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Martin Kippenberger Martin Kippenberger 1997 Käthe-Kollwitz-Preis 1996/97, Akademie der Condo, de Kooning, Kippenberger, Muñoz, Künste Berlin Salle, Warhol, Skarstedt, London, London (G) Konrad-von-Soest-Preis des Landschaftsverbandes Westfalen-Lippe Geniale Dilletanten, Subkultur der 1980er- 1990 - 1991 Jahre in Deutschland, MKG, Museum für Professor an der Staatlichen Hochschule für Kunst und Gewerbe Hamburg, Hamburg (G) Bildende Künste Städelschule, Frankfurt (school of arts), Frankfurt Open This End, Contemporary Art from the 1953 Collection of Blake Byrne, Miriam and Ira D. born in Dortmund Wallach Art Gallery, Columbia University, New York (G) 1997 died in Vienna House Of Cardboards, VAN HORN, Düsseldorf (G) Exhibitions As He Remembered It..., Galerie Mezzanin, 2018 Wien (G) Die Erfindung der neuen Wilden, Malerei und Subkultur um 1980, Ludwig The World is Made of Stories, Astrup Forum Aachen (G) Fearnley Museet for Moderne Kunst, Oslo (G) Gastspiel – Werke aus den A Few Free Years, From Absalon to Zobernig Sammlungen Grässlin und Wiesenauer, Endowments from Friedrich Christian Flick Räume für Kunst, St. Georgen (G) to the Nationalgalerie, Hamburger Bahnhof, Museum für Gegenwart, Berlin (G) Deutschland 8, Deutsche Kunst in China, Art Museum of Central Painting 2.0, Malerei Im Academy of fine Arts, Beijing (C,G) Informationszeitalter, Museum Brandhorst, München (G) 2016 Die Neuen Wilden, Figurative Malerei in Flying over the Abyss, Thessaloniki Centre of der BRD in den 80er-Jahren, Groninger Contemporary Art, Thessaloniki (G) Museum, Groningen (G) Picasso.mania, Galeries nationales du Grand Punk, Its Traces In Contemporary Art, Palais, Paris (G) Museu d'Art Contemporani de Barcelona - MACBA, Barcelona (G) 2015 books + papers, Christine König Galerie, Die Neuen Wilden, Figurative Malerei in der Vienna (G) BRD in den 80er-Jahren, Groninger Museum, Groningen (G) Open This End, Contemporary Art from the Collection of Blake Byrne - Urban Arts Space An Imagined Museum, Works From The - The Ohio State University, Columbus, OH Centre Pompidou, The Tate And The MMK, (G) Museum für Moderne Kunst (MMK), Frankfurt am Main (G) Referenzen, Galerie Thomas Modern, Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt,, Germany T +49—69—299 246 70, F +49—69—299 246 729, [email protected] Opening Hours: Tue–Fri 10am–6pm, Sat 10am–2pm Martin Kippenberger Munich (G) Picasso In Der Kunst Der Gegenwart, Deichtorhallen Hamburg, Hamburg (G) Faux Amis, Simon Lee Gallery, London (G) Bare Wunder, Sies + Höke, Dusseldorf (G) Gib' mir das Sommerloch, Anna Jill Lüpertz Gallery, Berlin (G) Nach dem frühen Tod, Staatliche Kunsthalle Baden-Baden, Baden-Baden (G) Mehr Kunst, Kunstmuseum Mülheim an der German Art, Galleri K, Oslo (G) Ruhr, Mülheim/Ruhr (G) Affordable Bananas III, Galerie Sabine Knust Colección Jumex, In Girum Imus Nocte et - Maximilian Verlag, Munich (G) Consumimur Igni - Museo Jumex, Mexico City (G) Sleepless, The Bed in history and contemporary Art - 21er Haus, Vienna (G) Tensão E Liberdade, Tension And Freedom, Centro de Arte Moderna, CAM - Fundação Nimm's Mal Easy, Ausstellungsraum Calouste Gulbenkian, Lisbon (G) Klingental, BaselDie 80er – Figurative Malerei in der BRD, Städel Museum, Europa, Die Zukunft Der Geschichte, Frankfurt am Main (G) Kunsthaus Zürich, Zurich (G) Martin Kippenberger, Taka Ishii Gallery - Drawings from the Ringier Collection Tokyo, Tokyo (S) Chapter I, Villa Flora Winterthur, Sammlung Hahnloser,Winterthur (G) Affordable Bananas III, Galerie Sabine Knust, Munich (G) Signs, Phenomena, Interpretations, Galerie Philipp Konzett, Vienna (G) Was macht die Kunst?, Galerie Andreas Binder, Munich (G) Inside / Outside, QuadrART Dornbirn, Dornbirn (G) Martin Kippenberger, Sculptures from 1987 to 1990, CAHIERS D'ART Honey, I rearranged the collection... by artist Mar. 4th – Jun. 6th (S) Cartazes da Coleção Lempert (capítulo 1 / 2.ª parte) - Edifício Sede da Caixa Geral de 2014 Depósitos, Lisbon (G) Martin Kippenberger, Du kommst auch noch in Mode, Museum Folkwang Essen, Essen (S) Wish You Were Here, MAC Birmingham - Midlands Art Centre, Birmingham (G) Martin Kippenberger, Window Shopping, Capitain Petzel Gallery, Berlin (S) Flying over the Abyss, THE IBRAHIM KHAN MOSQUE, Rethymnon (G) Martin Kippenberger, Raft of the Medusa, Occupational Therapy, Contemporary Art Skarstedt Fine Art, New York, NY (S) Museum St. Louis, Saint Louis, MO (G) Bäume in der zeitgenössischen Kunst, Works from the Astrup Fearnley Collection, ALTANA Kulturstiftung im Sinclair-Haus, Bad Astrup Fearnley Museet for Moderne Kunst, Homburg (G) Oslo (G) The Triumph of Paintings #1, Thomas Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt,, Germany T +49—69—299 246 70, F +49—69—299 246 729, [email protected] Opening Hours: Tue–Fri 10am–6pm, Sat 10am–2pm Martin Kippenberger Ammann Fine Art AG, Zürich (G) Hired Hand, The Art Institute of Chicago, Anarchy.Utopia.Revolution., Ludwig Chicago, IL (G) Museum - Museum of Contemporary Art - Budapest,Budapest (G) Room Service, Vom Hotel in der Kunst und Künstlern im Hotel - Staatliche Kunsthalle Cast From Life, Skarstedt Gallery, Skarstedt Baden-Baden, Baden-Baden (G) Fine Art, New York, NY (G) Mystic Fire - Paradise Row, Londres (G) Sam. St. Moritz Art Masters 2014, St. Moritz Art Masters, Saint-Moritz (G) Avantgarde 1960-80, GALERIE LICHTPUNKT - AMBACHER CONTEMPORARY, Munich (G) Wild Heart: Art Exhibition of German Neo- Expressionism Since the 1960s, China Art Musée à vendre pour cause de faillite., Museum, Shanghai (G) Werke und Dokumente aus der Herbert Foundation und mumok im Dialog - Bad Thoughts, Collection Martijn and Museum Moderner Kunst Stiftung Ludwig - Jeannette Sanders - Stedelijk Museum MUMOK , Vienne (G) Amsterdam, Amsterdam (G) Siehe was dich sieht - Franz Graf, 21er Haus, Hocker, Stuhl, Sessel, Galerie im Traklhaus, Vienne (G) Salzburg (G) Amerika, Camberwell Space, Londres (G) Collective III, Galerie Guy Bärtschi, Genève (G) Winter Group Show, Skarstedt Fine Art, New York, NY (G) Friendly Takeover, MARTa Herford, Herford (G) Unter der Erde. Von Kafka bis Kippenberger, Kunstsammlung Nordrhein-Westfalen, Sculptures And Works On Paper, Galerie Düsseldorf (G, C) Mikael Andersen - Berlin, Berlin (G) SPRING 1883 ARNDT, Melbourne, Australia, (Mis)Understanding, Werke und Manifeste Aug. 11th – 16th 2014 (G) zur Fotografie, Museum Folkwang Essen, Essen (G) 2013/14 No Problem: Cologne/New York 1984-1989, Ruhe-Störung. Streifzüge durch die Welt der David Zwirner, New York, NY Collage, MARTa Herford (G, C) Zeichen. Sprache. Bilder. Schrift in der Kunst seit 1960, Städtische Galerie Karlsruhe (G, C) Artelier Contemporary Graz Zu Gast Bei 2013 Hilger Next, Hilger NEXT, Vienne (G) Euro Punk. The Visual Culture of Punk in Europe 1976–1980, curated by Künstlerbücher _ Artists´ Books - Éric de Chassey and Fabrice Stroun, Internationale Künstlerbücher Von 1960 Bis Cité de la musique, Paris (Oct 15 2013– Heute, Museum Stift Admont, Admont (G) Jan 19 2014), B.P.S. 22, Charleroi (Oct 20 2011– Jan 15 2012), Musée d’art In der Wohnung - Alte Fabrik, Gebert moderne et contemporain, Geneva Stiftung für Kultur, Rapperswil (G) (Jun 8 –Sep 18 2011), Villa Medici, Galerie Bärbel Grässlin Schäfergasse 46 B, 60313 Frankfurt,, Germany T +49—69—299 246 70, F +49—69—299 246 729, [email protected] Opening Hours: Tue–Fri 10am–6pm, Sat 10am–2pm Martin Kippenberger Académie de France à Rome (Jan 20– Mar 20 2011), Cité de la musique, Paris For My Eyes Only. VJP Collection of Oct 15 2013–Jan 19 2014 (C, G) Contemporary Art and Design, UGM Maribor Art Gallery, Maribor Das Glück aus dem Nichts. Werke aus Apr 11–May 12 (G) der Slg. Wilhelm Otto Nachf., curated by Ellen Seifermann and Harriet Zilch, Metaphors for Expression: Contemporary Kunsthalle Nürnberg, Nuremberg German Art. Georg Baselitz, Günther Förg, Jul 13–Oct 6 (C, S) Martin Kippenberger, Albert Oehlen, Sigmar Polke, Skarstedt Gallery, London Apr Here We Go. A Changing Group Exhibition, 10–Jun 8 (G) Karsten Schubert, London Sep 9–Nov 29 (G) Extreme Drawing. Ballpoint Pen Drawing Since 1950, The Aldrich Contemporary Art Alles Palette. Nichts schöner. Von Museum, Ridgefield Hamburg bis Berlin, Galerie Baviera, Mar 24–Aug 25 (G) Zurich Jul 11–Aug 17 (G) Von Beckmann bis Warhol. Kunst des A Space Called Public. Hoffentlich 20. und 21. Jahrhunderts. Die Sammlung Öffentlich, curated by Elmgreen & Bayer, curated by Rike Zoebelein and Dragset in the public space of Munich, Andrea Peters, Martin-Gropius-Bau, Berlin Munich Jun 6–Sep 30 (C, G) Mar 22–Jun 9 (C, G) Body Pressure. Skulptur seit den 1960er En grisaille, The George Economou Jahren, curated by Henriette Huldisch and Collection, Athens Mar 12 –May 17 (G) Lisa Marei Schmidt, Hamburger Bahnhof, Museum für Gegenwart, Berlin Letzte Bilder. Von Manet bis Kippenberger, May 25 2013– Jan 12 2014 (C, G) curated by Esther Schlicht, Schirn Kunsthalle, Frankfurt a. M. Feb 28–Jun 2 (C, Dritte Welle. Die Gruppe SPUR, der Pop und G) die Politik, curated by Anette Hüsch and Dörte Zbikowski, Kunsthalle zu Kiel May 25– Sehr gut / very good, curated by Sep 8 (C, G) Udo Kittelmann and Britta Schmitz Hamburger Bahnhof, Museum für Geboren 1953 – 60 Jahre Kunstverein Gegenwart, Berlin Feb 24 –Aug 13 (C, S) Reutlingen, Kunstverein Reutlingen May 5 – Jul 28 (G) ‘Sieht man ja, was es ist.’ Editionen und Multiples der Galerie Erhard Klein 1972– Cumuli. Zum Sammeln der Dinge/On 2005, curated by Fanny Gonella, Bonner Collection Things, L40 – Verein zur Kunstverein, Bonn Feb 19–May 5 (C, G) Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz
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  • Martin Kippenberger, 43, Artist of Irreverence and Mixed Styles
    THE NEW YORK TIMES OBITUARIES 11.3.1997 Martin Kippenberger, 43, Artist Of Irreverence and Mixed Styles By ROBERTA SMITH Martin Kippenberger, widely regarded as one of the most talented German artists of his generation, died on Friday at the University of Vienna Hospital. He was 43 and had moved to Vienna last year. The cause was cancer, said Gisela Capitain, his agent and dealer. A dandyish, articulate, prodigiously prolific artist who loved controversy and confrontation and combined irreverence with a passion for art, Mr. Kippenberger worked at various points in performance art, painting, drawing, sculpture, installation art and photography and also made several musical recordings. He was a ringleader of a younger generation of „bad boy" German artists born mostly after World War II that emerged in the wake of the German Neo-Expressionists. His fellow travelers included Markus and Albert Oehlen, Georg Herold and Günter Förg, and they sometimes seemed almost as well known for their carousing as for their work. Mr. Kippenberger once made a sculpture titled „Street Lamp for Drunks"; its post curved woozily back and forth. In New York City, Mr, Kippenberger was known for a well-received show of improvisational sculptures at Metro Pictures in SoHo in 1987. The pieces incorporated an extensive range of found objects and materials and sundry conceptual premises. He considered no style or artist's work off-limits for appropriation, though his paintings most frequently resembled heavily worked, seemingly defaced fusions of Dadaism, Pop and Neo-Expressionism and often poked fun at the art world or himself. His penchant for mixing media, styles and processes influenced younger artists on both sides of the Atlantic.
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  • Martin Kippenberger Self-Portraits at Christie's London on October 11 & 12
    PRESS RELEASE | LONDON | 19 SEPTEMBER 2012 FOR IMMEDIATE RELEASE AN IMPORTANT COLLECTION OF MARTIN KIPPENBERGER SELF-PORTRAITS AT CHRISTIE'S LONDON ON OCTOBER 11 & 12 Martin Kippenberger (1953-1997) Untitled (from the series Hand-Painted Pictures) oil on canvas / 71 x 59in. (180.4 x 149.8cm.) / Painted in 1992 Estimate: £2,500,000-3,500,000 London - In an unprecedented event, Christie’s Post-War & Contemporary Art Department will offer on October 11 and 12 an important collection of Martin Kippenberger (1953-1997) self-portraits, including thirteen works on paper and the seminal oil on canvas, Ohne Titel (Untitled), from the series Hand-Painted Pictures) (1992) (estimate: £2,500,000-3,500,000; illustrated above). The latter was previously exhibited in the major retrospectives of the artist’s work held at the Centre Georges Pompidou, Paris in 1993, Tate Modern, London in 2006, MoCA, Los Angeles and MoMA, New York in 2009. Assembled over the course of a twenty- five year friendship, this collection belongs to someone who knew the artist so well, that these works offer a unique insight and portrait of the artist. Charismatic and irreverent, Martin Kippenberger is remembered for his conceptual and expressive transformation of the 1980s and 1990s art scene. Francis Outred, Christie's Head of Post-War & Contemporary Art, Europe: “Martin Kippenberger's revolutionary influence on contemporary art practice continues to grow by the day. At the source of his wild approach to and disdain for the preconceived notions of the artist's role in society was his own self. His self- portraits lie at the heart of his oeuvre and I have never seen such an outstanding collection, which so accurately documents his development from the 1970s to his tragic, early death in 1997.
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  • Martin Kippenberger
    Martin Kippenberger 1953 Born in Dormund, Germany 1972–76 Hamburger Hochschule für Bildende Kunst 1997 Passed away SOLO EXHIBITIONS (selected) 2019 Martin Kippenberger, Bundeskunsthalle Bonn, Bonn, Germany 2018 MOMAS – Museum of Modern Art Syros, Palermo, Istituto Svizzero di Roma, Italy at Fondazione Sant’Elia, Palermo, Italy; MAMCO, Geneva, Italy [Cat.] Body Check. Martin Kippenberger. Maria Lassnig, Museion Foundation. Museum of modern and contemporary art Bozen, Italy; Lenbachhaus, Munich, Germany [Cat.] 2017 Hand Painted Pictures, Skarstedt, New York, CA, USA [Cat.] Buying is Fun, Paying Hurts, Bergamin&Gominde, São Paulo, Brazil 2016 Martin Kippenberger, Bank Austria Wien, Vienna, Austria [Cat.] Das, mit dem alles anfing. Der, mit dem alles anfing, Galerie Gisela Capitain, Cologne, Germany 2015 Martin Kippenberger, Taka Ishii Gallery, Tokyo, Japan [Cat.] 2014 ‚Du kommst auch noch in Mode’ – Plakate von Martin Kippenberger, Museum Folkwang, Essen, Germany [Cat.] Window Shopping, Capitain Petzel, Berlin, Germany [Cat.] The Raft of Medusa, Skarstedt, New York, CA, USA [Cat.] 2013 Sehr gut; Very Good, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany [Cat.] 2011 Kippenberger miró a Picasso, Museo Picasso Málaga, Málaga, Spain [Cat.] 2008 The Problem Perspective, Museum of Contemporary Art, Los Angeles, CA, USA; The Museum of Modern Art, New York, NY, USA [Cat.] 2006 Martin Kippenberger, Tate Modern, London, UK; K 21, Düsseldorf, Germany [Cat.] 2004 Kippenberger: Pinturas, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
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  • Daniel Richter
    GALERIE THADDAEUS ROPAC DANIEL RICHTER SPAGOTZEN SALZBURG VILLA KAST 24 Saturday - 28 Saturday Parallel to Daniel Richter's solo exhibition in the Salzburg Rupertinum Museum of Modern Art, presenting works created in connection with Daniel Richter's stage-set for Vera Nemirova's production of Alban Berg's Lulu, the Galerie Thaddaeus Ropac, in its first collaboration with Richter, is showing his latest series of works. Under the title Spagotzen, a neologism coined by the artist, the exhibition comprises fifteen works showing mysterious figures bathed in an artificial light typical of Richter, against a sometimes seismographically linear background. They seem like actors on a stage, engaged in strange kinds of interaction. Richter's new block of works is distinguished on the one hand by an innovative, graphic, almost secessionist style, the paint applied like varnish, and on the other by a novel orientation towards the world of symbolism at the turn of last century, the mysticism of Odilon Redon and Félix Vallotton's compositions dominated by flat areas of black and white contrasts. "Ultimately, there is no difference between abstract and figurative painting – apart from particular forms of their decipherability. But the problems of organising paint on surface always remain essentially the same. In both cases, it is the same method that makes its way through various forms." Thus Daniel Richter commented in 2004 on his change from abstract to representational painting – a personal turn-round which he carried out at the turn of the century. Born in 1962, the artist has shaped painting in Germany since the 1990s as few others have done.
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  • The Kippenberger Conundrum: How the Wildly Prolific Artist’S Artist Became an Eight-Figure Auction Darling
    The Kippenberger Conundrum: How the Wildly Prolific Artist’s Artist Became an Eight-Figure Auction Darling BY Nate Freeman POSTED 01/08/18 12:40 PM Martin Kippenberger. COURTESY TASCHEN It was the peak of the 2014 fall auction season in New York, and though nearly two decades had gone by since Martin Kippenberger’s death of liver failure in 1997, the artist’s market had never been hotter. Prior to its bellwether postwar and contemporary evening sale, Christie’s had set the estimate for a prized 1988 Kippenberger self-portrait in its November sale at $20 million—an aggressive estimate, but one that paid off. It was bought by dealer Larry Gagosian, hammering at $20 million for a with-premium total of $22.5 million. The sale capped a run of seasons where the Kippenberger market rose precipitously—an irony for an artist who lampooned both “try-hard” artists who sucked up to the market people and the market people who got suckered into buying any of it. All of Kippenberger’s top ten highest-selling works at auction have come in the last five years, and after the one-two punch of 1988 works sold at Christie’s in May and November 2014—the $22.5 million picture nabbed by Gagosian, but also another work from the same series that sold for $18.6 million—the same auction house sold two more Kippenbergers in May 2015: another 1988 self-portrait for $16.4 million, and one of his 1996 paintings of Jacqueline Picasso for $12.5 million. The “Picasso Paintings”—or, as they’re sometimes called, the “Underwear Paintings”—are perhaps Kippenberger’s most beloved series, based on photographs taken of Picasso, his hero, but self-effacing in tone.
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    Martin Kippenberger 1997 Käthe-Kollwitz-Preis 1996/97, Akademie Flying over the Abyss, Thessaloniki der Künste Berlin Centre of Contemporary Art, Thessaloniki (G) Konrad-von-Soest-Preis des Landschaftsverbandes Westfalen- Picasso.mania, Galeries nationales du Lippe Grand Palais, Paris (G) 1990 - 1991 2015 Professor an der Staatlichen books + papers, Christine König Hochschule für Bildende Künste Galerie, Vienna (G) Städelschule, Frankfurt (school of arts), Frankfurt Open This End, Contemporary Art from 1953 the Collection of Blake Byrne - Urban born in Dortmund Arts Space - The Ohio State University, Columbus, OH (G) 1997 died in Vienna Referenzen, Galerie Thomas Modern, Munich (G) Exhibitions Faux Amis, Simon Lee Gallery, London 2016 (G) Geniale Dilletanten, Subkultur der 1980er-Jahre in Deutschland, MKG, Gib' mir das Sommerloch, Anna Jill Museum für Kunst und Gewerbe Lüpertz Gallery, Berlin (G) Hamburg, Hamburg (G) Open This End, Contemporary Art from Mehr Kunst, Kunstmuseum Mülheim an the Collection of Blake Byrne, Miriam der Ruhr, Mülheim/Ruhr (G) and Ira D. Wallach Art Gallery, Columbia University, New York, NY (G) Colección Jumex, In Girum Imus Nocte et Consumimur Igni - Museo Jumex, House Of Cardboards, VAN HORN, Mexico City (G) Düsseldorf (G) Tensão E Liberdade, Tension And As He Remembered It..., Galerie Freedom, Centro de Arte Moderna, Mezzanin, Wien (G) CAM - Fundação Calouste Gulbenkian, Lisbon (G) The World is Made of Stories, Astrup Fearnley Museet for Moderne Kunst, Europa, Die Zukunft Der Geschichte, Oslo (G) Kunsthaus
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  • Martin Kippenberger the Problem Perspective
    EVIEWS: Martin Kippenberger MoMA, New York The Problem Perspective 1March - 11 May The 'problem' in The Problem Perspective is nothing more than Kippenberger himself - that is to say, it is the problem of the 'artist' and what it might have meant to be one, or play one, or behave (and misbehave) as one in the 1980s and 90s, primarily in Europe, but also in the US and other locales of the internationalising artworld. The 'problem perspective', in short, is the problem of persona. Evidence that Kippenberger was uniquely predisposed to working through this problem is apparently given by his early biography: upon quitting the Hamburg Art Academy in 1976, after four years of study, young Martin (now twenty three) decamps to Florence, Italy, with plans of becoming an actor, but returns the following year. After a first one-man show in Hamburg (of a series of paintings, Uno di Voi, un Tedesco in Firenze (One of You, a German in Florence) (1976-7), the title already indicates his interest in playing roles), he moves to Berlin and founds the Kippenbergers Boro (modelled on Warhol's Factory, but it accretes as an artist promotion and exhibition operation). He manages the underground performance venue S.O. 36, begins the Grugas punk band, performs in three films (Gibbi West Germany, 1980; Bildnis einer Trinkerin, 1979, and Liebe undAbenteuer, 1978) and then decides that the actor's life is not for him. It's now 1980. Next stop? Paris. Occupation? Writer. That Kippenberger was peripatetic and suffered from something like an aesthetic attention deficit disorder, that his personality was immense and chaotic, that one could not but think him either a genius provocateur or an ass - these are the clich6s that govern nearly all accounts of his work.
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  • Martin Kippenberger
    MARTIN KIPPENBERGER Born 1953 in Dortmund, Germany Died 7 March 1997 in Vienna SELECTED ONE-PERSON EXHIBITIONS 2006 Dieter Roth / Martin Kippenberger, Hauser & Wirth Coppermill, London Martin Kippenberger, Tate Modern, London Ihr Kippy Kippenberger, Baerbel Graesslin Gallery, Frankfurt (cat.) 2005 The Bermuda Triangle, Syros to Dawson City: The First Connection and 40 Drawings from the Collection of Michel Wurthle, Foundation 20 21, New York (cat.) Self-Portraits, Luhring Augustine, New York (cat.) 2003 Museum Für Neue Kunst, Karlsruhe. Germany (cat.) Venedig 2003 (with Candida Höfer), Venice Bienalle, German Pavillion, Venice (cat.) 2002 Martin Kippenberger– Hotel Drawings, David Zwirner, New York Martin Kippenberger– Metro-Net Projects, Beaumont-Public + König-bloc, Luxembourg Martin Kippenberger– Selected Works, Zwirner & Wirth, New York 2001 Galerie Bärbel Grässlin, Frankfurt Martin Kippenberger- ‘Bilder einer Ausstellung’, Galerie Bärbel Grässlin, Frankfurt 2000 Galerie Gisela Capitain, Cologne Metro Pictures, New York Martin Kippenberger: Hotel Drawings and The Happy End of Franz Kafka's 'Amerika', joint exhibition at The Smart Museum and The Renaissance Society, University of Chicago 1999 David Nolan Gallery, New York Martin Kippenberger: Self-portraits, The Happy End of Franz Kafka's 'America', Sozialkistentransport, Lanterns, etc., Deichtorhallen, Hamburg Together Again Like Never Before: The Complete Poster Works of Martin Kippenberger, 1301PE, Los Angeles 1998 Martin Kippenberger, MAK Center for Art and Architecture, Los Angeles
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  • Jeff Koons Selected Bibliography
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