists: Cyprien Gaillard, Gerhard Richter, innovative museum and exhibition reveals. This volume collects black- photographs are neither documentary was installing his first space-filling Hamish Fulton, Helen Mirra, Lawrence Weiner, architects of the twentieth century. art objects stand subsequently as and-white photographs taken in the nor conceptual: rather they lead environment, Pyramid/A Work in Mariele Neudecker, Mark Dion, Roy Lichtenstein, Thomas Ruff and others During his prolific career he worked witnesses along with her idiosyncratic UK between 2005 and 2010 and us to a form of aesthetics that one Progress in 1971, and which was to texts by Ilka Becker, Lucius Burckhardt, for numerous galleries, museums, artist’s books that document such includes photographs of fans at gigs, could describe as the ‘glamour of the have been released for documenta 5. elaborated projects. Her works have Christine Heidemann, Anne Kersten, and exhibitions and for many years images from Slimane’s ‘British Youth’ usual.’ This monograph is a survey of For this project, around 800 images Martin Schmitz, Ludwig Seyfarth he was one of the official architects been shown at the biennials of Lyon, series, portraits of James Jagger, his oeuvre of the last 15 years, which were taken capturing the progress of of the Venice Biennial. Based on Berlin and Venice, documenta 12 Pete Doherty, Amy Winehouse, Kate includes billboards and large-scale the installation, as well as the final Belvedere – a beautiful view, scenographic devices such as the and just recently at the Tate Modern, Moss, Miles Kane, Arctic Monkeys, window installations on the facades form of this pivotal work of 1970s often from an elevated point in the use of curtains, coloured walls, and where Seda was invited to realise Test Icicles, The Paddingtons, The of public buildings, and a selection installation art. The book contains not landscape, which usually seems like perspectives, and the mise-en-scene a day-long performance. Besides Libertines, These New Puritans, The of his installations of slide and video only a large number of unpublished an image from this perspective. Our of the artwork, his thoughts about offering the first overview of the Kills, Keith Richard’s guitar collection, projections. Streuli by Streuli: an images, but also evaluates the image of the landscape is examined exhibition display and museum artist’s projects, objects, films and and the gravestone of William extensive image sequence mostly complex organisational task of the here in more detail using artistic rehabilitation fundamentally renewed drawings, this reference monograph Blake. Also now available are the taken by the artist himself documents installation’s conception and eventual means. This publication accompanies exhibition making. This never- will also have new commissioned volumes USA featuring photographs, Streuli’s rejection of the classic realisation. It offers an exhibition the exhibition and presents artworks before-published selection of Carlo essays by Hamza Walker and taken in New York and Los Angeles museum exhibition context. Instead history seen through the backdoor, from recent decades that look at Scarpa’s writings and illustrations Adam Szymczyk. Published with the between 2007 and 2011, including he takes the photographs back to with particular attention paid to the landscape as a site of longing (photographs, architectural plans, Museum of Art Lucern. portraits of Gore Vidal, Kenneth their place of origin – public space. status of the ephemeral objects that or as a construct – a profound sketches, etc.) is an invaluable tool to Anger, Ed Ruscha, Courtney Love, With newly commissioned texts by remain as contingent representatives examination of this theme that JRP|Ringier £25.00 understanding exhibition history and Johnny Rotten, and Brice Marden; Raymond Bellour, Roberta Valtorta, of the lost work. The selected and maintains a contemporaneous focus ISBN 978-3-03764-273-3 and Jonathan Watkins. Published the importance of the architectural softback 160 pages France including photographs taken reproduced source material is and uses a great number of texts conception of exhibitions. This 100 colour illustrations at White Stripes, Babyshambles, with the Museo di Fotografia understood as curated in terms of its from diverse scholarly and literary publication is edited and introduced 286 x 237 mm Franz Ferdinand, Beck, and David Contemporanea, Milan, and the Ikon re-incorporation of what has been left areas. Published on the occasion by Philippe Duboy, professor of April 2012 Bowie gigs; and Europa including Gallery, Birmingham. out of art and exhibition history. of the exhibition Belvedere: Why is architectural history. Duboy is a a collection of black and white Landscape Beautiful? at Arp Museum JRP|Ringier £25.00 specialist on Carlo Scarpa, with photographs taken in Moscow and JRP|Ringier £15.00 Bahnhof Rolandseck, Remagen, ISBN 978-3-03764-206-1 ISBN 978-3-03764-253-5 whom he worked on the occasion Berlin. Germany, 9 September 2011 – softback 160 pages softback 160 pages 4 March 2012. of the international architectural 85 colour, 15 b&w illustrations 100 b&w illustrations competition for the Picasso Museum JRP|Ringier £35.00 per volume 286 x 238 mm 230 x 160 mm (Paris, 1976). Published with UK ISBN 978-3-03764-222-1 June 2012 Kerber Verlag £24.50 160 pages 193 b&w illustrations ISBN 978-3-86678-566-3 L’Association des Amis de la Maison USA ISBN 978-3-03764-221-4 softback 176 pages Rouge, Paris. 212 pages 199 b&w illustrations 68 colour, 13 b&w illustrations France ISBN 978-3-03764-223-8 200 x 150 mm JRP|Ringier £17.00 224 pages 309 b&w illustrations English and German text ISBN 978-3-03764-266-5 Europa ISBN 978-3-03764-224-5 softback 240 pages 120 pages 110 b&w illustrations 150 b&w illustrations softback 290 x 232 mm 225 x 145 mm French text April 2012 18 19 SPRING 2012

Color in Flux Sven Drühl epea – European Photo Frauenzimmer Douglas Gordon In the Name of Love artists: Ai Weiwei, André Thomkins, Andy Strategies against Exhibition Award 01 artists: Carol Bove, Isa Genzken, Karla Black, texts by Susanne Gaensheimer, Michael Fried, Contemporary Glass Warhol, Bernhard Martin, Brad Downey, Ceal Kitty Kraus, Sara Barker, Tatiana Trouvé, Klaus Gorner, Caoimhin Mac Giolla Leith architectures artists: Ariane Forkel, Christiane Budig, Floyer, Dieter Roth, Gerhard Richter, Jackson European Identities Thea Djordjadze edited by Klaus Görner, Susanne Christina Bothwell, Dafna Kaffeman, Donghai Pollock, John Baldessari, Joseph Marioni, text by Belinda Grace Gardner artists: Catarina Botelho, José Pedro Cortes, texts by Lilian Haberer, Stefanie Kreuzer Gaensheimer Guan, Elizabeth Swinburne, Franz X. Höller, Katharina Grosse, Kitty Kraus, Larry Zox, edited by Thomas Levy Gabriele Croppi, João Grama, Monica Larsen, Gina Jones, Janusz Walentynowicz, José Lynda Benglis, Max Ernst, Oskar Schlemmer, preface by Markus Heinzelmann Frederic Lezmi, Pietro Masturzo, Hannah Chardiet, Kate Baker, Katharine Coleman, Lino Paul McCarthy, Rosemarie Trockel, Sigmar Douglas Gordon is one of the Modigh, Davide Monteleone, Linn Schröder, Tagliapietra, Luke Jerram, Marta Klonowska, Polke, Thomas Ruff, VA Wölfl, Willi Baumeister Sven Drühl breaks down visual Marie Sjøvold, Isabelle Wenzel The exhibition Frauenzimmer most influential British artists of Masayo Odahashi, Mathieu Grodet, Mel forms and types conceptually from texts by Guido Boulboullé, Ingo Clauß, Peter texts by Rune Eraker, Sergio Mah, and this accompanying catalogue his generation and is renowned Douglas, Sibylle Peretti, Silvia Levenson, Friese, Raimar Stange the Romantic period to the present Enrico Stefanelli, Ingo Taubhorn present works by seven women internationally for his films and Simone Fezer, Steven Easton, Susan Taylor Glasgow, Tanya Lyons, Xiao Ke Zhao, day. He recombines the constituent who work in the field of conceptual photographs but particularly also for Color in Flux examines how artists Zhenning Li parts using his own motifs in a remix European Identities is the theme of sculpture, with diverse approaches his video and sound installations. have dealt with free-flowing colour texts by Eva-Maria Fahrner-Tutsek, Clementine process. Drühl responds to the the first, newly launched European to sculpture and installation while This catalogue was published with Schack von Wittenau since the time of Jackson Pollock. crisis of expression in post-modern Photo Exhibition Award. This joint still demonstrating a broad range of the close cooperation of the Turner preface by Florian Hufnagl A common thread in this exhibition painting with this transformative initiative by the Fondazione Banca aspects in common. In addition to Prize winning artist and shows his edited by Eva-Maria Fahrner-Tutsek is an unorthodox history of art citation but does not quite give up del Monte di Lucca, the Fundaçao situative and process-focused works latest works in the context of his that deals with colour, and critical on painting himself. His involvement Calouste Gulbenkian, the Fritt Ord that clearly display the process of earlier oeuvre. Gordon addresses Human beings yearn to give and political aspects of colour with art history and his continuing Foundation and the Körber-Stiftung their production, other works are the master pattern of perception expression to love and the pain that is actually in flux. The works investigation of painting as a medium commissioned 12 selected young presented that are characterised in his great works, weaving in of love in art. Over the centuries, of leading proponents of Abstract is too important to him. His series of photographers from Europe to by careful research into materials and reflecting on a wide variety of literature, music, painting and Expressionism and colour-field paintings are therefore fascinating produce photo essays around this and found objects as well as into issues from personal biography, sculpture have reflected these eternal painting are combined with more copies that motivate the viewer to theme. European Identities gets to everyday materials. The artists – music, collective memory and endeavours. In recent decades glass contemporary works. On the one question perception and at the same the heart of an extremely topical some created works especially for everyday culture. The installations has developed as an interesting hand, colour is seen as a means of time ultra-sensual, impressive new debate. This volume brings together Museum Morsbroich, others adapted are documented in opulent series of artistic material with sculptures on expression as understood in terms creations. Published to accompany the works of the participants in existing works – examine issues like pictures and accompanied by erudite abstract themes replacing the more of Modernism; on the other, a more the exhibition at LEVY Hamburg, 16 a kaleidoscope of very different the presentation, contextualisation texts and an interview with the artist. traditional bowls or vases. Based on conceptual, sometimes antipainterly, January – 22 March 2012. perspectives and positions, which will and decontextualisation of space. Published on the occasion of the the theme In the Name of Love, this approach to colour applies. All subsequently be exhibited as part Published on the occasion of the solo exhibition at MMK Museum für publication presents contemporary works are accompanied by detailed Kerber Verlag £29.50 of a touring exhibition in galleries exhibition at Museum Morsbroich, Moderne Kunst Frankfurt am Main, sculptures by international artists who analyses. Published on the occasion ISBN 978-3-86678-639-4 throughout Europe and at festivals Leverkusen, Germany, 11 September 19 November 2011 – 25 March 2012. use glass in their work. Published of the exhibition Color in Flux, 10 hardback 80 pages such as Paris Photo. – 13 November 2011. on the occasion of the exhibition at September 2011 – 29 January 2012, 31 colour illustrations 280 x 210 mm Kerber Verlag £44.00 Alexander Tutsek-Stiftung, Munich, Museum Weserburg | Museum für English and German text Kerber Verlag £35.00 tbc Kerber Verlag £29.50 ISBN 978-3-86678-628-8 Germany, 2012. moderne Kunst, Bremen. ISBN 978-3-86678-647-9 ISBN 978-3-86678-586-1 hardback 234 pages hardback 128 pages tbc 189 colour, 30 b&w illustrations hardback 116 pages Kerber Verlag £30.00 illustrated in colour and b&w 290 x 245 mm Kerber Verlag £40.00 55 colour, 4 b&w illustrations ISBN 978-3-86678-589-2 300 x 240 mm English and German text ISBN 978-3-86678-595-3 260 x 195 mm hardback 112 pages English and German text hardback 208 pages English and German text 112 colour illustrations 76 colour, 5 b&w illustrations 245 x 245 mm 280 x 220 mm English and German text English and German text

20 21 SPRING 2012

Kill Your Darlings Little Global Cities Ménage à trois Michael Najjar Ilya Kabakov Corinne L. Rusch Emerging Photography authors and artists: María Cecilia Barbetta, Andy Warhol, Jean-Michel high altitude A Return to Painting TRANSIENT CONFESSIONS Oliver Bottini, Dušan Bracić, Marc Degens, artists include: Claudia A. Cruz, Johanna Basquiat, Francesco Clemente texts by Michael Najjar, Kevin Slavin, Paul texts by Karin Hellandsjø, Ilya Kabakov, text by Virgina Dellenbaugh Esther Kinsky, László Kiss, Arpád Kollár, Ahlert, Jörg Brüggemann, Sebastian Burger, Wombell Ulrich Krempel Bojan Krivokapić, Alwin Lay, Michel Layaz, texts by Dieter Buchhart, Vincent Fremont, edited by Corinne L. Rusch Tine Casper, Franziska von den Driesch, Sonja Nicol Ljubić, Beatrice Minda, Dan Perjovschi, Jordana Moore Saggese, Keith Haring edited by Michael Najjar edited by Ulrich Krempel Eicke, Anja Engelke, Cosima Hanebeck, Dörte Nihad Nino Pusija, Daniel Vighi, Gernot Haupt, André Hemstedt, Manja Herrmann, preface by Robert Fleck The photographer Corinne L. Rusch Wolfram Britta Isenrath, Jørgen Kube, Daniel Müller, In 2009, together with a six-person In parallel with his work as a graphic guides us through the fascinating Jansen Pia Pollmanns, Tine Reimer, Inga The New York art scene of the expedition group, the photographer artist and illustrator in the Soviet and surreal world of the major grand Seevers, Marion Üdema, Sandy Volz The Little Global Cities series 1980s is legendary – vital, creative and artist Michael Najjar climbed to Union, Ilya Kabakov also focused hotels in Switzerland and South text and edited by Ute Noll is dedicated to 12 cities in and multimedia-based. It provided the summit of Mount Aconcagua. on painting very early in his career. Eastern Europe. Multilingual and Tyrol (Alto Adige). These locations young talent with a playground full At 6,962 metres, it is the highest Painting has also been a key feature The menacing-sounding title, Kill multinational, close to new borders are renowned in a very special of opportunities. Andy Warhol, mountain in the world outside the of the countless installations that he Your Darlings, provides an insight and in constant flux; they are places way for their stunning beauty and Jean-Michel Basquiat and Francesco Himalayas. Najjars’s photographic has produced in recent decades. into the modus operandi of the of art and culture, full of unexpected diverse history. The rich and beautiful Clemente are three of the main material from the three-week From around 2000 – when, to a large eponymous group of photographers: encounters and stories. With these met here from the middle of the protagonists of this era. Between expedition forms the basis for extent, he turned away from the if the group’s selection criteria are books, readers can find fascinating nineteenth century, partied, stayed 1983 and 1985, they produced the visual worlds depicted in artistic installation – Kabakov has not satisfied, even a photo that is a and undiscovered places as well as for weeks and months, lazed around, a number of collaborative works, the high altitude cycle of works, been promoting a very personal style personal favourite, a Darling, must old and new city quarters, and meet played sport, started new love whose appeal was based on their which portrays the stock market of painting, which he uses to revise be discarded. The photographers’ locals and visitors who recount their affairs and intrigues. Rusch stages contrary painterly gestures. The performance of the world’s most experiences and achievements, relationship with photography, own stories of the city. In addition, her photos with great sensitivity works reflect the era, the (pop) important key indices over the last images of the past and the visual culture, society and aesthetics is writers, photographers, filmmakers and precision in these fin-de-siècle star role and the new way in which 20 to 30 years. The virtual number worlds of Soviet socialism. In his quite clearly hotly debated here and artists invite readers to fall under settings, in doing so showing current the artists saw themselves, their mountains on the stock market painting, he addresses personal and leads to many new favourite the spell of their city and experience aspects of society in a new light. mutual fascination but also the charts resublimate themselves in experiences from the recent past photos, which find their place in this what makes it so special as they dark side of fame. This catalogue the materiality and solidity of the but also his long-lost childhood in Kerber Verlag £26.50 exciting volume of work. All members take a relaxed ramble. The first four provides a comprehensive look at Argentinian mountain ranges – they Stalin’s Soviet Union. The catalogue, ISBN 978-3-86678-644-8 of the group studied with Peter volumes to be published are Novi the collaboration between the three symbolise the thin line between which includes an essay by the hardback 132 pages tbc Bialobrzeski at the University of the Sad (Serbia), Szeged (Hungary), illustrated in colour artists in the context of their own work reality and simulation. artist himself, presents 60 paintings Arts Bremen and their work reflects Osijek (Croatia) and Timsoara 240 x 160 mm and shows the captivating references and three models for unfinished the self-confidence and Zeitgeist of a (Romania). Texts are in English, and differences, the multifaceted Kerber Verlag £29.50 installations/monuments. Published young generation of photographers. German and the corresponding local nature of the collaboration and its ISBN 978-3-86678-654-7 to accompany the exhibition at Published to accompany the language. hardback 64 pages art-historical importance. Included Sprengel Museum Hannover, 29 exhibition at Kill Your Darlings – 29 colour, 34 b&w illustrations is a preface by Robert Fleck and January – 6 May 2012 Junge Fotografie aus Bremen, Kerber Verlag 300 x 290 mm Novi Sad ISBN 978-3-86678-615-8 £16.00 interviews by Dieter Buchhart with 3 September – 23 October 2011, Kerber Verlag £49.50 Städtische Galerie Bremen. Szeged ISBN 978-3-86678-613-4 £22.50 Bruno Bishofberger, Tony Shafrazi Osijek ISBN 978-3-86678-614-1 £20.00 and Francesco Clemente. Published ISBN 978-3-86678-652-3 Timsoara ISBN 978-3-86678-616-5 £20.00 hardback 180 pages Kerber Verlag £33.50 to accompany the exhibition at softback pages tbc 93 colour, 19 b&w illustrations ISBN 978-3-86678-585-4 Kunst- und Ausstellungshalle der illustrated in colour 295 x 295 mm softback 144 pages 190 x 135 mm Bundesrepublik Deutschland, Bonn, English and German text 143 colour illustrations 10 February – 20 May 2012. 210 x 280 mm English and German text Kerber Verlag £45.00 ISBN 978-3-86678-655-4 hardback 256 pages 207 colour, 51 b&w illustrations 280 x 245 mm

22 23 SPRING 2012

Fred Sandback Alina Szapocznikow UNDER THE RADAR VIEW YORK Verlag der Buchhandlung Ai Weiwei Drawing Spaces Andrea Stappert: Photographs Nine Perceptions Art / Architecture texts by Anda Rottenberg, Philip Topolovac 1985 – 2011 Walther König texts by Fred Jahn, Kerstin Skrobanek preface by Harald Spengler artists: Andrew Lichtenstein, Erich Hartmann, distributed by Cornerhouse in the UK texts by Andres Lepik, Reto Geiser, Gundula Friese, Guy Le Querrec, Hally Pancer, Yilmaz Dziewior edited by Kerstin Skrobanek, Reinhard Spieler texts by Jonathan Dronsfield, Marc Glöde, Inge Morath, Klavdij Sluban, Leonard Freed, Alina Szapocznikow has left a Veith Loeers, Julie Sylvester edited by Yilmaz Dziewior Patrick Zachmann The American artist Fred Sandback unique legacy of sculptures and edited by Kerber Verlag, Andrea Stappert Tomma Abts texts by Gundula Friese, Ruth Bains Since constructing his own studio in became famous in the 1970s for drawings, which she created in both Hartmann, Andrew Lichtenstein, Anna-Patricia edited by Gregor Jansen, Magdalena Holzhey his sculptures made of coloured the Communist East and in the Andrea Stappert’s photographs Kahn, Arthur Miller, Hally Pancer, 1999, the dissident Chinese artist acrylic yarn, which he used to rewrite West. At the heart of her oeuvre is make up a sizeable visual archive Klavdij Sluban, Patrick Zachmann Tomma Abts is one of the most Ai Weiwei has designed or realised geometric bodies or to impact upon the human body, which according of the international art scene, which edited by Anna-Patricia Kahn, CLAIR Galerie, outstanding painters of her together with other architects a Markus Penth spatial situations. This catalogue to the artist, a Holocaust survivor, is she has been observing with her generation. Her paintings are created wide range of architectural projects. uncompromising eye since the Architecture has become a discipline presents for the first time a broad probably the most sensitive among As a world stage, New York in a slow and strict process in which 1980s. After studying painting, within the artist’s creative work by selection of Sandback’s works on all the manifestations of volatility as seems to provide an almost she applies purely geometric forms, she received her first photography means of which, over and above the paper, drawings and prints. This a source of joy, sorrow and truth. inexhaustible source of inspiration to layer upon layer, with oil and acrylic commissions through her association visual arts, he is able to develop a provides impressive evidence of Szapocznikow’s works have really photographers from a wide variety paints, always using the same with Martin Kippenberger and physical and lasting effect on society. how Sandback has seamlessly only been visible in their totality in of backgrounds. This catalogue portrait format of 48 x 38 cm. Isolated has kept returning to the arena of This exhibition catalogue explores transferred the classic techniques of the last 10 years and this is the first reveals the views of international recognisable edges and translucent photography ever since. As an artist this aspect of Ai Weiwei’s work. It lithography, etching and woodcuts comprehensive publication to provide photographers and authors who feel layers make Abts’ works a reflection and not a trained photographer, elucidates the architectural projects into the aesthetics of his time and an overview of her life and work. like New Yorkers. Some of them live on the painting process itself. This Stappert uses innovative, very and examines the role of architecture retraced the development process of Published alongside the exhibition, or have lived there, many however catalogue brings together her older personal means of expression, far in relation to Ai Weiwei’s political his sculptures in his prints. Published Skulpturen und Zeichnungen von are just passers-by, who have as well as her most recent works, removed from the usual set pieces activities. Featuring some new on the occasion of the exhibition Fred Alina Szapocznikow at Kunstparterre cultivated a secret pact with this city and includes for the first time her of portrait photography. UNDER works and many of the artist’s most Sandback: Räume zeichnen, May – e.V., Munich in 2010. as they return over and over again. drawings that have been created THE RADAR brings together many important urban projects, including August 2011, Wilhelm Hack Museum, Featuring selected works from the in parallel with her canvases. This Kerber Verlag £36.50 previously unpublished images, the famous ‘Bird’s Nest’ Olympic Ludwigshafen am Rhein. years 1954 – 2010, including some publication is a visual continuation ISBN 978-3-86678-597-7 and provides a detailed view of her of her work, designed by the artist stadium in Beijing which he co- hardback 160 pages previously unpublished works by Kerber Verlag £20.00 comprehensive photographic work. created with architects Herzog & de 46 colour illustrations renowned photographers, VIEW herself, and contains installation ISBN 978-3-86678-558-8 Meuron. Published on the occasion 280 x 216 mm views as well as numerous softback 64 pages YORK offers nine personal insights English, German and Polish text Kerber Verlag £57.50 large-format illustrations. of the exhibition Ai Weiwei: Art / 43 colour illustrations ISBN 978-3-86678-568-7 into the essence of this super- Architecture at Kunsthaus Bregenz, 150 x 240 mm hardback 240 pages metropolis. Published to accompany Verlag der Buchhandlung Walther König £20.00 Austria, 16 July – 16 October 2011. English and German text 47 colour, 110 duplex illustrations the exhibition at Galerie CLAIR, ISBN 978-3-86335-060-4 300 x 240 mm Munich; German-American Institute, softback 64 pages English and German text Verlag der Buchhandlung Walther König £42.00 Tübingen; and German-American 40 colour illustrations ISBN 978-3-86335-041-3 Institute, Freiburg in 2011 – 2012. 235 x 190 mm hardback 144 pages English and German text 80 colour, 10 b&w illustrations Kerber Verlag £44.50 300 x 220 mm ISBN 978-3-86678-596-0 English and German text hardback 138 pages 11 colour, 53 b&w illustrations 240 x 280 mm

24 25 SPRING 2012

Animism Before the Law Boetti by Afghan Bill Bollinger Marius Born André Butzer Modernity through the Post-War Sculpture and People texts by Christiane Meyer-Stoll, Harris Collective Order Der wahrscheinlich beste Looking Glass Spaces of Contemporary art Photographs by Randi Malkin Rosenstein, Peter Schjeldahl, Saul Ostrow abstrakte Maler der Welt edited by Christiane Meyer-Stoll Collective order is the term Swiss artists include: Ana Mendieta, Candida Höfer, artists: Pawel Althamer, Phyllida Barlow, Karla Steinberger texts by André Butzer, Steffen Krüger, Chris Marker / Alain Resnais, Hans Richter, Black, Reg Butler, Paul Chan, Jimmie Durham, photographer Marius Born uses to Christian Malycha, Kristin Schrader texts by Andrea Marescalchi, Christopher G. This retrospective monograph Henri Michaux, Jimmie Durham, Marcel Alberto Giacometti, Marko Lehanka, Wilhelm describe urban life in Tokyo, which edited by Kristin Schrader Broodthaers, Walt Disney Lehmbruck, Zoe Leonard, Giacomo Manzù, Bennett, Randi Malkin Steinberger is the first to be dedicated to the Gerhard Marcks, Marino Marini, Henry Moore, forms the subject of this volume. texts by Sabine Folie, Anselm Franke, radical sculptural œuvre by the André Butzer became well known Maurizzio Lazzarato, Angela Melitopoulos, Bruce Nauman, Germaine Richier, Thomas More than 15 years after Italian artist Born’s images depict a system of Schütte, Andreas Siekmann, Ossip Zadkine almost forgotten American artist Elisabeth von Samsonow, Isabelle Stengers Alighiero Boetti’s death, 2011 marks social order which appears alien to in the art world with paintings he texts by Kasper König, Thomas D. Trummer, Bill Bollinger. In the late 1960s, Bill edited by Anselm Franke, Sabine Folie the opening of a major international him. The individual is always seen himself described as ‘Science Fiction Penelope Curtis, Friedrich Wilhelm Graf, Bollinger ranked among the most Expressionism.’ Inspired by the world Thomas Macho retrospective of the work of the as part of the collective and thus important sculptors of his day, on At the height of European Arte Povera master, sponsored demands only the minimum possible of Walt Disney, which fascinated edited by Kasper König a par with Bruce Nauman, Robert colonialism, animism becomes by MoMA NY, Tate Modern and amount of space for himself. The him as a child, he created comic-like Smithson, Eva Hesse, and Richard the quintessence of civilization’s Before the Law features artistic Madrid’s Reina Sofia. Adding to the dominance of order is so extreme figures from an early stage. With Serra. After graduating from Rhode opposite, the exemplary expression positions that engage and attempt new appreciation of Boetti’s joyous that even the homeless neatly lay his new, abstract paintings, most of Island’s renowned Brown University of a primitive ‘state of nature’ in to identify people and position them work is this dazzling, multi-layered out their sleeping mats in a park and which are published for the first time with a degree in aeronautics, which psyche and nature appear as political beings at different times photo essay on the unseen story children in an amusement park are in this book, he positions himself Bollinger moved to New York in 1961 as inextricably fused. In the context and in diverse ways. The works do behind the making of his seminal identified by the numbers that they within the tradition of painting since to study painting. He participated in of colonial modernity this image of not refer to specific conflicts, but arazzi (embroidered works). For wear. Born succeeds in capturing 1800 as ‘probably the best abstract legendary exhibitions and produced a animism operated as a mirror, in instead tackle themes that relate to the first time, the international web this order in his images, revealing the painter in the world.’ This publication, compact, wide-ranging body of work which modernity affirms itself by personhood per se. Artistic action of artisans who made the arazzi empty spaces even in crowded public which Butzer designed himself, is that is purist, ephemeral, and full of showing what it is not. To be modern is approached from an existentialist comes into focus, through the work of spaces. Thus the path to the subway, an ironic commentary on his art energy; these works still deliver an meant to leave animism behind and perspective and postwar sculpture American photographer Randi Malkin along which the masses stream and twenty-first century painting astonishing impact. In the mid-1970s, to separate the world in accordance by various artists. In their own Steinberger. In 1990, Steinberger during the day, becomes the site of a in general and as such is also a he disappeared from the radar with the dualist divides that have subtle ways, they all grapple with traveled to Peshawar, Pakistan, with solitary stroll. Similarly a bicycle ride monograph and artist’s book, which screen of the art world. Published been in effect since Descartes: soul the vulnerability of humanity in a Boetti’s blessing, to document how to the grounds of the Imperial Palace carries on and reinterprets the genre on the occasion of the exhibition Bill and body, mind and matter. This world where the concept of human the Afghan refugee women realised turns into a leisurely outing. of the classic exhibition catalogue. Bollinger: The Retrospective touring catalogue brings together artworks, dignity is perpetually threatened. the embroideries which Boetti had from venues in Germany to The Verlag der Buchhandlung Walther König £29.00 Verlag der Buchhandlung Walther König £38.00 documents, and artifacts to create This catalogue includes numerous outlined. Steinberger, traveling with a Fruitmarket Gallery, Edinburgh, 28 ISBN 978-3-86335-090-1 ISBN 978-3-86335-037-6 an essayistic visual space that points installation views of the exhibition Boetti assistant, followed the journey October 2011 – 8 January 2012. hardback 72 pages hardback 160 pages to the need for a decolonialisation at Museum Ludwig, Cologne, 17 of the cloths into the craftswomen’s 79 colour, 7 b&w illustrations 34 colour illustrations and revision of this traditional 325 x 345 mm December 2011 – 22 April 2012. workrooms as they brought colour to Verlag der Buchhandlung Walther König £35.00 180 x 305 mm understanding of animism. The show English and German text these spectacular works. ISBN 978-3-86335-058-1 English and Japanese text juxtaposes historical materials with Verlag der Buchhandlung Walther König £26.00 hardback 256 pages contemporary works addressing the ISBN 978-3-86335-096-3 Verlag der Buchhandlung Walther König / RAM 22 colour, 157 b&w illustrations line between life and non-life. softback 150 pages £40.00 210 x 297 mm 80 colour, 20 b&w illustrations ISBN 978-0-9703860-9-0 265 x 185 mm Verlag der Buchhandlung Walther König £35.00 hardback 128 pages ISBN 978-3-86335-070-3 112 colour illustrations softback 232 pages 300 x 220 mm 195 colour, 90 b&w illustrations English and Italian text 245 x 200 mm English and German text

26 27 SPRING 2012

James Lee Byars Tony Cragg Design Research Unit Elmgreen & Dragset William Engelen From Aalto to Zumthor I Give You Genius It is, it isn’t 1942 – 72 Performances 1995 – 2011 Music Box Furniture by Architects

texts by Heinrich Heil, Gabriele Uerscheln text by Jon Wood text by Michelle Cotton texts by RoseLee Goldberg, Pablo de la Barra, texts by Katja Blomberg, Frieder Butzmann, architects include: Alvar Aalto, Ron Arad, edited by Heinrich Heil edited by Andreas Tetzlaff, David Kaluza, Aaron Betsky, Claire Bishop, Jens Hoffmann, Michael Glasmeier, Helga de la Motte-Haber, Mario Botta, Marcel Breuer, Charles & Ray Julia Frohnoff Formed in London in 1942, the Shannon Jackson, Rochelle Steiner, Oystein Dimitrios Polisoides, Sabine Sanio, Julia H. Eames, Egon Eiermann, Norman Foster, Ustvedt Schröder, Wilhelm Schürmann, QS Serafijn, Daniel Libeskind, Frank Gehry, Zaha Hadid, This catalogue shows objects and Design Research Unit was the Ludwig Seyfarth Arne Jacobsen, Hadi Teherani The sculptures of Tony Cragg edited by Performa 11 spatial installations by the conceptual first consultancy in Britain to bring edited by Katja Blomberg edited by Petra Hesse, Gabriele Lueg were exhibited throughout the and performance artist James Lee together expertise in architecture, Performances 1995 – 2011 summer of 2011 in Lucca, Italy, at Byars. The photographer Claudio graphics and industrial design. showcases 47 performance works The sound art works of the Dutch Product design is a design branch in the church of San Cristofero (both Abate, as a congenial observer, They pioneered a model for by Danish-Norwegian artist duo artist William Engelen are difficult to its own right, but renowned architects inside and out), and in the town’s astutely identifies the artist’s ideas multidisciplinary practice with an Elmgreen & Dragset. The publication categorise within one single art form. often design their ideal furniture Piazza Anfiteatro. The exhibition It and follows the lines of the perfect approach that was shaped by marks the first time the artists’ In fact they oscillate between visual themselves. What makes furniture is, it isn’t concentrated on Cragg’s axis, making the dialogue between inter-war developments in artistic practice is considered from a art, architecture and music, exhibition designed by architects special? fascination for accumulation and the architecture of the exhibition discourse and post-war trends in performance perspective. Spanning and performance, installation, Examples from the last 100 years stratification through a rigorous space and the works of art visible. industry and communication. This nearly two decades, from 1995 to sculpture and composition. The from the MAK design museum’s own selection of important sculptures, The canon of Byars’ sculptural book accompanies an exhibition 2011, many of the works have never visual and the acoustic are variably rich collection will be on display to including some from the Early Forms forms includes cubes, spheres, spanning more than three decades before appeared in a catalogue. The connected with the surrounding look into this question. The exhibits and Rational Beings series. In a cylinders, pyramids and stars, all of their work, from the group’s early book includes image documentation space. For this the artist seeks out will include designs by Alvar Aalto, show that took place both indoors with emblematic values. Materials origins and founder members to their of each work along with full scripts public locations such as parks, urban Marcel Breuer, Norman Foster, and out in Lucca, these sculptures and colours, particularly white pioneering role in developing some – accessible here for the first time to plazas, silos and galleries, but also Daniel Libeskind, Frank Gehry, had the opportunity to shine and marble, velvet, black and red, are of the most comprehensive corporate a broader audience – for the plays museums. Temporary hybrid musical Zaha Hadid, and many others. The show their magic in an ancient city used to stress the semantic aspect design schemes commissioned Drama Queens (2007) and Happy forms are created, which are, through exhibition and this accompanying that is itself a stratification of history, of the work. With the ‘gold ground’ for British industry. The exhibition Days in the Art World (a Performa their special ties to location, barely catalogue will provide visitors and cultural life and material significance. Byars unites the untouchable, the features some of DRU’s most Commission, 2011), as well as texts reproducible and mostly transient. readers alike with an attractive range This catalogue features the poetry absolute or the spiritual, which the experimental and iconic work by critics and curators including A unification of the incompatible, of sculptural, futuristic and functional of Conrad Aiken, W.H. Auden and perfect form, the sphere, visually from Naum Gabo’s proposal for a Aaron Betsky, Jens Hoffmann, and of stasis and dynamism, being and designs. Published on the occasion Walt Whitman among others, which exaggerates. In playful exchange Jowett car, to exhibition design and Shannon Jackson. passing, space and time, takes place of the exhibition From Aalto to complement Cragg’s work. Published between interior and exterior architecture for the 1951 Festival right in front of the audience’s eyes. Zumthor: Furniture by Architects at architecture, which is the result of on the occasion of the exhibition of Britain and corporate identities Verlag der Buchhandlung Walther König £25.00 MAK, Cologne, 16 January – 22 April a strict choreography of reflections Tony Cragg: It is, it isn’t at the Church for Watneys brewery, British Rail, ISBN 978-3-86335-099-4 Verlag der Buchhandlung Walther König £18.00 2012. and the axes of vision and motion, of San Cristoforo, Lucca, Italy, 26 Ilford, the London Transport network softback 284 pages ISBN 978-3-86335-076-5 softback 116 pages the sculptures of James Lee Byars June – 10 September 2011. and Imperial Chemical Industries 130 b&w illustrations Verlag der Buchhandlung Walther König £30.00 210 x 170 mm 50 colour illustrations ISBN 978-3-86335-127-4 emphasise ‘the perfect axis’ of (ICI). Published to accompany the 296 x 240 mm Verlag der Buchhandlung Walther König £28.00 hardback 160 pages Benrath Palace and Park’s artistic exhibition Design Research Unit: English and German text ISBN 978-3-86335-043-7 180 colour illustrations composition. hardback 128 pages 1942 – 72 which toured to venues 275 x 210 mm 39 colour illustrations across the UK in 2010 – 11. English and German text Verlag der Buchhandlung Walther König £29.00 280 x 245 mm ISBN 978-3-86335-016-1 Verlag der Buchhandlung Walther König £16.95 hardback 112 pages ISBN 978-3-86335-040-6 90 colour illustrations softback 128 pages 320 x 220 mm 43 colour, 99 b&w illustrations English and German text 240 x 170 mm

28 29 SPRING 2012

From Conceptualism Julian Göthe Katharina Grosse F.C. Gundlach Thomas Hirschhorn Mustafa Hulusi to Feminism You are living in a world Transparent Eyeballs Berliner Durchreise 2011 Kurt Schwitters-Plattform The Joyous, Shining And Lucy Lippard’s Numbers of magic texts by Annika Reich, Gregor Jansen, Untere Kontrolle Wonderful Age Uwe Vetter This exhibition catalogue presents Shows 1969 – 74 texts by Martin Germann, Veit Görner, Tom texts by Carina Plath, Thomas Hirschhorn, texts by Norman Rosenthal, Sotiris Kyriacou, Holert, Bernhart Schwenk the elegant fashion and life in Berlin Michael Diers Sacha Craddock texts by Cornelia Butler, Seth Siegelaub edited by Martin Germann For the first time, Katharina Grosse in the 1950s and 1960s. Whilst edited by Carina Plath, Annerose Rist (interview), Agnes Denes, Alice Aycock, presents one of her elliptical image Eleanor Antin, Mierle Laderman Ukeles, Peter F.C. Gundlach has photographed This book is a succinct summary of Plagens, Griselda Pollock, Pip Day Influenced by the decorative arts and systems outside. The 6 by 8 metre the designs of the couture houses Hirschhorn’s work is distinguished the artist’s work over the last five edited by Afterall Books, Academy of Fine Arts furniture design, Göthe’s work moves painted object is attached, at a height in Berlin for the magazine Film by a synthesis of sculptural concern, years. Although he describes himself Vienna, Van Abbemuseum Eindhoven ambivalently between elegance of over five metres, onto the façade und Frau he made fascinating political commitment and critical as primarily a conceptual artist, the and danger in the assumption that of the Johanneskirche in Düsseldorf fashion photographs of the Berlin thought. Most of the Swiss artist’s book merges Hulusi’s work in various Four exhibitions of contemporary every object has a soul. The objects, in such a way that it reaches out into chic, in which he used the city works have been temporary media – photography, filmmaking, art curated by Lucy Lippard have drawings and collages of Julian the space around the church. The and its architecture as the stage and carried out in public. These painting – into a cohesive, easily become renowned as her ‘numbers Göthe combine minimalist strictness sprayed painting refers to something for his settings. The photographs include, among others, the Bataille understandable whole. Hulusi’s shows’. Each took the population with drama and glamour. His works beyond with edges of the curved created an almost fictional post-war Monument, which he created in 2002 messianic artistic vision is poetic of the city in which it was shown as reveal an intense involvement with surface itself and seems like only a Berlin, without ruins and traces of during the documenta 11 exhibition yet critically observant as it lays out its title: 557,087 in Seattle, 955,000 both epochal and marginal phases small visible part of a larger picture, destruction, and show not so much in Kassel; as well as the street altars a new way of understanding the in Vancouver, 2,972,453 in Buenos of art and cultural history, with high sliding its way into the pictorial space the reality, as the wishes and dreams he constructed in various cities and philosophical implications of our Aires and c.7,500 opening in and popular culture, primarily from of the church. of a generation – of a city in ruins dedicated to artists such as Piet post-political age. This book includes Valencia, California, before touring the first half of the twentieth century: until the building of the Berlin Wall. Mondrian and Ingeborg Bachmann. a DVD containing his new film work the US and to London. This book design ideas from the art déco of the Verlag der Buchhandlung Walther König £14.00 Included is an interview with F.C. Hirschhorn represented Switzerland entitled The EMPTY Near East, a follows Lippard’s curatorial trajectory, ISBN 978-3-86560-954-0 1920s and 1930s meet the aesthetics Gundlach by Margit J. Mayer. at the Venice Biennale in 2011. ‘I do meditative five minute loop narrative analysing her transition from a writer softback 40 pages of early Hollywood film sets. not want to invite or oblige viewers of a post-apocalyptic landscape. about art to a maker of exhibitions, 13 colour illustrations References to the corporeal Stilnovo 225 x 170 mm Verlag der Buchhandlung Walther König £10.00 to become interactive with what I do; and tracing her growing political furniture design from 1950s Italy, English and German text ISBN 978-3-931355-72-2 I do not want to activate the public. Verlag der Buchhandlung Walther König £38.00 engagement and involvement with which was influenced by surrealism, softback 32 pages I want to give of myself to such a ISBN 978-3-86335-067-3 31 b&w illustrations hardback with DVD 156 pages feminism. Extensive photographic are interwoven with allusions to the degree that viewers confronted with material is complemented by a major 320 x 235 mm 158 colour, 20 b&w illustrations impersonal, industrial, schematic English and German text the work can take part and become 330 x 240 mm new essay by Cornelia Butler, texts minimal art of the 1960s. An interest involved, but not as actors.’ by Peter Plagens, Griselda Pollock, in the applied neoclassical and (Thomas Hirschhorn) Pip Day, and interviews with Seth modernist forms often stigmatized as Siegelaub and artists Agnes Denes, vulgar or pretentious is a leitmotif of Verlag der Buchhandlung Walther König £20.00 Alice Aycock, Eleanor Antin and Göthe’s work. ISBN 978-3-86335-112-0 softback 64 pages Mierle Laderman Ukeles. This is the 45 colour illustrations third publication in the Exhibitions Verlag der Buchhandlung Walther König £23.00 333 x 230 mm Histories series, co-published with ISBN 978-3-86560-991-5 English and German text Afterall Books, London. softback 168 pages 90 colour illustrations Verlag der Buchhandlung Walther König / Afterall 270 x 190 mm Books £14.95 English and German text ISBN 978-3-86335-102-1 softback 280 pages 140 b&w illustrations 215 x 156 mm

30 31 SPRING 2012

Intellectual Birdhouse The Inventors of Allan Kaprow Kienholz Paul Laffoley Sarah Lucas / Artistic Practice as Research Tradition A Bibliography The Signs of the Times Secret Universe 2 Hieronymus Bosch / edited by Florian Dombois, Ute Meta Bauer, Beca Lipscombe / Lucy edited by Giorgio Maffei texts by Dietmar Dath, Martina Weinhart, texts by Claudia Dichter, Raphael Rubinstein Gelatin Michael Schwab, Claudia Mareis McKenzie Cécile Whiting edited by Claudia Dichter, Udo Kittelmann This publication catalogues and edited by Martina Weinhart, Max Hollein texts by Brigitte Borchhardt-Birbaumer, Hans- Artistic practices are manifold and texts by Beca Lipscombe, Catriona Duffy, illustrates, with a wide selection Since the mid-1960s, Paul Laffoley Peter Wipplinger, Werner Hofmann highly diverse. In recent years, a Jonathan Murray, Linda Watson, Lucy Rebellious, provocative, and ever edited by Hans-Peter Wipplinger McEachan, Lucy McKenzie, Mairi MacKenzie, of images, Allan Kaprow’s entire has grappled with complex theories claim towards research has become Nicholas Oddy body of published work: from his polarizing, Kienholz’s œuvre has on philosophy, anthroposophy The 500-year gap between the artists meaningful to many practitioners edited by Catriona Duffy, Lucy McEachan first artist book in 1962, to his last always caused a stir from the mid- and natural science themes in his Hieronymus Bosch, Sarah Lucas and of art. Intellectual Birdhouse gives anthological projects in the ‘90s. 1950s with his first works and, later paintings and works on paper. He the artist group Gelatin is suspended room to a number of artists to unfold At the intersection between art, This lesser-known side of his œuvre from 1972, with the collaborative distils the wisdom from such varied in this special project. New their attitudes towards this claim. design and social history, The unfolds through 35 books, published projects with his wife, Nancy thinkers as Richard Buckminster experiences of insight, far removed In this book, ‘artistic research’ is Inventors of Tradition is a subjective over a 40-year span. Kaprow’s work Reddin Kienholz. This is scarcely Fuller, Johann Wolfgang von from museal ordering, are made assumed as being independent of study of the history of the Scottish moved along two parallel tracks: astonishing, since religion, war, Goethe, William Blake and C.G. possible through the juxtaposition of ‘discipline’, with the potential to occur textiles industry since the 1930s. It happenings – a field in which he was death, and the more inscrutable sides Jung, developing visionary theories their work. The artists are connected in all contexts once epistemological brings together samples of world- an unchallenged pioneer, starting of society and its social conflicts have about time travel, black holes and by aspects of divergence, alienation expectations have shifted. This class design, the archive material in the ‘50s – and activity booklets, a always been at the centre of their mathematical questions on the and opposition in their work. approach foregrounds questions of individuals and companies, and tool meant to help people understand works. With an angry realism situated fourth and fifth dimensions. He uses The open experimental ordering concerning the type of models, documentation in the form of film and experience these performances. between figuration and the surreal, ‘thoughtforms’ to record his ideas is intended to stimulate a fruitful terms and concepts that elucidate and interviews. In response to this But the graphic layout of his books, the large environments as well as about and intellectual influences on dialogue through new connections the processes and outcomes of material the artist Lucy McKenzie the originality of their structure, the smaller assemblages are especially his works. Published to accompany between the positions as well as to epistemic-artistic practices while and designer Beca Lipscombe, literary stature of their texts, and their impressive. Addressing subjects such the exhibition secret universe: Paul test the fundamental constellations recalling theoretical debates steeped from Atelier, have produced a aesthetic quality as objects shifted as the sexual exploitation of women Laffoley at the Hamburger Bahnhof, of various epochs. Most important in tradition. series of new works including his exploration of print into a higher in prostitution, the role of the media, Berlin, 4 November 2011 – 4 March is the fact that the structures of clothing, furniture and accessories realm, where the book became a and ethnic conflicts, they point to 2012. Verlag der Buchhandlung Walther König £20.00 meaning formed by the juxtaposition in collaborative partnership with fully-fledged work of art. ‘Booklets fractures in Western societies that ISBN 978-3-86335-118-2 of the works of art can be Caerlee Mills, Begg Scotland, have yet to heal even today and Verlag der Buchhandlung Walther König £25.00 softback 304 pages are somewhat like music scores: ISBN 978-3-86335-088-8 comprehended both as founding as 36 b&w illustrations Hawick Cashmere, Laura Lees, they aren’t the actual event but as thereby create an œuvre of all but softback 136 pages well as denying meaning. One thing 220 x 150 mm Jannette Murray, Mackintosh, notations which one or more persons uninterrupted topicality. Published 53 colour, 21 b&w illustrations is clear: fantasy is one of the major Muehlbauer and Steven Purvis. can carry out. So they shouldn’t in conjunction with the exhibition 240 x 200 mm driving forces of art! This book features an introduction be considered documents of what at Schirn Kunsthalle Frankfurt, 21 English and German text by Atelier (Beca Lipscombe, Lucy October 2011 – 29 January 2012 actually happened.’ (Allan Kaprow) Verlag der Buchhandlung Walther König £28.00 McKenzie) and Panel (Catriona and Museum Tinguely, Basel, 22 ISBN 978-3-86335-053-6 Duffy, Lucy McEachan), and texts by Verlag der Buchhandlung Walther König £25.00 February – 13 May 2012. hardback 160 pages Lucy McKenzie, Mairi MacKenzie, ISBN 978-88-96501-79-5 150 colour, 10 b&w illustrations Nicholas Oddy, Jonathan Murray and softback 124 pages Verlag der Buchhandlung Walther König £38.50 255 x 210 mm Linda Watson. 4 colour, 111 b&w illustrations ISBN 978-3-86335-087-1 English and German text 230 x 168 mm hardback 256 pages

200 colour illustrations Verlag der Buchhandlung Walther König £32.00 250 x 240 mm ISBN 978-3-86335-052-9 English and German text hardback 144 pages 168 colour illustrations 310 x 240 mm

32 33 SPRING 2012

Chris Martin Jonathan Meese Dawn Mellor Ulrike Ottinger Ulrike Ottinger Poetry Marathon Staring into the Sun Totalste Graphik + Catalogue Michael Jackson and Floating Flood n.b.k. Ausstellungen Band 11 Serpentine Gallery

texts by Gregor Jansen, Lars Bang Larsen, raisonné 2003 – 2011 Other Men texts by Bernd M. Scherer, Ulrike Ottinger texts by Marius Babias, Nora M. Alter, artists include: Tracey Emin, Tacita Dean, Alexander Koch, Bob Nickas Hanne Bergius, Ulrike Ottinger Jimmie Durham, Sean Landers, Cerith Wyn texts by Björn Egging, Friederike Fast texts by Joe Scotland, Dawn Mellor conversation with the artist by Elodie Evers The project Floating Food by Ulrike edited by Marius Babias Evans, Karl Holmqvist, Susan Hiller & Sue edited by Björn Egging edited by Joe Scotland Hubbard, Stuart Brisley, Gilbert & George, Ottinger revolves around the themes Vito Acconci, Brian Eno, Dominique Chris Martin often dedicates Due to his radicality, Jonathan This publication presents a series of of food, water, religion and ritual. This publication is the first extensive Gonzalez-Foerster his large-format compositions Meese is considered one of the British artist Dawn Mellor’s teenage In a scenic spatial installation, documentation of previously texts by Julia Peyton-Jones, Hans Ulrich to esteemed and admired artist most enigmatic of contemporary drawings and paintings of Michael the photographer and filmmaker unknown artistic work from the 1960s Obrist colleagues from the worlds of German artists. Over the course of Jackson alongside a number of other addresses eating as a cultural by Ulrike Ottinger and marks the edited by Nicola Lees, Lucia Pietroiusti painting and music. Their names the last 15 years he has created figures, made during the 1980s. and religious event on the one award of the 2011 Hannah Höch This publication documents the are written coarsely on the surface around 100 printed works, which However commonplace these kinds hand, and on the other, water as prize to the internationally renowned Poetry Marathon, the fourth in the of the image right next to stuck-on are presented here on a large scale of adolescent drawings might be, the origin and engine of transport, filmmaker. Previously unknown Serpentine Gallery’s acclaimed coins, vinyl records, banana skins for the first time. The large-format they are a precursor to Mellor’s trade and discovery. In addition to and unshown paintings, objects, series of Marathon events, which and newspaper articles. Despite lithographs, etchings and woodcuts concern with celebrity and fan film montages, photographs and prints and photographs open up a took place in the closing weekend the rough, utterly profane image generally depict effigies, which, in culture; while also functioning ethnological objects, set designer completely new perspective on her of the Serpentine Gallery Pavilion surfaces, Martin’s work picks up their stringency, become metaphors as subjective social documents. Ottinger also integrates mythical visual world and work. 2009, designed by Kazuyo Sejima on various traditions of spiritual of cultural history and the alter ego The Jackson drawings are a creatures and figures from her film Verlag der Buchhandlung Walther König £20.00 and Ryue Nishizawa of SANAA. abstraction, for which New York, of the artist. More so than in other reminder of a tragic cultural icon worlds in the spatial installation: a ISBN 978-3-86335-075-8 Featuring unique performances where Martin has lived since 1975, works, the eruptive creation of and the indication of the burgeoning floating Shaman outfit and a Samurai softback 160 pages from leading poets, writers, is a melting pot. This is the first image and the rapid, almost ecstatic sexuality and artistic ambition of the robe made of dollar bills, with sword illustrated in colour artists, philosophers, scholars and comprehensive publication on his working method of the artist is young artist. Next to Jackson are and helmet, are positioned opposite 230 x 160 mm musicians, the Poetry Marathon work, which breaks from all the laws particularly visible in Meese’s prints. images of the athlete Carl Lewis and a large sacrificial altar. While she English and German text sought to revive the connections of purity of Colour Field painting This catalogue includes an academic comedians Richard Pryor and Bill herself stays in the background as a between poetry and the visual and monochrome painting and catalogue raisonné of his print Cosby as well as depictions of social distanced observer, Ulrike Ottinger arts. This special publication in two makes reference to Native American production up until 2011, and also unrest and injustice. allows the reader a very sensual volumes, conceived by M/M (Paris), folklore, religious mysticism and features an interview with the artist experience of foreign (culinary) features a transcript of the event anthroposophical symbols, as it by Björn Eggin. Verlag der Buchhandlung Walther König £29.50 cultures. alongside a book of drawings and does to the ‘Spiritual Landscapes’ ISBN 978-3-86335-101-4 photographs by M/M, which link of North American romanticism that Verlag der Buchhandlung Walther König £34.00 hardback 88 pages Verlag der Buchhandlung Walther König £39.00 are little known in Europe. Published ISBN 978-3-86335-083-3 46 colour illustrations ISBN 978-3-86335-066-6 together to create a sculptural form. on the occasion of the exhibition at hardback + DVD 224 pages 297 x 210 mm hardback 392 pages Kunsthalle Düsseldorf, 21 October 100 colour illustrations 208 colour, 183 b&w illustrations Verlag der Buchhandlung Walther König £39.00 280 x 240 mm ISBN 978-3-86335-064-2 2011 – 15 January 2012. 240 x 170 mm English and German text English and German text Volume 1 softback 108 pages Volume 2 hardback 620 pages Verlag der Buchhandlung Walther König £32.00 64 colour, 83 b&w illustrations ISBN 978-3-86335-091-8 246 x 176 mm hardback 152 pages 85 colour illustrations 265 x 200 mm English and German text

34 35 SPRING 2012

Yvonne Rainer Gerhard Richter Anri Sala The Secession Talks Katja Strunz Keiichi Tanaami Space, Body, Language EIS texts by Michael Fried, Joshua Simon Exhibitions in Conversation Zeittraum # 9 für Wladyslaw Drawings and Collages texts by Gabriele Brandstetter, Douglas Crimp, interview with the artist by Julia Peyton-Jones 1998 – 2010 Strzeminski 1967 – 1975 Yilmaz Dziewior, Barbara Engelbach, and Hans Ulrich Obrist The reader can really feel the cold edited by Sylvia Liska edited by Jaroslaw Lubiak text by Stefano Stoll Carrie Lambert-Beatty, Volker Pantenburg, when looking at the photos Gerhard Catherine Wood Anri Sala’s early videos and films Richter brought back with him from a Located at the interface between This catalogue illustrates The artist Keiichi Tanaami is the edited by Yilmaz Dziewior, Barbara Engelbach mined his personal experience to trip to Greenland in 1972: stretches creative production and art and interprets Katja Strunz’s father of Japanese Pop Art. This reflect on the social and political of ice and snow, screes and rugged education, these artists’ talks extraordinary contribution to the book is the first dedicated to This catalogue published for the change taking place in his native cliffs, icebergs and floes, reflected accompany the programme of exhibition Afterimages of life: Tanaami’s drawings and collages exhibition Yvonne Rainer: Space, Albania. The Serpentine Gallery in grey-blue water. Many of these exhibitions at the Vienna Secession. Władysław Strzemiński and the rights from the 60s and 70s: an amazing Body, Language at the Kunsthaus exhibition focuses on recent motifs can be found in his paintings. Fifty of these conversations between of art that took place in the Muzeum mixture of Japanese tradition and Bregenz and the Museum Ludwig, developments in Sala’s work, The book is made up of three artists and well-known critics, art Sztuki in Lodz, Poland from 30 Western pop culture. The works are Cologne in 2012, explores themes particularly the artist’s growing compositional elements of equal size historians, curators, and fellow artists November 2010 to 27 February 2011. poetic designs, surreal compositions and topics in the work of the interest in music and sound. Linked – photo, text, empty space – each are now being published in book Władysław Strzemiński is an iconic, and erotic collages from a time in American choreographer, dancer, to this development is his long- 8.5 x 13 cm. Richter has organised form. The Secession Talks allows radical figure of the inter-war avant- which Japan opened up to Western and filmmaker. Well-known authors standing interest in performance, these elements such that the book a new examination and evaluation garde movement in Poland, and culture, and the artist is exemplary such as Douglas Crimp, Gabriele and particularly musical performance. works from both ends: the reader of their positions which between Strunz’s design for the architecture of the Japanese flower-power Brandstetter, Carrie Lambert-Beatty, A central premise of the exhibition decides where the text begins. Its 1997 and 2010 shaped the history of of the exhibition was itself a bold generation. As the first Art Director Volker Pantenburg, and Catherine is that most of the works presented orientation is simple, but the effect exhibitions at the Secession. interpretation of Strzemiński’s of Playboy Japan and a designer of Wood as well as the editors Yilmaz at the Serpentine either use a live of the double pages, sometimes with work. Besides photographical music posters and record sleeves Dziewior and Barbara Engelbach performance as their starting point look at the artist’s multifaceted upside-down photos, is full of optical Verlag der Buchhandlung Walther König £38.00 documentation of the design of the (Jefferson Airplane, The Monkees), or could lead to a performance in ISBN 978-3-86335-092-5 oeuvre under such headings as early surprises. EIS is another in the series exhibition this catalogue consists Tanaami mirrored many ideas of the future. Featuring new essays softback 632 pages of autonomous artist’s books, to of three texts: the artist’s opening his contemporaries such as Andy and recent choreographies, dance, by art historian Michael Fried, and 103 b&w illustrations which Richter has dedicated much speech as a foreword; Barbara Warhol, Richard Hamilton and Robert film, and photography. Extensive writer and curator Joshua Simon, 240 x 165 mm time and great artistic attention over Kuon’s text Rescuing radical Rauschenberg. and in part hitherto unpublished a selection of Sala’s transcripts the past few years. boredom that is a major contribution documentary material from The Getty and scores from his films and Research Institute, Los Angeles, presenting relations between avant- Verlag der Buchhandlung Walther König £26.00 Verlag der Buchhandlung Walther König £38.00 performances, this is the definitive ISBN 978-3-86335-116-8 together with copious illustrations and garde practice and Strunz’s work; ISBN 978-3-86560-924-3 publication on the artist’s recent hardback 70 pages and Jarosław Lubiak’s text Time and a carefully compiled appendix give hardback 142 pages work. Published on the occasion of 42 colour, 8 b&w illustrations the typography of space analysing a fundamental overview of Yvonne 172 colour illustrations the exhibition Anri Sala at Serpentine 275 x 205 mm 234 x 156 mm Strunz’s design as a particular English and German text Rainer’s work. Gallery, London, 1 October – 20 German text exhibition space. November 2011. Verlag der Buchhandlung Walther König £55.00 ISBN 978-3-86335-137-3 Verlag der Buchhandlung Walther König £19.00 softback 288 pages Verlag der Buchhandlung Walther König £39.00 ISBN 978-83-87937-92-8 illustrated in colour and b&w ISBN 978-3-86335-098-7 hardback 84 pages 265 x 210 mm hardback 128 pages 40 colour, 5 b&w illustrations English and German text 50 colour, 7 b&w illustrations 240 x 150 mm 255 x 220 mm English, German and Polish text

36 37 SPRING 2012

Taste The Uncanny Familiar VALIE EXPORT Marijke van Whatever Happened to The Good, the Bad, and the Images of Terror Archiv Lisson Gallery Warmerdam Sex in Scandinavia? Really Expensive distributed by Cornerhouse in the UK artists include: Thomas Hirschhorn, Peter texts by Yilmaz Dziewior, Jürgen Thaler, Close by in the Distance: A texts by Knut Ove Arntzen, Stan Brakhage, Piller, The Atlas Group / Walid Raad, Natalie Astrid Wege artists include: Andy Warhol, Anselm Reyle, Norman O. Brown, Valie Export, Öyvind Czech, Thomas Ruff, Sarah Charlesworth, Catalogue Raisonné John Bock, Josephine Meckseper, Katharina edited by Yilmaz Dziewior Fahlström, Herbert Marcuse, Jonas Mekas, Robert Boyd, Naeem Mohaiemen Grosse, M/M (Paris), Martin Parr, Richard texts by Fiona Bradley, Maarten Doorman, Henry Miller, Juliet Michell, Katti Anker Møller, Ai Weiwei Hamilton texts by Aleida Assmann, Clément Chéroux, In a revolutionary way, starting in Kees van Gelder, Philippe-Alain Michaud, Jørgen Nash, Håvard Friis Nilsen, Claes Fred Ritchin, Friedrich von Borries, Gerhard Michaela Unterdörfer Oldenburg, Elise Ottesen-Jensen, Wilhelm text by Philip Tinari texts by Dirk Teuber, Hendrik Bundge, Paul, Michael C. Frank, Michael Diers, 1968, the Austrian artist VALIE Reich, Yvonne Rainer, Jacqueline Rose, Johan Holten edited by Marente Bloemheuvel introduction by Greg Hilty Stephan Weichert EXPORT pioneered the way for Barney Rosset, Barbara Rubin, Jens Jørgen edited by Johan Holten Thorsen, Otto Weininger edited by Felix Hoffmann feminist and socially critical art. The snapshot is the central form in Published on the occasion of Ai edited by Marta Kuzma, Pablo Lafuente Taste deals with the question The exhibition, VALIE EXPORT: Marijke van Warmerdam’s œuvre. Weiwei’s first exhibition at Lisson Images of terror have a huge long- Archiv at the Kunsthaus Bregenz whether common categories of taste The images she selects are often Whatever Happened to Sex in Gallery, London (13 May – 16 July term impact that we can hardly (29 October 2011 – 22 January are still useful and what significance everyday moments, such as a feather Scandinavia? is a reader that brings 2011) this catalogue contains an escape. They ingrain themselves 2012) presented the artist’s work they have in contemporary art. The swirling in the wind, a vapour trail in together essays, artists’ writings essay by Philip Tinari, editor of deep in our collective memory. in conjunction with her extensive exhibition is devoted to works that the sky or a girl doing a handstand. and works, and countercultural Leap Magazine and Director of the Images of terror are not only archive. Works such as TAPP challenge the idealistic belief in the Rather than providing a narrative, the publications to examine the juncture Ullens Center for Contemporary reproductions that document an und TASTKINO and Aktionshose: moral and social values of aesthetic work relies on the visual strength of of the political and the erotic during Art, and an introduction by Greg incident. They are more than pure Genitalpanik are shown not only as forms and norms. Chronologically its themes. This monograph offers the 1960s and 1970s. Adopting as Hilty, Curatorial Director at Lisson media, transporting interpretations autonomous works, but also within this book begins in a historical a comprehensive overview of her its starting point the international Gallery. This survey of Ai Weiwei’s through the utilization of their the context of reference material context, with an excursion to the creative output, which embraces film, perception of Scandinavia during work is depicted here in beautiful aesthetic potential. In our modern from the archive. This includes time around 1800, when landscape photography, sculpture, installation these years as a utopian region of photographs documenting works media-oriented society, photography newspaper articles and sketches, painting was not merely meant to and most recently painting. Included socialism and sexual freedom, it such as Coloured Vases (2010), is just as much a weapon as it is film scripts, and Polaroids, collages convey pleasure, but also to set is a foreword by Sjarel Ex, João explores how artistic and cultural Marble Doors (2006) and videos a goal. Thus there is a thin line and conceptual drawings. This moral values. However the main Fernandes and Gregor Jansen, production of the time reflected an including Second Ring (2005) that between the reproduction of an catalogue is conceived as a critical focus lies in the perspectives of and an introduction by Marente experimental impulse that closely demonstrate the artist’s profound action in an image and the image as engagement with the work and the various contemporary artists. A key Bloemheuvel. Published on the engaged with movement towards questioning of geopolitical, economic an action itself. This book explores subject of archive. The publication example is John Bock’s staging that occasion of the exhibition at Museum sexual and political liberation. and cultural realities. the processing of photographs by contains essays by Yilmaz Dziewior, reflects the specific mechanisms of Boijmans Van Beuningen, Rotterdam, The book is the conclusion of a the media and their subsequent Jürgen Thaler, and Astrid Wege. With Lisson Gallery £15.00 the fashion industry with unusual 19 October 2011 – 22 January 2012; four-year research project that significance for our daily image numerous reproductions from the ISBN 978-0-947830-92-2 and absurd fashion creations. He Fundação de Serralves, Porto in included an exhibition and a public culture as well as the decisive role artist’s archive, the publication also softback 44 pages suggests that taste has become 2012; and Kunsthalle Düsseldorf in programme. It includes many texts played by the mass media. documents VALIE EXPORT’s way of 27 colour, 2 b&w illustratations now more than ever a category of 2012 – 2013. published in English here for the 345 x 250 mm working with which she approaches commercial usability of visual signs. Verlag der Buchhandlung Walther König £49.00 first time. Published with Office for and engages with a theme. Verlag der Buchhandlung Walther König £38.50 Published on the occasion of the ISBN 978-3-86335-082-6 Contemporary Art Norway, Oslo. ISBN 978-3-86335-080-2 exhibition at Staatliche Kunsthalle hardback 384 pages softback 224 pages 154 colour, 85 b&w illustrations Verlag der Buchhandlung Walther König £65.00 Baden-Baden, Germany, 9 July – 9 416 colour illustrations Verlag der Buchhandlung Walther König £30.00 210 x 190 mm ISBN 978-3-86335-094-9 October 2011. 280 x 210 mm ISBN 978-3-86335-068-0 English and German text hardback 312 pages illustrated in colour and b&w softback 526 pages Verlag der Buchhandlung Walther König £25.00 265 x 210 mm 282 colour illustrations ISBN 978-3-86335-046-8 English and German text 277 x 210 mm softback 150 pages 100 colour illustrations 213 x 166 mm

38 39 SPRING 2012

Shirazeh Houshiary Verlag für moderne Kunst Susan Hiller David Lynch No Boundary Condition Manchester Art Gallery Matt’s Gallery From Here to Eternity The Marriage of Picture

distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Nürnberg and Sound texts by Greg Hilty, Francis Gooding, distributed by Cornerhouse in the UK texts by Ellen Seifermann, Richard Grayson, David Toop Jörg Heiser artists: David Lynch, Marilyn Manson edited by Kim Dhillon We Face Forward Jordan Baseman Content | Form | In the 1970s, Susan Hiller was In the autumn of 2010, Brigade Published on the occasion of Art from West Africa Today 1973 using innovative methods to Commerz was able to ask David Shirazeh Houshiary’s seventh Im-material study collective experiences such artists include: Hélène Amazou, Mohamed contributions by Pamela Church Gibson, CONT3XT.NET Lynch a series of questions on solo exhibition at Lisson Gallery, Camara, Aboubakar Fofana, Meschac Gaba, Jonathan Griffin, Patricia Lyons as dreams or states of trance, the occasion of the award of the Romuald Hazoumè, Abdoulaye Konaté, artists: Birgit Rinagl, Franz Thalmir, Michael memories and visions, and later also 12 October – 12 November 2011, edited by Amy Botfield Kaiserring – The Goslar Award for this catalogue contains essays Nii Obodai, Nnenna Okore, Emeka Ogboh, Kargl, Sabine Hochriese UFO encounters and near-death Abraham Oghobase, Amadou Sanogo, Malick Modern Art. The next day there was by Greg Hilty, Curatorial Director authors: Birgit Rinagl, Constant Dullaart, experiences. With her approach Sidibé, Pascale Marthine Tayou, Barthélémy 1973 is a text and image-based Franz Thalmair, Jan Robert Leegte, Jeremy a discussion with students from at Lisson Gallery, David Toop, Toguo and others exploration and extension of Jordan Hight, Josephine Bosma, Les Liens Invisibles, based on collecting, archiving and Goslar. The 45-minute audio CD artist, writer and sound curator texts by Koyo Kouoh, Christine Eyene, Baseman’s use of creative non-fiction Marius Watz, Mark E. Grimm, Mary-Anne analysing, she is a conceptual David Lynch: The Marriage of Picture and Francis Gooding, academic, Lubaina Himid, Alan Rice Breeze—aka netwurker, Mia Makela, Michael artist of the second generation. practices, focusing primarily on Kargl, Pall Thayer, Peter Mörtenböck and and Sound has been created from introductory text and edited by Maria Balshaw, researcher, writer and editor of interviews with specific participants. Helge Mooshammer, Sabine Hochrieser, Sarah In her works, Hiller reconciles the Bryony Bond, Mary Griffiths, Natasha Howes, the material of the press briefing and Cook, Stefan Nowotny, Thomas Dreher contradictions between conceptual Critical Quarterly. The exhibition No David Morris The publication will directly reflect Lynch’s answers to the students’ Boundary Condition is illustrated the process through which Jordan art and empathy, between the questions, in which Lynch, normally CONT3XT.NET − Sabine Hochrieser, here in beautiful photographs To celebrate the 2012 Olympics, creates the spoken word narrative rational and the unconscious a man of few words, provides deep Michael Kargl, Birgit Rinagl and documenting Houshiary’s recent work Manchester’s two main galleries soundtracks within his filmmaking or even uncanny. She takes as insight into the creative process Franz Thalmair − is a committed including String Quintet and the video will collaborate for the first time on practice. 1973 and a new film, Green her point of departure forgotten, of his works. On the bonus track collective of artists and curators projection Dust. The book also shows a major exhibition of contemporary Lady, were developed and produced overlooked or repressed phenomena Marilyn Manson talks about his first based in Vienna and founded in the recently unveiled St. Martin-in- art drawn from countries in West alongside Baseman’s 2011 residency in western culture, as well as encounter with David Lynch, and the 2006 that develops and organises the-Fields East Window and altar Africa. Taking place across three at St. John’s College, University personal memories both collective filming of Lost Highway. platforms for virtual debates, commission. locations, Manchester Art Gallery, of Oxford. Jordan interviewed the and unconscious. From Here to exhibitions, publications, readings Platt Hall (Gallery of Costume) and cultural commentators Jonathan Eternity at Kunsthalle Nürnberg (10 Verlag für moderne Kunst Nürnberg £17.00 Lisson Gallery £35.00 the Whitworth Art Gallery and Park, Griffin, Patricia Lyons and and public lectures. Various December 2011 – 19 February 2012) ISBN 978-3-86984-055-0 ISBN 978-0-947830-34-2 the exhibition will feature painting, Pamela Church Gibson about exciting projects and initiatives is Hiller’s first major solo exhibition in audio CD 45 minutes hardback 124 pages 185 x 140 mm drawing, photography, textiles, their experiences and thoughts have resulted over the years from Germany with a selection focused on 53 colour & 1 b&w illustrations this close co-operation: exhibition 305 x 245 mm sculpture, video and sound work. The regarding the film. These interviews works made between 1987 and 2011. title of the exhibition is taken from a have been edited into narratives: projects, documentations and public The show is built around four room- speech by Ghana’s first president, soundtracks for never to be made presentations. In addition there are filling audio and video installations, Kwame Nkrumah, made in 1960: ‘We films. These texts are not essays, nor collaborations with international art and also features an early internet face neither East nor West: we face commissioned creative texts. They and cultural institutions such as the project Dream Screens (1996) as forward.’ The publication will include are manufactured prose derived Museum of Modern Art, Ljubljana, the well as current photographs and biographies and colour images of directly from the interview process Museum of Contemporary Art, Rijeka, prints from series including her all the artists in the exhibition plus and the participants’ experiences of the Kunstverein Medienturm Graz ‘homages’ to Yves Klein and Marcel the musicians, performers and other the film Green Lady. A transcript from or the Kunstraum Niederoösterreich Duchamp. artists who are contributing to the the film accompanies these texts. Wien. This title is a synopsis of the public programme. activities of CONT3XT.NET over the Verlag für moderne Kunst Nürnberg £22.00 Matt’s Gallery £5.00 past 5 years. ISBN 978-3-86984-282-0 hardback 80 pages Manchester Art Gallery / Whitworth Art Gallery ISBN 978-0-907623-79-3 100 colour illustrations ISBN 978-0-901673-81-7 softback 128 pages Verlag für moderne Kunst Nürnberg £26.00 267 x 205 mm other details tbc 16 colour, 4 b&w illustrations ISBN 978-3-86984-187-8 July 2012 160 x 112 mm softback 264 pages 100 colour illustrations Barthélémy Toguo, Jugement Dernier I 210 x 150 mm 40 41 SPRING 2012

Sissa Micheli No fashion, please! Solo for Dan Station Rose Sympathetic Seeing Vanity One For All Photography between Gender Perjovschi 20 Digital Years Plus Esther McCoy and the Heart Fashion / Fotography aus der texts by Adam Budak, Andreas Spiegl, Ana and Lifestyle Daily Weekly Monthly 1988 – 2010 of American Modernist Sammmlung F. C. Gundlach Berlin, Friederike Mayröcker, Susanne Barta, artists: Chan-Hyo Bae, Tracey Baran, texts by Hans Diebner, Gabriele Horn, Architecture and Design texts by Isabelle Azoulay, Synne Genzmer, Daniela Billner, Ruth Hornak, Patricia Gronzka, preface by Barbara Barsch, Ev Fischer Jeff Bark, Leigh Bowery/Fergus Greer, Didi Neidhart, Elisa Rose, Vitus H. Weh Frédéric Monneyron Sabine Gamper, Elsy Lahner texts and edited by Kimberli Meyer, Steven Cohen/Marianne Greber, Philip-Lorca interview by Barbara Barsch with Dan Perjovschi Susan Morgan preface by Gerald A. Matt, F. C. Gundlach diCorcia, Matthias Herrmann, Lea Golda Station Rose, founded by Elisa In this first comprehensive Holterman, Izima Kaoru, Luigi & Luca, Sandra artists: Richard Avedon, Lillian Bassman, Rose and Gary Danner, delivers Cecil Beaton, Sibylle Bergemann, Erwin monograph, Sissa Micheli presents Mann, Martin & The evil eyes of Nur, Brigitte Dan Perjovschi’s drawings made in This catalogue accompanies the Niedermair, Erwin Olaf, Alex Prager, Hanna a description of the state of media exhibition at the MAK Center L.A. at Blumenfeld, Guy Bourdin, Louise Dahl- the large series of works that she black, waterproof felt-tip pen directly Wolfe, Ralph Gibson, F.C. Gundlach, Horst Putz, Viviane Sassen, Sophia Wallace, art from 1988, when STR was has made in the last 10 years – a Bruce Weber onto the walls of museums and art the Schindler House that presents P. Horst, George Hoyningen-Huene, William founded as a public media art space Klein, Nick Knight, David LaChapelle, Edgar development from photography, texts by Eugenio Viola, Peter Weiermair institutions recall caricatures, graffiti the life and work of Esther McCoy, in Vienna, until now. Station Rose and is the first to focus on McCoy’s Leciejewski, Zoe Leonard, Leon Levinstein, via video, to illustrations and edited by Kunsthalle Wien, Gerald A. Matt, or cartoons, and make comments Peter Lindbergh, Gjon Mili, Sarah Moon, are considered to be innovators installations. Performative actions, Peter Weiermair with biting humour on social-political activities affirming her unassailable Armin Morbach, Irving Penn, Melvin Sokolsky, and visionaries in the field of audio- Deborah Turbeville, Yva, Imre von Santho usually re-enactments of real filmic events and on current world affairs. role as a key figure in American visual art, electronic music, net art, and Wols events from the past, form the basis No fashion, please! – the rejection The end of the repressive Romanian modernism. The catalogue also of traditional ideas of fashion and audiovisual live performance and features a special ‘book within a of her narrative, staged photoworks. regime offered the opportunity for This catalogue presents about 200 beauty characterises the exhibition gender equality. From the beginning book’, a supplement chronicling All of these actions produced committed activism. Dan Perjovschi works from the F. C. Gundlach at Kunsthalle Vienna (10 November they have performed, exhibited and the demise of the Dodge House exclusively for her photo and video is a member of the Group of Social Collection, one of the most 2011 – 29 February 2012) and this lectured online and at festivals, through letters, documents, and works – in specially created settings Dialogue, a group of Romanian comprehensive private photography accompanying catalogue. The 19 galleries and universities, as well newspaper clippings from the – are involved with social role intellectuals who advocate critical collections of the German speaking featured artists reject traditional as in underground venues and Esther McCoy Papers, Archives patterns and the resulting behaviour dialogue and who have, since 1991, world. Early studio photography and notions of fashion, gender and clubs. During the early days of the of American Art, Smithsonian patterns, as well as with identity published the weekly newspaper dynamic settings in urban spaces as beauty, and explore the fundamental internet Station Rose developed a Institution. Esther McCoy moved to and basic human emotions. Sissa Revista 22, for whom the artist still well as surreal compositions, ironic relationship between bodies and language that could function within Los Angeles in 1932 and wrote for Micheli frequently employs herself regularly works today as an illustrator views of the fashion industry, and clothes, the dialectics between the this ephemeral, immediate and literary journals, popular magazines, as a representative protagonist for and columnist. At the beginning of the mise-en-scène of dresses to form of the body and its appearance. permanently changing medium. The and progressive broadsheets. By women, for victims and perpetrators, the1990s the newspaper was seen supermodels testify to the suggestive The artists are rooted in the team coined terms and keywords 1945, McCoy’s attentive writing had for observers or voyeurs. In doing in Romania as the most prestigious power of fashion photography tradition of body art and reference such as ‘Cyberspace is our Land’, turned significantly to architecture this, Sissa Micheli always examines journal on an intellectual level. between innovation and tradition, installations, ceremonies, and rituals ‘Nature is Cool’, ‘Digital Bohème’ and for the next 40 years her work the medium of photography As inspiration, Perjovschi draws consumerism and art. F. C. Gundlach rather than conventional notions and made virulent artistic and social articulated the concepts and vibrant and its ‘failure’ with respect to on current news items, rumours, has never understood fashion of fashion. In the context of the conditions discernable. This book character of West Coast modernism. conclusivity, the function of truth, and sightseeing, jokes, television items, photography as a veneer, but seen exhibition, clothes and other products offers not only the context in which Her writing regularly appeared transitoriness. etc. Perjovschi’s works for Revista it as a culture’s form of expression of the fashion industry only figure the team was working but features in the Los Angeles Times, Arts & 22 have not been published together mirroring an era’s zeitgeist and view as fragments of a narrative mise- audio-visual works, performances, Architecture, Zodiac and Architectural Verlag für moderne Kunst Nürnberg £32.00 before. This catalogue provides an of man’s outward appearance. ISBN 978-3-86984-128-1 en-scène thematising the dreams installations and (pre)Web 2.0 Forum. In 1960, McCoy published overview of highlights from the past hardback 256 pages activities and linkings. Included are a concerned with a changing aesthetic 20 years – an era of contemporary Five California Architects, her Verlag für moderne Kunst Nürnberg £30.00 287 colour illustrations of the body and its ideals. DVD and audio CD. groundbreaking book that remains ISBN 978-3-86984-270-7 325 x 245 mm history commented on with subtle a seminal volume on California softback 256 pages English and German text irony! Verlag für moderne Kunst Nürnberg £33.00 Verlag für moderne Kunst Nürnberg £32.00 architecture. 200 colour illustrations ISBN 978-3-86984-269-1 ISBN 978-3-86984-111-3 285 x 211 mm Verlag für moderne Kunst Nürnberg £22.00 hardback 160 pages softback 192 pages English and German text ISBN 978-3-86984-284-4 Verlag für moderne Kunst Nürnberg £24.00 100 colour illustrations illustrated in colour softback 136 pages ISBN 978-3-86984-265-3 285 x 247 mm 220 x 165 mm 87 b&w illustrations softback 144 pages English and German text English and German text 250 x 160 mm illustrated in b&w English and German text 255 x 205 mm

42 43 SPRING 2012

Michael Wallraff Corinne Wasmuht Nives Widauer Time and Memory Yang Fudong Vertical Public Space Collagen 1986 – 2001 Do I Dream or am I Alive? Parasol unit Cecilia Edefalk and Gunnel texts by Mark Nash, Ziba Ardalan distributed by Cornerhouse world-wide Wåhlstrand texts by Michael Wallraff, Klaus Bollinger/ texts by Georg Fröhner, Klaus Gallwitz, texts by Michael Hagner, Justin Hoffmann, edited by Ziba Ardalan Arne Hofmann, Brigitte Felderer, Edith Schreiner Catherine Hug, Irene Müller, Stephan Müller, texts by Daniel Birnbaum, Peter Cornell Bart Lootsma, Christoph Thun-Hohenstein, Sibylle Omlin, Meinhard Rauchensteiner, Published to mark the occasion edited by Ziba Ardalan Bärbel Vischer All the photos and pictures from Sabine Schaschl, Sandra Schwender, Sabine B. Vogel, Andrea Winklbauer of Yang Fudong’s second solo newspapers and magazines, on Lines of Thought The Viennese architect Michael Time and Memory is dedicated to exhibition at Parasol unit, London labels and packaging that Corinne artists: Helene Appel, James Bishop, Wallraff’s visions of urban planning Nives Widauer is a particularly two contemporary Swedish artists. (13 September – 16 October 2012), Wasmuht came across every day Hemali Bhuta, Raoul De Keyser, Adrian represent a clear break from tried- versatile artist. The focus of this Esparza, Özlem Günyol & Mustafa Kunt, Since the late 1980s, Cecilia Edefalk this unique and comprehensive and that caught her attention were and-true scenarios of horizontal publication is on her works from Sol LeWitt, Richard Long, Jorge Macchi, has been one of Sweden’s leading monograph focuses not only on collected in cardboard boxes and Nasreen Mohamedi, Fred Sandback, Conrad city development. Wallraff has the past 10 years and provides and most sought-after artists. the works featured in the exhibition gradually worked into collages. Shawcross, Anne Truitt, Richard Tuttle spent years delving deeply into a broad overview of all her work Following Gunnel Wåhlstrand’s but also includes insghts into the Subversively she tore into fragments texts by Tom Morton, Ziba Ardalan both the use of vertical spaces including performance, video, acclaimed graduation exhibition at meticulous creation of Yang Fudong’s our overflowing world of pictures edited by Ziba Ardalan in the city’s fabric and ways of objects, drawings, photographs the Royal University College of Fine high end film productions. The in the public realm, as she saw fit. creating new dimensions of social and installations. The book reacts The exhibition Lines of Thought Arts, Stockholm, in 2003, her work publication will include an informative Destroying something with relish interaction via prototypical open to Widauer’s work strategy and explores the work of 15 has been exhibited internationally. conversation between Mark Nash, creates the necessary distance. On public spaces situated within densely method of working: On the one contemporary artists, whose practice Edefalk’s paintings emerge as a Professor and Head of Programme at the occasion of the award of the populated urban structures. This first hand there are the cross-references has focused in particular on using network of repetitions, reproductions the Royal College of Art, acclaimed First Oberrheinischer Kunstpreis to overview of his projects and ideas between the artistic work and the line in creatively challenging ways. and historical memory. Often artist Isaac Julien, Ziba Ardalan, Corinne Wasmuht, her collages are explains the central principles of stage projects, which in part operate With works representing different reflecting her own process-oriented Director of Parasol unit foundation for presented here for the first time as a Wallraff’s experimental practice and with the same visual material and generations, it is remarkable to practice, her scenarios carve out contemporary art, and Yang Fudong large and independent body of work. simultaneously provides important which have to be seen from the observe how the meaning and haunting exchanges between past as well as two essays by Mark Nash aspect of re-framing. On the other and present, in which unexpected and Ziba Ardalan. impulses for the reinterpretation of Verlag für moderne Kunst Nürnberg £32.00 use of line varies from one artist to urban density. hand, questions in terms of content another. Simply the running on of a connections unfold with sudden ISBN 978-3-86984-262-2 Parasol unit £30.00 tbc and different ways of approaching, point, line is paradoxically one of the clarity. Memory is also at the core softback 240 pages ISBN 978-0-9560247-5-6 Verlag für moderne Kunst Nürnberg £26.00 philosophical or (art)-theoretical 214 colour illustrations most powerful means of expression. of Wåhlstrand’s work: her photo- hardback 120 pages ISBN 978-3-86984-258-5 300 x 210 mm categories form a recurring pattern Continuous or broken, curved or realistic black-ink drawings are a illustrated in colour softback 176 pages English and German text of terminologies which run through straight, free-floating or geometric, deeply private and meticulously 290 x 210 mm (tbc) 190 colour illustrations the work. Published on the occasion English and Chinese text 260 x 210 mm lines can define boundaries, divide reconstructed documentation of of the exhibition DO I DREAM OR her personal history. Designed as a English and German text spaces, create light and shade, or be Yang Fudong, Fifth Night, 2010 HD video AM I ALIVE at Kunsthaus Baselland used for communication. Published to double cover book, the publication installation, 7 screens. Black and white, sound, in 2011. accompany the exhibition at Parasol features an essay on Cecilia 10’ 37’’ Courtesy of the Artist and Galerie Marian Goodman, Paris / New York; ShanghART Gallery, unit, London, 29 February –13 May Edefalk’s early and recent work Shanghai ©Yang Fudong Verlag für moderne Kunst Nürnberg £36.00 2012. by Daniel Birnbaum, Director of ISBN 978-3-86984-220-2 Moderna Museet, Stockholm. Peter hardback 358 pages 215 colour illustrations Parasol unit £15.00 Cornell, one of Sweden’s leading 325 x 245 mm ISBN 978-0-9560247-4-9 art critics, gives insight into Gunnel English and German text softback 72 pages Wåhlstrand’s delicate approach to illustrated in colour 270 x 200 mm her personal history.

Parasol unit £25.00 ISBN 978-0-9560247-3-2 hardback 102 pages illustrated in colour 290 x 206 mm

44 45 SPRING 2012

Siân Bowen and Nova Printed in Norfolk Research Group for Ridinghouse Photoworks Rakennustieto Publishing Coracle Publications distributed by Cornerhouse in the UK distributed by Cornerhouse world-wide distributed by Cornerhouse in the UK Artists Publications Zembla 1989 – 2012 and Europe distributed by Cornerhouse world-wide Suspending the Ephemeral texts by Siân Bowen, Jan de Hond, Jan-Philipp texts by John Bevis, Simon Cutts, Fruehsorge, Joel Fisher, Chris Dorsett Andrew Wilson Artist Book: Ori Gersht Design Finland Artwork as Social introduction by Wim Pijbes Zarina Bhimji For more than 35 years, Coracle text by Robert Rowland Smith Playing Cards Model texts by T.J. Demos has produced artists’ books, critical artists: Mikko Metsähonkala, Martti Lukander A Manual of Questions and This special edition contextualises Zarina Bhimji in conversation with Achim This boxed set contains a softback works, editions and ephemera. Borchardt-Hume and Kathleen Bühler Propositions the new body of drawings, artist text volume by Robert Rowland The theme of these playing cards is books and video works made by Printed in Norfolk tells the story of Stephen Willats Smith, and three hardback volumes Finnish design from the 1900s and Siân Bowen over a two-year period this key contemporary small press Landscapes and buildings haunted which each take a separate Gersht early 2000s. The suits are divided texts by Stephen Willats working as Guest Artist in Drawing at in all its manifestations as printer, by their layered histories are the film work as its subject. Will You as follows – Spades: ceramics and Rijksmuseum Amsterdam. The Nova publisher, bookshop and gallery. The protagonists in British artist Zarina Dance For Me shows an elderly glassware; Hearts: furniture and Stephen Willats’ art practice Zembla collection of prints, which emphasis here is on the years 1989 Bhimji’s photographs and large- dancer, swaying in a rocking chair, lamps; Diamonds: textiles, clothes addresses contemporary social were carried as merchandise on – 2012, when, under the direction scale film installations, with India slowly recounting her experiences in and jewellery; Clubs: equipment and cultural issues. His polemic Willem Barents’ expedition seeking of Simon Cutts and Erica Van Horn, and East Africa the repeat locations Auschwitz. Evaders explores Walter and tools. The Kings, Queens and takes ideas beyond the norms and a northern route to China in 1596, a symbiotic working relationship for her foray into the archaeology of Benjamin’s ill-fated escape from Nazi Jacks are designers who are literally conventions of the object-based art had lain frozen, transformed to between in-house production, the place. Sound and picture combine occupation along the mountainous clothed in their own creations. The world, to explore possibilities inherent papier-mâché blocks, in the Arctic for commercial practices of Norfolk to transform image into metaphor; Lister Route. Offering presents a numbered cards depict design within communal groups. In many of nearly three centuries. Reconstructed printers Crome and Akers, and politics into poetry. This volume matador preparing for a bullfight and objects and the two Jokers are his projects he has collaborated with from hundreds of fragments by the Norfolk binder Stuart Settle, signalled presents the first overview of Bhimji’s expectant audience. These intimate persons who have had a significant members of diverse communities Rijksmuseum, the prints provided a new standard for the small press. work, from early installation pieces books examine the thought process influence in Finnish design. What, in a variety of everyday settings, opportunities for Bowen to develop ‘Neither a movement nor a formal such as She Loved to Breathe: behind the making of each film and then, is design? Distinct art objects, initiating interventions that build work which explores the materiality of artistic group, Coracle’s works are Pure Silence (1987), to her critically create a seamless visual narrative. practical furniture, everyday tools, on the richness and complexity of drawing and the ephemeral nature of characteristically collaborative, acclaimed film Out of Blue (2002), Each volume combines sources that imaginative fashion and much self-organisation to determine and museum objects on paper. Through reliably accomplishing nonpareil first shown at documenta XI, and have influenced Gersht including film more… Put your cards on the table, reinforce a sense of identity. The artworks, accompanying essays, works that change one’s perspective.’ her much anticipated latest work stills, screen grabs, music videos and and get a glimpse into the fascinating result is a body of artworks with a documentary photographs, video Marcia Reed, Head, Collection Yellow Patch (2011). This is a art historical paintings with his own world of design. dynamic, interactive, social function. stills and texts by the artist, this Development, Getty Research major survey exhibition catalogue drawings, sketches, photographs This manual, which includes texts, book traces Bowen’s own ‘journey’ Institute. ‘The activities of Coracle spanning 25 years of Bhimji’s and previous works he considers Rakennustieto Publishing £ tbc interviews and artwork from five through the project, emphasizing have been important for over 30 career. It includes an essay by art significant. Published alongside Ori ISBN 978-951-682-302-0 decades of practice, is intended as the tactile qualities of her artworks years because it has encouraged the historian and writer T.J. Demos, Gersht’s first major UK museum 58 illustrated cards + info card a tool for any artist or practitioner book – both in terms of manufacture as well as a conversation between 90 x 65 mm tbc which at the same time employ light, show, This Storm is What We Call looking to find a meaningful transparency, perforation, reflection and reception (printing and stitching the artist and the exhibition’s Progress, Imperial War Museum, relationship with contemporary and fragility, and consolidate the as much as turning a page and curators Achim Borchardt-Hume London, 25 January – 29 April 2012. society. It proclaims, and argues for, often fugitive nature of the materials reading) – to be understood to and Kathleen Bühler. Zarina Bhimji a culture that promotes the fluid, used in their making. issue forth and stand as a tangible is at Whitechapel Gallery, London, Photoworks £40.00 transient, relative and complex space, a platform, for critical activity.’ 19 January – 9 March 2012, and ISBN 978-1-903796-47-4 society from which it stems. RGAP £ 18.00 Andrew Wilson, Curator, Modern is touring in 2012 to Kunstmuseum boxed set of 3 hardbacks, 1 softback ISBN 978-0-9569024-0-5 & Contemporary British Art, Tate Bern, and to The New Art Gallery 74 pages each, 24 page text RGAP £18.00 hardback 150 pages Britain. Walsall. 108 colour, 41 b&w illustrations ISBN 978-0-9569024-2-9 illustrated in colour 150 x 135 mm hardback 336 pages 190 x 240 mm RGAP £9.00 Ridinghouse £24.95 illustrated in b&w Still from Will You Dance For Me, 2011 © Ori Gersht ISBN 978-0-9569024-1-2 ISBN 978-1-905464-51-7 220 x 170 mm softback 96 pages softback 128 pages 22 colour illustrations illustrated in colour 150 x 140 mm 250 x 215 mm 46 47 SPRING 2012

Robert Heinecken Rezi van Lankveld Simon Linke Ernst Wilhelm Nay Bridget Riley Bridget Riley Copywork At The First Clear Sight Untitled (Portraits) texts by John-Paul Stonard, Dr Pamela Kort Paintings and Gouaches colour, stripes, planes and text by Kevin Moore texts by Leen Bedaux, Jeremiah Day, Simon Linke in conversation with 1979 – 80 & 2011 curves Melissa Gronlund, Zlatko Wurzberg Adrian Searle For Ernst Wilhelm Nay (1902 – Bridget Riley in conversation with Bridget Riley in conversation with Robert Heinecken (1931 – 2006) has 1968), painting was an entrance to Robert Kudielka Michael Harrison been called one of America’s most Rezi van Lankveld’s paintings Simon Linke’s newest series of a world beyond the visible, a world influential contemporary, conceptual strikingly balance the shift between paintings continues his exploration more real and more vital that lay Bridget Riley: Paintings and For 50 years Bridget Riley has been photographers, and yet he rarely pictorial scene and creative process. of the ever powerful Artforum, yet beneath the surface of appearances. Gouaches 1979 – 80 & 2011 features one of the world’s leading abstract used a camera. His definition The artist’s working procedure has marks a clear and major departure in Beginning his career as the chaotic three new paintings which represent painters. This exhibition, organised of photography encompassed remained the same throughout his style. Working from photographs years of the Weimar Republic an important new direction in the uniquely for Kettle’s Yard (University everything related to the photo; rather her career; oil paint is poured onto of a wide range of artists – including became the dark years of the Third artist’s work as Riley brings her of Cambridge, 24 September – 20 than focusing on the photographic wooded boards or, in the case of Marina Abramovic, Albert Giacometti Reich, it was natural that he should exploration of the circle from the wall November 2011), takes paintings and image as a creation derived solely the newer works, onto canvas, and Claude Monet – taken from the look to art for an alternative reality. to the canvas, and from black and studies from the last 30 years to trace from a camera, his interest was until an image emerges, creating magazine, Linke first replicates the One of Germany’s most important white to colour. Through the layering her progress through the agency of on the relation of methods and a spontaneous ambiguity to the image in pencil, then covers the abstract painters, this fully illustrated of circles of yellow and orange, Riley stripes, planes and curves and back formalism – often in an irreverent and pictorial form captured by the artist drawing in a colour wash of oil paint. publication offers a fresh approach asks the eye to continuously adjust to stripes. Despite being abstract, humorous way – to popular media. and spectator alike. Graduating from These elegant paintings stand in to Nay’s work. This first-ever English as the shapes grow and compress, Riley’s paintings are rooted in a Copywork, presents an overview of Jan van Eyck Akademie, Maastricht stark contrast to his well-known thick monograph is accompanied by an recede and advance and dance childhood of looking at nature. Art Heinecken’s work from the 1960s – in 1999, the artist’s most recent impasto paintings of advertisements overview of his life and work by John- across the canvas. Nine early ‘wave’ school training in life drawing instilled 1990s, highlighting his exploration exhibition at The Approach in 2010 from Artforum. Published on Paul Stonard and in-depth history gouaches, show the relationship a sense of structure, since when a of the material possibilities of the demonstrated a move from the the occasion of Linke’s first solo of Nay’s reception in Britain and the and interplay of the colours violet, continuing study of the art of the past medium, and how he created new vacant spaces of van Lankveld’s exhibition at Karsten Schubert, United States by Dr. Pamela Kort. blue, green, yellow and pink in these has stimulated and informed her methods to record and produce earlier paintings, towards pieces in London (spring 2012), full colour twisted curved gouaches. Full colour work. Her early colour paintings were photographic objects using collage, which the pictorial elements reach plates of the eight Untitled (Portraits) Ridinghouse £ tbc illustrations are accompanied by a strongly influenced by the discoveries lithography, Polaroid, silver gelatin out to the edges of the canvas, are accompanied by an interview with ISBN 978-1-905464-54-8 conversation between Bridget Riley of Seurat and the Impressionists. creating forms which rise and fall the artist and critic Adrian Searle. softback 224 pages tbc and Robert Kudielka from 1978, in Study of Cézanne, especially his prints, colour processes, digital illustrations tbc rhythmically across the work. This prints and experimental uses of 243 x 161 mm tbc which the artist discusses her move practice of drawing with colour, and Ridinghouse £10.00 tbc darkroom chemistry. This book publication presents a selection of April 2012 away from the blacks, greys and a desire to dig deeper into pictorial van Lankveld’s work from 2003 – ISBN 978-1-905464-55-5 whites of her 1960s and towards space led to the introduction of features a full portfolio of one of the softback 32 pages tbc 2010 for the first time. Accompanying Ernst Wilhelm Nay, Menschen in den Lofoten, the use of the curve ‘as a rhythmic planes in grids formed by the junction artist’s best-known works: the Are 10 colour illustrations tbc 1938 Oil on canvas, 39.4 x 51.2 inches, © Ernst You Rea series (1964 – 1968); a full colour illustrations of van 230 x 200 mm tbc Wilhelm Nay, courtesy The Nay Foundation vehicle for colour’. This publication of intersecting verticals and diagonals series which began as photograms Lankveld’s work are texts by Leen accompanies the exhibition held at – and of colours and contrasts. This of magazines and newspapers that Bedaux, Jeremiah Day, Melissa Karsten Schubert, London, 7 October catalogue contains a new interview were subsequently made into gelatin Gronlund and Zlatko Wurzberg. – 18 November, 2011. with the artist, conducted by Michael silver prints, and finally became an Harrison, Director of Kettle’s Yard. edition of lithographs. Published in Ridinghouse £27.00 Ridinghouse £15.00 ISBN 978-1-905464-50-0 ISBN 978-1-905464-48-7 association with Cherry and Martin, Ridinghouse / Kettle’s Yard £14.95 hardback 112 pages softback 40 pages ISBN 978-1-905464-49-4 Los Angeles; Friedrich Petzel Gallery, illustrated in colour 15 colour illustrations hardback 40 pages New York; and Marc Selwyn Fine Art, 216 x 144 mm 260 x 245 mm 23 colour, 3 b&w illustrations Los Angeles. 298 x 250 mm

Ridinghouse £28.00 ISBN 978-1-905464-47-0 hardback 144 pages 150 colour illustrations 305 x 242 mm

48 49 SPRING 2012

John Stezaker Talking Art Gillian Wearing Saatchi Gallery The Nude and Landscape Interviews with Artists Since Stour Valley Arts Tatton Park Biennial texts by Daniel Herrmann, Doris Krystof, 1976 Volume 1 Bernhart Schwenk Publications distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide texts by Elizabeth Manchester, Sid Sachs distributed by Cornerhouse world-wide introduction by Iwona Blazwick British artist Gillian Wearing explores John Stezaker’s found images, edited by Andrew Wilson, Patricia Bickers collages and image fragments are the lives of ordinary people through Gesamtkunstwerk Vera Möller Tatton Park Biennial her photographs and films, often most associated with cinematic The second edition of this New Art from Germany at the Fictional Hybrids masking her subjects and using 2012 imagery, however it is the other indispensable collection, Talking Art, Saatchi Gallery staging techniques to challenge the texts by Ian Bride, Justin Clemens, Laurie Flights of Fancy found-image sources which he has is now available in a more portable Duggan, Peter Vujakovic public and private identities of her artists include: Alexandra Bircken, Andre artists: Aura Satz, Brass Art, Charbel worked with over the past 30 years format. This popular collection of the Butzer, Andro Wekua, Corinne Wasmuht, edited by Sandra Drew, Dan Howard-Birt individuals. This monograph provides Ackermann, David Cotterrell, Dinu Li, Hilary which is the focus of this publication; best of Art Monthly’s interviews since Gert & Uwe Tobias, Isa Genzken, Jeppe Hein, Jack, Jem Finer, Juneau Projects, Luis an overview of the artist’s work from Josephine Meckseper, Julian Rosefeldt, Jutta notably the artist’s Bridge collages the magazine’s inception in the early King’s Wood is an ancient woodland Camnitzer, Olivier Grossetête, Pointfive, Sarah the early, iconic photographs of Koether, Kristine Roepstorff, Stefan Kürten, Woodfine, Simon Faithfull, Tessa Farmer, Tom and the anatomical nudes of his 1970s, provides a supplementary Thomas Zipp that sits on the Kentish North Downs people holding up signs with written Dale, Ultimate Holding Company (UHC) Fall and Expulsion series. This history of twentieth-century art from text by Lupe Núñez-Fernández surrounded by farms that once made personal confessions or thoughts, texts by Cherry Smyth, Rebecca Geldard, catalogue, published in association over 150 perspectives through this county the ‘garden of England’. titled Signs that Say What You Want Danielle Arnaud, Jordan Kaplan with Rosenwald-Wolf Gallery, discussions between artists and The art of the 24 artists from or based In this book, critic Justin Clemens Them to Say and Not Signs that Say Philadelphia, which showed the critics. Many leading practitioners in Germany presented in this major identifies King’s Wood today as ‘a The third edition of Tatton Park What Someone Else Wants You to exhibition John Stezaker: The Nude have been interviewed, often at group exhibition at Saatchi Gallery, place in which some of the crucial Biennial brings a range of Say (1992 – 93), to her latest video and Landscape in October 2011, highly significant moments in their London (18 November 2011 – 30 global anxieties of the present are contemporary artists to the site to Bully (2010) in which the roles of centres on Stezaker’s works from careers. The interviews provide April 2012) provokes a reassessment active. Science confronts art, politics produce new commissions focussing victims and perpetrators, actors and the 1980s when he switched from the most immediate access to an of the nineteenth-century ideal of the confronts economics – the play of on flight, the artistic imagination and directors are blurred. Published to the cinematic imagery of the 1970s artist’s thought processes and offer Gesamtkunstwerk; the total, universal heterogeneous forces in and on the will to accomplish the impossible. accompany the major international towards ‘an engagement with the compelling narratives of the changing art work, or a synthesis of different the place can’t be ignored’. This Edited by Biennial curators Danielle survey of Wearing’s work (in 2012 – culture of the image to the nature of creative process. The artist interview art forms into one all-embracing anxiety is reflected in Vera Möller’s Arnaud and Jordan Kaplan, the 13) at Whitechapel Gallery, London, the image’. The catalogue presents has occupied an important position in genre. These works ask us to think mise en scène photographs of catalogue contains essays from K20 Kunstsammlung Nordrhein- many new works that have not Art Monthly since its first issue, and about the boundaries of art, our minute sculpted fungi that evoke Cherry Smyth and Rebecca Geldard, Westfalen, Düsseldorf, and been shown before, and contains the book was first published as part perception of it, and its relationship the rich wonder of the natural world, archival images from Tatton Park and Pinakothek der Moderne, Munich, essays by curator Sid Sachs, who of the magazine’s 30th anniversary to other disciplines. Running through the achievements of hybridisation, installation photography from Thierry which includes new photographic explores the relationship between celebrations. The re-release of this the works is another, unconscious, and the shadowy threat of bio-tech Bal. Published on the occasion of the works; two portraits from her ongoing the landscape and the nude, and successful collection will be followed quasi-Gesamtkunstwerk: the crops and GM science. Issues of Tatton Park Biennial, at Tatton Park, series of iconic photographers, Elizabeth Manchester who looks at by the publication of Talking Art baggage of post-war German visual hybridity and mutation are explored Knutsford, 12 May – 30 September and still lifes of flowers which are the notion and role of ‘the source’ in Volume 2, in 2013. culture. The artists seem to be in in an essay by Peter Vujakovic, 2012. inspired by the rich symbolism of Stezaker’s work. dialogue with previous generations whilst Justin Clemens unpicks the Ridinghouse £19.95 seventeenth-century Dutch painting. of German artists, such as Joseph contested territory of cultured-Nature. Tatton Park Biennial £15.00 Ridinghouse £19.95 tbc ISBN 978-1-905464-56-2 Beuys, Martin Kippenberger and Ian Bride provides speculative ISBN 978-0-9571626-0-0 Ridinghouse £27.95 ISBN 978-1-905464-53-1 softback 588 pages Gerhard Richter. If the work of taxonomies for a selection of Möller’s softback 160 pages softback 128 pages text only ISBN 978-1-905464-52-4 illustrated in colour and b&w these artists points to a new kind of creations and poet Laurie Duggan 42 colour illustrations tbc 216 x 144 mm softback 244 pages 240 x 220 mm 240 x 195 mm tbc 60 colour illustrations tbc Gesamtkunstwerk it is one in which contributes to the book, a poem May 2012 320 x 230 mm high and low culture, the avant-garde inspired by walking in King’s Wood. March 2012 and the historical, the everyday and Vera Möller was artist-in-residence Simon Faithfull, still from Re-enactment for a Future Scenario, commissioned by Tatton Park with Stour Valley Arts in 2009. Gillian Wearing, Self Portrait at 17 Years Old, everything in between can co-exist in Biennial 2003, framed c-type print, 45.5 x 36.3 inches © a body of artworks. Gillian Wearing, courtesy Maureen Paley, London Stour Valley Arts £10.00 Saatchi Gallery £15.00 ISBN 978-0-9558719-5-5 ISBN 978-0-9538587-8-1 softback 64 pages softback 178 pages 30 colour illustrations 116 colour illustrations 220 x 172 mm 297 x 210 mm 50 51 SPRING 2012 INDEX TO NEW AND FORTHCOMING TITLES

Tomma Abts 25 Freud on Holiday: Volume III – The Forgetting of a Emil Nolde: The Journey to the South Seas 1913 – 1914 3 Proper Name 9 Ai WeiWei 39 Hans Ulrich Obrist: A Brief History of New Music 17 From Aalto to Zumthor: Furniture by Architects 29 Ai Weiwei: Art / Architecture 25 Ulrike Ottinger: Floating Flood 35 From Conceptualism to Feminism: Lucy Lippard’s Numbers Ahmed Alsoudani 5 Ulrike Ottinger: n.b.k. Ausstellungen Band 11 35 Shows 1969 – 74 30 Animism: Modernity through the Looking Glass 26 Florian Germann: The Poltergeist Experimental Group (PEG) Parallax View: Andrew Livingstone 1 Antidote: The Ginette Moulin & Guillaume Houzé Applied Spirituality and Physical Spirit Manifestation 15 The Persons: Peter Jaeger 10 Contemporary Art Collection 10 Gesamtkunstwerk: New Art from Germany at the Poetry Marathon. Serpentine Gallery 35 Artist Book: Ori Gersht 46 Saatchi Gallery 51 Printed in Norfolk: Coracle Publications 1989 – 2011 47 Artwork as Social Model: A Manual of Questions and Luigi Ghirri: Project Prints 15 Yvonne Rainer: Space, Body, Language 36 Propositions – Stephen Willats 46 Piero Gilardi 16 Rashid Rana: Everything is Happening at Once 2 John Baldessari & Naomi Shohan 11 Douglas Gordon 21 Reisen II 10 John Baldessari: More Than You Wanted To Know About Julian Gothe: You are living in a world of magic 30 John Baldessari Volumes I & II 11 Gerhard Richter: EIS 36 Graphology: Drawing – from Automatism to Automation 3 Edward Barber & Jay Osgerby: Ascent 6 Bridget Riley: colour, stripes, planes and curves 49 Rotterdam Katharina Grosse: Transparent Eyeballs 30 Yto Barrada 11 Bridget Riley: Paintings and Gouaches 1979 – 80 & 2011 49 Turnpike Gallery Witte de With Sensitive Times F.C. Gundlach: Berliner Durchreise 2011 31 Jordan Baseman: 1973 40 Tim Rollins: Tim Rollins and K.O.S. – An Index 17 distributed by Cornerhouse world-wide distributed by Cornerhouse in the UK Robert Heinecken: Copywork 48 artist: Lidwien van de Ven Erika Beckman: Super- 8 Trilogy 12 Rotterdam: Sensitive Times 52 Susan Hiller: From Here to Eternity 41 texts by Lidwien van de Ven, Martha Rosler, Before the Law: Post-War Sculpture and Spaces Corinne L. Rusch: TRANSIENT CONFESSIONS 23 Monika Szewczyk Roger Hiorns: Engines 7 of Contemporary art 26 Anri Sala 36 edited and introduced by Amira Gad, Thomas Hirschhorn: Kurt Schwitters-Plattform Norman Dilworth Angela Bulloch Believing is Seeing 4 Exhibitions 2011 Source Book 10 Nicolaus Schafhausen Untere Kontrolle 31 Fred Sandback: Drawing Spaces 24 Belvedere: Why is Landscape Beautiful? 19 Shirazeh Houshiary: No Boundary Condition 40 Save Me: A Conversation Across the City – A Search texts by Andrew Bick, Barbara Forest texts by Angela Bulloch, George van Dam, This title continues Witte de With’s Zarina Bhimji 47 Rachel Howard 2 Party Project 1 Amira Gad, Nav Haq, Christine Lang, John Miller, Nicolaus Schafhausen collaboration with outstanding photo- Boetti by Afghan People: Photographs by Randi Malkin Richard Hughes 16 Carlo Scarpa: L’art d’exposer 18 This catalogue has emerged from Steinberger 26 based artists to portray its home The Secession Talks: Exhibitions in Conversation the invitation of Turnpike Gallery to edited by Amira Gad, Monika Szewczyk, Mustafa Hulusi. The Joyous, Shining And Wonderful Age 31 Nicolaus Schafhausen city of Rotterdam with this politically Jennifer Bolande: Landmarks 12 1998 – 2010 37 bring Norman Dilworth’s work back Inside the View 4 inquisitive publication by Dutch Bill Bollinger 27 Katerina Seda 18 to the region of his birth in the North In the Name of Love: Contemporary Glass 21 Angela Bulloch is a Canadian-born, Berlin-based artist, Lidwien van de Marius Born: Collective Order 27 Self Made: A Film by Gillian Wearing 3 West of England. Around it the artist Intellectual Birdhouse: Artistic Practice as Research 32 Berlin-based artist who makes Ven. Van de Ven chose to reverse Siân Bowen and Nova Zembla: Suspending the Ephemeral 47 David Shrigley: Pass the Spoon – A Sort-of-Opera has built a series of exhibitions that The Inventors of Tradition: Beca Lipscombe / Lucy McKenzie 32 About Cookery 8 complex installations involving the city-specific mandate of the Kerstin Brätsch / Adele Röder: Das Institut Triennual Report 2011 – demonstrate the ongoing energy of Ilya Kabakov: A Return to Painting 23 light, sound, text, film and, most project and portrays Rotterdam as a 2009 12 Hedi Slimane: Anthology of a Decade UK 18 his artistic output – abstract, floor Allan Kaprow: A Bibliography 32 recently, kinetic sculptures triggered microcosm of global developments Angela Bulloch: Source Book 10 52 Solo for Dan Perjovschi: Daily Weekly Monthly 42 and wall-based sculptures. Featuring Pierre Keller 16 by sensors. Her references range at the intersection of politics and André Butzer: Der wahrscheinlich beste abstrakte Station Rose: 20 Digital Years Plus 1988 – 2010 43 a new interview with the artist, this Kienholz: The Signs of the Times 33 from the formal strategies of the religion. Beginning with the highly Maler der Welt 27 John Stezaker: The Nude and Landscape 50 catalogue documents exhibitions in Kill Your Darlings: Emerging Photography 22 early twentieth-century avant-gardes polarizing murders of one-time James Lee Byars: I Give You Genius 28 Beat Streuli: Public Works 1996 – 2011 19 England, France and Belgium, and Hans Kotter: Light Flow 5 through Minimalism and Conceptual Rotterdam-native Pim Fortuyn and Gerard Byrne: Case Study – Loch Ness (Some Possibilities Katja Strunz: Zeittraum # 9 für Wladyslaw Strzeminski 37 Dilworth’s return, after many years, to and Problems) 13 Paul Laffoley: Secret Universe 2 33 Art to a broad range of philosophical the subsequent murder of Theo van Sympathetic Seeing: Esther McCoy and the Heart of exhibiting in public spaces in the UK. Enrico Castellani: Castellani e Castellani 6 literature, twentieth-century film Gogh – events which have led to the Rezi van Lankveld: At The First Clear Sight 48 American Modernist Architecture and Design 43 Published alongside the following production and twenty-first century rise of an internationally-networked Ross Chisholm 13 Lines of Thought 45 Alina Szapocznikow 24 exhibitions: Turnpike Gallery, 7 digital media development. This right-wing movement whose Color in Flux 20 Simon Linke: Untitled (Portraits) 48 Talking Art: Interviews with Artists Since 1976 Volume 1 50 May – 2 July 2011, and Huddersfield Source Book, which combines polarising effects on Rotterdam Content | Form | Im-material: CONT3XT.NET 41 Little Global Cities 22 Keiichi Tanaami: Drawings and Collages 1967 – 1975 37 Art Gallery, 10 September – 27 critical essays, a candid interview, and the Netherlands reverberate Isabelle Cornaro 13 Richard Long: Karoo Highveld – Works from South Africa 6 November 2011. Taste: The Good, the Bad, and the Really Expensive 38 selections from the artist’s own internationally in the aftermath of Jef Cornelis: Documenta 4 14 Sarah Lucas / Hieronymus Bosch / Gelatin 33 Tatton Park Biennial 2012: Flights of Fancy 51 writings and production notes as 9/11 – she travelled to places as far Jef Cornelis: Documenta 5 14 Turnpike Gallery £15.00 David Lynch: The Marriage of Picture and Sound 41 Paul Thek in Process 19 well as a TV scenario for enactment away as Antwerp, Berlin, New York ISBN 978-0-9555040-1-3 Tony Cragg: It is, it isn’t 28 Chris Martin: Staring into the Sun 34 Time and Memory: Cecilia Edefalk and Gunnel Wåhlstrand 45 in the exhibition is produced on the softback 64 pages and Oslo to trace the resonances Culpable Earth: Steven Claydon 5 Daria Martin: Sensorium Tests 17 occasion of Bulloch’s first survey The Uncanny Familiar: Images of Terror 38 53 colour illustrations of the ensuing social struggle and Jonathan Meese: Totalste Graphik + Catalogue raisonné Design Finland: Playing Cards 46 UNDER THE RADAR: Andrea Stappert – Photographs 257 x 257 mm exhibition in the Netherlands. 2003 – 2011 34 political opportunism. The resulting 1985 – 2011 24 English and French text Design Research Unit: 1942 – 72 28 Published on the occasion of the photographs cast a meditative view Dawn Mellor: Michael Jackson and Other Men 34 Norman Dilworth: Exhibitions 2011 52 VALIE EXPORT: Archiv 38 exhibition Angela Bulloch: Short Big onto a world where sensitivity to Ménage à trois: Andy Warhol, Jean-Michel Basquiat, Vanity: Fashion / Fotography aus der Sammmlung Sven Druhl: Strategies against architectures 20 Francesco Clemente 22 Drama, at Witte de With Center for what is visible and what is invisible F. C. Gundlach 43 Nicole Eisenman 14 Sissa Micheli: One For All 42 Contemporary Art, Rotterdam, 20 is continually mediated by political VIEW YORK: Nine Perceptions 25 January – 9 April 2012. Elmgreen & Dragset: Performances 1995 – 2011 29 Vera Möller: Fictional Hybrids 51 forces. Michael Wallraff: Vertical Public Space 44 William Engelen: Music Box 29 Henry Moore 8 Witte de With Publishers £9.00 Marijke van Warmerdam: Close by in the Distance Witte de With £21.00 epea: European Photo Exhibition Award 01 – European Polly Morgan: Psychopomps 7 A Catalogue Raisonné 39 ISBN 978-94-91435-00-3 ISBN 978-90-73362-99-4 Identities 20 The Mystery of Appearance: Conversations Between Corinne Wasmuht: Collagen 1986 – 2001 44 softback pages tbc hardback 156 pages tbc Everything Is In Everything: Jacques Rancière: Between Ten British Post-War Painters 7 illustrated in colour and b&w 20 colour, 4 b&w illustrations Intellectual Emancipation and Aesthetic Education 15 We Face Forward: Art from West Africa Today 40 200 x 125 mm Michael Najjar: high altitude 23 170 x 240 mm Exercise in Pathetic Criticism: Kate Briggs 9 Gillian Wearing 50 English and Dutch text Ernst Wilhelm Nay 49 Frauenzimmer 21 Whatever Happened to Sex in Scandinavia? 39 April 2012 New Chinese Sculpture: Five Artists from China 8 Lucian Freud: Drawings – Selected by William Feaver 1 Nives Widauer: Do I Dream or am I Alive? 44 Tim Noble & Sue Webster: Turning the Seventh Corner 2 Lidwien van de Ven, Berlin, 02/10/2010 Freud on Holiday: Appendix I – Freud’s Weather 9 Works on Memory: Daniel Blaufuks 4 (die Freiheit), 2011 No fashion, please!: Photography between Gender 52 Freud on Holiday: Appendix II – Freud’s Dining 9 and Lifestyle 42 Yang Fudong 45 Cornerhouse Publications 70 Oxford Street Manchester M1 5NH England tel +44 (0)161 200 1503 fax +44 (0)161 200 1504 [email protected] www.cornerhouse.org/books

Contemporary Visual Arts and Photography

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