DOCSLIB.ORG

Martin Kippenberger

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Martin Kippenberger Martin Kippenberger 1997 Käthe-Kollwitz-Preis 1996/97, Akademie Flying over the Abyss, Thessaloniki der Künste Berlin Centre of Contemporary Art, Thessaloniki (G) Konrad-von-Soest-Preis des Landschaftsverbandes Westfalen- Picasso.mania, Galeries nationales du Lippe Grand Palais, Paris (G) 1990 - 1991 2015 Professor an der Staatlichen books + papers, Christine König Hochschule für Bildende Künste Galerie, Vienna (G) Städelschule, Frankfurt (school of arts), Frankfurt Open This End, Contemporary Art from 1953 the Collection of Blake Byrne - Urban born in Dortmund Arts Space - The Ohio State University, Columbus, OH (G) 1997 died in Vienna Referenzen, Galerie Thomas Modern, Munich (G) Exhibitions Faux Amis, Simon Lee Gallery, London 2016 (G) Geniale Dilletanten, Subkultur der 1980er-Jahre in Deutschland, MKG, Gib' mir das Sommerloch, Anna Jill Museum für Kunst und Gewerbe Lüpertz Gallery, Berlin (G) Hamburg, Hamburg (G) Open This End, Contemporary Art from Mehr Kunst, Kunstmuseum Mülheim an the Collection of Blake Byrne, Miriam der Ruhr, Mülheim/Ruhr (G) and Ira D. Wallach Art Gallery, Columbia University, New York, NY (G) Colección Jumex, In Girum Imus Nocte et Consumimur Igni - Museo Jumex, House Of Cardboards, VAN HORN, Mexico City (G) Düsseldorf (G) Tensão E Liberdade, Tension And As He Remembered It..., Galerie Freedom, Centro de Arte Moderna, Mezzanin, Wien (G) CAM - Fundação Calouste Gulbenkian, Lisbon (G) The World is Made of Stories, Astrup Fearnley Museet for Moderne Kunst, Europa, Die Zukunft Der Geschichte, Oslo (G) Kunsthaus Zürich, Zurich (G) A Few Free Years, From Absalon to Drawings from the Ringier Collection Zobernig Endowments from Friedrich Chapter I, Villa Flora Winterthur, Christian Flick to the Nationalgalerie, Sammlung Hahnloser,Winterthur (G) Hamburger Bahnhof, Museum für Gegenwart, Berlin (G) Signs, Phenomena, Interpretations, Galerie Philipp Konzett, Vienna (G) Painting 2.0, Malerei Im Informationszeitalter, Museum Inside / Outside, QuadrART Dornbirn, Brandhorst, München (G) Dornbirn (G) Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt,, Germany T +49—69—299 246 70, F +49—69—299 246 729, [email protected] Opening Hours: Tue–Fri 10am–6pm, Sat 10am–2pm Martin Kippenberger Was macht die Kunst?, Galerie Honey, I rearranged the collection... by Andreas Binder, Munich (G) artist Cartazes da Coleção Lempert (capítulo 1 / 2.ª parte) - Edifício Sede Martin Kippenberger, Sculptures from da Caixa Geral de Depósitos, Lisbon 1987 to 1990, CAHIERS D'ART (G) Mar. 4th – Jun. 6th (S) Wish You Were Here, MAC Birmingham 2014 - Midlands Art Centre, Birmingham (G) Martin Kippenberger, Du kommst auch noch in Mode, Museum Folkwang Flying over the Abyss, THE IBRAHIM Essen, Essen (S) KHAN MOSQUE, Rethymnon (G) Martin Kippenberger, Window Occupational Therapy, Contemporary Shopping, Capitain Petzel Gallery, Art Museum St. Louis, Saint Louis, MO Berlin (S) (G) Martin Kippenberger, Raft of the Works from the Astrup Fearnley Medusa, Skarstedt Fine Art, New York, Collection, Astrup Fearnley Museet for NY (S) Moderne Kunst, Oslo (G) Bäume in der zeitgenössischen Kunst, Picasso In Der Kunst Der Gegenwart, ALTANA Kulturstiftung im Sinclair- Deichtorhallen Hamburg, Hamburg (G) Haus, Bad Homburg (G) Bare Wunder, Sies + Höke, Dusseldorf The Triumph of Paintings #1, Thomas (G) Ammann Fine Art AG, Zürich (G) Nach dem frühen Tod, Staatliche Anarchy.Utopia.Revolution., Ludwig Kunsthalle Baden-Baden, Baden-Baden Museum - Museum of Contemporary (G) Art - Budapest,Budapest (G) German Art, Galleri K, Oslo (G) Cast From Life, Skarstedt Gallery, Skarstedt Fine Art, New York, NY (G) Affordable Bananas III, Galerie Sabine Knust - Maximilian Verlag, Munich (G) Sam. St. Moritz Art Masters 2014, St. Moritz Art Masters, Saint-Moritz (G) Sleepless, The Bed in history and contemporary Art - 21er Haus, Vienna Wild Heart: Art Exhibition of German (G) Neo-Expressionism Since the 1960s, China Art Museum, Shanghai (G) Nimm's Mal Easy, Ausstellungsraum Klingental, BaselDie 80er – Figurative Bad Thoughts, Collection Martijn and Malerei in der BRD, Städel Museum, Jeannette Sanders - Stedelijk Museum Frankfurt am Main (G) Amsterdam, Amsterdam (G) Martin Kippenberger, Taka Ishii Gallery Hocker, Stuhl, Sessel, Galerie im - Tokyo, Tokyo (S) Traklhaus, Salzburg (G) Affordable Bananas III, Galerie Sabine Collective III, Galerie Guy Bärtschi, Knust, Munich (G) Genève (G) Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt,, Germany T +49—69—299 246 70, F +49—69—299 246 729, [email protected] Opening Hours: Tue–Fri 10am–6pm, Sat 10am–2pm Martin Kippenberger Friendly Takeover, MARTa Herford, (G) Herford (G) Winter Group Show, Skarstedt Fine Art, Sculptures And Works On Paper, New York, NY (G) Galerie Mikael Andersen - Berlin, Berlin (G) Unter der Erde. Von Kafka bis Kippenberger, Kunstsammlung (Mis)Understanding, Werke und Nordrhein-Westfalen, Düsseldorf (G, Manifeste zur Fotografie, Museum C) Folkwang Essen, Essen (G) SPRING 1883 ARNDT, Melbourne, No Problem: Cologne/New York 1984- Australia, Aug. 11th – 16th 2014 (G) 1989, David Zwirner, New York, NY 2013/14 Artelier Contemporary Graz Zu Gast Ruhe-Störung. Streifzüge durch die Bei Hilger Next, Hilger NEXT, Vienne Welt der Collage, MARTa Herford (G, (G) C) Künstlerbücher _ Artists´ Books - Zeichen. Sprache. Bilder. Schrift in der Internationale Künstlerbücher Von Kunst seit 1960, Städtische Galerie 1960 Bis Heute, Museum Stift Admont, Karlsruhe (G, C) Admont (G) 2013 Euro Punk. The Visual Culture of Punk In der Wohnung - Alte Fabrik, Gebert in Europe 1976–1980, curated by Stiftung für Kultur, Rapperswil (G) Éric de Chassey and Fabrice Stroun, Cité de la musique, Paris (Oct 15 2013– Hired Hand, The Art Institute of Jan 19 2014), B.P.S. 22, Charleroi Chicago, Chicago, IL (G) (Oct 20 2011– Jan 15 2012), Musée d’art moderne et contemporain, Geneva Room Service, Vom Hotel in der Kunst (Jun 8 –Sep 18 2011), Villa Medici, und Künstlern im Hotel - Staatliche Académie de France à Rome (Jan 20– Kunsthalle Baden-Baden, Baden-Baden Mar 20 2011), Cité de la musique, Paris (G) Oct 15 2013–Jan 19 2014 (C, G) Mystic Fire - Paradise Row, Londres Das Glück aus dem Nichts. Werke aus (G) der Slg. Wilhelm Otto Nachf., curated by Ellen Seifermann and Harriet Zilch, Avantgarde 1960-80, GALERIE Kunsthalle Nürnberg, Nuremberg LICHTPUNKT - AMBACHER Jul 13–Oct 6 (C, S) CONTEMPORARY, Munich (G) Here We Go. A Changing Group Musée à vendre pour cause de faillite., Exhibition, Karsten Schubert, London Werke und Dokumente aus der Sep 9–Nov 29 (G) Herbert Foundation und mumok im Dialog - Museum Moderner Kunst Alles Palette. Nichts schöner. Von Stiftung Ludwig - MUMOK , Vienne (G) Hamburg bis Berlin, Galerie Baviera, Zurich Jul 11–Aug 17 (G) Siehe was dich sieht - Franz Graf, 21er Haus, Vienne (G) A Space Called Public. Hoffentlich Öffentlich, curated by Elmgreen & Amerika, Camberwell Space, Londres Dragset in the public space of Munich, Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt,, Germany T +49—69—299 246 70, F +49—69—299 246 729, [email protected] Opening Hours: Tue–Fri 10am–6pm, Sat 10am–2pm Martin Kippenberger Munich Jun 6–Sep 30 (C, G) Zoebelein and Andrea Peters, Martin- Gropius-Bau, Berlin Mar 22–Jun 9 (C, G) Body Pressure. Skulptur seit den 1960er Jahren, curated by Henriette En grisaille, The George Economou Huldisch and Lisa Marei Schmidt, Collection, Athens Mar 12 –May 17 (G) Hamburger Bahnhof, Museum für Gegenwart, Berlin Letzte Bilder. Von Manet bis May 25 2013– Jan 12 2014 (C, G) Kippenberger, curated by Esther Schlicht, Schirn Kunsthalle, Frankfurt a. Dritte Welle. Die Gruppe SPUR, der M. Feb 28–Jun 2 (C, G) Pop und die Politik, curated by Anette Hüsch and Dörte Zbikowski, Kunsthalle Sehr gut / very good, curated by zu Kiel May 25–Sep 8 (C, G) Udo Kittelmann and Britta Schmitz Hamburger Bahnhof, Museum für Geboren 1953 – 60 Jahre Kunstverein Gegenwart, Berlin Feb 24 –Aug 13 (C, Reutlingen, Kunstverein Reutlingen S) May 5 – Jul 28 (G) ‘Sieht man ja, was es ist.’ Editionen und Cumuli. Zum Sammeln der Dinge/On Multiples der Galerie Erhard Klein Collection Things, L40 – Verein zur 1972– 2005, curated by Fanny Gonella, Förderung von Kunst und Kultur am Bonner Kunstverein, Bonn Feb 19–May Rosa-Luxemburg-Platz e.V., Berlin 5 (C, G) Apr 27– Jun 8 (G) Cranford Collection. Out of the House, Generosity. Geschenke und Leihgaben curated by Anne Pontégnie and aus der Sammlung des ZKM, curated Muriel Salem, Sala de Arte, Fundación by Nina Fernandez, Idis Hartmann, Banco Santander, Madrid Daria Mille, and Philipp Ziegler, Feb 9–Jun 16 (C, G) ZKM Museum für Neue Kunst, Karlsruhe Apr 17 2013–Jan 12 2014 (G) Blues for Smoke, organized by Bennett Simpson, The Museum of For My Eyes Only. VJP Collection of Contemporary Art, Los Angeles, Contemporary Art and Design, The Geffen Contemporary at MOCA UGM Maribor Art Gallery, Maribor (Oct 20 2012 –Jan 7 2013), Whitney Apr 11–May 12 (G) Museum of American Art, New York Feb 7–Apr 28 (C, G) Metaphors for Expression: Contemporary German Art. Georg The Feverish Library (continued), Baselitz, Günther Förg, Martin Capitain Petzel, Berlin Kippenberger, Albert Oehlen, Jan 10 –Feb 23 (G) Sigmar Polke, Skarstedt Gallery, London Apr 10–Jun 8 (G) [presentation of the installation Ohne Titel (‚Weiße Bilder‘/ ‘White Paintings‘), Extreme Drawing. Ballpoint Pen 1991, until Jan 2014] (S) Drawing Since 1950, The Aldrich Contemporary Art Museum, Ridgefield 2012 Mar 24–Aug 25 (G) Restitution of a Missing Past?, curated by Heidi Stecker and Franciska Von Beckmann bis Warhol.
Load more

Recommended publications
  • Zgallerymanager MSPM
    Andro Wekua Sprüth Magers, Berlin April 27 – September 8, 2018 At the center of Andro Wekua’s new exhibition at Sprüth Magers is a life-size sculpture made of nickel silver - a silver-like alloy of copper, nickel and zinc - and a group of paintings. The untitled sculpture recalls Wekua’s earlier mannequin figures and continues their subtle formal vocabulary. The androgynous figure appears situated between the sexes; its body has a prepubescent, almost childlike look. On the back of the sculpture sits a small, black bronze Pegasus with purple wings—a futuristic element, childish toy and mythical reference in one. The physical proportions of this figure are realistic only at first glance; they are unthinkable in real life. The figure is a composite of various, non-related body parts. Before casting, it was composed of miscellaneous models of real limbs. Even the sculpture’s body posture probes the limits of what is physically possible. It recalls the Christ figure in Michelangelo’s unfinished Rondanini Pietà. In the original, the Virgin Mary stands behind her dead son and tries to hold him upright. Wekua’s figure stands in a pool; water runs from parallel slits on its arms and shoulders. Its silvery surface is in constant motion and yet it appears preserved in a state of perpetual stagnation. For all its overt artificiality, this figure seems to lead a psychological life of its own. It seems strangely, if improbably, alive. The sculpture is surrounded by a series of paintings. Wekua uses an architectural redefinition of the space to create his own viewing plane for the paintings while simultaneously reflecting the centrally-positioned sculpture as an object in space.
    [Show full text]
  • General Interest
    GENERAL INTEREST GeneralInterest 4 FALL HIGHLIGHTS Art 60 ArtHistory 66 Art 72 Photography 88 Writings&GroupExhibitions 104 Architecture&Design 116 Journals&Annuals 124 MORE NEW BOOKS ON ART & CULTURE Art 130 Writings&GroupExhibitions 153 Photography 160 Architecture&Design 168 Catalogue Editor Thomas Evans Art Direction Stacy Wakefield Forte Image Production BacklistHighlights 170 Nicole Lee Index 175 Data Production Alexa Forosty Copy Writing Cameron Shaw Printing R.R. Donnelley Front cover image: Marcel Broodthaers,“Picture Alphabet,” used as material for the projection “ABC-ABC Image” (1974). Photo: Philippe De Gobert. From Marcel Broodthaers: Works and Collected Writings, published by Poligrafa. See page 62. Back cover image: Allan McCollum,“Visible Markers,” 1997–2002. Photo © Andrea Hopf. From Allan McCollum, published by JRP|Ringier. See page 84. Maurizio Cattelan and Pierpaolo Ferrari, “TP 35.” See Toilet Paper issue 2, page 127. GENERAL INTEREST THE MUSEUM OF MODERN ART,NEW YORK De Kooning: A Retrospective Edited and with text by John Elderfield. Text by Jim Coddington, Jennifer Field, Delphine Huisinga, Susan Lake. Published in conjunction with the first large-scale, multi-medium, posthumous retrospective of Willem de Kooning’s career, this publication offers an unparalleled opportunity to appreciate the development of the artist’s work as it unfolded over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. The volume presents approximately 200 paintings, sculptures, drawings and prints, covering the full diversity of de Kooning’s art and placing his many masterpieces in the context of a complex and fascinating pictorial practice.
    [Show full text]
  • Martin Kippenberger, 43, Artist of Irreverence and Mixed Styles
    THE NEW YORK TIMES OBITUARIES 11.3.1997 Martin Kippenberger, 43, Artist Of Irreverence and Mixed Styles By ROBERTA SMITH Martin Kippenberger, widely regarded as one of the most talented German artists of his generation, died on Friday at the University of Vienna Hospital. He was 43 and had moved to Vienna last year. The cause was cancer, said Gisela Capitain, his agent and dealer. A dandyish, articulate, prodigiously prolific artist who loved controversy and confrontation and combined irreverence with a passion for art, Mr. Kippenberger worked at various points in performance art, painting, drawing, sculpture, installation art and photography and also made several musical recordings. He was a ringleader of a younger generation of „bad boy" German artists born mostly after World War II that emerged in the wake of the German Neo-Expressionists. His fellow travelers included Markus and Albert Oehlen, Georg Herold and Günter Förg, and they sometimes seemed almost as well known for their carousing as for their work. Mr. Kippenberger once made a sculpture titled „Street Lamp for Drunks"; its post curved woozily back and forth. In New York City, Mr, Kippenberger was known for a well-received show of improvisational sculptures at Metro Pictures in SoHo in 1987. The pieces incorporated an extensive range of found objects and materials and sundry conceptual premises. He considered no style or artist's work off-limits for appropriation, though his paintings most frequently resembled heavily worked, seemingly defaced fusions of Dadaism, Pop and Neo-Expressionism and often poked fun at the art world or himself. His penchant for mixing media, styles and processes influenced younger artists on both sides of the Atlantic.
    [Show full text]
  • Martin Kippenberger Self-Portraits at Christie's London on October 11 & 12
    PRESS RELEASE | LONDON | 19 SEPTEMBER 2012 FOR IMMEDIATE RELEASE AN IMPORTANT COLLECTION OF MARTIN KIPPENBERGER SELF-PORTRAITS AT CHRISTIE'S LONDON ON OCTOBER 11 & 12 Martin Kippenberger (1953-1997) Untitled (from the series Hand-Painted Pictures) oil on canvas / 71 x 59in. (180.4 x 149.8cm.) / Painted in 1992 Estimate: £2,500,000-3,500,000 London - In an unprecedented event, Christie’s Post-War & Contemporary Art Department will offer on October 11 and 12 an important collection of Martin Kippenberger (1953-1997) self-portraits, including thirteen works on paper and the seminal oil on canvas, Ohne Titel (Untitled), from the series Hand-Painted Pictures) (1992) (estimate: £2,500,000-3,500,000; illustrated above). The latter was previously exhibited in the major retrospectives of the artist’s work held at the Centre Georges Pompidou, Paris in 1993, Tate Modern, London in 2006, MoCA, Los Angeles and MoMA, New York in 2009. Assembled over the course of a twenty- five year friendship, this collection belongs to someone who knew the artist so well, that these works offer a unique insight and portrait of the artist. Charismatic and irreverent, Martin Kippenberger is remembered for his conceptual and expressive transformation of the 1980s and 1990s art scene. Francis Outred, Christie's Head of Post-War & Contemporary Art, Europe: “Martin Kippenberger's revolutionary influence on contemporary art practice continues to grow by the day. At the source of his wild approach to and disdain for the preconceived notions of the artist's role in society was his own self. His self- portraits lie at the heart of his oeuvre and I have never seen such an outstanding collection, which so accurately documents his development from the 1970s to his tragic, early death in 1997.
    [Show full text]
  • Andro Wekua “Dreaming Dreaming” 515 West 24Th Street September 21 – November 3, 2012 Opening September 20, 6 – 8 Pm
    Andro Wekua “Dreaming Dreaming” 515 West 24th Street September 21 – November 3, 2012 Opening September 20, 6 – 8 pm Gladstone Gallery is pleased to present an exhibition of new work by Andro Wekua. Working in a diverse array of media, Wekua has developed a visual language grounded in the exploration of human experience through the subtle intersections of individual and collective memory, personal identity, and history. Looking to genres such as fantasy, science fiction, and horror, Wekua creates fantastical and often macabre tableaux, revealing the complex processes of reconstruction and fragmentation that continually inform the personal, social, and fictive experience of remembrance. “Dreaming Dreaming” presents a series of new painting, sculpture, and collage, as well as Wekua’s most recent film, Never Sleep with a Strawberry in Your Mouth II. The paintings included in the exhibition mark a notable break from Wekua’s earlier work, revealing a more uniformly abstract approach to imagery. A number of these recent compositions comprise a nearly monochromatic palette, containing only glimpses of the figurative elements and collage techniques characteristic of his earlier work. Using fully saturated colors to achieve moody, immersive environments and richly layered landscapes, Wekua moves between the sincerity of self-reflection and the synthetic imagery of pop culture. The sculptures on view include models of buildings Wekua remembers from his childhood in Sukhumi, a seaside town in Georgia that was devastated by civil war in the early 1990s. Conjuring images from memory and supplementing them with online research, Wekua creates sculptural representations of buildings, which contain blank spaces that correspond to what he refers to as “memory gaps.” Creating pictorial representations of the past to better comprehend and grapple with the present, Wekua meditates on the tenuous boundary between historical reality and the artificial construct of remembering, pointing to the inescapable fact that the past is always distorted by the subjectivity of memory.
    [Show full text]
  • ANDRO WEKUA Education Awards & Grants Solo Exhibitions
    ANDRO WEKUA Born 1977 Sokhumi, Georgia Lives and works in Berlin and New York Education 1991 National Art School, Sokhumi, Georgia 1994 Studied at Phil. Institute “Gogebashvili,” Tbilisi, Georgia 1999 Visual Art School, Basel, Switzerland Awards & Grants 2011 Nominated for National Gallery Prize for Young Art, Berlin, Germany 2006 Manor Art Award, Zürich, Switzerland 2005 Kiefer Hablitzel Foundation Prize 2004 Artist in Residence for city of Zürich, Zürich, Switzerland 2003 Swiss Federal Award for Fine Arts, Zürich, Switzerland 2002 Binz 39 Foundation Studio Grant, Zürich, Switzerland Solo Exhibitions 2019 “Andro Wekua,” Gladstone Gallery, New York 2018 “Andro Wekua: All is Fair in Dreams and War,” Kunsthalle Zürich, Zürich, Switzerland [traveled to: Sprüth Magers, Berlin, Germany (2019)] “Andro Wekua,” Sprüth Magers, Berlin, Germany “Andro Wekua. Dolphin in the Fountain,” Garage Museum of Contemporary Art, Moscow, Russia 2017 “A Dog’s Fidelity,” Gladstone 64, New York 2016 “Andro Wekua – Anruf,” Kölnischer Kunstverein, Cologne, Germany “Andro Wekua: Some Pheasants In Singularity,” Sprüth Magers, London, United Kingdom 2015 “Andro Wekua,” 032c Workshop, Berlin, Germany 2014 “Some Pheasants in Singularity” Sprüth Magers, London, United Kingdom “Andro Wekua: Pink Wave Hunter,” Benaki Museum, Athens, Greece 2012 “Dreaming Dreaming,” Gladstone Gallery, New York 2011 “Never Sleep With a Strawberry In Your Mouth,” Kunsthalle Wien, Vienna, Austria “Pink Wave Hunter,” Kunsthalle Fridericianum, Kassel, Germany “A Neon Shadow,” Castello di Rivoli, Torino, Italy 2010 “Gott ist tot aber das Mädchen nicht,” Schinkel Pavillon, Berlin, Germany “Books, Editions, and the Like,” Swiss Institute, New York “1995,” Gladstone Gallery, Brussels, Belgium 2009 “Workshop Report,” Wiels, Brussels, Belgium “28. August,” Galerie Peter Kilchmann, Zürich, Switzerland “Workshop Report,” Museion, Bolzano, Italy 2008 “My Bike and Your Swamp,” Camden Art Center, London, United Kingdom [traveled to: De Hallen, Haarlem, Netherlands] “Sunset.
    [Show full text]
  • PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX to FEATURED PUBLISHERS
    PUBLICATIONS Spring 2012 CORNERHOUSE PUBLICATIONS SPRING 2012 INDEX TO FEATURED PUBLISHERS Welcome to our new catalogue featuring 156 titles from many of the most innovative Arnolfini 1 galleries, museums and publishers working in contemporary visual arts. We are Art Editions North 1 particularly pleased to have been appointed distributor for Blain|Southern, Lisson Gallery, Blain|Southern 1 Parasol unit, and Tatton Park Biennial, and new titles from these publishers are featured. Cornerhouse 2 Our list encompasses all the visual arts including architecture, art theory and education, Drawing Room 3 design, digital media, fashion, film and video, painting, photography, performance and DuMont Buchverlag 3 sculpture. We have over 2,700 titles currently available. If you require further details or if Ffotogallery 4 you want to order any of these titles, please contact us or visit our online bookstore. Firstsite 5 GlobalArtAffairs Publishing 5 For further information about our services, please contact Paul Daniels, Publications Haunch of Venison 5 Director. Hayward Publishing 7 Cornerhouse Publications Information as Material 9 JRP|Ringier* 10 70 Oxford Street, Manchester M1 5NH, England Kerber Verlag** 19 Publications Director Paul Daniels Verlag der Buchhandlung Walther König 25 Lisson Gallery 39 Arnolfini Art Editions North Blain|Southern orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide trade orders
    [Show full text]
  • Martin Kippenberger
    Martin Kippenberger 1953 Born in Dormund, Germany 1972–76 Hamburger Hochschule für Bildende Kunst 1997 Passed away SOLO EXHIBITIONS (selected) 2019 Martin Kippenberger, Bundeskunsthalle Bonn, Bonn, Germany 2018 MOMAS – Museum of Modern Art Syros, Palermo, Istituto Svizzero di Roma, Italy at Fondazione Sant’Elia, Palermo, Italy; MAMCO, Geneva, Italy [Cat.] Body Check. Martin Kippenberger. Maria Lassnig, Museion Foundation. Museum of modern and contemporary art Bozen, Italy; Lenbachhaus, Munich, Germany [Cat.] 2017 Hand Painted Pictures, Skarstedt, New York, CA, USA [Cat.] Buying is Fun, Paying Hurts, Bergamin&Gominde, São Paulo, Brazil 2016 Martin Kippenberger, Bank Austria Wien, Vienna, Austria [Cat.] Das, mit dem alles anfing. Der, mit dem alles anfing, Galerie Gisela Capitain, Cologne, Germany 2015 Martin Kippenberger, Taka Ishii Gallery, Tokyo, Japan [Cat.] 2014 ‚Du kommst auch noch in Mode’ – Plakate von Martin Kippenberger, Museum Folkwang, Essen, Germany [Cat.] Window Shopping, Capitain Petzel, Berlin, Germany [Cat.] The Raft of Medusa, Skarstedt, New York, CA, USA [Cat.] 2013 Sehr gut; Very Good, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany [Cat.] 2011 Kippenberger miró a Picasso, Museo Picasso Málaga, Málaga, Spain [Cat.] 2008 The Problem Perspective, Museum of Contemporary Art, Los Angeles, CA, USA; The Museum of Modern Art, New York, NY, USA [Cat.] 2006 Martin Kippenberger, Tate Modern, London, UK; K 21, Düsseldorf, Germany [Cat.] 2004 Kippenberger: Pinturas, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
    [Show full text]
  • Daniel Richter
    GALERIE THADDAEUS ROPAC DANIEL RICHTER SPAGOTZEN SALZBURG VILLA KAST 24 Saturday - 28 Saturday Parallel to Daniel Richter's solo exhibition in the Salzburg Rupertinum Museum of Modern Art, presenting works created in connection with Daniel Richter's stage-set for Vera Nemirova's production of Alban Berg's Lulu, the Galerie Thaddaeus Ropac, in its first collaboration with Richter, is showing his latest series of works. Under the title Spagotzen, a neologism coined by the artist, the exhibition comprises fifteen works showing mysterious figures bathed in an artificial light typical of Richter, against a sometimes seismographically linear background. They seem like actors on a stage, engaged in strange kinds of interaction. Richter's new block of works is distinguished on the one hand by an innovative, graphic, almost secessionist style, the paint applied like varnish, and on the other by a novel orientation towards the world of symbolism at the turn of last century, the mysticism of Odilon Redon and Félix Vallotton's compositions dominated by flat areas of black and white contrasts. "Ultimately, there is no difference between abstract and figurative painting – apart from particular forms of their decipherability. But the problems of organising paint on surface always remain essentially the same. In both cases, it is the same method that makes its way through various forms." Thus Daniel Richter commented in 2004 on his change from abstract to representational painting – a personal turn-round which he carried out at the turn of the century. Born in 1962, the artist has shaped painting in Germany since the 1990s as few others have done.
    [Show full text]
  • The Kippenberger Conundrum: How the Wildly Prolific Artist’S Artist Became an Eight-Figure Auction Darling
    The Kippenberger Conundrum: How the Wildly Prolific Artist’s Artist Became an Eight-Figure Auction Darling BY Nate Freeman POSTED 01/08/18 12:40 PM Martin Kippenberger. COURTESY TASCHEN It was the peak of the 2014 fall auction season in New York, and though nearly two decades had gone by since Martin Kippenberger’s death of liver failure in 1997, the artist’s market had never been hotter. Prior to its bellwether postwar and contemporary evening sale, Christie’s had set the estimate for a prized 1988 Kippenberger self-portrait in its November sale at $20 million—an aggressive estimate, but one that paid off. It was bought by dealer Larry Gagosian, hammering at $20 million for a with-premium total of $22.5 million. The sale capped a run of seasons where the Kippenberger market rose precipitously—an irony for an artist who lampooned both “try-hard” artists who sucked up to the market people and the market people who got suckered into buying any of it. All of Kippenberger’s top ten highest-selling works at auction have come in the last five years, and after the one-two punch of 1988 works sold at Christie’s in May and November 2014—the $22.5 million picture nabbed by Gagosian, but also another work from the same series that sold for $18.6 million—the same auction house sold two more Kippenbergers in May 2015: another 1988 self-portrait for $16.4 million, and one of his 1996 paintings of Jacqueline Picasso for $12.5 million. The “Picasso Paintings”—or, as they’re sometimes called, the “Underwear Paintings”—are perhaps Kippenberger’s most beloved series, based on photographs taken of Picasso, his hero, but self-effacing in tone.
    [Show full text]
  • Martin Kippenberger
    Martin Kippenberger 1997 Käthe-Kollwitz-Preis 1996/97, Akademie der Condo, de Kooning, Kippenberger, Muñoz, Künste Berlin Salle, Warhol, Skarstedt, London, London (G) Konrad-von-Soest-Preis des Landschaftsverbandes Westfalen-Lippe Geniale Dilletanten, Subkultur der 1980er- 1990 - 1991 Jahre in Deutschland, MKG, Museum für Professor an der Staatlichen Hochschule für Kunst und Gewerbe Hamburg, Hamburg (G) Bildende Künste Städelschule, Frankfurt (school of arts), Frankfurt Open This End, Contemporary Art from the 1953 Collection of Blake Byrne, Miriam and Ira D. born in Dortmund Wallach Art Gallery, Columbia University, New York (G) 1997 died in Vienna House Of Cardboards, VAN HORN, Düsseldorf (G) Exhibitions As He Remembered It..., Galerie Mezzanin, 2018 Wien (G) Die Erfindung der neuen Wilden, Malerei und Subkultur um 1980, Ludwig The World is Made of Stories, Astrup Forum Aachen (G) Fearnley Museet for Moderne Kunst, Oslo (G) Gastspiel – Werke aus den A Few Free Years, From Absalon to Zobernig Sammlungen Grässlin und Wiesenauer, Endowments from Friedrich Christian Flick Räume für Kunst, St. Georgen (G) to the Nationalgalerie, Hamburger Bahnhof, Museum für Gegenwart, Berlin (G) Deutschland 8, Deutsche Kunst in China, Art Museum of Central Painting 2.0, Malerei Im Academy of fine Arts, Beijing (C,G) Informationszeitalter, Museum Brandhorst, München (G) 2016 Die Neuen Wilden, Figurative Malerei in Flying over the Abyss, Thessaloniki Centre of der BRD in den 80er-Jahren, Groninger Contemporary Art, Thessaloniki (G) Museum, Groningen (G) Picasso.mania,
    [Show full text]
  • FY2009 Annual Listing
    2008 2009 Annual Listing Exhibitions PUBLICATIONS Acquisitions GIFTS TO THE ANNUAL FUND Membership SPECIAL PROJECTS Donors to the Collection 2008 2009 Exhibitions at MoMA Installation view of Pipilotti Rist’s Pour Your Body Out (7354 Cubic Meters) at The Museum of Modern Art, 2008. Courtesy the artist, Luhring Augustine, New York, and Hauser & Wirth Zürich London. Photo © Frederick Charles, fcharles.com Exhibitions at MoMA Book/Shelf Bernd and Hilla Becher: Home Delivery: Fabricating the Through July 7, 2008 Landscape/Typology Modern Dwelling Organized by Christophe Cherix, Through August 25, 2008 July 20–October 20, 2008 Curator, Department of Prints Organized by Peter Galassi, Chief Organized by Barry Bergdoll, The and Illustrated Books. Curator of Photography. Philip Johnson Chief Curator of Architecture and Design, and Peter Glossolalia: Languages of Drawing Dalí: Painting and Film Christensen, Curatorial Assistant, Through July 7, 2008 Through September 15, 2008 Department of Architecture and Organized by Connie Butler, Organized by Jodi Hauptman, Design. The Robert Lehman Foundation Curator, Department of Drawings. Chief Curator of Drawings. Young Architects Program 2008 Jazz Score July 20–October 20, 2008 Multiplex: Directions in Art, Through September 17, 2008 Organized by Andres Lepik, Curator, 1970 to Now Organized by Ron Magliozzi, Department of Architecture and Through July 28, 2008 Assistant Curator, and Joshua Design. Organized by Deborah Wye, Siegel, Associate Curator, The Abby Aldrich Rockefeller Department of Film. Dreamland: Architectural Chief Curator of Prints and Experiments since the 1970s Illustrated Books. George Lois: The Esquire Covers July 23, 2008–March 16, 2009 Through March 31, 2009 Organized by Andres Lepik, Curator, Projects 87: Sigalit Landau Organized by Christian Larsen, Department of Architecture and Through July 28, 2008 Curatorial Assistant, Research Design.
    [Show full text]