Photograph by Landon Nordeman, from Landon Nordeman: Out of Fashion, published by Damiani. See page 52.

FEATURED RELEASES 2 Journals 78 Limited Editions 80

CATALOGUE EDITOR Thomas Evans FALL HIGHLIGHTS 82 ART DIRECTOR Art 84 Stacy Wakefield Writings & Group Exhibitions 114 IMAGE PRODUCTION Photography 120 Kyra Sutton Architecture 140 COPY WRITING Janine DeFeo, Thomas Evans, Annabelle Maroney, Design 150 Kyra Sutton PRINTING SPECIALTY BOOKS 152 Sonic Media Solutions, Inc. Art 154 FRONT COVER IMAGE Group Exhibitions 168 Hilma af Klint, “Altarpiece, No.1, Group X,” 1915. From Hilma af Klint: Photography 171 Painting the Unseen, published by Koenig Books. See page 42.

BACK COVER IMAGE Karma Backlist 176 Samuel Friede, “Coney Island Dome,” 1906. From Never Built New York, Reel Art Press Backlist 177 published by Metropolis Books. See page 5. Also from The Coney Island Backlist Highlights 178 Amateur Psychoanalytic Society and Its Circle, published by Christine Burgin. See page 71. Index 183 ​ ​Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Kr ˇcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, “Painting relates to both Catherine Wood. The early 1950s, when Robert Rauschenberg launched his career, was art and life. Neither can be the heyday of the heroic gestural painting of Abstract . Rauschenberg challenged this tradition, inventing new intermedia made. (I try to act in the forms of art making that shaped the decades to come. Published in conjunction with the inaugural 21st-century retrospective of this gap between the two.)” defining figure, this book offers fresh perspectives on Rauschenberg’s —Robert Rauschenberg widely celebrated Combines (1954–64) and silkscreen paintings (1962–64). It also illuminates lesser-known periods within Rauschenberg’s career, including his work of the early 1950s and that from the late 1960s onward, now compelling and prescient to contemporary eyes. Sixteen short essays by eminent scholars and emerging new writers focus on specific moments within Rauschenberg’s career, examining his creative production across an extraordinary range of media. Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist’s career in 20 years, an important contribution to American cultural and intellectual history across disciplines and a necessary volume for anyone interested in art of the present day. Over the span of six decades, Robert Rauschenberg (1925–2008) worked in an astonishing range of mediums including painting, , prints, photography and performance, and became one of the most transformative figures in postwar American culture. Working alone and in collaboration with artists, dancers, musicians and writers, Rauschenberg produced a vast body of work that continues to resonate today.

THE 9781633450202 u.s. $75.00 cdn $95.00 Clth, 9.5 x 12 in. / 392 pgs / 475 color. December/Art/Music & Dance/Gay & Lesbian

EXHIBITION SCHEDULE London, England: Tate Modern, 11/30/16–04/02/17 New York: The Museum of Modern Art, 05/21/17–09/04/17 San Francisco, CA: San Francisco Museum of Modern Art, 11/04/17–03/25/18

ALSO AVAILABLE Robert Rauschenberg 9780870707674 Pbk, U.S. $9.95 CDN $12.50 The Museum of Modern Art, New York

Robert Rauschenberg: Photographs 9781935202523 Hbk, U.S. $40.00 CDN $50.00 D.A.P./Schirmer/Mosel

2 artbook.com­­ artbook.com 3 From the authors of Never Built , this hidden history takes us on an exhilarating journey through an alternative New York

Never Built New York​ ​By Greg Goldin, Sam Lubell. Following on the success of Never Built Los Angeles (Metropolis Books, 2013), authors Greg Goldin and Sam Lubell now turn their eye to . New York towers among world capi- tals, but the city we know might have reached even more stellar heights, or burrowed into more destructive depths, had the ideas of its greatest dreamers progressed beyond the drawing board. What is wonderfully grand might easily have been ingloriously grandiose; equally, what is blandly unremarkable might have become delightfully provocative. Nearly 200 proposals spanning 200 years encompass bridges, skyscrapers, master plans, parks, transit schemes, amusements, airports, plans to fill in rivers and extend Manhattan, and much, much more. Included are alternate visions for Central Park, Columbus Circle, Lincoln Center,

MoMA, the UN, Grand Central Terminal, the World Trade Center site and other highlights such METROPOLIS BOOKS as: Alfred Ely Beach’s system of airtight subway cars propelled via atmospheric pressure; Frank 9781938922756 u.s. $55.00 cdn $70.00 Lloyd Wright’s last project, his Key Plan for Ellis Island, on which he would have developed his Hbk, 11.5 x 8.5 in. / 408 pgs / 220 color / 220 b&w. dream city; Buckminster Fuller’s design for Brooklyn’s Dodger Stadium, complete with giant October/Architecture & Urban Studies

geodesic dome to shield players and fans from the rain; developer William Zeckendorf’s Rooftop EXHIBITION SCHEDULE Airport, perched on steel columns 200 feet above street level, spanning from 24th to 71st Street, New York: Queens Museum, 04/09/17–06/17 Ninth Avenue to the Hudson River; John Johansen’s Leapfrog City proposal to create an entirely new neighborhood atop the tenements of East Harlem; and Stephen Holl’s Bridge of Houses, of- ALSO AVAILABLE fering options from SROs to modest studios to luxury apartments on a segment of what is now Never Built Los Angeles the High Line. 9781935202967 Fact-filled and entertaining texts, plus sketches, renderings, prints and models drawn from ar- Hbk, U.S. $55.00 CDN $65.00 Metropolis Books chives across the country tell stories of ideas that would have drastically transformed the way we inhabit and move through the city.

4 artbook.com­­ artbook.com 5 INCLUDES CONTRIBUTIONS BY

n Gregory Corso n Anaïs Nin n Lawrence Ferlinghetti n Dwight Garner n Allen Ginsberg n Ethan Hawke n Derula Murphy n David Rakoff n Ian Rankin n Robert Silvers n Robert Stone n Kate Tempest n Jeanette Winterson n Nathan Englander

Shakespeare and Company, Paris​ ​A History of the Rag & Bone Shop of the Heart Edited with introduction by Krista Halverson. Foreword by Jeanette Winterson. Epilogue by Sylvia Whitman. A copiously illustrated account This first-ever history of the legendary bohemian bookstore in Paris interweaves essays and poetry from dozens of writers associated with the shop—Allen Ginsberg, Anaïs Nin, Ethan Hawke, Robert Stone and Jeanette of the famed Paris bookstore on Winterson, among others—with hundreds of never-before-seen archival pieces, including photographs of James Baldwin, William Burroughs and Langston Hughes, plus a foreword by the celebrated British novelist Jeanette its 65th anniversary Winterson and an epilogue by Sylvia Whitman, the daughter of the store’s founder, George Whitman. The book has been edited by Krista Halverson, director of the newly founded Shakespeare and Company publishing . George Whitman opened his bookstore in a tumbledown 16th-century building just across the Seine from Notre- Dame in 1951, a decade after the original Shakespeare and Company had closed. Run by Sylvia Beach, it had been the meeting place for the Lost Generation and the first publisher of James Joyce’s Ulysses. (This book includes an illustrated adaptation of Beach’s memoir.) Since Whitman picked up the mantle, Shakespeare and Company has served as a home-away-from-home for many celebrated writers, from Jorge Luis Borges to Ray Bradbury, A.M. Homes to Dave Eggers, as well as for young authors and poets. Visitors are invited not only to read the books in the library and to share a pot of tea, but sometimes also to live in the bookstore itself—all for free. More than 30,000 people have stayed at Shakespeare and Company, fulfilling Whitman’s vision of a “socialist utopia masquerading as a bookstore.” Through the prism of the shop’s history, the book traces the lives of literary expats in Paris from 1951 to the present, touching on the Beat Generation, civil rights, May ’68 and the feminist movement—all while pondering that perennial literary question, “What is it about writers and Paris?”

SHAKESPEARE AND COMPANY PARIS 9791096101009 u.s. $34.95 cdn $45.00 Hbk, 6.25 x 9.5 in. / 384 pgs / 225 color. September/Nonfiction & Criticism

6 artbook.com­­ artbook.com 7 From pictorialism to Provoke: the most extensive history of Japanese photobooks ever published

The Japanese Photobook, 1912–1980​ Where modern Designing Modernism: New Directions at 80​ ​Edited by Manfred Heiting. Text by Ryuichi Kaneko, Duncan Forbes, Matthew S. Witkovsky. ​Edited by J.C. Gabel, Barbara Epler. Foreword by Steven Heller. The Japanese Photobook, 1912–1980 illustrates the development of photography as seen in photo literature met James Laughlin founded the groundbreaking independent publisher New Directions in 1936. Just five years publications in Japan—from the early influence of European and American pictorialism, the German later, Alvin Lustig designed his first jacket for the press, a cover for the 1941 edition of Henry Miller’s Wisdom Bauhaus and imperial military propaganda to the complete collapse and destruction of the country in modern art: of the Heart. Lustig worked with New Directions Publishing from 1941 to 1952, and each cover was different 1945. Then followed a new beginning: with the unique self-determination of a young generation of from the last. In 1956, Laughlin looked back on their collaboration: “opening each envelope from Lustig was photographers and visual artists highlighted by the Provoke style—an experimental Japanese photog- classic New a new excitement because the range of fresh invention seemed to have no limits.” In many ways, Lustig’s raphy magazine that had a profound effect on the medium in the 1970s and ‘80s—as well as protest designs helped New Directions establish its visual and literary identity: modern, distinctive, bold, cutting edge. and war documentation of the late 1950s to the early ‘70s, the signature Japanese photobook, as we Directions The collaboration between Alvin Lustig and New Directions Publishing is now the stuff of design legend. But have come to know it, was born. book design by Lustig is just one giant in a storied history full of them: , for example, designed covers for New Edited by Manfred Heiting, who has also designed and edited extensive surveys of German and Soviet Directions before he was famous, as did and Milton Glaser. And New Directions was the first US photobooks, the volume is over 500 pages and features such photographers as Yoshio Watanabe, Alvin Lustig, publisher of Jorge Luis Borges, W.G. Sebald and Roberto Bolaño, among many others. Akira Hoshi, Hayao Yoshikawa, Shinichi Kato, Yasuo Wakuda, Tetsuo Kitahara, Moriyama Daido, Koji Edited by J.C. Gabel with New Directions Publisher and Editor-in-Chief Barbara Epler, Designing Modernism: Taki, Takuma Nakahira, Yutaka Takanashi, Kimura Ihei, Hamaya, Katura, Kazano, Kikuti, Mituzumi, Paul Sahre, New Directions at 80 surveys the publishing house’s remarkable history of bringing together groundbreaking Watanabe, Yamahata, Sozo Okada and Kazano Karuo, among many others. literary modernism with indelible, iconic art and design. Lustig’s revolutionary covers from the 1940s and With detailed information and illustrations of over 400 photo publications, an essay by Ryuichi Kaneko, Rodrigo Corral 1950s are, of course, included, alongside original work by Paul Sahre, Megan Wilson, Charlotte Strick, Rodrigo the leading historian of Japanese photobooks, and contributions from Duncan Forbes, Matthew S. Corral and John Gall, among others. Designing Modernism also includes the reflections of more than 40 Witkovsky and others, this is the most extensive English-language survey of Japanese photobooks of and more working designers from around the world discussing their favorite New Directions covers of all time, proving this period and a crucial step in making the history of Japanese photography—long neglected by the ALSO AVAILABLE the continued influence of these formal experiments more than half a century later. Western canon—accessible to the English-speaking world. The Soviet Photobook 1920–1941 HAT & BEARD PRESS STEIDL 9783958290310 9780996744782 u.s. $50.00 cdn $65.00 9783958291768 u.s. $145.00 cdn $180.00 Hbk, U.S. $150.00 CDN $180.00 Hbk, 7 x 9 in. / 220 pgs / 120 color / 46 b&w. Hbk, 10.5 x 11.25 in. / 516 pgs / 3,000 color. Steidl November/Design/Fiction & Poetry December/Photography/Asian American Art & Culture

8 artbook.com­­ artbook.com 9 Kusama’s delicate drawings both illustrate and interpret Hans Christian Andersen’s tale

An unpublished masterpiece of observational cartooning from the peerless Japanese visionary

Hans Christian Andersen & : Hokusai’s Lost Manga​ The Little Mermaid​ ​Text by Sarah E. Thompson. ​A Fairy Tale of Infinity and Love Forever A mysterious volume advertised in 1823 as Master Iitsu’s Chicken-Rib Picture Book was likely Edited by Lærke Rydal Jørgensen, Marie Laurberg, Michael Juul Holm. meant to be a continuation of Hokusai’s famous Manga series, but a published copy of it has Hans Christian Andersen’s fairy tale “The Little Mermaid” (1839), a story about a girl from the sea who followed never been found. (“Chicken rib” refers to a treat that is trivial but nevertheless worthwhile.) This her dreams and suffered a disastrous fate on land, is known all over the world (particularly in its animated incarna- eclectic and engaging collection of drawings from the peerless Japanese art holdings at the Mu- tion). But the familiar story is brought to new life in this gorgeous edition, a collaboration between the Louisiana seum of Fine Arts, Boston, was likely intended for that lost book of tasty morsels. Museum of Modern Art and artist Yayoi Kusama. Hokusai’s Lost Manga includes the sort of lively, behind-the-scenes sketches of daily life that have Paired with Hans Christian Andersen’s original text, the densely patterned, undulating line drawings of Kusama’s made the Hokusai Manga so beloved, with appearances by imaginatively conceived sea crea- Love Forever series (2004–7) conjure up storms in the roiling waves of the ocean, the Little Mermaid’s vast under- tures, refined flowers, deities, heroes and a variety of craftspeople and laborers. Reproduced here water kingdom and her longing to live in the human world. Kusama’s fertile, endlessly repeating forms are an ideal in full for the first time as a stand-alone volume with a beautiful three-piece binding, this rare match for the poetic and disturbing universe evoked in the fairy tale; the result is a true collaboration. Kusama’s sketchbook of Hokusai’s drawings makes for delightful visual fare. drawings both illustrate and interpret Andersen’s story, bringing it to terrifying life, and Andersen’s words lend nar- Artist and printmaker Katsushika Hokusai (1760–1849) made some of the most iconic images rative content to Kusama’s landscapes of unblinking eyes, curling tendrils and disembodied profiles. in Japanese art, such as the seminal woodblock print “Under the Wave off Kanagawa (The Great Yayoi Kusama (born 1929) first left Japan at the age of 28, landing in late 1950s New York. Her oeuvre, now span- Wave).” Already influential in Japan, Hokusai inspired a new audience of budding Impressionists ning more than 50 years, includes painting, performance, installations and environments, sculpture, film, fashion, and post-Impressionists in the West upon the opening of Japan to Europe shortly after his death. design and literary work. She was recently named the world’s most popular artist, based on annual figures re-

MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON ported by The Art Newspaper for global museum attendance in 2014. 9780878468263 u.s. $35.00 cdn $45.00 LOUISIANA MUSEUM OF MODERN ART ALSO AVAILABLE Hbk, 8.25 x 7.75 in. / 248 pgs / 204 color. ALSO AVAILABLE Yayoi Kusama: Give Me Love 9788792877598 u.s. $45.00 cdn $57.50 Hokusai September/Art / Asian Art & Culture Hbk, 8 x 13 in. / 96 pgs / 48 b&w. Yayoi Kusama: In Infinity 9781941701218 9780878468256 July/Art/Asian Art & Culture/Fiction & Poetry 9788792877529 Hbk, U.S. $55.00 CDN $70.00 Hbk, U.S. $29.95 CDN $35.00 Hbk, U.S. $35.00 CDN $45.00 David Zwirner Books MFA Publications, Museum of Louisiana Museum of Fine Arts, Boston Modern Art

10 artbook.com­­ artbook.com 11 Russian Alphabet 2016 SPRING–SUMMER SUPPLEMENT Colouring Book​ Fragile Beasts ​Edited by Damon Murray, Stephen Sorrell. Illustrated by Coloring Book​ “Amanita” Alexander Erashov. ​Edited by Caitlin Condell. Illustrated by Magali An This coloring book for all ages marks the first publication of Berthon. the graphic works of Russian artist Amanita. His fantastical Discover hidden monsters and awaken serpents, images form a unique world: they are like modern varia- chimeras, dragons and gargoyles in this coloring tions of illustrated manuscripts, packed full with elements book inspired by grotesque ornament prints from of Soviet and post-Soviet cultures. the 16th and 17th centuries. Animals become alter- The book also works as an introduction to the Russian nately ferocious or docile as you color in these deli- alphabet. Every drawing depicts a word beginning with cate designs from the imaginative minds of artists each letter from the Cyrillic alphabet, also shown in working in the Age of Exploration. English, giving a light-hearted guide as to how the letters The late-15th-century discovery of ancient Roman look and sound. murals inspired Renaissance artists and designers, The subjects of Amanita’s illustrations are wide-ranging: who disseminated their grotesque motifs through from political leaders (Lenin, Gorbachev) to inanimate drawings, prints and patterns in architecture, met- objects (Tupolev aircraft, Sputnik, Tsars, cosmonauts) and alwork, textiles and ceramics. Suddenly, fantastical Constructivism, these classic Soviet themes are interwoven creatures began to appear in sinuous designs for from one page to the next, all rendered in an abundance locks, ewers, rings, tapestries, stained glass and of detail. Amanita’s amazing and skillful images define more. Alternately fearsome and playful, graceful a previously unimagined graphic landscape that takes and rigid, these works—often measuring just a few the humble coloring book into a new dimension. Russian inches—are at times erotically charged and at oth- Alphabet Colouring Book is the perfect gift book. ers moralizing. Alexander Erashov was born in Ermak, Kazakhstan, In June 2016, Cooper Hewitt, Smithsonian Design in 1972. The pseudonym Amanita (a red-and-white spotted Museum mounts the exhibition Fragile Beasts, high- mushroom) is a reference to the black-white-red palette of lighting rarely seen grotesque works on paper from his artworks. the museum’s permanent collection. Now, never FUEL PUBLISHING before published in this form, they are redrawn by 9780993191145 u.s. $18.95 cdn $24.95 designer Magali An Berthon in the pages of a color- Pbk, 8.5 x 11 in. / 112 pgs / 112 b&w. ing book. October/Art/Design/Crafts & Hobbies/Decorative Arts COOPER HEWITT 9781942303169 u.s. $12.95 cdn $16.95 Pbk, 8 x 10 in. / 96 pgs / 45 b&w. July/Art/Childrens/Crafts & Hobbies/Decorative Arts

EXHIBITION SCHEDULE New York: Cooper Hewitt, Smithsonian Design Museum, 06/09/16–11/23/16

From Sputnik to Gorbachev: an intricately detailed graphic exploration of Russian history that only you can complete

12 artbook.com­­ artbook.com 13 KAWS: Where the End Starts​ KAWS deftly ​Edited with text by Andrea Karnes. Preface by Marla Price. Text by Michael Auping, Dieter Buchhart. Interview by Pharrell Williams. straddles pop Appropriating characters, images and effects from pop culture, the work of KAWS blurs the lines between high and low art, and between art and fashion. Deploying film and television favorites for his toys, large-scale sculp- culture and ture and bold, nearly abstract painting, KAWS recasts the familiar colors and forms of popular entertainment in cheeky and often poignantly human terms. Influenced by Andy Warhol and other Pop artists, hard-edge abstract artistic painting and graffiti, KAWS’ work deftly straddles consumer culture and artistic innovation, and his distinctive style is as much at home in his toys as in his monumental sculpture. innovation KAWS: Where the End Starts explores the artist’s prolific career in depth, featuring key paintings, , drawings, toys, and fashion and advertising designs. This extensive monograph, including contributions from Andrea Karnes, Michael Auping, Dieter Buchhart and Pharrell Williams, reveals critical aspects of KAWS’ formal and conceptual development over the past 20 years, as his career has shifted from graffiti to fine art and collabo- rations with designers and brands such as Comme des Garçons, SUPREME, Nigo (A Bathing Ape) and Nike. Brooklyn-based KAWS (born in 1974) is widely considered one of the most relevant artists of his generation. Within the Pop art tradition, he has created a prolific body of influential work, which both engages young people with contemporary art and straddles the worlds of art and design to include both product and graphic design, paintings, murals and sculpture.

MODERN ART MUSEUM OF FORT WORTH EXHIBITION SCHEDULE 9780929865362 u.s. $55.00 cdn $70.00 Fort Worth, TX: Modern Art Museum of Fort Worth, Hbk, 8.25 x 11 in. / 240 pgs / 150 color / 30 b&w. 10/20/16–01/22/17 November/Art/Design , China: Yuz Museum, 03/10/17–07/31/17

14 artbook.com­­ artbook.com 15 Jean-Michel Basquiat: Art & Beauty Magazine: Words Are All We Have​ Drawings by R. Crumb​ ​Edited with text by Dieter Buchhart. ​Numbers 1, 2 & 3 In the wild New York of the 1980s, Jean-Michel Bas- Introduction by Paul Morris. quiat was the first African-American artist to receive Gathering all three volumes of R. Crumb’s acclaimed Art & art-world attention. Beauty Magazine, this publication guides the reader through The complexity and trailblazing innovative power the 20-year history of Crumb’s magazine, from the earliest of his paintings has been widely discussed, but images in the 1990s to the most recent drawings completed this book focuses on the treatment of language in 2016. in Basquiat’s ouevre. With its complex structures, Art & Beauty: Number 1, originally published by Kitchen Sink spontaneous rhythms and sampled, collage-like Press in 1996, is at once a satirical take on aesthetics and a manifestations, his work was drawn into the orbit of continued exploration of Crumb’s subversion of sexuality and the Beat Generation poets and the protagonists of mainstream values. Drawings of women in positions ranging the musical avant-garde. from lascivious to modest are accompanied by quotations, The multitalented Basquiat created a shimmering, many of which are from artists such as Leonardo da Vinci and syncopated fabric of images and text, which the Harvey Kurtzman. Mining his own obsessions and fantasies, American curator and critic Robert Storr aptly Crumb reimagines the , challenging social mores called “eye rap.” It was with this unpretentious and expectations of propriety around the female form. and spontaneous way of working that Basquiat The second volume of Art & Beauty, published in 2003, rewrote art history. expanded on the first, adding all-new drawings (also of Jean-Michel Basquiat (1960–88) was born in women) and quotations, likewise taken from the history of Brooklyn, New York, to a Puerto Rican mother and art. The images appeal to a purely erotic sensibility, which is Haitian father. At age 17, Basquiat and his friend undercut by the inclusion of often philosophical prose. Al Diaz began spray-painting graffiti in Lower The eagerly awaited Art & Beauty: Number 3 is released for Manhattan, working under the pseudonym SAMO the first time as part of Art & Beauty Magazine, published on (for "same old shit") just as the hip-hop, postpunk the occasion of the artist’s exhibition at David Zwirner, London. and street art movements coalesced. He soon This beautiful edition, with a cover specially designed by became a media darling, making music as well as the artist, is a wonderful window into Crumb’s world of art, and by the ’80s he was exhibiting internation- bodies and ideas, art and beauty, for seasoned supporters ally and collaborating with Andy Warhol. Basquiat and novices alike. struggled, however, with depression and addiction, Born in Philadelphia in 1943, R. Crumb has used the comic- and died of a heroin overdose at age 27. book medium to address the absurdity of social conventions, HATJE CANTZ political disillusionment, irony, racial and gender stereotypes, 9783775741842 u.s. $60.00 cdn $78.00 sexual fantasies and fetishes. Inspired by Thomas Nast, Hbk, 10.5 x 12.25 in. / 160 pgs / 100 color. Honoré Daumier and T.S. Sullivant, among others, his December/Art/African American Art & Culture drawings offer a satirical critique of consumer culture.

DAVID ZWIRNER BOOKS Art & Beauty Magazine: Drawings by R. Crumb​ ​Numbers 1, 2 & 3 9781941701348 u.s. $35.00 cdn $45.00 Hbk, 7 x 10 in. / 132 pgs / 6 color / 109 b&w. Comic artist Language in the art of Jean-Michel July/Art/Comics R. Crumb’s Art & Beauty Magazine: Drawings by R. Crumb Basquiat, from graffiti and hieroglyph (Limited Edition)​ beguiling drawings ​Numbers 1, 2 & 3 to word as motif This slipcased limited edition of 400 copies is signed and of bodacious numbered by Crumb on a specially designed bookplate.

9781941701362 u.s. $150.00 cdn $195.00 SDNR20 and bold women Slip, hbk, 7 x 10 in. / 132 pgs / 6 color / 109 b&w. July/Art/Limited Edition ALSO AVAILABLE from the 1990s Jean-Michel Basquiat​ 9783775725934 EXHIBITION SCHEDULE London, England: David Zwirner, to the present Hbk, u.s. $75.00 cdn $95.00 04/15/16–06/02/16 Hatje Cantz

16 artbook.com­­ artbook.com 17 Yves Klein: In/Out Donald Judd: Writings​ Studio​ ​Edited by Flavin Judd, Caitlin Murray. ​Edited with text by Matthias Koddenberg. Donald Judd: Writings, copublished by Judd Foundation This major new Yves Klein overview shows and David Zwirner Books, is the most comprehensive how Klein transformed his life into a myth collection of the artist's writings assembled to date. This that blurred the boundary between art and timely publication includes Judd’s best-known essays biography. It includes around 300 unearthed organized chronologically with little-known texts previ- archival photographs—many of which are ously published in limited editions. This new collection published for the first time—of Klein, his also includes unpublished college essays and hundreds works, and their production. of never-before-seen handwritten notes, a critical but Always an innovator, Klein spanned many unknown part of Judd’s writing practice. mediums, boldly exploring musical composi- Judd’s earliest published writing, consisting largely of tion, sculpture, performance, photography, reviews for hire, defined the terms of art criticism in the theater, film and theoretical writing, in ad- 1960s, but his essays as an undergraduate at Columbia, dition to the blue monochrome painting for published here for the first time, contain the seeds of which he is so famed. his later writing, and allow readers to trace the devel- Reproductions of artworks are interspersed opment of his critical style. The writings that followed with photographs of and quotations by Klein, Judd’s early reviews are no less significant art-histori- guiding readers through a personal history cally, but have been relegated to smaller publications of key works such as “Leap into the Void” and have remained largely unavailable until now. and the Monochrome and Feuer exhibition. The largest addition of newly available material is Judd’s Most importantly, this book offers a new unpublished notes—transcribed from his handwritten look behind the scenes of his performances, accounts of and reactions to subjects ranging from the uncovers the genesis of his famous Anthro- politics of his time, to the literary texts he admired most, pometries and Fire Paintings and portrays from complaints about pluralism in art to his admira- Klein at work in his studio, in private settings tion for Giambattista Vico, and through him, Lucretius. ESSAYS INCLUDE and on his travels. There are also numerous In these intimate reflections we see Judd’s thinking at This comprehensive contact prints with lesser-known photos and its least mediated—a mind continuing to grapple with n Specific Objects (1964) questions of its moment, demonstrating the intensity of collection of Donald snapshots that are not among the more n Complaints: Part I and Part II thought that continues to make Judd such a formidable famous pictures released for publication. (1969) Unlike most of his contemporaries, Klein presence in contemporary art. Judd’s writings includes n always viewed photography as a lens Donald Judd (1928–94) remains one of the most sig- previously unpublished Imperialism, Nationalism and through which to dramatize his subjects, nificant artists of the 20th century, whose radical ideas Regionalism (1975) and chose carefully who could photograph and work continue to provoke and influence the fields of writings and hundreds n A long discussion not about him. The imagery in this monograph blurs art, architecture and design. Born in Excelsior Springs, master-pieces but why there the artist’s work and life in a way that both Missouri, and after having served in the US Army, Judd of notes are so few of them: Part I and maintains and deconstructs the myth of attended the College of William and Mary, Williamsburg, Part II (1983, 1984) Yves Klein. Virginia, and , New York, where he n Fine Art and Commercial Born in Nice, France, Yves Klein (1928–62) received a BS in Philosophy, cum laude, in 1953. Study- Architecture (1992) With rare and created what he considered his first artwork ing at the Art Students League, Judd began his artistic when he signed the sky above Nice in 1947, career as a painter and transitioned to three-dimensional n It’s Hard to Find a Good Lamp making his earliest attempt to capture the work in the early 1960s. Throughout his lifetime, in his (1993) unpublished color writings and his work, he advocated for the importance immaterial. The artist carved out new aes- photographs, this thetic and theoretical territory based on his of art and the artist’s role in society. His work has been philosophical and poetic investigations of exhibited internationally since the 1960s and is included is the new essential space and science, and the practice of Judo, in numerous museum collections. A major retrospective which he described as “the discovery of the of the artist's work will be held at The Museum of Mod- Yves Klein overview human body in a spiritual space.” ern Art, New York, in October 2017.

D.A.P./VERLAG KETTLER JUDD FOUNDATION/DAVID ZWIRNER BOOKS 9781941701355 u.s. $39.95 cdn $50.00 9781942884095 u.s. $60.00 cdn $78.00 ALSO AVAILABLE Pbk, 4.25 x 7.25 in. / 1,048 pgs / 137 color / 47 b&w. Hbk, 8 x 11 in. / 300 pgs / 250 color. Donald Judd: November/Nonfiction & Criticism/Art November/Art Complete Writings 1959–1975 9781938922930 Pbk, U.S. $45.00 CDN $57.50 Judd Foundation

18 artbook.com­­ artbook.com 19

“Ekphrasis,” originally from the Ancient Greek, is the graphic, often dramatic description of a visual work of art. The EKPHRASIS reader series, published by David Zwirner Books, introduces a broad audience to both new and overlooked pieces of exemplary writing on art and visual culture.

Paul Gauguin: Ramblings of a Wannabe Painter​ The surging ​Introduction by Donatien Grau. brushstrokes “Criticism is our censorship….“ So begins one of the greatest invectives against criticism ever written by an artist. (1848–1903) and vibrant wrote “Racontars de Rapin” only months before he died in 1903, but the essay remained unpublished until 1951. Through discussions of numer- colors of ous artists, both his contemporaries and predecessors, Gauguin unpacks what he viewed as the mistakes and misjudgments behind much of art Vincent criticism, revealing not only how wrong critics’ interpretations have been, but also what it would mean to approach art properly—to really look. van Gogh’s This new translation by French writer and academic Donatien Grau in- cludes an introduction that situates the essay within Gauguin’s written Provence period oeuvre, as well as a selection of works to illustrate the text itself. Through Gauguin’s final piece of writing we see the artist in the full throes of passion—for his work, for his art, for the art of others and against anyone who would stand in his way. As the inaugural publication in David Zwirner Books’ new Ekphrasis reader series, Ramblings of a Wannabe Painter sets a perfect tone for the books to come. Poised between writing, art and criticism, Gauguin brings together many different worlds, all of which should be considered for any meaningful discussion of art. With the express hope of encouraging open exchange between the world of writing and that of the visual arts, David Zwirner Books is proud to be presenting this new edition of a lost masterpiece. Van Gogh in Provence​ ​Modernizing Tradition DAVID ZWIRNER BOOKS Edited with text by Sjraar van Heuglen. Foreword by Maja Hoffmann. Preface by Bice Curiger. 9781941701393 u.s. $12.95 cdn $16.95 Pbk, 4.25 x 7 in. / 96 pgs / 5 color. Although Vincent van Gogh is now considered one of the most original artists of his time, his art was deeply October/Nonfiction & Criticism/Art rooted in tradition. Modern subjects and styles began to enter Van Gogh’s oeuvre after he arrived in Paris in 1886, and his subsequent years in Provence found him experimenting and refining his personal style. But Van Gogh always remained true to the subject matter that had interested him in his early years. Three genres dominate Van Gogh’s work from the beginning of his career to its end: the figure, the land- “Criticism teaches us how scape and the still life. Van Gogh in Provence argues that Van Gogh’s achievements as a modernist are best understood in relation to these traditional loyalties. Using vibrant colors, surging brushstrokes and to think: we are grateful, daring compositions to give established motifs new, expressive form, Van Gogh built a modern house on a traditional foundation. ALSO AVAILABLE and would like to teach Gauguin: Metamorphoses Vincent van Gogh was born in the Netherlands in 1853. His painting career began when he was in his 9780870709050 late twenties, influenced first by his work as a missionary in a mining region of Belgium, and later by his critics something. Impossible, Hbk, U.S. $60.00 CDN $70.00 exposure to Impressionism while living in Paris. His bright, signature style emerged after relocating to The Museum of Modern Art, the South of France, where he produced over 2,000 artworks in just over a decade. After bouts of mental New York they know everything.” illness, the artist took his life in 1890. —Paul Gauguin Paul Gauguin ACTES SUD 9783775739597 9782330063023 u.s. $35.00 cdn $45.00 Hbk, U.S. $95.00 CDN $115.00 Hbk, 8.75 x 11 in. / 144 pgs / 133 color. Hatje Cantz September/Art

EXHIBITION SCHEDULE Arles, France: Fondation Van Gogh, 05/14/16–09/11/16

20 artbook.com­­ artbook.com 21 Photography at MoMA: 1920 to 1960​ Edited with text by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister. Text by Douglas Coupland, Kevin Moore, Drew Sawyer, Pepper Stetler. The history of photography has been told many times, but never before through the incomparable collection of photographs at The Museum of Modern Art. As the second volume in a set of three books that together present a new and comprehensive history of photography through works from MoMA’s collection, this publication charts the medium during the height of the modernist period, from 1920 to 1960. Only one other volume—Looking at Photographs, published in 1973—highlights the photographic treasures of MoMA’s collection; neither Beaumont Newhall’s classic History of Photography nor John Szarkowski’s Photography Until Now used the Museum collection as a springboard to approach photography’s distinctive history. The Museum’s significant role in the development of this history, and in the construction of a canon that champi- oned photography as an art form (but also eclipsed certain alternative or unfamiliar practices) requires a reconsidered history for the 21st century. This publication offers a fresh critical lens through which to appreciate works of exceptional signifi- cance, surprise and influence, encouraging creative new readings. The book begins with an in-depth introduction followed by eight chapters of full-color plates, each introduced by a short essay. Master- One and One Is Four: The Bauhaus Photocollages works by photographers such as Alfred Stieglitz, of Josef Albers Dorothea Lange, Man Ray and Aleksander Rodchenko appear alongside lesser-known gems, ​Edited with text by Sarah Hermanson Meister. Text by Elizabeth Otto, Lee Ann Daffner. and diverse notions of modernism enrich classic Josef Albers is widely recognized as a crucial figure in 20th-century art, both as an independent practitioner and interpretations, so that the beautiful fictions and as a teacher at the Bauhaus, Black Mountain College and . Albers made paintings, drawings and messy realities of photography are complicated, prints and designed furniture and typography. Arguably the least familiar aspect of his extraordinary career was his refreshed and, above all, enjoyed. inventive engagement with photography, only widely known after his death, including his production of approxi- mately 70 photocollages that feature photographs he made at the Bauhaus between 1928 and 1932. These works THE MUSEUM OF MODERN ART 9781633450134 u.s. $75.00 cdn $95.00 An epic dive anticipate concerns that he would pursue throughout his career—the effects of adjacency, the exploration of color Hbk, 9.5 x 12 in. / 392 pgs / 375 color. through white, black and gray, and the delicate balance between handcraft and industrial and mechanical form. November/Photography into modernist Albers’ photographs were first shown at MoMA in a modest exhibition in 1987, when the Museum

THE MUSEUM OF MODERN ART acquired two photocollages. In 2015 the Museum acquired ten additional photocollages, making its photography by the 9781633450172 u.s. $50.00 cdn $65.00 collection the most substantial anywhere outside the Albers Foundation. This publication reproduces each of the Hbk, 9.5 x 12 in. / 128 pgs / 100 color. photocollages Albers made at the Bauhaus, presenting the scope of this achievement for the first time. An intro- museum that helped September/Photography/Art ductory essay by Sarah Hermanson Meister situates them within the contexts of modernist photography, the Bau- haus ethos and of Albers’ own practice. shape its history

ALSO AVAILABLE Josef Albers (1888–1976) was an influential teacher, writer, painter and color theorist, now best known for the ALSO AVAILABLE Josef Albers: Homage to the Square series of paintings and prints he made between 1950 and 1976. Albers wrote and lectured Photography at MoMA: Art as Experience prolifically throughout his life, and his innovative 1963 treatise Interaction of Color, which explored his ideas of see- 1960 to Now 9788836625970 9780870709692 ing and visual experience, is one of the most important art texts of the 20th century. Hbk, U.S. $35.00 Hbk, U.S. $75.00 CDN $90.00 CDN $40.00 The Museum of Modern Art, Silvana Editoriale New York

22 artbook.com­­ artbook.com 23 Celebrating the 40th anniversary of this classic, the indelible work of the now-iconic Farm Security Administration photographers

NEW REVISED EDITION A Vision Shared​ ​A Portrait of America 1935–1943 Edited with text by Hank O’Neal. Foreword by Bernarda Shahn. Afterword by Paul Taylor. Featuring the work of the 11 photographers who worked for the Farm Security Administra- tion—perhaps the finest photographic team as- sembled in the 20th century—A Vision Shared: A Classic Portrait of America and Its People 1935–1943 was first published in 1976 to great acclaim, and was named one of the 100 most important books of the decade by the Associa- tion of American Publishers. “By any measure this is a remarkable book,” wrote Alden Whit- man in , “one of the few beneficent fruits of the Depression and one of the few collections of photographs to limn both the starkness of American life in those years and the indomitable strength of those who endured them.” For the project, John Collier, Jack Delano, Walker Evans, Theo Jung, Dorothea Lange, Russell Lee, Carl Mydans, Arthur Rothstein, Ben Shahn, John Vachon and Marion Post Wolcott were invited by photographer Hank Hine revealed Lewis Hine: The National Research Project 1936–1937​ O’Neal to choose the best of their own work ​Text by Judith Mara Gutman. and provide commentary, resulting in an over- working conditions In 1936, science teacher turned photographer Lewis Hine was commissioned by the National Research sized hardcover full of large, black-and-white Project, a division of the Works Project Administration, to produce a visual document of the industries that images of America during the Great Depression. in both old and the US government hoped would provide the jobs that would lift the country out of the Great Depression. For the 40th-anniversary edition of this remark- Hine, already well established as a chronicler of social conditions of his day, produced more than 700 photo- able volume, all of the photographs, texts and new industries graphs for this project, the last major work of his career. historical materials that comprised the original By emphasizing the inherent tension between machinery and workers, Hine imbued these compelling throughout the edition have been carefully reproduced, PUBLICATION HISTORY images with his characteristic rigor and aesthetic appeal. These photographs, and their implied message, followed by a new afterword by O’Neal Northeast are particularly relevant today given high unemployment rates and radical shifts in the role of the worker detailing the events that followed the book’s n First published in 1976 by St. Martin’s Press in the rapidly changing world economy. initial release. Elegant in its simplicity, A in a hardcover edition to great acclaim Included in this book is an essay by the eminent photographic historian Judith Mara Gutman, in which she Vision Shared is a reminder of the power of n This 40th-anniversary edition from Steidl discusses the project and the photographs in the context of the economic conditions of the time and the photographic storytelling, as readers are pulled marks the first time the classic photobook artistic and technological innovations of the era. into the lives of ordinary Americans and the has been reissued Lewis Hine (1874–1940) was trained as a sociologist and educator in and New York. In 1904 he places where they lived. photographed newly arrived immigrants on Ellis Island with his students from the Ethical Culture School in STEIDL New York. Declaring that he “wanted to show things that had to be corrected,” he was one of the earliest 9783958291812 u.s. $80.00 cdn $100.00 photographers to use the photograph as a tool for social change. During and after World War I, Hine Clth, 9.5 x 11 in. / 384 pgs / 396 b&w. photographed the relief work of the American Red Cross in France and the Balkans, and in 1930 was December/Photography/History commissioned to document the construction of the Empire State Building.

STEIDL/HOWARD GREENBERG LIBRARY, NEW YORK 9783958291898 u.s. $45.00 cdn $52.50 Clth, 9 x 9.5 in. / 144 pgs / 100 b&w. December/Photography

24 artbook.com­­ artbook.com 25 We are delighted to welcome REEL ART PRESS to our list. Founded in London in 2010, Reel Art Press produces beautifully designed photobooks on music, art, cinema and popular culture. See page 177 for backlist titles.

From Thelonious Monk to John Coltrane, Miles Davis to Nina Simone, Jim Marshall’s defining photographs of the 1960s jazz scene Jim Marshall: Jazz Festival​ ​Edited by Amelia Davis, Tony Nourmand. Foreword by President Bill Clinton. Introduction by Nat Hentoff. Jim Marshall is known as the defining father of music photography and his intimate photographs of the greats of rock & roll, country, folk, blues and jazz are legendary. Renowned for his extraordinary access and Muhammad Ali: Fighter’s Heaven 1974​ ability to capture the perfect moment, his influence is second to none. In 2014, Marshall became the only ​Photographs by Peter Angelo Simon photographer ever to be honored by the Grammys with a Trustees Award for his life’s work. Foreword by D.A. Pennebaker. Published here for the first time ever are Marshall’s jazz festival photographs from the 1960s, which In October 1974, Muhammad Ali attempted to regain the world heavyweight boxing championship title that was capture the crowd, the performances and unguarded moments with jazz icons such as Thelonious Monk, stripped from him when he refused the Vietnam draft seven years earlier. He faced the brutal, undefeated George John Coltrane, Miles Davis, Nina Simone, Ray Charles and many more. Foreman in Zaire, Africa, the fight he had dubbed “The Rumble in The Jungle.” Only weeks before, on August 11– Over 95% of the material in this breathtaking volume has never been seen before. Marshall’s remarkable 12, photographer Peter Angelo Simon was invited to experience the private world of one of the most famous people photographs of the festivals at Newport and Monterey immortalize the unique energy and soul of these on the planet as he prepared mentally and physically for the biggest challenge of his life. celebrations of jazz. Complete access to Marshall’s vast archive has been granted for this book. It includes a This two-day photo-essay includes many previously unpublished photographs and captures Ali the man, unguarded, foreword by President Bill Clinton and an introduction by renowned jazz writer Nat Hentoff, and is designed away from the glare of the media spotlight at his Pennsylvania sanctuary. It includes a foreword by D.A. Pennebaker, by art director Graham Marsh (The Cover Art of Blue Note Records, Hollywood and the Ivy Look). This is the the foremost chronicler of American counterculture in the 1960s, and an introduction by Peter Angelo Simon, who first in a series of books to be published by Reel Art Press in collaboration with the Jim Marshall Archive. writes: “I shot 33 rolls in the two days. Ali said nobody had ever taken so many pictures of him. I believe these Jim Marshall (1936–2010) was born in Chicago. While still in high school, he purchased his first camera photographs reveal aspects of Ali’s fascinating character not previously seen.” Few photographers got as close to and began documenting musicians and artists in San Francisco. Over a 50-year career he created hundreds the boxer behind the legend. This extraordinary book reveals the preparation for a seminal moment in cultural and of legendary images that came into public consciousness through magazine features, more than 500 album political history. covers and six books: Monterey Pop, Not Fade Away, Proof, Jazz, Trust and Pocket Cash.

REEL ART PRESS REEL ART PRESS 9781909526389 u.s. $49.95 cdn $60.00 9781909526327 u.s. $75.00 cdn $95.00 Hbk, 8.5 x 11 in. / 176 pgs / 105 b&w. Hbk, 9.5 x 11.5 in. / 336 pgs / 600 b&w. August/Photography/African American Art & Culture September/Photography/Music

26 artbook.com­­ artbook.com 27 Total Excess​ ​Photographs by Michael Zagaris Edited by Dagon James. Foreword by Peter Frampton. It has been said of Michael Zagaris’ photographic oeuvre that it is the “last untouched rock archive.” Zagaris was responsible for shooting everyone in the rock music scene in San Francisco in the 1970s and ’80s, including The Clash, Grateful Dead, Blondie, Sex Pistols, , Recent releases Eric Clapton, Lou Reed and , Patti Smith, Led Zeppelin, and many more. from Reel Art Press Zagaris’ photographs are some of the best portraits of Burt Glinn: Cuba 1959​ 9781909526310 their kind. Because a lot of his work was taken for The 2001 File​ Hbk, 9.5 x 12 in. / 176 pgs / pleasure rather than pay, the vast majority of his archive 9780957261020 10 color / 100 b&w. Hbk, 9.5 x 11.5 in. / 336 pgs / has remained unseen until now. Total Excess is the u.s. $60.00 cdn $78.00 NEW LOWER PRICE 150 color / 450 b&w. complete anthology of his incredible rock photography. u.s. $75.00 cdn $95.00 This is the first book in a series of collaborations between Reel Art Press and Zagaris. Michael Zagaris (born 1945) grew up in the Central Valley of . In 1967 he entered law school and also started working for Robert Kennedy as a speech- writer. The trauma of witnessing Kennedy’s assassination at close quarters propelled Zagaris away from politics and law and into photography, and he began covering rock music in San Francisco. He also captured some of the most vital counterculture figures of that period, including Billy Bowers, Divine, Peter , The Cockettes and Jim Carroll, who used one of Zagaris’ portraits for the Billy Name: The Silver Age​ cover of his book Basketball Diaries. In 1973 he began 9781909526174 Hbk, 9.5 x 11.5 in. / 448 pgs / 400 b&w. as a team photographer for the San Francisco 49ers, u.s. $75.00 cdn $95.00 and the Oakland As in 1981, both of which he continues Brigid Berlin: Polaroids​ Disco:​ The Bill Bernstein Photographs 9781909526242 to shoot to this day. Zagaris lives in San Francisco. 9781909526228 Hbk, 9 x 11 in. / 208 pgs / REEL ART PRESS Hbk, 9.5 x 12 in. / 176 pgs / 150 b&w. 250 color / 10 b&w. 9781909526402 u.s. $60.00 cdn $78.00 u.s. $60.00 cdn $78.00 u.s. $49.95 cdn $64.95 Hbk, 9.5 x 12 in. / 256 pgs / 30 color / 200 b&w. NEW LOWER PRICE October/Photography/Music

Peter Frampton • Eric Clapton • Traffic • Ray Charles

Tom Kelley’s Studio​ Rolling Stones • Faces • Muddy Waters • The Who 9781909526037 Bruce Springsteen & The E Street Hbk, 9.5 x 11.5 in. / 288 pgs / Band 1975: Photographs by Barbara Pyle ​ Lou Reed • Etta James • Patti Smith • Lynyrd Skynyrd 170 color / 25 b&w. 9781909526341 u.s. $49.95 cdn $64.95 The 1960s: Photographed by David Hurn​ Hbk, 9.5 x 12 in. / 228 pgs / Carlos Santana & Jerry Garcia • Jeff Beck 9781909526136 20 color / 160 b&w. Hbk, 9.5 x 11.5 in. / 208 pgs / u.s. $60.00 cdn $78.00 Led Zeppelin • Blondie • Sex Pistols • David Bowie 20 color / 230 b&w. u.s. $49.95 cdn $64.95 • Iggy Pop • Rick James • Tom Petty • The Clash

28 artbook.com­­ artbook.com 29 BACK IN PRINT Robert Frank: Hold Still, Keep Going​ ​Foreword by Ute Eskildsen. Text by Tobia Bezzola, Christoph Ribbat, Wolfgang Beilenhoff, Ute Eskildsen. Interviews by Ute Eskildsen. Hold Still, Keep Going is the long-awaited reprint of the catalogue to Robert Frank’s (born 1924) 2001 exhibition at the Museum Folkwang in Essen. Though the artist is best known for his seminal photobook The Americans (1959) and his experimental film Pull My Daisy (1959), until this publication, little scholarship existed on the intersection between Frank’s work in the disciplines of photography and film. Hold Still, Keep Going fills that void, exploring the influence of film on Frank’s photo- graphic work, and the interaction between the still and moving image that has en- gaged the photographer and experimental filmmaker since the late 1950s. The book adopts a nonchronological approach, including photographs, film stills, 35mm film- strips, as well as photomontages that present Frank’s most famous series alongside less known work; from these varied contents, the volume offers revealing juxtaposi- tions, rendering the seemingly disjointed arc of Frank’s art more cohesive. Text, from handwritten phrases on photographs (of which “HOLD STILL—keep going” is but one example) to the dialogue in his films, emerges as a crucial tool, one that is also central to Frank’s photo-diaries. Including a new essay from Tobia Bezzola, director of the Museum Folkwang, this edi- tion highlights some of the more obscure work by perhaps the world’s best-known liv- ing photographer, and is an essential addition to all photography and film collections.

STEIDL 9783869309040 u.s. $40.00 cdn $52.50 Hbk, 8.25 x 10.75 in. / 168 pgs / illustrated throughout. August/Photography

2016 SPRING–SUMMER SUPPLEMENT Gordon Parks: I Am You​ ​Selected Works 1934–1978 Robert Frank: Books and Films​ Edited with text by Peter W. Kunhardt, Jr., Felix Hoffman. 1947–2016 Injustice, violence, the Civil Rights Movement, fashion and the arts—Gordon Parks captured half a century Edited with text by Alex Rühle. Text by Philip Brookman, Robert Frank, Sarah Greenough, Gerhard Steidl. of the vast changes to the American cultural landscape in his multifaceted career. I Am You: Selected Works Issued in a pack of five copies, Robert Frank: Books and Films, 1947–2016 (a special edition of the Süd- 1934–1978 reveals the breadth of his work as the first African American photographer for Vogue and Life deutsche Zeitung newspaper, following its original design and format) is the unconventional catalogue magazines as well as a filmmaker and writer. to a traveling retrospective exhibition, recently shown at New York University, featuring interviews, es- Reportage for major magazines dominated Parks’ work from 1948 to 1972. He chronicled black America’s says, letters and opinion pieces alongside rich picture sequences printed on newsprint. struggle for equality, exposing the harsh realities of life in Harlem, institutionalized racism and shocking The exhibition presents six decades of books and films made by Robert Frank (born 1924) against the poverty. Parks was equally accomplished as a portraitist, capturing figures such as Malcolm X, Martin Luther background of his iconic photographs. These images are shown in an immediate and straightforward King, Duke Ellington and Ingrid Bergman. He turned his attention to film in the 1960s with social documen- way—printed on nearly 10-foot sheets of newsprint and installed unframed on the wall—and contextu- taries, as well as the cult classic Shaft (1971). This volume traces all the threads of Parks’ achievement, ex- alized with information about Frank’s life, his working processes and broader cultural history. amining the interaction between his photographic and filmic visions. Robert Frank: Books and Films, 1947–2016 recreates the raw, innovative approach of the exhibition in an Gordon Parks (1912–2006) was born in Fort Scott, Kansas. He worked as a brothel pianist and railcar porter, unpretentious and accessible printed object. Frank himself summarizes the appeal of the “catalogue”: among other jobs, before buying a camera at a pawnshop, training himself, and becoming a photographer. “Cheap, quick and dirty, that’s how I like it!” In addition to his tenures photographing for the Farm Security Administration (1941–45) and Life (1948–72), ALSO AVAILABLE Parks evolved into a modern-day Renaissance man, finding success as a film director, writer and composer. Gordon Parks: STEIDL/SÜDDEUTSCHE ZEITUNG, He wrote numerous memoirs, novels and poetry, and received many awards, including the National Medal of Back to Fort Scott 9783869309866 u.s. $25.00 cdn $32.50 SDNR50 9783869309187 Pbk, 15.75 x 22.5 in. / 64 pgs / illustrated throughout. Arts and more than 50 honorary degrees. Clth, U.S. $39.95 CDN $50.00 August/Photography STEIDL/THE GORDON PARKS FOUNDATION/C/O BERLIN Steidl 9783958291829 u.s. $50.00 cdn $65.00 ALSO AVAILABLE Robert Frank: The Americans Hbk, 9.75 x 11.5 in. / 240 pgs / 200 color & b&w. Gordon Parks: Robert Frank: New York To 9783865215840 November/Photography/African American Art & Culture Segregation Story Nova Scotia Hbk, U.S. $40.00 CDN $50.00 9783869308012 EXHIBITION SCHEDULE 9783865210135 Steidl Hbk, U.S. $45.00 CDN $55.00 Berlin, : C/O Berlin, 09/10/16–12/04/16 Pbk, U.S. $45.00 CDN $55.00 Steidl Munich, Germany: Kunstfoyer, Versicherungskammer Kulturstiftung, Spring 2017 Steidl Amsterdam, Holland: FOAM, Summer 2017

30 artbook.com­­ artbook.com 31 Mitch Epstein: Rocks and Clouds​ ​Edited by Susan Bell, Ryan Spencer. Text by Mitch Epstein, Susan Bell. In his newest series, Mitch Epstein investigates permanence and impermanence by photographing rocks that last millions of years and clouds that evaporate before our eyes. These large-format black-and-white Anthony Anthony Hernandez​ pictures, taken in New York City, examine society’s complex relationship to nature, a theme Epstein has ​Introduction by Robert Adams. Text by Erin O’Toole, Ralph Rugoff, Anthony Hernandez, Lewis Baltz. explored in previous work, such as his acclaimed tree pictures. “While laid up with a ruptured Achilles Hernandez finds Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony tendon, I wrestled with the passage of time, which suddenly felt palpable; read Robert Smithson; and Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting reconsidered the inextricability of nature and human society,” Epstein notes. “All this led me to photo- beauty in the new formats and subject matter. Moving from black and white to color, from 35mm to large-format cam- graph rocks and clouds in the city.” overlooked eras, and from the human figure to landscapes to abstracted detail, he has produced an unusually varied The way the sky and ground can mirror one another intrigued ancient Chinese painters, as well as body of work united by its arresting beauty and subtle engagement with social issues. At first largely un- Smithson and the Surrealists, all of whom inspired this project. Here, Epstein draws attention to the aware of the formal traditions of the medium, Hernandez developed his own style of street photography, sculptural quality of New York City’s clouds, bedrock and architecture—which, at its most elemental, is one uniquely attuned to the desolate allure and sprawling expanses of LA. made from rock. Cloud wedges engulf a cargo ship, buildings recall Constructivist paintings and boulders Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive are imposing elders in the middle of a park or sidewalk. Rocks and Clouds suggests society’s inability to introduction to his career of more than 40 years, tracing his evolution as well as highlighting continuities control time and tame nature. While it seems impossible to make a fresh picture of New York, Epstein across his practice. The catalogue represents the full range and breadth of Hernandez’s work, with an ex- gives us a surprising portrait of it. tensive plate section that includes many photographs that have never before been exhibited or published. A pioneer of 1970s color photography, Mitch Epstein has photographed the human engagement with Anthony Hernandez (born 1947) grew up in a Los Angeles far removed from the idealized Hollywood the landscape for the past 40 years. Epstein has won numerous awards including the Prix Pictet, the image of the city. Although he has turned his lens on other landscapes—including Saigon, and vari- Berlin Prize and a Guggenheim Fellowship. He has recorded the cultural and physical evolution of the ous American cities—Los Angeles, and especially the neighborhoods inhabited by the working class, the from 1973 to the present in his Steidl books Family Business (2003), Recreation (2005) and ALSO AVAILABLE poor and the homeless, has been his most enduring subject. American Power (2011). Mitch Epstein: New York Arbor 9783869305813 D.A.P./SFMOMA STEIDL Clth, U.S. $68.00 CDN $80.00 9781942884019 u.s. $49.95 cdn $64.95 EXHIBITION SCHEDULE 9783958291607 u.s. $70.00 cdn $90.00 EXHIBITION SCHEDULE Steidl Clth, 9.5 x 11 in. / 280 pgs / 245 color. San Francisco, CA: San Francisco Museum Slip, clth, 11.5 x 14.25 in. / 160 pgs / 70 b&w. New York: Sikkema Jenkins & Co., 11/16–01/17 October/Photography of Modern Art, 09/24/16–01/01/17 October/Photography Cologne, Germany: Galerie Thomas Zander, 01/17–03/17

32 artbook.com­­ artbook.com 33 Sugimoto’s luminous photographs of classic movie theaters and drive-ins

Masao Yamamoto: Tori​ The master of the Hiroshi Sugimoto: Theaters​ As a small boy growing up in the Japanese countryside, photographer Masao Yamamoto enjoyed looking up ​Text by Hiroshi Sugimoto. at the sky. From his classroom window, he would gaze at the windblown clouds, mesmerized by airborne silent moment In the late 1970s, as Hiroshi Sugimoto was defining his artistic voice, he posed a question to himself: creatures such as birds, butterflies and winged insects. He sometimes dreamed of riding on the back of a bird “Suppose you shoot a whole movie in a single frame?” The answer that came to him: “You get a shining and flying away to faraway places. trains his lens screen.” For almost four decades, Sugimoto has been photographing the interiors of theaters using a large- Yamamoto’s career as a photographer began in 1993. One of Japan’s most important living photographers, format camera and no lighting other than the projection of the running movie. He opens the aperture when Yamamoto has taken many different approaches to photography over the past 20 years. But what has re- on his lifelong a film begins and closes it when it ends. In the resulting images, the screen becomes a luminous white box mained constant is the artist’s belief that humans are just a small part of nature, united with it and part of it. and the ambient light subtly brings forward the rich architectural details of these spaces. Throughout his career, Yamamoto has often returned to animals, particularly birds, as a subject, reflecting his obsession: birds Sugimoto began by photographing the classic movie palaces built in the 1920s and ‘30s, their ornate archi- childhood fascination with the creatures and his eternal commitment to the unity of humanity and nature. tectural elements a testament to the cultural importance of the burgeoning movie industry. He continued With Tori, the photographer departs on yet another artistic journey, with a new series of quietly moving animal the series with drive-in theaters. In the last decade, Sugimoto has photographed historic theaters in Europe images (tori means “bird” in Japanese). Yamamoto asks himself, and his viewers: What do we see, and what as well as disused theaters that show the ravages of time. Taken together, these photographs present an do we identify with, in birds? ALSO AVAILABLE extended meditation on the passage of time, a recurring theme in his artwork. Theaters, the third in a series Yamamoto Masao (born 1957) trained as an oil painter before turning to photography. His portraits, land- Hiroshi Sugimoto: of books on Sugimoto’s art, presents 130 photographs, 21 of which have never before been published. scapes and still lifes are made into small, delicate prints, which the photographer then frequently overpaints, Dioramas dyes or steeps in tea. Among his previous publications is Small Things in Silence (RM/Seigensha, 2015). In 9788862083270 Hiroshi Sugimoto (born 1948) has exhibited extensively in major museums and galleries throughout the Clth, U.S. $65.00 CDN $75.00 world, and his work is held in numerous public collections, including The Metropolitan Museum of Art, the US, Yamamoto is represented by the Robert Koch Gallery in San Francisco, PDX Contemporary Art in Damiani/Matsumoto Editions New York; Museum of Contemporary Art, Tokyo; National Gallery, London; National Museum of Modern Oregon, the Robert Klein Gallery in Boston and the Yancey Richardson Gallery in New York, among others. Art, Tokyo; Smithsonian, Washington, DC; and Tate, London, among others. Sugimoto divides his time RADIUS BOOKS Hiroshi Sugimoto: between Tokyo and New York City. 9781942185130 u.s. $60.00 cdn $78.00 ALSO AVAILABLE Seascapes Hbk, 9.5 x 12 in. / 160 pgs / 60 duotone. Masao Yamamoto: 9788862084161 DAMIANI/MATSUMOTO EDITIONS October/Photography/Asian Art & Culture Small Things in Silence Clth, U.S. $70.00 CDN $85.00 9788862084772 u.s. $60.00 cdn $78.00 9788415118831 Damiani/Matsumoto Editions Clth, 10 x 11 in. / 176 pgs / 130 b&w. Hbk, U.S. $60.00 CDN $70.00 September/Photography/Asian American Art & Culture RM/Seigensha

34 artbook.com­­ artbook.com 35 BACK IN STOCK Mario García Joya: A la plaza con Fidel​ William Klein: Life is Good & Good for You in Books on Books No. 21 New York​ Text by Leandro Villaro, Mario García Joya. Books on Books No. 5 A la plaza con Fidel (To the plaza with Fidel) is doubly rare among Cuban photobooks: relatively few photobooks were produced in Cuba after the Revolution, and A la plaza Text by Max Kozloff, Jeffrey Ladd. con Fidel is also notable for its unique subject matter. Photographed between 1959 William Klein’s Life is Good & Good for You in New York is regarded as one of the most and 1966 and published in 1970 by leading Cuban photographer and cinematographer influential and groundbreaking photobooks created in the last half-century. Published in “Mayito” (Mario García Joya, born 1938), the book focuses on Fidel Castro’s supporters 1956, its visual energy captured the rough-and-tumble streets of New York—a city Klein and the festive atmosphere of the Revolution. Castro would mark important moments once described as “the world capital of anguish”—like no photobook had done before of the Revolution, when either revelry or reassurance was called for, with public ad- or since. Robert Capa famously declared that if your photographs were no good it was dresses delivered in Havana’s Plaza de la Revolución; “to the plaza with Fidel” became a because you were not close enough to your subject, and in Klein’s New York people refrain of the Revolution. press themselves up against the lens, dance around it, pull faces, pretend to shoot each The 21st volume in Errata Editions’ Books on Books series, this edition of A la plaza con other—a visual chaos which is rigorously organized by Klein’s “one American eye and Fidel presents this little-known book in its entirety, with essays by photography curator one European eye,” as he once characterized his style. Books on Books 5 reproduces in Leandro Villaro. its entirety Klein’s brilliantly photographed and designed magnum opus. ERRATA EDITIONS ERRATA EDITIONS 9781935004400 u.s. $39.95 cdn $50.00 9781935004080 u.s. $39.95 cdn $50.00 Hbk, 7.25 x 9.75 in. / 80 pgs / 50 duotone. Clth, 7.25 X 9.75 in. / 160 pgs / 110 duotone. October/Photography/Latin American/Caribbean Art & Culture Available/Photography

BACK IN STOCK Long Live the Glorious May 7 Directive​ Alexey Brodovitch: Ballet​ Books on Books No. 20 Books on Books No. 11 Text by Carol Yinghua Lu, Liu Ding, Shuxia Chen. Long Live the Glorious May 7 Directive, published in 1971, is one of the key propaganda Text by Edwin Denby, Kerry W. Purcell. photobooks of Chairman Mao Zedong’s infamous Cultural Revolution. Illustrated with Published in 1945, Alexey Brodovitch’s Ballet is easily among the most legendary both color and black-and-white photographs taken by uncredited photographers, the photobooks of the 20th century: the first and only book he authored as photographer, book extolls the virtues of Mao’s communist ideology and purports to document the it was printed in a small run of a few hundred copies, and quickly became a rarity. joyful, industrious effects of these ideas in action. A Russian émigré in 1920s Paris, Brodovitch began his career as a scene painter for In Long Live the Glorious May 7 Directive, smiling workers and peasants read together Diaghilev’s Ballet Russes, and had firmly established himself as a leading art director from Mao’s “Little Red Book” of quotations, stalwart soldiers march in unending ranks and graphic designer in New York when he began photographing the Ballets Russes and Chinese fighter pilots conquer the open skies. Of course, history remembers the re- de Monte Carlo in the mid-1930s. Shot on 35mm film, Brodovitch’s images radically alities of Mao’s Cultural Revolution quite differently. disregard conventions of “good” technique; blurred and fast-paced, they capture the Long Live the Glorious May 7 Directive is now extremely rare; Errata Editions’ Books on motion and spirit of dance both in rehearsals and on stage. Errata Editions reproduces Books 20 presents this fascinating volume in its entirety with essays by Liu Ding, Carol every captivating page spread from this rarely seen classic of both dance and photogra- Yinghua Lu and Shuxia Chen. phy history, making it available to a broader audience at last. ERRATA EDITIONS ERRATA EDITIONS 9781935004424 u.s. $39.95 cdn $50.00 9781935004226 u.s. $39.95 cdn $50.00 Hbk, 7.25 x 9.75 in. / 140 pgs / 130 color. Clth, 7.25 X 9.75 in. / 142 pgs / 120 duotone. October/Photography/Asian Art & Culture Available/Photography

36 artbook.com­­ artbook.com 37 Berenice Abbott: Paris Portraits 1925–1930​ Edited with text by Ron Kurtz, Hank O’Neal. This is one in a series of books to be published by Steidl that will explore Berenice Abbott’s oeuvre. Abbott began her photographic career in Paris in 1925, taking portraits of some the most celebrated artists and writers of the day, includ- ing Marie Laurencin, Jean Cocteau, Peggy Gug- genheim, Coco , Max Ernst, André Gide, Philippe Soupault and James Joyce. Within a year her work was exhibited and acclaimed. Paris Portraits 1925–1930 features the results of Abbott’s earliest photographic project and illus- trates the philosophy of all her subsequent work. For this landmark book, 115 portraits of 83 sub- jects have been scanned from the original glass negatives, the full negatives have been printed and a die-cut overleaf presents each portrait in- corporating Abbott’s cropping instructions. Berenice Abbott was born in Springfield, Ohio, in 1898. She left Ohio State University early for New York's Greenwich Village in 1918, where she spent several years before study- ing in Europe. Abbott was first introduced to photography while studying sculpture in Paris; she became Man Ray's darkroom assistant and soon began her own studio, practicing primar- ily portrait photography. In 1929 she returned to New York, photographing its neighborhoods, buildings and residents. After a lung operation in the 1950s­­, on doctor's orders to escape urban pollution, Abbott resettled in Maine, where she From Bras­saï to William Paris Metro Photo​ would remain until her death in 1991. At over 300 pages and with around 250 images, this delightful volume looks at the close STEIDL/COMMERCE GRAPHICS, NEW YORK Klein: a luxurious relationship between photography and the heyday of the Paris metro, covering over a century 9783869303147 u.s. $70.00 cdn $90.00 of photographic documents. The major figures of photography all snapped the Paris metro, Clth, 9.5 x 12 in. / 368 pgs / 233 b&w. homage to the world’s from the humanists—Doisneau, Henri Cartier-Bresson, Brassaï, Boubat, Izis, Kollar, Ronis September/Photography and more—to photojournalists such as Robert Capa, William Klein and Van der Keuken, in most iconic subway addition to the scores of photojournalists who passed through the city. In 1900, as the first metro rolled from west to east across Paris, from Porte Maillot to Porte de Vincennes, photography had already been around for half a century. Turn-of-the-century technological advances had created smaller, lighter cameras—the first Kodaks—which The photographs that launched Abbott’s introduced the practice to a wider market. As Parisians fell in love with their new mode of transport, photography became a more widespread pastime. career: portraits of artists and writers, from All genres and photographic practices are represented in this overview, from photojournalism to photo stories, street photography, fashion photography, architectural photography and Jean Cocteau to James Joyce, in prewar Paris industrial photography. The resulting volume is a magnificent and charming hybrid: a history of the fascinating development of the Paris metro—long a cultural symbol of France, Art Nouveau and urban technological innovation—in all its diversity, alongside a history of ALSO AVAILABLE photography in Paris from the early 20th century to the present. Berenice Abbott: Documenting Science ACTES SUD 9783869304311 9782330065911 u.s. $55.00 cdn $70.00 Clth, U.S. $65.00 CDN $75.00 Hbk, 11.5 x 11.5 in. / 348 pgs / 250 color. Steidl December/Photography/Travel

38 artbook.com­­ artbook.com 39 Hannah Höch: Life Portrait​ Eugene Von ​A Collaged Autobiography Bruenchenhein: Introduction and text by Alma-Elisa Kittner. Photographs by ​ Orgel-Köhne. King of Lesser Lands​ German photomonteur Hannah Höch (1889–1978) is best known for ​Edited by Phillip March Jones. Preface by Joanne Cubbs. her association with the Berlin Dadaists. But her life and artistic career King of Lesser Lands traces the fugitive career of far outlasted Dada, spanning two world wars and most of the 20th Eugene Von Bruenchenhein (1910–83), a prolific century. And at the age of 83, Höch began to look back. creator of a diverse range of distinctive images The result was Höch’s last—and largest, at nearly 4 x 5 feet—photo- and sculptural objects, who produced his art collage, “Life Portrait,” created between 1972 and 1973. Though in private over a period of about 50 years at his she did not originally set out to make an autobiographical work, the home in Milwaukee, Wisconsin. His large and collage functions as a kind of self-portrait for the artist, looking back unusual body of work was not discovered until on her life and work while also ironically and poetically commenting after he died. on key political, social and artistic events from the previous 50 years. In 1939, at the age of 29, Von Bruenchenhein met Höch literally inserts herself into the work several times, with photo- Evelyn Kalka. She became his wife and muse. graphs of herself at various ages (always identifiable with her trade- Evelyn, who was nicknamed “Marie,” served mark bobbed hair), and returns to themes and images which she had as his model and the subject of thousands of addressed throughout her oeuvre, including fashion imagery, news erotic photo-portraits, which he shot and printed photographs, African art and pictures of plants and animals, which himself. For these images, which emulated had become typical of her work after the end of the Second World girlie-magazine pinups with an offbeat air, Von War. London’s Whitechapel Gallery called it “a collage of collages.” Bruenchenhein designed and created his own Hannah Höch: Life Portrait divides the monumental composition into background sets and costumes for Marie. 38 individual sections, as Höch imagined it, and offers explanatory Around the mid-1950s, the artist began to make texts and relevant quotations to complement each section. One of abstract paintings using his fingers or sticks, only a few English-language publications on the artist, this volume ex- combs, leaves and other makeshift utensils to plores Höch’s final masterpiece, and the life’s work it represents. ALSO AVAILABLE push oil paint around the surfaces of Masonite Hannah Höch: Picture Book THE GREEN BOX 9783941644137 boards or cardboard taken from packing 9783941644847 u.s. $65.00 cdn $85.00 Hbk, U.S. $49.95 CDN $60.00 boxes at the bakery where he worked. Von Hbk, 9 x 9 in. / 96 pgs / 40 color / 3 b&w. The Green Box July/Art Bruenchenhein’s abstract explosions of vibrant color evoke the forms of strange plants or fantasy creatures and architectural structures. Later, Von Bruenchenhein used clay to produce home-fired crowns and vases, and also created Lola Álvarez Bravo: 50 Photographs​ mysterious sculptures resembling towers or ​Text by James Oles, Lola Álvarez-Bravo. thrones with chicken and turkey bones. Dolores “Lola” Martínez de Anda (1903–93) became a photographer after her marriage During his lifetime, only his closest family to Manuel Álvarez Bravo in 1925. From the 1930s through the 1960s, Lola—as she was members and friends knew anything about his always known—was the leading female photographer in Mexico. Her diverse output artistic pursuits. In 1983, after the artist’s death, includes portraits of the day’s leading artists and intellectuals, documents of post-Revolu- one of his friends called the attention of the tionary social reforms and images of life on the streets of cities and villages from Acapulco Milwaukee Art Museum to Von Bruenchenhein’s “Von Bruenchenhein to Veracruz. extraordinary oeuvre. This elegant and beautifully designed spiralbound volume presents 50 of the artist’s most On the occasion of a 2010 survey of his work belongs among the famous and endearing photographs, drawn from an archive of more than 200 gelatin at the American Folk Art Museum in New York, silver prints in the collection of the Fundación Cultural Televisa in Mexico City. Inspired by wrote in The New York Times: great American midcentury photobooks and magazines, as well as the materials in the artist’s own archive, “Von Bruenchenhein belongs among the 50 Photographs features a tipped-in sleeve with fictitious contact sheets, a checklist and great American outsider artists whose work outsider artists.” an essay by art historian and curator James Oles on photographic prints and archives, in came to light or resurfaced in the last three —Roberta Smith, which he recounts the story behind this publication. decades of the 20th century.” Smith placed Von Bruenchenhein’s unusual art in the company RM/FUNDACIÓN TELEVISA The New York Times 9788416282227 u.s. $35.00 cdn $45.00 ALSO AVAILABLE of that of Henry Darger, Martin Ramírez, Bill Spiralbound, 8.75 x 10.25 in. / 102 pgs / 50 color. Lola Alvarez Bravo and the Traylor, James Castle and Morton Bartlett. December/Photography/Latin American/ Photography of an Era Caribbean Art & Culture 9788415118374 ANDREW EDLIN GALLERY Pbk, U.S. $45.00 CDN $55.00 9780977878390 u.s. $60.00 cdn $78.00 RM/Museo Casa Estudio Hbk, 9.25 x 12.25 in. / 162 pgs / 99 color. Diego Rivera y Frida Kahlo July/Photography/Art

40 artbook.com­­ artbook.com 41 Hilma af Klint: Painting the The Blue Rider group Unseen​ ​Foreword by Julia Peyton-Jones, Hans Ulrich Obrist. pioneered an expressionistic, Text by Daniel Birnbaum, Jennifer Higgie, Julia Voss. Hilma af Klint graduated from the Royal Academy of joyously chromatic Fine Arts in Stockholm in 1887, established a studio in the city, and began creating and exhibiting tradi- approach to abstraction tional landscapes, botanical drawings and portraits. Privately, however, af Klint was already beginning to discard what she had learned at the Academy in favor Kandinsky, Marc, and Der Blaue of painting the invisible worlds hidden within nature, Reiter​ the spiritual realm and the occult. ​Edited by Ulf Küster. As early as 1906, af Klint was working with abstract For just a few years at the beginning of the 20th century, Munich imagery—giving her a lead of several years in the was the hot spot of Germany‘s artistic avant-garde. Russian modernist race to be the first to discover abstraction. painter and ’s initiative as found- She joined a group of four other female artists, “The ing editors of the almanac (The Blue Rider) was Five,” which held séances and experimented with a catalyst for the arts. The journal and the 1911 exhibition of the automatic writing and drawing—decades before the same name created international waves and heralded the start Surrealists would do something similar. of the modern era in Germany before the First World War. Today, In 1905, af Klint received a “commission” from the the names of the movement’s key players Franz Marc, Gabriele mysterious entity Amaliel to create her most impor- Münter, and stand for a pivotal tant body of work: The Paintings for the Temple. Hilma chapter in the international history of art, marked by the transi- af Klint: Painting the Unseen focuses on this important tion of painting into a vibrant, colorful and transcendental form series, consisting of 193 predominately abstract of abstraction. This volume surveys their accomplishments. paintings in various series and subgroups. Claiming The Blaue Reiter was an art movement that lasted from 1911 to act as merely a medium for spiritual forces guiding to 1914 and was fundamental to Expressionism. Founded by her hand, af Klint painted a path towards a harmony Russian emigrants in Munich including Wassily Kandinsky, between the spiritual and material worlds; good and Alexej von Jawlensky, Marianne von Werefkin, along with native evil; man and woman; religion and science. German artists Franz Marc, and Gabriele Münter, Swedish painter Hilma af Klint (1862–1944) is now the group's unified goal was to express spiritual truths through regarded as a pioneer of abstract art. Though her art—largely through a spontaneous, intuitive approach to paintings were not seen publicly until 1987, her painting, which, for many group members, took the form of work from the early 20th century predates the first abstraction. The group organized touring exhibitions before purely abstract paintings by Kandinsky, Mondrian disbanding around the outbreak of the First World War in 1914. and Malevich. HATJE CANTZ u.s. cdn $105.00 KOENIG BOOKS, LONDON 9783775741699 $85.00 Hbk, 9.75 x 12 in. / 250 pgs / 180 color. 9783863358945 u.s. $39.95 cdn $50.00 December//Art Pbk, 8 x 10 in. / 192 pgs / 155 color. July/Art

Working before Kandinsky and Malevich, Swedish artist Hilma af Klint was arguably the first abstract painter

ALSO AVAILABLE ALSO AVAILABLE ALSO AVAILABLE Hilma af Klint: A Pioneer of August Macke & Franz Marc: Concerning the Spiritual in Art Abstraction An Artist Friendship 9780878467020 9783775734899 9783775738835 Hbk, U.S. $27.50 CDN $32.50 Pbk, U.S. $60.00 CDN $70.00 Clth, U.S. $60.00 CDN $70.00 MFA Publications Hatje Cantz Hatje Cantz

42 artbook.com­­ artbook.com 43 Correggio and Parmigianino​ Della Robbia​ Art in Parma During the Sixteenth Century ​Sculpting with Color in Renaissance Edited with text by David P.M. Ekserdjian. Text by Mary Vaccaro, Elisabetta Fadda, Florence Maddalena Spagnolo. Text by Marietta Cambareri. Contributions by For a few decades in the first half of the 16th century, the tremendous quality of Abigail Hykin, Courtney Leigh Harris. the paintings and drawings produced in Parma (and by artists from the city working The glazed terra-cotta technique invented elsewhere) made the city more than a match for its rivals. The two reasons for by Luca della Robbia, along with his excep- this brief golden age were Correggio (1489–1534) and Parmigianino (1503–40). tional skill as a sculptor, placed him firmly Correggio moved to Parma in the late 1510s, by which time he was already a in the first rank of Renaissance artists in the highly accomplished artist; he was to remain based in the city for the rest of his fifteenth century. The Della Robbia studio life. This book gathers a selection of his paintings and drawings that emphasize produced dazzling multicolored ornaments his extraordinary emotional power, the range of his religious imagery and his for major Florentine buildings, delicately mod- mythological works. Parmigianino, whose peripatetic career took him to Rome eled and ingeniously constructed freestand- and Bologna, is represented by a similarly important group of paintings, but in ing statues, serene blue-and-white devotional addition to religious and mythological subjects, his spectacular achievements as reliefs for domestic use, charming portraits a portraitist are a central focus. of children and commanding busts of rulers, along with decorative and liturgical objects. SILVANA EDITORIALE 9788836633548 u.s. $60.00 cdn $78.00 Important patrons from the Medici family to Hbk, 9 x 11 in. / 256 pgs / 140 color. the French court enhanced the reputation of October/Art the Della Robbia style and technique, which in turn inspired imitation by rival artists. In recent years, renewed attention from art historians, backed by sophisticated technical studies, has reintegrated Della Robbia into the mainstream of Renaissance art history and illuminated the originality and accom- plishments of the family’s studio, which oper- ated into the 16th century. This beautifully illustrated companion to the first major Della Robbia exhibition in the United States brings readers into the workshops of these inge- nious artists to experience one of the great inventions of the Renaissance. Luca della Robbia's (1400–82) invention of an innovative technique for creating glazed terra-cotta sculptures was a major scientific and artistic discovery of the Italian Renais- NOW IN PAPERBACK sance. Passed down to family members and Europe in the Renaissance​ Museo de Arte Ponce developed further by each generation, the ​Metamorphoses 1400–1600 Vermeer: The Spanish Collection closely held technique achieved new heights Text by Bernard Aikema, Peter Burke, et al. The Complete Works​ Text by Alejandra Peña, Pablo Pérez D’Ors, Iraida of refinement and durability in modeling Europe during the Renaissance experienced Rodríguez-Negrón. Edited by Renzo Villa. and color, and was praised for combining This publication tours the Museo de Arte de some of the most important advances in human This volume—the new standard Vermeer mono- elements of painting and sculpture into a Ponce’s collection of highly regarded Spanish The brightly hued history: the invention of the printing press, the graph, now in paperback—reproduces in color new and (in Vasari’s words) “almost eternal” painting and sculpture. The museum, located in discovery of a previously unknown continent and all 34 of Vermeer's extant paintings, augmenting medium. and technically San Juan, , celebrates the richness of the formulation of a new view of the earth. each with close-ups that lay bare the loving care Western art from the dawn of the Renaissance MFA PUBLICATIONS, MUSEUM OF FINE ARTS, Based on numerous examples—including works that the artist lavished upon each painstaking BOSTON sophisticated ceramics through to the end of the 19th century. 9780878468416 u.s. $45.00 cdn $57.50 of art, instruments and objects of everyday life— work. Clth, 9 x 10.5 in. / 176 pgs / 130 color. Europe in the Renaissance invites readers to trace RM/MUSEO DE ARTE PONCE of a Renaissance SILVANA EDITORIALE September/Art the paths of transfer and exchange that shaped 9788416282517 u.s. $39.95 cdn $50.00 9788836624140 u.s. $35.00 cdn $45.00 Hbk, 9 x 11.5 in. / 192 pgs / 107 color. EXHIBITION SCHEDULE master workshop the Renaissance. Pbk, 9.5 x 11 in. / 160 pgs / 80 color. July/Art/Latin American/Caribbean Art & Culture Boston, MA: Museum of Fine Arts, Boston, October/Art HATJE CANTZ 08/09/16–12/04/16 9783775740739 u.s. $75.00 cdn $95.00 Washington, DC: National Gallery of Art, Pbk, 9 x 11.5 in. / 320 pgs / 336 color. 02/29/17–06/04/17 November/Art

44 artbook.com­­ artbook.com 45 Picasso Portraits​ 2016 SPRING–SUMMER SUPPLEMENT ​By Elizabeth Cowling. Francis Bacon: From the beginning of his career until its end, Pablo Catalogue Raisonné​ Picasso’s prime subject was the human figure, and ​Edited by Martin Harrison. portraiture remained a favorite genre for the artist. Editor Martin Harrison, following his appointment by Picasso’s portraiture reflected the full range of his the Estate of Francis Bacon, has devoted over a decade innovative styles—Symbolist, Cubist, Neoclassical, to the creation of this magnificent publication, the Surrealist, Expressionist. Depicting people in his first-ever complete catalogue raisonné of the work of intimate circle rather than working to commission en- the great British painter. Including more than 100 previ- abled Picasso to take an expressive, radically ously unpublished paintings, this five-volume set allows experimental approach to making portraits. Bacon’s oeuvre to be seen and assessed in its entirety However extreme his departure from representational for the first time, with all works reproduced in full color. conventions, Picasso never wholly abandoned drawing The only previous Bacon catalogue raisonné was pub- from the sitter or ceased producing portraits of lished in 1964, gathering only 37% of Bacon’s ultimate classic beauty and naturalism. He remained in constant oeuvre, and featuring only 27 color reproductions. Only dialogue with the art of the past, and his portraits often about half of the 584 paintings that survive are acces- alluded to canonical masterpieces. Treating favorite sible to the public in exhibitions and publications; with Old Masters as indecorously as his intimate friends, Francis Bacon: Catalogue Raisonné, the painter’s entire he created suites of free “variations” after Velázquez’s oeuvre can be seen and assessed for the first time. “Las Meninas” and Rembrandt’s “The Prodigal Son.” The catalogue, containing around 800 illustrations These dizzying stylistic shifts of Picasso’s long career across five clothbound, hardcover volumes, includes can be traced through their manifestations in his por- three books comprising the study of Bacon’s entire traits. Picasso Portraits tells this story thematically, with working history, which are bookended by two further a focus on Picasso’s creative process rather than his volumes: the first including an introduction, chronology biography. Issues addressed in depth in this volume and an indispensible index and users’ guide, and the include Picasso’s exploitation of familiar poses and for- second a catalogue of Bacon’s sketches with an illus- mats, his sources of inspiration among the Old Masters trated bibliography. Beautifully produced and printed, and the relationship between observation, memory and the five volumes of Francis Bacon: Catalogue Raisonné fantasy. are boxed within a handsome cloth slipcase. The legendary life and career of Pablo Picasso (1881– Born in Ireland, and based in London for most of 1973) spanned nearly the entire 20th century and his career, Francis Bacon (1909–92) arrived at his ushered in some of its most significant artistic revolu- signature grotesque figurative style just as the Second tions. Hard to overestimate in importance or originality, World War was ending, and continued to explore its Picasso’s style is perhaps best captured in the words of possibilities up to his death in 1992. his friend Paul Éluard: “Picasso paints like God or the devil.” THE ESTATE OF FRANCIS BACON 9780956927316 u.s. $1,500.00 cdn $2,000.00 SDNR40 NATIONAL PORTRAIT GALLERY Slip, clth, 5 vols, 9.5 x 12.25 in. / 1,556 pgs / 800 color. Picasso’s styles 9781855145429 u.s. $55.00 cdn $70.00 June/Art Hbk, 9 x 11.25 in. / 256 pgs / 230 color. are matched to his October/Art EXHIBITION SCHEDULE fluctuating social circles London, England: National Portrait Gallery, 10/06/16–02/05/17 in this look at the Barcelona, Spain: Museu Picasso, 03/26/17–06/25/17 These five clothbound volumes maestro’s evolution gather Francis Bacon’s entire oeuvre for the first time

ALSO AVAILABLE A Picasso Portfolio: Pablo Picasso: Family Album ALSO AVAILABLE Picasso Sculpture Prints from MoMA 9788494024986 Francis Bacon 9780870709746 9780870707803 Hbk, U.S. $65.00 CDN $75.00 9788434312029 Hbk, U.S. $85.00 CDN $100.00 Hbk, U.S. $40.00 CDN $50.00 Fundación Museo Picasso Hbk, U.S. $25.00 CDN $30.00 The Museum of Modern Art, The Museum of Modern Art, Málaga/Legado Paul, Christine Poligrafa New York New York y Bernard Ruiz-Picasso

46 artbook.com­­ artbook.com 47 Constant: New Babylon​ ​Text by Constant, Trudy Nieuwenhuys, Laura Stamps, Willemijn Stokvis, Mark Wigley. Interviews by Rem Koolhaas. An open city without borders that is capable of flowing out in all directions to allow its residents to move freely and flexibly: this fascinating utopian conception of architectural and lifeworld growth formed the starting point for Constant’s Situationist project New Babylon. Between 1956 and 1974, the Dutch painter and co- founder of the avant-garde movements Cobra and the Situationist International worked on numerous models, paintings, drawings and collages for the purpose of depicting his vision of the nomadic city of the future. This catalogue focuses not only on New Babylon’s architectural aspects but embraces them as an artist’s synthesis of the arts. Besides the models, drawings and collages, attention is also given to the designs in order to trace Constant’s artistic process. This not only provides extensive insight into utopian urban planning, but to a greater degree into a mode of thought and imagination. The book includes an interview with Rem NEW REVISED EDITION Koolhaas on Constant’s pioneering project. The Cobra artists Constant Nieuwenhuys (1920–2005) was a Dutch Cobra: A History of a European Avant-Garde Movement​ painter, architect, sculptor, graphic artist, author and ​1948–1951 combined creative musician. His friendship with Danish painter Asger freedom and social Edited by Willemijn Stokvis. Jorn led to the founding of the Cobra group. After its Radical and transnational (the group’s name derives from the main urban centers of the movement— dissolution, Constant became a founding member engagement Copenhagen, Brussels and Amsterdam), the postwar artist’s group Cobra caused a revolution in mod- of the Situationist International movement along with ern art in just three years of active work that continues to influence artists to this day. Willemijn Stokvis’ Jorn and Guy Debord, and began work on his New classic text on the group, Cobra: A History of a European Avant-Garde Movement was first published in Babylon project. 1974, and is now available in English for the first time, fully updated from the 1974 edition. In this com- HATJE CANTZ prehensive, richly illustrated volume, Stokvis (a leading authority on the movement) presents the history 9783775741347 u.s. $60.00 cdn $78.00 of Cobra through primary documents, conversations and correspondence conducted with the artists Hbk, 9.75 x 11.5 in. / 224 pgs / 260 color. themselves and the movement’s eyewitnesses. September/Art/Architecture & Urban Studies Cobra was active from its founding in November 1948 to its official disbanding in 1951, and included EXHIBITION SCHEDULE artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant and Corneille. Creative freedom, ex- The Hague, Holland: Gemeentemuseum, Den Haag, perimentation and social engagement were the driving forces of the movement, which married a primi- 05/28/16–10/02/16 tivist eye for the raw creativity in the art of children and the mentally ill with a Marxist interpretation of the world to come. Rejecting both naturalism and pure abstraction at the end of the Second World War, Cobra valued unbridled experimentation and creative freedom, manifested in brilliant, colorful expres- sionist paintings of distorted figures that provided a more emotional and ideological European counter- point to the roughly contemporary “action painting” of the Abstract Expressionists in the United States. After the group’s dissolution, some of Cobra’s members were inherited by the Situationist International.

NAI010 PUBLISHERS 9789462082663 u.s. $80.00 cdn $100.00 Hbk, 9.5 x 11.5 in. / 400 pgs / 450 color. July/Art

ALSO AVAILABLE Asger Jorn’s Writings on Art L’Architecture Sauvage: Asger Jorn: Louisiana Library and Architecture Asger Jorn’s Critique and Constant’s Situationist utopia reimagined 9788791607615 9789064507601 Concept of Architecture Pbk, U.S. $29.95 CDN $35.00 Pbk, U.S. $55.00 CDN $65.00 9789064507427 everyday life as an urban adventure Louisiana Museum nai010 publishers Pbk, U.S. $52.50 CDN $65.00 of Modern Art nai010 publishers

48 artbook.com­­ artbook.com 49 NEW REVISED EDITION Maurizio Cattelan: All​ ​By Nancy Spector. The Guggenheim Museum’s sold-out publica- tion Maurizio Cattelan: All is returning to print. Hailed as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan (born 1960) Collectible has created some of the most unforgettable images in contemporary art—most notoriously sculptural “The Ninth Hour” (1999), a sculpture of Pope John Paul II struck by a meteorite. Derived from scented candles popular culture, history and organized religion, designed Cattelan’s subjects range widely, and his work, while bold and irreverent, is deadly serious in its by Maurizio scathing cultural critiques. The second edition of All updates the catalogue Cattelan, that accompanied the Solomon R. Guggenheim Museum’s 2011–12 retrospective survey of the Barbara Kruger artist. For this exhibition, Cattelan sidestepped the totalizing effect of a retrospective by devis- and Bruce ing a site-specific installation in which his entire oeuvre was suspended from the oculus of the Weber museum’s iconic rotunda. This book offers an equally unique response to the conventions of the catalogue. It is a faux-leatherbound hard- cover with gold stamping and thin paper that is designed to resemble an old textbook or bible. The volume details almost every work of Cat- telan’s from the late ’80s to the present within a double-column page format, featuring full-color reproductions and accompanying entries. The revised edition describes the artist’s return to art making after a five-year “retirement” with a special, ongoing project opening at the Visionaire 66: Ritual​ Guggenheim in May 2016. It also features a Set 1: Cattelan / Kruger / Weber redesigned cover and installation images of the Visionaire releases its 66th issue with a set of sculptures. Ritual comes in the form of sculptural scented candles exhibition All. Nancy Spector has augmented created by three world-renowned artists and produced by International Flavors & Fragrances and is published in her critical overview of Cattelan—which docu- an edition of 200 copies. The artists are Maurizio Cattelan, Barbara Kruger and Bruce Weber. ments not only his artistic output but also his Maurizio Cattelan gave Visionaire a particular Italian plunger that was reproduced at full scale. The black wax ongoing activities as a curator, editor and pub- captures the subtle wooden texture of the handle and the smooth rubber of the base. It smells of fresh roses lisher—with a new coda. Since its original pub- created by Bruno Jovanovic of IFF. What better accessory for your bathroom sitting alongside your toilet paper lication, All has become the Cattelan bible, and and your Toilet Paper? this revised edition exploring the latest chapter Barbara Kruger transformed one of her iconic two-dimensional works into a sculpture that smells like marijuana, of the artist’s influential career ensures it will re- a scent developed by Laurent Le Guernec of IFF. The words “Buy Me I’ll Change your Life” dramatically jut out Updated edition of the main the definitive source on his work for years of the facade. to come. Bruce Weber embraced the latest in technology as he 3D-captured his current favorite male model Trevor definitive monograph GUGGENHEIM MUSEUM PUBLICATIONS Signorino. The 3D file was then transformed into an all-white sculptural portrait replete with facial features and 9780892075317 u.s. $50.00 cdn $65.00 muscle tone. Carlos Benaim of IFF created the scent of the beach on a hot summer day on the Jersey Shore Hbk, 6.25 x 9.5 in. / 255 pgs / 140 color / 30 b&w. where Signorino works selling ice cream. on Maurizio Cattelan: September/Art VISIONAIRE provocateur, prankster and 9781941340011 u.s. $1,800.00 cdn $2,350.00 SDNR20 Boxed, special edition, 6 x 9.5 in. / 3 candles. tragic poet of our times September/Art/Limited Edition

50 artbook.com­­ artbook.com 51 James Moore: Retrospective​ Terence Donovan: American fashion photographer James Moore (1941–2011) was an influential Portraits​ voice in mid-20th-century fashion photography, working for Harper’s Bazaar ​Text by Philippe Garner. during its 1960s heyday under the leadership of legendary editor Caramel Snow. This is the first book dedicated to the Shooting languid mod gamines and luxe bohemians in arresting, often surreal portraiture of legendary photographer or cinematic compositions, Moore helped shape the visual vocabulary of ‘60s Terence Donovan, a genre that spanned fashion alongside better-known colleagues such as art director Alexey Brodo- the entirety of his four-decade career. vitch (under whom Moore studied). Moore also directed television commercials During this time he worked for major and contributed photographs to European magazines in the 1980s and 1990s, British and international magazines and taught photography at the School of Visual Arts, New York, and the Roch- including Vogue, Marie Claire, Harper’s ester Institute of Technology. Bazaar and Elle. Donovan undertook Every Moore photograph is an intricate exploration of space and beauty, with an numerous private portrait commissions, attention to detail that betrays the photographer’s peerless eye. Something of a photographing public figures from the “photographer’s photographer,” Moore influenced the next generation of great worlds of the arts, politics and business, fashion photographers but has been somewhat neglected in histories of 1960s in addition to members of the British fashion and culture—until now. Royal family; his many sitters include James Moore: A Retrospective collects 50 years of extraordinary photographs Yasser Arafat, , Sean by Moore, the first time his work has been collected in a single monograph. Connery, Diana Princess of Wales, Including texts from the leading editors, models, photographers and designers Laurence Olivier and Charlotte Rampling. of the day, this volume takes stock of James Moore’s astounding career and an Along with his iconic portraits, this book extraordinary cultural moment. features unseen work from Donovan’s DAMIANI archive, never previously published or 9788862084949 u.s. $60.00 cdn $78.00 exhibited. It also reproduces magazine Hbk, 9.75 x 12.5 in. / 208 pgs / 40 color / 110 b&w. spreads, contact sheets and pages from September/Photography/Fashion diaries and daybooks—rare ephemera that provide a unique insight into Donovan’s working practice. Terence Daniel Donovan (1936–96) was born in the East End of London and took his first photo at the age of 15. The Landon Nordeman: Out of Fashion​ bomb-damaged industrial landscape of For the past four years photographer Landon Nordeman (born his hometown became the backdrop of 1974) has been regularly dispatched by New York Magazine much of his fashion photography, and and The New York Times to document the world of fashion. he set the trend for positioning fashion Shooting hundreds of shows backstage in New York, Milan and models in stark and gritty urban environ- Paris, Nordeman brings a fresh, joyous and bold perspective to ments. Along with David Bailey and Brian contemporary photography. In the over-photographed digital Duffy, he captured, and in many ways culture of fashion today, Nordeman’s approach cuts through the helped create, the Swinging London of From Twiggy in the clutter. He sees photographs where most people don’t, and he the 1960s. Donovan’s passion for pho- has gained an enormous following on Instagram for his surpris- tography remained constant throughout Swinging Sixties to ing images, filled with vivid color, complex gestures and funny his long career. In 1963 he told a young juxtapositions. Finding the enduring in the ephemeral, Norde- Jean Shrimpton that “photography fasci- Princess Diana in the man blurs the line between reality and fiction, document and nates me. Instant fascination every time. art, and shows the exclusive world of fashion to itself and to us When the fascination leaves me, I’ll give 1980s: three decades as never before. it up.” As it never did, neither did he. Nordeman's photographs have been exhibited at Howard of legendary British DAMIANI Greenberg Gallery in New York and the Ullens Center for 9788862084826 u.s. $50.00 cdn $65.00 Contemporary Art in Beijing, among other venues, and are in Hbk, 9.75 x 11.5 in. / 176 pgs / 130 color / fashion photographer the collections of The Museum of Fine Arts, Houston, and the 30 b&w. September/Photography/Fashion Terence Donovan Columbus Museum of Art. He lives and works in New York City.

DAMIANI 9788862084963 u.s. $50.00 cdn $65.00 Hbk, 9.25 x 6.25 in. / 128 pgs / 112 color. September/Photography/Fashion

52 artbook.com­­ artbook.com 53 2016 SPRING–SUMMER SUPPLEMENT Arthur Elgort: Ballet​ Van Cleef & Arpels: Following his career-spanning monograph The Big Picture, Arthur Elgort pays hom- The Art & Science of Gems​ age to his first love and eternal muse in this new collection of photographs. Through ​Text by Alvin Pang, Laurence Mouillefarine, Bérénice Geoffroy-Schneiter, Adriano Elgort’s lens we encounter ballet not onstage but behind the scenes where the hard Davoli, Timothy Adams, Vivienne Becker, Alberto Cavalli, Laurence Benaïm, François Farges. work is done. On this journey through the hallways and rehearsal spaces of some of For more than a century, the designs of the French jewelry house Van Cleef & the world’s most distinguished ballet schools, including the New York City Ballet and Arpels have represented the marriage of an unrivaled sense of elegance with the Vaganova Academy of Russian Ballet, we see previously unpublished images of an extraordinary level of technical expertise and prowess. The comprehensive legends such as Balanchine, Baryshnikov and Lopatkina. The perfection of the prima monograph Van Cleef & Arpels: The Art & Science of Gems is a glittering, ballerina disappears in these quiet photographs where the viewer is able to witness the gorgeous tribute to a century of luxurious, glamorous jewelry design and individual dancers’ natural glamor as they work to perfect their craft. incomparable mastery of materials. Lavishly illustrated with meticulous “From the first day I worked with Arthur,” writes the hairstylist Christiaan Houtenbos, photographs by Patrick Gries, the book’s pages are filled with sparkling “I realized his prism is dance. He took its languid, exuberant perfection as his inspira- chalcedony, cornelian, rubies, emeralds and colored diamonds, beautifully set tion when he found himself a young Turk in fashion photography. It has to this day off and enhanced by the jeweler’s designs (at alternate moments whimsical served as his anchor.” Elgort’s snapshot style allows the pain and pleasure of one of the or understated, as the materials demand). world’s most beloved forms of expressive dance to be seen with beauty. Suggesting the complexity and richness of Van Cleef & Arpels’ output, the book Arthur Elgort, born in 1940 in New York City, has photographed the world’s most is organized thematically around categories such as “Abstractions,” “Couture,” beautiful and talented people for over 40 years. He has published seven books to date, “Nature” and “Icons,” and additionally features some of the legendary stones including Personal Fashion (1983), The Swan Prince (1987), Models Manual (1993) and from the annals of the house’s history, such as the “Blue Princess” sapphire Camera Ready (1997). In addition to Ballet, Edition 7L has published Camera Crazy and the “Walska Briolette Diamond” brooch. Texts by art historians, personalities (2004) and The Big Picture (2014). from the fashion world and mineralogists offer context and highlight the STEIDL/EDITION 7L PARIS ALSO AVAILABLE full extent of the jeweler’s art. Essential for those who love and lust after jewelry 9783958291911 u.s. $50.00 cdn $65.00 Arthur Elgort: The Big Picture design, this eminently covetable volume celebrates the Van Cleef & Arpels style. Hbk, 9.5 x 11.75 in. / 168 pgs / 9783869305431 illustrated throughout. Clth, U.S. $90.00 CDN $110.00 EDITIONS XAVIER BARRAL November/Photography/Performing Arts Steidl/Edition 7L Paris 9782365110983 u.s. $75.00 cdn $95.00 Hbk, 8.5 x 12.5 in. / 296 pgs / 136 color. Available/Design/Fashion/Jewelry A tribute to

EXHIBITION SCHEDULE the sumptuous jewelry Singapore: Art Science Museum, Alexi Lubomirski: Diverse Beauty​ 04/23/16–08/14/16 and the glamorous Text by Lupita Nyong’o, Alexi Lubomirski. history of Van England-born, New York–based photographer Alexi Lubomirski has become an estab- lished name within the fashion industry, shooting for such publications as Harper’s Bazaar, Cleef & Arpels Vogue and GQ, and working with cover stars such as Charlize Theron, Gwyneth Paltrow, Natalie Portman, Jennifer Lopez and Nicole Kidman, to name but a few. It was after shoot- ing Lupita Nyong’o, however, that Lubomirski was struck by the homogeneity of the sub- jects he’d been hired to shoot professionally. Often when he submitted a list of models he was interested in shooting, responses would range along the lines of “we love her, but...,” “her hair is a problem,” “she is too dark” or “she is too light to make a statement.” In Diverse Beauty, Lubomirski aims to move beyond the underrepresentation of women from a range of ethnicities in fashion media. The volume compiles his photographs of beautiful women of every color, size, age and sexual orientation in a celebration of beauty that adds dimension to the standards so omniscient in Western fashion magazines and advertisements. This handsome volume of cinematic fashion portraiture—featuring such subjects as Lupita Nyong’o, Rashida Jones, Salma Hayek, Demi Lovato, Anja Rubik, Jennifer Lopez, , Hari Nef, Isabella Rossellini, and Rosie Huntington-Whiteley, among many others—is also a small step in the direction of changing societal norms.

DAMIANI 9788862084796 u.s. $50.00 cdn $65.00 Hbk, 9.75 x 13.5 in. / 192 pgs / 79 color / 56 b&w. September/Photography/Fashion

54 artbook.com­­ artbook.com 55 BACK IN PRINT The Wirtz Private Garden​ ​Photographs by Marco Valdivia Text by Tania Compton, Roger Malbert. Few landscape designers are more admired than Belgium’s Jacques Wirtz (born 1924), as evidenced by the huge success of The Wirtz Gardens, which surveyed 57 private and public gardens designed by Wirtz, many in collaboration with his two sons, Martin and Peter, in locations around the world. Like the veteran art dealer whose personal collection one imagines to be stupendous, the volume raised the question of what Wirtz’s own garden looked like. The Wirtz Private Garden, first published in 2009 and now back in print, answers that question. At the family home in Schoten, near Antwerp—a former gardener’s cottage attached to an 18th-century estate—Wirtz and his family have created a laboratory for experimenting with plants, shrub- bery, borders and pathways on an intimate scale. Documented in this vol- ume in beautiful photographs by Marco Valdivia, the Wirtz family gardens become the stage for a unique meditation on the subtle effects of light, space and form as they change through the seasons. Valdivia, shooting on film, is uniquely sensitive to the Wirtz aesthetic and to the textures of nature, making this now-classic volume one of the finest photographic studies of an intimate garden ever published.

B.A.I. 9789085867302 u.s. $140.00 cdn $180.00 SDNR40 Jean Prouvé: Architecture GALERIE PATRICK SEGUIN Slip, hbk, 11 x 13 in. / 200 pgs / 200 color. Jean Prouvé: Architecture July/Gardening/Architecture & Urban Studies 5 Volume Box Set No. 2 9782909187198 u.s. $225.00 cdn $290.00 Jean Prouvé began to design portable and demountable Slip, hbk, 5 vols, 8 x 9.5 in. / 400 pgs / barracks for the French army during the Second World War. 200 color / 200 b&w. After the war, the French government commissioned Prouvé July/Architecture & Urban Studies BACK IN STOCK to design inexpensive, effective housing for the newly Jean Prouvé: Maison Démontable 6x6 homeless, prompting him to perfect his patented axial portal Demountable House The Wirtz Gardens​ frame to build easily constructed demountable houses. Adaptation Rogers Stirk Harbour+Partners, A luxurious, oversize, two-volume set, The Wirtz Gardens surveys a selection of 1944–2015 Few of these groundbreaking structures were built, making 57 private and public gardens by Wirtz International, most of which have never 9782909187150 u.s. $35.00 cdn $45.00 them exceedingly rare today—prompting Galerie Patrick Hbk, 10 x 8 in. / 80 pgs / 50 color / 50 b&w. before been documented. Included is work such as the Ainwick Castle Gardens Seguin’s tireless efforts over the past 27 years to preserve July/Architecture & Urban Studies in the UK and the Ernsting’s Family Estate in Germany, and older projects such as and promote these important designs. The gallery owns the Philosophy and Letters park in Leuven, Belgium, and the Carrousel Gardens the largest collection of Prouvé’s demountables, 22 in total. Jean Prouvé: Baraque Militaire 4x4 in Paris. The second in Galerie Patrick Seguin’s series of boxed Military Shelter, 1939 9782909187181 u.s. $35.00 cdn $45.00 Wirtz International, the master landscape architecture firm, originated in 1950 sets on Prouvé’s demountable architecture, Jean Prouvé Hbk, 10 x 8 in. / 80 pgs / 50 color / 50 b&w. when Jacques Wirtz founded his practice in Schoten, Belgium. The company has Architecture: 5 Volume Box Set No. 2 compiles five further July/Architecture & Urban Studies since become a thriving family business, with Wirtz’s two sons, Martin and Peter, volumes of research on these structures: monographs on joining the firm. Gardens in Belgium and all its neighboring countries, plus Italy, the Metropole Demountable House, the 6 x 6 Demountable Jean Prouvé: Maison Demontable Metropole Demountable House, 1949 and the US, are underway; past work has been undertaken in Japan, House (adapted by Rogers Stirk Harbour + Partners), the 9782909187174 u.s. $35.00 cdn $45.00 Spain and Portugal. Villejuif Temporary School, the 4 x 4 Military Shelter and the Hbk, 10 x 8 in. / 80 pgs / 50 color / 50 b&w. Wirtz International’s private projects range from small courtyards to large estates, July/Architecture & Urban Studies Les Jours Meilleurs Demountable House. Each monograph corporate headquarters, business parks and housing developments; public proj- (available individually or as part of this limited-edition ects consist of parks, boulevards, city squares, university campuses, museums Jean Prouvé: Maison Demontable box set) focuses on a single building, and is luxuriously Les Jours Meilleurs Demountable House, 1956 and streetscapes. The firm’s designs always enter into dialogue with the sur- illustrated with archival and contemporary photographs. 9782909187167 u.s. $35.00 cdn $45.00 rounding architecture, either to maintain the spirit of the place or to create an Hbk, 10 x 8 in. / 80 pgs / 50 color / 50 b&w. ALSO AVAILABLE Though lacking any formal education in architecture, entirely new identity. Interior harmony and balance are of the utmost importance, Jean Prouve: Jean Prouvé (1901–84) became one of the most influential July/Architecture & Urban Studies 5 Volume Box Set with much reliance on the endlessly expressive qualities of natural materials. architects of the 20th century, boldly experimenting with 9782909187136 Jean Prouvé: École Provisoire Villejuif EXHIBITIONS INTERNATIONAL/WIRTZ INTERNATIONAL Hbk, U.S. $225.00 new building designs, materials and methods. “His postwar Temporary School, 1956 9789076704364 u.s. $200.00 cdn $260.00 SDNR40 CDN $270.00 work has left its mark everywhere,” wrote Le Courbusier, 9782909187143 u.s. $35.00 cdn $45.00 Slip, hbk, 2 vols, 10.5 X 12.5 in. / 612 pgs / 490 color. Edition Galerie “decisively.” Hbk, 10 x 8 in. / 80 pgs / 50 color / 50 b&w. July/Gardening/Architecture & Urban Studies Patrick Seguin July/Architecture & Urban Studies

56 artbook.com­­ artbook.com 57 By the People​ Scraps: Fashion, Textiles, and Creative ​Designing a Better America Reuse​ By Cynthia E. Smith. Foreword by Caroline Baumann. ​Three Stories of Sustainable Design Preface by Darren Walker. Text by Teddy Cruz, Fonna Forman, Mindy Thompson Fullilove, Theodore Jojola. By Susan Brown, Matilda McQuaid. By the People: Designing a Better America—the third The textile and fashion industries produce millions of tons of solid waste volume in Cooper Hewitt’s series on socially responsible every year through the many processes used—from yarn production, design—examines how design is effectively challenging weaving, knitting, dyeing and finishing, to apparel construction, quality poverty and social inequality across America. The book inspection and unsold goods—generating waste at each step. Typically, explores current social, economic and environmental is- this waste is sent to landfills, incinerated or, at best, recycled into sues in America with a particular focus on marginalized low-quality fibers used for industrial applications. Scraps, published for and underserved communities. Cooper Hewitt, Smithsonian Design Museum’s exhibition of the same By the People features design projects organized into name, presents three designers’ alternative approaches to the shockingly six working themes: Act, Save, Share, Live, Learn and high human and environmental costs of textile industry waste. Make. It is a true manual—in format and content—fea- Christina Kim, founder of Los Angeles–based brand Dosa; Reiko Sudo, turing design solutions that expand access to education, cofounder of Tokyo textile firm Nuno; and Luisa Cevese, founder of food, health care and affordable housing; increase social Milan-based accessories and home goods company Riedizioni, all share a and economic inclusion; offer improved alternative trans- profound respect for scraps as repositories of raw materials, energy, labor portation options, and provide a balanced approach to and creativity. Inspired by the long tradition of using handcraft to give COOPER HEWITT land use between the built and natural environments. new life to scraps and castoffs, each takes an entirely different approach 9781942303176 u.s. $24.95 cdn $29.95 to contending with textile waste, but all agree that there is much to be Hbk, 6.5 x 8.25 in. / 116 pgs / 130 color / 15 b&w / 8-page-gatefold. Cooper Hewitt Curator Cynthia E. Smith traveled to post- October/Design/Fashion/Sustainability industrial cities, urban areas impacted by natural disas- gained—aesthetically and financially, as well as environmentally and ters, sprawling cities, places of persistent poverty and socially—by making recycling an integral part of their design practice. EXHIBITION SCHEDULE New York: Cooper Hewitt, Smithsonian Design Museum, 09/23/16–02/05/17 major metropolitan regions. Her research yielded nearly The delicate beauty of the fabrics featured here ensures a seductive visual 400 potential projects from over 30 states and three in- experience, framing the exploration of sustainable design practices: using digenous nations (Navajo, Lakota, Pueblo). materials and resources efficiently, providing meaningful labor, sustaining Smith met with local designers, community members local craft traditions and exploring new technologies as integral to the and organizations. Her research was guided by the fol- recycling process. Each copy of the book is bound in its own unique lowing questions: where does poverty exist? Why are discarded Indian woodblock-printed textile with foil stamping. poverty numbers increasing? What populations and communities are most affected? Who are the individuals, organizations and networks that are creating innovative 2016 SPRING–SUMMER SUPPLEMENT and systemic approaches through design? What are the local, regional and scalable design solutions? Top This and Other Parables of Design​ In addition to the highly illustrated project profiles, By ​Selected Writings the People contains essays by, and interviews with, those By Phil Patton. designers and architects building the innovative and sys- Introduction by Edward Tufte. Foreword by Caroline Baumann. temic approaches being developed through design. In September 2015 the world lost Phil Patton—prolific design writer, teacher and tantalizing word- smith. Patton’s insatiable curiosity, sense of humor and keen eye made for the most compelling COOPER HEWITT reads. Whether he was chronicling design minutia, quirky anecdotes or bizarre tales, Phil’s hundreds 9781942303145 u.s. $29.95 cdn $37.50 Pbk, 8.25 x 10.75 in. / 256 pgs / 425 color. of books, columns, articles and posts always delivered a new account. As his editor at i-D magazine, October/Design/Sustainability Chee Pearlman, said, “His insight takes the reader beyond the object to an understanding of

EXHIBITION SCHEDULE its broadest sociological context.” No topic eluded him, and for a large part of his 40-year career New York: Cooper Hewitt, Smithsonian Design he championed automobiles, technology and product design. Roger Black, designer, writer and Museum, 09/30/16–02/26/17 longtime colleague and friend of Patton’s wrote, “He taught The New York Times—by example—to cover design. The domino effect, the rest of the media followed.” With an introduction by Edward Tufte and foreword by Caroline Baumann, this volume compiles 40 selections representing the wide range of interests and fascinations that occupied his thoughts. The third in Cooper Hewitt’s series on socially Punctuated by images of ideas and lists from notebooks he carried everywhere, Top This and Other Parables of Design is an intimate and portable companion for those who choose to always have a responsible design: a manual for challenging ALSO AVAILABLE witty, informed friend around. Design with the Other 90%: Cities inequality through innovation and creativity 9780910503839 COOPER HEWITT Pbk, U.S. $29.95 CDN $35.00 9781942303152 u.s. $17.95 cdn $23.95 Cooper Hewitt, Smithsonian Pbk, 4.5 x 7 in. / 296 pgs / 50 b&w. Design Museum Available/Design/Nonfiction & Criticism

58 artbook.com­­ artbook.com 59 Anderson & Low: On the Set 2016 SPRING–SUMMER SUPPLEMENT of James Bond’s Spectre​ Gus Van Sant: Icons​ ​Edited by Chee ho Wan. Foreword by Sam Mendes. ​Text by Stéphane Bouquet, Benjamin Thorel, Bertrand Text by Scott Bukatman. Schefer, Stefano Boni. Interview by Matthieu Orléans. British photographers Jonathan Anderson and Edwin Gus Van Sant: Icons offers insight into the world of film- Low have created a highly original art project based maker Gus Van Sant, published on the occasion of a on the brilliant artifice of the spectacular sets from the major exhibition at the Cinémathèque française in Paris. latest James Bond movie, Spectre. Shooting entirely This comprehensive monograph surveys the full range at Pinewood Studios in UK, the artist duo highlights a of Van Sant’s artistry from photography and painting to head-on collision of fantasy and reality by photograph- music, filtered through the perspective of his films. The ing the sets’ massive scale and extraordinary detail. exhibition and catalogue are a thoroughly original take on Allowing the bare soundstage to intrude on the im- a distinctive filmmaker, bringing together all facets of his ages would normally shatter the illusion of the sets. work for the first time and offering a fresh vision of his In this case, however, it has the reverse effect and iconic filmmaking. enhances the sense of illusion, artifice and wonder. The heart of Gus Van Sant: Icons is a previously unpub- Through a poetic and painterly eye, the beautifully de- lished interview with Van Sant conducted in Portland in signed and magnificently photographed images bring June 2015 by Matthieu Orléans, the exhibition’s curator. to life these detailed and massive tableaux, creating In a wide-ranging conversation, the two men discuss a poetry and narrative fantasy that mirrors the movie. the whole scope of Van Sant’s work and inspirations. With a foreword by Spectre director Sam Mendes, this Van Sant connects himself to a lineage of other artists, book represents a unique study in movie-making and citing William Burroughs, William Eggleston, Harmony constructed narrative in photography. Korine and Ed Ruscha as influences. The filmmaker offers HATJE CANTZ firsthand anecdotes and in-depth appraisals of the pro- 9783775741989 u.s. $60.00 cdn $78.00 duction processes of each of his movies, from the experi- Hbk, 12.5 x 9.75 in. / 64 pgs / 44 color. mental shorts of the 1970s to his most recent film, Sea of October/Photography/Film & Video Trees, presented at the Cannes Festival in May 2015. American filmmaker, photographer and visual artist Gus Van Sant (born 1952) has been lauded for his experimen- tal, independent projects and mainstream productions Happy Massee: Diary of a Set Designer​ alike—from the acclaimed Drugstore Cowboy (1989) and My Own Private Idaho (1991) to Oscar-winning films such Text by Happy Massee. as Good Will Hunting (1997) and Milk (2008). Diary of a Set Designer is a book of Polaroids taken over 25 years by Happy Massee while traveling the world as a production designer. The photographic ACTES SUD/CINÉMATHÈQUE FRANÇAISE 9782330060763 u.s. $45.00 cdn $57.50 journal is a journey through time, with a collection of images taken with the Hbk, 8 x 12 in. / 256 pgs / 200 color. now-defunct Polaroid camera—which, at the time, was essential to the art of June/Art/Film & Video/Gay/Lesbian designing for film. EXHIBITION SCHEDULE One of the industry’s top production designers, Massee has enjoyed a career Paris, France: Cinémathèque française, 04/13/16–07/31/16 spanning the realms of theater, film, commercials and fashion. He has worked with established directors such as Wes Anderson, David Lynch, David Fincher, Michel Gondry and more, while in the world of fashion he has collaborated with the likes of Inez and Vinoodh, and Craig McDean, and worked for brands such as , Valentino, , Bulgari and Swarovski. His film credits include, among others, Broken English, directed by Zoe Cassavetes, and Two Lovers, directed by James Gray, and he has designed sets for music videos such as Jay Z’s “99 Problems” and Madonna’s “Take a Bow.” In this volume, “the images of personalities, sets, locations and encounters,” Massee explains, “all tell a story related to my work and travels, and the people I met while on them. The images, raw and unretouched, are candid, and capture my art as well as my life as I like to travel through it.”

DAMIANI 9788862084857 u.s. $50.00 cdn $65.00 Clth, 8.25 x 10.25 in. / 160 pgs / 140 color. September/Photography/Film & Video

60 artbook.com­­ artbook.com 61 Hopper’s color Polaroids of LA’s gang graffiti

Dennis Hopper: Polaroids​ ​Text by Aaron Rose. After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper (1936–2010) returned to Los Angeles in the mid-’80s. In 1987, on the verge of directing Colors, Hopper made use of a Polaroid camera to document gang graffiti in Los Angeles. He was particularly drawn to The world of skateboarding meets architectural beauty the abstract shapes of overlapping paint that appeared when graffiti had been covered up or written over, reminding him, he said, “that art is everywhere in every corner that you choose to frame and not just ignore and walk by.” Fred Mortagne: Attraper au vol​ The Polaroids presented for the first time in this book are proof of that observation. Hopper ​Catch in the Air firmly considered himself an “abstract expressionist and action painter by nature, and a Duch- ampian finger pointer by choice,” subscribing wholeheartedly to the idea that “the artist of the Foreword by Anton Corbijn. Essay by Geoff Rowley. future will merely point his finger and say it’s art—and it will be art.” Fred Mortagne is a self-taught French director and photographer who is internationally acclaimed for his In turning the instantaneous, disposable nature of the medium of Polaroid film into pictures as images of skateboarding and street photography. Attraper au vol (Catch in the Air) is the culmination of deliberate and final as an image achieved by an artist painting on canvas, these images rep- Mortagne’s photographic career, from 2000 to 2015. A feast of lines and angles, his black-and-white resent the first part of Hopper’s journey back to the world of photography, picking up where compositions blend his subjects into their environments, offering an abstract perspective on architecture, he had left off so many years before. This book is in many ways a companion to Drugstore geometry and the human figure. His work intrigues both skaters and nonskaters alike, as it emphasizes the Camera (2015), also edited and designed by Michael Schmelling, which presented Hopper’s esthetic beauty of skate and urban culture rather than pure performance (although the raw talent of his personal photographs taken in Taos, New Mexico. subjects is readily apparent). “As a young skate rat in the early nineties, I was super into watching skate videos, and very early I was DAMIANI sensitive to how the videos were made,” he told an interviewer. “When the filming was good, I was super Dennis Hopper: Polaroids thrilled. This pushed me to begin filming my own clips with my friends, for fun ... for over 30 years, it has 9788862084765 u.s. $45.00 cdn $57.50 Clth, 9.25 x 8 in. / 132 pgs / 105 color. been the love of my life. Skateboarding has taken me to so many places—not just physically, but culturally September/Photography and artistically.” This book includes a foreword by the world-renowned photographer Anton Corbijn and an essay by legend- Dennis Hopper: Polaroids Limited Edition​ ALSO AVAILABLE ary skateboarder Geoff Rowley, with whom Mortagne has worked extensively. This limited edition of 25 copies includes a numbered ALSO AVAILABLE Ed Templeton: Fred Mortagne, also known as French Fred, is a skateboarder, photographer and filmmaker living in France. 8 x 10–inch Giclee print of “Untitled (Diamonds)” (1987), Dennis Hopper: Wayward Cognitions which has been certified authentic by the Hopper Art Trust. Drugstore Camera 9780985361129 UM YEAH ARTS 9788862084031 Hbk, U.S. $45.00 CDN $57.50 9781942884088 u.s. $45.00 cdn $57.50 9788862084888 u.s. $500.00 cdn $650.00 SDNR20 Clth, U.S. $45.00 CDN $55.00 Um Yeah Arts Hbk, 9.25 x 11.75 in. / 132 pgs / 66 b&w. Clth, 9 x 8 in. / 132 pgs / 105 color. Damiani September/Photography/Sports September/Limited Edition

62 artbook.com­­ artbook.com 63 Ed Panar: Animals That Saw Me​ Volume Two Text by Timothy Morton. Animals That Saw Me, Volume Two presents a new collec- tion of photographs from the observational wanderings of Ed Panar, author of Animals That Saw Me, Volume One (2011, now out of print). This body of work, encompassing recent pictures and newly discovered gems from Panar’s vast back catalogue, records a series of brief, often strangely amusing moments in which nonhuman species (mammal, reptile, bird or insect) seem to behold the human photographer. Edited for the viewer’s maximum delight, the photos convey a whimsical concept with surprisingly complex ramifications under the surface. Why do we distinguish between “us” and “them,” and what exists in the space between these distinctions? What does it mean to make “eye contact” with another species? What does the presence of a camera add to this phenomenon? Channeling the same thoughtful humor, wonder and peculiar engagement with the world that made the first volume of Animals That Saw Me an instant hit, this second installment also includes an original essay by ac- claimed speculative realist philosopher Timothy Morton. THE ICE PLANT Snapshots from the moon: NASA photographs from the earliest 9780989785976 u.s. $29.95 cdn $37.50 Clth, 8.5 x 7 in. / 80 pgs / 36 color / 1 b&w. October/Photography/Nature manned space flights

The Moon 1968–1972​ Langdon Clay: Cars​ ​Text by E.B. White, John F. Kennedy. ​New York City, 1974–1976 NASA’s Apollo program landed the first humans on the moon in 1969. In the next three years, From 1974 to 1976, Langdon Clay (born 1949) photographed the Apollo sent 10 more men to the moon in five subsequent missions. The first moon landing in cars he encountered while wandering the streets of New York City particular is a legendarily well-documented event, representing one of those rare moments in and nearby Hoboken, New Jersey, at night. Shot in Kodachrome which the world was united in awe, witnessing the feat together on their television screens. with a Leica and deftly lit with then-new sodium vapor lights, the But each Apollo mission also generated hundreds of photographs, many of which have only pictures feature a distinct array of makes and models set against recently been released by NASA. A selection of these images—shot by the astronauts them- the gritty details of their surrounding urban and architectural envi- selves with suit-mounted and handheld Hasselblad cameras—are gathered in this beautifully ronments, and occasionally the ghostly presence of people. designed, affordable volume. “I experienced a conversion of sorts in making a switch from the Many of the photographs, though shot originally for scientific, documentary purposes, have ‘decisive moment’ of black and white to the marvel of color, a an extraordinary snapshot quality, boasting inadvertently artful compositions and effects: in world I was waking up to every day,” Clay writes of this work. “At one, a pair of astronaut’s legs emerges upside down from the bottom of the frame; in another, the time it seemed like an obvious and natural transition. What a striding astronaut appears to glow against the black recesses of space. was less obvious was how to reflect my world of New York City in Contextualized with background information about the Apollo Missions and the role of pho- color… I discovered that night was its own color and I fell for it.” tographic documentation in them, the photographs in The Moon 1968–1972 are fascinating Langdon Clay was born in New York City in 1949. He grew up in documents of the majesty of outer space, but also record the surface of the moon as a land- New Jersey and Vermont and attended school in New Hampshire scape of wonder. This is the moon of which E.B. White wrote in the July 1969 issue of The and Boston. Clay moved to New York in 1971 and spent the next New Yorker: “The moon, it turns out, is a great place for men. One-sixth gravity must be a lot sixteen years photographing there, around the country and in Eu- of fun, and when Armstrong and Aldrin went into their bouncy little dance, like two happy rope for various magazines and books. In 1987 he moved to Missis- children, it was a moment not only of triumph but of gaity.” sippi where he has since lived with his wife, photographer Maude T. ADLER BOOKS Schuyler Clay, and their three children. 9781942884057 u.s. $18.00 cdn $23.95 Hbk, 6 x 8 in. / 48 pgs / 34 color / 8 b&w. STEIDL September/Photography/History/Nature 9783958291713 u.s. $95.00 cdn $120.00 Clth, 14.25 x 11.25 in. / 206 pgs / 96 color. November/Photography

64 artbook.com­­ artbook.com 65 NEW REVISED EDITION Jess Rotter: I’m Bored​ Listen to the Echoes: ​Foreword by Kate Mulleavy. The Ray Bradbury Jess Rotter: I’m Bored is a Gary-Larson-meets-The Muppets variety show, a terrific trip composed of Interviews​ drawings filled with recurring characters—ranging ​By Sam Weller. Foreword by Black Francis. from walruses to wizards to life warriors, who are all, Afterword by Margaret Atwood. like the rest of us, seeking their daily salvation. A wiz- Acclaimed biographer and Bradbury scholar ard paddles on a lonely sea, his flag proclaiming “I’m Sam Weller spent more than a decade inter- trying.” An ostrich hitchhikes in the desert, holding up viewing the author Ray Bradbury, who himself a sign with her destination—“Bliss.” A walrus wearing admitted that “Sam Weller knows more about an AC/DC shirt looks mellowly at the viewer under- my life than I do.” In Weller and Bradbury’s neath the refrain “I’m bored.” conversations, collected in Listen to the Part art book, part comic book compilation, and partly Echoes: The Ray Bradbury Interviews, a vivid a skeptical but loving take on those Successories portrait of Bradbury emerges: a creative motivational posters for the office, this book (designed genius, an opinionated and occasionally con- by the artist and with a foreword by Kate Mulleavy trarian thinker, and a nostalgic futurist, longing of Rodarte) features the whimsical, wonderfully for yesterday even as he looked forward. whacked-out work of artist and illustrator Jess Rotter. During the process of conducting research Informed by a deep knowledge and love for the world and putting together the book, Weller of 1970s rock ’n’ roll, the work of Jess Rotter was invited noted Los Angeles photographer Zen inspired by her father’s vinyl covers and comic books Sekizawa to photograph Bradbury’s home growing up. “Part Peter Max, part Fritz the cat” (as and his decades of accumulated possessions. Rotter described an early aesthetic influence), Rotter’s Sekizawa’s photographs present an alternate illustrations have appeared on everything from public portrait of Bradbury—one that is even more murals to album covers (to name a few: Best Coast, poignant today, now that Bradbury’s personal Linda Perhacs, Wooden Shjips, Country Funk Volumes possessions have been sold at auction and I & II and This Record Belongs To), and on projects his home of more than half a century razed. for clients including MTV, Converse, Target, Red Bull, Listen to the Echoes: The Ray Bradbury Indiewire and Lena Dunham’s Lenny Letter. Her T-shirt Interviews is the definitive collection of label, Rotter and Friends (launched in 2006) resulted interviews with this American icon, illustrated in collaborative capsule collections for The Gap and with Sekizawa’s stunning color photographs Urban Outfitters, and official band merchandising for (including previously unpublished images). acts such as the Grateful Dead, Sly Stone, Rodriguez, Originally issued as a paperback in 2010 Big Star, Kurt Vile and more. by Stop Smiling Books and Melville House Publishing, Listen to the Echoes is now HAT & BEARD PRESS available in a full-color, larger-format edition 9780996744751 u.s. $25.00 cdn $32.50 Clth, 4 x 5 in. / 96 pgs / 96 color. with a new final chapter by Weller about September/Art/Comics Bradbury’s legacy since his death in 2012, and dozens of new photographs from the This expanded series Bradbury archive. Ray Bradbury (1920–2012), the poetic and of interviews with visionary author of such classics as Fahrenheit 451, The Martian Chronicles and The Illustrated the American sci-fi Man, was one of the most influential writers legend includes of the 20th century. Bradbury’s sway over contemporary culture is towering—Mikhail photos of Bradbury’s Gorbachev, Alfred Hitchcock and David Bowie all counted themselves as fans, to home in LA name only a very few. HAT & BEARD PRESS 9780996744799 u.s. $45.00 cdn $57.50 Pbk, 7.5 x 10.75 in. / 240 pgs / 64 color / 24 b&w. A whimsical cartoon variety show from November/Nonfiction & Criticism beloved illustrator and artist Jess Rotter

66 artbook.com­­ artbook.com 67 The Stairway to the Sun & Dance of the Comets​ Spells​ ​Four Fairy Tales of Home and One Astral Pantomime ​By Michel de Ghelderode. By Paul Scheerbart. Introduction and translation by George MacLennan. Introduction and translation by W.C. Bamberger. Hitherto unavailable in English, Spells, by the Belgian dramatist Michel de Ghelderode, ranks The Stairway to the Sun & Dance of the Comets brings together two short books, originally published in among the 20th century’s most noteworthy collections of fantastic tales. Like Ghelderode’s 1903, by the antierotic godfather of German science fiction, Paul Scheerbart. The Stairway to the Sun plays, the stories are marked by a powerful imagination and a keen sense of the grotesque, but contains four fairy tales of sun, sea, animals and storm, each set in a different, fantastical locale, from the in these the author speaks to us still more directly. Written at a time of illness and isolation, and giant palace of an astral star to a dwarf’s underwater glass lair in the jellyfish kingdom. Scheerbart’s sad, conceived as a fresh start, Spells was Ghelderode’s last major creative work, and he claimed it whimsical tales provide gentle though unexpected morals that outline his work as a whole: treat animals as his most personal and deeply felt one: a set of written spells through which his fears, para- as one would treat oneself, mutual admiration will never lead to harm and if one is able to remember that noia and nostalgia found concrete form. the world is grand, one will never be sad. By turns mystical, macabre and whimsically humorous, and set in the unsettled atmosphere of Dance of the Comets, though published as an “Astral Pantomime,” was originally conceived as a scenario Brussels, Ostend, Bruges and London, Spells conjures up an uncanny realm of angels, demons, for a ballet, which Richard Strauss had planned to score in 1900 (and which Mahler accepted for the Vi- masks, effigies and apparitions, a twilit, oppressed world of diseased gardens, dusty wax man- enna Opera). Though the project was never realized, Scheerbart’s written choreography of dance, gesture, nequins and sinister relics. costume, feather dusters, violet moon hair and a variety of stars and planets outlines a sequence of events Combining the full contents of both the 1941 and 1947 editions, this translation of Spells is the in which everyone—enthusiastic maid, temperamental king, indifferent executioner, foolish poet—seeks, most comprehensive edition yet published. joins and, in some cases, becomes a celestial body: a staging of Scheerbart’s lifelong yearning for a home Michel de Ghelderode was born in Brussels in 1898. After nearly a decade of penning fiction, in the universe. drama, literary journalism and puppet plays, in 1926 he began to write almost entirely for the Paul Scheerbart (1863–1915) was a novelist, playwright, poet, critic, draftsman, visionary, proponent of theater and the following ten years saw the creation of most of his major plays. After 1936 he glass architecture and would-be inventor of perpetual motion. suffered from poor health and his involvement with the theater diminished. In the later 1940s, performances of his plays in Paris sparked a major awakening of interest in his work. Ghel- WAKEFIELD PRESS derode died in 1962; the interior of his apartment, packed with books, pictures, puppets and 9781939663214 u.s. $13.95 cdn $17.95 Pbk, 4.5 x 7 in. / 128 pgs / 12 b&w. masks, has been reassembled in Brussels as the Musée-Bibliothèque Michel de Ghelderode. October/Fiction & Poetry WAKEFIELD PRESS 9781939663207 u.s. $17.95 cdn $23.95 Pbk, 6 x 9 in. / 280 pgs / 4 b&w. ALSO AVAILABLE Rakkóx the Billionaire The Perpetual Motion November/Fiction & Poetry Lesabéndio & The Great Race Machine 9780984115594 9781939663122 9780984115549 Pbk, U.S. $16.95 Pbk, U.S. $13.95 Pbk, U.S. $12.95 CDN $22.00 CDN $15.00 CDN $15.00 Wakefield Press Wakefield Press Wakefield Press The Arthritic Grasshopper and Other Tales​ ​By Gisèle Prassinos. Introduction and translation by Bonnie Ruberg, Henry Vale. Illustrations by Allan Kausch. The Thief of Talant​ First discovered, celebrated and published by the Surrealists at the age of 14 (they declared ​By Pierre Reverdy. her the “new Alice”), Gisèle Prassinos quickly found herself established in the literary world as Introduction and translation by Ian Seed. a fount of automatic tales freighted with transgressive humor and a pervading sense of threat- Challenged by his friend, poet and art critic Max Jacob, to write a novel, Pierre Reverdy produced this ened feminine identity. “Gisèle Prassinos’ tone is unique,” claimed André Breton, “all the poets fragmented, beautiful assemblage of loneliness, paranoia and depersonalization drawn from his own are jealous of it. Swift lowers his eyes, Sade shuts his candy box.” experience of Paris in the early 20th century, the sometimes antagonistic atmosphere of the avant-garde The Arthritic Grasshopper and Other Tales gathers together all of her literary prose from 1934 to and his own troubled relationship with Jacob, who tended to detect the threat of his literary treasures 1944, an assortment of anxious dream tales drawn from journals and plaquettes, introduced being plagiarized among everyone he knew. Toward the end of his life, Reverdy confirmed that the alien- and illustrated by such admirers as Paul Éluard, Man Ray and Hans Bellmer. The 72 stories in- ated, anxious “thief” of this novel in verse was a portrait of himself (“Talant” conveys both the dual echo clude such longer, novella-length tales as “Sondue,” “The Executioner” and “The Dream.” in French of “talent” and the small town of Talan near Dijon, thereby evoking a potential plagiarizer from Gisèle Prassinos (1920–2015) was born in Istanbul of a Greek father and an Italian mother. One the countryside), and “Abel the Magus,” a semi-satirical portrait of Jacob. summer day at the age of 13 and in a fit of boredom, she began to compose short absurdist Originally published in French in 1917, The Thief of Talant is a radical experiment in verse and narrative, a vignettes, filling up pages of paper with tales of sarcastic stains, arrogant hair and liquid frogs. moving evocation of the loss (and recovery) of self and an encrypted guidebook to the “heroic” years of Her first collection was published in 1935, with a preface by Paul Éluard and a frontispiece por- Cubism. trait by Man Ray. With World War II, Prassinos stopped publishing, but in 1954 she returned to Pierre Reverdy (1889–1960) was a reclusive yet integral component of the early Parisian avant-garde literature with a series of novels and stories still imbued with a Surrealist sensibility. and a friend to painters such as Modigliani, Picasso and Gris, who, with fellow poets such as Apollinaire WAKEFIELD PRESS and Jacob, came to represent a faction known as the “Cubist poets.” In 1926, Reverdy withdrew from 9781939663221 u.s. $16.95 cdn $22.00 Paris for a life of seclusion in the northwest of France. Pbk, 6 x 9 in. / 240 pgs / 15 b&w. December/Fiction & Poetry WAKEFIELD PRESS 9781939663191 u.s. $13.95 cdn $17.95 Pbk, 4.5 x 7 in. / 144 pgs. September/Fiction & Poetry

68 artbook.com­­ artbook.com 69 Anicet or the Panorama​ ​A Dadaist Novel By Louis Aragon. Introduction and translation by Antony Melville. This novel, much of it written amidst the horror of the trenches when Louis Aragon (1897–1982) was a medical orderly during the First World War, dem- onstrates the chasm that separates the works of the artists and writers of what would become Dadaism and those, say, of the English War poets. In a world of moral destitution beyond any rational forbearance, what can remain? How can one write at all, let alone something as absurd as a novel? Anicet or the Panorama is both a roman à clef (Aragon’s friends, including André Breton, are recognizable), and a novel of the total liquidation of a culture that had allowed this to come to pass: even literary heroes must be confronted and superseded. As fast-paced, funny and surprising as a Hollywood silent movie, its narrative of fabulous crimes and scandals sweeps through a panorama of Paris society as its protagonist Anicet becomes subordinated to the mysterious Mire, a woman who is the incarnation of “modern Beauty.” Anicet is seduced into a life of crime, which he accepts with nonchalance and an ironic integrity that he main- tains to the bitter end of his journey of self-immolation. BACK IN PRINT Aragon’s precisely crafted, sardonic prose reveals a world that is no more than a tragic puppet show. This furious tempest of a book launched Aragon’s career Albert Grass: The The Coney Island and is one the cornerstones of the Paris Dada movement. Adventures of a Dreamer​ Amateur Psychoanalytic Edited by Zoe Beloff. Paul Etienne Lincoln: ATLAS PRESS Society and Its Circle​ The 25 pictures in this book comprise the dream 9781900565691 u.s. $26.95 cdn $34.95 ALSO AVAILABLE Edited by Zoe Beloff. Text by Aaron Beebe, The Glovers’ Repository​ Hbk, 6.75 x 7.5 in. / 208 pgs. Paris Peasant journal of Albert Grass, founder of the Coney Norman Klein, Amy Herzog. The Tenaciousness of Subterfuge July/Fiction & Poetry 9781878972101 Island Amateur Psychoanalytic Society, an On the afternoon of August 28th, 1909, The Glovers’ Repository, by New York–based Pbk, U.S. $15.95 organization that might have been, which was Sigmund Freud visited Coney Island’s famous artist Paul Etienne Lincoln (born 1959), tells the CDN $17.50 created by Zoe Beloff as part of her project The Dreamland amusement park. A hundred years Exact Change stories of 24 characters who either practiced Coney Island Amateur Psychoanalytic Society later, this lively, imaginative book examines deception or were the unwitting victims of sub- and Its Circle. his legacy in Coney Island, a history which terfuge. From Mary Toft who claimed to have Beloff created this hand-drawn prototype for a might have been. It begins with Norman Klein’s given birth to a rabbit, to King Zog who survived A World Redrawn​ comic book as the work of Grass, made from reconstruction of his actual visit, though Freud’s 55 assassination attempts, the characters are ​Eisenstein and Brecht in Hollywood perhaps 1936 to the outbreak of World War II real impact appears to have come later, with all legends in their own right. Their lives are re- in 1939. It seems possible that Grass originally the founding of the Coney Island Amateur lated by Lincoln with characteristic wit and are Edited with text by Zoe Beloff. Text by Hannah Frank, Esther Leslie. intended “The Dreamer” as a comic-book hero Psychoanalytic Society. Zoe Beloff conjures up documented with photographs. This book was A World Redrawn is an exploration by the artist Zoe Beloff of Sergei Eisenstein and in the mold of The Spirit or Superman, but this the world of this unique Society, which would inspired by a large-scale installation by Lincoln, Bertolt Brecht’s experiences in Hollywood in the 1930s and ‘40s, what their time in conception quickly changed. By chapter three have existed from 1926 through the early 1970s, a vitrine containing 24 gloves, one for each Hollywood meant to them then and what it might mean to us now. Beloff focuses on “The Dreamer” loses his ability to fly, remains exploring its activities (which included recreat- character. Each glove rotated via a mechanism two unrealized films written during this time: “Glass House” by Eisenstein and “A Model earthbound and the work becomes a more seri- ing dreams on film) and discussing its visionary based on the workings of Big Ben. The book is Family” by Brecht. ous investigation into his own psychic life, many founder, Albert Grass, who attempted to rebuild bound so that, when it is opened flat, two small The book reproduces many important and little-known documents from the period, of his anxieties speaking directly to us today. Dreamland according to Freud’s theory of dream books of the characters’ stories are revealed, including a large selection of previously unpublished drawings by Eisenstein discovered This edition proposes an early attempt to use formation. Aaron Beebe, former director of the one left- and the other right-handed. The book by Beloff in the Russian State Archive of Literature and Art in Moscow and facsimile the language of the comic book to graphically Coney Island Museum, describes how this insti- then folds out further to reveal documentation reproductions of the writings of Eisenstein and Brecht as they contemplate the politics manifest the unconscious. proposes an early at- tution is reviving the idea of the living museum. of the installation. and culture of Hollywood. tempt to use the language of the comic book to Amy Herzog discusses how Freud’s theories Beloff created three films in connection with this project and the book includes stills and CHRISTINE BURGIN graphically manifest the unconscious. provide a deeper understanding of the public’s screenplays for these projects and links so that the films can be watched online. Two 9780977869695 u.s. $35.00 cdn $45.00 fascination with Coney Island’s attractions. Pbk, 5 x 10.5 in. / 112 pgs / 57 color / 107 b&w. scholarly essays have been commissioned for this project: an essay by Hannah Frank on CHRISTINE BURGIN September/Art 9780977869640 u.s. $20.00 cdn $26.00 The book is illustrated with previously unseen the affinities of American and Soviet animation during this period and a meditation on Pbk, 7.75 x 10.25 in. / 56 pgs / 56 color. photographs, drawings and documents. the role of laughter in the work of Bertolt Brecht by the Walter Benjamin scholar Esther July/Art Leslie. CHRISTINE BURGIN 9780977869602 u.s. $30.00 cdn $40.00 CHRISTINE BURGIN Pbk, 7.75 x 9.75 in. / 128 pgs / 48 color / 19 b&w. 9780977869688 u.s. $35.00 cdn $45.00 September/ Art Hbk, 7.75 x 9.75 in. / 152 pgs / 70 color / 62 b&w. September/Art/Film & Video

70 artbook.com­­ artbook.com 71 Speak its Name!​ NEW REVISED EDITION Quotations by and about Gay Men and Women Sophie Calle: Edited by Christopher Tinker. Introduction by Simon Callow. True Stories​ This collection of quotations by and about gay people celebrates the ​Fifth Edition advances of the international LGBT community over the past 50 years. First published in French in 1994, quickly Amusing observations by Noël Coward, Tallulah Bankhead, Quentin Crisp, acclaimed as a photobook classic and since Boy George and Ian McKellen are interspersed with interviews with Dusty republished and enhanced, True Stories Springfield, Alan Bennett, Freddie Mercury, Clive Barker, returns for the fifth time, gathering a series and William S. Burroughs, and diary entries by Kenneth Williams, Joe of short autobiographical texts and photos Orton, W.H. Auden and John Maynard Keynes. John Gielgud and Alan by acclaimed French artist Sophie Calle, this Turing’s accounts of being arrested contrast with letters from Violet time with four new tales. Calle’s projects Trefusis to her lover Vita Sackville-West, King James I to the Marquis of have frequently drawn on episodes from Buckingham, and Benjamin Britten to his partner Peter Pears. Contributions her own life, but this book—part visual by Oscar Wilde, Lord Montagu of Beaulieu, John Wolfenden, Field memoir, part meditation on the resonances Marshal Montgomery, Lord Arran, Margaret Thatcher, Waheed Alli and of photographs and belongings—is as David Cameron demonstrate enormous developments in gay rights. close as she has come to producing an Reflections from celebrity icons such as Julie Andrews and David Beckham autobiography, albeit one highly poetical and are also featured, alongside a wealth of reproductions. fragmentary, as is characteristic of her work. NATIONAL PORTRAIT GALLERY The tales—never longer than a page—are 9781855147256 u.s. $24.95 cdn $29.95 Hbk, 7.5 x 6 in. / 366 pgs / 160 color. by turns lighthearted, humorous, serious, October/Nonfiction & Criticism/Gay & Lesbian dramatic or cruel. Each is accompanied by an image; each offers a fragment of life. The slim, portable volume is divided into sections: the first is composed of various reflections on objects such as a shoe, a postcard or “the breasts”; the second, “The Husband,” of recollections of episodes from Calle’s first marriage; and the third gathers a variety of autobiographical recollections. Calle herself is the author, narrator and protagonist of her stories and photography; This expanded edition of her words are somber, chosen precisely and carefully. One of the 21st century’s foremost Sophie Calle’s 1994 classic artists, Calle here offers up her own story— childhood, marriage, sex, death—with bril- features four new tales liant humor, insight and pleasure. Sophie Calle (born 1953) creates controver- sial works exploring the tensions between PUBLICATION HISTORY the observed, the reported, the secret and One Valencia Lane​ Fantasian​ n First published in a French paperback edition by Actes Sud in 1994 By Bettina Davis. By Larissa Pham. the unsaid. She has mounted solo shows n Greta lives a life of leisure in New York City with An unnamed narrator’s life at Yale takes a at major museums across the world and The first English hardcover edition was copublished by the Hasselblad her hot but boring workaholic husband, Landon. dizzying turn when she meets a girl who looks represented France at the Foundation and Steidl in honor of Calle’s Hasselblad Award in 2010 One night, the mysterious Sir Dannlo invites her just like her. Drawn into each other’s social in 2007. n Actes Sud published an expanded English hardcover edition in 2013 to a mansion upstate, where Greta finds herself worlds, they spiral deeper and deeper into a ACTES SUD n Reissued by Actes Sud in 2014 in another expanded edition indulging in pleasures her marriage can’t fulfill. house of mirrors made of each other. 9782330060404 u.s. $20.00 cdn $26.00 Hbk, 4 x 7.5 in. / 112 pgs / 51 color. Bettina Davis is a scholar of medieval studies Larissa Pham is a writer living in Brooklyn. n This new fifth edition features four new tales July/Art/Artists’ Books/Fiction & Poetry and the occult. She studied at the Sorbonne and She has written for Adult, Guernica, The Nation has taught at Bunker Hill Community College, and Nerve. Pham studied painting and art Charlestown, MA. This is her first work of erotic history at Yale University. ALSO AVAILABLE Sophie Calle: Sophie Calle: Sophie Calle: My All The Address Book fiction. BADLANDS UNLIMITED Sophie Calle: Double Game Detachment 9781900828284 9782330053697 9780979956294 BADLANDS UNLIMITED 9781936440092 u.s. $12.95 cdn $16.95 9782330019808 Hbk, U.S. $39.95 Hbk, U.S. $35.00 Hbk, U.S. $29.95 9781936440993 u.s. $12.95 cdn $16.95 Pbk, 4.5 x 7 in. / 120 pgs / 2 duotone / 1 b&w. Clth, U.S. $25.00 CDN $50.00 CDN $45.00 CDN $35.00 Pbk, 4.5 x 7 in. / 128 pgs / 2 duotone / 1 b&w. October/Fiction & Poetry/Erotica CDN $30.00 Violette Editions Actes Sud Siglio October/Fiction & Poetry/Erotica Actes Sud

72 artbook.com­­ artbook.com 73 BACK IN STOCK Oppenheim: Object​ Modern Women: ​Text by Carolyn Lanchner. at The Museum of Modern Art​ In 1936, invited by André Breton to contribute to an exhibition of Surrealist objects, Meret ​Edited by Cornelia Butler, Alexandra Schwartz. Introductions by Cornelia Butler, Griselda Pollock, Aruna D’Souza. Oppenheim (1913–85) decided to act upon a This landmark survey represents the first effort by a major North American café conversation she had recently had with museum to examine its collection by highlighting the production of modern Pablo Picasso and his then companion Dora and contemporary women artists. Featuring essays by nearly 50 writers, Maar. Commenting on a fur-covered bracelet including MoMA curators and outside scholars, among them many of the that Oppenheim had made for the designer strongest voices in current research on art and gender, this groundbreaking Schiaparelli, Picasso remarked that one could publication presents a variety of generational and cultural perspectives. cover just about anything in fur, to which Modern Women focuses on a diverse range of artists active from the late Oppenheim had responded, “Even this cup 19th century to the present whose works span the spectrum of mediums and and saucer.” The resulting sculpture was genres in the Museum’s collection. Organized chronologically into three sec- “Object,” a teacup, saucer and spoon tions—“Early Modernism,” “Mid-Century” and “Contemporary”—the book purchased from a department store and lined comprises both long and short essays emphasizing new research on women with Chinese gazelle fur. artists within these historical time periods. In this volume of the MoMA One on One Subjects include women at the Bauhaus, design collaborations, photogra- series, an essay by Carolyn Lanchner, a phers between the wars, the legacy of Maya Deren, Latin American artists, former curator of painting and sculpture at performance art, architecture, land art, “Riot Grrrls,” African American artists, MoMA, explores the subversive nature of this collage and assemblage in contemporary portraiture as well as essays on sensual yet disturbing work. ALSO AVAILABLE individual artists such as Lillian Gish, Sybil Andrews, Diane Arbus, Ida Lupino, THE MUSEUM OF MODERN ART De Chirico: Pollock: One: Rousseau: 9781633450196 Hanne Darboven, Bridget Riley, Ana Mendieta, Louise Bourgeois, Adrian The Song of Love Number 31, 1950 The Dream u.s. $14.95 cdn $19.95 Piper, Nan Goldin, Zaha Hadid, Janet Cardiff and Lin Tianmiao. 9780870708725 9780870708480 9780870708305 Pbk, 7.25 x 9 in. / Heavily illustrated with works from the collection, Modern Women constructs 48 pgs / 35 color. Picasso: Rauschenberg: Wyeth: a conversation between past considerations of MoMA’s collection and cur- September/Art Girl before a Mirror Canyon Christina’s World rent feminist narratives of art history, putting these varied modes of explora- 9780870708299 9780870708947 9780870708312 tion in productive dialogue.

THE MUSEUM OF MODERN ART 9780870707711 u.s. $65.00 cdn $75.00 Hbk, 9 X 10.5 in. / 512 pgs / 400 color. Available/Art/Women’s Studies Paul Revere: Sons of Liberty Bowl​ By Gerald W.R. Ward. Art historian Gerald W.R. Ward tells the true story of Paul Revere’s most iconic creation, the Sons of Liberty Bowl, made on the threshold of the Revolu- tionary War.

MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON 9780878468324 u.s. $9.95 cdn $12.50 Pbk, 5.75 x 8.25 in. / 56 pgs / 23 color. September/Art

Thomas Sully: George Washington and The Passage of the Delaware​ By Elliot Bostwick Davis. On the night of December 25, 1776, George Wash- ington led his army across the Delaware River. This introduction to the painting reveals how Thomas Sully “A big, deep, feisty book of essays, conveyed the drama of the Revolution and the charac- several years in the making” ter of its leaders in his portrait of Washington. ALSO AVAILABLE MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON John Singer Sargent: Paul Gauguin: Where Childe Hassam: 9780878468331 u.s. $9.95 cdn $12.50 —Holland Cotter, The New York Times Murals in the Museum Do We Come From? At Dusk Pbk, 5.75 x 8.25 in. / 64 pgs / 25 color. 9780878468096 9780878467938 9780878468379 September/Art

74 artbook.com­­ artbook.com 75 The Artist Estate​ ​A Handbook for Artists, Executors and Heirs Text by Loretta Würtenberger, Karl von Trott. Andy Warhol memorably said that “death can really make you look like a star,” but death in itself is not a guarantee of the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artist’s estate. The Artist Estate, a handbook written by Loretta Würtenberger, presents the possible legal frameworks and appropriate financing models available in this situation, as well as the proper handling of interest from the market, museums and academia. Würtenberger’s business, Fine Art Partners, has advised artists and artists’ estates for many years. Based on numerous international examples, the author explains the different alternatives for maintaining an artist’s estate and makes recommendations on how best to handle work, archives and ephemera following the death of an artist.

HATJE CANTZ 9783775741330 u.s. $45.00 cdn $57.50 Pbk, 6.5 x 9.5 in. / 304 pgs / 20 color. September/Nonfiction & Criticism/Art

Private Art Museum Report​ ​Text by Claire Bouchara, Max Bossier, Christine Howald, Shasha Liu, Christoph Noe, Kaisha Woo, Cuiyun Xu. There are currently 317 privately founded contemporary art museums in the world, with the largest numbers in South Korea, the United States and Germany. Who founds these museums, and why? How big are these museums, and how many people visit them? Private Art Museum Report surveys 166 private art museums How does the art world work? What are its secrets? Zaha Hadid, worldwide, providing quantitative, data-backed answers to questions such as these. Private Art Museum , Hans Ulrich Obrist and others offer advice and anecdotes Report was produced jointly by two leaders in the field: Larry’s List, a database of art collectors, and the Art Market Monitor of Artron (AMMA), the leading resource on the Chinese art market. In addition to the study’s findings, this volume includes interviews with several private collectors who have founded museums, includ- ing Wang Wei, Walter Vanhaerents and Patrizia Sandretto Re Rebaudengo. 100 Secrets of the Art World​ VERLAG FÜR MODERNE KUNST ​Everything You Always Wanted to Know from Artists, Collectors and Curators, 9783903004948 u.s. $49.00 cdn $62.50 Pbk, 8 x 10.75 in. / 106 pgs / 66 color. but Were Afraid to Ask July/Nonfiction & Criticism/Art Edited by Thomas Girst, Magnus Resch. What do major artists consider their best-kept secret? What is regarded as confidential knowledge among the key players of the global art market? In 100 Secrets of the Art World, the most powerful international individuals share their insights. Edited by Thomas Girst and Magnus Resch (author of the bestselling Management of Art Galleries), this indispensable and fun guide to contemporary art contains exclusive anecdotes, advice and personal stories from artists, museum Art Cologne 1967–2016​ directors, gallerists, auction house insiders, collectors and many more. Contributors include Jeff Koons, Zaha Hadid, The First Art Fair Marina Abramovi´c, Ólafur Elíasson and , as well as directors and curators from the Centre Pompidou, Edited by Günter Herzog, Brigitte Jacobs van Renswou. Introduction by Rudolf Zwirner. Foreword by Gerald the Guggenheim, The Metropolitan Museum of Art, The Museum of Modern Art, Tate Modern, the Nationalgalerie and Böse, Daniel Hug, Heinz Schnock. elsewhere, including Philip Tinari, Hans Neuendorf, Matthew Slotover, Hans Ulrich Obrist, Daniel Birnbaum, Klaus Bie- Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of senbach, Jeffrey Deitch, Larry Gagosian, Alexandra Munroe and others. the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic Thoughtful and often critical entries make this informative publication an entertaining read for anyone interested in modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf contemporary art. Zwirner, Kunstmarkt Köln ’67 opened on September 12, 1967, in Gürzenich, the City of Cologne’s gothic ban- Thomas Girst is an art historian and the worldwide Head of Cultural Engagement at the BMW Group. His most recent queting hall, and was to change the international art market forever. How revolutionary this first fair was can publications include The Duchamp Dictionary (2014) and Art, Literature, and the Japanese American Internment (2015). only be understood today by means of the immediate reactions at the time, which were recorded in a flood of Magnus Resch is an author, art entrepreneur and lecturer at the University of St. Gallen. His most recent publications media reports. With a wealth of documents and illustrations, this weighty volume traces the history of the fair include the Art Collector Report (2015) and the bestseller Management of Art Galleries (2015). in chronological order.

KOENIG BOOKS WALTHER KÖNIG, KÖLN 9783863359614 u.s. $9.95 cdn $12.50 9783863359225 u.s. $50.00 cdn $65.00 Pbk, 4.75 x 6.75 in. / 144 pgs / 8 b&w. Pbk, 8 x 10 in. / 408 pgs / 328 color / 254 b&w. October/Art/Nonfiction & Criticism September/Art/Nonfiction & Criticism

76 artbook.com­­ artbook.com 77 JOURNALS

Toilet Paper: Issue 13​ Edited by Maurizio Cattelan, Pierpaolo Ferrari. Toilet Paper is an artists’ magazine Parkett No. 99​ Osmos Magazine: created and produced by Maurizio Cabinet 62: Milk​ Cabinet 63: Esopus 23​ South as a State of Cattelan and Pierpaolo Ferrari, Edited by Bice Curiger. Edited by Sina Najafi. The Desert​ Issue 09​ Edited by Tod Lippy. Mind​ born out of a passion or obsession Founded in 1984, Parkett has long FAQ​ One of only a handful of sub- Edited by Sina Najafi. ​Edited by Cay Sophie Rabinowitz, Esopus 23 features artists’ projects 14 #2: Spring/ Edited by Maurizio Cattelan, they both cultivate: images. The Tom McDonough, Eugenia Bell, stances produced in nature A zone of deprivation and empti- been an important source of litera- by Karo Akpokiere, Chuck Kelton, Myriam Ben Salah. et al. Summer 2016 magazine contains no text; each expressly as food, milk is funda- ness but also a space for adven- ture on international contemporary Stefan Kürten, Marilyn Minter, FAQ is an accordion-fold art Osmos Magazine is “an art maga- Edited by Quinn Latimer, Adam picture springs from an idea, often mental for infant mammalian nu- ture and even divine revelation, art. Each biannual issue is a collab- Mickalene Thomas and Jody Szymczyk. Text by Naman Ahuja, publication conceived and edited zine about the use and abuse of simple, and through a complex trition, but is also foundational in the desert has historically resisted oration with four artists, in which Wood. Other contents include an Andreas Angelidakis, et al. by Maurizio Cattelan and Myriam photography,” explains founder orchestration of people it becomes human myth and religion. Cabinet human domination, even as it has their work is explored in fully il- essay by Karl Ove Knausgaard In 2017, for the first time in its Ben Salah and commissioned by and editor Cay Sophie Rabinowitz the materialization of the artists’ issue 62, with a special section continued to tantalize the cultural lustrated essays by leading writers (presented as a removable book); history, Documenta will be held Le Dictateur. The first volume is (formerly of Parkett and Fantom). mental outbursts. on “Milk,” includes Renata Salecl imagination. Cabinet issue 63, with and critics. In addition, each artist 100 frames from Lotte Reininger’s in two locations: Athens, , published to coincide with the 10th The magazine is divided into the- Since the first issue in June 2010, on the psychoanalytical implica- a special section on “The Desert,” creates an exclusive limited edi- 1926 animation The Adventures of and , Germany, the latter the anniversary edition of Le Dictateur, matic sections—some traditional, Toilet Paper has created a world tions of the recent death of a child includes Maria Golia on the long tion, available to Parkett readers. Prince Achmed introduced by John exhibition’s home since 1955. Prior and will then be published an- such as “Portfolio,” “Stories” and that displays ambiguous narratives solely breastfed for the first five history of tomb raiding in Egypt; Recent featured artists include Ed Canemaker; two film treatments to the exhibition, South as a State nually. FAQ, or Frequently Asked “Reportage”—and others more and a troubling imagination. It years of his life; Jeff Dolven on Margaret Spelling on her recent Atkins, Mika Rottenberg, Lee Kit by screenwriter Hampton Fancher of Mind will publish four special Questions, references an attempt idiosyncratic, such as “Eye of the combines the vernacular of com- milk and luminosity; Esther Leslie visit to the town built in the An- and Theaster Gates (98), Andrea (Blade Runner), based on Esopus Documenta 14 editions. While the to create an ideal visual represen- Beholder,” where gallerists discuss mercial photography with twisted and Melanie Jackson on the ways dalusian desert as a set for Italian Büttner, Abraham Cruzvillegas, subscribers’ submissions; anony- first volume examined displace- tation of a very subjective “now.” the talents they showcase; and narrative tableaux and surrealistic in which milk is transformed from spaghetti westerns; and Jonathan Camille Henrot and Hito Steyerl mous photographs from the collec- ment, dispossession and the Born out of an acute image con- “Means to an End,” about the imagery. primary material to metaphorical Randall on climate change and the (97), Marc Camille Chaimowicz, tion of Peter Cohen; materials from modes of resistance found within sumption disorder, FAQ reflects side effects of nonartistic image DAMIANI excess; and Melanie Tyson on the shifting boundaries of the world’s Pamela Rosenkranz, John Waters MoMA’s archives on events and them, the second volume explores the mental assimilation of a relent- production. Toilet Paper: Issue 13 colonial history of condensed milk. deserts. Elsewhere in the issue: and Xu Zhen (96), Jeremy Deller, installations in the Museum’s gar- the more enigmatic theme of less roving within physical and This issue features Tom 9788862084901 Wael Shawky, Dayanita Singh and Elsewhere in the issue: Daniel George Pendle on the unusual den over the past 60 years; a piece silence and masks. virtual art spaces, from galleries to u.s. $16.00 cdn $20.00 McDonough on Joy Episalla, a Rosenberg on Maurice Sendak’s friendship between RAND Cor- Rosemarie Trockel (95). Additional on the creative process behind the Contributions by Naman Ahuja, Tumblr accounts, museums to Flexi, 9 x 11.50 in. / 40 pgs / 22 color. conversation with September/Journal beloved “Nutshell Library” and the poration strategist Herman Kahn articles include Konrad Bitterli survivalist game The Long Dark; a Andreas Angelidakis, María artists’ studios; it can be seen about her 20 years of making fantasies of book classification; and performance artist James Lee viewing Hubbard/Birchler’s latest new installment of a regular series, Magdalena Campos-Pons, Barbara as a portable exhibition, a show Polaroid self-portraits, an essay Toilet Paper #13 Limited Edition​ Richard Cooke on the history of Byars; Adam Jasper on the surpris- film trilogy and the paintings of “Guarded Opinions,” for which Casavecchia, Mariana Castillo on paper, a project of restitution, by Pavel Vančát on Jan Svoboda, This limited edition of 500 copies live sex shows in Europe and their ing history of the “lorem ipsum” Markus Döbeli (97); Nuria Enguita guards from the Barnes Founda- Deball, Clémentine Deliss, a hybrid object. The first issue Meleko Mokgosi, David Hart, Rob- comes with a special Toilet Paper sudden decline in the 1980s; and placeholder text used universally Mayo on drawings and paintings tion discuss works they oversee; a Mahasweta Devi, Stathis includes works by Thomas Bayrle, ert Rauschenberg, and a special fan. an artist project by S. Billie Mandle by designers and publishers; and by Anna Boghiguian; and Julieta comic book by George Cochrane; Gourgouris, Gayatri Chakravorty Neil Beloufa, Caroll Dunham, vintage cover by Co Rentmeester. 9788862085014 exploring the varieties of Catholic Volker Welter on visiting sites sig- González provides an overview of and a CD of new music inspired Spivak and others focus on sound Andra Ursuta, Jon Rafman, Kathy u.s. $40.00 cdn $52.50 Flexi, 9 x 11.50 in. / 40 pgs / 22 color. confessionals. nificant to F.W. Murnau’s ill-fated Mexico City’s arts institutions (96). OSMOS by “close calls” experienced by and gender, provenance and Grannan, Llyn Foulkes, Camille 9780986166556 September/Limited Edition life in Hollywood. PARKETT 15 musicians, including Jo Lawry, repatriation, silencing dissent, Henrot, Steven Shaerer, Korakrit CABINET u.s. $25.00 cdn $32.50 9783907582596 artistic refusal and orality, and Arunanondchai and Judith 9781932698701 CABINET Pbk, 8.5 x 11 in. / 88 pgs / YC the Cynic and Lemolo. u.s. $45.00 cdn $57.50 u.s. $12.00 cdn $15.00 9781932698718 illustrated throughout. masking identity. Bernstein, among many others. Pbk, 7.75 x 9.75 in. / 112 pgs / Pbk, 8 x 10 in. / 300 pgs / ESOPUS FOUNDATION LTD. u.s. $12.00 cdn $15.00 September/Journal/Photography illustrated throughout. 9780989911726 WALTHER KÖNIG, KÖLN DAMIANI 70 color / 30 b&w. Pbk, 7.75 x 9.75 in. / 112 pgs / January/Journal u.s. $40.00 cdn $52.50 9783863358457 9788862085021 October/Journal 70 color / 30 b&w. ALSO AVAILABLE Pbk, 9 x 11.5 in. / 254 pgs / u.s. $15.00 cdn $19.95 u.s. $35.00 cdn $45.00 Osmos Magazine: December/Journal 350 color / 10 b&w. Pbk, 11.75 x 9 in. / 224 pgs. Hbk, 6 x 8.25 in. / 120 pgs / 80 color. Issue 08 August/Journal July/Art/Journal September/Journal 9780986166532 Pbk, U.S. $25.00 CDN $32.50 OSMOS

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2016 SPRING–SUMMER SUPPLEMENT Marcel 2016 SPRING–SUMMER SUPPLEMENT Andrew Moore: Broodthaers: Billy Name: Brigid Berlin: Disco: The The 1960s: Carrie Mae The Conquest The Silver Age Polaroids Bill Bernstein Photographed Dirt Meridian​ Take Me Weems: Kitchen Limited Edition of Space​ Deluxe Limited Edition Deluxe Limited Edition Photographs by David Hurn (I’m Yours)​ Preface by Kent Haruf. Text by Toby ​Atlas for the Use of Artists Introduction by Glenn O’Brien. Table Series​ Introduction by Bob Colacello. Deluxe Limited Edition REEL ART PRESS In 1995, Hans Ulrich Obrist curated Jurovics, Inara Verzemnieks. and the Military Foreword by John Cale. Foreword by John Waters. Limited Edition Foreword by James Hillard. Text ​ Deluxe Limited Edition, A Hard a unique exhibition at London’s In Dirt Meridian, acclaimed pho- Measuring just 1 x 1.5 inches This deluxe version of Billy Name: The deluxe edition of Brigid Berlin: by Bill Bernstein, Nona Hendryx. Day’s Night Text by Sarah Lewis, Adrienne Serpentine Gallery that not only Edwards. tographer Andrew Moore (born with a simple black slipcase, The The Silver Age is limited to 100 Polaroids is limited to 100 signed The deluxe edition of Disco: The A Hard Day’s Night is limited to gave visitors the opportunity to The 20 photographs and 14 text 1957) takes to the air to create an Conquest of Space is an artist’s signed and numbered copies. and numbered copies only, and is Bill Bernstein Photographs is 50 signed and numbered slipcased look at the art on display, but to panels that make up Kitchen Table intimate vision of the High Plains. book by Marcel Broodthaers Presented in a bespoke clamshell presented in a bespoke slipcase. limited to 100 signed and num- copies. It comes with a numbered, use it and even take it home. Art Series tell a story of one woman’s The title refers to the 100th me- originally published in 1975 in an box, it includes an archival pig- It includes an archival pigment bered copies. This collector’s item Museo Silver photograph of the was offered as an activity and as life as conducted in the intimate ridian, the longitude that neatly edition of 50 numbered copies. ment print, signed, numbered and print stamped, hand-initialed and includes a signed photograph Beatles in A Hard Day’s Night, a transaction. Now the Jewish setting of her kitchen. The kitchen, bisects the United States and has As Broodthaers’ last book, it stamped by Billy Name, exclusive numbered on the verso by Brigid exclusive to this edition and is pre- signed by Hurn. Museum, New York, is mounting a one of the primary spaces of long been considered the divid- embodies the artist’s sardonic to this edition. The book is num- Berlin, exclusive to this edition. sented in a bespoke slipcase. 9781909526372 new edition of Take Me, I’m Yours. domesticity and the traditional do- ing line between the fertile green sense of humor with its plays bered and signed by Billy Name, The book is numbered and signed Containing many previously un- u.s. $950.00 cdn $1,250.00 SDNR20 Included are works by Christian main of women, frames her story, East and dry brown West. Much of on language and function— Bibbe Hansen, Danny Fields, by Berlin. Slip, hbk, 9.5 x 11.5 in. / 208 pgs / published photographs, Disco the meridian traverses America’s 20 color / 230 b&w. September/ Boltanski, Félix González-Torres, revealing to us her relationships— the title references the historic Robert Heide, Allen Midgette and Brigid Berlin (born 1939) was one takes the viewer on an access-all- Photography/Limited Edition Andrea Fraser, Philippe Parreno with lovers, children, friends— “flyover country,” those remote use of atlases by militaries for Dagon James. of the most prominent and color- areas tour of late-’70s New York and , among others. and sparsely populated landscapes The Silver Age is the definitive and her own sense of self, in her territorial conquests, but printed ful members of Andy Warhol’s nightlife. “Who were these people Deluxe Limited Edition, Barbarella The exhibition invites viewers to varying projections of strength, with a long history of repeated at such a miniature scale, it is collection of Name’s black-and- Factory in the 1960s and ’70s. Her of the night...? It was the Posers. Limited to 50 signed and num- consider the nature of the work vulnerability, aloofness, tenderness drought and failed dreams. Yet unusable for its intended function. white photographs from Warhol’s legendary personal collection of The Watchers. The Posers watch- bered slipcased copies, Barbarella of art, and actively participate and solitude. Weems herself is the other parts of the meridian overlap Furthering the level of intrigue Factory, during the period 1964–68. Polaroids is collected here for the ing other Posers watching the includes a numbered, Museo in its movement and dispersal. protagonist of the series, though bustling and contentious zones with the book, Broodthaers did not Produced in collaboration with first time and offers an intimate, Watchers, watching the Dancers, Silver photograph of Jane Fonda The catalogue is as participatory the woman she depicts is an ar- such as the heavily fracked Bakken follow established geographical Name, it features a foreword by beautiful, artistic, outrageous watching themselves.” Bernstein’s in Barbarella, signed by Hurn. and unexpected as the show chetype. Published in an edition of formation in North Dakota. organization, choosing rather to John Cale, an introduction by insight into this iconic period. eye was drawn to the characters 9781909526150 it accompanies—a packet of Limited to 25 copies, the collec- Glenn O'Brien and contributions 25 signed and numbered copies, present only a small selection of This wild photographic odyssey that lived for the night, rather u.s. $950.00 cdn $1,250.00 SDNR20 postcards, showing work by the this book includes a silver gelatin tor’s edition of Dirt Meridian in- countries organized alphabetically from Factory alumnae including features a foreword by cult film- Slip, hbk, 9.5 x 11.5 in. / 208 pgs / than the celebrities, the unknown cludes a 15.9 x 13–inch color print 20 color / 230 b&w. artists included in the exhibition. print of “Untitled (Man Reading and graphically represented in Gerard Malanga, Viva, Allen maker John Waters, who writes: men and women who were trans- September/Photography/Limited Newspaper),” 1990/1999 (10.9 x of “Cash Meier Barn” (2012). identical size. ‘Midgette, Brigid Berlin and more. “Brigid was always my favorite JEWISH MUSEUM formed by the nightclub haze, and Edition 9781942884040 14 inches). DAMIANI This facsimile edition makes the It offers an extensive trip through underground movie star; big, often this is one reason his photographs u.s. $27.50 cdn $34.95 SDNR30 9788862084703 artist’s book available again for the Warhol’s world, with visits from naked, and ornery as hell.... The DAMIANI/MATSUMOTO EDITIONS from this time feel so authentic Deluxe Limited Edition, Pbk, 4 x 6 in. / 45 color postcards / u.s. $600.00 cdn $780.00 SDNR20 9788862084710 first time since the original printing Lou Reed and the Velvet Under- Polaroids here show just how wide and immersive. From Russia With Love booklet. Special edition, 15.9 x 13 in. / u.s. $3,000.00 cdn $4,100.00 SDNR20 in a limited edition of 500 copies. ground, Nico, Edie Sedgwick and Brigid’s world was; her access was From Russia with Love is limited to October/Limited Edition 140 pgs / 73 color. REEL ART PRESS Special edition, 10.9 x 14 in. / Bob Dylan, and filming Screen Tests amazing. She was never a groupie, 50 signed and numbered slipcased September/Limited Edition THE MUSEUM OF MODERN ART 9781909526235 EXHIBITION SCHEDULE 86 pgs / 34 b&w. and features such as Chelsea Girls, Available//Limited Edition/African 9781633450110 always an insider.” u.s. $950.00 cdn $1,250.00 SDNR20 copies. It includes a numbered, New York: Jewish Museum, u.s. $175.00 cdn $210.00 SDNR30 Vinyl and My Hustler. Slip, hbk, 9.5 x 12 in. / Museo Silver photograph of Sean American Art & Culture REEL ART PRESS 09/16/16–02/05/17 Slip, pbk, 6 x 6 in. / 38 pgs / 38 b&w. 176 pgs / 150 b&w. 9781909526259 Connery in From Russia with Love, Available/Artists’ Books/Limited REEL ART PRESS September/Photography/Limited u.s. $950.00 cdn $1,250.00 SDNR20 Edition 9781909526181 Edition signed by Hurn. u.s. $1,200.00 cdn $1,550.00 SDNR20 Slip, hbk, 9 x 11 in. / 208 pgs / 9781909526365 Slip, hbk, 9.5 x 11.5 in. / 448 pgs / 230 color / 20 b&w. September/ u.s. $950.00 cdn $1,250.00 SDNR20 400 b&w. Photography/Limited Edition Slip, hbk, 9.5 x 11.5 in. / 208 pgs / September/Photography/Limited 20 color / 230 b&w. September/ Edition Photography/Limited Edition

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“Untitled” by Susan ​ Te Kahurangi King. ​ From The Drawings of Susan Te Kahurangi King, published by ICA Miami. See page 92. HIGHLIGHTS ■ ART

We are happy to welcome the WHITECHAPEL GALLERY to the list. For more than a William Kentridge: century, the Whitechapel has presented major exhibitions in London’s East End, accompanied Thick Time​ by superbly produced catalogues on leading contemporary and modern artists. ​Edited with text by Iwona Blazwick. Text by Homi Bhabha, Sabine Breitwieser, Michael Juul Holm, Joseph Koerner, Achille Mbembe, Denise Wendel. Mary Heilmann: William Kentridge (born 1955) is a beloved fig- Looking at Pictures​ ure, heralded for his work in drawing, film ani- mation, sculpture and performance. Published ​Edited with text by Lydia Yee. Text by Briony Fer, Mary Heilmann. to accompany a major exhibition which tours Mary Heilmann studied ceramics and poetry before to four venues in Europe, William Kentridge: moving to New York in 1968 and taking up painting. Thick Time undertakes an overview of the art- A pioneer of infusing abstract painting with influences ist’s recent works, focusing on a sequence of from craft traditions and popular culture—especially five key pieces dating from 2003 to 2015. These rock music and California beach culture—Heilmann is encompass three immersive audiovisual instal- one of the most important yet under-recognized artists lations, including The Refusal of Time, selected working today. works on paper, and ideas for theatre and opera Mary Heilmann: Looking at Pictures explores the artist’s design. approach to abstraction from two distinct but interre- The fully illustrated monograph includes an lated perspectives: the formal and the personal. The overview by Achille Mbembe, academic and autobiographical dimension of the artist’s work is clear friend of Kentridge, and new critical writings in her pieces related to friendships, memories and on each of the works presented by venue cura- places; while the formal aspect of her oeuvre is evident tors Iwona Blazwick and Sabine Breitwieser; in her paintings of grids and squares rendered in pri- Michael Juul Holm, head of publications at mary colors and in works based on architectural planes. Louisiana Museum of Modern Art; Harvard art As well as a new essay by Briony Fer and writings on historian Joseph Koerner; Denise Wendel, a key works by the artist, the volume features over 100 writer interested in the relationship between beautiful full-color illustrations of paintings, works on art, theater and music; and influential Harvard paper, furniture and ceramics from Heilmann’s five- postcolonial studies academic Homi Bhabha. decade career. The volume also features a selected exhibition Mary Heilmann was born in San Francisco in 1940. history and bibliography. She studied at the University of California at Santa Bar- William Kentridge was born in Johannesburg, bara, San Francisco State University and the University South Africa, in 1955. He uses film, drawing, of California at Berkeley before moving to New York sculpture, animation and performance to ex- in 1968. Heilmann began her career creating furniture plore political events, addressing primarily the and sculpture and moved into abstract painting once dissolution of apartheid, which he witnessed on the East Coast, experimenting with bright colors and firsthand. Kentridge photographs his charcoal unusual geometries that bridge two-dimensional and drawings and collages as they evolve, creating three-dimensional elements. She has been the recipient animated films. He has exhibited at museums of the Anonymous Was a Woman Foundation Award as such as San Francisco Museum of Modern Art, well as a Guggenheim Foundation award. the Philadelphia Museum of Art and The Metro- politan Museum of Art, among others. WHITECHAPEL GALLERY 9780854882472 u.s. $45.00 cdn $57.50 WHITECHAPEL GALLERY Mary Heilmann Hbk, 9.25 x 10.75 in. / 176 pgs / 100 color. 9780854882502 u.s. $35.00 cdn $45.00 August/Art Pbk, 9.75 x 11.25 in. / 256 pgs / 200 color. pioneered the infusion November/Art/African Art & Culture EXHIBITION SCHEDULE London, England: Whitechapel Gallery, 06/08/16–08/21/16 EXHIBITION SCHEDULE of abstract painting London, England: Whitechapel Gallery, 09/21/16–01/15/17 with craft tradition and Humlebaek, Denmark: Louisiana Musuem ALSO AVAILABLE William Kentridge: of Modern Art, 02/09/17–06/05/17 William Kentridge: The Refusal of Time pop culture Salzburg, Austria: Museum der Moderne, Secondhand Reading 9782365110075 07/22/17–11/05/17 9780992226312 Hbk, U.S. $125.00 CDN $150.00 Manchester, England: The Whitworth, Hbk, U.S. $85.00 CDN $100.00 Editions Xavier Barral University of Manchester, 09/18 Fourthwall Books

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An eclectic contemporary master of figuration examined through multiple lenses in this career-spanning catalogue June Leaf paints June Leaf: Thought Is Infinite​ ​Text by Carter E. Foster, Clara Rojas-Sebesta. Photographs by Alice Attie. in the fantastical June Leaf’s extraordinary body of work—one built over nearly seven decades—belongs within a long tradition Kai Althoff: and then leave me to the common swifts​ of visionary figures, from William Blake and Francisco Goya to James Ensor and Odilon Redon. Like these ​Edited by Kai Althoff. Text by Rita Kersting, DovBer Naiditch, Yair Oelbaum, Constantin Rothkopf, tradition of innovative predecessors, and incorporating elements of both Expressionism and Surrealism, Leaf infuses Robert Storr, Rein Wolfs. Interview by Laura Hoptman. representational imagery with an intense subjectivity and personal symbolist vision. She does so through an ex- Kai Althoff is one of the most consummate—and unpredictable—artists of his generation. A Bosch, Goya and traordinary approach to and facility with materials, often combining mediums and matter in unorthodox ways. painter and a draftsman, he has experimented since the mid-1990s with combinations of uncon- Leaf’s exhibition at the Whitney and this accompanying comprehensive publication include drawings from ventional mediums and exhibition formats to create all-encompassing environments that might the Surrealists every decade of her career, as well as a selection of sculptures and paintings, in order to elucidate the migration include finely detailed drawings, collage, woven textiles, knitted fabric, soft sculpture, paintings, and cross-referencing of motifs and techniques from one medium to the other. In an immersive installation, the writing, video, fragrance and song. viewer perceives how the artist’s studio space intersects with her extraordinarily rich imagination and deeply Published in conjunction with a major exhibition at The Museum of Modern Art, this publication personal, invented world in which fiction and reality indistinguishably merge. presents Althoff’s work in all mediums made over a 25-year career. Created in close collaboration June Leaf was born in Chicago in 1929. She began her artistic career in the 1940s, studying at the Chicago Art with the artist, the book features lavish color reproductions of Althoff’s most significant works. Institute and the New Bauhaus Institute of Design. In 1958, Leaf was awarded a Fulbright to study art in Paris. Contributions by scholars, art professionals and friends of the artist offer multiple perspectives on In 1960, she moved to New York. Her drawings, paintings and sculptures have been widely collected and are Althoff’s iconographically rich work. in many museums, including the Whitney Museum of American Art, The Museum of Modern Art, the Chicago Kai Althoff (born 1966) is an internationally known German artist who lives in Cologne and New Art Institute and the Smithsonian American Art Museum. Leaf has received two honorary doctoral degrees, York. one from DePaul University in Chicago and one from the Nova Scotia College of Art and Design in Canada. THE MUSEUM OF MODERN ART 9781633450189 u.s. $60.00 cdn $78.00 STEIDL/WHITNEY MUSEUM OF AMERICAN ART Hbk, 9 x 10.5 in. / 196 pgs / 205 color. 9783958291027 u.s. $40.00 cdn $52.50 September/Art Hbk, 8 x 9.75 in. / 280 pgs / illustrated throughout. EXHIBITION SCHEDULE July/Art New York: Whitney Museum of American Art, EXHIBITION SCHEDULE 04/27/16–07/17/16 New York: The Museum of Modern Art, 09/18/16–01/22/17

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Exit Art​ Wallace Berman: American Aleph​ Unfinished Memories: 30 Years of Exit Art Introduction by Tosh Berman. Text by Claudia Bohn-Spector, ​ Sam Mellon, Ken Allan. Edited by Susan Harris, Mary Anne Staniszewski. Preface by Papo Colo. Foreword by Holland Cotter, Mary Anne Staniszewski, Rachel Gugelberger. Commemorating the 40th anniversary of the artist’s accidental Interviews by Jeanette Ingberman. Text by , John Ahearn, Rob death at age 50, this volume offers the first substantial survey of Andrews, Suzanne Anker, Ida Applebroog, Alberta Arthurs, Joseph Backstein, the entire oeuvre of Wallace Berman (1926–76) from the late 1940s Brandon Ballengée, Marimar Benítez, Willie Birch, Michael Brenson, et al. until 1976. Exit Art is an intimate portrait of an institution that from 1982 to 2012 chal- Berman has been long heralded as one of the most significant lenged social, political, aesthetic and curatorial norms. Committed to experi- and influential artists to emerge in Southern California. Spiritually menting at the intersection of disciplines, publications and design, the gallery inclined yet steeped in popular culture and the political events Exit Art remained steadfast in its mission to provide new possibilities and of the day, he conducted reconnaissance far beyond the borders opportunities for artists, curators and viewers through its expansive historical of California, mining the American psyche and broadcasting his shows, exhibitions of emerging and under-recognized artists, experimental ideas through mail art, publications, photographs and multilayered theater and performance works, as well as national and international film and art works. video programs. Artists who exhibited at Exit Art include Chakaia Booker, Berman intersected with several intriguing cultural moments, Jimmie Durham, Nicole Eisenman, Jane Hammond, David Hammons, starting with his first Los Angeles solo show in 1957 at Ed , Julie Mehretu, Shirin Neshat, Roxy Paine, Adrian Piper, Kienholz and Walter Hopps’ Ferus Gallery. He also participated in Rirkrit Tiravanija, Fred Tomaselli, Cecilia Vicuña, Krzysztof Wodiczko, David an important 1966 group exhibition in London at the legendary Wojnarowicz and Martin Wong. Robert Fraser Gallery, whose other artists included Richard STEIDL “Something disruptive and transformative happened to art in New York in the Hamilton, Bruce Conner and Peter Blake—who put Berman’s face 9783958291973 u.s. $55.00 cdn $70.00 early 1980s,” writes Holland Cotter. “What exactly that something was has among the notable crowd in his cover for the Beatles’ Sgt Pepper’s Hbk, 11 x 9 in. / 456 pgs / illustrated throughout. yet to be identified, but it involved a chemical reaction between a new politi- August/Art Lonely Hearts Club Band. cal conservatism and a nascent multiculturalism ... One thing is certain: As interest in West Coast art has increased over the past 40 years, however the historical picture gets sorted out, Exit Art will figure into it.” scholars have viewed Berman as a quintessentially Californian Conceived by Exit Art’s founders, Papo Colo and the late Jeanette “However the historical picture artist whose entourage of likeminded friends was essential to the Ingberman, this volume is a resource on more than 200 exhibitions, events, formation of his creative vision. This volume takes a broader view, festivals and programs featuring more than 2,500 artists, presented within gets sorted out, Exit Art will reassessing Berman’s significant contributions to the history of the larger context of the art world. More than 70 eyewitness accounts and 20th-century American art. figure into it” —Holland Cotter idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas MICHAEL KOHN GALLERY and people that were part of Exit Art during its three-decade run. 9781880086216 u.s. $59.95 cdn $76.50 Hbk, 11 x 9.5 in. / 120 pgs / illustrated throughout. ALSO AVAILABLE July/Art Semina Culture: Wallace Berman & His Circle EXHIBITION SCHEDULE 9781938922725 Los Angeles, CA: Michael Kohn Gallery, 05/06/16–06/24/16 Hbk, U.S. $50.00 CDN $60.00 Invisible Adversaries​ D.A.P./Santa Monica Museum of Art Edited by Lauren Cornell, Tom Eccles. Foreword by Tom Eccles. Text by Zach Blas, Lauren Cornell, Johanna Fateman, Nav Haq, Vit Havranek, J. Hoberman, Alex Kitnick, Tavia Nyong’O, Lauren ​ O’Neill-Butler. Interviews by Lauren Cornell, Tom Eccles. Invisible Adversaries is inspired by the eponymous 1976 feature film by the radical Austrian artist No Compromises! The Art of Boris Lurie​ VALIE EXPORT. The film presents a woman’s struggle to retain her sense of self against hostile alien ​Edited with text by Cilly Kugelmann. Text by Volkhard Knigge, Tal Sterngast, Gertrud Koch, Mirjam Wenzel, forces that appear increasingly ubiquitous, colonizing the minds of all those around her. Motifs Matthias Reichelt, Eiko Grimberg. from the film—among them, architecture’s influence on identity; feminist critique; and the power of Born to a Jewish family in Leningrad, and working in New York from 1946 until his death, Boris Lurie political fantasy—operate as filters through which to consider significant pieces from the Marieluise (1924–2008) undertook a savage artistic appraisal of the 20th century that still packs a powerful political Hessel Collection. In addition to works by VALIE EXPORT, Invisible Adversaries draws primarily from punch. Drawing on his experiences of imprisonment in a succession of concentration camps, Lurie’s riotous acquisitions of the Marieluise Hessel Collection over the past decade, with works by over 50 artists collages and paintings accuse society of shirking responsibility for its crimes against humanity, dovetailing including Chantal Akerman, Ida Applebroog, Lynda Benglis, Barbara Bloom, Patty Chang, Anne evidence of Nazi atrocities with advertising imagery and everyday banalities. Collier, Reneke Dijkstra, K8 Hardy, Roni Horn, Glenn Ligon, Leigh Ledare, Helen Marten, William Published to accompany a retrospective at the Jewish Museum in Berlin, No Compromises! examines Pope.L, Hito Steyerl, Magali Reus, Rachel Rose, Thomas Ruff, Lorna Simpson, Diane Simpson, Lurie’s provocative “No!art” movement, founded in 1956 in New York in opposition to Abstract Expression- Jo Spence and Gillian Wearing. ism, Pop art and consumerism in general; his War Series of collages from 1946, which confront viewers with the horrors of the Holocaust and the artist’s revulsion toward the art market; and his drawings of the CCS BARD COLLEGE ‘50s and ‘60s, which adopt a softer, more poetic tone. 9781936192502 u.s. $29.95 cdn $37.50 EXHIBITION SCHEDULE Hbk, 8.5 x 11.5 in. / 300 pgs / 120 color / 40 b&w. KERBER Annadale on Hudson, NY: Hessel Museum of Art September/Art/Women’s Studies 9783735601964 u.s. $45.00 cdn $57.50 at CCS Bard College, 06/25/16–09/18/16 Pbk, 8.5 x 11 in. / 176 pgs / 196 color / 10 b&w. EXHIBITION SCHEDULE July/Art Berlin, Germany: Jewish Museum 02/26/16–07/31/16

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2016 SPRING–SUMMER SUPPLEMENT Edward Ruscha: Catalogue Raisonné of the Frank Stella: Prints​ Paintings, Volume Seven: 2004–2011​ ​A Catalogue Raisonné ​Edited by Robert Dean, Lisa Turvey. Text by Thierry de Duve, Linda Norden. By Richard H. Axsom. Edited by Carolyn Vaughn, Sigrid Asmus, Laura L. Morris. This seventh volume in the ongoing documentation of Ed Ruscha’s (born 1937) entire Foreword by Jordan D. Schnitzer. Text by Leah Kolb. corpus of paintings covers the years 2004 to 2011, comprising 230 paintings and In addition to his achievements in abstract painting and sculpture, Frank Stella studies that are reproduced in color and accompanied by detailed exhibition and has also made major contributions to the history of the modern print. An bibliographic histories. The work of this period extends various earlier series, including exploration of the artist’s innovative use of the medium, Frank Stella: Prints Ruscha’s “mountain” paintings, a number of which now incorporate texts from Jack reveals the intimate relationships between Stella’s prints and his works in other Kerouac’s novel On the Road. Other important works take decay, waste and retrieval mediums, demonstrating how Stella blasted a hole in the traditional tools and and the passage of time as themes, notably the Course of Empire series (Ruscha’s aesthetics of printmaking with works of compelling complexity and beauty. contribution to the 51st Venice Biennale) and the Psycho Spaghetti Western paintings. Frank Stella: Prints registers in chronological sequence more than 300 edi- This 550-page volume, copublished by and Steidl, is edited by Robert tioned prints, reproduced in full color, including works in series and portfolios. Dean with Lisa Turvey and includes essays by Thierry de Duve and Linda Norden. Each Related works in other mediums—paintings, metal reliefs, maquettes and volume of the catalogue has a stitched binding and a cloth cover with silver-colored sculpture—are also illustrated for comparison. Complete documentation of embossing protected by a printed slipcase. each print offers a privileged insight into the creative process behind these STEIDL/GAGOSIAN GALLERY works of art. An introductory essay, prefaces to each series and comments on 9783958291867 u.s. $200.00 cdn $260.00 individual prints provide background information, analysis and interpretation. Slip, clth, 9.5 x 11.5 in. / 550 pgs / 450 color. Frank Stella: Prints also features an illustrated chronology, a glossary tailored to November/Art Stella’s practice, a bibliography and an index. Soon after arriving in New York in the late 1950s, Frank Stella (born 1936) came to prominence with his striped Black Paintings and shaped canvases. ALSO AVAILABLE Edward Ruscha: Edward Ruscha: Catalogue Catalogue Raisonné His early painting project reduced the medium to its most fundamental Raisonné of the Paintings Vol 5 of the Paintings Vol 6 elements and introduced a key concept of Minimalism at an early date: 9783869302515 9783869307404 “What you see is what you see.” But it was not long before Stella, a restlessly Hbk, U.S. $200.00 Hbk, U.S. $200.00 experimental worker, abandoned austerity for brighter colors, irregular shapes, CDN $240.00 CDN $240.00 Steidl Steidl rougher textures and gestural brushstrokes.

JORDAN SCHNITZER FAMILY FOUNDATION 9780692587072 u.s. $75.00 cdn $90.00 Clth, 10.25 x 12.25 in. / 432 pgs / 375 color / 30 b&w. Martin Kippenberger: Catalogue Raisonné Available/Art of the Paintings, Volume Three 1987–1992​ Edited by Gisela Capitain, Regina Fiorito, Lisa Franzen. Text by Kirsty Bell, Michael Sanchez. Jim Dine: About the Love of Printing​ Although Martin Kippenberger (1953–97) was prolific in many mediums, it was Text by Tobias Burg, Marco Livingstone. in painting that his enduring achievements were made. His relationship to the Perhaps more than any other artist of his generation, Jim Dine (born 1935) is fascinated with the technical medium was intensified by his feeling that he was working against “a perceived processes of printing, particularly with its experimental aspects and unpredictability. Dine often combines death of painting,” and that producing anything original was an impossibility. the most varied of printing techniques on the same sheet of paper, creating completely new methods of One famous instance of his tormented and irreverent attitude to painting was working with the printing plate—often in collaboration with master printers such as Aldo Crommelynck, his integration of an all-gray abstract painting by Gerhard Richter (which he had Kurt Zein and Michael Woolworth. purchased) into the top of a coffee table. This book explores seven print series selected from across the spectrum of Dine’s printmaking, from his The fruit of several years’ labor by Kippenberger’s estate, this third volume of the famous hearts to his ongoing exploration of the self-portrait and his fascination with the story of Pinoc- catalogue raisonné of Kippenberger’s paintings contains details of all works made chio. Two essays offer an insight into the technical particularities of Dine’s prints and the importance of from 1987 to 1992. The entries for these paintings include catalogue number, his collaborations with printers. About the Love of Printing furthermore presents all prints created by Dine title, year, mediums, dimensions, inscriptions, provenance, exhibitions and since 2001, filling a crucial gap in the documentation of his graphic oeuvre. bibliography. Each work is reproduced in full color, along with any relevant source materials (where applicable). STEIDL/MUSEUM FOLKWANG 9783958291997 WALTHER KÖNIG, KÖLN u.s. $35.00 cdn $45.00 9783863356361 ALSO AVAILABLE Clth, 7 x 10.5 in. / ALSO AVAILABLE Jim Dine: My Tools u.s. $395.00 cdn $510.00 FLAT40 Martin Kippenberger: 304 pgs / 400 color. Jim Dine Printmaker: 9783869308289 Hbk, 9.5 x 11.5 in. / 500 pgs / Catalogue Raisonné Vol 4 September/Art Leaving My Tracks Hbk, U.S. $35.00 500 color. 9783863354817 9780878467778 CDN $40.00 September/Art Hbk, U.S. $55.00 Steidl Hbk, U.S. $395.00 CDN $65.00 CDN $480.00 FLAT40 MFA Publications Walther König, Köln

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Clare Rojas: Plain Black​ ​Abstract Paintings Text by Jens Hoffmann. Poem by David Whyte. This volume—the first on the artist in many years—surveys the recent abstractions of the much-admired San Francisco painter Clare Rojas (born 1976). Known for her association with a generation of artists that became internationally prominent through the exhibition Beautiful Losers, Rojas in her earlier paintings drew from various Russian and Eastern European folkloric subjects. While the figures have been removed from this more recent body of work, it is not hard to see their enduring impact on Rojas’ art: with their lively angularity and bold chromaticism, these paintings are equally evocative of folk art and the formalist reductions of key modernist Red Grooms: abstract artists such as Alexander Calder, Matisse, Malevich or Ellsworth Ken Price: Alan Shields: Traveling Kelly. Accompanying these works is an essay by the curator and William Correspondent​ Deputy Director of the Jewish Museum, Jens Hoffmann, and a poem Drawings​ Protracted Kentridge: No It Is​ Text by Marina Pacini, Susan W. by David Whyte. Text by Jean-Pierre Criqui. No It Is documents two recent Simplicity Knowles. Drawing was essential to the art KAVI GUPTA major presentations of work 1944–2005 Red Grooms (born 1937), a Nash- of Ken Price (1935–2012): “For me 9780692666456 u.s. $49.95 cdn $64.95 by South African artist William This monograph, published on ville native who moved to New Clth, 10.5 x 11.5 in. / 208 pgs / 208 color. drawing is really flexible, and I use Kentridge (born 1955): his the occasion of the Aspen Art York City in 1956, is a fascinating October/Art it in different ways. It’s my way exhibition at the Martin-Gropius- Museum exhibition of Alan Shields figure in postwar American art. He of developing ideas.” This volume Bau in Berlin and his performances (1944–2005) in summer 2016, first gained recognition for happen- provides the most substantial at the Berliner Festspiele in showcases a comprehensive ings and filmmaking, and shortly overview of Price’s widely lauded summer 2016. This artist’s book survey of the artist’s expansive thereafter shifted to the production drawing practice. Price’s earliest incorporates a libretto for a practice, which encompassed of large-scale installations and en- drawings, from the 1960s, explore performed guided tour of the printmaking, painting, sculpture vironments. Although working in a forms and colors for his abstract exhibition—a performance which and installation. Moving easily variety of media through which he sculptures, but he also drew bi- is both a guide to the exhibition between these different mediums, mines traditional subjects—portrai- zarre objects, like cups with a leap- The Drawings of Susan Te Kahurangi King​ and an exhibit within it—and Shields, with his deep consider- ture, landscape and still life—his ing frog or a cavorting nude for a ation of material and color, was ​Edited with text by Tina Kukielski. Foreword by Alex Gartenfeld. Text by Gary Panter, Amy Sillman, writings by or conversations with results are distinctly personal and handle. By the end of the 1960s Chris Byrne, Petita Cole, Rachel King. Kentridge about the two projects. interested in opening up a broader readily recognizable. the imaginary spaces they inhab- Like many so-called outsider artists, Susan Te Kahurangi King (born 1951) has an origin story— The exhibition includes early context of art, creating objects that Featuring the artist’s signature ited were fully realized in high-key from an early age, she communicated solely through her art. The Drawings of Susan Te Kahurangi drawings, animated films, instal- could be experienced in relation to paintings, reliefs, sculptures, colors and precise detail. Around King reveals the various periods of the New Zealand artist’s work from that foundational moment: lations, large-scale projections the movement of the human body. installations, prints and films 2002, when Price and his family from her childhood drawings, to her notebooks, to her mature work of the 1970s and ’80s up such as More Sweetly Play the The artworks, essays and inter- spanning 1971 to 2015, Red moved permanently to Taos, New until the point, sometime in the 1980s, when King stopped drawing. Also included is work made Dance and theatrical pieces rang- views in this publication not only Grooms: Traveling Correspondent Mexico, the landscape of his draw- since 2008, when King returned to art, showing the artist’s recent moves beyond representation. ing from Winterreise, an evening examine Shields’ layered pieces, explores these factors through the ings grew wilder. In their erupting King’s surreal, cartoonish work triumphs in dialogue with contemporary painting and drawing, of Schubert lieder, collaborations but also illustrate his belief in a lens of the artist’s works relating volcanoes, cyclonic skies and tur- echoing the comic-inspired work of such painters as Nicole Eisenman, Laura Owens and Joyce with the Handspring Puppet Com- direct connection between art and to New York and Tennessee. bulent seas, nature is a dominant Pensato—work that similarly draws from the poles of an unfettered vision, on the one hand, and pany and chamber opera. In the life, revealing a multifaceted prac- These two radically different force. By 2005 Price had begun common pop culture iconography on the other. Yet in King’s work we see the unfiltered manifes- performance series, titled Drawing tice that merges the sculptural, the environments most shaped his incorporating his sculptural forms tation of a self-taught artist, whose work is always art and communication simultaneously. In ad- Lessons, Kentridge discusses his painterly and the theatrical. oeuvre and provide an excellent into this same primordial world, dition to offering a biographical overview of King’s life, this catalogue tracks the evolution of her working methods and his political ASPEN ART PRESS overview of his artistic production. reimagining them as monumental 9780934324748 oeuvre and provides contextualization of her art. context, from the Apartheid era to MEMPHIS BROOKS MUSEUM OF ART figures. u.s. $60.00 cdn $78.00 the present. 9780997249262 ICA MIAMI Slip, pbk, 7.75 x 10 in. / 260 pgs / MATTHEW MARKS GALLERY u.s. $35.00 cdn $45.00 9780997249279 u.s. $29.95 cdn $37.50 WALTHER KÖNIG, KÖLN 150 color / 50 b&w. 9781880146996 Hbk, 10.5 x 11 in. / 126 pgs / Hbk, 9 x 11 in. / 112 pgs / 75 color. 9783863359300 September/Art u.s. $45.00 cdn $57.50 80 color. December/Art u.s. $29.95 cdn $37.50 FLAT40 Pbk, 11.5 x 14.5 in. / 108 pgs / November/Art Clth, 6 x 10 in. / 250 pgs / 180 color. EXHIBITION SCHEDULE EXHIBITION SCHEDULE 85 color / 5 b&w. Aspen, CO: Aspen Art Museum, September/Art/African Art & Culture EXHIBITION SCHEDULE Miami, FL: Institute of Contemporary Art, Miami, 07/08/16–10/30/16 October/Art Summer 2016 Memphis, TN: Memphis Brooks EXHIBITION SCHEDULE EXHIBITION SCHEDULE Museum of Art, 10/15/16–01/08/17 Berlin, Germany: Martin-Gropius- New York: Matthew Marks Gallery, Bau, 05/12/16–08/21/16 05/06/16–06/25/16

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Concrete Cuba: Cuban Geometric Abstraction from the 1950s​ Text by Abigail McEwen, Susanna Temkin. The development of Cuban geometric abstraction and the formation of Los Diez Pintores Concretos (Ten Concrete Painters) coincided with the radical cultural shifts that raged throughout the country in the 1950s. Against this backdrop, art- ists sought a new visual language in which abstract art could function as political and social practice. Concrete Cuba, produced on the occasion of the 2015–16 exhibition at David Zwirner, marks one of the first major presentations outside Cuba to focus on concretism in Cuba, and includes important works from the late 1940s through the early 1960s by the 12 artists who were associated with the group: Pedro Álvarez, Wifredo Arcay, Mario Carreño, Salvador Corratgé, Sandú Darié, Luis Martínez Pedro, Alberto Menocal, José M. Mijares, Pedro de Oraá, Robin Rhode: Tension​ José Ángel Rosabal, Loló Soldevilla and Rafael Soriano. Text by Andrea Bellini, Michele Robecchi. The Cape Town–born, Berlin-based multidisci- DAVID ZWIRNER BOOKS plinary artist Robin Rhode (born 1976) engages Concrete Cuba: Cuban Geometric Abstraction from the 1950s photography, performance, drawing and 9781941701331 u.s. $55.00 cdn $70.00 Hbk, 9.75 x 11 in. / 150 pgs / 120 color. sculpture to create arrestingly beautiful nar- Theaster Gates: November/Art/Latin American/Caribbean Art & Culture ratives that are brought to life using materials Rodney McMillian​ Edited by Anthony Elms, Naima J. Keith. Text by Black Archive​ such as soap, charcoal, chalk and paint. Edited with text by Thomas D. Trummer. ​ Concrete Cuba: Cuban Geometric Abstraction from the 1950s (Limited Edition)​ Charles Gaines, Rita Gonzalez, Dave McKenzie, Coming of age in a newly post-apartheid South Steven Nelson. Text by Romi Crawford. The limited edition comes with a signed and numbered print by Pedro de Oraá Africa, Rhode was exposed to new forms of For more than a decade, Los Angeles–based The transformation of everyday and urban (born 1931), available in five different versions. Each edition is limited to 20 copies. creative expression motivated by the spirit of the artist Rodney McMillian (born 1969) has worked detritus is one of Chicago-based artist Theaster Slip, hbk, 9.75 x 11 in. / 150 pgs / 120 color. u.s. $400.00 cdn $520.00 SDNR20 individual rather than dictated by a political or in sculpture, painting, video and performance to Gates’ (born 1973) fundamental artistic strate- Estaticos I, 2016 9781941701447 social agenda. explore the intersections of race, class, gender gies. It is an approach that the works in this Estaticos II , 2016 9781941701461 This new Hatje Cantz publication emphasizes and socioeconomic policy. volume, some of which have been especially Estaticos III, 2016 9781941701478 the influence of Arte Povera on Rhode’s aes- Copublished by the Institute of Contemporary created for Kunsthaus Bregenz, encompass- Estaticos IV, 2016 9781941701485 thetic, whose creative dialogue also formed Art, University of Pennsylvania and The Studio ing sculptures and what are often large-scale Estaticos V, 2016 9781941701492 during his meeting with the gallery Tucci Russo Museum in Harlem on the occasion of Rodney installations, also adhere to. For the first time, and his early collaborative efforts with photog- McMillian: The Black Show and Rodney elements of a collection that Edward J. Williams rapher Paolo Mussat Sartor, in which he trans- McMillian: Views of Main Street, this volume had assembled over many years and which Four Generations: The Joyner/Giuffrida formed urban landscapes and interior spaces offers an in-depth examination of McMillian’s Gates has titled Negrobilia, will be on public Collection of Abstract Art​ into imaginary worlds, as two-dimensional varied practice and his meditations on social display. Williams’ aim was to remove these Edited by Courtney J. Martin. Introduction by Mary Schmidt Campbell. Text by ​ renderings become the subject of three-dimen- systems, art history, science fiction and objects from the market and thus from any Chris Bedford, Joost Bosland, Mark Bradford, Alexis Clark, Nicholas Cullinan, et al. sional interactions by a sole protagonist (usually public policy. obvious visibility. Gates’ multilayered Black The Joyner/Giuffrida Collection of Abstract Art is widely recognized as one of the played by the artist or by an actor inhabiting the In addition to contributions by Elms and Archive and its critical engagement with most significant collections of modern and contemporary work by African and role of artist). Keith, McMillian’s radical use of postconsumer political issues are addressed in a contribution African Diasporan artists. Four Generations draws upon the collection’s unparalleled HATJE CANTZ objects, video and painting is addressed in by Romi Crawford, while Thomas D. Trummer holdings to explore the critical contributions made by black artists to the evolution of 9783775741606 u.s. $75.00 cdn $95.00 essays by leading figures including Charles focuses on expounding Gates’ artistic concept visual art in the 20th and 21st centuries. Illustrated with hundreds of works, it also Clth, 12 x 9 in. / 232 pgs / 450 color. Gaines, Rita Gonzalez, Dave McKenzie and underlying the exhibition in Bregenz. Gates September/Art/African Art & Culture features texts by leading artists, writers and curators. Four major essays outline Steven Nelson. himself also provides a rumination on his own the unifying themes and historical background on the struggles, innovations, artistic practice. THE STUDIO MUSEUM IN HARLEM/INSTITUTE communities and questions that have driven the development of African American OF CONTEMPORARY ART, UNIVERSITY OF KUNSTHAUS BREGENZ PENNSYLVANIA and African arts. Short essays on single artists and significant works punctuate 9783863359133 u.s. $50.00 cdn $65.00 9780942949438 u.s. $50.00 cdn $65.00 each historical chapter, discussing artists such as Kara Walker, Mark Bradford, Hbk, 9.5 x 12 in. / 208 pgs / 70 color / 20 b&w. Hbk, 8.25 x 11 in. / 168 pgs / 121 color. September/Art/African American Art & Culture Lorna Simpson, Norman Lewis, Glenn Ligon, Theaster Gates, Clifford Owens, September/Art/African American Art & Culture Jennie C. Jones, Julie Mehretu and more. The catalogue is further illustrated with EXHIBITION SCHEDULE EXHIBITION SCHEDULE major works by artists from throughout the last century, such as Beaford Delaney, Bregenz, Austria: Kunsthaus Bregenz, New York: The Studio Museum in Harlem, 04/23/16–06/26/16 Jacob Lawrence, Alma Thomas, David Hammons, Sam Gilliam, Lauren Halsey, Oscar 03/24/16–06/26/16 Murillo, Jayson Mousson, Robin Rhode, Zander Blom and Lynette Yiadom-Boakye. Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 02/03/16–08/14/16 GREGORY R. MILLER & CO. 9781941366103 u.s. $55.00 cdn $70.00 Hbk, 8 x 10.25 in. / 336 pgs / 270 color. September/Art/African American Art & Culture

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Bruce Conner 2016 SPRING–SUMMER SUPPLEMENT Brass Handles​ Marcel Dzama: A Project by Will Brown The Book of Ballet​ La Chose La Plus Incroyable Text by Jean Conner. Photographs The Thoughts of by Jason Fulford. Dans Le Monde Fia Backström: BACK IN PRINT 2016 SPRING–SUMMER SUPPLEMENT Gilbert & George​ Text by Hans Christian Andersen. Artist and filmmaker Bruce Siri Aurdal​ C∞P​ Introduction by David Platzker. Barbara Bloom: Interview by Lucas Zwirner. Peter Fischli and Conner’s (1933–2008) mobility was Text by Will Bradley, Eline Mugaas. A-Script This vinyl LP record, published in Published on the occasion of George Maciunas: Gifts​ severely limited for the last five Norwegian artist Siri Aurdal (born C∞P documents Swedish artist a limited edition of 2,000 copies, David Weiss: Text by Susan Tallman. Marcel Dzama’s (born 1974) Diagram of years of his life, when he rarely left 1937) achieved prominence in her Fia Backström’s (born 1970) per- each signed and numbered by Flowers and This beautifully produced book collaborative ballet with choreog- the San Francisco home he shared home country during the 1960s formances of two recent scripts, Historical Gilbert & George, is a new and by New York–based conceptual rapher Justin Peck and musician Mushrooms​ with his wife, Jean. To aid in his and ’70s with works that encour- continuing her exploration of Development of unique artwork on which the This volume is a reprint of the artist Barbara Bloom (born 1951) Bryce Dessner at the New York physical navigation of its spaces, aged public participation. An inter- language, marketing, disorders Fluxus​ sculptors revisit their first ma- magnificent and rare artist’s explores the nature of gifts in rela- City Ballet, The Book of Ballet he worked with assistants to install est in mathematics moved Aurdal and performance. The first script and Other 4 Dimentional, ture work, The Singing Sculpture book by the Swiss duo Peter tion to aspects such as wrapping, documents the genesis of all a succession of solid brass handles to devise modular forms that could operates according to two distinct Aural, Optic, Olfactory, (1968)—their recording of Fischli (born 1952) and David covering and uncovering, pleasure aspects of the project. It begins in each and every room—sur- be reconceived for a range of logics: a four-part linear base struc- Epithelial, and Tactile Art Flanagan and Allen’s Depression- Weiss (1946–2012). Bursting with and generosity. with “The Most Incredible Thing,” rounding the stove, down the boat- sites, not only in the galleries and ture and text material that was Forms era song “Underneath the luscious color and consisting of A passionate collector of ornamen- the Hans Christian Andersen like stairwell, inside the recesses of museums where they were initially chosen and read during the perfor- Text by Mats B. Arches”—as if it were an old friend multiple superimposed images, tal paper from all over the world, story on which the ballet is based, the bedroom closet. At last count, exhibited. These works included mance through chance movement Fluxus founder George Maciunas they had not seen in years, remi- these photographs by Fischli/ Bloom has studied the history and presents Dzama’s costume the handles, a labyrinth of critical installations made of common of the performer’s body across a (1931–78) first published his poster niscing with it and bringing their Weiss (dubbed “the Nichols and aesthetics of gift-wrapping in designs. The images not only support, numbered 163. materials like Plexiglas or large- grid. This publication was espe- Diagram of Historical Development liaison up to date on their most and May of contemporary art” detail. In Gifts, she tries to blur the show final design decisions, Still in situ after his death in 2008, scale sinusoidal sculptures made cially designed to reflect this type of Fluxus and Other 4 Dimentional, recent art, thoughts and endeavors by The New York Times for conventional distinction between but also chart the changes in the handles are arguably Conner’s of industrial tubes. of unpredictable and spontaneous Aural, Optic, Olfactory, Epithelial in the fashion of a radio show or their critically admired brand of art and life while offering new in- costumes as the project unfolded, last great work—at once physical The reproductions in this artist’s movement. Mathematical symbols and Tactile Art Forms in the Swed- podcast. In an age of soundbites, humor) navigate the fine line sights on notions of concealment and the ways in which Dzama’s and metaphysical, fragmentary and book include installation views, have been embedded into the text ish magazine Kalejdoskop (issue Gilbert & George conceived The between beauty and kitsch. and revelation, drawing on various conception of the characters in elusive, elegant and anonymous. slides, drawings, collages, portraits and these symbols link to ones on three) in 1979. This issue of the Thoughts of Gilbert & George to For this series, made between historical examples. “Can the box the ballet evolved. The book Together, they draft the ghost ar- and ephemera from the 1960s to the upper corner of pages with magazine consisted of three be savored as one would take in a 1997 and 1998, the artists spent be an artwork? Can the wrapping closes with a conversation be- chitecture of Conner’s final years, 2016, highlighting many pieces nonlinear material. These indicate accounts of Fluxus, one being picture or a radio-personality show countless hours documenting be the gift?” she asks her readers. tween Dzama and Peck in which transforming the pedestrian into that have never been exhibited or where the text could be inserted Maciunas’ historical diagram and in the predigital era. Not simply gardens and mushroom patches, Bloom’s work has been shown choreographer and artist discuss something altogether different. are no longer in existence. Aurdal during a performance, thus incor- the others being two essays by a visit to their past, it generously thoughtfully crafting intoxicating internationally, including exhibi- their collaborative process, and Will Brown is a collaborative collaborated with Norwegian art- porating the form of performance Mats B. (one in English and one welcomes its listeners into their compositions which took on an tions at the Venice Biennale and the important role of renowned project founded by Lindsey White, ist Eline Mugaas on an exhibition into the book. The second script in Swedish) on the poster’s sleeve archives and studio to spend time element of chance when layered The Museum of Modern Art, New composer Dessner in bringing Jordan Stein and David Kasprzak. at Kunstnernes Hus, and Mugaas serves as an epilogue to the first summarizing the movement. with them and their art, deeply in photographic double exposures. York. Gifts is a further step in the the project to life. Also included Formerly based in a San Francisco extended their collaboration into and was performed by four voices, Primary Information’s new fac- engaging with us from their world The result is a hallucinogenic artist’s personal investigation into is a poster made specifically storefront, Will Brown’s main book form, assembling this cata- reading from beginning to end simile edition recreates all three as on the eastern edge of London and portrait of berries, grasses, flowers, the world of objects, itself a gor- for this book by the artist. objective is to manipulate the logue-cum-artist’s book. It gives without assigned lines, sometimes they originally appeared in 1979, extending throughout our globe. geously produced object ripe for weeds and mushrooms in vivid, structures of exhibition-making DAVID ZWIRNER BOOKS/NEW YORK a kaleidoscopic representation of simultaneously. housed in a printed card sleeve in gift giving. The volume includes a CITY BALLET THE MUSEUM OF MODERN ART/ saturated color, dissolving in and as a critical practice. Will Brown Aurdal’s past ventures, her archive a polybag. Unfolded, the poster MOMA PS1 RECORDS bookplate signed by the artist. 9781941701270 PRIMARY INFORMATION out of focus, beautifully printed on 9781633450103 recently mounted a solo exhibition u.s. $20.00 cdn $26.00 and her current studio work, 9780990689645 measures 17.5 x 47 inches. u.s. $50.00 cdn $65.00 SDNR30 folded, unbound sheets. LUDION at the Berkeley Art Museum/Pacific Pbk, 9 x 6 in. / 48 pgs / 37 color. lyrically arranged by Mugaas. u.s. $18.00 cdn $23.95 PRIMARY INFORMATION 9789491819490 Available/Art/Performing Arts Pbk, 7.5 x 9 in. / 134 pgs / 10 b&w. Vinyl Record, 12 x 12 in. WALTHER KÖNIG, KÖLN Film Archive. PRIMARY INFORMATION 9780990689669 u.s. $40.00 cdn $52.50 July/Art September/Limited Edition/Gay/ 9783863358747 Hbk, 6 x 9.25 in. / 112 pgs / 50 color. J&L BOOKS 9780990689676 u.s. $16.00 cdn $20.00 Lesbian u.s. $39.95 cdn $50.00 SDNR40 July/Art/Artists’ Books 9780989531184 u.s. $30.00 cdn $40.00 Pbk, 6.5 x 9.5 in. / 2 b&w. Pbk, 7.75 x 10 in. / 160 pgs / Available/Art/Artists’ Books u.s. $45.00 cdn $57.50 Pbk, 7.5 x 10.5 in. / 348 pgs / 40 color. Hbk, 9.5 x 6.5 in. / 128 pgs / 282 color / 40 b&w. July/Art/Gardens 100 color. July/Art October/Photography/Artists’ Books

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Jean Tinguely: Retrospective​ Text by Kaira Cabañas, Hans-Christian von Herrmann, Dominik Müller, ​ Johan Pas, Margriet Schavemaker, Barbara Til, Beat Wismer, Thekla Zell. Associated with the Nouveaux Réalistes and Zero, Swiss painter and sculptor Jean Tinguely (1925–91) is best known for his whirring, jangling meta-mechanic sculptures, which take up Dada’s mantle in their use of discarded materials and their wit, humor and irony. But this perception of Tinguely as merely a playful kinetic sculptor neglects the more topical, critical, theoretical and interdisciplinary aspects of Tinguely’s work. An extensive monograph on this chronically underpublished artist, Jean Tinguely: Retrospective is the first publication to explore the artist’s work from this perspective. Tinguely’s machines are built to malfunction or self-destruct, expressing a pessimistic view of human existence and death—and yet they are infectiously cheerful. His meta-mechanics suggest a hobbyist’s enthusiasm for technol- Karel Appel: Gianni Piacentino​ Franz Erhard ogy, but made out of junk, they also suggest the artist’s skepticism regarding Retrospective​ and Italy​ Edited by Germano Celant, Chiara technological advance. Tinguely loved art history, and yet he launched savage Edited with text by Rita E. Täuber. Costa. Foreword by Miuccia . Walther: The Edited by Franz-W. Kaiser. Text Text by Bruno Corà, Marc Gundel, Text by Germano Celant, Gianni attacks on the museum with pieces that are now seminal works of institu- by Klaus Ottmann, Rudi Fuchs. Magdalena Holzhey, Stefan Piacentino, Carlo Barbatti. Body Draws​ Interviews by Michel Ragon. tional critique. Nienhaus, Petra Richter, Beat The art of Gianni Piacentino (born Texts by Luis Croquer, Clément With contributions from Kaira Cabañas, Hans-Christian von Herrmann, Published to accompany a major Stutzer, Kirsten Claudia Voigt. Dirié, Lucia Schreyer, Franz 1945) represents a universe of Erhard Walther, Gregory Williams. Dominik Müller, Johan Pas, Margriet Schavemaker, Barbara Til and Beat retrospective exhibition and includ- Widely regarded as one of the perfection, calculation and con- Interview by Elena Filipovic. ing 67 paintings, 12 sculptures most influential figures of the Wismer, this volume presents Tinguely as an artist whose work sustained centration, one of geometrical and A contemporary of Donald Judd and more than 60 drawings, Karel second half of the 20th century, contradictions and courted ambiguity. primary forms. Combining this and Richard Serra, the highly influ- Appel: Retrospective demonstrates Joseph Beuys (1921–86) was KOENIG BOOKS EXHIBITION SCHEDULE sensibility with an appreciation of ential German artist Franz Erhard that Dutch artist Karel Appel prolific in his production of perfor- 9783863358235 u.s. $45.00 cdn $57.50 Dusseldorf, Germany: Kunstpalast pop culture, Piacentino turned to Walther (born 1939) has been Hbk, 8.5 x 11.5 in. / 248 pgs / 416 color. (1921–2006) was much more than mance art, sculpture, installations Dusseldorf, 04/23/16–08/14/16 the world of velocity and transpor- investigating the spatial and senso- July/Art Amsterdam, Holland: Stedelijk just a member of the avant-garde and graphic art. Joseph Beuys and tation including cars, motorcycles rial and dimensions of forms for Museum, 10/01/16–03/05/17 Cobra group, and more than the Italy focuses on a hitherto little- and planes, creating industrial-in- over six decades. Walther’s sculp- flamboyant personal image he cul- noted aspect of the artist’s work: spired sculptures that straddle the tural practice is rooted in perfor- tivated. “I’m tackling two clichés,” his special relationship to Italy line between design and art. mance and collaborative situations, Franz Kaiser, the exhibition’s throughout his life. It was in Italy This three-volume publication challenging traditional notions of curator, told The New York Times. that his best-known editions and comprises more than 90 works, sculptural process and product. “One is that Appel was always final large installation, “Palazzo Matt Mullican: Rubbings​ retracing the artist’s output in re- Published on the occasion of identified with Cobra and the other Regale,” were created. It was in Catalogue 1984–2016 verse chronological order, starting the artist’s first major US show one is that Karel was ‘just mess- Italy where the artist felt most at Edited with text by Dieter Schwarz. with his most recent works from since he was included in the 1969 ing around.’” Appel had a long home, and, for Beuys the social Deploying a unique form of “frottage” technique, Matt Mullican’s (born 1951) Rubbings have 2015 and working backwards to Spaces exhibition at The Museum and varied career before and after reformer, felt his idea of social served to record the abiding motifs and themes of his art since the early 1980s. From the those from 1965, when Piacentino of Modern Art, Franz Erhard Wal- Cobra; the artist worked steadily sculpture most reflected in the beginning of his career, Mullican tried to create pictures that would not be paintings, producing veered between Pop art and mini- ther: The Body Draws features until his death in 2006. Taking culture, history and lifestyle of the banners, posters and, in 1984, his first Rubbing. malism but ultimately developed new scholarship by Luis Croquer, stock of Appel’s entire oeuvre, this Italian people. The technique works thus: the canvas is placed on a cardboard plate, which is rubbed with an a practice that fit neither category. Clément Dirié, Lucia Schreyer and volume explores the artist’s early With 100 exhibits, drawings, works oil stick to transfer the image. The cardboard plate can be reused for other works, and so the Featuring images of sketches and Gregory Williams, an interview and interest in outsider art, his wide- on paper, multiples and objects, imagery may reappear in different configurations. Each Rubbing is therefore at once a single art works, text by Germano Celant, a newly translated text by the art- ranging stylistic experiments and as well as archival film and audio work and a reproduction. Comprising around 450 works, documented by images and catalogue a conversation with the artist ist. Nearly 100 color photographs, his highly individual interpretations material, this volume invites read- entries, this volume documents all of Mullican’s Rubbings on canvas from 1984 to 2016. and a chronology of his exhibition including archival images and im- of traditional genres such as the ers along on a special journey to JRP|RINGIER history, this is a handsome ages of the exhibition installation, nude, the portrait and the land- Beuys’ Italy. 9783037644614 u.s. $70.00 cdn $90.00 introduction to the artist’s work. document drawings, photographs scape. Hbk, 7 x 9.25 in. / 448 pgs / 460 color. KERBER FONDAZIONE PRADA and sculptures produced between September/Art WALTHER KÖNIG, KÖLN 9783735602398 9788887029635 1957 and the present. 9783863358846 u.s. $39.95 cdn $50.00 EXHIBITION SCHEDULE ALSO AVAILABLE u.s. $49.95 cdn $64.95 u.s. $50.00 cdn $65.00 FLAT40 Hbk, 6.75 x 8.25 in. / 265 pgs / HENRY ART GALLERY Winterthur, Switzerland: Matt Mullican: Conversations Slip, pbk, 3 vols, 6 x 9 in. / 396 pgs / Hbk, 8.5 x 11 in. / 264 pgs / 76 color / 86 b&w. 9780935558555 Kunstmuseum Winterthur, 06/12/16–10/16/16 9783832194161 400 color. July/Art u.s. $40.00 cdn $52.50 Hbk, U.S. $35.00 CDN $40.00 145 color. September/Art DuMont Buchverlag July/Art Hbk, 8 x 10 in. / 224 pgs / 75 color / 25 b&w. September/Art

98 artbook.com­­ artbook.com 99 Postwar American painting

We are pleased to welcome DOMINIQUE LÉVY to the list. The gallery’s exquisite monographs and surveys feature scholarship by leading contemporary thinkers alongside archival materials. See overleaf for backlist titles.

Alexander Calder: Multum in Parvo​ ​Text by Paul Goldberger, Jed Perl, Karl Shapiro, John Updike. Multum in Parvo highlights the complex relationship between scale and size in the oeuvre of Alex- ander Calder (1898–1976) over a period of more than 30 years. As its title—translating to “much in little”—implies, the volume features over 40 rare small-scale Ed Ruscha: Ribbon Words​ sculptures, ranging from the size of a thumb to 30 inches tall, all of which feature the same physi- Text by Dieter Buchhart, Alexandra Schwartz, cal qualities as Calder’s largest mobiles in the most miniature of detail. Glenn O’Brien. In addition to archival material, installation photography of the sculptures in the environment de- The is the first publication to focus on Ed Tom Wesselmann​ signed for them by architects Santiago and Gabriel Calatrava, and original architectural sketches, Barnett Newman: Ruscha’s (born 1937) Ribbon Word works, Text by Michael Lobel. the book also includes commissioned essays by Jed Perl, art historian and author currently at begun in 1966. It features reproductions of more Best known for his career-spanning series Drawings and Prints​ work on the first full-length biography of Alexander Calder, and Paul Goldberger, Pulitzer Prize- than 50 masterpieces, along with three essays Great American Nude, featuring female figures Text by Anita Haldemann, Karoline Schliemann. winning architecture critic, as well as poems by Karl Shapiro and John Updike. Barnett Newman (1905–70) famously strove by the show’s curator Dieter Buchhart, as well in intensely saturated interiors, Pop artist DOMINIQUE LÉVY to create an art of “pure idea” that would strip as contributions by Glenn O’Brien and Alexandra Tom Wesselmann (1931–2004) used collage, 9780986060656 u.s. $60.00 cdn $78.00 Schwartz, highlighting the works’ wide array of assemblage and shaped canvases to usher away narrative, figuration and extraneous detail Hbk, 10 x 13.5 in. / 164 pgs / 62 color / 18 duotone. from painting. By 1948 he had arrived at his subtle color and nuanced drawing technique, in a new vocabulary of painting. July/Art signature format—painted color fields bisected and showing how Ruscha’s paper ribbons be- The works in this catalogue highlight a number ALSO AVAILABLE came three-dimensional, illusionistic objects. of techniques that Wesselmann pioneered and by vertical “zips.” Though he is best known Alexander Calder: for his Abstract Expressionist-cum-minimalist Ruscha developed this body of work from cal- are largely not to be found among his Pop con- Discipline of the Dance paintings in this vein, Newman also made draw- ligraphic lines and cursive handwriting in order temporaries. In an interior still life from 1964, 9788416282265 Hbk, U.S. $55.00 CDN $70.00 ings throughout his career and began making to give his drawings the appearance of three- Wesselmann incorporates a fan and a clock into RM/Fundación Jumex Arte the canvas, pushing the boundaries of collage prints in 1961. dimensional forms. His imaginary ribbon-word Contemporáneo Newman’s graphic work clarifies the artist’s long objects provoke multiple cultural meanings and assemblage. Collages from the 1960s fea- quest to represent his “pure idea” while also as they suggest sculptures modeled by light. ture cutouts from advertising billboards. revealing an experimental, even playful, side to Ruscha’s breathtaking work, using an inimitable Also included are Wesselmann’s steel-cut the artist which is rarely glimpsed in the seri- trompe l’oeil technique with the application of works, molded plastic paintings and his iconic ous, minimal language of his paintings. Barnett gunpowder, constitutes a major contribution to shaped canvases. A large-scale painting instal- Drawing Then​ ​Innovation and Influence in American Drawings of the Sixties Newman: Drawings and Prints celebrates New- 20th-century art. lation is featured, underscoring Wesselmann’s highly innovative approach in bringing the Text by Richard Shiff, Robert Storr, Mei-mei Berssenbrugge, Suzanne Hudson, Roni Feinstein, man’s achievements in the graphic arts through EDWARD TYLER NAHEM FINE ART Anna Lovatt, Griselda Pollock. the holdings of the Prints Department of the 9780996918114 medium into three dimensions. From his Inspired by the 1976 exhibition Drawing Now at The Museum of Modern Art, Drawing Then Kunstmuseum Basel, and is the first publication u.s. $65.00 cdn $85.00 Great American Nude of 1961 to his final Clth, 11 x 8.5 in. / 112 pgs / 65 color. investigates revolutionary developments in the practice of drawing that emerged in the United to provide an overview of the artist’s entire print Sunset Nudes of 2004, the full breadth of September/Art States during a decade of radical social and political upheaval. oeuvre. Wesselmann’s accomplishment is represented. With more than 70 works by 39 artists—almost half of whom were not represented in the 1976 MITCHELL-INNES & NASH KERBER exhibition—Drawing Then includes works by Josef Albers, Mel Bochner, Chuck Close, Dan 9780988618886 9783735601827 Flavin, , Jasper Johns, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Brice Marden, u.s. $45.95 cdn $57.50 u.s. $40.00 cdn $52.50 Hbk, 8.75 x 10.25 in. / 104 pgs / 72 color / 6 b&w. Pbk, 10 x 11 in. / 128 pgs / 66 color / 17 b&w. Agnes Martin, Cy Twombly, Andy Warhol, Barnett Newman, Robert Rauschenberg and Ed Rus- July/Art July/Art cha, among other greats. The volume also includes newly commissioned work by poet Mei-mei Berssenbrugge in ad- dition to rare archival material, artists’ biographies and a comprehensive chronology linking developments in the art world with the larger social and political events of the decade.

DOMINIQUE LÉVY 9781944379049 u.s. $70.00 cdn $90.00 Hbk, 9 x 11.75 in. / 208 pgs / 137 color / 41 duotone. July/Art

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Germaine Richier: Pierre Soulages: Enrico Castellani Sotto Voce Sculpture 1934–1959 New Paintings Text by Hans Ulrich Obrist, Text by James Fox, Émilie Streiff. Text by Sarah Wilson, Anna Text by John Yau, Alain Badiou, Angela Vettese, Federico Sardella. Sotto Voce maps the historical Swinbourne. Featuring more than Hans Ulrich Obrist. Accompanying Showcasing the paintings of progression of the abstract white Senga Nengudi​ 40 works, this publication presents his first American exhibition in 10 influential Italian artist Enrico relief from the 1930s to the 1970s. Text by Rizvana Bradley, Jessica sculptures by the seminal postwar years, this publication introduces Castellani (born 1930), this It includes works by Jean Arp, Ben Bell Brown, Ellen Tani. Robert publication presents his first solo Nicholson, Lucio Fontana, Piero In the 1970s, Colorado-based Gerhard Richter: French artist Germaine Richier 14 new paintings by French Motherwell: (1902–59). Richier’s first American painter, engraver and sculptor exhibition in London. Castellani’s Manzoni, Sergio Camargo, Enrico artist Senga Nengudi (born 1943) Colour Charts​ Gego: publication, it pairs her sculptures Pierre Soulages (born 1919). large-scale relief canvases are Castellani, Henri Laurens, Fausto worked in Los Angeles as part of Elegy to the Text by Dietmar Elger, Hubertus Autobiography placed in dialogue with his more Melotti, Günther Uecker, Luis with a selection of photographs The works are from the artist’s an emerging community of African Spanish Republic​ Butin, Jaleh Mansoor. by her contemporary Brassaï, who ongoing Outrenoir series, and are recent angular, metallic paintings. Tomasello and Mira Schendel. of a Line​ American artists that engaged with In 1966, German artist Gerhard Text by David Anfam, Barbara Text by Sandra Antelo-Suarez, documented the artist’s studio and complemented with works from DOMINIQUE LÉVY DOMINIQUE LÉVY multiple radical political move- Guest, Federico García Lorca, Richter (born 1932) embarked on Jesus Fuenmayor, Kaira Cabañas, production. the 1950s and ’60s. 9781944379032 u.s. $50.00 cdn $65.00 9780986060663 u.s. $40.00 cdn $52.50 ments underway in the US and Harold Rosenberg, John Yau. a series of paintings: uniform grids Daniel Crespin, Chus Martínez, Hbk, 9 x 11.75 in. / 126 pgs / Hbk, 7.75 x 10.25 in. / 136 pgs / DOMINIQUE LÉVY AND GALERIE DOMINIQUE LÉVY/GALERIE PERROTIN Robert Motherwell (1915–91) Anne Tardos. 53 color / 20 duotone. July/Art 51 color / 14 duotone. July/Art around the globe, including the of colored rectangles or squares PERROTIN u.s. cdn $57.50 9780986060694 $45.00 came to abstraction not through in a chart configuration against In the intricate wire sculptures of 9780986060601 u.s. $50.00 cdn $65.00 Black Power and feminist move- Hbk, 10 x 13.5 in. / 96 pgs / 35 color / painting, but through philosophy, the German-born Venezuelan artist Hbk, 9.25 x 12 in. / 164 pgs / 16 duotone. July/Art ments. Using quotidian materials a white background, inspired by Gego (1912–94), lines are given 76 color / 54 duotone. July/Art to create installations, sculptures, poetry and art history. While study- industrially produced paint chips. new dimension, describing archi- performances and videos, these ing at Stanford, he was introduced With the exception of only one tectural space and engaging with artists were key participants in to modernism and symbolism; other painting, this marked the the human body. Gego: Autobiog- the emergence of a postminimal Mallarmé’s dictum, “To paint, not artist’s first use of color and a raphy of a Line gathers key works aesthetic. the thing, but the effect it pro- turning point in his career. from the artist’s oeuvre, from her This volume features Nengudi’s vides,” would prove essential in This comprehensive catalogue is famed entropic sculpture of the recent nylon mesh pantyhose Motherwell’s work. Elegy to the the first publication dedicated to ‘70s to the works on paper created and sand sculptures that respond Spanish Republic is perhaps the the original Colour Charts, both at the end of her long career. directly to her performative, most literal example of this influ- those created in 1966 and those This fully illustrated publication biomorphic series Répondez ence. Begun in 1948, the series, made in the ‘70s after a five-year is among the first to position s’il vous plaît (RSVP) (1975–77). comprising some 150 canvases, hiatus. Featuring new essays by Gego’s work in a global context, Engaging in a dialogue with both was the artist’s “funeral song for Dietmar Elger, head of the Gerhard and features texts by curator Chus postminimalism and second-wave something once cared about” Richter Archive; Hubertus Butin, Audible Presence Kazuo Shiraga Roman Opalka: Local History: Martínez, head of the Institute of feminism, the stretched, twisted in abstract pictorial form. curator and author of several key Lucio Fontana, Yves Klein, Text by Koichi Kawasaki, Ming Painting ∞ Castellani, Judd, Exploring the inextricable links texts on Richter; and Jaleh Man- Art of the FHNW Academy of Arts Tiampo, John Rajchman, et al. and knotted fabric of the RSVP Cy Twombly Text by François Barré, Lóránd Stella between poetry, politics, writing and Design in Basel, Switzerland; This volume presents the oeuvre works and more recent Reverie soor, professor at the University of Text by Rainer Maria Rilke, Elena Hegyi, Jacques Roubaud, Charles Text by Linda Norden. Local and painting revealed in the history art historian Kaira Cabañas; and of Gutai artist Kazuo Shiraga sculptures recall contorted flesh. British Columbia, whose research Geuna, Michel Chion, . Wylie. Painting ∞ provides an History brings together rarely (1924–2008), discussing the of the series, this volume includes concentrates on modern abstrac- Gego’s grandson, Daniel Crespin; Audible Presence explores the overview of Roman Opalka’s seen works from the 1950s Nengudi’s corporeal sculptures, influences of both Western action Harold Rosenberg’s “A Bird for as well as previously unpublished time-based procedures employed (1931–2011) career, spanning through the early 1970s by Enrico which often suggest genitalia and tion and its socioeconomic impli- painting and ancient Japanese Every Bird,” Federico García archival material. The book also by three influential 20th-century more than five decades. In 1965, Castellani, Donald Judd and Frank breasts, take on feminist associa- cations, this is a handsome tribute Buddhist ritual. With previously includes “GEGO,” a new poem by artists: Italian Lucio Fontana, Opalka began a project that would Stella, juxtaposing these with tions as “part-objects” (to use psy- Lorca’s “Llanto por Ignacio to one of Richter’s most ground- unpublished material, including a poet, artist and composer Anne French Yves Klein and American occupy the entirity of his career, later examples that reveal each choanalyst Melanie Klein’s term) in Sánchez Mejías,” notes and breaking bodies of work. facsimile of his scrapbook, it is the Cy Twombly. With historical texts, titled Opalka 1965/1—∞. Each artist’s distinct evolution and the writings by Motherwell on the Tardos, performing a linguistic first definitive English-language the absence of adjoining bodies. DOMINIQUE LÉVY photographs and ephemera, it painting comprises rows of tiny various reverberations of their brief Spanish Civil War, scholarly essays intervention in Gego’s work. monograph on Shiraga. 9781944379018 relates their work to music, sound numbers that progress sequentially aesthetic collision in the 1960s. DOMINIQUE LÉVY and rare archival material. u.s. $60.00 cdn $78.00 from one canvas to the next. 9781944379025 DOMINIQUE LÉVY and silence. DOMINIQUE LÉVY/AXEL VERVOORDT Hbk, 9.25 x 12 in. / 140 pgs / DOMINIQUE LÉVY u.s. $30.00 cdn $40.00 DOMINIQUE LÉVY 9780986060649 GALLERY 91 color / 15 duotone. DOMINIQUE LÉVY DOMINIQUE LÉVY 9780986060632 u.s. $45.00 cdn $57.50 Pbk, 8 x 12.5 in. / 92 pgs / 24 color / u.s. $50.00 cdn $65.00 9780986060687 u.s. $85.00 cdn $105.00 9781944379001 9780986060618 u.s. $45.00 cdn $57.50 July/Art Hbk, 9 x 13.25 in. / 168 pgs / 9781944379063 u.s. $60.00 cdn $78.00 Hbk, 9.25 x 12 in. / 296 pgs / Pbk, 9.25 x 12 in. / 144 pgs / 19 duotone. u.s. $55.00 cdn $70.00 Hbk, 9.5 x 13.5 in. / 156 pgs / 102 color / 26 duotone. Hbk, 9.25 x 12 in. / 172 pgs / 152 color / 50 duotone. July/Art/ 78 color / 5 duotone. July/Art July/Art/African American Art & Hbk, 10 x 12.5 in. / 120 pgs / 49 color / 24 duotone. July/Art July/Art/Latin American/Caribbean 77 color / 66 duotone. July/Art Asian Art & Culture Culture 40 color / 23 duotone. July/Art Art & Culture

102 artbook.com­­ artbook.com 103 HIGHLIGHTS ■ ART

Anthony Cragg: Parts of the World​ ​Retrospective Edited by Gerhard Finckh. Text by Germano Celant, Lynn Cooke, Peter Schjeldahl, Jon Wood, Thomas McEvilley. Since British sculptor Anthony Cragg (born 1949) began working in the 1970s and came to fame in the 1980s as part of the New British Sculpture generation, his work has undergone a number of permutations while consistently remaining motivated by a fundamental concern with the qualities of his materials—whether they be found ob- jects, raw materials or manufactured compounds like fiberglass. From his early instal- lations featuring modest arrangements of found objects to his recent sculptural forms that look like natural accretions experiencing computer glitches, Cragg remains deeply committed to material and to sculpture. Cragg’s work is immensely varied, encompassing drawing, sketching, modeling and photography, as well as the production of finished sculptures. All these elements of Cragg’s oeuvre are accounted for in Anthony Cragg: Parts of the World, the artist’s first retrospective monograph. Objects are arranged in roughly chronological order, and supplemented by texts drawn from the same chronological span, allowing the reader to reconstruct a history of Cragg’s reception as well as his artistic production. Including Alexander Calder & texts by Germano Celant, Lynn Cooke, Peter Schjeldahl and Thomas McEvilley written Niele Toroni​ Fischli/Weiss​ since the 1980s, Anthony Cragg: Parts of the World concludes in the present, with an Edited by Karen Marta, Simon Castets. Text by 2016 SPRING–SUMMER SUPPLEMENT Text by Theodora Vischer, et al. Joachim Pissarro, Annie Wischmeyer, Niele The American artist Alexander Calder (1898– essay by Jon Wood and a recent interview with the artist. Toroni. David Weiss: Works, 1976) and Swiss artists Peter Fischli (born 1952) WALTHER KÖNIG, KÖLN Since 1966, Swiss painter Niele Toroni (born ALSO AVAILABLE 9783863359218 u.s. $65.00 cdn $85.00 1968–1979​ and David Weiss (1946–2012) have all sought Tony Cragg: It Is It Isn’t 1937) has applied paint imprints of a number Hbk, 10 x 13 in. / 472 pgs / 574 color. Edited by Karen Marta, Simon Castets. Text by and found quintessential ways of rendering a 9783863350437 50 brush at regular intervals of 12 inches, July/Art Hans Ulrich Obrist, Urs Lüthi, Douglas Fogle. moment of fragile balance in art—a temporary Hbk, U.S. $49.95 CDN $60.00 irreverently challenging accepted notions of David Weiss: Works, 1968–1979 illuminates the state at once precarious and propitious. With Walther König, Köln authorship and gently mocking the figure of pioneering Swiss artist’s early work before his Calder’s groundbreaking invention of the mobile the artist. well-known collaboration with Peter Fischli. The in the early 1930s, and Fischli/Weiss’s collabora- The first-ever English-language publication book features his cartoon imagery, ethereal ab- tive creative work from 1979 onwards, these about this pioneering artist illuminates his stractions and electric cityscapes hidden away artists each lent the theme of fragile balance an Franz West​ humble attempts to liberate painting from until his untimely death, as well as previously iconic form of a very different kind. ​Galerie Eva Presenhuber, 95–15 its own representation by documenting his unpublished writings, unveiling a young David At first glance, both positions could hardly be Text by Max Wechsler. groundbreaking exhibition at Swiss Institute in Weiss developing the irreverent vocabulary that more different; later, however, they proved to A tribute to the long collaboration between Franz West (1947–2012) and Galerie Eva Presenhu- New York. would later define the groundbreaking work of be two sides of the same coin, the result of ber, this volume offers a comprehensive yet singular overview of the artist’s oeuvre. Gathering An essay by Joachim Pissarro and Annie Fischli/Weiss. different perspectives on the same theme at together extensive documentation and rare archive material on the numerous exhibitions they Wischmeyer attempts to reveal the implications Intimate anecdotes of Weiss’ youth told by close different times. This elaborately designed, richly organized together from 1995 on, the book is introduced by art theorist and friend of the art- of Toroni’s metonymic interventions, while let- friends Urs Lüthi and Hans Ulrich Obrist explore illustrated catalogue with accompanying essays ist Max Wechsler, who followed West’s work closely for many years, and whose illuminating ters from the artist reveal his own thinking about his creative determination and repeated volun- provides insight into both oeuvres. foreword begins: “Without doubt, he was an odd bird, a gifted idler, a Vienna man sui generis his practice and its place in art history. tary exiles, while curator Douglas Fogle consid- and eccentric par excellence.” This publication underlines the importance of the gallery space Embracing the conceptual framework of an ex- HATJE CANTZ ers the ecology of influences on his early work, as an artistic laboratory, and highlights an unusually creative relationship between an artist and hibition at Swiss Institute and its related public 9783775741279 u.s. $85.00 cdn $105.00 from Robert Walser to Bugs Bunny. The book Hbk, 9.75 x 12 in. / 272 pgs / 180 color. his gallerist. programs, each book in the Swiss Institute is published in the Swiss Institute series, which September/Art JRP|RINGIER series adds retrospective context through semi- adds retrospective context (essays, artist portfo- EXHIBITION SCHEDULE 9783037644270 u.s. $55.00 cdn $70.00 nal essays, archival materials, event transcripts, lios, archival materials and other documentation) Riehen, Switzerland: Fondation Beyeler, Hbk, 8 x 12 in. / 224 pgs / 135 color / 9 b&w. artist portfolios and exhibition documentation. September/Art to exhibitions at Swiss Institute in New York. 04/29/16–09/04/16 SWISS INSTITUTE/KARMA, NEW YORK SWISS INSTITUTE/KARMA, NEW YORK 9781942607298 u.s. $25.00 cdn $32.50 9781942607236 u.s. $25.00 cdn $32.50 Hbk, 6 x 8.75 in. / 200 pgs / illustrated throughout. Hbk, 6 x 8.75 in. / 310 pgs / 182 color / 70 b&w. September/Art Available/Art ALSO AVAILABLE Franz West: Franz West Where Is My Eight 9781941701102 9783863352813 Hbk, U.S. $65.00 Hbk, U.S. $55.00 CDN $75.00 CDN $65.00 David Zwirner Books Walther König, Köln

104 artbook.com­­ artbook.com 105 Sculpture from the US and Europe HIGHLIGHTS ■ ART

Dan Flavin: Doug Wheeler​ Liz Magor​ Betty Woodman: Jeff Koons: Now​ Liz Larner​ Alex Israel at 2016 SPRING–SUMMER SUPPLEMENT Corners, Barriers Text by Germano Celant. Edited by Dan Adler, Lesley Theatre of the Foreword by Hugh Allan. Text by Introduction by Russell The Huntington​ Michael Riedel: Known for his immersive environ- Johnstone, Heike Munder, Bettina Michael Archer. Ferguson. Text by Jenelle Porter. and Corridors​ Steinbrügge. Domestic​ Foreword with interview by Kevin mental spaces and his experiments This fully illustrated catalogue is Contributions by Catherine Opie. Poster—Painting— Text by Michael Auping. Liz Magor (born 1948) is one of Edited with text by Vincenzo de Interview by Heidi Zuckerman. Salatino. Text by Chris Kraus, Jan with light, Doug Wheeler (born Bellis. Text by Suzanne Hudson, published on the occasion of Now, Tumlir. Presentation​ Published on the occasion of the Published to coincide with her the most important Canadian art- Stuart Krimko, Katharine Srout, Text by Tina Kukielski. eponymous exhibition at David 1939) helped pioneer both the a solo show of work by Jeff Koons Deeply entwined with his home- ists of her generation and certainly Betty Woodman. solo exhibition at the Aspen Art material and conceptual approach (born 1955) presented at Damien town, the art of Alex Israel (born German artist Michael Riedel (born Zwirner in 2015, Corners, Barriers Museum, this catalogue surveys Canada’s most influential sculptor From the outset, American artist 1972) is as comfortable in the and Corridors takes as its point of behind the Light and Space Hirst’s new London exhibition 1982) explores the iconography of of the past three decades. This Betty Woodman (born 1930) has over five years of Los Angeles– movement. space, Newport Street Gallery, Los Angeles and Hollywood and world of print and analog informa- departure Dan Flavin’s (1933–96) based artist Liz Larner's (born publication offers an in-depth ex- used ceramics as her medium of tion as he is in the digital realm of influential corners, barriers and cor- This monograph, the first book which exhibits art from Hirst’s the cult of celebrity. It posits LA ploration of Magor’s sculpture and expression and artistic research, 1960) wall-based ceramic works. dedicated to Wheeler, includes collection. Now spans the duration as central to an understanding websites and HTML code. Michael ridors in fluorescent light from Dan Larner’s process explores the natu- installation work, produced over and it has made her one of the Riedel: Poster—Painting—Presen- Flavin show, presented at the Saint extensive archival imagery from of Koons’ career to date, and fea- of American culture and the the course of 40 years, emphasiz- most influential and original voices ral compression and fragmentation early on in the artist’s career, along tures sculpture and painting from American dream. tation is the first publication to Louis Art Museum in 1973. The of the body and of ceramic forms ing the thematic and emotional on the international art scene. carefully examine the practice for volume brings questions of archi- with plates from his recent shows some of his most important series, This book places 16 of Israel’s range of Magor’s practice. Bridging the gap between art and themselves. Fired and coated with and projects. including Inflatables, The New, paintings and sculptures plus two which the artist is best known: the tecture to the fore, exploring how pigment and resin, each ceramic From the mental and physical craft, Woodman moves nimbly be- systematic creation of paintings this particular body of light works Structured around an essay by Equilibrium and Made in Heaven, site-specific murals among the contexts of retail consumerism to tween the traditions of an age-old work fits into one of six categories: renowned Italian art historian which investigate themes pertain- works in the historic Huntington from posters generated with text function in space. inflexion, caesura, subduction, the spaces of the museum, to the medium, taking inspiration from found online. Riedel copies HTML Mining early explorations in Germano Celant, Doug Wheeler ing to mass culture, commerce, Art Gallery. The gallery once served private, interior worlds of addiction Minoan and Egyptian art, Greek mantle, passage and calefaction. presents the first definitive history advertising, taste, pleasure and as the residence of Gilded Age code from websites that mention Flavin’s practice, the book includes Resembling magnificently colored and desire, Magor’s oeuvre has and Etruscan sculpture, Tang Dy- his work into one of his 34 poster many works reproduced for the of the artist’s life and practice. banality. This publication also collectors Henry and Arabella consistently combined a high level nasty works, majolica and Sèvres ancient tablets or sculptural speci- The volume is interspersed with includes an essay by art critic Huntington and since 1928 has templates, which he then arranges first time in plates that accurately mens of the mineral world, the of conceptual and procedural rigor porcelain, Italian Baroque architec- in different colors and orientations capture their colors. Above all, numerous excerpts from inter- Michael Archer and a foreword by been the home for a celebrated with an intense investigation of ture and the paintings of Bonnard, pieces have fissures and cracks views conducted with Wheeler’s Newport Street Gallery’s Senior European Art Collection. Intended to make his paintings. the photography reveals the un- that evoke geological processes. materials, ranging from twigs and Picasso and Matisse, while also in- With a new essay by Tina Kukielski, expected and powerful interplay peers that situate him alongside Curator, Hugh Allan. to spark a dialogue between the textiles to rubber and polymerized troducing innovations in both style With a photo-essay by Catherine the artists of his time, shedding new and the old, this intervention Michael Riedel: Poster—Painting— between the light of Flavin’s OTHER CRITERIA Opie, an essay by curator and gypsum. and technique. In particular, her Presentation lays out for the first constructions and the surrounding light on his influence on the 9781906967765 of Israel’s work within the gallery This publication includes an inter- way of combining ceramics and writer Jenelle Porter, and an inter- u s cdn time the intricate process behind space; these works not only development of West Coast art. . . $80.00 $100.00 creates a discourse on place and view with the artist and contribu- painting shows a painterly sensibil- view between Larner and Aspen With its vibrant imagery and Hbk, 9.25 x 12.5 in. / 90 pgs / identity, two things fundamental to the artist’s ongoing series of paint- function as color experiments but 50 color. Art Museum Director Heidi tions by Dan Adler, Heike Munder, ity that in recent years has played a ings. The book, like the essay, is as structural explorations in light. ambitious critical approach, Doug understanding Henry Huntington’s Bettina Steinbrügge, Ian Carr Harris, key role in the development of her October/Art Zuckerman, this is an accessible Wheeler is a crucial historical own love of Southern California. divided into three sections: one This catalogue presents an espe- entry into the work of an eminent Géraldine Gourbe, Trevor work. This publication focuses on EXHIBITION SCHEDULE dedicated to Riedel’s posters, one cially significant body of work, document on an artist whose sig- Mahovsky, Isabelle Pauwels, work made over the past ten years, London, England: Newport Street female artist whose practice THE HUNTINGTON LIBRARY, ART nificance only increases with time. COLLECTIONS, AND BOTANICAL to his Poster Paintings and one to along with new scholarship by Gallery, 05/16–11/16 continues to radically enliven Chris Sharpe and Corin Sworn. while taking stock of Woodman’s GARDENS his recent PowerPoint Paintings. Michael Auping, offering a vital DAVID ZWIRNER BOOKS contemporary sculpture. 9780692527351 JRP|RINGIER continued relevance to contempo- historical perspective on Flavin’s 9781941701249 u.s. $35.00 cdn $45.00 DAVID ZWIRNER BOOKS rary art and her importance among u.s. $60.00 cdn $78.00 9783037644744 KARMA, NEW YORK practice. ALSO AVAILABLE Hbk, 7.5 x 9.5 in. / 88 pgs / 40 color. 9781941701324 Hbk, 9.5 x 12 in. / 192 pgs / u.s. $59.95 cdn $76.50 postwar artists. 9781942607243 Jeff Koons: July/Art u.s. $45.00 cdn $57.50 DAVID ZWIRNER BOOKS 130 color. Hbk, 8.5 x 10.5 in. / 256 pgs / u.s. $40.00 cdn $52.50 MOUSSE PUBLISHING Gazing Ball Hbk, 9.25 x 12.25 in. / 176 pgs / 9781941701188 November/Art 200 color. Pbk, 8.25 x 11 in. / 168 pgs / EXHIBITION SCHEDULE 140 color / 22 b&w. August/Art 9788867492183 9780989980913 u.s. $50.00 cdn $65.00 80 color. San Marino, CA: The Huntington Available/Art u.s. $40.00 cdn $52.50 Hbk, U.S. $50.00 Hbk, 9.5 x 12 in. / 96 pgs / July/Art Library, Art Collections, and Botanical EXHIBITION SCHEDULE Pbk, 9 x 11 in. / 184 pgs / 160 color. CDN $60.00 38 color / 13 b&w. Gardens, 12/12/15–07/11/16 Montréal, Canada: Contemporary August/Art David Zwirner December/Art Art Museum, 06/23/16–09/05/16

106 artbook.com­­ artbook.com 107 Figurative painting from Europe and the US HIGHLIGHTS ■ ART

Mark Flood: Patrick Angus: Gratest Hits​ Painting and Edited with text by Bill Arning. Text Kati Heck​ David Salle: Debris​ Drawings​ by Carlo McCormick, El Topito, Aleksandra Bendix Harms: Text by Woody Allen, Ann Foreword and interview by Peter Texts by Douglas Blair Turnbaugh, Warren Rohrer​ Scott Indrisek, Alison Gingeras. Demeester, Jan Hoet. Interview by Doroshenko. Mark Gisbourne. Text by David Carrier, Elaine Mark Flood: Gratest Hits is the first Waliszewska: Chosen Ones​ Luc Tuymans. Cecily Brown: Debris assembles paintings and A gay man working in 1980s New Mehalakes. Text by Gisela Corleis, Grace survey of the work of Houston- 2000 Words​ German Expressionism and Rehearsal​ York, American painter Patrick Warren Rohrer (1927–95) emerged Dunham. Translated by Flossie ceramics made by American artist based artist Mark Flood (born New Objectivity shine forth in the Text by Claire Gilman, David Salle. Edited by Karen Marta, Draper. David Salle (born 1952) over the Angus (1953–92) is currently being from the experimental Philadelphia Massimiliano Gioni. Text by Lauren 1957) dating from the 1970s to paintings of Düsseldorf-based For the past ten years, British rediscovered and celebrated in- art scene in the early 1970s and Cornell. Chosen Ones is a comprehensive past five years. Regarded as one 2016. Described by The New York artist Kati Heck (born 1979). Her painter Cecily Brown (born 1969) Why are images of girls in distress monograph on the work of Ger- of the originators of postmodern- ternationally. The stark drama of became known for his luminous, Times as a “painter and punk monumental paintings impress has been turning heads with her considered so alluring? Polish art- man painter Bendix Harms (born ism in painting, Salle employs his his explicit themes, the exactitude color-saturated abstractions. This propagandist,” Flood has, despite viewers with their humorous blend voluptuous, quasi-abstract can- ist Aleksandra Waliszewska (born 1967), spanning over 15 years of recognizable style of juxtaposition of his observations juxtaposed monograph, authored by philoso- remaining barely visible at the of styles, consisting of photoreal- vases. All the while, she has been 1976) rebels against traditional work. A repertoire of motifs recurs and visual simultaneity in these against the iridescence of his pher and art critic David Carrier, museum level, maintained an istic figures together with graphic making drawings, study upon representations of victimhood. In throughout the nearly 400-page most recent works. A number of coloration. New York’s ‘80s gay is the first to trace Rohrer’s trajec- active and influential career for elements. Some sections of her study of motifs taken from a wide her paintings on cardboard, remi- volume: birds, trees, airplanes, paintings make use of highly ab- demimonde is the abiding subject tory over 40 years and describes decades in painting and, increas- collage-like works are meticulously range of sources, including draw- niscent of Raymond Pettibon, the cars and the artist's profile­­, all ren- stracted photographic silk-screens of these paintings, which also the highly unorthodox arc of his ingly, exhibition practice, produc- painted in, while others are ings by the 18th-century master girls do not need or want to be res- dered in loose, exuberant strokes that reveal, upon closer inspection, more broadly reflect a longing for life, from Mennonite stock in rural ing work characterized by deep quickly executed. Like Robert William Hogarth, pages of animals cued; although seemingly innocent of gray and muddy orange. Draw- tightly cropped tangles of wire love, friendship and acceptance. Pennsylvania to prominence as an wisdom and trenchant humor. Rauschenberg, Heck joins non- from 19th-century encyclopedias and vulnerable, they are depicted ing on elusive autobiographical and wood washed up on a beach Angus worked at a time when exceptional abstract painter of the With Gratest Hits, Flood—an artist traditional materials and everyday and the cover of Jimi Hendrix’s as forces of aggression and ruth- references, the paintings—whether near the artist’s Long Island home. minimalism and abstraction were late 20th century. Carrier’s account so absolute in his judgments that objects to develop highly unusual 1968 album Electric Ladyland. less domination. Born during com- of grotesque figures or more Though Salle has often affixed the dominant styles and figuration gives a rich understanding of one 2012 painting featured the pictorial creations. “She clearly, Cecily Brown: Rehearsal is the munism but coming of age after surrealistic scenes—are often ceramic objects to the canvas in was disdained as reactionary; now Rohrer’s quest to unite paint with words “Whore Museums, Gutless convincingly and permanently first book devoted to the artist’s its fall in 1989, Waliszewska moves humorous and suggestively narra- the past, here the smashed or it is clear he was more inventive atmosphere, land and light, and his Collectors, Blind Dealers, So-Called questions the art of painting,” drawings. The volume features ap- easily across cultural contexts, tive, compelling in their apparent collapsed vessel and platter shapes than most of his peers, and can be enduring connection to Lancaster Artists” emblazoned on it—finally said curator Jan Hoet of her proximately 75 drawings, many of enjoying both institutional acclaim disregard for and liberation from begin for the first time to take seen as a leading postmodernist. County, where he grew up. An gets the monographic museum oeuvre. This volume explores the which are being published for the as well as popularity among concept. "I love artists’ late works," on the agency and autonomy of Painting was the passion of Patrick essay by Elaine Mehalakes looks at treatment in his hometown, and painting of one of the liveliest first time. Arranged thematically, ’s youth counterculture. he has said, "when they display a independent art objects. Angus’ short life. A victim of the the enigmatic late work of the art- a career-spanning catalogue to emerging artists of the present. the book leads readers through Part of the 2000 Words series completely free style because it no Including an interview with the AIDS plague, his hope was that his ist, his Field Language series. The boot. This fully illustrated, full-color Brown’s repeated motifs. conceived by Massimiliano Gioni longer matters whether their work HATJE CANTZ artist, this elegant volume is a work would survive him. This post- book includes 120 beautifully re- volume features texts by Carlo 9783775741316 and published by the DESTE will earn them applause or a rap tribute to Salle’s merging of figura- THE DRAWING CENTER humous homage to a great artist produced paintings, drawings and McCormick, Alison Gingeras, u.s. $60.00 cdn $78.00 9780942324990 Foundation for Contemporary over the knuckles." tive tradition with abstraction, and grants his wish, ensuring his place sketchbooks, and an illustrated El Topito, Scott Indrisek and Bill Hbk, 10 x 11.75 in. / 144 pgs / u.s. $30.00 cdn $40.00 The first major monograph on to the dialogue he creates between in the pantheon. chronology, representing the most Art, this colorful monograph, 95 color. Pbk, 6 x 9 in. / 144 pgs / 75 color. Arning, the exhibition’s curator comprehensive presentation of with an essay by Lauren Cornell, the artist, Chosen Ones features September/Art disparate elements. November/Art HATJE CANTZ and director of the Contemporary texts by Gisela Corleis and Grace 9783775741804 Rohrer’s life and work to date. celebrates Waliszewska’s work, KARMA, NEW YORK EXHIBITION SCHEDULE Arts Museum, Houston. u.s. $70.00 cdn $90.00 which calls into question society’s Dunham as well as black-and- 9781942607021 LOCKS ART PUBLICATIONS/ New York: The Drawing Center, Hbk, 12 x 10.75 in. / 192 pgs / u s cdn ALLENTOWN ART MUSEUM CONTEMPORARY ARTS MUSEUM moral bounds by reveling in white photographs by Harms, . . $30.00 $40.00 10/06/16–12/18/16 HOUSTON Hbk, 8.5 x 10.5 in. / 80 pgs / 37 color. 100 color. 9781882011643 lawlessness and depravity. in addition to reproductions of December/Art/Gay/Lesbian 9781933619590 July/Art u.s. $55.00 cdn $70.00 more than 300 paintings. u.s. $40.00 cdn $52.50 DESTE FOUNDATION FOR ALSO AVAILABLE Hbk, 10 x 13.25 in. / 256 pgs / Pbk, 8.5 x 11 in. / 208 pgs / CONTEMPORARY ART KARMA/ANTON KERN GALLERY/ Cecily Brown & Jim Lewis: 179 color / 13 b&w. 120 color. 9786185039189 GALERIE SABINE KNUST The English Garden September/Art September/Art u.s. $22.00 cdn $29.95 9781942607281 9781942607038 EXHIBITION SCHEDULE Pbk, 7.25 x 10 in. / 105 pgs / u.s. $40.00 cdn $52.50 Hbk, U.S. $35.00 CDN $40.00 Allentown, PA: Allentown Art illustrated throughout. Hbk, 9 x 12 in. / 368 pgs / 300 color / Karma, New York Museum, 10/23/16–01/22/17 September/Art 20 b&w. July/Art

108 artbook.com­­ artbook.com 109 Exhibition catalogues from the New Museum | Contemporary installation and sculpture HIGHLIGHTS ■ ART

Darío Escobar: The Life of the Object​ Edited by Christian Viveros-Fauné. Text by R.C. Baker, Octavio Zaya. Interview by Laura A.L. Wellen. 2016 SPRING–SUMMER SUPPLEMENT Guatemalan-born sculptor Darío Nicole Eisenman: Andra Ursuţa: Cally Spooner: Goshka Macuga: Tilo Baumgärtel: Escobar (born 1971) is a con- Samara Golden: Al-ugh-ories​ Alps​ On False Tears and Time as Fabric​ Goshka Macuga: Senza Parole​ temporary master of the kind of The Flat Side of Edited with interview by Edited by Massimiliano Gioni, Edited by Massimiliano Gioni, Text by Tilo Baumgärtel. aesthetic object that also doubles Massimiliano Gioni, Helga Outsourcing​ Before the the Knife​ Natalie Bell. Text by Natalie Bell, Margot Norton. Text by Ilya and In the tradition of 19th- and 20th- as a revealing critique of globaliza- Christoffersen. Text by Grace Maurizio Cattelan. Interview by Edited with text by Helga Emilia Kabakov, Grant Watson. Beginning and Edited by Mia Locks. Foreword Dunham, Eileen Myles. Massimiliano Gioni. Christoffersen. Contribution by Interview by Margot Norton. century fantasists like Max Klinger, tion. Since the late 1990s he has by . Text by Mia One of the most important paint- Dan Graham. Interview by Hendrik after the End​ Arnold Böcklin, mobilized armies of everyday in- Locks, Samara Golden, Sarah Combining formal innovation with Folkerts. London-based artist Goshka Lehrer-Graiwer. ers of her generation, Brooklyn- Edited by Mario Mainetti. Foreword and Giorgio de Chirico (with a dustrial and consumer products— dark humor and social commen- The live performances of British Macuga (born 1967) embraces by . Text by Rosi Los Angeles–based artist Samara based artist Nicole Eisenman (born Braidotti, Elena Filipovic, Ariane dash of socialist for good McDonald’s cups, cereal boxes, tary, the work of Romanian-born artist Cally Spooner (born 1983) diverse mediums—including Golden (born 1973) creates im- Koek, Lawrence M. Krauss, Dieter 1965) combines the imaginative artist Andra Ursu¸ta (born 1979) sculpture, installation, architecture measure), Leipzig-based painter vulcanized rubber, car bumpers consider the ways in which labor Roelstraete, Michael Taussig. mersive installations that explore with the lucid, the absurd with the uses parody and blasphemy to and design—to investigate how Tilo Baumgärtel (born 1972) cre- and sports equipment of various and communication make de- Polish-born, London-based Goshka what she calls the sixth dimen- banal, and the stereotypical with expose power dynamics, probe the art has been used to rouse public ates spaces and scenes suffused types—in order to construct an mands on our bodies. Spooner Macuga (born 1967) adopts the sion, where a multitude of pasts, the countercultural and queer. In vulnerability of the human body debate and inspire social change. with chilly foreboding and menace. ongoing dialogue with the real- engages actors, vocalists, dancers roles of an artist, curator, collector, presents and futures exist con- her narrative compositions she and examine modes of desire. Macuga’s 2016 exhibition at the Looking at a Baumgärtel paint- ity of global consumerism. That and musicians who collectively researcher and exhibition designer, currently. For The Flat Side of the draws equally from art history Ursu¸ta’s sculptures and installa- New Museum, Goshka Macuga: ing, the viewer gets the distinct dialogue, invariably, has also incor- interrogate gesture and language. working across a variety of media Knife, curated by Mia Locks and and popular culture, making way tions engage a visual language that Time as Fabric, brings together a impression of eavesdropping on a porated an extensive dialogue with The artist’s 2016 exhibition at the to explore how and why we re- organized by MoMA PS1, Golden for accessible and humorous, yet weaves an art-historical homage theatrical environment and a se- dimly remembered nightmare, or, modern and contemporary art. New Museum, Cally Spooner: member both cultural and personal presented her largest installation also critical and poignant images with a homespun, anarchic sen- lection of tapestries, which draw as curator Christoph Tannert puts This book covers two decades of On False Tears and Outsourcing, events. She particularly focuses on to date, filling the double height of of contemporary life. Gathering a sibility. Ursu¸ta has lived in the US on the rich historical tradition of it, “looking at the visualization of this singular artist’s work, while marks an important shift in her live how we build our own classifica- MoMA PS1’s Duplex Gallery with body of work produced over the since the late 1990s, but many of textiles and are often vast in scale. someone’s worst-case scenario.” highlighting profound insights into performances, extending their du- tory systems for creating and re- staircases, beds, couches, lamps, last two decades, Nicole Eisen- the facets of her upbringing—from Drawn to textiles for their rich his- A member of the New Leipzig the nature of found objects, com- ration to the length of a museum membering knowledge in times of musical instruments, video and man: Al-ugh-ories marks the art- occult folk traditions to nationalist torical tradition, Macuga exploits School generation of painters modity culture and contemporary exhibition. The choreography is rapidly advancing technology and sound. The Flat Side of the Knife ist’s 2016 exhibition at the New propaganda—resonate through- the representative functions of the that also produced Neo Rauch, art’s increasing identification with structured according to the logic information saturation. combines physical spaces with il- Museum and dedicates special out her work. This volume, the medium, which can be used to Matthias Weischer and Christoph the myths and realities of global- of corporate development meet- This book, published for the exhibi- lusory spaces that appear only in attention to the symbolic nature of artist’s first catalogue, marks her embody political messages while Ruckhäberle, Baumgärtel makes ization. ings, and appropriates gestures tion To the Son of Man Who Ate mirrors, akin to psychological and her depictions of individuals and 2016 solo exhibition at the New also maintaining tapestry’s tactility figurative paintings that oscil- LUCIA|MARQUAND from both romantic movies and the Scroll, is organized as an atlas hallucinatory spaces in the mind. groups. This fully illustrated cata- late between the strange and the 9780997249255 Museum. It features an interview competitive contact sports. This and portability. This fully illustrated Her use of mirrors in conjunction and retraces for the first time Mac- u.s. $40.00 cdn $52.50 logue includes an interview with between Ursu¸ta and Massimiliano catalogue features an interview familiar, between dream and real- catalogue contains an essay by uga’s career from 1993 to the pres- Hbk, 9 x 11 in. / 200 pgs / 80 color. with sculptural elements made the artist by Massimiliano Gioni Gioni, a new essay by Natalie Bell with the artist by Margot Norton ity. Senza Parole means “without Helga Christoffersen, an interview ent day. The volume is edited by December/Art/Latin American/ from a silvery insulation board and Helga Christoffersen, an essay and a sardonic aesthetic prescrip- and new reflections on Macuga’s words” in Italian—a fitting subtitle Caribbean Art & Culture between Spooner and Documenta Mario Mainetti and includes origi- allows the illusion of space to ex- by writer Grace Dunham and a tion by artist Maurizio Cattelan. work by artists Ilya and Emilia for this new volume of Baumgär- 14 curator Hendrik Folkerts, and a nal essays along with an anthology pand in multiple directions. This contribution by poet Eileen Myles. Kabakov and curator Grant Watson. tel’s paintings, set in post-cata- NEW MUSEUM contribution by artist Dan Graham. of texts by the artist published for catalogue includes documentation strophic landscapes and populated NEW MUSEUM 9781942607328 NEW MUSEUM NEW MUSEUM former projects. of this exhibition alongside the art- 9781942607311 u.s. $22.00 cdn $29.95 by haunting figures. 9781942607342 9781942607335 ist’s major works to date. u.s. $22.00 cdn $29.95 Pbk, 7.25 x 9.5 in. / 120 pgs / u.s. $22.00 cdn $29.95 FONDAZIONE PRADA u.s. $22.00 cdn $29.95 LUBOK VERLAG Pbk, 7.25 x 9 in. / 92 pgs / 44 color / 76 color / 44 b&w. 9788887029659 MOMA PS1 Pbk, 7.25 x 9.5 in. / 136 pgs / Pbk, 7.25 x 9.5 in. / 132 pgs / 9783945111185 48 b&w. July/Art u.s. $85.00 cdn $105.00 9780989985932 76 color / 60 b&w. 84 color / 48 b&w. u.s. $39.95 cdn $50.00 July/Art/Gay/Lesbian Flexi, 8 x 11 in. / 300 pgs / u.s. $40.00 cdn $52.50 July/Art/Performing Arts July/Art Pbk, 7 x 10.5 in. / 184 pgs / EXHIBITION SCHEDULE 500 duotone. Hbk, 7.75 x 10.25 in. / 88 pgs / EXHIBITION SCHEDULE 55 color / 35 b&w. New York: New Museum EXHIBITION SCHEDULE June/Art EXHIBITION SCHEDULE July/Art 35 color. New York: New Museum 05/04/16– 04/27/16–06/19/16 New York: New Museum July/Art 06/26/16 New York: New Museum 04/27/16–06/19/16 05/04/16–06/26/16

110 artbook.com­­ artbook.com 111 HIGHLIGHTS ■ ART

Apichatpong Weerasethakul Sourcebook​ ​Foreword by Alaina Claire Feldman, Kate Fowle. Text by Amara D. Angelica, Mo Costandi, Federico García Lorca, Elizabeth Armstrong Moore, Jenjira Pongpas, Maddie Stone, Apichatpong Weerasethakul, Robert Destatte, Jeannie Schiff, Robert Bly, Bob Halliday, Anusara Kartlun, Fabian Drahmoune, Narawan Pathomvat, Pimrapee Thungkasemvathana. Interviews by Gridthiya Gaweewong, Andrea Lissoni, Withit Chandawong. Offering a fresh perspective on the work of internationally acclaimed filmmaker Apichatpong Weerasethakul (born 1970), the Apitchapong Weerasethakul Sourcebook moves between scientific documents and personal documentary, interviews and epistolary dialogue, the cin- ematic and the poetic. In its multimodal approach the Sourcebook reflects Weerasethakul’s artistic practice in which he portrays the everyday alongside supernatural elements while MPA: suggesting a distortion between fact and folklore, history and storytelling. Weerasethakul’s The Interview​ personal writings and interviews, much of which is translated here for the first time, draw out Red, Red Future his deep commitment to stories often excluded in history in and out of Thailand: voices of the Edited by Rose D’Amora, Patricia poor and the ill, marginalized beings and those silenced and censored for personal and politi- Restrepo. Text by Dean Daderko. Interviews by MPA. cal reasons. Ulay: What Is William Forsythe: Ian Cheng: Forking Human colonization of Mars is The Sourcebook includes materials on such topics as implanted memories in mice, caves in This Thing Called The Fact of Matter​ at Perfection​ expected to begin in the coming Laos left over from the Indochina wars, new methods for listening underwater and medita- Text by Susanne Gaensheimer, Edited with text by Raphael Gygax, decades as NASA and indepen- Polaroid?​ Mario Kramer. Franziska Bigger, Ian Cheng, et al. tions on light and darkness, plus interviews between Weerasethakul and leading art histo- Text by Frits Gierstberg, Katrin dent space ventures partner with Over the past four decades, The work of New York–based artist rians as well as texts drawn from his personal library. The Sourcebook invites readers into Pietsch. private investors to explore the William Forsythe (born 1949) has Ian Cheng (born 1984) explores the Weerasethakul’s intimate exploration of his influences—in his words, “like [a] stream of con- What Is This Thing Called Polaroid? future of life on the red planet. The created for himself a unique dance nature of mutation and the capac- sciousness, suffocated by the data.” focuses on the intimate relation- Interview: Red, Red Future is the ship the artist Ulay (born 1943) world, developing groundbreaking ity of humans to relate to change. INDEPENDENT CURATORS INTERNATIONAL culmination of more than three has developed with the medium ballet choreographies, experimen- Drawing on video game design, 9780916365912 u.s. $39.95 cdn $50.00 years of multidisciplinary artist tal dance pieces, digital dance improvisation and themes of Dar- Pbk, 8.5 x 11 in. / 300 pgs / illustrated throughout. of Polaroid, which he has been ALSO AVAILABLE September/Art/Film & Video/Asian Art & Culture MPA’s investigation of Mars and scores and site-specific installa- winian brutality, Cheng has devel- Apichatpong Weerasethakul: exploring since the 1970s. For human colonization. Published tions that unexpectedly turn view- oped so-called “live simulations,” For Tomorrow EXHIBITION SCHEDULE him the unique and immediate to accompany an exhibition of ers into performers themselves. living virtual ecosystems that begin 9781907020674 Chiang Mai, Thailand: Mai Iam Contemporary Art Museum, 07/03/16 character of each Polaroid photo- Hbk, U.S. $40.00 CDN $50.00 works commissioned by the CAM graph was, and still is, a perfect With The Fact of Matter, Forsythe with basic programmed properties, Irish Museum of Modern Art Houston, this artist’s book includes match for his performance and marks the beginning of a new but are left to self-evolve without lush, full-color images that speak body art. The experiments that chapter in his choreographic oeu- authorial control or end. Cheng’s to MPA’s engagement with Mars, Ulay conducted even led him to vre at a fitting location: an exhibi- simulations often model the dy- Philippe Parreno: Hypnosis Hypothesis​ the politics of power and coloniza- start working inside a large-format tion in a modern art museum, the namics of fictional or imagined tion, light and minimalist aesthet- MMK am Main. Featuring organisms and ecologies, but they ​Edited by Andrea Lissoni. Text by Cyril Béghin, Andrea Lissoni, Molly Nesbit, Brian O’Doherty, ​ Polaroid camera, radically merging Hans Ulrich Obrist, Adam Thirlwell. ics. The signed and numbered the body of the artist with the body recent work by Forsythe (including do so with the unforgiving causal- Philippe Parreno (born 1964) is interested more in the dynamics of how a work of art is shown to volume includes an essay by the of the camera while the image was a selection of performative objects, ity found in nature itself. Cheng the public than in its actual production, and in his films, installations, performances and texts, he exhibition’s curator Dean Daderko being created. video installations and interactive describes his simulations as akin to subverts the codes normally applied to exhibition spaces. By placing the construction of the exhi- and three interviews with MPA: This book provides insights into environments) in dialogue with a “neurological gym”: a format for bition at the heart of his process, the French artist redefines the exhibition experience as a coher- by authors Stephano Harney and Ulay’s artistic pursuits with works from the museum’s collec- viewers to deliberately exercise the ent object rather than a collection of individual works. “The exhibition is conceived as a scripted Fred Moten; investigative journalist Polaroid photography and also tion, the exhibition and its accom- feelings of confusion, anxiety and space," he writes, "like an automaton, producing different temporalities, a rhythm, an itinerary, Linda Moulton Howe; and archi- examines the medium itself, sur- panying catalogue investigate the cognitive dissonance that accom- and a duration. The visitor is guided through the spaces by the appearance and orchestration of tect Vicente de Szyszlo. Edition of veying the historical background of threshold between the visual arts pany the experience of unrelenting sounds and images ... a mental choreography.” 450 signed and numbered copies. the Polaroid, its technical innova- and choreography—a line which change. This monograph explores Published to accompany his 2015 exhibitions in New York and Milan, Hypnosis Hypothesis offers CONTEMPORARY ARTS MUSEUM tions, the specific chemical pro- Forsythe has explored continually Cheng’s most recent “live simula- a rich critical overview of Parreno's work, featuring essays by Cyril Béghin, Molly Nesbit, Brian HOUSTON cesses involved and the challenges in his work. tions,” with contributions from 9781933619583 O’Doherty and Adam Thirlwell, and interviews with exhibition curators Hans Ulrich Obrist and of conserving Polaroid prints. KERBER Raphael Gygax and Franziska u.s. $14.95 cdn $19.95 9783735601995 Bigger, along with a selection of Andrea Lissoni. The monograph provides invaluable new research on one of the most influential Pbk, 6.5 x 9.5 in. / VALIZ FOUNDATION u.s. $40.00 cdn $52.50 texts by the artist. and charismatic figures on the contemporary art scene. 116 pgs / 60 color / 18 b&w. 9789492095138 July/Art Hbk, 8.75 x 11.5 in. / 92 pgs / u.s. $25.00 cdn $32.50 JRP|RINGIER MOUSSE PUBLISHING 87 color / 15 b&w. Pbk, 6.75 x 9 in. / 128 pgs / 9783037644713 9788867492251 u.s. $49.95 cdn $64.95 ALSO AVAILABLE EXHIBITION SCHEDULE July/Art/Performing Arts 40 color / 100 duotone. Clth, 7 x 9 in. / 400 pgs / 300 color. Philippe Parreno Houston, TX: Contemporary Arts Mu- u.s. $49.95 cdn $64.95 July/Art/Photography September/Art 9783037640333 seum Houston, 02/27/16–06/05/16 Hbk, 7 x 9.5 in. / 140 pgs / 64 color. September/Art/Photography Hbk, U.S. $65.00 CDN $75.00 EXHIBITION SCHEDULE JRP|Ringier Frankfurt, Germany: Schirn Kunst- halle Frankfurt, 10/13/16–01/08/17

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Waltercio Caldas in Conversation with Ariel Jiménez​ Introduction by Guy Brett. Waltercio Caldas (born 1946) is Hacking Habitat​ 2016 SPRING–SUMMER SUPPLEMENT Art of Control one of Brazil’s most recognized Inner: The The Propeller Claes Oldenburg: and respected contemporary Allora & Electronic Edited by Ine Gevers, Iris van der Walkers: Collected Writings Group​ artists. He occupies a key role in Superhighway​ Tuin, Petran Kockelkoren, Dennis Hollywood The Sixties​ Calzadilla: Puerto and Selected ​Edited by Naomi Beckwith. Kerckhoffs, Friso Wiersum. Text A Film by Ralph Goertz the generation that bridges the Foreword by Claudia Schmuckli. ​From Experiments in Art Rican Light​ by Nabil Ahmed, Jolle Demmers, Afterlives in Art This 45-minute documentary by historical innovations of the Interviews Text by Naomi Beckwith, Cesar and Technology to Art after Saskia Sassen, et al. (Cueva Vientos) Garcia, et al. and Artifact​ Ralph Goertz follows the widely Concrete and Neo-Concrete of Sean Scully​ the Internet Hacking Habitat confronts a theme Foreword by Jessica Morgan. Text The Propeller Group—an artist Edited with text by Robert M. acclaimed exhibition Claes Old- artists of the 1950 and ’60s and by Sharon Beder, Franco “Bifo” ​ Edited by Kelly Grovier. Edited by Omar Kholeif, Emily affecting a wide audience: the way Rubin. Preface by David Schwartz. team made up of Phunam, Matt Butler, Séamus McCormack. ​ enburg: The Sixties, which toured today’s younger artists. Berardi, Manuel Cirauqui, et al. Sean Scully (born 1945) is among we are controlled by technological Walkers explores the reimagin- Lucero and Tuan Andrew Nguyen, Text by Ed Halter, Erika Balsom, internationally and was presented In this ninth volume of the Conv- Puerto Rican Light (Cueva Vientos), the greatest abstract painters of Omar Kholeif, Douglas Coupland. systems, and the way counter- ing and recycling of Hollywood and based in Ho Chi Minh City, at the Walker Art Center in Minne- ersaciones series, writer, curator a new Dia Art Foundation commis- our age. He is also one of the most Beginning with Robert Rauschen- forces can be organized. Techno- iconography in contemporary art Vietnam—blurs the boundaries be- apolis and The Museum of Modern and art historian Ariel Jiménez sion by Jennifer Allora & Guillermo outspoken. Since the late 1960s, berg and Robert Whitman’s 1966 logical innovation has gone hand and the way that movies live on in tween fine art and media produc- Art in New York in 2013–14. engages Caldas in a lively dialogue Calzadilla, is situated in a natural Scully’s visual expressiveness has Experiments in Art and Technol- in hand with regulation, and we our personal and cultural memo- tion, in much the same way that The exhibition offered a long-over- covering more than five decades limestone cave system near the been matched by a verbal dyna- ogy (E.A.T.) with Bell Laboratories risk losing control over our lives. ries. Looking at a diverse range of this publication blurs the boundar- due survey of Oldenburg’s artistic of artistic production, exploring the southern coast of Puerto Rico. mism that is no less arresting than engineers, and including new and Worldwide, people are waking up artists and filmmakers, including ies between a traditional exhibition development from the late 1950s connections between perception This long-term site-specific work his art. Varying widely in form from rarely seen multimedia works, film, to the fact that they need to regain Francis Alÿs, Richard Avedon, catalogue and an artist’s book. to the mid-1970s, examining works and history, and the way in which integrates the journey to the site brief reflections to essay-length painting, sculpture, photography control of their lives and bodies , Jean-Luc Godard, The publication features essays such as the Mouse Museum, The artist, viewer, context and history as part of the viewer’s engage- meditations on artists such as and drawings by over 70 artists and reclaim their living environ- Michel Gondry, , by curators Naomi Beckwith and Street and The Store, as well as the all play roles in how art is seen and ment. The companion publication Van Gogh, Morandi and Rothko, such as Cory Arcangel, Roy ment. Alex Israel, Martin Kippenberger, Cesar Garcia, as well as contribu- various soft, hard and giant ver- experienced. Combining a formal eschews the traditional catalogue Scully’s writings are distinguished Ascott, Jeremy Bailey, Judith Hacking Habitat explores how art Richard Prince, Ed Ruscha, Leanne tions by each of the members of sions of his object sculptures from intelligence, eclectic materials and in favor of gathering contemporary by a brutal lyricism and an effort- Barry, Trevor Paglen, Nam June diagnoses and confronts these Shapton and Weegee, Walkers sur- The Propeller Group: Nguyen pens the 1960s. provocative games, Caldas’s works scholarship on the issues surround- lessly aphoristic turn of phrase. Paik, Ryan Trecartin and Ulla issues, presenting the work of veys how art has appropriated and an obituary for the group that pays Goertz was allowed to accompany raise subtle questions about the ing the project. It pairs photo- The nearly 200 texts that comprise Wiggen, this publication tells the more than 80 international artists redefined some of the 20th cen- homage to Vietnamese funereal Oldenburg over the course of unique nature of art and its place graphs of the journey to and from this collection provide a unique story of a global visual culture. working at the intersection of art, tury’s most iconic films. Artworks celebrations, Phunam shares an three years, during the setup of his in a world of redundancy. the site with newly commissioned perspective on one of the most technology and social change, It includes essays by curator are joined by rare film ephemera texts, acting as both artist’s book astrological reading and Lucero exhibit at the Mumok Vienna and FUNDACIÓN CISNEROS/COLECCIÓN engaging artistic imaginations of Omar Kholeif, Ed Halter and Erika including Susan Hiller, William ranging from costume designs for creates a travelogue that records the Museum Ludwig Cologne, also PATRICIA PHELPS DE CISNEROS and scholarly compilation. Political the past half-century. Here, read- Balsom; conversations between Kentridge, Aram Bartholl, Joseph Rosemary’s Baby to the complete 9780984017355 the group’s recent exploration of recording him at his studio in New theorist Franco “Bifo” Berardi, ers will discover the effusions of a pioneering video artist Judith Beuys, Melanie Bonajo, original key book stills from u.s. $25.00 cdn $32.50 Papua New Guinea. York. The DVD format is PAL only. novelist Juan López Bauzá, philoso- mind tirelessly wrestling with the Metahaven, Johan Grimonprez, Hbk, 6 x 9 in. / 224 pgs / 43 color. Barry and Sarah Perks; and newly The 39 Steps. With a nod to the pher Timothy Morton, architectural MUSEUM OF CONTEMPORARY ART IKS INSTITUT FÜR October/Art/Latin American/ profoundest issues of art, cultural commissioned artist interviews Laura Kurgan and Roy Villevoye. “walkers,” or zombies, from CHICAGO KUNSTDOKUMENTATION UND Caribbean Art & Culture historian Spyros Papapetros and history and what it means to be a with Ulla Wiggen and Jonas the TV series The Walking Dead, SZENOGRAFIE 9780996211628 NAI010 PUBLISHERS anthropologist Michael Taussig creator in the contemporary world. 9783863359058 u.s. $35.00 cdn $45.00 Lund by Séamus McCormack, plus 9789462082687 the catalogue’s title references contribute, among others. u.s. $30.00 cdn $40.00 The texts are illustrated by images Pbk, 8 x 10 in. / 120 pgs / 80 color. a sequence of artist interventions u.s. $45.00 cdn $57.50 the lingering power of film on the August/Art/Asian Art & Culture Pbk, 9 x 11 in. / 232 pgs / 250 color. DVD (PAL only), 5 x 7 in. DIA ART FOUNDATION including facsimile reproductions from Douglas Coupland. imagination of the living. July/Art September/Art/Film & Video 9780944521816 of handwritten pages which also EXHIBITION SCHEDULE WHITECHAPEL GALLERY MUSEUM OF THE MOVING IMAGE u.s. $29.95 cdn $37.50 feature drawings. Chicago, IL: Museum of Contempo- EXHIBITION SCHEDULE 9780854882465 9780692535042 Pbk, 6 x 9 in. / 380 pgs / 50 b&w. rary Art Chicago, 06/04/16–11/13/16 Utrecht, Holland: The former Wolven- September/Art/Latin American/ HATJE CANTZ u.s. $45.00 cdn $57.50 u.s. $50.00 cdn $65.00 Phoenix, AZ: Phoenix Art Museum, plein Prison, 01/26/16–06/05/16 Pbk, 8 x 11.75 in. / 272 pgs / Hbk, 8.25 x 10.5 in. / 290 pgs / Caribbean Art & Culture 9783775741644 02/15/17–05/14/17 250 color. 250 color / 100 b&w. u.s. $60.00 cdn $78.00 Houston, TX: Blaffer Art Museum at EXHIBITION SCHEDULE September/Art Available/Art/Film & Video Hbk, 7.5 x 10.25 in. / 256 pgs / the University of Houston, 06/03/17– Guayanilla-Peñuelas, Puerto Rico: Dia 40 color. 10/07/17 Art Foundation, 09/23/15–09/23/17 July/Nonfiction & Criticism/Art

114 artbook.com­­ artbook.com 115 New books on curating HIGHLIGHTS ■ WRITINGS & GROUP EXHIBITIONS

Great Expectations​ ​Prospects for the Future of Curatorial Education Edited by Leigh Markopoulos. Almost 30 years after the founding of the first curatorial studies program (at the École du Magasin, Greno- ble), with the curator remaining a figure of curiosity and fascination in the contemporary art world, a new question has emerged: how do we educate curators? Great Expectations: Prospects for the Future of Curato- rial Education explores this question, focusing in particular on the challenges, opportunities and subjects that motivate educators and students. How has curatorial education changed in the past 25 years, and what will the next 25 years bring? The product of a spring 2015 conference at the California College of the Arts, this volume, edited by Leigh Markopoulos, brings together contributions from Mark Beasley, Maeve Connolly, María del Carmen Carrión, Kit Hammonds, , Anthony Huberman, Prem Krishnamurthy, Mami Kataoka, Kristina Lee Po- desva, Salwa Mikdadi, Julian Myers-Szupinska and Ulay, among others. L’image volée​ Work Hard: Marion von Osten: KOENIG BOOKS 9783863359140 u.s. $20.00 cdn $26.00 .Once We Were Pbk, 4.75 x 7 in. / 152 pgs / 25 b&w يبرعلاب Edited by Thomas Demand, Chiara Selections by Do It Costa. Foreword by Miuccia July/Nonfiction & Criticism/Art Prada, Patrizio Bertelli. Text by Valentin Carron​ Edited by Hans Ulrich Obrist, ​ Artists​ Hoor Al Qasimi. Ian McEwan, Ali Smith, Russell Edited by Karen Marta, Simon A BAK Critical Reader in Ferguson, Christy Lange, Jonathan Castets. Text by Valentin Carron, Embodying Marcel Duchamp’s Artists’ Practice Griffin, Rainer Erlinger, Daniel Balthazar Lovay, Mai-Thu Perret. words that “art is a game between McClean. Edited by Tom Holert, Maria Work Hard, the curatorial debut all people of all periods,” Do It L’image volée, published for an Hlavajova. Text by Kader Attia, of celebrated Swiss artist Valentin features more than 70 art- Sabeth Buchmann, et al. يبرعلاب exhibition curated by Thomas Carron (born 1977), presents a cre- ists’ instructions, in both English Featuring contributions by artists Demand, explores the way we all ative discourse between a surpris- and Arabic, that anyone can use to and theorists such as Kader Attia, rely on preexisting models, and Exhibition, Design, Participation​ ing group of artists: Edmond Bille, make a new work of art. Diedrich Diederichsen, Tom Holert, ​An Exhibit 1957 and Related Projects, Exhibition Histories Vol. 7 how artists have always referred Vittorio Brodmann, Marguerite Since its inception in 1993, Hans Isabell Lorey and Brian Kuan to existing imagery to make their Edited with text by Elena Crippa. Text by David Sylvester, Martin Beek, Owen Hatherly, Lucy Burnat-Provins, Luciano Castelli, Ulrich Obrist’s multiplatform Do It Wood, Marion von Osten: Once We Steeds. own. Questioning the boundaries Claudia Comte, Sylvain Croci-Torti, project has been realized in more Were Artists offers a critical map- The radical project an Exhibit (mounted in 1957 at Hatton Gallery, Newcastle, and the between originality, conceptual in- Latifa Echakhch, Frédéric Gabi- than 50 locations worldwide. Do ping of the work of Marion von Institute of Contemporary Arts, London) emerged from a decade of testing the formats ventiveness and the culture of the oud, Mathis Gasser, Fabrice Gygi, It collects new instructions Osten (born 1963). Von Osten and and possibilities of exhibition making, resulting in a show with the motto “No objects, no يبرعلاب ,copy, the project focuses on theft Andreas Hochuli, Trix and Robert commissioned for the exhibition’s her work sit between several disci- ideas.” A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a authorship, annexation and the Haussmann, David Hominal, Bern- most recent iteration organized by plinary boundaries. Based in Berlin critic and curator, Lawrence Alloway, the show was simultaneously an investigation into creative potential of such pursuits. hard Luginbühl, Urs Lüthi, Fabian Sharjah Art Foundation, including and Vienna, Von Osten is an artist abstract environmental forms and a participatory experiment that would fundamentally The volume presents three pos- Marti, Méret Oppenheim, Simon those of artists Adel Abdessemed, as much as a curator, an organizer- transform the role of the viewer. sible investigations: the physical Paccaud, Mai-Thu Perret, Ugo Etel Adnan, Joana Hadjithomas facilitator as much as a theorist In this volume, comprehensive documentation of the original exhibition is presented along- appropriation of the object; theft as Rondinone, Denis Savary, Daniel and Khalil Joreige, Mona Hatoum and a teacher as much as an editor side coverage of other key projects from the era and contextualized in a detailed essay by related to the image per se rather Spoerri and Jean Tinguely. and Jalal Toufic. Essays by Kaelen (at e-flux journal, among others). Elena Crippa. Archival texts conveying the different voices of the project’s three creators, than the concrete object itself; In this book Carron suggests an Wilson-Goldie and Adila Laïdi- This book charts her versatile and and a contemporaneous essay by David Sylvester, are accompanied by new contributions and the act of stealing through the imaginary time and place in art Hanieh and a conversation be- thus far under-analyzed work and from Martin Beck, Owen Hatherley and Lucy Steeds. making of an image. L’image volée history while conjuring mytholo- tween co-curators Hoor Al Qasimi methodology. includes newly commissioned AFTERALL BOOKS, LONDON gies of labor and exploring the very and Obrist, which considers the The reader anthologizes commis- 9783863358976 u.s. $27.50 cdn $34.95 short stories by Ian McEwan and personal approach that he took to relevance of Do It within the con- sioned essays and three in-depth Pbk, 6.75 x 8 in. / 240 pgs / 75 color / 75 b&w. Ali Smith, and essays by Russell July/Nonfiction & Criticism/Art understanding the narrative of na- text of the Arabic-speaking world, conversations on various aspects Ferguson, Christy Lange, Jonathan tional identity. Essays by Mai-Thu accompany these instructions. and fields of von Osten’s holistic Griffin, Rainer Erlinger and Daniel Perret and Balthazar Lovay plus practice revolving around issues of McClean. SHARJAH ART FOUNDATION an annotated walkthrough by Car- 9789948446729 feminism, economic theory, educa- FONDAZIONE PRADA ron evoke the vernacular poetry of u.s. $29.95 cdn $37.50 tion and postcolonialism. 9788887029666 quirky Swissness. Pbk, 5 x 7.75 in. / 150 pgs. u.s. $75.00 cdn $95.00 September/Art/Middle Eastern Art & VALIZ/BAK, UTRECHT Hbk, 8 x 11 in. / 250 pgs / 300 color. SWISS INSTITUTE/KARMA, Culture 9789492095145 ALSO AVAILABLE Exhibition as Social Making Art Global Making Art Global July/Art NEW YORK u.s. $25.00 cdn $32.50 From Conceptualism Intervention (Part 1) (Part 2) 9781942607274 Pbk, 4.5 x 6.5 in. / 240 pgs / 40 b&w. to Feminism 9783863354480 9783865609939 9783863352585 EXHIBITION SCHEDULE u.s. $25.00 cdn $32.50 November/Art 9783863351021 Hbk, U.S. $27.50 Hbk, U.S. $27.50 Hbk, U.S. $27.50 Milan, Italy: Fondazione Prada, Hbk, 6 x 8.75 in. / 200 pgs / Hbk, U.S. $27.50 CDN $32.50 CDN $32.50 CDN $32.50 03/18/16–08/28/16 illustrated throughout. CDN $32.50 Afterall Books Afterall Books Afterall Books September/Art Afterall Books

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Mnemosyne​ Tales of Our Time​ Wasteland​ Specialism​ Money, Good ​A History of the Arts of Text by Hou Hanru, Xiaoyu Weng. New Art from Los Angeles Edited with text by David Blamey. and Evil​ Facing Value​ Memory from Antiquity to Making Heimat​ Text by Matthew Cornford, Neil Tales of Our Time presents works Edited by Alessandra Bellavita, Much Wider A Visual History of the ​Radical Perspectives from Contemporary Multimedia Germany, Arrival Country Cummings, Dan Fox, Rick Poyner, by seven artists based in mainland Trinie Dalton, Samantha Frank, Mingyuan Hu, et al. Economy the Arts Creation China, Hong Kong or Taiwan: Sun Matthieu Lelièvre, Shamim M. Than a Line​ Edited by Oliver Elser, Peter It is widely assumed that every- Edited by Johan Holten. Text by Edited by Maaike Lauwaert, By François Boutonnet. Momin. Foreword by Raina Introduction by Irene Hofmann, Cachola Schmal, Anna Xun, Zhou Tao, Chi-En Jao, Kan Hendrik Bündge, Romina Farkas, Francien van Westrenen. Text by François Boutonnet’s Mnemosyne Lampkins-Fielder, Thaddaeus Candice Hopkins. Text by Rocio Scheuermann. Text by Doug one is “interdisciplinary” nowa- Luisa Heese, Johan Holten, et al. Walter Benjamin, Franco “Bifo” Xuan, the Yangjiang Group, Sun Ropac. Text by Shamim M., Aranda-Alvarado, Kathleen ​ Saunders, et al. offers the first consideration of days, that everyone works at the Berardi, Michel de Certeau, et al. Yuan & Peng Yu and Tsang Kin- Andrew Berardini, Carol Cheh, Ash-Milby, Pip Day, Irene Money is inextricably linked to his- the art of memory from antiquity Trinie Dalton, et al. The current refugee situation in intersections of conventional Value is an important concept in Wah. Working in video, sculpture, Hofmann, Candice Hopkins, Pablo tory; in one century it seems to be to contemporary art, connecting Featuring the work of 14 Los Ange- Leon de la Barra, Kiki Mazzucchelli. Europe is the starting point for the disciplines. But if being flexible, contemporary society, an immate- installation, mixed media on paper a good thing, in another evil, then it to mind mapping in digital cul- les artists, the exhibition Wasteland Much Wider Than a Line is the exhibition in the German Pavilion at multiskilled and polymathic are the rial force shaping the way we live and participatory intervention, it becomes almost invisible. This ture. First documented in the 5th and its accompanying catalogue second installment in SITElines, a the 15th International Architecture prerequisites of survival in today’s together. Today, however, we seem these artists poetically balance poli- visual history of economics ex- century BC, the art of memory is are inspired by the unlikely meet- reimagined biennial series with a Exhibition at the Venice Biennale world, why do educators and art to measure value only in terms of tics and aesthetics. The exhibition plores how differently artists have the art of memorizing any kind of ing, in the city of Paris, of the LA- focus on contemporary art from 2016. The theme of the pavilion marketeers tend to maintain condi- time and money. To reformulate and accompanying catalogue offer portrayed the age-old question of information—from shopping lists as-cultural-wasteland myth with the Americas. Featuring over is not only the status quo of over- tions that advocate and encourage value as a constitutive factor in an a heterogeneous view of contem- money over a period of 750 years. to the Periodic Table—by mentally T.S. Eliot’s modernist poem “The 30 artists from 10 countries and crowded reception centers for specialist outcomes? The aim of open and caring society requires porary art from China and highlight While the Renaissance merchants placing memorable images associ- Waste Land.” Concerns Eliot would five new commissions, SITElines refugees or the necessarily ad hoc this new anthology in the Occa- a new way of looking that can re- tensions between individual nar- flaunt their riches as a sign of suc- ated with each item in a sequence have recognized—the search for 2016 articulates the intercon- plans for new housing. What hap- sional Table series is to critically re- claim it from the logic of capital. ratives and the constructions of cess and progress, the depiction throughout a building. This method connection, the uncertainty of the nectedness of the Americas and pens afterwards, so that the new flect upon the role of specialism in Facing Value anthologizes the work mainstream history. A conceptual of coins in the Baroque period be- enables one to recall vast quantities future, the poetics of despair—play various shared experiences such arrivals remain in Germany legally, art and society. Why do some seek of philosophers, scientists, histo- extension of the exhibition, the comes a symbol of fleeting earthly of information by simply “walking out in new and recent works by as colonial legacies, the vernacular achieve immigrant status and are to transcend the parameters of rians, architects and economists catalogue functions as a hybrid of wealth. Most recently, the financial through one’s mind.” The memory artists such as Edgar Arceneaux, and relationships to the land. integrated into German society? specialization, and others maintain including Walter Benjamin, Franco a traditional exhibition publication crisis of 2008 spurred international arts were associated with oratory in Math Bass, Mark Bradford, Sam The catalogue includes works by Canadian journalist Doug Saunders that deep levels of achievement “Bifo” Berardi, Michel de Certeau, and a fiction collection. Featur- interests to once again voice their Rome; with meditation in the medi- Falls, Daniel Joseph Martinez, Ry artists Xenobia Bailey, Lina Bo has several surprising answers to can only be attained with highly Anthony Huberman, Charles ing scholarly essays and artwork criticism of capitalism. This illus- eval era; with occultism and ency- Rocklen, Amanda Ross-Ho, Shan- Bardi, Francisca Benitez, Margarita this question at hand, with the re- focused methods and forms? Jencks, Siegfried Kracauer, Jan descriptions, it presents an un- trated book features artists such as clopedism in the Renaissance; and non Ebner and Erika Vogt. The Cabrera, Raven Chacon, Benvenuto sult that he was taken on as Edited by David Blamey, Specialism Ritsema, Viktor Shklovsky and Jan conventional examination of the Hanne Darboven, Hans-Peter Feld- with the birth of calculus, via Leib- works are organized in two parallel Chavajay, Lewis deSoto, Aaron a consultant for the German includes texts by Matthew Corn- Verwoert, presenting alternative vi- artists whose practices challenge man, Dorothea Lange, Jacob Au- niz. Here, Boutonnet reflects on exhibitions in two very different Dysart, Carla Fernández, Pablo Pavilion. His demands, which ford, Neil Cummings, Dan Fox, sions of value that will inspire read- current dialogues about Chinese gust Riis and Andy Warhol, among the link between thoughts, places venues in Paris, Galerie Thaddaeus Helguera, Graciela Iturbide, he developed based on research Anouchka Grose, Mingyuan Hu, ers to regain personal power, share art. In seven commissioned short many others. and images as revealed by the art Ropac and the Mona Bismarck Zacharias Kunuk, David Lamelas, conducted in more than 20 cities Stephen Knott, Frances Loeffler, energy and creativity, and build stories, Chinese and American writ- Money and business, power and of memory, from antiquity to digital American Center. Cildo Meireles and Erika Verzutti, on five continents, can also be Nina Power, Rick Poynor, Alistair toward a vital and just society. ers explore contemporary society morality—the portrayal ranges landscapes, from Giordano Bruno plus new commissioned pieces applied to the situation in the Rider, Andrew Robinson, Irit Rog- GALERIE THADDAEUS ROPAC from sociopsychological to ob- Alternative values—like hesitation, through the art of storytelling. relevant German cities. off and Ruth Sonderegger, Chris and Leibniz to Walter Benjamin and 9782910055691 by Jonathas De Andrade, Anna care, giving and disconnection— jectively analytic to an emotional Aby Warburg, showing how the GUGGENHEIM MUSEUM u.s. $45.00 cdn $57.50 Boghiguian, Sonya Kelliher-Combs, Watson, Jon Wozencroft and Ian HATJE CANTZ exploration in this unique and are proposed as potential foci of 9780892075294 Hbk, 8.5 x 11 in. / 144 pgs / 49 color. history of visual thinking reveals a William Cordova, Jorge Gonzáalez 9783775741415 Whittlesea. new value systems. u.s. cdn groundbreaking volume. $45.00 $57.50 July/Art u.s. $15.00 cdn $19.95 history of human knowledge. Flexi, 7.5 x 10 in. / 200 pgs / 80 color. and Julia Rometti & Victor Costales. OPEN EDITIONS Pbk, 5.5 x 8.5 in. / 288 pgs / KERBER VALIZ/STROOM DEN HAAG January/Art/Asian Art & Culture EXHIBITION SCHEDULE 9780949004017 DIS VOIR SITE SANTA FE 200 color. 9783735602282 9789492095008 Paris, France: Galerie Thaddaeus u.s. $35.00 cdn $45.00 9782914563833 9780985660239 September/Art/Nonfiction & Criticism u.s. $60.00 cdn $78.00 u.s. $28.95 cdn $37.50 EXHIBITION SCHEDULE Ropac, 03/12/16-07/17/16 Pbk, 6.25 x 8.5 in. / 164 pgs. u.s. $29.95 cdn $37.50 u.s. $35.00 cdn $45.00 Clth, 9 x 13 in. / 320 pgs / Pbk, 6.75 x 9.5 in. / 384 pgs / New York: Guggenheim Museum, Paris, France: Mona Bismarck July/Nonfiction & Criticism/Art Pbk, 6.5 x 8.5 in. / 128 pgs / 28 b&w. Flexi, 5.5 x 9.5 in. / 160 pgs / 70 color. 166 color / 24 b&w. 48 color / 300 b&w. 11/04/16–03/10/17 American Center, 03/12/16–07/17/16 October/Nonfiction & Criticism/Art August/Art July/Art November/Nonfiction & Criticism/Art

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Mona Kuhn: Acido Dorado​ Acclaimed for her intimate nudes, Mona Kuhn takes a new direction into abstraction in her latest series, Acido Dorado. Photographed at a golden modernist structure on the edge of Joshua Tree National Park, architectural lines, light reflections and a single figure have been carefully balanced against the backdrop of the Californian desert. The human figure in these images—Kuhn’s friend and collaborator Jacintha—emerges like a sur- realist mirage, fragmented and indistinct, at times submerged in shadows or overexposed. The building’s facades of glass and mirrors serve as optical planes, an extension of the artist’s camera and lens. Light is split into refracting colors, des- ert vegetation grows sideways, inside is outside and outside in. Kuhn pushes a certain disorienting effect by introducing metallic foils as an addi- tional surface, at times producing purely abstract results. Acido Dorado marks Kuhn’s increasing use of techniques that appear to merge the fig- ure, abstraction and landscape into one. Mona Kuhn (born 1969) is best known for her large-scale, dreamlike photographs of the human form. Her pictures often reference classical themes with a light and insightful touch. Kuhn’s approach to her work is distinguished by the close relationships she develops with her sub- jects, resulting in images of remarkable natural- ness and intimacy. Born in São Paulo, Brazil, Kuhn lives and works in Los Angeles. BACK IN PRINT STEIDL “The Beautiful 9783958291805 u.s. $50.00 cdn $65.00 Nan Goldin: The Beautiful Smile​ Clth, 11.75 x 12.25 in. / 96 pgs / 60 color & b&w. ​Edited by Walter Keller, Jack Ritchey, Gerhard Steidl. Smile is my November/Photography The Beautiful Smile, unavailable since its original publication on the occasion of Nan Goldin’s (born 1953) Hasselblad Award of 2007, is finally back in print. The Hasselblad Award is considered the favorite book.” most important international photography prize in the world today; since 1980, award winners have included some of the greatest names the medium has known. —Nan Goldin 2007 winner Nan Goldin is easily one of the most significant photographers of our time. Adopting the direct aesthetics of snapshot photography, she has documented her own life and that of her friends and others on the margins of society for more than 30 years, offering frank depictions of drug abuse, cross-dressing and alternative sexualities. Her intimate photographs depict urban lives in New York The light and forms of Joshua Tree and Europe in the 1970s, ‘80s and ‘90s, a period massively determined by HIV and AIDS. Her prac- tice of photography as memoir, as a means of protection against loss and as an act of preservation, National Park inspire a turn towards as well as her use of the slide show, resonates in the work of photographers of recent generations. abstraction for the famed photographer This classic volume, which the photographer has called her favorite of all of her books, is a moving homage to the work of one of the most eminent artists of our time.

STEIDL ALSO AVAILABLE Mona Kuhn: Photographs Mona Kuhn: Private 9783958291744 u.s. $40.00 cdn $52.50 Mona Kuhn: Evidence 9783865210081 9783869307091 Clth, 9.75 x 10.5 in. / 160 pgs / 150 color & b&w. 9783865213723 Hbk, U.S. $65.00 CDN $75.00 Hbk, U.S. $58.00 November/Photography/Gay/Lesbian Hbk, U.S. $65.00 CDN $75.00 Steidl CDN $70.00 Steidl Steidl

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NEW REVISED EDITION Robert Adams: From the Missouri West​ ​Edited by Joshua Chuang. The views of the American West collected in Robert Adams: From the Missouri West evoke a wide range of memories, myths and regrets as- sociated with America’s frontier. In the 19th century, that frontier began at the Missouri River, beyond which lay a landscape of natural grandeur and purity. When Robert Adams (born 1937) shot that landscape, be- tween 1975 and 1983, the hand of man had not so much disfigured as domesticated that paradise. Humans had left their marks almost casu- ally, with the assurance of absolute triumph. Adams recorded these in- trusions with neither judgment nor irony; the land he shows has simply been changed, reduced, made ordinary. Yet a second look makes it ap- parent that the hand of man has, after all, its limitations. First published in 1980, From the Missouri West marked a watershed in the history of landscape photography by reclaiming the West’s sublim- ity as again worthy of rigorous consideration. The link between Adams and photographers who surveyed the Western landscape more than a century earlier—in particular Timothy O’Sullivan—is drawn out in this re- edited and substantially enlarged edition of the classic book. “Because I had lost my way in the suburbs, I decided to try to rediscover some of the landforms that had impressed our forebears,” remembers Robert Adams. “Was there remaining in the geography a strength that ALSO AVAILABLE Robert Adams: Robert Adams: The New West might help sustain us as it had them?” Around the House 9783869309002 STEIDL 9781881337430 Hbk, U.S. $40.00 9783958291683 u.s. $75.00 cdn $95.00 Hbk, U.S. $40.00 CDN $50.00 Clth, 15.5 x 13.5 in. / 132 pgs / 62 b&w. CDN $52.50 Steidl August/Photography Fraenkel Gallery

Made between 1978 David Freund: Gas Stop​ In postwar America, any driver or passenger would stop at gas stations at least weekly, and not just NEW REVISED EDITION and 1981, David for gas. Gas stations were also oases offering food and drink, repairs, directions, maps and, impor- tantly, bathrooms. Although appreciated as roadside novelties, their significance for American cul- Robert Adams: Perfect Places, Perfect Company​ Freund’s images of ture, landscape and history has been little documented. Edited by Joshua Chuang. From 1978 to 1981, David Freund analyzed the culture, architecture and landscape of gas stations in Robert Adams: Perfect Places, Perfect Company is a two-volume reworking of a series of gas stations in over more than 40 states. “At the outset of Gas Stop,” he writes, “I was surprised at the range of themes photographs that Robert Adams (born 1937) made in the mid-1980s at Colorado’s Pawnee presented at gas stations. Driving by, their commonplaceness might evince little inspiration for pho- National Grassland. First published in 1988 under the title Perfect Times, Perfect Places, 40 states record a tos, but at an even halfway busy station, all I had to do was hang around to discover unexpected these photographs powerfully convey the deep sensory pleasure of walking in vast, open lost America topical and visual variety.” spaces. With Kerstin, his wife, and Sally, their dog, Robert Adams would drive out to the Freund’s photographs show customers and workers in postures and actions particular to filling up reserve to experience silence, stillness and affection; his walking companions occasionally their cars, or just hanging out. Architecture and signage, both corporate and vernacular, beckon appear in the frame, set against the Grassland’s scrubby ground and infinite horizons. passing drivers. Of the more than 200,000 gas stations extant at the time of this project, most are Although he is perhaps best known for picturing a damaged or modified American geog- now gone, remaining only in this work. raphy in publications such as The New West (1974) and From the Missouri West (1980), David Freund (born 1937) graduated from the Visual Studies Workshop, Rochester, and has taught here Adams has recorded scenes that are flawless, efficiently implying the necessity of at Pratt Institute and Ramapo College of New Jersey. He has had exhibitions at the Light Gallery, New maintaining and fighting for these spaces. A New York Times article about the photogra- York, and the George Eastman House, and he has received a National Endowment for the Arts fel- pher published in 1989 immediately comprehended the stakes of Adams’ project: “Robert lowship and a CAPS grant. Freund’s work is in the collections of The Museum of Modern Art, New Adams’ pictures are not designed to be overtly political, but like any deeply felt images York, the Museum of Fine Arts, Houston, the Bibliothèque Nationale, Paris, and the Corcoran Gallery they are capable of reorganizing the way we perceive the world.” With Perfect Places, of Art, Washington, DC. Perfect Company, Adams shows us what we stand to lose.

STEIDL STEIDL 9783958291737 u.s. $100.00 cdn $130.00 9783958291690 u.s. $85.00 cdn $105.00 Slip, hbk, 4 vols, 10 x 8.5 in. / 636 pgs / 574 b&w. Slip, clth, 2 vols, 10.25 x 12.5 in. / 104 pgs / 55 b&w. November/Photography August/Photography

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Pandora’s Box​ A Matter of Memory​ ​Jan Dibbets on Another Photography ​Photography as Object in the Digital Age Jan Dibbets’ dissenting and unashamedly biased Pandora’s Box offers nothing less than a reinterpretation of Foreword by Bruce Barnes. Text by Lisa Hostetler, William T. Green. the entire history of art photography, arguing that scientific photography was the realm where the medium’s The majority of photographic images today are recorded and viewed digitally, rather than real innovations happened. “Scientific photography encouraged a freer, more outgoing use of the medium," on film and paper. Amateurs, photojournalists and commercial photographers alike rarely says Dibbets. "The whole problem with photography is that it was invented at the wrong time. As Baudelaire so produce material objects as the final step in their photographic process, making photo- rightly pointed out, the first photographers were doing their best to imitate artists like Ingres and other ‘realists.’ graphs in the form of physical objects increasingly scarce. All this imitation ... blocked the process of emancipation.” But what happens to personal and collective memories when photographic images are The result of Dibbets' alternative history is some 300 images, with Nicéphore Niépce, Gustave Le Gray, Étienne- not instantly accessible on the face of physical objects? How is society’s relationship to Jules Marey and Edward Muybridge rubbing shoulders with photographers less well known but, in Dibbets’ memory changing as digital photographs become the norm? view, equally crucial. Their direct descendants are Karl Blossfeldt, Man Ray, Alexander Rodchenko, Alfred Stieg- A number of contemporary artists are making work that suggests the potential conse- litz, Paul Strand and, more recently, Bruce Nauman. Augmented with quotations from Baudelaire, Le Gray and quences of photography’s latest metamorphosis. Two main strategies emerge: some artists Alvin Langdon Coburn, Dibbets’ book gives a fascinating and fresh take on the history of the medium. dig deep into photographic materials as though searching for the locus of memory, and PARIS MUSÉES others incorporate found photographs into their work as virtual talismans of recollection. 9782759603343 u.s. $45.00 cdn $57.50 Both highlight the presence of the photographic object and function as self-conscious med- Hbk, 8.75 x 12.75 in. / 256 pgs / 100 color / 200 b&w. itations on photography’s ongoing reorganization of our mental and physical landscape. September/Photography A Matter of Memory features the work of more than 30 artists including Thomas Barrow, Matthew Brandt, Ellen Carey, John Chiara, Adam Fuss, Robert Heinecken, Leslie Hewitt, Kenneth Josephson, Laura Letinsky, Chris McCaw, Diane Meyer, Yola Monakhov Stockton, The Sun Placed in the Abyss​ Vik Muniz, Floris Neusüss, Marlo Pascual, Matthew Porter, Taryn Simon, Michelle Stuart, Kunié Sugiura, Bertien van Manen, James Welling and Augusta Wood. ​Edited with text by Drew Sawyer. Text by Jordan Bear, Tyler Cann, Kris Paulsen. The Sun Placed in the Abyss brings together the work of more than 45 artists who, since 1970, GEORGE EASTMAN MUSEUM have used the sun as a subject to explore the historical, social and technological conditions of 9780935398182 u.s. $50.00 cdn $65.00 EXHIBITION SCHEDULE Hbk, 9.75 x 12 in. / 176 pgs / 160 color / 15 b&w. Rochester, NY: George Eastman photography, both still and moving. Borrowing its title from a poem by Francis Ponge, The Sun November/Photography Museum, 10/22/16–01/29/17 Placed in the Abyss tracks how the sun has been used as a metaphor from to the Pictures Generation to current practices. The diverse, intergenerational list of artists featured speaks to the enduring interest in our closest star: works by Sarah Charlesworth, Anne Collier, Tacita Dean, Jan Dibbets, John Divola, Shannon Ebner, Dan Graham, Zoe Leonard, Sol LeWitt, Catherine Opie, Trevor Paglen, Richard Prince, Walid Raad and many more are included in this dynamic publication, published to Diving to the Pharaohs​ accompany an exhibition at the Columbus Museum of Art. ​The Discovery of Sunken Egypt COLUMBUS MUSEUM OF ART Text by Jürgen Bischoff. Photographs by Christoph Gerigk. 9780918881731 u.s. $40.00 cdn $52.50 EXHIBITION SCHEDULE In the spring of 1992, French underwater archaeologist Franck Goddio set out to locate Hbk, 8.5 x 8.5 in. / 100 pgs / 75 color. Columbus, OH: Columbus Museum of Art, October/Photography 10/07/16–01/08/17 the ancient port facilities and the palace quarter of the ancient Egyptian city of Alexan- dria. Equipped with cutting-edge sonar and nuclear magnetic resonance technology capable of detecting structures hidden deep in sediment, he and a team of marine ar- chaeologists put formidable resources into uncovering the mysteries of human history. Years later Goddio extended his search to include the Bay of Aboukir, where he discov- The Laughter and the Camera​ ered cities that had been swallowed up by the sea more than a thousand years before, ​A Different History of Photography along with huge temples, colossal statues and the world’s largest ancient ship cemetery Edited with text by Rolf H. Krauss. to date. The French philosopher Henri Bergson believed that laughter holds a special place in people’s lives together: Diving to the Pharaohs offers a firsthand account of this thrilling journey into the past, fol- he described it as a “social gesture” that makes it possible for people to deal with the new and unfamiliar. lowing Goddio’s divers on their underwater ventures. What was life like for the people of The Laughter and the Camera presents the birth of photography and its victory march through the 19th cen- the pharaonic kingdom more than 2,000 years ago? How did they celebrate their feasts tury from a previously little-considered perspective: laughter in the new medium. Caricatures, handbills and and festivals? Why did their cities vanish? Christoph Gerigk, one of the world’s most re- satirical cartoons exemplify its gradual emergence in society. Authored by Rolf H. Krauss, professor of pho- spected underwater photographers, accompanied Goddio’s expeditions into this sunken tography at the University of Stuttgart, this richly illustrated volume contains original texts and visual material world; many of the pictures he has provided for this book appear here for the first time of the time. In a handsome square format with a bound ribbon bookmark, this is a delightful and original in print. book on the early days of photography. STEIDL EXHIBITION SCHEDULE KERBER 9783958291799 u.s. $45.00 cdn $57.50 London, UK: The British Museum, 9783735602053 u.s. $45.00 cdn $57.50 Clth, 9 x 9 in. / 194 pgs / 181 color. 05/19/16–11/27/16 Hbk, 8.75 x 8.75 in. / 252 pgs / 61 color / 89 b&w. November/Photography/ , Switzerland: Rietberg Museum, September/Photography Middle Eastern Art & Culture 02/10/17–08/13/17

124 artbook.com­­ artbook.com 125 Photographs of people and places HIGHLIGHTS ■ PHOTOGRAPHY

Harry Callahan: Morocco​ Byron Wolfe One of the foremost American photographers of the 20th century, Susan Burnstine: & Scott Brady: Samuel Zuder: Bernard Plossu: Kenro Izu: Harry Callahan (1912–99) explored David Bailey: Face to Faith​ Absence of Being​ Martin Bogren: Eternal Light​ Phantom Skies and the expressive possibilities of both The Still Hour​ Bailey’s Naga Hills​ Mount Kailash | Tibet Text by Del Zogg, Chantel Paul, Italia​ Text by Juhi Saklani. Shifting Ground​ color and black-and-white pho- Susan Burnstine. Text by Juan Manuel Bonet, Text by David Bailey, William In 2012, Samuel Zuder (born Ricardo Vazquez. Swedish photographer Martin Kenro Izu’s (born 1949) Eternal Landscape, Culture, tography from the outset of his Dalrymple. Los Angeles–based photographer 1965) set out to photograph one Born in 1945 in Dalat, South Bogren (born 1967) spent the Light is a record of Indian spiri- and Rephotography in career. Following his retirement This book is David Bailey’s (born Susan Burnstine’s (born 1966) of the most fascinating places in Vietnam, French photographer years 2013–15 in Italy creating tuality. In Varanasi, known as the Eadweard Muybridge’s Lost from teaching at the Rhode Island 1938) portrayal of the landscapes Absence of Being is a haunting, the world. According to legend, Bernard Plossu has traveled this gorgeous and lyrical black- Indian “City of Light,” Izu pho- Illustrations of Central School of Design in 1977, how- and personalities of the densely intensely personal and yet ex- the 12th-century yogi Milarepa extensively throughout his life, and-white photo-essay, his tribute tographed festivals, rituals and America ever, he decided to dedicate his forested Naga Hills, part of the tremely universal exploration of the was the only one to have scaled immersing himself in the cultures to the country and the people he cremations as well as portraying Text by Scott Brady, Byron Wolfe. practice exclusively to color and complex mountain barrier between subconscious world, which began it, although thousands of pilgrims of Chiapas in Mexico, the met on his travels. individual experiences of joy and In 1875, after being acquitted for pursue travel to foreign locales. India and Myanmar (Burma), and with her highly praised first mono- have circumambulated it: Mount American West, India, the Bogren’s luscious images of ev- suffering related to death and the the murder of his wife’s lover, The 23 photographs in this publi- home to the Naga tribes (“those graph, Within Shadows. Burnstine Kailash, in the middle of the rocky Aeolian Islands and Niger. eryday street scenes, anonymous afterlife. In Allahabad, where the Eadweard Muybridge spent a year cation, taken in Morocco in 1981, with pierced ears” in Burmese). captures images that purge her desert of Tibet’s Changthang Bernard Plossu: The Still Hour passersby, languid smokers, ex- Ganges and Yamuna Rivers meet, photographing along the Central are the product of Callahan’s shift dreams. Finding no existing cam- Bailey had hoped to visit the Naga plateau, known as the “Jewel of troverted pedestrians and remote Izu attended the festival of Kumbh American Pacific Coast, particularly to a strictly chromatic palette and era that could create what her gathers 106 images taken over the Hills since he was a young man, Snow” due to its unusually sym- silhouettes are suffused with an af- Mela, and in the city of Vrinda- in Guatemala and Panamá. Upon demonstrate his continued inter- mind envisioned, she began to course of 30 years from Plossu’s but access had been continually metrical form. Venerated by four fectionate, soft-focus gaze, making van, he photographed among the his return to California in 1876, he est in the visual intrigue of the experiment with building her own travels in the South of France, restricted because of war and religions—Hinduism, Buddhism, them seem like long-lost, unattrib- thousands of temples dedicated to published a very limited number everyday urban landscape and the and molding her own lenses until Spain, Greece, Italy and Turkey. unrest—until 2012, when that wish Jainism and Bön—the site is posi- uted archival photographs from a Krishna. of albums of the photographs passersby who occupy it. she arrived at the prototype for the In these black-and-white snap- finally became a reality. tively magnetic, promising hap- vanished era. Beautifully designed, Highly attuned to the emotions (11 are known), each of which Depicting his familiar subjects of handmade cameras she continues shots, the omnipresent white light Bailey had initially wanted to pho- piness and enlightenment. With Italia is destined to become a pho- of his subjects, Izu’s exquisitely was unique in size and scope. In architectural facades, random pat- to use. eclipses people in a visual exercise tograph the story of the last head- a large-format analogue camera, tobook classic. rendered black-and-white photo- 2007, photographer Byron Wolfe terns of street activity and isolated The results are instantly recogniz- that reflects on the real dimension hunters in the region, but in typical over a period of several weeks, Bogren’s work became widely graphs are intended to convey (born 1967) tracked down and figures lost in thought, the images able black-and-white images, of landscapes and architectures; Bailey style, he improvised when Zuder accompanied pilgrims on known in the mid-2000s with his dignity and hope. He has stated: cataloged every known Muybridge transcend Morocco’s exoticism by which have been described as the images shape a timeless space things didn’t quite go to plan: he their approximately 33-mile-long book Ocean, which was shortlisted “It’s as though the Hindu gods Central American photograph. exploring the formal and pictorial 21st-century impressionism. in an almost surrealistic, dreamlike recalls for example cutting though path around Mount Kailash, which for Best Photobook in Arles 2009 have suggested that I think about Then, with cultural geographer potential of the country’s environ- Burnstine does not use any of the journey through time and light. difficult terrain (at times needing to they regard as the origin of the and received the honorable prize the question, where are people Scott Brady, he traveled to many of ment. post-production tools available in Widely regarded as a leading fig- walk beside the four-wheel drives), world. Zuder captured the silent for the Best Photobook in Sweden heading, in this life and after?” Muybridge’s sites to rephotograph today’s digital environment. All of ure in French photography and STEIDL/PACE/MACGILL GALLERY, becoming lost for hours, only to grandeur of the site, reflected not the same year. Other critically Through these photographs them. Through photographic col- NEW YORK the effects one sees in a Burnstine long admired by generations of be discovered by armed men who only in his striking photographs of acclaimed titles by Bogren include Izu strives to find the answers. 9783958291669 young people in France, Plossu is lage, interpretive rephotography, directed him to a party at a guard photograph are created in the u.s. $40.00 cdn $52.50 the landscape, but also in the faces sure to transfix audiences inter- Lowlands, published by Max Strom STEIDL/HOWARD GREENBERG illustrations and essays, this book post, where he danced the night camera at the time of exposure of Clth, 11.75 x 9 in. / 56 pgs / 23 color. of the people traveling this path. nationally with his light-filled look in 2011, and Tractor Boys, LIBRARY, NEW YORK examines an exceptionally rare se- September/Photography/African Art away with the soldiers. the negative. 9783958291904 HATJE CANTZ into the slow-moving, sea-loving published by Dewi Lewis in 2013. ries by Muybridge. Also included is & Culture u.s. $50.00 cdn $65.00 DAMIANI STEIDL 9783775741507 culture of the Mediterranean. MAX STRÖM PUBLISHERS Hbk, 9.75 x 11 in. / 216 pgs / a catalogue of every known Muy- 9788862084758 9783958291706 u.s. $85.00 cdn $105.00 9789171263865 120 b&w. bridge Central American picture. u.s. $45.00 cdn $52.50 u.s. $50.00 cdn $65.00 LA FABRICA Hbk, 11.25 x 13 in. / 192 pgs / u.s. $45.00 cdn $57.50 December/Photography/Asian Art & Hbk, 10.25 x 13 in. / 160 pgs / Hbk, 9.5 x 11 in. / 112 pgs / 80 b&w. 9788416248537 RADIUS BOOKS/TEMPLE UNIVERSITY 70 color. Hbk, 9 x 12 in. / 80 pgs / 55 duotone. Culture 140 color & b&w. December/Photography/Asian Art & September/Photography u.s. $50.00 cdn $65.00 9781942185147 September/Photography December/Photography/Travel Culture Hbk, 9 x 11 in. / 144 pgs / 106 b&w. u.s. $55.00 cdn $70.00 August/Photography Hbk, 9.5 x 12 in. / 164 pgs / 45 color / 30 duotone. October/Photography/Latin American/Caribbean Art & Culture

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The Shape of Things​ Robert Polidori: Hotel Petra​ ​By Quentin Bajac. Text by Sarah Hermanson Meister. This book is Robert Polidori’s portrait of the interiors of the now demol- This survey explores 60 remarkable photographs from the collection of The Museum of Modern ished Hotel Petra in Beirut, a grand icon of the city’s prewar history. The Art, all acquired with the support of Robert B. Menschel and meticulously selected for the book Hotel Petra was once one of the most popular hotels in Beirut, conve- by the museum’s chief curator of photography, Quentin Bajac. niently located in the city center adjacent to the Grand Theatre. After the Ranging from the contemporary artist Andreas Gursky to William Henry Fox Talbot, one of the Lebanese Civil War of 1975–90, Rafiq al-Hariri founded a holding com- medium’s founding figures, these works collectively tell the story of photography from its begin- pany, Solidere, whose goal was the selective demolition and reconstruc- nings, but upend and newly illuminate that story through their arrangement in reverse chronologi- tion of downtown Beirut’s urban fabric. In 1992 the Hotel Petra was set cal order. Each image is the subject of a brief, elegant text. The book borrows its title from a work aside for later restoration, and from that moment essentially cut off from by Carrie Mae Weems, one of the many great photographs that Menschel has contributed to the any human intervention. collection. Polidori gained access to this site in 2010, and was transfixed by what he discovered: “It’s truly rare to find examples of such undisturbed decom- THE MUSEUM OF MODERN ART position,” he explains. “Usually the normal wear and tear of human traffic 9781633450226 u.s. $50.00 cdn $65.00 Hbk, 9 x 10.5 in. / 152 pgs / 65 color. would violate and destroy the surfaces of such a delicate ecosystem of October/Photography layered paint. I came to view these walls as a living process of slow decay

EXHIBITION SCHEDULE whose end effect closely resembled the concerns of many contempo- New York: The Museum of Modern Art, 10/16–02/17 rary abstract painters … only in this case their genesis was not fixed or intentional, but the gradual summation of several painters and workmen modifying the wall surfaces at different points in time ... I was quite taken by their beauty and was moved to photograph them for posterity.”

STEIDL 9783958291843 ALSO AVAILABLE u.s. $80.00 cdn $100.00 Robert Polidori: Clth, 11.5 x 13.5 in. / Chronophagia 96 pgs / 80 color. 9783869306988 December/Photography/ Hbk, U.S. $50.00 Middle Eastern Art & Culture CDN $60.00 Steidl Views of Japan​ ​Edited by Manfred Heiting. Text by Willard Huyck, Gloria Katz. Most collectors have their own unique attractions and approaches to the 2016 SPRING–SUMMER SUPPLEMENT objects of their collecting. This volume features the adventures of Gloria Katz and Willard Huyck, two renowned filmmakers—with such writing Taryn Simon: Paperwork and the Will of Capital​ credits as Indiana Jones and the Temple of Doom and the original Star ​Text by Hanan al-Shaykh, Daniel E. Atha, Kate Fowle, Nicholas Kulish. Wars and Mission Impossible—who began collecting Japanese photography In Paperwork and the Will of Capital, Taryn Simon (born 1975)—one of the most original more than a decade ago, and whose ongoing hunt seems indeed like a and challenging conceptual artists of our time—brings together geopolitics, horticultural Hollywood movie. Since 2002, the Huycks have assembled an encyclopedic science and the art of still life to investigate how the stagecraft of power is created, per- collection of images from the 19th century to the present, acquiring works formed, marketed and maintained. At signings of political accords, contracts, treaties and by Nobuyoshi Araki, Hiroshi Hamaya, Eikoh Hosoe, Miyako Ishiuchi, Kikuji decrees determining some of the gravest issues of our time, powerful men flank floral Kawada, Daido Moriyama, Ikko Narahara, Issei Suda, Shomei Tomatsu and centerpieces curated to convey the importance of the signatories and represented insti- Shoji Ueda. tutions. Simon reconstituted and photographed the flower arrangements from archival A record of their love of Japanese photography and their experiences col- images of key events; she then dried and pressed the flowers as herbarium specimens. lecting it, Views of Japan makes available a selection of rare masterpieces This sumptuous book, part nature study, part metaphor, bears witness to an elaborate and from their extensive collection, along with a personal “script” recounting intriguing process of artistic deconstruction and reconstruction. “These flowers sat between powerful men as they signed agreements designed to influ- how they scouted, debated, selected and ultimately acquired many of the STEIDL works. This was no small undertaking, considering the rarity of some of the 9783958291775 u.s. $80.00 cdn $100.00 ence the fate of the world.” —Taryn Simon images gathered in this volume—particularly those taken before the 1970s. Slip, hbk, 13.5 x 9.75 in. / 144 pgs / 120 color & b&w. HATJE CANTZ December/Photography/Asian Art & Culture The Huycks’ collection was shaped into Views of Japan by Manfred 9783775741576 u.s. $100.00 cdn $130.00 SDNR30 Heiting, a designer and editor of photo publications including extensive Hbk, 10.25 x 13.5 in. / 200 pgs / 1,006 color. June/Photography surveys of German, Soviet and Japanese photobooks. The resulting volume ALSO AVAILABLE Daido Moriyama: ALSO AVAILABLE is a distinctly personal presentation of one of the greatest private collections Daido Moriyama: t-82 Tales of Tono Taryn Simon: Contraband 9784434085086 9781938922022 9783775739719 of Japanese photography in the world, and an accessible look at a practice Hbk, U.S. $65.00 Hbk, U.S. $24.95 Hbk, U.S. $75.00 CDN $90.00 long ignored by Western histories of photography. CDN $75.00 CDN $27.50 Hatje Cantz PowerShovelBooks Tate/D.A.P.

128 artbook.com­­ artbook.com 129 Artists’ books by photographers HIGHLIGHTS ■ PHOTOGRAPHY

NOW IN HARDBACK Dayanita Singh: Darin Mickey: Lois Museum Bhavan​ Death Takes a Hechenblaikner: Erica Baum: Promesse du Women in Trees​ Interviews by Aveen Sen, Gerhard Jason Fulford: Holiday​ Volksmusik​ Erik Kessels: Bonheur​ Steidl. Edited with text by Jochen Raiss. Dog Ear​ Edited by Jason Fulford. Folk Music Image Tsunami​ ​Poems by Michael Fried, With Museum Bhavan, Dayanita Contains 3 Books​ “You know, I don’t know how one Introduction by Kenneth In 2014, New York–based photog- Text by Wolfgang Ullrich, Martin Erik Kessels’ multivolume In Goldsmith. Afterword by Béatrice Photographs by James Singh (born 1961) forges a new Edited by Lorenzo De Rita. can walk by a tree and not be rapher Darin Mickey (born 1974) Hochleitner. Almost Every Picture has long Gross. Welling space between publishing and the Jason Fulford: Contains 3 Books is happy at the sight of it?” writes began documenting a handful of For 20 years Austrian photogra- been a coveted and revered classic First published in paperback in Michael Fried (born 1939) is as a silver foil-stamped box that, ap- museum, an experience where pher Lois Hechenblaikner (born of vernacular photography. In Erik Fyodor Dostoyevsky in The Idiot. much a poet as he is a critic. His record shops in New York, New 2011, Erica Baum’s (born 1961) books have the same—if not propriately enough, contains three Perhaps this sentence might Jersey and Pennsylvania—inde- 1958) has been photographing the Kessels: Image Tsnuami the Dutch much-acclaimed Dog Ear is now experiences among artworks and books by photographer Jason greater—artistic value as prints fans at Austrian folk music festi- art director has turned his attention explain the subject of women in art-world luminaries have resulted pendently run stores that opened reissued in a beautiful hardcover hanging on a gallery wall. Consist- Fulford (born 1973): Mild Moderate trees that was so popular between primarily in the 1960s, ‘70s and vals. On his travels he has visited to the abundance of images avail- edition with a wraparound poster in a canonized body of criticism, Severe Profound, I Am Napoleon ing of 10 individual “museums” in more than 100 festivals, open-air able for finding on the Internet, the 1920s and ‘50s and has until but they have also provided the ‘80s, many of which are now on cover. The concept of Dog Ear book form, Museum Bhavan is a and &&. The culmination of three now never before been assembled their last legs, or have recently concerts and fan gatherings. shared in their millions on websites is simple and straightforward: raw material for many of the years and 15 countries’ worth of miniature version of Singh’s epon- Hechenblaikner’s particular pas- like Flickr. in a book. poems in his newest collection, been shuttered. These stores are dog-eared pages of mass-market ymous traveling exhibition, with travel around the world undertaken The enthusiastic collector Jochen the alphabetized havens for the sion is for the people who un- In a world where everyone pro- paperbacks are photographed Promesse du Bonheur. Fried’s pas- by Fulford as a Guggenheim prints placed in folding expanding dertake long journeys barring no duces and edits photography, Raiss discovered this motif sion, lyricism and humor—lauded musical successes of a few and to isolate the small diagonally wooden structures. Fellow, the photographs in these during his flea market excursions. the forgotten failures of many. expense, just to get that little bit where, as Kessels says, “the aver- bisected squares or rectangles of by authors such as Allen Gross- three volumes receive Fulford’s The images in Museum Bhavan closer to their idols. It’s a phenom- age kid today gets photographed These photographs feature young man and J.M. Coetzee—are on Shot from the perspective of a text. The photographs are formally have been intuitively grouped into trademark elliptical, evocative women at dizzying heights who, middle-aged man restlessly cling- enon which sociologist Gerhard more than a celebrity of 50 years quite neutral and sedate—cursorily display as he explores great minds sequencing, interspersed with lyrical chapters in a visual story Schulze describes as “Harmoni- ago,” what does a single image at times, smile into the camera as and great works of art that have ing to his youth and the hope reminiscent of Albers’ Homage such as “Little Ladies Museum” texts that alternately explain and if they were in love. The publica- of finding that elusive artifact to emilieu,” where the desire for a mean, and what is its status in the to the Square series—but the text moved him. Along the way, Fried confound. and “Ongoing Museum,” as well perfect world becomes one’s sole overwhelming flood of images? In tion assembles the finds from reveals himself to the reader: he is make anxiety subside and keep also demands attention and is as more specific series such as I Am Napoleon begins with a this charming genre that Raiss the reaper at bay, Death Takes a and strongest driving force. Kessels’ words: “Image Tsunami what allows or coaxes the viewer at once a student, unsure of him- prefatory note that can be taken “Museum of Machines.” As in In Volksmusik Hechenblaikner holds an enormous collection of compiled over a period of 25 years. self, a young man, ambitious and Holiday shows us a community of to linger. In his introduction to the Singh’s first project, Sent a Letter as emblematic of the project as a Whether the women are cheerfully beautiful recluses brought together explores the possibilities of large- images that I live with, that I remix book, Kenneth Goldsmith asks: in love, a committed champion of whole: “I think any book or picture (2008), the books are housed in a format photography to create a and edit. It’s a representation of dangling their legs, casually nest- artists and a poet, transmuting the by obsession, compulsion and a “Do we see them or do we read handmade box and fold out into or composition of any sort, ling in the branch forks or athleti- pure, undying love of music. typology of the public at folk-music the overload of imagery that is in them? If we choose to read them, world around him. The book com- once out into the world, so to accordion-like strips which the art- festivals. With careful precision he my head. My hope is that the book cally climbing to the treetop, each how should we read? Across the bines the 80 poems, a mix of lyric say, produces a different effect on J&L BOOKS ist encourages viewers to install documents the facial expressions, picture has its own story to tell. 9780989531177 will inspire others to make their fold? Through it? Around it? If we and prose poems, with 33 photo- and curate as they wish in their each person who seriously tries u.s. $40.00 cdn $52.50 gestures and clothing of his own remixes of these images.” HATJE CANTZ choose to look at Baum’s pictures, graphs—most of them made, all of to follow it. I certainly do not own homes. The exhibition thus Hbk, 7.25 x 7.25 in. / 64 pgs / various protagonists, revealing 9783775741675 how should we see them? As artis- them chosen by renowned Ameri- RM becomes a book, and the book an think that the author of it has any 50 color. u.s. $25.00 cdn $32.50 their psychologies and life stories. 9788416282531 tic photographs? Documentation? can photographer James Welling. monopoly on its interpretation.” October/Photography/Music Hbk, 4.75 x 6.75 in. / 112 pgs / exhibition. u.s. $27.50 cdn $34.95 STEIDL 55 b&w. Text art?” DAVID ZWIRNER BOOKS/NONSITE Flexi, 9 x 6 in. / 304 pgs / 500 color. STEIDL THE SOON INSTITUTE 9783958291751 September/Photography 9781941701430 September/Photography UGLY DUCKLING PRESSE 9783958291614 9789081058476 u.s. $45.00 cdn $57.50 u.s. $25.00 cdn $32.50 u.s. cdn 9781937027834 u.s. $75.00 cdn $95.00 $60.00 $78.00 Pbk, 11.5 x 11.5 in. / 144 pgs / Pbk, 7 x 8.75 in. / 152 pgs / 33 b&w. u.s. $25.00 cdn $32.50 Slip, hbk, 10 vols, 3.5 x 5.5 in. / Boxed, hbk, 3 vols, 5.25 x 7.25 in. / 120 color. October/Poetry/Photography Clth, 7.25 x 8.5 in. / 72 pgs / 25 color. 298 pgs / 241 b&w. 216 pgs / 88 color. November/Photography/Music July/Photography/Artists’ Books November/Photography October/Photography

130 artbook.com­­ artbook.com 131 Photography of New York HIGHLIGHTS ■ PHOTOGRAPHY

Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront​ Edited with text by Elizabeth Albert. Text by Bill Cheng, Susan Choi, Elizabeth Gaffney, Nelly Reifler, et al. Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront transports the reader into the extraordinary past and present embedded in New York City’s more than 600 miles of coastline through a stunning selection of rare photographs, his- tory, new fiction and contemporary art. Each of the ten chapters centers on one of New York City’s lesser- NYC Marathon: known waterfront spaces: Dead Horse Bay, where the pre-auto- Photographs by mobile city’s legions of horses once met their maker; Hart Island, Marco Craig​ New York’s still-active potter’s field, where over 800,000 of the Do Not Cross Nuevo New York​ city’s unclaimed dead have been laid to rest; and Sandy Ground, Early in 2015, sports marketing Photographs by Hans Brooklyn Hipsters​ one of the earliest free black communities in the nation, made firm Almostthere approached Neumann & Concept by Edited with text by Vero Bielinski. Pamela Hanson: prosperous through oystering and strawberry farming. Italian photographer Marco Craig Gabriel Rivera-Barraza The urbane, middle-class, con- Private Room​ Elizabeth Albert has written historical texts on each location, with a unique proposition: photo- Text by Ben Rodriguez-Cubeñas. sumer-oriented subculture of the Foreword by Jack Pierson. setting the stage where history, fiction and image coalesce into graph and run the 2015 New York Nuevo New York is a collection hipster has, within recent years, Private Room is a series of images a powerful and haunting experience. City Marathon. NYC Marathon is of portraits and interviews with become a widespread, interna- of eight women that fashion Silent Beaches features the work of internationally known and no- the product of this extraordinary influential Latin Americans who tional phenomenon, successor photographer Pamela Hanson table contemporary artists and writers, including Joel Meyerowitz, assignment, telling the story of came to New York City to pursue to the yuppie and the dandy, photographed between 2012 Mary Mattingly, Carrie Mae Weems, Spencer Finch, Susan Choi, one of the world’s great sporting their ambitions. The portraits and amplified by the ascent of and 2014 in a small hotel on Nelly Reifler, Ravi Howard, Antoine Wilson and others. events from the inside—a task are born out of a collaboration internet culture. Frankfurt-based the Bowery in New York City. DAMIANI never before attempted by a pro- between two authors who made photographer Vero Bielinski Beginning with her portraits of 9788862085007 u.s. $39.95 cdn $50.00 fessional photographer. the journey from to (born 1988) travels through in 2012, the photo- Pbk, 9.5 x 11.75 in. / 128 pgs / 60 color / 20 b&w. His Leica Q secured in a neoprene New York themselves—photog- hipster microcosms, capturing the graphs in Private Room progressed September/Urban Studies/Sustainability/Photography/Fiction & Poetry harness, Craig shot his fellow rapher Hans Neumann (born in subculture in the place that has into a series of nudes and runners, the streets littered with Peru), and fashion publicist Gabriel now become nearly synonymous seminudes, which Hanson quickly Gatorade cups and the cheering Rivera-Barraza (born in Mexico). with it: Brooklyn. decided to develop into a book. crowds in every borough, palpably Each figure included in Nuevo Yearning to express their individu- Hanson was inspired by the in- capturing the energy and exhaus- New York is an important player ality, reappropriating the kitsch teriors of the Lafayette House, tion of the day. In the thick of the in the fields of fashion and the and trading in the ironic, Williams- a brownstone built in the 19th action, Craig’s photographs offer arts, having lived in New York City burg’s hipsters are easily identified century that is a place of forgotten a new perspective on the race, for at least five years and having by their fashion choices. In 2012, beauty, with walls lined in gold- with the exuberant viewers on gained recognition for their work. Bedford Avenue was a stage, a leafed wallpaper—charming, sexy, the sidelines becoming the Neumann and Rivera-Barraza trace place to see and be seen, and romantic and private. Its intimate Brian Young: The Train NYC 1984​ unexpected heroes of the how their subjects came to be Bienlinski’s street photography environment elucidates the charac- photographs. “New York can who they are today, and what role documents this scene in New ter of each subject, in a celebration Photographer and master printer Brian Young first arrived in New York City in 1984. He witnessed all the be a cruel and merciless city,” the city of New York has played York’s history. of female beauty and confidence. well-known ills of ‘70s and early ‘80s New York, finding the city slowly, haltingly recovering from an eco- Craig reflected. “But not on the in their trajectories. Interviewees With her expressive portraits, Hanson collaborated with stylist nomic depression. Industry and manufacturing jobs had left the city, and the population continued to drain day of the marathon.” include Andres Serrano, Candy Bielinski approached this culture as Susan Winget on these images, out to the suburbs. The “crack epidemic” was on the front pages and on the streets. Abandoned shells of Pratts Price, Carolina Herrera, an outsider, capturing the vulnera- casting each woman together. burnt-out cars littered the roads and muggings were simply a fact of daily life. DAMIANI , Estrellita Brodsky, bility and sensibilities of these indi- Edition of 1,000 copies. Young found his camera increasingly drawn to the subway system—one of the great social levelers of life in 9788862084970 u.s. $45.00 cdn $57.50 Francisco Costa, José Parlá, Lazaro viduals who yearn for uniqueness DAMIANI New York City and, increasingly, the canvas for an explosive profusion of graffiti. Brian Young: The Train NYC Hbk, 12 x 9 in. / 80 pgs / 60 color. Hernandez, María Cornejo and even as they don their uniforms. 9788862084918 1984 collects the photographer’s quiet, black-and-white shots of the subway from 1984, bringing a vanished September/Photography u.s. $40.00 cdn $52.50 Nina Garcia. KERBER New York evocatively back to life. Clth, 6.75 x 9 in. / 96 pgs / 60 color. 9783735601773 DAMIANI September/Photography/Fashion DAMIANI u.s. $35.00 cdn $45.00 9788862084956 9788862084925 u.s. $45.00 cdn $57.50 Hbk, 8.75 x 10.5 in. / 144 pgs / u.s. $50.00 cdn $65.00 Hbk, 8.25 x 11.75 in. / 112 pgs / 80 b&w. 62 color / 15 b&w. Hbk, 9.75 x 11.25 in. / 160 pgs / September/Photography July/Photography 68 color / 30 b&w. September/Photography/Latin American/Caribbean Art & Culture

132 artbook.com­­ artbook.com 133 Fashion, celebrity and travel photography HIGHLIGHTS ■ PHOTOGRAPHY

Eric Boman: A Wandering Eye​ Antoine Le Grand: Photographs 1975–2005 Eric Boman (born 1946) embarked destefashion- Portraits​ Alessandra Robert Lebeck: Introduction by Jean-Paul Goude. on a career in fashion photography David Black: Simon Eeles: Mariano Vivanco: collection: Atlas​ in the early 1970s, working for French photographer Antoine ​Edited with text by M/M (Paris). Borghese & Face the Camera​ British Vogue, Harper’s & Queen, Cerro Gordo​ Australiana​ Portraits Nudes Edited by Cordula Lebeck. Text by Le Grand (born 1956) is widely Edited by J.C. Gabel. Text by Germano Celant, Dennis Alessandra d’Urso: and The World of Interiors in The first book by up-and-coming Flowers​ Freedman, , ​ Kerstin Stremmel. known for his striking portraits of Cerro Gordo is a photographic For Friends​ London, and Marie-Claire in Paris. photographer Simon Eeles (born Foreword by Domenico Dolce and Mark Wasiuta. Among the most esteemed celebrities—filmmakers, actors, ac- study of Los Angeles, California, A beautifully produced, ten- The body of personal work gath- 1983), named Harper Bazaar's Stefano Gabbana. Text by Tim For eight years, fueled by Dakis German photojournalists of the tresses, musicians and architects. created over the span of a year. Blanks. volume slipcased object, For ered in this volume has remained Young Photographer of the Year Joannou’s belief that “although art postwar period, Robert Lebeck He has photographed countless Inspired by depictions of the city Portraits Nudes Flowers is a collec- Friends is an homage to travel and unseen for over 45 years, stored in 2009, Australiana is the result is considered eternal and fashion (1929–2014) used his charisma major stars of stage and screen, in motion pictures of the 1970s tion of photographs by Lima-born friendship showcasing intimate away as 35mm slides. Most of the of a cross-continental road trip ephemeral, both are contemporary and mischievous nature to in- from Iggy Pop to David Lynch, and early 1980s, photographer and Mariano Vivanco (born 1975), weekends enjoyed among friends photographs are devoid of people, Eeles undertook in his homeland creative processes,” creators from stantly and naturally connect with from Charlotte Rampling to Al director David Black (born 1980), one of the world’s leading editorial in some of the world’s most in contrast to Boman’s professional after years of working in the US art, design, literature, film, archi- his subjects. He made no distinc- Pacino. Le Grand started out work- noted for his work with musicians and advertising photographers. beautiful and exclusive locations. work, which almost always has and abroad. Featuring beachside tecture and fashion selected items tion between rich or poor; in front ing for dailies such as Libération such as Daft Punk, Cat Power and It includes portraits of some of the Conceived by Alessandra involved some form of portraiture. portraits, images of his nieces and from each year’s fashion collection of his camera, all were equal. His and Le Monde, and went on to Kendrick Lamar, explores various world’s most fashionable faces, Borghese, the book contains Here, the photographs are nephews playing in his mother's and interpreted them in the lexi- photographs of celebrities and collaborate with magazines such noir themes that cut through Los including Cindy Crawford, photographs by Alessandra d’Urso juxtaposed for the visual dialogue backyard on a small dairy farm in con of their own discipline. Edited world leaders such as Elvis Presley, as Elle, Vanity Fair, The New Yorker, Angeles’ sunshine veneer. Rihanna, , Naomi in settings such as the Borghese that emerges: a picture of a glass Tasmania, as well as landscape and designed by M/M (Paris), this Woody Allen, Romy Schneider W, Liberation, Vogue Homme, Black’s photographs examine the Campbell, Ricky Martin, Antonio palace in Montevettolini, Jacques merchant in Morocco faces a images of the country's vegetation, publication follows the conceptual and Willy Brandt have long been GQ, Jalouse, AD and many others. complex existence between light Banderas, Emma Watson and Garcia’s Château du Champ-de- nearly identical one of a brass the volume aims to paint a framework of the destefashioncol- lodged in Germany’s collective In his portraits, the intrusion of and dark and its role in our modern Sam Smith, among many others. Bataille in Normandy, and private merchant in Tunisia; an image of a portrait of a place and a culture lection exhibition at the Benaki visual memory. elements like mirrors and smoke mythologies, visually appraising Nudes have been a component islands on the Rosario archipelago manicured Swedish topiary faces geographically separated. Museum in Athens that presented In this book, Lebeck’s wife, archi- and the use of light and shadows Los Angeles’ archetypes and iden- of Vivanco’s photography since of Cartagena. Here we glimpse a lush rainforest around the corner Having worked under renowned the eight “capsules” (as each se- vist and closest creative compan- dramatize the scene and create tity in popular culture and expos- his early studies in Melbourne, a cosmopolitan mix of artists, from Boman’s house; and a British fashion photographer Craig lection was called)—M/M (Paris), ion, Cordula Lebeck, has collected compositions that are classic and ing the city’s paradoxical bent as Australia, most notably his Can- designers, writers, entrepreneurs sculptural memorial to a fallen McDean, Eeles creates images 2007; , 2008; Helmut a stunning array of mostly unpub- disconcerting at the same time. a land of dreams and disillusion- dice Swanepoel and David Gandy and aristocrats enjoying moments soldier in Denmark faces a desert with sharp, fashion-world glamour, Lang, 2009; Patrizia Cavalli, 2010; lished photographs from the late This monograph presents a ment. Cerro Gordo is Black’s first nudes, both of which are featured of leisure and conversation. island in the Caribbean. Beautifully even as he captures a relaxing day Charles Ray, 2011; Athina Rachel 1950s to the ’70s. Face the Camera broad selection of more than monograph. here. Flowers have also been a Each of the nine weekends is designed in collaboration with on an Australian beach. It is this Tsangari, 2012; Diller Scofidio + allows us to discover Lebeck’s 170 portraits, shot by Le Grand longstanding subject of Vivanco’s presented in an individual volume, renowned book designer Miko HAT & BEARD PRESS rich and unusual combination of Renfro, 2013; and Maria Papadimi- endless sense of wonder and over a 20-year period. photographic explorations, and this which together form a meditative McGinty, this book is a tribute 9780996744768 sensibilities—the outback hardness triou, 2014—as a fluid archipelago, ferocious curiosity about everyday DAMIANI u.s. $60.00 cdn $78.00 volume includes a never-before- photographic diary. to a well-traveled eye. Edition of with New York glitz—that informs emphasizing the shifting relation- life in times of great change. 9788862085038 Clth, 9.75 x 12.25 in. / 160 pgs / this first monograph, an homage seen series of Vivanco’s flowers. ship between the various capsules STEIDL/LOUIS VUITTON u.s. $50.00 cdn $65.00 1,000 copies. 120 color / 24 b&w. STEIDL With a fresh and unexpected take 9783958291331 Hbk, 10.75 x 10.75 in. / 312 pgs / October/Photography to the diverse landscapes and hard and, therefore, the art and fashion 9783958291652 DAMIANI u.s. $95.00 cdn $120.00 180 color / 100 b&w. light of the faraway continent. on these highly popular subjects, worlds as a whole. An essay by u.s. $40.00 cdn $52.50 9788862084871 Slip, hbk, 10 vols, 5 x 7.25 in. / September/Photography Vivanco unifies his collection of Germano Celant charts Joannou’s Hbk, 8.25 x 11.5 in. / 208 pgs / u.s. $45.00 cdn $57.50 DAMIANI 460 pgs / 265 b&w. portraits, nudes and flowers in a 130 b&w. Hbk, 9.25 x 6.75 in. / 128 pgs / 9788862084994 remarkable journey. July/Photography/Fashion November/Photography 120 color. u.s. $35.00 cdn $45.00 contemporary fashion. DESTE FOUNDATION FOR September/Photography/Travel Hbk, 9.5 x 12 in. / 96 pgs / 60 color. DAMIANI CONTEMPORARY ART September/Photography/Fashion 9788862084895 9786185039196 u.s. $50.00 cdn $65.00 u.s. $65.00 cdn $85.00 Clth, 9.75 x 12.75 in. / 224 pgs / Hbk, 9.25 x 11 in. / 428 pgs / 110 color / 90 b&w. illustrated throughout. September/Photography/Fashion September/Fashion

134 artbook.com­­ artbook.com 135 Photographs of people and places HIGHLIGHTS ■ PHOTOGRAPHY

Marion Belanger: Andrea Robbins Rift/Fault​ & Max Becher: Randi Malkin Mat Hennek: Text by Lucy Lippard. Black Cowboys​ Rift refers to the eastern edge of Steinberger: Woodlands​ Juliet Hartford: In the popular imagination, the Linda Foard Justin Kimball: the North American Plate where it No Circus​ In Woodlands, German photog- Jitka Hanzlová: Huntington cowboy has long been identified meets the Eurasian Plate along the Text by D.J. Waldie. rapher Mat Hennek (born 1969) Roberts: The Horse​ Elegy​ as white—but at the height of the Hartford​ Mid-Atlantic Rift in Iceland. New No Circus brings together pho- presents portraits of trees, the Alchemy of Life ​ Preface by John Berger. Text by Stanley Wolukau- cattle-ranching period in the 19th Text by Juliet Hartford. Wanambwa. crust is formed as magma pushes tographs by Los Angeles–based results of numerous hikes through Introduction by Deborah Willis. In previous series, Czech photog- century, more than one third of This book tells the career and life This series by photographer up from the mantle; the land Randi Malkin Steinberger (born various forests in Europe and the Poem by Billy Collins. Text by rapher Jitka Hanzlová (born 1958) cowboys were African American. Russell Lord. story of the A&P supermarket Justin Kimball (born 1961) fea- along the rift is unstable and raw. 1960) of buildings tented for ter- US. Hennek sets out to discover has explored the connections Black cowboy culture is still thriv- Linda Foard Roberts: The Alchemy heir and American businessman tures small towns in New York, Marion Belanger (born 1957) docu- mite fumigation around Los Ange- extraordinary places in remote between individuals, their identi- ing today, but is little known to the of Life is a compilation of five Huntington Hartford (1911–2008), Massachusetts, Pennsylvania and ments this land and its structures: les. After moving to the city in the and often difficult-to-access areas, ties and their environments. In the general public. This marginalization series, created over the past ten as told by his daughter Juliet Ohio brought to the brink of ob- geothermal electricity, hot pools, early ‘90s, she encountered these traveling for days on paths remote body of work collected here, she stems from both official and unof- years, by North Carolina–based Hartford. Huntington Hartford’s solescence by the recent financial volcanic excavation sites, houses, shrouded structures and began from human civilization. turns her camera on horses. As art ficial segregation in competitive photographer Linda Foard Rob- grandfather founded the Great downturn, capturing their streets, new earth and cultural relics within to stop and photograph them, Hennek removes all spatial land- historian Jesus Carrillo Castillo has rodeos, as well as Hollywood’s erts. Roberts works in enduring Atlantic & Pacific Tea Company residents and landscapes in photo- the landscape. knowing that the tent might be un- marks, alternately erasing the noted, horses are more familiar commercially driven exclusion genres—landscape, portrait and (A&P supermarket) in 1859 and graphs both sensitive to their sub- In Fault, meanwhile, she photo- draped at any given moment. ground and horizon to unhinge as images than as animals—so of black cowboys from Western still life—and photographs her his two uncles built it into the jects and compositionally striking. graphs the shifting western edge Steinberger was intrigued by the any sense of direction. Light and to recapture the physicality of the genre films and television. 21st-century surroundings using world’s largest retail empire. While imbued with social and po- of the North American Continental way the colors and shapes of the shadow, pattern and structure horse, and convey something of Beginning in 2008, Andrea Rob- 4x5", 5x7" and 8x10" cameras and Using a wealth of photographs and litical subtext, Kimball’s images— Plate along the San Andreas Fault tents showed off the forms below build up to an impressionistic the visceral experience of being bins (born 1963) and Max Becher vintage lenses, some over 100 visual documents including press of ramshackle buildings against a in California, focusing on traces and highlighted the beauty of the hymn—infinite, without a center, with these animals, Hanzlová (born 1964) set out to photograph years old. The result is seemingly clippings and advertisements, the landscape, a mother and baby on of the tectonic plate edge and the poor plants on the outside, still without beginning or end. zooms in on the details. She this history and its legacy in con- eternal, timeless, black-and-white book traces Hartford’s life from their front porch, roadside church artifacts of our built environment flourishing, unaware that they As author Laureline Amanieux moves in close to her subjects, temporary black cowboy culture, photography that exploits the a boy in Newport, Rhode Island, signs and teenagers playing a upon them. Though characterized were slowly being poisoned. writes, “man is not needed in creating intimate color photo- shooting black riding clubs, black peculiar ability of the camera to to his years at Harvard (where he game of pickup basketball—carry by earthquake activity, the land- Beyond the intended purpose of these works, as it is the viewer graphs of parts of horses, captur- rodeo leagues and charity events produce images that are both ex- was known as the world’s richest a broader significance. In his de- scape is often striking in its visual fumigation, these tents unwittingly who becomes wholly integrated ing the essence of these animals across America. In this volume, tremely present and yet suspended college boy), his time in the US piction of communities faced by normalcy. allow us to stop and contemplate in the bosom of nature.” Through in the texture of their eyelashes, Robbins and Becher document this in time. Coastguard during World War II, hardship, Kimball examines the Capturing moments of anticipa- not only architectural form and a graphic style that sublimates the the fur on their ears or a piece of hidden history of the black cowboy Over the past decade, Roberts his Hollywood career producing persistence of hope and the con- tion in settings that shift between the meaning of home, but also the landscape into pure abstraction, grass caught in a long tail. Beauti- and cowgirl and, in the process, has been exploring the inevitable movies and opening the Hunting- cept of what it means to be human the wild and the contained, Rift/ Southern California lifestyle more Hennek eliminates the border be- fully produced in an oversized reformulate and expand the ico- movement of time in life, focusing ton Hartford Theatre, to his found- in our modern world. His photo- Fault creates a visual tension that broadly. tween painting and photography. clothbound format, Jitka Hanzlová: nography of the cowboy. on memory and the acceptance ing of the oil shale company Tosco graphs document a growing—yet questions the relationship between Horse features a preface by John DAMIANI STEIDL and developing Paradise Island in LA FABRICA of transience and imperfection. often overlooked—portion of the geologic force and the limits of 9788862084802 9783958291782 Berger. 9788416248544 The photographs in this volume, the Bahamas in the 1960s. American landscape, providing an human intervention. u.s. $35.00 cdn $45.00 u.s. $75.00 cdn $95.50 u.s. $45.00 cdn $57.50 KOENIG BOOKS Hbk, 11.75 x 9.5 in. / 128 pgs / Clth, 13.5 x 14.25 in. / 96 pgs / Roberts’ first monograph, are STEIDL impressive portrait of the present Hbk, 9.5 x 11.5 in. / 176 pgs / 9783863358778 RADIUS BOOKS 69 color. 48 color. meant to be read like visual lines in 9783958291638 day. 92 color. u.s. $65.00 cdn $85.00 FLAT40 9781942185154 September/Photography December/Photography/Nature u.s. $50.00 cdn $65.00 August/Photography/African Ameri- a poem, metaphorical and layered, Clth, 11.75 x 14 in. / 92 pgs / RADIUS BOOKS u.s. $55.00 cdn $70.00 Hbk, 11.25 x 13 in. / 208 pgs / Hbk, 13 x 10.5 in. / 132 pgs / can Art & Culture with each photograph bestowing a 47 color. 9781942185062 180 color. 48 color. July/Photography/Nature u.s. $55.00 cdn $70.00 deeper meaning upon the next. September/Photography/Biography October/Photography Hbk, 10.75 x 13.25 in. / 254 pgs / RADIUS BOOKS 120 color. 9781942185161 October/Photography u.s. $60.00 cdn $78.00 Hbk, 10 x 12 in. / 176 pgs / 80 b&w. October/Photography

136 artbook.com­­ artbook.com 137 Political photography and surveys HIGHLIGHTS ■ PHOTOGRAPHY

Mark Peterson: Political Theatre​ Over the past two years New Peter Badge: York–based Mark Peterson (born Nobels​ Andres Serrano: 1955) has photographed American Telling Tales​ Human Rights In 2000 German photographer All the People​ Andres Serrano: presidential candidates as they Uncensored Contemporary Narrative Dancing with Watch​ Peter Badge (born 1974) em- Text by Emily Besa. Photographs Salvation​ Photography lead rallies, meet with the public by Bernd Ott. Photographs​ Myself​ Mission for a Humane barked on a long-term project to Andres Serrano (born 1950), one Introduction by René Paul and plead for votes. He began All the People explores the experi- Text by Nathalie Dietschy, Jan Self-Portrait and Self- World: Conversations, photograph every living Nobel of the most celebrated representa- Koenot, Germano Celant, Quentin Barilleaux. Foreword by William documenting the race shortly J. Chiego. Text by Auriel Garza, Invention: Works from the Ed Kashi: On the Run, Laureate. Commissioned by the ence of the gender spectrum on a tives of contemporary photography Bajac. before the government shutdown Gregory J. Harris, Lucy Soutter. Pinault Collection Photographs Lindau Nobel Laureate Meetings personal level, with photographs and art, achieved major promi- Andres Serrano (born 1950) has in 2013 at a Tea Party rally at the Telling Tales presents a survey of Text by Abigail Solomon-Godeau, Edited by Ronald Grätz, ​ in cooperation with the Smithson- of individuals living in Amsterdam, nence for his work “Piss Christ,” photographed the homeless, US Capitol, when politicians were work by artists who record stories Sabine Flach, Kito Nedo. Hans-Joachim Neubauer. ian Institution, the National Portrait Berlin, London, Los Angeles and which to this day has not lost any Ku Klux Klansmen, corpses and Dancing with Myself draws its rich railing against President Obama Human Rights Watch (HRW) has through pictures, whether real or Gallery in Washington, DC, and New York who express and define of its unsettling impact. Religion, feces, but he is most famous—or and the Affordable Care Act. Since imagined. Sixteen groundbreak- constellation of works from the been campaigning for human the Deutsches Museum, and their gender on their own terms. sexuality and death are pervasive infamous, in some circles—for his amazing collection of François then Peterson has followed the rights for decades. Privately ing photographers are featured, cofunded by the Klaus Tschira The book’s subjects identify as elements of his oeuvre. “Piss Christ” (1987), showing a political spin as it approaches the including such greats as Gregory Pinault, exploring the major roles funded, several hundred employ- Stiftung, this project has taken transgender, gender queer, drag Raised as a Catholic in Williams- crucifix submerged in the artist’s that contemporary artists have November 2016 election, creating ees and even more volunteers are Crewdson, Nan Goldin, Jessica Badge across the globe to the performers or do not identify burg, Brooklyn, Serrano became urine. Serrano returns again and already-famous images of Donald Todd Harper, Erwin Olaf and oth- played as their own protagonists in fighting worldwide for the rights laureates’ homes, labs, workplaces themselves with any label at all. curious about the Hasidic com- again to scandalous or uncomfort- the art of the last decades. The vol- Trump, Hillary Clinton, Bernie of the persecuted, of children, of ers, with photographs spanning and even holiday destinations. All the People collects their stories munity there from an early age. An able themes like religion, death, Sanders, Sarah Palin, Chris Christie the early 1970s to the present. ume surveys artists who perceive women and ethnic minorities; for His subjects include Elie Wiesel, and their portraits—as they wish to invitation to Israel expanded his sex and violence, and his work their own bodies and identities as and others, cutting through the the rights to asylum, freedom of While some contemporary artists Nelson Mandela, the Dalai Lama, be represented. artistic repertoire: using a Mamiya prompts debate or even violent staging of their personalities and explore photographic imagery as it unique and malleable raw material speech and fair pay. What chances Doris Lessing, Saul Bellow, J.M. Writer Emily Besa (born 1974) RB67, he approached the subject reaction, making vandalism and in a way that surpasses the con- revealing the cold, naked ambition does the struggle against persecu- is mediated by technology, these Coetzee, Nadine Gordimer, Harold conducted interviews with the of religious faith via the landscape censorship inexorably part of the for power. This volume documents artists exploit photography’s abil- fines of traditional self-portraiture. tion, torture and expulsion have Pinter, Malala Yousafzai and Elinor subjects, and photographer Bernd and the people. He visited sacred story of Serrano’s art as well. Featuring pivotal figures of 20th- what has been widely described today? How can it be financed? ity to present a momentary, frozen Ostrom. “Peter Badge shows us Ott (born 1970) shot their portraits sites in Bethlehem, Ramallah, Published to accompany a major as the most polarized and bizarre narrative. Images are staged for and 21st-century art such as What can governments as well as the wonderful gifts that make in locations of their choosing, Galilee and the Dead Sea; came exhibition at the Royal Museum Cindy Sherman, Nan Goldin, presidential race in American the individual be doing? the camera or highly manipulated Nobel Laureates unique—and how collaboratively creating intimate, closer to people step by step, of Fine Arts of Belgium, Andres history. through digital processes, yet they Bruce Nauman, Alighiero Boetti, In this timely book HRW executive they help us connect our interest- sensitive portraits in words and picture by picture, following them Serrano: Uncensored Photographs Gilbert & George and Maurizio Mark Peterson's work has been director Kenneth Roth, philanthro- often resemble a casual snapshot ing differences to our common images. “If there is something we through their everyday lives and presents the many faces of published in The New York Times or movie still. Primarily in color and Cattelan, the publication docu- pist and financier George Soros, humanity,” writes Bill Clinton of ultimately hoped for,” Ott reflected, to celebrations, ultimately Serrano and his work, tracing ments a variety of disciplines, Magazine, New York, Fortune, as well as activists from the aid or- often large-scale, the photographs these images. “it was that people realize how depicting the traces of the identity the trajectory of his career in Time, ESPN The Magazine and Geo, reference everything from classical exploring the multitude of ways ganization Attack on Schools and much we all share once we look more than 100 photographs. STEIDL of an entire nation in their faces, painting and avant-garde cinema in which artists can feature in— among many others. His numerous others discuss the work of one of past the labels we create.” 9783958291928 in intense studio photographs. SILVANA EDITORIALE or, indeed, become—the art. awards include a W. Eugene Smith the most important humanitarian to science fiction illustration and u.s. $100.00 cdn $130.00 KERBER 9788836632619 support grant. Peterson’s book Slip, clth, 2 vols, 9.5 x 10.25 in. / HATJE CANTZ Alfred Hitchcock. STEIDL/MUSEUM FOLKWANG, ESSEN organizations of our time. In an 9783735601766 u.s. $55.00 cdn $70.00 840 pgs / 395 b&w. 9783775741248 9783958291720 Acts of Charity was published in accompanying photo-essay pho- u.s. $49.95 cdn $64.95 Hbk, 9 x 11 in. / 240 pgs / 150 color. MCNAY ART MUSEUM December/Photography u.s. $60.00 cdn $78.00 u.s. $50.00 cdn $65.00 2004 by Powerhouse Books. Hbk, 9.5 x 12.5 in. / 248 pgs / October/Photography 9780916677602 tojournalist Ed Kashi shows the Hbk, 9.75 x 12.5 in. / 226 pgs / Hbk, 8 x 10.5 in. / 256 pgs / 115 color / 24 b&w. u.s. $25.00 cdn $32.50 STEIDL people for whom HRW and others 214 color. 204 color. July/Photography/Gay/Lesbian EXHIBITION SCHEDULE Hbk, 9.5 x 10.75 in. / 88 pgs / September/Photography November/Photography 9783958291836 across the world are fighting. Brussels, Belgium: Royal 47 color / 17 b&w. u.s. $40.00 cdn $52.50 Museum of fine Arts of Belgium, October/Photography Clth, 9.5 x 11 in. / 144 pgs / STEIDL/IFA 03/18/16–08/21/16 EXHIBITION SCHEDULE 9783958291676 Essen, Germany: Museum Folkwang 120 color & b&w. EXHIBITION SCHEDULE u s cdn 10/07/16–01/15/17 September/Photography . . $35.00 $45.00 San Antonio, TX: McNay Art Clth, 6 x 9.25 in. / 208 pgs / 80 color. Museum, 09/28/16–01/08/17 September/Photography

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BACK IN PRINT Isamu Noguchi: Playscapes​ Alejandro Aravena: Elemental​ ​Text by María Cisitina García, Shaina D. Larrivee, et al. ​Incremental Housing and Participatory Design Manual In 1933, the visionary sculptor Isamu Noguchi (1904–88) began making design proposals for children’s playgrounds in New York. The first one, Play Mountain (1933), marked the beginning Text by Alejandro Aravena, Andrés Iacobelli. of the artist’s fascination with exploring points of intersection between sculpture, public spaces What began as an academic initiative to improve the quality of life of the poor strata of and, above all, play. Radically experimental in its approach to children’s recreation, the design the population has now become a professional “do tank” offering services that cover asserted, with no apparent precedent, that children’s exercise and entertainment could be the entire spectrum of urban development. The celebrated Chilean architect, winner of stimulated by simply providing earth modulations and steps for running, jumping and sliding. the 2016 Pritzker Prize and Director of the 2016 Venice Architecture Biennale, Alejandro Noguchi’s playground was a spectacular innovation of design, and something never before Aravena (born 1967) founded Elemental in 2001 in his hometown with the goal of alleviat- seen in New York City’s brief 32-year history of building and operating playgrounds. But Play ing social deprivation directly instead of hoping for a balance of income relations. Mountain also initiated a lengthy period of frustrated endeavor, in which Noguchi only saw one Besides building public facilities and public housing, Elemental also develops new of his park designs become a reality. This changed in the 1970s, when public space policies approaches for the reorganization of resources and the potential of cities by means of began to favor artists’ participation in project design. Since then, Noguchi’s pioneering play- projects devoted to infrastructure and transportation. grounds have become a touchstone for the revival of interest in the golden era of playground This volume, first published in 2013 and now back in print, documents the social activity design. and history of the international architectural team and sheds light on its financing strate- This is the first volume to bring together all of the artist’s investigations into playgrounds over gies, for example through participatory building. a period of 50 years. It reproduces his beautiful scale models, sketches and photographs of HATJE CANTZ iconic designs, highlighting a little-known facet of one of the most versatile sculptors of the 9783775741422 u.s. $60.00 cdn $78.00 20th century. Pbk, 7 x 9.75 in. / 512 pgs / 200 color. September/Architecture & Urban Studies/Latin American/Caribbean Art & Culture RM/MUSEO TAMAYO ARTE CONTEMPORÁNEO ALSO AVAILABLE 9788416282616 u.s. $45.00 cdn $57.50 Isamu Noguchi: Clth, 8.25 x 11.25 in. / 224 pgs / A Sculptor’s World 95 color / 5 b&w. 9783869309156 The only overview of the 2016 Pritzker August/Art/Architecture & Urban Studies Clth, U.S. $60.00 CDN $70.00 Prize winner in print Steidl

Back in the USSR​ BACK IN STOCK ​Soviet Roadside Architecture from Samarkand to Yerevan Snøhetta: People, Process, Projects​ Photographs by Peter Ortner. Since their acclaimed expansion for the San Francisco Museum of Modern Art, their Bus stops are normally mundane structures, standardized and replaceable and renewal of Times Square and their World Trade Center pavilion, the Norwegian firm therefore scarcely paid any attention. Out on the country roads of the former So- Snøhetta has risen to become one of the world’s most renowned architectural and de- viet Union states, however, lies a treasure trove of unexpected waiting zones for sign practices. those willing to make the trip—a wide-ranging panoply of socialist architecture. Snøhetta was founded in Oslo in the 1980s, when a group of both building and land- Germany-based freelance photographer Peter Ortner offers up a selection of these scape architects joined forces to form a collective that embraced their two fields and varied and jaw-dropping bus stops in Back in the USSR: Soviet Roadside Architec- created cohesion between buildings and landscapes. Since then, Snøhetta has grown ture from Samarkand to Yerevan. Taken both in Central Asia and in Eastern Europe, into an international practice, with offices in New York, San Francisco, Innsbruck and in Azerbaijan, Moldova, Uzbekistan, Armenia, , Ukraine and the Crimea Singapore. Among their current projects are the design of new Norwegian notes; peninsula, Ortner’s photographs illuminate the imaginative variations on this ver- the King Abdulaziz Centre for World Culture in Saudi Arabia; and an addition to the art nacular architecture as well as the more expected works of socialist modernism. museum of Ordrupgaard in Denmark. His shots present us with an endless variety of forms and colors, an eclectic micro Now in its second printing, and designed by the firm, Snøhetta: People, Process, architecture whose neglect and weathering somehow adds to its charm. Projects explores Snøhetta’s unique humanistic approach to architecture and its holistic In a regime often characterized by standardization and creative repression, and transdisciplinary processes, documenting works from 1989 to the present. anonymous architects and artists created original, expressive work in the form of bus stops, buildings for everyday purposes. With its roadside architecture— FORLAGET PRESS sometimes brutalist, sometimes not—resembling waves, UFOs and octopuses, 9788232800261 u.s. $50.00 cdn $60.00 Hbk, 9.5 X 11.75 in. / 304 pgs / 200 color / 50 b&w. the Soviet Union, it now seems indisputable, was light years ahead of its Available/Architecture & Urban Studies ALSO AVAILABLE neighbors in bus-stop design. Soviet Bus Stops JOVIS 9780993191107 9783868594133 u.s. $19.95 cdn $25.95 Hbk, U.S. $32.50 Hbk, 8.5 x 6.75 in. / 112 pgs / 100 color. CDN $40.00 November/Photography/Architecture & Urban Studies FUEL Publishing

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World of Malls​ LEAP Dialogues​ ​Architecture of Consumption ​Career Pathways in Design for Social Innovation Edited by Andres Lepik, Vera Simone Bader. Text by Anette Baldauf, Edited by Mariana Amatullo, Bryan Boyer, Liz Danzico, Andrew Shea. Regina Bittner, Setargew Kenaw, Richard Longstreth, June Williamson, The professional landscape for design in social innovation has reached a critical moment. et al. Designers are now acting as mediators, synthesizers and key contributors of social and World of Malls explores a type of building that was invented in the environmental challenges at a strategic level. Organizations are recognizing that design- United States nearly 60 years ago and quickly spread throughout the ers bring a unique set of abilities and methods for developing human-centered artifacts, world. Because of urban planning’s increasing orientation toward the services, environments and systems. Fueled in part by strong student demand, new automobile, the mall became a substitute for lost urbanism. But what graduate and undergraduate programs in social design are emerging across the nation. direction is the development of the shopping mall taking today? On the Graduates from these programs are entering the workforce with expanded skill sets and one hand, there continue to be spectacular new openings in America, aspirations about their role(s) as creative individuals. Asia, the United Arab Emirates and Europe. At the same time, however, LEAP Dialogues: Career Pathways in Design for Social Innovation is a first-of-its-kind book many malls are empty, and some are being converted and repurposed. that explores the new careers in the emergent field of design for social innovation with There is hardly any other building typology that is currently being dis- contributions from 84 leaders from across disciplines and sectors. These contributors cussed with such controversy: does the shopping mall mean the death encompass diverse points of view, stories and experiences about key issues, creating a of the city, or does it stimulate its revitalization? In their essays in this multilayered picture of how this field is being shaped. The book’s distinctive framework, volume, urban planners, economists and architectural historians such presented through a series of informal dialogues interposed with first-person essays, as Anette Baldauf, Bob Bruegmann, Dietrich Erben, Richard Longstreth, “day-in-the-life” entries and case studies, addresses the spectrum of challenges and op- Alain Thierstein, June Williamson and Sophie Wolfrum examine the portunities for those building careers in design for social innovation, and for the organiza- transformation processes of the shopping mall from the 20th to the tions looking to support those careers. The unexpected pairings of perspectives in the 21st century. dialogues push each other to uncover insights and ideas that are at times provocative, at HATJE CANTZ times reflective, at times informative—but always engaging and accessible. 9783775741392 u.s. $70.00 cdn $90.00 Pbk, 7.75 x 9 in. / 272 pgs / 210 color. DESIGNMATTERS AT ARTCENTER COLLEGE OF DESIGN September/Architecture & Urban Studies 9780996196420 u.s. $39.95 cdn $50.00 Pbk, 6.5 x 9.25 in. / 360 pgs / 86 duotone. EXHIBITION SCHEDULE July/Design Munich, Germany: Architekturmuseum der TU München in der Pinakothek der Moderne, 07/13/16–10/22/16

ALSO AVAILABLE Walter Brune: From BACK IN PRINT Meydan Shopping Department Store Square to Stadtgalerie The Landscape of Contemporary Infrastructure​ 9783939633303 9783868591057 ​Text by Marcel Smets, Kelly Shannon. Flexi, U.S. $55.00 Hbk, U.S. $60.00 CDN $70.00 Since its initial publication in 2010, The Landscape of Contemporary Infrastructure has CDN $65.00 Jovis Jovis become a standard reference for designers; this new edition brings the indispensable vol- ume back into print. The design of infrastructural networks—the systems that enable flow within a structure such as a city, like roads and railways—is among urban design’s foremost tasks. Around Nancy Davenport: Renovation​ the globe, the awareness of enhanced infrastructure fluidity as a catalyst for economic Renovation presents the most recent work of Canadian photographer Nancy Davenport (born 1965)—a critical development is rising. yet poignant meditation on the massive restoration of the United Nations headquarters in New York that took The Landscape of Contemporary Infrastructure investigates how infrastructure design place between 2008 and 2015. Davenport’s project features a remarkable series of images, including photo- determines the organization and flow of the inhabited landscape—as an agency of en- graphs of iconic UN architecture, portraits of people who worked on the renovation site, historical photos and hanced mobility, as a physical presence, as a design feature contributing to the character archival material, and original artwork that remixes graphic forms and visual citations related to the United Na- of a city and as a sound theoretical approach to a positive experience of collective space. tions’ mid-20th-century construction. Transcribed conversations with construction workers, maintenance crews In this volume, these four issues are explored in four chapters that catalogue these ap- and interpreters reveal a code of job-site etiquette and ethics that is a counterpart, by turns tragic and hilarious, proaches, and each chapter is buttressed with key projects from around the world by de- to the official modus operandi of business conducted at the United Nations. Davenport’s book isolates a haunt- signers such as Norman Foster, Zaha Hadid, OMA, Arata Isozaki, Paul Andreu, Xaveer De ing in-between moment—after the past was stripped away and before it was re-enshrined. Geyter, Jean Nouvel and Ricardo Bofill. The authors demonstrate how the creative poten- CABINET BOOKS tial of architecture, landscape architecture and urban design is essential to the effective 9781932698756 u.s. $40.00 cdn $52.50 flow of infrastructural networks. Pbk, 9 x 12 in. / 304 pgs / 250 color / 20 b&w. October/Photography/Architecture & Urban Studies NAI010 PUBLISHERS 9789462082397 u.s. $80.00 cdn $100.00 Hbk, 9.25 x 11 in. / 272 pgs / 475 color. July/Architecture & Urban Studies

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The Search for Europe Life-Styled: Health and Mixed Matters Contrasting Approaches Places A Multi-Material Design Compendium The eighth volume in the annual series sponsored Edited by David Mah, Leire Asensio Villoria. Edited by Kostas Grigoriadis. When describing by BBVA as part of its OpenMind initiative From Hippocrates’ text On Air, Waters and a proposal to send the world’s first 3D-printed Writingplace​ Vital Architecture​ The Flexible City​ City Linkage​ devoted to disseminating knowledge on key Places to contemporary debates, the question satellite into space by 2020, scientists from Investigations in Tools for Durability Sustainable Solutions for a Art and Culture Fostering issues of our time, The Search for Europe of how best to design the built environment to the European Space Agency pointed out that analyses the present and future of the old positively impact public health has a long history. composite materials are now predominant in Architecture and Literature Text by Ruurd Roorda, Bas Kegge. Europe in Transition Urban Futures continent and its integration project, which Produced as part of ’s Health the sciences. Although the capabilities of multi- Edited by Klaske Havik, Susana Photographs by Roel Backaert. Text by Tom Bergevoet, Maarten Edited by Michael Ziehl, Carsten is certainly the most ambitious political and and Places Initiative, this book elaborates on the materials have been recognized in the sciences Oliveira, Mark Proosten, Jorge From the Pantheon in Rome to the van Tuijl. Rabe, Till Haupt. economic integration project ever attempted in opportunities offered to designers in engaging for decades, they have yet to be systematically Mejía Hernández, Mike Schäfer. Zollverein in Essen, “vital archi- In Europe, the period of great How do we want to live together? history, and a benchmark for similar processes in concerns of public health—not only as an explored in architecture. Mixed Matters explores Writingplace marks an emerging economic and demographic How can citizens directly par- tecture” describes buildings with other regions. obligation, but also as a means of deepening the these possibilities, featuring contributions from discussion on the relationship of a future value, buildings whose growth is largely over. Unlike in ticipate in city politics? How can disciplines of architecture and design. architects, designers, scientists and theorists. literature and architecture. The LA FABRICA architecture determines and guar- Latin America, Asia or Africa, the we shape cities so that they are book, which grows out of an on- 9788416248421 u.s. $25.00 cdn $32.50 JOVIS JOVIS antees their lifespan. The spatial boundaries of European cities are livable? The world’s cities are Pbk, 7 x 9.5 in. / 448 pgs / 50 color. July/Nonfiction 9783868594225 u.s. $45.00 cdn $57.50 9783868594218 u.s. $35.00 cdn $45.00 line platform of the same name, quality of such buildings is the no longer expanding, but have changing rapidly as a result of both & Criticism Pbk, 8.5 x 11 in. / 368 pgs / 115 color. Pbk, 6.5 x 9.5 in. / 160 pgs / 72 color. offers reflections on the role played core of their value and sustain- essentially come to a halt. The climate change and globalization, November/Architecture & Urban Studies November/Architecture & Urban Studies by written language as a crucial el- ability, even—or especially—when physical growth of European making these questions more rel- ement of architecture culture, and their use changes. cities has come to an end. Instead evant than ever. Against this back- on the potential of using literary Vital Architecture focuses on the of building new spaces outside ground of global transformation, methods in architectural and urban clients, users, architects and de- city lines, now the more urgent City Linkage explores the particular research, education and design. signers of such buildings. Written task is making what already exists importance of artist-run spaces For readers interested in the trans- by Ruurd Roorda and Bas Kegge, sustainable. and self-organized cultural projects disciplinary encounters between the book documents and interprets The Flexible City addresses this for the development of cities. This architecture and literature, this 20 of these vital buildings with new mandate for those working book looks back to the first itera- volume offers both theoretical plans, sections, diagrams and on the future of the European city: tion of the annual international contributions that address con- photographs by Roel Backaert. maintaining and restructuring City Link Festival, held in Hamburg cepts such as narrative and literary Offering a spatial analysis of both the existing city. In this volume, in 2014 and accompanied by imagination, and contemporary instantly recognizable architectural authors Tom Bergevoet and an international conference, explorations regarding the practical Taking Stock of Power Up Up Post-War Reconstruction icons and common, everyday Maarten van Tuijl analyze this trend “Cities, Culture and Sustainability.” operability of literary approaches. An Other View of the Stories of Johannesburg’s Highrises existing buildings drawn from a and compare European cities, In this volume, artists, researchers, in the Netherlands Writingplace includes contributions Text by Greg Bond, Olaf Briese, Florian Ebner, Edited by Nele Dechmann, Fabian Jaggi, Katrin period ranging from the beginning identifying similarities and describ- activists and theorists introduce 1945–1965 by international experts approach- Matthias Flügge, Annett Gröschner, Arwed ​ Murbach, Nicola Ruffo. Photographs by Mpho of the Christian era to the pres- ing concrete examples in detail, practical examples and investigate The Future of a Bright and Brutal Messmer. Photographer Arwed Messmer and Mokgadi. Up Up presents a selection of buildings ing this developing field from both offering inspiration and practical the degree to which contributions ent, Vital Architecture develops a author Annett Gröschner embarked on a long- in the inner city of Johannesburg, with floor Heritage literary and architectural back- methodology to account for the guidance to the administrators, from the arts and cultural sectors term project on the “early Berlin Wall,” based plans, archival discoveries and contemporary Edited by Anita Blom, Simone Vermaat, Ben de grounds, including Bart Keunen, lifespan of buildings, and offers policymakers, developers, design- can support the manifestation of on historical photographs taken by East German images of the interiors and exteriors. Each Vries. In the wake of the destruction of World Alberto Pérez-Gómez, Wim van inspiration for creating something ers, builders and users shaping a sustainable city and improve the border troops. In this two-volume edition, building is accompanied by reportage or a War Two, the Netherlands' bombed cities and den Bergh, Klaske Havik, Katja villages reemerged from the rubble, and new for the future. Europe’s urban future. experience of urban living. with 600 panoramas, they present the entire subjective essay on the inner workings of the Grillner and Wim Cuyvers. circumference of the Wall around West Berlin. building. buildings and infrastructure appeared thanks to NAI010 PUBLISHERS NAI010 PUBLISHERS JOVIS central management. This book documents and NAI010 PUBLISHERS 9789462082830 9789462082878 9783868594164 HATJE CANTZ HATJE CANTZ celebrates the huge feat accomplished in the 20 9789462082816 u.s. $45.00 cdn $57.50 u.s. $30.00 cdn $40.00 9783775740951 u.s. $150.00 cdn $195.00 9783775740937 u.s. $60.00 cdn $78.00 Pbk, u.s. $40.00 cdn $52.50 years after the war, examining its significance for u.s. $45.00 cdn $57.50 Pbk, 6.5 x 9.5 in. / 176 pgs / Pbk, 6.5 x 9.5 in. / 216 pgs / Pbk, 6.75 x 9.5 in. / 144 pgs / Hbk, 2 vols, 8.5 x 11.75 in. / 1,328 pgs / 1,450 color. 7.5 x 10.75 in. / 334 pgs / 265 color. current tasks of transformation and rezoning. Pbk, 6.5 x 9.5 in. / 288 pgs / 60 color. 130 color. 150 color. 50 color. September/Architecture & Urban Studies September/Architecture & Urban Studies/African Art July/Architecture & Urban Studies July/Architecture & Urban Studies July/Architecture & Urban Studies/ November/Architecture & Urban & Culture NAI010 PUBLISHERS Sustainability Studies 9789462082793 u.s. $55.00 cdn $70.00 Pbk, 9 x 11 in. / 240 pgs / 300 color. July/Architecture & Urban Studies

144 artbook.com­­ artbook.com 145 Architectural monographs and photography HIGHLIGHTS ■ ARCHITECTURE

Harquitectes Studio Anne Holtrop O & O Baukunst: Moisej J. Ginzburg 2G #74 2G #73 View of the Interior & Ignatij F. Milinis: Introduction by Andreas Ruby, Introduction by Giovanna Borasi. Buildings and Projects Narkomfin Javier García-Germán. Text by Text by Maaike Lauwaert, Anne 1980–2015 Moscow 1928–1930 Harquitectes, Felipe De Ferrari, Holtrop. Preface by Valerio Text by Laurids Ortner. Interview Edited by Danilo Udoviˇcki-Selb. Modelling for Diego Grass. Harquitectes is an Olgiati. Until recently, the Dutch by Manuela Hötzl. This publication Louise Bourgeois Claudio Gobbi: Text by Dmitry Khmelnitsky, architectural firm founded in architect Anne Holtrop (born 1977) offers an overview of the the Camera​ Vladimir Paperny, et al. Designed Tezuka Architects: and Peter Zumthor: Arménie Ville​ Photography of 2006 in Sabadell, near Barcelona. had only built a few pavilions acclaimed German architecture The studio addresses the current by Russian architects Moisej J. A Visual Essay on Armenian Architectural Models in and installations. However, her firm Ortner & Ortner, from 1980 The Yellow Book​ Steilneset economic crisis by adapting its work took a leap in scale with Ginzburg and Ignatij F. Milinis, the Architecture Spain 1925–1970 to the present. The range of Edited by Thomas Sherman, ​ Memorial​ work to commissions, from public two projects finished in 2015: Narkomfin building is a renowned Text by Martina Corgnati, Giacomo projects—from office concepts to Greg Logan. Foreword by Mohsen Edited with text by Iñaki Bergera. buildings such as schools to single- the Museum Fort Vechten near example of Constructivist To the Victims of the Daniele Fragapane, Sophie Jung, housing models to spaces for art Mostafavi. Introduction by Mark Modelling for the Camera pays architecture. Mulligan. Finnmark Witchcraft Trials Filippo Maggia, Hripsimé Visser. family houses. This publication Utrecht and the National Pavilion and culture—reveals a surprising tribute to two important systems is the first comprehensive of the Kingdom of Bahrain for the Building on the wide interest in the Foreword by Jan Andresen. Text ​ Since 2007, Claudio Gobbi (born individuality and diversity of WASMUTH of architectural representation: the monograph on its work. Milan Universal Exhibition of 2015. 9783803007889 u.s. $40.00 cdn $52.50 popular TED talk, “The Best Kin- by Svein Rønning, Mari Lending, 1971) has been systematically designs. Anne Karin Jortveit, Jeanette Sky. Pbk, 11 x 8.5 in. / 192 pgs / model and the photograph. Rescu- KOENIG BOOKS WALTHER KÖNIG, KÖLN dergarten You’ve Ever Seen,” deliv- documenting Armenian religious VERLAG FÜR MODERNE KUNST 80 color / 115 duotone / 30 b&w. This book documents a unique ing over 100 original photographs 9783863359348 u.s. $40.00 cdn $52.50 9783863358723 u.s. $40.00 cdn $52.50 ered in 2015 by Japanese architect architecture from the Middle Ages 9783903004818 u.s. $49.00 cdn $62.50 July/Architecture & Urban Studies collaboration between the artist of outstanding models—some FLAT40 Pbk, 9 x 11.75 in. / 160 pgs / FLAT40 Pbk, 9 x 11 in. / 152 pgs / Hbk, 9.75 x 12.5 in. / 228 pgs / Takaharu Tezuka (born 1964), to the present. Besides the pho- 130 color. September/Architecture & 130 color. September/Architecture & Louise Bourgeois (1911–2010) and eventually realized, and some that 187 color / 21 b&w. July/Architecture Tezuka Architects: The Yellow Book tographer’s own photographs, the Urban Studies Urban Studies the architect Peter Zumthor (born would remain unbuilt—from 20th- & Urban Studies is an in-depth, monographic study series, titled Arménie Ville, also 1973). The Steilneset Memorial, century Spain, this volume offers a of the work and design philosophy comprises found images from ar- opened in 2011, is a monument in modern, visual, critical and histo- of Tezuka’s architecture studio, chives, pictures from the Internet Vardø, Norway, commemorating riographical discourse on Spanish cofounded with his wife Yui Tezuka and from commissioned artists. the 17th-century trial and execu- architecture from this rich period in 1994. Spanning more than 25 countries tion of 91 women for witchcraft. after the First World War. Envisioned as a pocket guide and from Western Europe to the Cau- The brainchild of the National Beyond the analysis of the models’ reader in scale and feel, Tezuka casus, the Berlin-based Italian Tourist Routes project in Norway technical and compositional struc- Architects introduces projects photographer traces the specific (a government-sponsored initiative ture, the book includes sample spanning the past 12 years, from features of sacral Armenian ar- which aims to attract visitors to pictures by photographers such the Roof House (2001) up through chitecture and the captivating remote but exceptionally beautiful as Francesc Català-Roca, Joaquín the recently completed Child simplicity of its forms, which have HPP Architects: Kunstmuseum Basel: Czech Houses Tehran: Life Within locations), the Steilneset Memorial del Palacio (Kindel), Juan Pando, This book represents a selection Chemo House (2013). The Child remained unchanged for more Congress Hall at New Building Walls started out as a modest monument Martin Lladó, Oriol Maspons Ubiña of 33 family homes designed Chemo House shares with many than 1,500 years. Investigating the Leipzig Zoo Text by Bernhard Mendes Bürgi, A City, Its Territory, and to honor the victims of the Gomez and Ramón Massats, and Emanuel Christ, Mechtild Widrich. and built in the Czech Republic concepts of authorship, serializa- Edited by Falk Jaeger. Originally Forms of Dwelling of the practice’s other projects a after 1989. Photographic witchcraft trials, to be built on architects such as José Manuel designed as an event space for the Photographs by Stefano Graziani. Foreword by Salomon Frausto. fundamental belief that architec- tion and representation, Gobbi documentation of each unique the site where the burnings Aizpurúa, Alejandro de la Sota and Leipzig Zoological Garden in 1900, In 2016, the Kunstmuseum Text by Amir Djalali, et al. Epilogue ture has the capacity to positively carries on his quest for key images dwelling is accompanied by originally took place. But the proj- Fernando Higueras. An amazing this Neo-Romanesque structure Basel opened its new building, by Michiel Riedijk. This publication affect humanity, seen also in the of Armenian cultures and in the designed by Christ & Gantenbein, scaled drawings and plans, ect, which would be Bourgeois’ compendium of both modernist was put to new use in 1946 as presents an archeological inquiry Asahi Kindergarten (2012), which process addresses themes of time, increasing its exhibition space by offering exclusive insight into last major work, grew in the hands Leipzig’s Congress Hall and was into the interior spaces of Tehran, photography and architecture, this contemporary Czech architecture contributes to the reconstruction memory, migration and the cultural expanded in 2010. This publication approximately two-thirds. This from its foundation as the Iranian of Zumthor and Bourgeois into substantial hardcover is one of the and urban design. of the Miyagi Prefecture after the legacy of a people. examines the building’s history, publication introduces the building capital to the present. An appendix two distinct, haunting structures. first of its kind. in all of its facets for the first time, devastating 2011 tsunami. HATJE CANTZ focusing on the renovations carried KANT of six projects provides a vision for FORLAGET PRESS with texts, layouts and illustrations. 9783775741156 LA FABRICA out by HPP Architects. 9788074371400 u.s. $40.00 cdn $52.50 Tehran’s future. JOVIS 9788232800957 Flexi, 9.5 x 11 in. / 152 pgs / u.s. $70.00 cdn $90.00 9788416248551 9783868594232 JOVIS HATJE CANTZ HATJE CANTZ u.s. $45.00 cdn $57.50 u.s. $45.00 cdn $57.50 213 color / 70 b&w. July/Architecture Hbk, 8.5 x 10.75 in. / 160 pgs / u s cdn u.s. $19.95 cdn $25.95 9783868594041 u.s. $49.95 cdn $64.95 9783775740913 . . $40.00 $52.50 9783775741439 u.s. $55.00 cdn $70.00 Hbk, 6.5 x 9 in. / 160 pgs / 75 color. 125 color. Hbk, 8.5 x 10.25 in. / 208 pgs / & Urban Studies Flexi, 3.5 x 5.25 in. / 120 pgs / Pbk, 12 x 9.5 in. / 160 pgs / Hbk, 8.5 x 10.25 in. / 120 pgs / Pbk, 7.5 x 9.5 in. / 224 pgs / August/Architecture & Urban Studies/ August/Architecture & Urban Studies/ 200 color. 10 color / 5 b&w. 100 color. November/Architecture & 60 color. July/Art/Architecture & 100 color. July/Architecture & Urban Art Photography July/Architecture & Urban Studies/ November/Architecture & Urban Urban Studies Studies Photography Urban Studies Studies/Asian Art & Culture

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Limits Change the Way You Building upon Imagine No. 10: Imagine No. 09: OASE 96: Social Archiprix 2016 Space as Resource Move! Building Rapids 02 Prototyping efn Poetics The Best Dutch Graduation By Vanessa Miriam Carlow. A Central Business District Edited by Jantje Engels, Marius Edited by Ulrich Knaack, Tillman Mobile The Architecture of Use and Projects An essential addition to any urban Goes Ecomobile Grootveld. Text by Christophe Klein, Marcel Bilow. Text by Ulrich Edited by Ulrich Knaack, Tillman Appropriation Text by Henk van der Veen. Van Gerrewey, Arjan Hebly, et Knaack, Oliver Tessmann, et al. In planning library, this volume Edited by Konrad Otto- Klein, Marcel Bilow. Text by Ulrich Edited by Els Vervloesem, Marleen Introducing the latest crop of al. Building Upon Building 2014, a 3D-printed Canal House investigates how spatially limited Zimmermann. Text by Tobias In , 45 Knaack, Uta Pottgiesser, et al. Goethals, Hüsnü Yegenoglu, architectural and landscape talent by DUS architects caught the Don’t Be Afraid cities take new directions in Kuttler, Theresa Zimmermann. ​ contemporary European architects, This issue of Imagine provides Michiel Dehaene. Text by Tobias in the Netherlands, this publication to Participate! order to find innovative planning For the month-long EcoMobility including Stephen Bates, attention of the world. Imagine 10 a plethora of innovative ideas Armborst, Ruth Baumeister, et features the best final year The Little ABC of Communal solutions. The responses of West World Festival, the city of Happel Cornelisse Verhoeven, explores the potentials of Additive and solutions for adaptive and al. OASE 96 examines the revival projects from Dutch institutions Planning and Housing Berlin, at the time of the Berlin Johannesburg challenged Monadnock, Dierendonckblancke Manufacturing for architecture sustainable facade construction. of architectural practices that teaching architecture, urban Wall, and London, enclosed by a and Humblé Martens, present their by discussing its implications The designs, conceived by an design and landscape architecture. Text by Natalie Schaller. commuters to change the way that focus on reuse and appropriation greenbelt since 1958, are offered designs for a fictional expansion for design and construction international group of students, This internationally renowned Illustrations by Sabine Hirsig. The they move, facilitating a shift from of buildings, environments and as examples. on an existing building, taking into processes, and presents research range from intricate building publication serves as a platform for development of housing in the the private car to public transport, materials. What is the possible account the design principles of projects and ideas for future envelopes to low-budget facades fledgling Dutch designers. major European cities is facing JOVIS cycling or walking. positive or negative social impact the original structure. applications. for various climate zones. of these interventions? a number of challenges in these 9783868594089 u.s. $39.95 cdn $50.00 JOVIS NAI010 PUBLISHERS Pbk, 7.75 x 9.5 in. / 160 pgs / NAI010 PUBLISHERS NAI010 PUBLISHERS u.s. cdn days of rampant urbanization. This 9783868594249 u.s. $30.00 cdn $40.00 NAI010 PUBLISHERS NAI010 PUBLISHERS 9789462082953 $40.00 $52.50 60 color / 20 b&w. November/ 9789462082847 u.s. $30.00 cdn $40.00 9789462082939 u.s. $40.00 cdn $52.50 Pbk, 9.5 x 12 in. / 112 pgs / trend is coupled with a growing Pbk, 9.5 x 8.25 in. / 88 pgs / 9789462082915 u.s. $40.00 cdn $52.50 9789462082809 u.s. $35.00 cdn $45.00 Architecture & Urban Studies interest in home ownership and 140 color. November/Architecture & Pbk, 5.75 x 8.25 in. / 192 pgs / Pbk, 6.5 x 9.5 in. / 128 pgs / Pbk, 6.5 x 9.5 in. / 128 pgs / Pbk, 7 x 9.5 in. / 128 pgs / 50 color. 300 color. September/Architecture & 200 color. July/Architecture & Urban 150 color. July/Architecture & Urban Urban Studies increasingly diverse domestic Urban Studies/African Art & Culture 150 color. July/Architecture & Urban July/Architecture & Urban Studies Studies Studies requirements as a result of Studies demographic change. In response to these challenges, new building initiatives are being formed with the aim of meeting individual requirements through self- determined forms of organization. These housing projects take a communal approach to both the planning process and later day-to- day living. From A for Architect to Z for Zon- Guide to Common Concept Europe: Co-operative Architecture in Open House 2 Creative Infidelities Speech: 16, ing, this book provides a brief and Urban Imaginaries A Dialogic Instrument in Housing the Netherlands: Design Criteria for a New Landscape Architecture of Vernacular informative overview of all the key in Contested Spaces Architectural Design This publication provides insight Yearbook 2015/16 Architecture Topotek 1 Architecture terms describing communal plan- By Carolin Stapenhorst. This into communal living in 11 Edited by Tom Avermaete, Kirsten By Florentine Sack. Can a building Edited by Barbara Steiner. Edited by Anna Martovitskaya, ning and living. These terms ac- The “Hands-on Famagusta” publication follows the history European countries, focusing Hannema, Hans van der Heijden, be free of social, geographical Berlin-based landscape Sergej Tchoban, Sergej Kuznetsov. company the development of ideas Initiative of the definition of “concept” on social concepts, architectural Edwin Oostmeijer. Architecture in and cultural influences? Open architecture firm Topotek 1 The 16th issue of Speech: and concepts as well as the plan- Edited by Socrates Stratis. In an in architecture. In the ever- details and funding schemes. the Netherlands is an invaluable House 2 is dedicated to this (founded in 1996) traverses investigates local architectural ning processes for housing proj- exploration of contested territories, changing profession, decisions Exemplary residential projects survey of the most noteworthy and other related sociopolitical disciplines, landscape typologies traditions and building materials ects and map their inner structure. this publication investigates the are increasingly made in from Austria, Switzerland, the and critical developments in Dutch questions. Buildings by Junya and scales. This publication in the context of global trends. They are part of the communica- political agency of architecture multidisciplinary groups. Concept Netherlands, France, Great Britain, architecture over the past year. Ishigami, De Vylder Vinck Taillieu, showcases ten significant projects Examples range from Finnish tion between residents, client and and urban design in Famagusta, can serve as a dialogic instrument the Czech Republic, Denmark, Thirty projects are described in Brandlhuber+, Snøhetta, TYIN including The Big Dig in Xi’an, housing complexes to wooden architect, and describe the path Cyprus, presenting stories about in the process, making it possible Sweden, Norway, Finland and detail, along with an overview tegnestue Architects and many China, Superkilen in Copenhagen, architecture in Russia and clay toward the ultimate goal of living the future common spaces in to process heterogeneous Germany are included. of the most prestigious awards, others are discussed. Denmark, the Heerenschürli sports buildings in Africa and Indonesia. in a functioning community. their city. information from a range of facilities in Zurich and the Castle JOVIS exhibitions and publications. JOVIS JOVIS JOVIS HATJE CANTZ spheres of knowledge. 9783868594065 u.s. $28.00 cdn $37.50 Park in Wolfsburg, Germany. NAI010 PUBLISHERS 9783868593938 u.s. $35.00 cdn $45.00 9783868598438 u.s. $22.00 cdn $29.95 9783775741781 u.s. $15.00 cdn $19.95 9783868594201 u.s. $35.00 cdn $45.00 Pbk, 5.25 x 11.5 in. / 120 pgs / JOVIS 9789462082786 u.s. $60.00 cdn $78.00 Pbk, 6.5 x 9 in. / 176 pgs / 120 color JOVIS Pbk, 9.25 x 11.75 in. / 272 pgs / Pbk, 5 x 7.5 in. / 96 pgs / 20 color. Pbk, 6.75 x 9.5 in. / 272 pgs / 100 color. November/Architecture & 9783868593648 u.s. $39.95 cdn $50.00 Pbk, 9.5 x 12 in. / 184 pgs / 400 / 20 b&w. November/Architecture & 9783868594188 u.s. $65.00 cdn $85.00 300 color. November/Architecture & September/Architecture & Urban 218 color. November/Architecture & Urban Studies Pbk, 6.5 x 9.5 in. / 208 pgs / 65 color. Urban Studies Slip, hbk, 8 x 12 in. / 432 pgs / Urban Studies Studies Urban Studies color. September/Architecture & November/Architecture & Urban Urban Studies 250 color / 300 b&w. November/ Studies Architecture & Urban Studies

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Big Plans! Modern Figures, Visionaries, and Inventors​ ​On Applied Modernism in Saxony-Anhalt, 1919–1933 Text by Beat Wyss, Patrick Rössler, Kurt Möser, Christiane Keim, Torsten Blume, Janek Müller. Ninety years after the Bauhaus first opened its doors in Dessau, Big Plans! Mod- ern Figures, Visionaries, and Inventors examines for the first time the role of the Bauhaus in the early modernist vision of utopia. Not just an experimental forum for the avant-garde, the Bauhaus, once it moved to Dessau, became part of an Posters: Speed in Italian industrial region that had been a hotbed of idealized planning for the future of hu- Radio Days Understanding Color​ manity since the end of the First World War. This visionary futurist age of Saxony- Advertising 1890–1955​ Tube Radios, Design Classics, Hear Green, Think Yellow Anhalt, reflected in its local architecture, industrial production, education and Edited by Dario Cimorelli, Anna Villari. Internet Radio By Friederike Tebbe. advertising, continued until the rise of the Nazi party in the 1930s. Posters: Speed in Italian Advertising 1890–1955 Edited by Romana Breuer, Petra Hesse. Text by In Understanding Color, writer and designer Big Plans! includes correspondence sent from the Bauhaus throughout this local, collects the graphic evidence of a fundamen- Andreas Baumerich, Isabel Brass, et al. Friederike Tebbe (author of Color Spaces, 2009) central German network, tracing connections between Dessau and Magdeburg, tal truth of the beginning of the 20th century: Radio Days traces the path of the radio up to invites you to explore various ideas on color and Halle (Saale), Leuna, Merseburg, Wolfen and Elbingerorde. The work of Walter Europe found itself moving, all of a sudden, at the present day, from cult design objects to fun your own personal color spectrum, aiming to Gropius, Xanti Schawinsky, Bruno Taut and Wilhelm Deffke is given particular a new speed. This volume brings together a miniature devices. Featured designers include promote design competence through a more emphasis, alongside artists, architects, politicians and engineers such as Paul substantial collection of Italian posters related to Norman Bel Geddes, Wells Coates, Ray and conscious approach to color. Practical exercises Scheerbart, Josef Albers, Lászlo Moholy-Nagy, Edith Dinkelmann, Leberecht the automobile, bearing witness to the explosion Charles Eames, Frank Glover, Raymond Loewy and pictorial analyses help the reader to gain an Migge, Sigfried Ebeling, Friedrich Zollinger, Walter Dexel, Marinne Brandt, Ise of new forms, new objects and new customs it and Philippe Starck, among others. understanding of chromatic nuance. Gropius, Hermann Eidenbenz, Hans Heinz Stuckenschmidt, Jenny Gertz, Hugo offered to enthusiastic consumers and anxious KERBER JOVIS Junkers, Joost Schmidt and Herbert Bayer. observers alike. 9783735601759 u.s. $45.00 cdn $57.50 9783868594102 u.s. $29.95 cdn $37.50 FLAT40 Hbk, 9.5 x 9.5 in. / 192 pgs / 215 color / 6 b&w. KERBER SILVANA EDITORIALE Hbk, 7.25 x 10.25 in. / 160 pgs / 100 color. July/Design 9783735601858 u.s. $49.95 cdn $64.95 EXHIBITION SCHEDULE November/Design 9788836632978 u.s. $65.00 cdn $85.00 Hbk, 8.25 x 11.75 in. / 224 pgs / 140 color. Dessau, Germany: Stiftung Bauhaus Clth, 9.5 x 11 in. / 240 pgs / 190 color. July/Art/Design Dessau, 05/04/16–01/06/17 October/Design

Hecho en Cuba​ Cinema in the Cuban Graphics Edited by Luigi Bardellotto. Text by Alberto Barbera, Jorge R. Bermudez, Alessandra Riccio, Luciano Del Sette. The film poster is one of the best-known forms of Cuban art. Hecho en Cuba: Cinema in the Aldo Bakker​ Murmuring​ Brutal Beauty​ Cuban Graphics is a compilation of Cuban film posters from the 1950s through the present, and Text by Hans den Hartog Jager, Alice Rawsthorn. Hanna Hedman & Sanna Lindberg Violence and Contemporary Design an exploration of the designers who created them. Dutch designer Aldo Bakker (born 1971) is fa- Edited by Hanna Hedman, Sanna Lindberg, Edith Edited by Marta Herford. Text by Max Borka, The bold sensibility and visual inventiveness of post-revolutionary Cuban graphic design makes it mous for the creation of experimental shapes Söderström. Text by Per Johansson, Emily King. Friederike Fast, Roland Nachtigäller. instantly recognizable. But the designers contributing to this new style were still individual artists, that blur the boundaries between art and design. Murmuring invites us on a journey to mythical Whether in political conflicts or conflicts in every- bringing their different backgrounds to the task of creating a new visual identity for a post-rev- Bakker established his international reputation places of shamanistic rites, death symbolism day life, the subject of violence is ever-present. olutionary nation. With lavishly illustrated sections on Eladio Rivadulla, Raùl Martinez, Eduardo in 2010 with the Copper Collection, a series of and elusive gender role-play, exploring the work But how do designers deal with violence? This Muñoz Bachs, Antonio Reboiro, Antonio Pérez Gonzáles (Ñiko), Renè Azcuy, Alfredo Rostgaard, everyday products like watering cans and mix- of Swedish artist Hanna Hedman (born 1980), book explores this topic, including works by Rafael Morante, Raùl Oliva, Julio Eloy Mesa and Jorge Dima, Hecho en Cuba brings out the indi- ing bowls made from copper. Bakker’s work can who merges art and jewelry. Through the lens of Barnaby Barford, Ray and Charles Eames, Jan vidual design sensibilities that shaped an extraordinary graphic culture, where the poster became be found in the collections of the Cooper Hewitt Swedish photographer Sanna Lindberg, the po- Pieter Kaptein, Matthias Megyeri, Yael Mer and the populist art form par excellence. Smithsonian Design Museum, the Victoria & etic force of Hedman’s jewelry art is revealed. Shay Alkalay, Ernesto Oroza, Michael Sailstorfer SILVANA EDITORIALE Albert Museum, the Vitra Museum and the Ste- KERBER and others. 9788836633203 u.s. $40.00 cdn $52.50 delijk Museum. Pbk, 8 x 10.5 in. / 256 pgs / 200 color. 9783735601698 u.s. $45.00 cdn $57.50 KERBER Hbk, 8.75 x 11.5 in. / 104 pgs / 63 color. October/Design/Latin American/Caribbean Art & Culture NAI010 PUBLISHERS 9783735602169 u.s. $24.95 cdn $29.95 July/Design/Jewelry 9789462082670 u.s. $45.00 cdn $57.50 Pbk, 4.75 x 7.75 in. / 176 pgs / 129 color / 14 b&w. EXHIBITION SCHEDULE Pbk, 9.5 x 11 in. / 192 pgs / 126 color. July/Design Turin, Italy: Museo Nazionale del Cinema, 02/04/16–08/29/16 July/Design/Jewelry

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Image by Alicia Paz. From Alicia Paz: The Garden of Folies, published by Verlag Für Moderne Kunst. See page 156. Contemporary figuration and abstraction SPECIALTY ■ ART

BACK IN PRINT BACK IN PRINT EXPANDED EDITION Marina Adams: Daniel Buren: Michael Craig- Michael Craig- Bridget Riley Jonas Wood: Jonas Wood: Matt Connors: Portrait and a Dream Underground Martin: Transience Martin: Colouring Text by Éric de Chassey. This Interiors Sports Book A Bell Is a Cup Text by Charles Bernstein. This Edited by Eleanor Pinfield. Text by Foreword by Julia Peyton-Jones, For this coloring book, Irish volume documents a focused artist Michael Craig-Martin (born group of paintings from 2014–15 Text by Michael Ned Holte. Text by Cecilia Alemani. Interview Text by Peter Eleey, Michel Leiris, portfolio-style monograph by New Hans Ulrich Obrist. Interview by Hans Ulrich Obrist. Text by Marco 1941) has selected a number of by British artist Bridget Riley (born Interview by Ana Vejzovic Sharp. by Rip Hamilton. Sports Book is Jack Spicer, Gertrude Stein. York–based painter Marina Adams Tim Marlow. Commissioned by Livingstone, Alice Rawsthorn. common, contemporary objects, 1931). After decades of exploring In this book, Los Angeles–based a monograph from Los Angeles– This is an expanded edition of draws from Bernini’s sculpture Art on the Underground, Daniel This publication situates the including skateboards, laptops and the subtle effects of color, Riley painter Jonas Wood (born based figurative painter Jonas the first comprehensive review "The Ecstasy of Saint Teresa" and Buren (born 1938) has created vibrant, graphic paintings of mobile phones. Known for bold returns to stark, black-and-white, 1977) explores his longstanding Wood (born 1977), known of American abstract painter Picasso’s study of the Weeping a new permanent installation at Michael Craig-Martin (born 1941) juxtapositions of color in his own geometrically derived forms— fascination with intimate interiors, for his bold colors and woozy Matt Connors (born 1973), first Woman for "Guernica." The Tottenham Court Road station in within a wider historical context, paintings, Craig-Martin offers the variations on the trademark style such as his childhood home, perspectives. With a focus on published for his 2012 exhibition juxtaposing of these images—one the center of London, famously including a timeline of significant reader a chance to do the same. she developed in the early 1960s. his studio and other spaces in his sports portraiture, it collects Impressionism at MoMA PS1. of ecstasy, the other of agony— the location of extensive 1980s world events and inventions from inspired Adams' diptych spreads of mosaics by Eduardo Paolozzi. The 1981 to 2015. Craig-Martin’s his everyday life. Wood renders images of majestic basketball Connors takes rubbings from his KOENIG BOOKS HOLZWARTH PUBLICATIONS vibrating forms and vivid color. book includes stunning installation paintings depict pieces of everyday these interiors with a disorienting players, poised baseball players, studio floor, pouring layers of paint 9783863358730 u.s. $20.00 cdn $26.00 9783935567817 u.s. $50.00 cdn $65.00 shots of the work in situ. technologies like headphones, FLAT40 Hbk, 9.5 x 12 in. / 38 pgs / combination of scrupulous sparring boxers and more. into the fabric like dye, or using KARMA, NEW YORK FLAT40 Pbk, 11 x 11 in. / 36 pgs / wet paintings as stamps. credit cards and electrical sockets. 3 color / 18 b&w. July/Art 20 color. July/Art exactitude and absolute flatness. ANTON KERN GALLERY/DAVID 9781942607304 u.s. $25.00 cdn $32.50 ART / BOOKS KORDANSKY GALLERY FLAT40 Pbk, 8.25 x 11 in. / 56 pgs / 9781908970299 u.s. $35.00 cdn $45.00 ANTON KERN GALLERY/DAVID RAINOFF KOENIG BOOKS u s cdn 48 color. July/Art FLAT40 Hbk, 8 x 9.5 in. / 128 pgs / KORDANSKY GALLERY 9780983362234 . . $40.00 $52.50 9780997251104 u.s. $40.00 cdn $52.50 9783863358693 u.s. $30.00 cdn $40.00 FLAT40 Hbk, 8.25 x 10.25 in. / 60 color. November/Art 9780983362241 u.s. $40.00 cdn $52.50 FLAT40 Pbk, 7.5 x 9.5 in. / 176 pgs / FLAT40 Pbk, 7.5 x 8.75 in. / 120 pgs / FLAT40 Hbk, 8.25 x 10.25 in. / 48 pgs / 35 color. July/Art 93 color. July/Art 65 color. July/Art 64 pgs / 70 color. July/Art

Eddie Martinez: Sarah Morris: Ryan Gander: Fredrik Værslev: The K.H. Hödicke: Clare Goodwin: Clare Woods: Patrick Hennessy: Salmon Eye CAPITAL Letters Rear Night in the Museum Constant Gardener Berlin Potsd. Pl. Constructive Strange Meetings De Profundis Interview by Alison Gingeras. Better for Initials Coupling figurative sculptures with Edited by Jacob Fabricius. Text by Edited by Hans Neuendorf. Text Nostalgia Foreword by Andrew Marr. Text Edited with text by Seán Kissane. Salmon Eye marks Brooklyn-based Text by Frédéric Paul. The graphic, contemporary artworks, British Vanessa Clairet, Jacob Fabricius. by Erika Billeter, Durs Grünbein, Text by Rebecca Geldard, Daniel by Michael Bracewell, Rebecca Foreword by Sarah Glennie. Text artist Eddie Martinez’s (born diagrammatic paintings of New artist Ryan Gander (born 1976) Norwegian artist Fredrik Værslev Karl Horst Hödicke, Heinrich Klotz, Morgenthaler. Interviews by Daniels, Jennifer Higgie, Simon by James Hanley, et al. Patrick 1977) first solo exhibition with York–based painter and filmmaker explores the act of viewing in (born 1979) frequently leaves his Jörn Merkert, Hans Neuendorf. Felicity Lunn. Creating a dialogue Martin. Strange Meetings, the first Hennessy (1915–80) was one of Mitchell-Innes & Nash. Known Sarah Morris (born 1967) play with contemporary art through the Arts canvases outdoors and observes From 1975 onward, German between new and old works, monograph on acclaimed UK ab- Ireland’s most successful postwar for large-scale, energetic oil and notions of social space and identity Council Collection, the UK’s largest the degree to which nature leaves multidisciplinary artist Karl Horst sculpture and installation, this stract painter Clare Woods (1972), painters. Fusing Surrealism and enamel paintings, Martinez’s through rigorous abstraction. loan collection of postwar British its “signature” on them. This Hödicke (born 1938) lived and catalogue presents the formally presents all the major works from realism in portraiture, landscapes work in Salmon Eye synthesizes This publication explores themes art. The book includes new works publication documents the plein- worked adjacent to the Berlin Wall, precise, hard-edged compositions her career to date. These range and stilllifes, he often devised classical formal composition with such as power, geometry and by Gander made especially for the air exhibition in its various stages in the neighborhood of Kreuzberg. of British artist Clare Goodwin from small-scale intimate paint- narratives of homosexual life a speed bordering on stream of manipulation in both her paintings exhibition and features a text from and masterfully introduces the This publication presents his (born 1973). For this publication ings in oil and enamel to ambitious that align him with the queer-art consciousness. and films. Ossian Ward. changing work of the artist. detailed chronicles of and painterly Goodwin has also produced a high-profile public commissions movement which emerged in the notes on crucial events in German and architectural projects. 1970s. This publication sheds light MITCHELL-INNES & NASH HAYWARD PUBLISHING HATJE CANTZ series of 48 paintings that have AUGUST VERLAG history. on a critically neglected artist. 9781853323492 u.s. $25.00 cdn $32.50 been printed in a precise 1:1 ratio. 9780988618879 u.s. $40.00 cdn $52.50 9783941360464 u.s. $20.00 cdn $26.00 9783775741514 u.s. $55.00 cdn $70.00 ART / BOOKS FLAT40 Clth, 9.5 x 12 in. / 68 pgs / FLAT40 Pbk, 6.25 x 8.5 in. / 96 pgs / FLAT40 Pbk, 5 x 7 in. / 174 pgs / FLAT40 Hbk, 11.75 x 8.5 in. / KERBER VERLAG FÜR MODERNE KUNST 9781908970268 u.s. $50.00 cdn $65.00 IRISH MUSEUM OF MODERN ART 35 color. July/Art 47 color. September/Art 112 pgs / 40 color. September/Art FLAT40 Hbk, 8.75 x 11 in. / 256 pgs / 9781909792166 u.s. $60.00 cdn $78.00 33 color. July/Art 9783735600905 u.s. $50.00 cdn $65.00 9783903004788 u.s. $35.00 cdn $45.00 FLAT40 Hbk, 9.5 x 11.5 in. / 208 pgs / FLAT40 Hbk, 7.75 x 11.75 in. / 201 color / 5 b&w. July/Art FLAT40 Hbk, 12.5 x 9.6 in. / 128 pgs / 140 color / 41 b&w. July/Art 80 pgs / 50 color. July/Art 96 color / 10 duotone / 2 b&w.July/Art

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Donald Baechler: Helen Marten: Parrot Alexis Smith Eduardo Arroyo: Constantin Luser: Jonathan Meese: Robert Longo: Olga Chernysheva: Early Work Problems Text by Anna Stothart. This fully The Swiss Chapters Music Tames the Drawings Luminous Discontent Vague Accent 1980 to 1984 Edited by Susanne Pfeffer. Text by illustrated catalogue provides an Edited with text by Helen Hirsch. Beast Text by Roberto Ohrt. This volume Edited by Alessandra Bellavita, Text by Nova Benway. Moscow- overview of Los Angeles–based Text by David Rimanelli. The early Diedrich Diederichsen, Johanna Text by Eduardo Arroyo, Fabienne Text by Thomas Trummer, ​ offers a selection of hitherto Qing Liu. Text by Olivia Murphy. based artist Olga Chernysheva artist Alexis Smith’s (born 1949) paintings and collages on paper Burton. This publication on British Di Rocco, David Lemaire. This Hans-Peter Wipplinger, Helge ​ unpublished drawings by German Luminous Discontent features new (born 1962) creates delicate work from 1994 to 2015. It gathered in this volume represent artist Helen Marten (born 1985) publication focuses on the Timmerberg, Daniel Baumann, et performance and installation artist large-scale charcoal drawings blurred charcoal renderings of features 28 of her meticulously the genesis of Donald Baechler’s features a 40-page sequence, reception of Spanish painter and al. Music Tames the Beast is the Jonathan Meese (born 1970). The by Robert Longo (born 1953). her native country’s cultural and crafted mixed-media collages, (born 1956) iconic vocabulary designed by Marten, of collages graphic artist Eduardo Arroyo’s most comprehensive overview of collection includes all phases of From a massive iceberg to a geographic landscapes. For this featuring images, objects and of symbols and techniques that address the density and (born 1937) controversial work Austrian painter Constantine Lus- his work, plus a discussion of his shattered glass window and X-rays publication, she spent a month texts rescued from pop novels, throughout the 1980s, when he complexity of our material lives. in Spain during the regime of er’s (born 1976) work to date. At recent controversial performance of paintings by Old Masters, all in New York City, working on postcards, roadmaps, movie stills rose to international renown. This publication accompanies Francisco Franco, from 1939 to the core of Luser’s oeuvre lies the piece featuring the Nazi salute. of the images are rendered in portraying the urban features of a Marten’s first institutional solo and advertisements. 1978. Artworks created during the Longo’s signature medium. It very different metropolis. His subjects are recognizable notion of translation—translating a VERLAG FÜR MODERNE KUNST exhibition in Germany. artist’s visits to Switzerland are opens with details of works to the world over—flowers, faces, GARTH GREENAN GALLERY drawing into the physical world of 9783903004559 u.s. $28.00 cdn $37.50 THE DRAWING CENTER also featured and discussed. draw the reader in. houses, globes and other familiar KOENIG BOOKS 9780989890281 u.s. $40.00 cdn $52.50 touch, sound and movement. FLAT40 Pbk, 7.5 x 9.75 in. / 64 pgs / 9780942324983 u.s. $20.00 cdn $26.00 FLAT40 Hbk, 8.75 x 10.25 in. / objects take center stage. 9783863358761 u.s. $55.00 cdn $70.00 VERLAG FÜR MODERNE KUNST 40 color. July/Art GALERIE THADDAEUS ROPAC FLAT40 Pbk, 6 x 9 in. / 80 pgs / 76 pgs / 28 color. December/Art VERLAG FÜR MODERNE KUNST 40 color. August/Art FLAT40 Pbk, 9 x 11.75 in. / 236 pgs / u.s. cdn CHEIM & READ 9783903004962 $45.00 $57.50 9783903004887 u.s. $38.00 cdn $49.95 9782910055714 u.s. $35.00 cdn $45.00 273 color. July/Art FLAT40 Hbk, 7 x 9.5 in. / 152 pgs / FLAT40 Hbk, 9.5 x 11 in. / 80 pgs / 9781944316006 u.s. $49.95 cdn $64.95 FLAT40 Pbk, 8.75 x 11 in. / 152 pgs / EXHIBITION SCHEDULE 80 color. September/Art FLAT40 Clth, 10 x 13 in. / 128 pgs / 80 color. July/Art 5 color / 34 duotone. July/Art New York: The Drawing Center, 56 color. September/Art 07/15/16–09/11/16

Nalini Malani: Alicia Paz: The Nicola Tyson: Iran do Espírito Richard Pousette- Rashid Johnson: Rashid Johnson Erik Bulatov In Medias Res Garden of Follies Works on Paper Santo: Drawings Dart: 1930s Anxious Men Edited by Ruth Addison, Kate Edited by Ruth Addison, Snejana Krasteva. Introduction by Kate Inside Nalini Malani’s Edited with text by Annegret Edited by Janine Latham. Text by Text by Jacopo Crivelli Visconti. Text by Charles H. Duncan, Lowery Text by Claire Gilman, Jeremy Si- Fowle. Introduction by Anton Fowle. Text by Erik Bulatov, Shadow Plays Laabs, Uwe Gellner. Text by Nicola Tyson. This book explores Brazilian artist Iran do Espírito Stokes Sims. Published to accom- gler, Cheryl Johnson-Odim. Known Belov. Text by Kate Fowle, Rashid Johnson. This book follows the Snejana Krasteva, Hans-Ulrich Text by Mieke Bal. This book Jeannette Louie. Mexican artist a range of works made between Santo (born 1963) is known for the pany the exhibition at The Drawing for his painting, sculpture and pho- making of American artist Rashid Obrist. Known since the 1960s explores the new language that Alicia Paz (born 1967) creates 2002 and 2016 from Nicola Tyson’s subtle minimalism of his paintings, Center, Richard Pousette-Dart: tography, Rashid Johnson (born Johnson’s (born 1977) largest work for his conceptual paintings, Indian artist Nalini Malani (born paintings, paper reliefs and cutout (born 1960) sketchbook pages to sculptures and installations. This 1930s is the first in-depth consid- 1977) has established himself as to date: an immersive installation Russian artist Erik Bulatov’s (born 1946) has been developing since sculptures that are infused with large graphite drawings and giant, gorgeously produced substantial eration of Richard Pousette-Dart’s one of the preeminent artists of his offering unexpected associations 1933) largest work to date is a early this century with her shadow cultural references and female life-sized ink drawings. Tyson’s overview is dedicated to the artist’s (1916–92) early drawings from generation. Published to accom- between objects, video and sound. 30-foot-high monumental diptych plays. The result is an extremely personages. This catalogue, wry humor and playfulness can drawings—some abstract and the 1930s. Featuring notebooks, pany his installation at The Drawing The book focuses on the artist’s reminiscent of Mayakovsky’s powerful application of the idea of embossed with glitter and special be seen not only in her work but monochrome, others figurative brasses and drawings, the volume Center, Anxious Men features John- methods of research and sculptural advertising posters from the the moving image—past, present paper inlays, provides an overview also in the text “Nicola Tyson in reflections on daily objects, all offers a glimpse into his three- son’s black-soap-and-wax-on-tile and installation production. 1920s. This publication documents and future. of her most recent ventures into Conversation with Herself.” technically masterful. dimensional works and sculpture. portraits of “anxious men,” which painting. interrogate selfhood and identity. the artist’s process. PETZEL COBOGÓ THE DRAWING CENTER GARAGE MUSEUM OF HATJE CANTZ CONTEMPORARY ART 9780986323065 u.s. $60.00 cdn $78.00 9788560965977 u.s. $55.00 cdn $70.00 u s cdn GARAGE MUSEUM OF 9783775741460 u.s. $70.00 cdn $90.00 VERLAG FÜR MODERNE KUNST 9780942324921 . . $25.00 $32.50 THE DRAWING CENTER 9785905110719 u.s. $15.00 cdn $19.95 CONTEMPORARY ART FLAT40 Hbk, 6.75 x 8.75 in. / 9783903004917 u.s. $38.00 cdn $49.95 FLAT40 Clth, 10.25 x 12.5 in. / FLAT40 Hbk, 9.25 x 11.75 in. / FLAT40 Pbk, 6 x 9 in. / 152 pgs / 9780942324938 u.s. $20.00 cdn $26.00 FLAT40 Pbk, 9 x 9 in. / 80 pgs / u.s. cdn $19.95 FLAT40 Pbk, 8.75 x 12.25 in. / 84 pgs / 26 color / 54 b&w. July/Art 240 pgs / 130 color. July/Art/Latin 92 color. September/Art FLAT40 Pbk, 6 x 9 in. / 51 pgs / 9785905110726 $15.00 440 pgs / 120 color. September/Art/ 50 color. September/Art/African 104 pgs / 85 color. July/Art American/Caribbean Art & Culture 17 color. September/Art / African FLAT40 Pbk, 9 x 9 in. / 86 pgs / Asian Art & Culture American Art & Culture American Art & Culture 50 color / 5 b&w. September/Art

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James Rosenquist: Terry Winters Markus Schinwald Titus Schade: Jia Aili Ekrem Yalcindag ​Dansaekhwa Dansaekhwa with Illustrious Works on Text by Kenneth Goldsmith, Peter Edited by Alessandra Bellavita, Allnacht Text by Phil Tinari, et al. Whether Edited by Beate Kemfert. Text by Edited with introduction by Lee Ufan Paper, Illuminating Pakesch, Ferdinand Schmatz. Séverine Waelchli. Text by Text by Kito Nedo, Leonie Pfennig, reflecting on China’s inauguration Burcu Dogramaci, Heinz Peter Yongwoo Lee. Foreword by Jean Edited by Yongwoo Lee. Intro- Paintings This catalogue contextualizes Dominque de Font-Réaulx. Pub- Neo Rauch, Marc Ries. German of the atomic bomb or the first Schwerfel. Turkish artist Ekrem Boghossian. Text by Doryun duction by Lee Ufan. Foreword the painting of American artist lished for the artist’s first solo exhi- artist Titus Schade (born 1984), satellites launched in 1970, the oil Yalcindag’s (born 1964) delicate, Chong, Jeremy Lewison, et al. by Hyunsook Lee. The exhibition Text by Sarah C. Bancroft. Terry Winters (born 1949) within bition at Galerie Thaddaeus Ropac, a former student of Neo Rauch, paintings of Chinese artist Jia Aili thick impasto, which is executed Dansaekhwa is an artistic approach Dansaekhwa at the 2015 Venice This volume presents a focused the scientific collections of this publication explores the wide- paints complex, enraptured picto- (born 1979) address the dramatic with light brushstrokes, results founded on the experiences of Biennale showcased the works of overview of James Rosenquist Universalmuseum Joanneum in ranging practice of Austrian artist rial worlds that inhabit a space transformation of Chinese society in relief-like paintings that are those who participated in the first key masters who defined the art (born 1938) through 38 paintings Graz, Austria. Winters’ abstract Markus Schinwald (born 1973). His where conventional perspectives over the past 50 years. This constructed from hundreds of generation of Korean modernism. movement’s development in the and works on paper, from paintings, which often resemble interdisciplinary oeuvre encom- have become lost. This monograph monograph documents Aili’s small surfaces. This publication Among those compiled in this 1970s. This catalogue focuses on the large-scale lithographic cells, spores and seeds, explore passes video, performance, dance, brings together an extensive selec- exhibitions of the past decade and is an important contribution to beautiful and substantial catalogue the Korean minimalist painter and counterpart to the iconic “F-111” biological processes, mathematical theatre, painting, photography, tion of these works, created be- explores her sources of inspiration. the reception of non-European are Chung Chang-Sup, Chung sculptor Lee Ufan (born 1936) and (1974) to “The Geometry of Fire” fields and information installation and even puppetry. tween 2009 and 2016. ornamental traditions within Sang-Hwa, Ha Chong-Hyun, KIM his relationship to the movement. (2011). HATJE CANTZ technologies. contemporary art. Whanki, Kwon Young-Woo, Lee GALERIE THADDAEUS ROPAC HATJE CANTZ 9783775741255 u.s. $90.00 cdn $115.00 KUKJE GALLERY OKLAHOMA STATE UNIVERSITY FLAT40 Hbk, 13.5 x 11.5 in. / Ufan and Park Seo-Bo. VERLAG FÜR MODERNE KUNST 9782910055707 u.s. $35.00 cdn $45.00 9783775741484 u.s. $60.00 cdn $78.00 HATJE CANTZ 9788992233774 u.s. $30.00 cdn $40.00 MUSEUM OF ART 220 pgs / 100 color. December/Art 9783903004894 u.s. $38.00 cdn $49.95 FLAT40 Hbk, 9.5 x 11.75 in. / 72 pgs / FLAT40 Hbk, 9.5 x 12 in. / 120 pgs / 9783775741521 u.s. $55.00 cdn $70.00 KUKJE GALLERY FLAT40 Hbk, 9.75 x 12.25 in. / 9780989549929 u.s. $25.00 cdn $32.50 FLAT40 Pbk, 8.75 x 11 in. / 152 pgs / 28 color / 15 b&w. August/Art FLAT40 Hbk, 9.5 x 12 in. / 120 pgs / FLAT40 Pbk, 11 x 8.5 in. / 70 pgs / 70 color. July/Art 9788992233767 u.s. $75.00 cdn $95.00 82 pgs / 16 color / 13 b&w. July/Art/ 80 color. July/Art 80 color. January/Art 39 color / 2 b&w. September/Art FLAT40 Hbk, 9.75 x 12.25 in. / 320 Asian Art & Culture pgs / 160 color / 30 b&w. July/Art/ Asian Art & Culture

Bernard Piffaretti: David Hominal Zuzanna Skiba: Birgit Brandis: Jan Bräumer: Rainer Gröschl: Osgemeos: Mark Greenwold: Works 1986–2015 Edited by Laurence Schmidlin. Magnetic Fields It Was the Blue Irrwisch Schwarzmunition Opera of the Moon The Rumble of Text by Paul Galvez. Since the early Text by Stéphanie Moisdon, Text by Christoph Tannert, Jochen Text by Dirk Dobke, Ursula ​ Text by Anke Schlecht. In his ironic Edited by Uwe Haupenthal. ​ Text by Pedro Alonzo. Twin broth- Panic Underlying 1980s, Paris-based artist Bernard Laurence Schmidlin. Working Winter, Zuzanna Skiba. Polish Panhans-Bühler. The reliefs, appropriations of seemingly simple German artist Rainer Gröschl’s ers Gustavo and Otavio Pandolfo Everything primarily in painting, Swiss artist painter Zuzanna Skiba’s (born paintings, interventions and pho- themes and concepts, German (born 1954) art shows a wide Piffaretti (born 1955) has worked to (born 1974) make up Osgemeos, Text by Wayne Koestenbaum. David Hominal (born 1976) also artist Jan Bräumer (born 1970) spectrum of representational deconstruct notions of wholeness 1968) first publication, Magnetic tographs of German artist Birgit a Brazilian graffiti collective that This publication presents four explores sculpture, drawing, creates images and drawings forms, from mimetic depictions of and unity commonly associated Fields, focuses on the last ten Brandis (born 1976) are colorful has come to define the São Paulo psychologically complex paintings film, printmaking, performance that are both humorous and reality to abstraction. Schwarzmu- with art. This publication offers years of her hyper-detailed carto- and expansive, full of enigmatic scene and Brazil’s own style. Opera by acclaimed New York–based and installation. This publication, intellectual. Irrwisch uniquely nition (Black Munition) presents a representation of his colorful, graphic abstractions, accompanied references and motifs. It Was the of the Moon documents their im- artist Mark Greenwold (born his first monograph, offers an curates Bräumer’s works in a works from the last three years abstract painting oeuvre, including by poems from Paris-based writer Blue—part catalogue, part artist’s mersive painted environments, 1942), alongside a selection overview of his multifaceted way that emphasizes his aversion and therefore the current develop- his well-known canvases split into Jochen Winter. book—provides a representative which draw heavily from Brazilian of preparatory drawings. His mirrored images. oeuvre, underlining his overview of her career. to dogmatism and formalism. ment of Gröschl’s wide-ranging folklore and surrealism of the ‘30s. KERBER laborious process involves engagement with representation, oeuvre. 9783735602046 u.s. $40.00 cdn $52.50 VERLAG FÜR MODERNE KUNST thousands of miniscule KARMA, NEW YORK self-expression and the traditions KERBER COBOGÓ u s cdn FLAT40 Hbk, 11.5 x 8.75 in. / 9783735601797 u.s. $45.00 cdn $57.50 9783903004658 u.s. $41.00 cdn $54.00 u s cdn brush strokes applied under 9781942607229 . . $35.00 $45.00 of art history. JOVIS 9788560965557 . . $29.95 $37.50 FLAT40 Hbk, 8.25 x 10.75 in. / 128 pgs / 90 color. July/Art FLAT40 Hbk, 10 x 11.75 in. / FLAT40 Hbk, 7 x 9.5 in. / 128 pgs / 9783868593778 u.s. $35.00 cdn $45.00 FLAT40 Pbk, 8.25 x 10.75 in. / magnification. 214 pgs / 125 color. July/Art JRP|RINGIER 136 pgs / 96 color / 2 b&w. July/Art 80 color. July/Art FLAT40 Hbk, 8.25 x 11 in. / 80 pgs / 120 pgs / 55 color. July/Art GARTH GREENAN GALLERY 9783037644638 u.s. $35.00 cdn $45.00 60 color. November/Art FLAT40 Hbk, 8 x 11.25 in. / 64 pgs / 9780989890298 u.s. $40.00 cdn $52.50 50 color. August/Art FLAT40 Hbk, 10 x 11.5 in. / 84 pgs / 58 color. July/Art

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Pierre’s Issue 01 Barry Rosen: Peter Greenaway: Julian Rosefeldt: Jochem Hendricks: Gerard Byrne: A Late Elizabeth Price: Devoted to Pierre Huyghe See Shells Joseph Manifesto Crime Terror Riots Evening in the Future In a Dream... Edited by Jenny Jaskey, Pierre Text by Gioia Timpanelli. For the This book is the script for Joseph, Edited by Anna-Catharina Gebbers, With Magdalena Kopp Text by Konrad Bitterli, Maeve Divided into four themes— Huyghe. Pierre’s is the first last two years, San Diego-native the new film by Peter Greenaway Anneke Jaspers, Udo Kittelmann, Text by Doris Krystof. Crime Connoll, Tirdad Zolghadr. This sleeping, working, mourning, in a biannual series from The art advisor Barry Rosen has been (born 1942), an ironic portrayal Justin Paton, Reinhard Spieler, Terror Riots, by German artist publication offers a glimpse dancing—this publication presents Artist’s Institute, a platform for actively gathering seashells for of the figure of Joseph, father of Sarah Tutton. Foreword by Michael Jochem Hendriks (born 1959), into the complex installations of images selected by British artist conversations with contemporary his personal collection. This Jesus. Here, God—”the other fa- Brand. The 13-part film installation is based on undercover film and Irish artist Gerard Byrne (born Elizabeth Price (born 1966) that Kenneth Goldsmith: artists. Devoted to Pierre Huyghe publication documents his visually ther”—becomes, in Greenaway’s Manifesto, produced by film and photography recordings culled 1969), whose multimedia work explore the horizontal. Recumbent Against Translation (born 1962), Pierre’s takes the stunning assortment, including words, “vulnerable to jealousy... video artist Julian Rosefeldt (born from German police archives from verges on performance art. The and reclining bodies are illustrated artist’s recent work and interests— some items found on Costa Rican since he has a rival on earth.” 1965) and starring Cate Blanchett, solo exhibition A Late Evening alongside austere landscapes, Displacement Is the New the period 1973–85. The material topics as varied as genetic beaches, and others acquired for is an homage to artist manifestos in the Future experiments with elaborate processions and Translation DIS VOIR reveals an era of political unrest, engineering, object-oriented thousands of dollars. from the last 100 years. This vol- terrorist attacks and hostage conventional spatial structures and dancers with outstretched limbs. Against Translation is a text by 9782914563895 u.s. $29.50 cdn $37.50 philosophy and Philip K. Dick— FLAT40 Pbk, 8.25 x 7 in. / 128 pgs. ume documents the project, with exchanges. temporal sequencing. Excerpts of texts by well-known American poet Kenneth Goldsmith KARMA, NEW YORK portraying his practice through November/Art/Film & Video text collages of writings by Tzara, poets, scientists and novelists 9781942607045 u.s. $35.00 cdn $45.00 VERLAG FÜR MODERNE KUNST (born 1961) published in eight interviews, photographs, fiction Malevich, Debord and others. WALTHER KÖNIG, KÖLN are bookended throughout each FLAT40 Clth, 7 x 8.5 in. / 290 pgs / 9783903131019 u.s. $45.00 cdn $57.50 volumes—English, French, 9783863355067 u.s. $49.95 cdn $64.95 and criticism. 250 color / 2 b&w. July/Art FLAT40 Hbk, 11 x 12 in. / 140 pgs / section. Spanish, German, Chinese, KOENIG BOOKS FLAT40 Hbk, 8 x 11.25 in. / 472 pgs / u s cdn 1,113 b&w. September/Photography 100 color. September/Art Japanese, Russian and Arabic. The ARTIST’S INSTITUTE 9783863358563 . . $55.00 $70.00 HAYWARD PUBLISHING FLAT40 Hbk, 9.5 x 12 in. / 104 pgs / 9781853323485 u.s. $30.00 cdn $40.00 author discusses the impasses 9780997099508 u.s. $40.00 cdn $52.50 FLAT40 Pbk, 9 x 12.25 in. / 230 pgs / 124 color / 1 b&w. July/Film & Video FLAT40 Hbk, 6.25 x 9.5 in. / 64 pgs / and shortcomings of translation 230 color. July/Journal 35 color / 25 b&w. September/Art and the virtures of an unapologetic linguistic “displacement.” “Translation is the ultimate humanist gesture,” he states. “Polite and reasonable, it is an overly cautious bridge builder ... in the end, it always fails, for the discourse it sets forth is inevitably off-register.” Displacement, by contrast, never explains itself. Goldsmith cites the example of Mexican-American poet Mónica NEW REVISED EDITION Katarina Burin: Jana Gunstheimer: Dirty Ear Report #1 Dirty Ear Report #2 Mónica Mayer Lou Reed: Metal de la Torre, who, in the middle of Martí Guixé: Contribution and Image in Meditation Text by Zeynep Bulut, ​ Text by Ricarda Denzer, Claudia When in Doubt ... Ask: Machine Trio a presentation at a 2010 poetics Food Designing Text by Fritz Emslander, Falk Budhaditya Chattopadhyay, Ole Firth, Lucia Farinati, et al. In this A Retrocollective Exhibit The Creation of the Universe conference at Columbia, “broke Collaboration Haberkorn, Markus Heinzelmann. Frahm, Anja Kanngieser, et al. second installment of the Dirty Ear Text by Sol Henaro, Karen ​ out, full on, for ten minutes entirely 2nd edition The Work of Petra Text by Christopher Scoates, ​ In Image in Meditation, German Dirty Ear Report offers a new plat- Report series, leading sound artists Cordero, Andrea Giunta, et al. in Spanish, leaving all those who Edited by Beppe Finessi. Text Andrejova-Molnár and Ulrich Krieger, Thurston Moore, artist Jana Gunstheimer (born form for sonic research, in which and theorists argue for sound as This is the first book on Mexican pay lip service to multilingualism by Jeffrey Swartz, Octavi Rofes. Her Contemporaries Raj Patel. This volume documents 1974) presents a multipurpose leading sound artists and theorists a new paradigm in art, particularly artist Mónica Mayer’s (born and diversity angry because they Photographs by Inga Knölke. In her first artist’s book, Cambridge, the installation at the Cranbrook building of her own invention. The gather to discuss radio art, field considering questions of noise and 1954) broad range of production, couldn’t understand what she Self-professed “ex-designer” Martí MA-based Katarina Burin Art Museum of Lou Reed’s Metal layout and use of this building’s recording, noise, real-time work, otherness. Ricarda Denzer, Clau- bringing together two- and three- was saying. De la Torre thereafter Guixé offers whimsical examples (born 1975) creates a fictitious Machine Trio, a live ambisonic many rooms are shown through voice and site-specific sound. This dia Firth, Lucia Farinati, Brandon dimensional works, records of resumed her talk in English, of food design: squaring potatoes, Czechoslovakian architect named 3-D sound installation inspired Gunstheimer’s sketches, floor issue includes Zeynep Bulut, Bud- LaBelle, Ana Pais, Tao G. Vrhovec actions, sound and film recordings never mentioning her intervention building molecular structures Petra Andrejova-Molnár, described by Reed’s controversial 1975 plans, photographs and geometric haditya Chattopadhyay, Ole Frahm, Sambolec, Alexandre St-Onge and and archival materials, enabling … Comprehension is optional; with olives and toothpicks and as a pioneering postwar European album Metal Machine Music. Reed designs. Anja Kanngieser, Brandon LaBelle, James Webb are included. a reading of Mayer’s place in the displacement is concretely decorating cakes with images of architect, positioning her in relation worked with acoustic specialists to Anna Raimondo, Tao G. Vrhovec construction of feminist practice in their contents. ERRANT BODIES PRESS recreate the live experience. demonstrative.” to Charlotte Perriand and Eileen VERLAG FÜR MODERNE KUNST Sambolec and Åsa Stjerna. 9780988937567 u.s. $15.00 cdn $19.95 Mexico. Gray. 9783903004689 u.s. $41.00 cdn $54.00 CORRAINI EDIZIONI CRANBROOK ART MUSEUM JEAN BOÎTE ÉDITIONS FLAT40 Pbk, 5.25 x 6.75 in. / ERRANT BODIES PRESS FLAT40 Pbk, 7.25 x 9.5 in. / 64 pgs / RM/MUAC 9780989186476 u.s. $40.00 cdn $52.50 9782365680127 u.s. $49.00 cdn $62.50 9788875705053 u.s. $39.95 cdn $50.00 KOENIG BOOKS 6 b&w. September/Art 456 pgs / 20 color / 87 b&w. July/Art 9780988937550 u.s. $15.00 cdn $19.95 9788416282562 u.s. $19.95 cdn $25.95 FLAT40 Hbk, 9.25 x 12.25 in. / FLAT40 Slip, pbk, 8 vols, 3.5 x 5.5 in. / FLAT40 Pbk, 8.25 x 10.75 in. / 9783863359034 u.s. $39.95 cdn $50.00 FLAT40 Pbk, 7.25 x 9.5 in. / 80 pgs / FLAT40 Pbk, 6.5 x 8.75 in. / 272 pgs / 132 pgs / illustrated throughout. 256 pgs. August/Artists’ Books 224 pgs / illustrated throughout. FLAT40 Pbk, 7.75 x 10 in. / 128 pgs / 5 b&w. September/Art 220 color. August/Art September/Music September/Design 92 color. September/Art

160 artbook.com­­ artbook.com 161 International multimedia and SPECIALTY ■ ART

Eija-Liisa Ahtila: Stephen Prina: Simon Denny: Peter Liversidge: Jannis Kounellis Eric Hattan: Terry Fox: Guillaume Bijl Ecologies of Drama Galesburg, Illinois+ Products for Twofold Text by Christophe Beaux, Jannis Works 1979–2015 Elemental Gestures Edited by Clément Dirié. Text by Collected Writings, Edited by Susanne Figner. Text Organising Edited by Sean Kelly. Text by Kounellis, Chiara Parisi. In spring Text by Anthony Spira, Lutz Eitel, Edited by Arnold Dreyblatt, Angela John C. Welchman. Self-taught 2016, Greek artist Jannis Kounellis artist Guillaume Bijl (born 1946) Interviews, and Scripts by Isabelle Graw, Chus Martinez, Edited by Julia Peyton-Jones, Alec Soth, Colm Tóibín. British Stefanie Bräuer, Patrick Javault, Lammert. American artist Terry Fox (born 1936), cofounder of Arte is mostly recognized for his Edited by Cathleen Chaffee. This Alex Kitnick. The latest project Hans Ulrich Obrist. Text by Ryan artist Peter Liversidge’s (born Eva Kuhn, Maja Naef, Ralph Ubl, (1943–2008) shot to fame in the Povera, designed a new work for alternative take on conceptual art first anthology of the literature from artist and Harvard professor Gallagher, et al. This catalogue 1973) diverse oeuvre begins with Philip Ursprung. Swiss artist Eric 1960s with his performances and the halls of Monnaie de Paris. and his Transformation Installations, on Eija-Liisa Ahtila (born 1959) Stephen Prina (born 1954) takes presents the work of Simon Denny typewritten proposals through Hattan (born 1955) engages with installations while simultaneously This catalogue documents the begun in the late 1970s, in includes scripts of all 14 of the as its starting point his birthplace (born 1982), who produces sculp- which he explores many media. the everyday through interventions making use of the body as a development of his oeuvre on the which he realizes meticulous artist’s moving-image installations; of Galesburg, a small town in the tural installations incorporating Using a hand held camera, that may present furniture on the medium for experiences at the basis of each space in which this imitations of everyday realities reprints of essays by Mieke Midwest. The town is portrayed print, graphics, moving images Liversidge takes two images—the ceiling, displaced streetlamps in limits of mental and physical vibrant art takes shape. in galleries, museums and other Bal, Daniel Birnbaum, Elisabeth indirectly, through objects such and texts. Products for Organising initial selected image guides the gallery spaces or videos of the capacity. This catalogue connects trade/exchange locations. This Bronfen, Alison Butler, Kaja as books, cabinets, memorabilia features new pieces that comment composition of the second image, HATJE CANTZ artist turning packaging inside out. his works in various mediums. and photographs, and through taken moments after the first is This book surveys his complete monograph reveals the scope Silverman and Cary Wolfe; and on contemporary management 9783775741590 u.s. $45.00 cdn $57.50 VERLAG KETTLER references ranging from Abraham developed. FLAT40 Hbk, 8.25 x 11 in. / 64 pgs / work with hundreds of installation of his art during the last four interviews with the artist. techniques and other historical or- 9783862065158 u.s. $65.00 cdn $85.00 decades. Lincoln to John Cage. ganizational forms. 45 color. September/Art images and video stills. FLAT40 Pbk, 8.5 x 10.75 in. / ALBRIGHT-KNOX ART GALLERY HATJE CANTZ 312 pgs / 90 color / 240 b&w. JRP|RINGIER 9781887457194 u.s. $30.00 cdn $40.00 WALTHER KÖNIG, KÖLN KOENIG BOOKS 9783775741200 u.s. $70.00 cdn $90.00 HOLZWARTH PUBLICATIONS FLAT40 Clth, 9.75 x 12.5 in. / November/Art 9783037644683 u.s. $55.00 cdn $70.00 FLAT40 Pbk, 6.75 x 9.75 in. / 9783863359287 u.s. $50.00 cdn $65.00 9783863358679 u.s. $29.95 cdn $37.50 9783935567879 u.s. $95.00 cdn $120.00 FLAT40 Pbk, 9.25 x 11.25 in. / 300 pgs / 27 color / 14 b&w. July/Art FLAT40 Clth, 7.5 x 10.5 in. / 176 pgs / FLAT40 Pbk, 10 x 7.75 in. / 208 pgs / 192 pgs / 80 color. September/Art FLAT40 Hbk, 8.5 x 11 in. / 464 pgs / 160 pgs / 120 color / 20 b&w. illustrated throughout. September/Art 91 color. July/Art 1523 color. July/Art September/Art

Heather Phillipson Vladimír Houdek: Michael Müller: Jeanno Gaussi: Sabine Kacunko: Platino: Inter- Rafael Lozano- Grupo Proceso Edited by Matthias Ulrich, Max Levitations Who’s Speaking? Pieces Bacteria, Art and lacements and Hemmer: Pentágono Hollein. Interview by Matthias Edited with text by Oliver Zybok. Text by Ellen Blumenstein, Travis Edited with text by Johanna Adam, Other Bagatelles Centrifugal Forces Pseudomatism Politics of the Intervention Ulrich. Preface by Max Hollein. Text by Zdenek Felix, Rosa Windt. Jeppesen, Daniel Tyradellis. Nicole Giese. In Pieces, Berlin- Edited with text by Slavko Text by Hans D. Christ, Iris Text by José Luis Barrios, Kathleen 1969–1976–2015 This publication showcases In Levitations, Czech artist Vladimír German artist Michael Müller based artist Jeanno Gaussi (born Kacunko. This book traces Dressler. Stuttgart-based artist Forde, Alejandra Labastida, et al. ​ Text by Pilar García, Julio García. British multimedia artist and poet Houdek’s (born 1984) work offers (born 1970) examines processes 1973) investigates cultural identity Berlin-based multimedia Platino’s (born 1948) color Pseudomatism is the first With 32 artworks and documentary Heather Phillipson’s (born 1978) an extraordinary experience for of composition and translation and aspects of memory through artist Sabine Kacunko’s (born interventions force us to see the monograph on Mexican-Canadian materials, this account examines first solo installation in Germany. the viewer, an alternation between in visual art in continually her films, videos, photographs 1963) development through exhibition context in a new way. artist Rafael Lozano-Hemmer the working process of the Using video pieces enhanced and abstraction and representation changing formations that cut and installations. Her projects, photography, photographic Lots of red with other shades (born 1967). Featuring 43 works, dynamic Mexican art collective complemented with photographs, that shifts perception into across all artistic genres. Müller’s developed in close relation to their installations, interactive video of color restructure the white it spans more than two decades Grupo Proceso Pentágono, founded objects, performance, sound and aesthetic limbo. His paintings, narrative voices, Hermes and production sites, often incorporate installations, media performances cube and reinterpret spaces. of production using technology- in 1969. The group is characterized voice, Phillipson responds to the drawings, collages and films play Hermaphroditos, guide us through facets of her German and Afghan and audio sculpture. This volume documents a large- based approaches, including by its critical stance against the complexity of network culture and with the illusion of alleged three- the exhibition as well as the heritage. scale installation by Platino at the interactive video, robotics, political state in Mexico. digital technology. VERLAG FÜR MODERNE KUNST dimensionality on a flat canvas. catalogue. Württembergischer Kunstverein. computerized surveillance, KERBER 9783903004832 u.s. $49.00 cdn $62.50 RM/MUAC VERLAG FÜR MODERNE KUNST 9783735601940 u.s. $30.00 cdn $40.00 photography and sound sculpture. HATJE CANTZ HATJE CANTZ FLAT40 Hbk, 8 x 10.5 in. / 272 pgs / HATJE CANTZ 9788416282418 u.s. $19.95 cdn $25.95 9783903004863 u.s. $23.00 cdn $29.95 FLAT40 Clth, 6.5 x 9.5 in. / 96 pgs / 9783775741224 u.s. $45.00 cdn $57.50 9783775741132 u.s. $55.00 cdn $70.00 100 color / 80 b&w. September/Art 9783775740784 u.s. $45.00 cdn $57.50 RM/MUAC FLAT40 Pbk, 6.5 x 8.75 in. / 200 pgs / FLAT40 Pbk, 6.25 x 8.75 in. / 96 pgs / FLAT40 Hbk, 8.75 x 11.5 in. / FLAT40 Pbk, 7.5 x 8.75 in. / 192 pgs / 71 color / 4 b&w. July/Art FLAT40 Pbk, 11.5 x 8.25 in. / 9788416282463 u.s. $19.95 cdn $25.95 90 color. December/Art/Latin 30 color. July/Art 160 pgs / 159 color. September/Art 100 color. September/Art 192 pgs / 180 color. October/Art FLAT40 Pbk, 6.5 x 8.75 in. / 256 pgs / American/Caribbean Art & Culture 256 color. December/Art/Latin American/Caribbean Art & Culture 162 artbook.com­­ artbook.com 163 International multimedia and installation art SPECIALTY ■ ART

Erin Shirreff David Maljković: Basim Magdy: Benedikt Hipp: Nick Darmstaedter Danh Võ: Relics Danh Võ: Ydob Elmgreen & Dragset: Text by Cathleen Chaffee, Jenelle In Low Resolution Would a Firefly I Couldn’t Believe Text by Jens Hoffmann, Edoardo Text by Andrew Berardini. In eht ni mraw si ti The Well Fair Porter. This catalogue and artist’s Text by Julien Fronsacq, François Fear the Fire that My Own Eyes, Gnemmi, Nick Darmstaedter. Relics, Andrew Berardini explores Edited by Yilmaz Dziewior. From Edited by Anita Iannacchione, book accompanies the first Piron. Centered on Croatian artist Burns in Its Heart? Nor My Ears New York–based artist Nick the work of Danh Võ (born 1975) 2011 to 2013, Vietnamese artist Patrick Rhine. Introduction by large-scale museum survey on David Maljkovi´c’s (born 1973) Darmstaedter (born 1988) was to show how art gives utterance Danh Võ (born 1975) built a full- Philip Tinari. Text by Michael Text by Regine Basha, Lauren Text by Jörg Scheller, René New York–based photographer landmark film, Out of Projection, born and bred in a postmodern to history’s shadows upon our scale replica of the Statue of Elmgreen, Ingar Dragset, et al. This Cornell, Britta Färber, Friedhelm Zechlin. German painter Benedikt Erin Shirreff (born 1975) in the this artist’s book constitutes a age. The Los Angeles transplant, lives. Inspired by an exhibition in Liberty in 267 pieces, which was catalogue accompanies Elmgreen Hütte, Omar Kholeif. Egyptian Hipp (born 1977) devises United States. In her work across case study of his fascination with part of the infamous Still House Mexico City, Berardini’s deeply installed in New York (among other & Dragset’s first exhibition in artist Basim Magdy’s (born 1977) mysterious spheres of dark mediums, Shirreff mines the the French car company Peugeot Group, states that gathering personal investigation of Võ’s work locations) to much acclaim. Here, China, the largest in Asia to date. films, photographs and drawings spaces and strange bodies. This network that connects sculpture to and its futuristic “concept cars.” and sorting are a crucial part of discusses a sexy Statue of Liberty, Võ places the installation and other The Scandinavian duo, comprised focus on structures of seeing, publication surveys his work its photographic representation. It includes exclusive film stills, his practice; he uses a variety John Keats’ tombstone and the works alongside photos by Peter of Michael Elmgreen (born 1961) remembering and archiving. As up to the present, as well as archives and documentation. of methods to create paintings, holy trinity in a license plate. Hujar in an eloquent dialogue on and Ingar Dragset (born 1969), ALBRIGHT-KNOX ART GALLERY this volume demonstrates, he documenting an exhibition of installations and sculptures. This is sexuality and identity. created a fictional art fair in UCCA’s 9781887457187 u.s. $22.95 cdn $29.95 JRP|RINGIER scrutinizes collective utopias and large-format works at the Wilhelm MOUSSE PUBLISHING FLAT40 Pbk, 11.5 x 9 in. / 114 pgs / his first monograph. Great Hall, with rectangular booths 9783037644720 u.s. $35.00 cdn $45.00 expresses doubt about dogmas Hack Museum. 9788867491414 u.s. $25.00 cdn $32.50 WALTHER KÖNIG, KÖLN 12 color / 10 duotone / 76 b&w. FLAT40 Clth, 5 x 7.5 in. / 100 pgs / featuring works from the past 20 FLAT40 Pbk, 8 x 11.5 in. / 80 pgs / and ideologies. MOUSSE PUBLISHING 9783863358822 u.s. $40.00 cdn $52.50 July/Art KERBER 15 b&w. September/Art/Asian Art & 90 color. November/Art 9788867491940 u.s. $39.95 cdn $50.00 FLAT40 Pbk, 7.75 x 10.75 in. / years. 9783735601643 u.s. $45.00 cdn $57.50 HATJE CANTZ FLAT40 Clth, 8 x 11.5 in. / 128 pgs / Culture 112 pgs / 40 color / 5 b&w. FLAT40 Flexi, 9.5 x 12.25 in. / KOENIG BOOKS 9783775741286 u.s. $60.00 cdn $78.00 illustrated throughout. September/Art September/Art/Asian Art & Culture FLAT40 Hbk, 11.25 x 11.25 in. / 128 pgs / 190 color. July/Art 9783863358952 u.s. $35.00 cdn $45.00 224 pgs / 160 color. September/Art FLAT40 Pbk, 7 x 9.5 in. / 304 pgs / 50 color / 50 b&w. July/Art

Marianne Heier: Das Institut Hartmut Skerbisch: Jan Švankmajer Roger Ballen: Alfredo Barsuglia: Katharina Fritsch and Susan Philipsz: Mirage Foreword by Julia Peyton-Jones, Life and Work The Universe of Jan Resurrected Rosa Alexej Koschkarow: Night and Fog Text by Charles Esche, Ranjit Hans Ulrich Obrist. Text by Text by Elisabeth Fiedler, Christine Švankmajer Edited by Pauli Sivonen, Ville Text by Janina Falkner, Anne Katrin Zita, Shchara Text by Thomas D. Trummer, Rebecca Lewin. This first major Hoskote, Fridtjov Ruden, Line Frisinghelli, et al. Austrian artist Edited by Thomas Häusle. Text by Lenkkeri. Text by Riikka Ala- Fessler, Lucas Gehrmann, Roman Text by Julian Heynen, Michael Theodor Ringborg, Linda Schädler. catalogue on the artist duo Das Ulekleiv, Svein Rønning. Mirage Hartmut Skerbisch (1945–2009) Kurt Bracharz, Thomas Macho. Harja, Marguerite Rossouw, et Grabner, Theresia Hauenfels, Rooks, et al. Staged in three Deconstructing Hanns Eisler’s Institut presents both collaborative is an installation by Norwegian explored perceptions of reality, Interview by Gerald Matt. This al. Resurrected is a multilayered Barbara Horvath, et al. This rooms, this chamber piece music for Alain Resnais’ 1955 works and pieces from their artist Marianne Heier (born 1969), focusing on the image of the publication documents the installation by Johannesburg- publication presents the oeuvre of features new sculptures and wall film Night and Fog, Scottish individual practices. Kerstin consisting of ten identical drinking- television monitor screen as the sculptures, surreal artifacts and based photographer Roger Austrian artist Alfredo Barsuglia works by German artists Katharina artist Susan Philipsz (born 1965) Brätsch uses painting to explore water wells equipped with hand central symbolical object of our drawings of legendary Czech Ballen (born 1950), created in an (born 1980), which hinges on Fritsch (born 1956) and Belarusian references Peter Zumthor’s how the body can be expressed pumps and basins. One of the culture. This overview is devoted filmmaker, object artist, illustrator abandoned family home in the themes of social norms and native Alexej Koschkarow (born architecture at Kunsthaus Bregenz. wells is drilled into a mountain in psychologically, physically and to his multimedia and installation and poet Jan Švankmajer (born Finnish woods. This publication collectivity. Barsuglia is known for 1972), who joined forces for the KUNSTHAUS BREGENZ Norway, and nine more are located socially, while Adele Röder creates works. 1934). Švankmajer draws on documents the construction of this critical installations and sculptures third time since 1999. 9783863359126 u.s. $50.00 cdn $65.00 in Malawi, Africa. a nonverbal language utilizing natural history—especially unique edifice, revealing Ballen’s such as Social Pool (2014), which VERLAG FÜR MODERNE KUNST FLAT40 Hbk, 8.25 x 10.5 in. / clothing, posture and light. taxidermy—to create bizarre hybrid original vision for the project. was installed in the Southern LAURENZ FOUNDATION/SCHAULAGER FORLAGET PRESS 9783903004672 u.s. $38.00 cdn $49.95 BASEL 192 pgs / 64 color / 4 b&w. August/ creatures. California desert. Art 9788275477444 u.s. $45.00 cdn $57.50 KOENIG BOOKS FLAT40 Pbk, 8.25 x 10.75 in. / KERBER 9783906315065 u.s. $30.00 cdn $40.00 9783863359096 u.s. $75.00 cdn $95.00 335 pgs / 180 color. July/Art FLAT40 Hbk, 6.5 x 9 in. / 176 pgs / VERLAG FÜR MODERNE KUNST 9783735602084 u.s. $49.95 cdn $64.95 VERLAG FÜR MODERNE KUNST FLAT40 Hbk, 8.25 x 11.75 in. / FLAT40 Pbk, 8 x 11 in. / 132 pgs / 164 pgs / 137 color. July/Art 90 color. November/Art 9783903004726 u.s. $36.00 cdn $47.50 FLAT40 Hbk, 8.75 x 11 in. / 128 pgs / 9783903004535 u.s. $35.00 cdn $45.00 215 color. July/Art FLAT40 Hbk, 7 x 9.75 in. / 124 pgs / 65 color / 6 b&w. July/Art FLAT40 Pbk, 6.5 x 9.25 in. / 224 pgs / 36 color / 5 b&w. July/Art 100 color. September/Art

164 artbook.com­­ artbook.com 165 Contemporary sculpture SPECIALTY ■ ART

Phyllida Barlow: Mix Rita McBride: Ugo Rondinone: Valentin Carron Inge Mahn Katsura Funakoshi: Xu Zhen: Corporate Edited by Konrad Bitterli, Laura Public Works Becoming Soil Edited with text by Oliver Zybok. Text by Robert Fleck, Noemi Sphinx Produced by MadeIn Bechter. Text by Konrad Bitterli, Text by Mark von Schlegell, Text by Jean-Marc Prevost, Text by Giovanni Carmine. These Smolik, Stephan von Wiese. This Edited by Rebecca Krämer. Text by Company Céline Gaillard, Claudia Hürlimann, Gina Ashcraft. Public Works is a Corinne Rondeau. This catalogue works by Swiss artist Valentin publication presents the work of Jörg Daur, Peter Forster, Rebecca Text by Christopher Moore, Petra Irina Wedlich. British sculptor comprehensive monograph on records Swiss artist Ugo Carron (born 1977) tackle the German sculptor Inge Mahn (born Krämer, Roman Zieglgänsberger. Pölzl, Philip Tinari. Interviews by Phyllida Barlow (born 1944) is American artist Rita McBride (born Rondinone’s (born 1964) first issue of original and copy, of what 1943). The former Beuys student For his sculptures, Japanese artist Karin Bucher Trantow. Preface internationally acclaimed for her 1960), whose pieces made with major solo exhibition in France. tradition and identity can be. By refashions and alienates everyday Katsura Funakoshi (born 1951) by Peter Pakesch, Karin Bucher large-scale sculptures, which everyday objects and structures Star-filled skies, monumental reproducing familiar objects from objects such as doghouses, carves torsos out of fragrant Trantow. This publication is the first feature inexpensive, low-grade blur the lines between sculpture, landscapes and animal sculptures his home country using new bird boxes, classroom furniture, camphor wood, transferring the monograph on Chinese sculptor materials such as cardboard, architectural installation and are combined into a poetic whole materials, he allows space for steeples and chimneys in white medieval art of woodcutting into Xu Zhen (born 1977), focusing on Gabriel de la Mora: fabric, plywood, polystyrene, scrim industrial design. The volume that conveys the magnificence both their iconic meaning and for plaster and other everyday a modern format. This catalogue works produced in conjunction Sound Inscriptions and cement. This book documents addresses a body of public artwork of natural phenomena, human irony: for example, a pristine white materials, exploring the tension focuses on his complex series with his art firm Madeln Company on Fabric her installation at the Lokremise in edelweiss is exposed as pristine between the public and the spanning a 20-year period. existence and the cosmos. A Tale of the Sphinx, consisting from 2009 to the present. Text by Brett Littman. Mexican Switzerland. white kitsch. private. of several busts and selected KOENIG BOOKS HATJE CANTZ VERLAG FÜR MODERNE KUNST multimedia artist Gabriel de la drawings. VERLAG FÜR MODERNE KUNST 9783863358501 u.s. $40.00 cdn $52.50 9783775741637 u.s. $60.00 cdn $78.00 HATJE CANTZ HOLZWARTH PUBLICATIONS 9783903004511 u.s. $38.00 cdn $49.95 Mora (born 1968) is best known 9783903004702 u.s. $36.00 cdn $47.50 FLAT40 Pbk, 5.5 x 8 in. / 352 pgs / FLAT40 Hbk, 9.5 x 12.25 in. / 9783775741231 u.s. $45.00 cdn $57.50 9783935567831 u.s. $65.00 cdn $85.00 KERBER FLAT40 Pbk, 8.75 x 11 in. / 100 pgs / for constructing visual works from FLAT40 Hbk, 8.5 x 11 in. / 78 pgs / FLAT40 Hbk, 10.25 x 8 in. / 76 pgs / 400 color. July/Art 80 pgs / 80 color. September/Art FLAT40 Hbk, 8.75 x 11.5 in. / 9783735601735 u.s. $39.95 cdn $50.00 85 color. July/Art/Asian Art & Culture obsolete found objects such as 23 color / 19 b&w. July/Art 60 color. July/Art 112 pgs / 90 color. September/Art FLAT40 Pbk, 8.25 x 10.25 in. / eggshells and discarded shoes. De 104 pgs / 68 color. July/Art la Mora describes these objects that have outlived their usefulness as caches for historical information about everyday life. In his exhibition at The Drawing Center, De la Mora presents an installation of 55 pairs of found speaker screens. Each screen is imprinted with an inscription created by the dust and air that circulated through the speaker screen during its useful life Gerold Miller Nadia Kaabi-Linke: : Isa Melsheimer: Stefan Sandner Jorge Méndez Blake: Henrik Eiben recording the cadence of countless voices, advertisements, news Text by Kathrin Weishaupt- Edited with text by Juliane Edited with text by Clemens von Matter Matters Work with the Public Need for Contrast Other Literature broadcasts, soap operas, football Theopold, Anne Luther, Nora Feldhoffer. Text by Chris Sharp. Lucius. Text by Oliver Zybok. Edited by Timo Kaabi Linke. Text Edited with text by Werner Edited with text by Karsten Müller. Text by Sarah Demeuse, games and music, as well as noise, Grunwald, Marie Sophie This publication contextualizes the Hamburg-based artist Henrik by Asmaa Al-Shabibi, William Fenz. Text by Paolo Bianchi, Text by Isa Melsheimer. Through Verónica Gerber, Luis Felipe interference and silence. Beckmann. This catalogue Lawrie, et al. In her performances Robert Fleck, Heimo Halbrainer, her excursions into architecture paintings of Austrian artist Stefan Fabre, et al. RM’s new Other Eiben’s (born 1975) multimedia This volume accompanies accompanies Berlin-based artist and installations, Tunisian- Barbara Markovi, Milica Tomi. and urban studies, Berlin-based Sandner (born 1968) within an art- Literature series highlights oeuvre ranges from subtle works De la Mora's Drawing Center Gerold Miller’s (born 1961) Russian artist Nadia Kaabi-Linke The sculptural objects and public sculptor and installation artist historical context—particularly in the importance of libraries as on paper to large aluminum presentation and features images retrospective at the Kunsthalle (born 1978) explores material artworks of German artist Jochen Isa Melsheimer (born 1968) terms of conceptual and minimalist structures of knowledge and sculptures, integrating such of the installation and essays on Weishaupt in Ulm, Germany, relationships by combining Gerz (born 1940) address the investigates the relationship art movements. An extensive as architectural entities. This diverse materials as paper, glass, his work. including studio views, texts and different kinds of fabrics, drawing public’s emotional distance between a building’s design and its overview of work the artist has volume explores the theme in fabric and metal. This publication interviews. Over the past 30 years, utensils, printing techniques to commemorated events social history. In Need for Contrast, produced in recent years is also works by leading Mexican artist provides a wide-ranging THE DRAWING CENTER Miller has explored architecture as and other media. With diagrams and memorials. This volume she pinpoints both the functional featured. Jorge Méndez Blake (born 1974), presentation of Eiben’s work for 9780942324976 u.s. $25.00 cdn $32.50 defined by sculpture, wall surface the first time. FLAT40 Pbk, 6 x 9 in. / 112 pgs / and excerpts from the artist’s documents a project that draws and dysfunctional aspects of VERLAG FÜR MODERNE KUNST with essays by renowned art critics and other architectural elements. work journal, this monograph on an archive of photographs from buildings in Hamburg, Germany. and architects. 60 color. August/Art/Latin 9783903004986 u.s. $28.00 cdn $37.50 KERBER American/Caribbean Art & Culture summarizes her prolific career. the Nazi period in Styria, Austria. FLAT40 Hbk, 8.25 x 10 in. / 128 pgs / KERBER VERLAG FÜR MODERNE KUNST RM/MP 9783735602060 u.s. $45.00 cdn $57.50 80 color. July/Art FLAT40 Hbk, 9 x 11.25 in. / 128 pgs / EXHIBITION SCHEDULE 9783735601971 u.s. $59.95 cdn $76.50 KERBER VERLAG FÜR MODERNE KUNST 9783903004504 u.s. $26.00 cdn $34.95 9788416282609 u.s. $39.95 cdn $50.00 FLAT40 Hbk, 6.75 x 12.25 in. / 75 color. July/Art New York: The Drawing Center, 9783735601926 u.s. $45.00 cdn $57.50 9783903004955 u.s. $36.00 cdn $47.50 FLAT40 Pbk, 8.25 x 10.5 in. / 86 pgs / EXHIBITION SCHEDULE FLAT40 Hbk, 6.5 x 9.5 in. / 408 pgs / 340 pgs / 164 color. August/Art 07/15/16–09/11/16 FLAT40 Flexi, 6.75 x 9 in. / 400 pgs / FLAT40 Pbk, 7.5 x 9.75 in. / 192 pgs / 34 color. July/Art Krems an der Donau: Kunsthalle 144 color. December/Art/Latin 128 color. July/Art 100 color. July/Art Krems, 03/12/16–06/19/16 American/Caribbean Art & Culture

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Eye Attack Abstrakt – Spatial Fourth Plinth Words as Doors in Without Restraint A Beautiful Disorder Index Roma African Futures Op Art and Kinetic Art Painting in Space How London Created the Language, Art, Film Works of Mexican Artists Chinese Sculpture Meets Edited by Javier Duero, Patricia Edited by Lien Heidenreich, Sean 1950–1970 Edited by Verena Gamper. Text by Smallest Sculpture Park in Edited by Sandro Droschl. Text from the Daros Latin English Horticulture Almeida. Index Roma features O‘Toole. Text by Achille Mbembe, Edited by Lærke Rydal Jørgensen, Brigitte Borchardt-Birbaumer, et the World by Rainer Bellenbaum, Christian America Collection Text by Clare Hindle, Ella Liao, critical and descriptive essays on Ntone Edjabe, et al. In this review, Michael Juul Holm, Tine Colstrup, al. This catalogue brings together Foreword by Grayson Perry. Text Egger, Olaf Möller. This catalogue Edited by Valentina Locatelli. ​ Claire Shea, Wenny Teo, et al. the work of resident artists and African artists, scholars and Kirsten Degel. Text by Joe Huston, an assortment of artists who by Isabel de Vasconcellos. This explores the relationship between Text by Matthias Frehner, et al. With this catalogue, the Cass researchers at the Royal Academy cultural producers share their Matthieu Poirer, Tine Colstrup, extend the medium of painting book tells the story of the ongoing the written word and art and Works by Teresa Serrano, Ximena Sculpture Foundation in Sussex, of Spain in Rome (founded in positions on the future of literature, et al. Interviews by Michael Juul into post-Constructivist sculpture Fourth Plinth program in London’s film. Showcased artists include Cuevas, Betsabeé Romero, Teresa England, unveils an exhibition of 1973). Along with work using more film, performance, the visual arts, Holm. This catalogue surveys Op and installation. Participating Trafalgar Square, for which artists Michael Baers, Rosa Barba, Margolles, Claudia Fernández, newly commissioned sculptures classical media, the assortment of music and science. Artists include and Kinetic art and their absorption artists include Sofie Thorsen, such as Antony Gormley, Hans Stephanie Barber, Bernadette Melanie Smith and Maruch Sántiz by 19 contemporary artists artistic genres includes video and Keziah Jones, Spoek Mathambo, into the cultural mainstream. It Michael Kienzer, Luisa Kasalicky, Haacke, , Mark Corporation, Pierre Bismuth, Gómez constitute the core of this from Greater China. The book design. Just A Band, Gato Preto, Kapwani Kiwanga, Nnedi Okorafor, Lauren includes interviews with artists Gerwald Rockenschaub, Ernst Wallinger, Yinka Shonibare and Marcel Broodthaers, Martin Ebner, publication, in which works from accompanies the works as they LA FABRICA Beukes and Faustin Linyekula. Carlos Cruz-Diez, François Caramelle, Heinrich Dunst, Helga Elmgreen & Dragset have created Owen Land, Sonia Leimer, Jeanne the Daros Latin America Collection travel from China to West Sussex, 9788416248568 u.s. $30.00 cdn $40.00 Morellet, Heinz Mack, John Philipp, Herbert Hinteregger, Peter works. The genesis of each work is Liotta, John Waters, Jennifer West in Zurich offer a subversive look at from the artists’ studios to FLAT40 Pbk, 6.5 x 9.5 in. / 300 pgs / KERBER Armleder, Olafur Eliasson and Julie Sandbichler, Esther Stocke and documented along with shots of all and others. Mexico’s national identity. production and installation. 200 color. July/Art 9783735601865 u.s. $39.95 cdn $50.00 Riis Andersen. Ingo Nussbaumer. the installed pieces. FLAT40 Pbk, 6.5 x 9.5 in. / 224 pgs / VERLAG FÜR MODERNE KUNST HATJE CANTZ HATJE CANTZ 68 color / 2 b&w. September/Art/ LOUISIANA MUSEUM OF MODERN ART VERLAG FÜR MODERNE KUNST 9783903004900 u.s. $36.00 cdn $47.50 9783775741040 u.s. $55.00 cdn $70.00 9783775741309 u.s. $60.00 cdn $78.00 ART / BOOKS African Art & Culture 9788792877574 u.s. $35.00 cdn $45.00 9783903004979 u.s. $32.00 cdn $42.50 9781908970282 u.s. $35.00 cdn $45.00 FLAT40 Pbk, 6.5 x 9.25 in. / 144 pgs / FLAT40 Pbk, 9.5 x 11.5 in. / 144 pgs / FLAT40 Hbk, 8.5 x 11.75 in. / FLAT40 Hbk, 8.75 x 10 in. / 96 pgs / FLAT40 Hbk, 8.25 x 10 in. / 192 pgs / FLAT40 Hbk, 8.25 x 10.25 in. / 100 color. July/Art 60 color. September/Art/Latin 304 pgs / 150 color. November/Art/ 66 color / 77 b&w. July/Art 100 color. July/Art 176 pgs / 150 color. October/Art American/Caribbean Art & Culture Asian Art & Culture

Sculpture on the Celebrate Life! Homebase SkypeLab: Common Affairs Restoration of a Art in Unexpected Problems and Move 1946–2016​ Text by Cathérine Hug, Manuela The Interior in Transcontinental Revisiting the Views Award: Mural Painting Places II Provocations Imposing and Educational: Laubenberger, Robert Menasse. Contemporary Art Faces and Spaces Contemporary Art from Tercerunquinto 2000–2015 Interviews by Paula Crown, Grand Arts 1995–2015 This publication documents A Digest of Exponents of Text by Marion Eisele, et al. This Text by Henning Eichinger, et al. Poland Text by Sergio Raúl Arroyo, Itala Mike Kaplan, Heidi Zuckerman. Edited by Stacy Switzer, Annie an exhibition of life masks by Contemporary Sculpture publication documents diverse SkypeLab fosters collaboration Text by Eva Majewska, Barbara Schmelz, et al. Between 2000 In honor of Aspen Art Fischer. Foreword by Margaret ​ various contemporary artists in Text by Simon Baier, et al. Based approaches to the theme of among digital artists and curators Steiner. Common Affairs presents and 2015, Mexican art collective Museum’s collaboration with Hall Silva. This volume documents an exploration of mortality held at on late works by Brancusi and interiors in contemporary art. from Melbourne, Shanghai and current work by artists who have Tercerunquinto (founded in the Aspen Skiing Company, this 30 projects from Kansas City– the Vienna Art History Museum’s Giacometti, this volume illustrates Artists include Laurenz Berges, Reutlingen. Participants include won or were nominated for the 1998) compiled an extensive comprehensive survey includes based Grand Arts’ history. Stories Antiques Collection. Participating the developments in this dynamic Franz Burkhardt, Francisca Javiera Advis, Henning Eichinger, Views Prize in the past 15 years. photographic archive of political interviews with artists such as by artists and collaborators artists include Daniel Knorr, Erik genre with works by Absalon, Gomez, Patricia Lambertus, Zilla Annie Kurz, Daria Romanova, Featured artists include Tymek campaign paintings found on Mark Bradford, Anne Collier, complement photographs, artist van Lieshout, Teresa Margolles, Andre, Arp, Bill, Fritsch, Gober, Leutenegger, Marjetica Potrc, Jörg Angela Wetzel, Giordano Biondi, Borowski, Karolina Bregula, Rafal public walls in cities and small Teresita Fernández, Mark Grotjahn, proposals, sketches, notes, internal Arnulf Rainer, Hans Schabus, Hesse, Hirst, Judd, Kelley, Koons, Sasse, Gregor Schneider, Andreas Grace Leone, Riza Manalo, Maggie Jakubowicz, Robert Kusmirowski, communities in Mexico. This Cai Guo-Qiang, Dave Muller, documents and correspondence. Hubert Scheibl, Deborah Sengl, Orozco and others. Schulze, Marcus Schwier, Taryn McCormick, Clare McCracken, Anna Molska, Karol Radziszewski publication focuses on the Takashi Murakami, David Shrigley GRAND ARTS Daniel Spoerri, Kader Attia and Simon, Erik Steinbrecher, Susa Kexin Chen and Fanding Sun. and Janek Simon. restoration of one mural in 2010. and Shinique Smith. 9780692625538 u.s. $49.95 cdn $64.95 HATJE CANTZ Nives Widauer. Templin and Claudia Wieser. 9783775740715 u.s. $55.00 cdn $70.00 KERBER HATJE CANTZ TURNER ASPEN ART PRESS FLAT40 Flexi, 8 x 10 in. / 448 pgs / VERLAG FÜR MODERNE KUNST FLAT40 Hbk, 8 x 10.5 in. / 168 pgs / KERBER 9783735601742 u.s. $39.95 cdn $50.00 9783775741477 u.s. $55.00 cdn $70.00 9788416354283 u.s. $30.00 cdn $40.00 9780934324731 u.s. $50.00 cdn $65.00 800 color. September/Art 100 color. September/Art 9783903004627 u.s. $31.00 cdn $40.00 9783735601490 u.s. $39.95 cdn $50.00 FLAT40 Hbk, 8.25 x 10.75 in. / FLAT40 Hbk, 6.75 x 9.5 in. / 240 pgs / FLAT40 Pbk, 8.5 x 10 in. / 224 pgs / FLAT40 Hbk, 11.25 x 8.5 in. / FLAT40 Hbk, 4.25 x 7 in. / 136 pgs / FLAT40 Hbk, 6.75 x 9 in. / 208 pgs / 120 pgs / 131 color / 17 b&w. July/Art 60 color. October/Art 100 color. September/Art/Latin 172 pgs / 100 color / 30 b&w. 60 color / 12 b&w. July/Art 115 color / 2 b&w. July/Art American/Caribbean Art & Culture September/Art

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The Turn Stories of Finnish Art Disegno WdW Review Curt Richter: Roger Harris: This Jacqueline Roberts: Xavier Guardans: Art Practices in Post-Spring The New Ateneum Guide The Art of Drawing for the Volume I Thousand Words Is My Generation Nebula Self-Portraits Societies Edited by Susanna Pettersson. Text XXI Century Edited by Defne Ayas, Adam Text by Ann Beattie. This book Rock Legends of the 1950s, Text by Frank Kalero. Reviving Text by Emilie Lee, Sarita Louise Edited with text by Christine by Erkki Anttonen, Timo Huusko, Edited with text by Michael Kleinman. This publication celebrates the portraiture 60s, 70s, and 80s on Stage 19th-century photographic Moore, Anya Skidan, Grace Bruckbauer, Patricia K. Triki. Maritta Mellais, Riitta Ojanperä, Hering. Text by Sabrina Mandanici, constitutes an anthology of essays, of Helsinki-based American Today processes, Spanish photographer Villamil. Surrounded and inspired Preface by Katharina Blaas, Hanna-Leena Paloposki, et al. This Gudula Metze, et al. Disegno cartoons and image readings photographer Curt Richter (born The great pop stars of the 1950s, Jacqueline Roberts (born 1969) by a group of powerful female Christiane Kreijs. Text by beautifully illustrated book looks explores the ongoing relevance published on Witte de With’s 1956), presenting his portraits ‘60s, ‘70s and ‘80s are still with us. traces the moment of limbo artists, Barcelona photographer Jumana Al Yaziri, et al. In this at Finland’s Ateneum Art Museum of drawing. Participating artists online magazine WdW Review. of contemporary writers taken This volume presents over 60 living that marks the transition from Xavier Guardans (born 1954) exhibition catalogue, experts, art through a social lens, addressing include Ines Beyer, Marc Featured writers include Yanis at Key West Literary Festival— legends in more than 100 color childhood to adolescence. Nebula created Self-Portraits over a theoreticians, anthropologists how historical and political events Brandenburg, Friederike Feldmann, Varoufakis, Kate Zambreno, Ana among them Pico Iyer, Kay Ryan, photos, including members of Led is a collection of portraits that decade. His black-and-white and urban scholars from Libya, have influenced art and artists William Forsythe, Olaf Holzapfel, Teixeira Pinto, Ekaterina Degot, William Gibson, Geoff Dyer, Calvin Zeppelin, the Beatles, The Grateful capture the mist of psychological images, accompanied by the Egypt and Syria report on artistic as well as museum work and Jürgen Krause, Korpys/Löffler, Quinn Latimer and others. Trillin, Margaret Atwood, Michael Dead, The Moody Blues, Jefferson and emotional change in youth; a subjects’ voices, convey the acquisitions for the collection. Cunningham, Ann Beattie and glimpse into their nascent sense confidence of women in the 21st interventions in their countries and Frank Nitsche, Rei Naito, Brian WITTE DE WITH CENTER FOR Airplane, Cream, Yes, Blondie, critically reflect on the role of art in Starting in 1809, its timespan runs O’Doherty, Mario Pfeiffer, Santiago CONTEMPORARY ART Gore Vidal. Ramones and many more. of self. century. through to the 1970s. periods of political transformation. Sierra, Gert and Uwe Tobias and 9789491435478 u.s. $30.00 cdn $40.00 DAMIANI DAMIANI DAMIANI Rikuo Ueda. FLAT40 Pbk, 6.5 x 9.25 in. / 290 pgs. DAMIANI HATJE CANTZ 9788862084789 u.s. $45.00 cdn $57.50 9788862084864 u.s. $45.00 cdn $57.50 9788862084840 u.s. $50.00 cdn $65.00 VERLAG FÜR MODERNE KUNST September/Art 9788862084932 u.s. $30.00 cdn $40.00 FLAT40 Hbk, 11.75 x 11.75 in. / FLAT40 Hbk, 9.5 x 11.75 in. / FLAT40 Clth, 11 x 11 in. / 96 pgs / 9783903131057 u.s. $36.00 cdn $47.50 9783775741354 u.s. $40.00 cdn $52.50 KERBER FLAT40 Hbk, 9 x 9 in. / 96 pgs / 96 pgs / 48 b&w. September/ 144 pgs / 87 b&w. September/ 46 b&w. September/Photography FLAT40 Hbk, 6.5 x 9.25 in. / 124 pgs / FLAT40 Pbk, 5.75 x 8.75 in. / 9783735601810 u.s. $49.95 cdn $64.95 114 color. September/Photography/ 70 color. September/Art/Middle East- 264 pgs / 267 color. September/Art FLAT40 Clth, 6.5 x 9 in. / 128 pgs / Photography/Fiction & Poetry Music Photography ern Art & Culture 82 color / 35 b&w. July/Art

The Fourth BMW Art 1995–2015 Jubilee WDWXXV: In Light Unlimited Ricardo Martín Stefan Loeber: Roni Horn: Tomasz Gudzowaty: Guide by Independent EVN Collection of 25 Years Art Basel | Unlimited | 2016 Edited by Chema Conesa. Text Bedouin The Selected Gifts, Proof Collectors Text by Brigitte Huck, Heike Edited by Defne Ayas, Samuel Every year, between 50 and by Juantxo Egaña. Basque Text by Stefan Loeber, Julia Weigl. 1974–2015​ Text by Manfred Heiting. This book photographer Ricardo Martín This guide presents 266 private Maier-Rieper, Hans Ulrich Obrist, Saelemakers. Drawing from work 70 artists are invited to the German photographer Stefan Roni Horn’s (born 1955) The Se- by Tomasz Gudzowaty (born 1970), (1882–1936) captured his home collections of contemporary art et al. This publication assembles produced during Witte de With’s exceptional platform Unlimited, Loeber (born 1988) captures the lected Gifts, 1974–2015 is a collec- a photographer otherwise known city San Sebastián in the midst accessible to the public. Succinct works from the EVN Collection— In Light of 25 Years project, this which defies limitations and Negev desert in Israel, home to tion of photographs documenting for impeccably crafted black- of the Belle Époque, snapping portraits of the collections with an Austrian collection company publication documents newly experiments with new forms of more than 200,000 Bedouins. This the history of gifts received over and-white images, is a bold and portraits of Sorolla, Chaplin, countless color illustrations founded in 1995—offering a survey commissioned pieces by artists presentation. Oversized works are publication offers a profound view the course of the artist’s life. Col- unexpected attempt to embrace Azorín, Unamuno and Pío Baroja, take the reader to more than 70 of international art from the past Özlem Altın, Wineke Gartz, Camille shown to their best effect. This of the political and social situation lected together in this book they the aesthetics of chance, hidden among others. This publication countries, often to regions or 20 years, with works by Phyllida Henrot, Germaine Kruip, Mahony, catalogue documents and acts as in the Bedouin’s “unrecognized constitute a kind of self-portrait in what he once considered a includes his sports-related work urban districts off the beaten path. Barlow, Mark Dion, Marlene Raimundas Malašauskas, Zin a guide to the spectacle. villages.” through objects. byproduct of his artistic process— Dumas, Peter Doig, Carsten Taylor, Freek Wambacq and Xu as well as photographs from the the positive prints from Polaroid HATJE CANTZ KERBER HATJE CANTZ Zhen. Hispano-Moroccan war. STEIDL Höller, Mike Kelley, Roman Ondák, u s cdn Type 55 film. 9783775741453 u.s. $25.00 cdn $32.50 9783775741569 u.s. $70.00 cdn $90.00 9783735602008 . . $49.95 $64.95 9783958291621 u.s. $45.00 cdn $57.50 Elizabeth Peyton and Rosemarie FLAT40 Pbk, 5 x 7.5 in. / 256 pgs / WITTE DE WITH CENTER FOR FLAT40 Pbk, 6.5 x 8.5 in. / 208 pgs / LA FABRICA FLAT40 Hbk, 8.5 x 11.75 in. / FLAT40 Clth, 11 x 12 in. / 120 pgs / STEIDL Trockel. CONTEMPORARY ART u s cdn 112 pgs / 62 color / 2 b&w. 111 color. September/Art 90 color. September/Art 9788416248520 . . $20.00 $26.00 67 color.July/Art 9783958291645 u.s. $40.00 cdn $52.50 9789491435454 u.s. $25.00 cdn $32.50 FLAT40 Pbk, 5 x 7 in. / 96 pgs / July/Photography FLAT40 Boxed, pbk, 8.5 x 11 in. / VERLAG FÜR MODERNE KUNST EXHIBITION SCHEDULE FLAT40 Pbk, 8.5 x 11 in. / 120 pgs / 80 b&w. August/Photography 160 pgs / 270 color & b&w. 9783903004528 u.s. $49.00 cdn $62.50 Basel, Switzerland: Art Basel | 29 color / 11 duotone. September/Art July/Photography FLAT40 Pbk, 7 x 9.25 in. / 440 pgs / Unlimited, 06/16/16–06/19/16 500 color. July/Art

170 artbook.com­­ artbook.com 171 Portraiture, still-life and travel photography SPECIALTY ■ PHOTOGRAPHY

Revelations: Bettina von Zwehl: Laia Abril Joan Myers & Stefan Koppelkamm: Stefan Boness: Japan Facundo de Zuviría: Luc Chessex: Iconography of the Lament Edited by Chema Conesa. Text by Nathaniel Tarn: Houses Rooms Voices Fleeting Encounters Estampas 1982–2015 Coca Che Salpêtrière Text by Josh Cohen. In this col- Liza Faktor. In this PHotoBolsillo The Persephones Text by Arnold Bartetzky, The long-term documentary Text by Fabián Lebenglik, Lucas Text by Luc Chessex. The iconic volume, Catalan photographer Laia Paris 1875–1918 laboration between photographer In The Persephones, American Bernadette Dufrêne, et al. Shortly projects of German photographer Fragasso. Argentine artist Facundo images of Che Guevara and Coca- Bettina von Zwehl and psychoana- Abril (born 1986) portrays female after the fall of the Berlin Wall, Stefan Boness (born 1963) reflect de Zuviria (born 1954) presents Cola—representations of revolution Edited by Javier Viver. Drawing poet Nathaniel Tarn (born 1928) lyst and author Josh Cohen, black- sexuality through her portraits, German photographer Stefan on urban landscapes through photographs of the city of Buenos and capitalism, respectively— from 32 volumes of photographs and American photographer and-white silhouettes of women in taken with the intimate feel of Koppelkamm (born 1952) traveled street photography. In Japan, he Aires from 1982 to 2015. In his both play substantial roles in the published between 1875 and Joan Myers (born 1941) offer an near darkness and 50 fragments family snapshots. Known for her through eastern Germany, captures the reality of a modern effort to reconstruct the city, his Latin American landscape. The 1918, editor Javier Viver has elegant, collaborative retelling of a single repeated photo of a unique process of production, Abril capturing houses, streets and country within the context of its lens focuses on different kinds photographs in this publication, assembled this superbly produced of Persephone’s abduction into young girl are juxtaposed with an combines photography with other squares in black-and-white underlying historical and cultural of commercial images, from taken by Swiss photographer Luc compilation of portraits of patients the underworld. Many of Myers’ essay on light and shadow and a media, including video and graphic photographs. Ten years later, dimensions. billboards to the sign details in Chessex (born 1936) from 1960 to at the Parisian psychiatric hospital images were shot at the sites from fictional tale inspired by the torn design tools. he took pictures of them from storefront windows. 1975, juxtapose these conflicting the Salpêtrière during its years of which the myth originated. Edition JOVIS photographs. exactly the same position. Social icons. directorship under Jean-Martin LA FABRICA of 500 copies. 9783868594195 u.s. $29.95 cdn $37.50 RM 9788416248605 u.s. $20.00 cdn $26.00 and economic transformations Charcot, the founder of modern ART / BOOKS DAMIANI FLAT40 Hbk, 7.25 x 9 in. / 80 pgs / 9788416282364 u.s. $45.00 cdn $57.50 RM FLAT40 Pbk, 5 x 7 in. / 96 pgs / permeate these images. 83 color. November/Photography FLAT40 Hbk, 8 x 10.75 in. / 230 pgs / neurology. 9781908970275 u.s. $30.00 cdn $40.00 9788862084987 u.s. $40.00 cdn $52.50 9788416282388 u.s. $45.00 cdn $57.50 80 color. September/Photography FLAT40 Hbk, 7 x 8.75 in. / 120 pgs / FLAT40 Hbk, 7 x 9.25 in. / 58 pgs / HATJE CANTZ 286 color. July/Photography/Latin FLAT40 Flexi, 10 x 14 in. / 96 pgs / RM American/Caribbean Art & Culture 65 color. July/Photography 30 color. September/Photography/ 9783775741187 u.s. $55.00 cdn $70.00 75 color. December/Photography/ 9788416282456 u.s. $65.00 cdn $85.00 Fiction & Poetry FLAT40 Hbk, 8 x 12 in. / 208 pgs / Latin American/Caribbean Art & SDNR30 Hbk, 8.75 x 8.75 in. / 115 color. July/Photography Culture 288 pgs / 175 color. July/Photography

Koto Bolofo: Binding Su Bo: Yoyo Reiner Riedler: Will John Hilliard: Dana Kyndrová: Pavel Hroch: Miroslav Machotka: Jiří Hanke: In Search As the processes of binding have Photography Text by Paul Wombell. In this Accident and Design Russians... Lust for Freedom Photographs of America shifted from man to machine, Text by Su Bo, Meike Su. Using volume, photographer Reiner Text by David Campany, John Their Icons and Desires The First Years after the Text by Antonín Dufek. This book Czech photographer Jiˇrí Hanke South African photographer Koto Riedler (born 1968) photographs analogue photography, Chinese Hilliard. This survey of recent Czech photographer Dana Velvet Revolution represents the work of pioneering (born 1944) has traveled across the Bolofo’s (born 1959) Binding is a machines that save lives or photographer Su Bo (born 1978) work by British artist John Kyndrová (born 1955) offers a Introduction by Jáchym Topol. Czech photographer Miroslav United States, putting together a meticulous study of bookbinding improve patients’ well-being— investigates the multifaceted Hilliard (born 1945) examines portrait of Russian culture from the In Lust for Freedom, the Machotka (born 1946) from series of images that highlight the today that embraces the new and inventions such as dialysis interplay of form and color in his conceptual approach to 1970s to today. Kyndrová attempts photographs of Czech Pavel the last 40 years. Machotka’s formal and dramatic similarities laments the loss of the old. machines, respirators and cardiac our everyday lives. His still lifes, photography. Hilliard utilizes every to document not only historical Hroch (born 1967) and writings striking and symbolic black-and- between Czech and American pacemakers at a hospital in Vienna. STEIDL of such benign objects as a means—double exposure, multiple events such as the departure of of Jáchym Topol record the years white images are shot mostly urban landscapes. With unique The work was inspired by Riedler’s 9783869306353 u.s. $40.00 cdn $52.50 single flower petal or a heap of perspectives, blow-ups, cutouts Soviet forces from Czechoslovakia following the Velvet Revolution in the streets of Prague, where pairings of photographs, this son, who was in a neonatal FLAT40 Clth, 11.5 x 12.5 in. / garbage, invite contemplation of and superimpositions—to explore in the 1990s, but also changes in in Prague, a celebratory time he currently lives, and in his publication documents his month- intensive care unit as a newborn. 80 pgs / illustrated throughout. impermanence. what an image can tell us about Russian values and norms. of newfound freedom after the hometown of Roudnice. long expedition. September/Photography the world and where the medium KERBER LA FABRICA fall of the communist regime in KANT KANT determines the meaning. KANT u s cdn 9788416248322 u.s. $60.00 cdn $78.00 Czechoslovakia. 9788074371530 u.s. $35.00 cdn $45.00 9788074371394 u.s. $35.00 cdn $45.00 9783735601933 . . $45.00 $57.50 9788074371646 u.s. $80.00 cdn $100.00 FLAT40 Hbk, 8.5 x 11.75 in. / FLAT40 Hbk, 10.75 x 9.5 in. / HOLZWARTH PUBLICATIONS FLAT40 Hbk, 11.5 x 11 in. / 280 pgs / FLAT40 Hbk, 9.5 x 8.5 in. / 120 pgs / FLAT40 Hbk, 11 x 6 in. / 72 pgs / 144 pgs / 100 color. July/Photography KANT 144 pgs / 79 color. July/Photography/ 9783935567848 u.s. $65.00 cdn $85.00 96 duotone. July/Photography 60 duotone. September/Photography 220 duotone. September/ 9788074371431 u.s. $40.00 cdn $52.50 Asian Art & Culture FLAT40 Hbk, 9.5 x 11 in. / 104 pgs / Photography FLAT40 Hbk, 9.5 x 8.5 in. / 120 pgs / 59 color. July/Photography 79 duotone. July/Photography

172 artbook.com­­ artbook.com 173 Portraits of people and places IMAGE CREDITS COVER: Hilma af Klint, “Altar- SPECIALTY ■ PHOTOGRAPHY piece, No.1, Group X,” 1915. Oil and metal, leaf on canvas. 93½ x 70¾". PAGE 2: Peter Moore, Performance view of Robert Rauschenberg’s Pelican, 1963. © Barbara Moore/Licensed by VAGA, New York, NY. Courtesy Paula Cooper Gallery, NY. Robert Rauschenberg, “Scanning,” 1964. Oil and silkscreen ink on canvas, 55¾ x 73". Collection SFMOMA. Factional and prom- ised gift of Helen and Charles Schwab.© 2016 Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY. PAGE 3: Robert Rauschen- berg, “Bed,” 1955. Oil and pencil on pillow, quilt and sheet on wood supports, 6’3 ¼ x 31½ x 8". The Museum of Modern Art. Gift of Leo Castelli in honor of Alfred H. Barr, Jr. © 2016 Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY. PAGE 11: Yayoi Kusama, “End Shirana Shahbazi: Christian Helmle: Owen Gump: El Niño Sverre Strandberg: of Love,” 2006. Pigment market and acrylic on Mikael Olsson: Global Game: Sport, canvas, 51¼ x 63¾" © Yayoi Kusama. PAGE 16: Tehran North Thunersee Edited with text by Hans-Werner Plants & Animals Jean-Michel Basquiat, “Moses and the Egyp- On | Auf Culture, Development Schmidt. Text by Martin Engler. tians,” 1982. Acrylic and oilstick on canvas, Edited by Manuel Krebs, Shirana Text by Konrad Tobler. Swiss Text by Sverre Strandberg. 73 x 54". Guggenheim Bilbao Museoa. Gift of Text by Péter Nádas. In On | Auf, and Foreign Policy Shahbazi. In this publication, photographer Christian Helmle Afterword by Björn Steigert. Plants & Animals by Norwegian Bruno Bischofberger, Zurich. © The Estate of Swedish photographer Mikael Culture Report EUNIC California-born, Berlin-based artist Jean-Michel Basquiat/Licensed by Artestar, New Iranian-born artist Shirana (born 1952) presents a topography photographer Sverre Strandberg York. PAGE 18: Yves Klein in his studio, 14 rue Olsson (born 1969) takes as his Yearbook 2016 Shahbazi (born 1974) captures the of the iconic Swiss lake Thunersee, Owen Gump’s (born 1980) stark (born 1977), consists of 51 color Campagne-Première, Paris, 1960. © Yves Klein, starting point Herzog & de Meuron Carrie Schneider: ADAGP, Paris/ARS, New York, 2016. Photo Harry Edited by William Billows, city of Tehran by night through a region he has frequented since black-and-white photographs photos, double-exposed on and Ai Weiwei’s temporary Shunk and Janos Kender © J. Paul Getty Trust. Sebastian Körber. Nine Trips around the window of a moving car. his youth. He has captured many portray the American West not as 35mm film. Strandberg shoots The Getty Research Institute, Los Angeles. Yves structure for the 2012 Serpentine Can sport be a strategic instrument the Sun​ Shahbazi is known for using her aspects of the multifaceted lake— pristine, untouched nature, but in botanical gardens and zoos, Klein, “Monochrome und Feuer,” Museum Pavilion. By analyzing their creative Haus Lange, Krefeld, Germany. © Yves Klein, in foreign cultural policy? Can Edited with text by Kendra photographs as source material the surrounding mountains, the rather as the result of numerous but his images take on abstract ADAGP, Paris/ARS, New York, 2016. Photo © processes and archives in direct global sport still be a role model Paitz. Text by Julie Rodrigues for other artistic forms, such changing sky and the surface of human interventions. He focuses qualities and break with reality. Pierre Boulat. PAGE 19: Donald Judd, The Block, dialogue with them, Olsson creates 1982. Photo by James Dearing. © Judd Foun- for civil society and achieve wider Widholm, Joanna Szupinska- as paintings, billboards and the water. on transformations in Nevada’s dation. PAGE 22: Josef Albers, “Marli Heimann, a new story extending beyond the rocky deserts and California’s KERBER All During an Hour,” 1931. Gelatin silver prints development goals? All these Myers. Featuring photographs handmade carpets. 11 7 pavilion. JOVIS 9783735601988 u.s. $35.00 cdn $45.00 mounted to board, 11 ⁄16 x 16 ⁄16" overall. MoMA, questions and more are addressed and films made between 2006 iconic coast. NY, Gift of The Josef Albers Foundation, Inc. © u s cdn FLAT40 Hbk, 7 x 9.5 in. / 112 pgs / JRP|RINGIER 9783868594171 . . $45.00 $57.50 2016 The Josef and Anni Albers Foundation/Art- STEIDL in this volume. and 2015, Nine Trips around the 51 color. July/Photography/Gardens 9783037644676 u.s. $35.00 cdn $45.00 FLAT40 Hbk, 8.25 x 10.75 in. / KOENIG BOOKS ists Rights Society (ARS), New York. PAGE 23: 9783958291966u.s. $85.00 cdn $105.00 Sun offers a survey of what Carrie FLAT40 Hbk, 7.75 x 11.75 in. / 144 pgs / 100 color. November/ 9783863358587 u.s. $35.00 cdn $45.00 Tina Modotti, “Mella’s Typewriter,” 1928. Gelatin FLAT40 Clth, 10.25 x 13 in. / 84 pgs / STEIDL/INSTITUTE FOR FOREIGN 7 9 Schneider (born 1979) describes Photography FLAT40 Clth, 9 x 11.5 in. / silver print, 9 ⁄16 x 7 ⁄16". MoMA, NY. Anonymous CULTURAL RELATIONS/EUNIC 96 pgs / 96 b&w. August/ Gift. PAGE 46: Pablo Picasso, “Woman in a Hat 31 color / 8 b&w. November/ 9783958291980 u.s. $20.00 cdn $26.00 as “documents of something Photography 112 pgs / 16 color / 57 b&w. July/ (Olga),” 1935. Centre Pompidou, Paris. Musee Photography performed for the camera,” Photography nationale d’arte moderne © Succession Picasso/ FLAT40 Pbk, 7 x 9.5 in. / 224 pgs / DACS London, 2016. Photo: Centre Pompidou, 140 color & b&w. November/ and demonstrates the range of MNAM-CCI, Dist. RMN-Grand Palais/Rights Photography reserved. PAGE 24: Francis Bacon, “Portrait of lens-based processes she has George Dyer in a Mirror,” 1968. Oil on canvas, 78 employed. Included is Schneider’s x 58", Fundacíon Thyssen-Bornemisza, Madrid. Photo: Hugo Maertens. © The Estate of Francis entrancing recent series Reading Bacon. All rights reserved, DACS 2016. PAGE 48: Women, for which the artist Asger Jorn, “Af den stumme mythe, Opus 2.” Oil photographed and filmed 100 on board, 53 x 118", Silkeborg Bibliotek. PAGE 72: Quentin Crisp image © National Portrait Gal- individual female artists, curators, lery, London. PAGE 49: Constant Nieuwenhuys, writers and musicians in their “Klein Labyr” (Little Labyr), 1959 metal, perspex, wood, oil paint and chalk, 23¾ x 28¾ x 16¾", homes and studios as they each photo: Tom Haartsen, © Constant/Fondation read a book of their choosing Constant c/o Pictoright Amsterdam 2015. “New Babylon–Den Haag” (New Babylon–The Hague), by a woman author. The project 1964, watercolor on paper on chipboard, 86¾ x resulted in 100 intimate portraits 113", Gemeentemuseum Den Haag, The Hague, Photo: Tom Haartsen, © Constant/Fondation and a four-hour film. Federico Busonero: NOPHOTO Javier Arcenillas Andreas Herzau: Constant c/o Pictoright Amsterdam 2016. PAGE Blank Paper Andreas Gefeller: The Land That Edited by Chema Conesa. Text by Edited by Chema Conesa. Text Bamberg Symphony 74: Ellen Gallagher and Two Palms Press, New Edited by Chema Conesa. Text by Blank Published in conjunction with York “DeLuxe,” (detail), 2004–05. Overall: 84 x Schneider’s first comprehensive Diego Bagnera. The Barcelona- by Rafael Roa. In this new Text by Nora Gomringer, Andreas 167"; each: 13 x 10½". MoMA, NY. Acquired Iván del Rey. ​ Text by David Campany. In his Remains survey exhibition, this volume— based NOPHOTO collective was PHotoBolsillo volume, Spanish Herzau. German lyricist Nora through the generosity of The Friends of Educa- The Spanish Blank Paper most recent photo project, Blank, Photographs from Palestine tion and The Museum of Modern Art and The the artist’s first monograph— founded by Jonás Bel, Matías photojournalist and psychologist Gomringer (born 1980) and Speyer Family Foundation, Inc. with additional School, founded in 2006, serves German photographer Andreas Text by Federico Busonero, et al. includes essays by Julie Rodrigues Costa, Iñaki Domingo, Paco Javier Arcenillas captures the documentary photographer support from the General Print Fund. © 2010 as a platform for emerging Gefeller (born 1970) presents Commissioned by UNESCO, Italian Ellen Gallagher and Two Palms Press. Frida photographers focusing on Widholm and Joanna Szupinska- Gómez, Jorquera, Carlos Luján, pain and desperation of those Andreas Herzau (born 1962) Kahlo, “Self-Portrait with Cropped Hair,” 1940. seductively radiant satellite images photographer Federico Busonero Myers, and an interview with the Juan Millás, Eduardo Nave, Tanit who suffer from violence every plunge into the cosmos of the Oil on canvas, 15¾ x 11". MoMA, NY. Gift of everyday subjects and themes. of urban areas by night. The (born 1955) undertook three Edgar Kaufmann, Jr. © 2010 Frida Kahlo/Art- This publication compiles images artist conducted by exhibition Plana, Eva Sala, Juan Santos, day, either directly or indirectly. Bamberg Symphony. They capture ists Rights Society (ARS), New York/SOMAAP, images combine technoid strips extensive journeys through the curator Kendra Paitz. Carlos Sanva, Marta Soul and Juan He has worked on photo essays what is played on as well as Mexico. PAGE 79: Esopus, Photograph © Es- made by its founders: Fosi Vegué, of light and light grids to become West Bank of Occupied Palestine tate of David Gahr. PAGE 84: Mary Heilmann, Valbuena in 2005. This publication in Honduras, Cuba, Jamaica, the behind the stage, highlighting both Antonio M. Xoubanova, Alejandro crystalline diagrams of human UNIVERSITY GALLERIES OF ILLINOIS between 2008 and 2009, creating “Primalon Ballroom,” 2002. 50 x 40". © Mary reflects the group’s experimental United States and elsewhere. individual musicians and groups. Heilmann. Photo: Oren Slor. PAGE 85: William Marote, Ricardo Cases, Julián existence. STATE UNIVERSITY pictures that illustrate culturally and multidisciplinary photography. Kentridge, “Second Hand Reading,” 2013. Cour- Barón, Mario Rey and Óscar 9780945558286 u.s. $25.00 cdn $32.50 LA FABRICA HATJE CANTZ tesy the artist, Marian Goodman Gallery (New HATJE CANTZ important, rarely seen places in the York, Paris, London), Goodman Gallery (Johan- Monzón. FLAT40 Hbk, 8 x 10 in. / 84 pgs / 9788416248452 u.s. $20.00 cdn $26.00 Mashriq, east of the Nile. LA FABRICA 9783775741125 u.s. $60.00 cdn $78.00 nesburg, Cape Town) and Lia Rumma Gallery 9783775741163 u.s. $70.00 cdn $90.00 135 color. October/Photography 9788416248469 u.s. $20.00 cdn $26.00 FLAT40 Pbk, 5 x 7 in. / 96 pgs / FLAT40 Clth, 9.75 x 12.5 in. / (Naples, Milan). PAGE 87: Kai Althoff, “Untitled,” LA FABRICA FLAT40 Hbk, 11.5 x 12.75 in. / 2004. Oil, sprayed lacquer, collage and fabric on HATJE CANTZ FLAT40 Pbk, 5 x 7 in. / 96 pgs / 80 color. July/Photography u s cdn 120 pgs / 50 color. September/ 152 pgs / 90 color. July/Photography 9 5 9788416248612 . . $20.00 $26.00 silk, 11 ⁄16 x 16 ⁄16". © 2016 Kai Althoff. Image u s cdn 9783775741217 . . $70.00 $90.00 80 color. July/Photography courtesy the artist and Galerie Neu, Berlin. PAGE FLAT40 Pbk, 5 x 7 in. / 96 pgs / Photography FLAT40 Hbk, 11.5 x 12.5 in. / 128: Charles Marville, “Pont Neuf,” 1870s. Albu- 80 color. September/Photography 1 1 176 pgs / 80 color. September/ men silver print, 14 ⁄8 x 8 ⁄4". MoMA, NY. Horace Photography W. Goldsmith Fund through Robert B. Menschel. PAGE 153: Alicia Paz, courtesy of the artist and Dunkan Gallery, Paris/Leipzig. 174 artbook.com­­ artbook.com 175 KARMA BACKLIST REEL ART PRESS BACKLIST

100 Movie Posters​ 50 Shades​ A Testimony of Serpent Art Kane​ Audrey Hepburn in Hats​ 9780957261082 9780957261068 Handling​ 9781909526129 9781909526006 Hbk, 9.5 x 11.5 in. / Hbk, 9 x 11 in. / 128 pgs / 9780956648747 Hbk, 9.5 x 12 in. / 320 pgs / Hbk, 9 x 11 in. / 128 pgs / 192 pgs / 100 color / 4 b&w. 50 b&w. Hbk, 9 x 11.25 in. / 104 pgs / 170 color / 60 b&w. 36 color / 30 b&w. Andro Wekua: Gems Survey​ Dan Colen: Slayer Psychic​ Dan Colen: The L... o... n... g Darren Bader: Photographs I u.s. $49.95 cdn $64.95 u.s. $29.95 cdn $37.50 60 b&w. u.s. $95.00 cdn $120.00 u.s. $29.95 cdn $37.50 9781938560477 9781938560989 Count​ Like, To Have and to Hold​ u.s. $75.00 cdn $95.00 Pbk, 6 x 8 in. / 400 pgs / 375 color. Pbk, 8.25 x 11.25 in. / 48 pgs / 9781938560927 9781938560804 u.s. $40.00 cdn $52.50 45 color. Pbk, 8.25 x 11.75 in. / 64 pgs / Pbk, 6.25 x 8.25 in. / 160 pgs / u.s. $25.00 cdn $32.50 34 color. 100 color. u.s. $20.00 cdn $26.00 u.s. $25.00 cdn $32.50

Dennis Stock: Gil Elvgren’s Private Stock​ Hollywood and the Ivy Look​ Hollywood Bound​ Hunter Barnes: Roadbook​ American Cool​ 9780957261051 9781909526204 9780957261075 9781909526273 9781909526020 Hbk, 9 x 9 in. / 192 pgs / Hbk, 9. x 11 in. / 288 pgs / Hbk, 9 x 11 in. / 128 pgs / Hbk, 9.5 x 11.5 in. / Hbk, 9.5 x 11.5 in. / 120 color / 50 b&w. 100 color / 160 b&w. 100 b&w. 192 pgs / 130 b&w. 288 pgs / 260 b&w. u.s. $49.95 cdn $64.95 u.s. $39.95 cdn $50.00 u.s. $29.95 cdn $37.50 u.s. $49.95 cdn $64.95 u.s. $75.00 cdn $95.00

Gardar Eide Einarsson: Julian Schnabel: La Nil​ Roe Ethridge and Zin Taylor: Sam Falls: Death Sequence​ The Mess​ 9781938560729 The Ceremony and the Spirit​ 9781938560507 9781938560170 Hbk, 8.25 x 11.5 in. / 96 pgs / 9781938560316 Pbk, 9 x 12 in. / 368 pgs / 300 color. Pbk, 8.25 x 12 in. / 264 pgs / 65 color. Pbk, 9 x 13 in. / 72 pgs / 36 color. u.s. $40.00 cdn $52.50 200 b&w. u.s. $30.00 cdn $40.00 u.s. $35.00 cdn $45.00 u.s. $25.00 cdn $32.50 Hurrell​ Mario Casilli​ Michael Caine: 1960s​ Photographers​ Separate Cinema​ 9780956648754 9781909526051 9780957261099 9780956648778 9781909526068 Hbk, 9.5 x 11.5 in. / Hbk, 8 x 12 in. / 192 pgs / Hbk, 9 x 11 in. / 128 pgs / Hbk, 9.5 x 11.5 in. / Hbk, 9.5 x 11.5 in. / 288 pgs / 150 b&w. 107 color. 20 color / 80 b&w. 288 pgs / 30 color / 230 b&w. 320 pgs / 270 color / u.s. $75.00 cdn $95.00 u.s. $49.95 cdn $64.95 u.s. $29.95 cdn $37.50 u.s. $75.00 cdn $95.00 30 b&w. u.s. $75.00 cdn $95.00

Sid Avery​ The Kennedys​ Unseen McQueen​ Vanity​ Woodstock​ Sebastian Black: Period Pieces​ Urs Fischer: Julian​ 9780957261006 9780956648761 9781909526044 9781909526167 9781909526112 9781938560132 9781938560910 Hbk, 9.5 x 11.5 in. / 288 pgs / Hbk, 9.5 x 11.5 in. / 288 pgs / Hbk, 9 x 11 in. / 128 pgs / Hbk, 9.5 x 11.5 in. / Hbk, 9.5 x 11.5 in. / Pbk, 6 x 9 in. / 74 pgs / 35 b&w. Pbk, 11 x 15.25 in. / 72 pgs / 65 color. 20 color / 230 b&w. 30 color / 140 b&w. 100 b&w. 192 pgs / 160 b&w. 192 pgs / 150 b&w. u.s. $18.00 cdn $23.95 u.s. $30.00 cdn $40.00 u.s. $75.00 cdn $95.00 u.s. $75.00 cdn $95.00 u.s. $29.95 cdn $37.50 u.s. $49.95 cdn $64.95 u.s. $49.95 cdn $64.95

176 artbook.com­­ artbook.com 177 ART BACKLIST HIGHLIGHTS DESIGN BACKLIST HIGHLIGHTS

Agnes Martin​ Class Distinctions​ Edgar Degas: A Strange New Beauty​ 5 Year Diary: Red Cover​ Alexander Girard: A Designer’s Universe​ Cape Cod Modern​ 9781938922763 9780878468300 9781633450059 9780977648184 9783945852057 9781935202165 Hbk, u.s. $55.00 cdn $65.00 Hbk, u.s. $65.00 cdn $75.00 Hbk, u.s. $50.00 cdn $65.00 Hbk, u.s. $24.95 cdn $27.50 Hbk, u.s. $85.00 cdn $105.00 Hbk, u.s. $45.00 cdn $55.00 D.A.P./Tate MFA Publications, Museum of Fine Arts, The Museum of Modern Art, New York The Ice Plant Vitra Design Museum Metropolis Books Boston

Georgia O’Keeffe: Watercolors​ Gerhard Richter: Panorama​ International Pop​ Design for People​ Hippie Modernism: The Struggle for Utopia​ MVRDV Buildings​ 9781942185048 9781938922923 9781935963080 9781938922855 9781935963097 9789462082427 Hbk, u.s. $60.00 cdn $78.00 Hbk, u.s. $65.00 cdn $85.00 Hbk, u.s. $85.00 cdn $100.00 Pbk, u.s. $40.00 cdn $50.00 Pbk, u.s. $55.00 cdn $65.00 Hbk, u.s. $100.00 cdn $130.00 Radius Books/Georgia O'Keeffe Museum D.A.P./Tate Walker Art Center Metropolis Books Walker Art Center NAi010 Publishers

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178 artbook.com­­ artbook.com 179 PHOTOGRAPHY BACKLIST HIGHLIGHTS POPULAR CULTURE BACKLIST HIGHLIGHTS

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James Mollison: Nick Brandt: Inherit the Dust​ Robert Frank: The Americans​ Slash: A History of the Legendary The Anatomical Venus​ The Floral Ghost​ Where Children Sleep​ 9780692520543 9783865215840 LA Punk Magazine​ 9781938922916 9780986281495 9781905712168 Hbk, u.s. $65.00 cdn $85.00 Hbk, u.s. $40.00 cdn $50.00 9780996744720 Hbk, u.s. $35.00 cdn $45.00 Hbk, u.s. $22.00 cdn $29.95 Hbk, u.s. $30.00 cdn $39.95 Edwynn Houk Editions Steidl Hbk, u.s. $60.00 cdn $78.00 D.A.P./Distributed Art Publishers, Inc. Planthouse, Inc. Chris Boot Hat & Beard Press

The Family of Man​ The Photographs of Abraham Lincoln​ Walker Evans: American Photographs​ The Lucky, Plucky Chairs​ The Sick Rose​ We Go to the Gallery​ 9781633450011 9783869309170 9780870708350 9783945852095 9781938922404 9780992834913 Hbk, u.s. $35.00 cdn $40.00 Hbk, u.s. $55.00 cdn $65.00 Hbk, u.s. $35.00 cdn $40.00 Hbk, u.s. $18.50 cdn $23.95 Hbk, u.s. $35.00 cdn $40.00 Hbk, u.s. $14.95 cdn $17.50 The Museum of Modern Art, New York Steidl The Museum of Modern Art, New York Vitra Design Museum D.A.P./Distributed Art Publishers, Inc. Dung Beetle Ltd

180 artbook.com­­ artbook.com 181 WRITINGS BACKLIST HIGHLIGHTS INDEX

100 Movie Posters 177 Besa, Emily 138 Common Affairs 169 FAQ 79 Hattan, Eric 163 100 Secrets of the Art World 76 Beuys, Joseph 99 Concept 148 Fer, Briony 84 Hechenblaikner, Lois 131 1960s, The 28, 80 Bhabha, Homi 85 Concrete Cuba 94 Filipovic, Elena 99, 111 Hecho en Cuba 151 1995–2015: EVN Collection 170 Bielinski, Vero 133 Conner, Bruce 96 Fischer, Urs 176 Heck, Kati 108 2001 File, The 28 Biesenbach, Klaus 111 Connors, Matt 154 Fischli & Weiss 96, 105 Heier, Marianne 164 50 Shades 177 Big Plans! 151 Constant 49 Flavin, Dan 106 Heilmann, Mary 84 Bijl, Guillaume 163 Cornell, Lauren 88, 108 Fleck, Robert 166, 167 Heiting, Manfred 9, 128, 171 Abbott, Berenice 39 Birnbaum, Daniel 42 Correggio and Parmigianino 44 Flexible City, The 144 Helmle, Christian 174 Abril, Laia 172 Black, David 134 Correggio, Antonio da 44 Flood, Mark 108 Hendricks, Jochem 161 Abstrakt – Spatial 168 Black, Sebastian 176 Cotter, Holland 88 Fontana, Lucio 102 Hennek, Mat 136 Adams, Marina 154 Blank Paper 175 Cowling, Elizabeth 46 Forsythe, William 113 Hennessy, Patrick 155 Adams, Robert 32, 123 Blazwick, Iwona 85 Cragg, Anthony 104 Foster, Hal 3 Hentoff, Nat 27 Addison, Ruth 157 Bloom, Barbara 96 Craig, Marco 133 Four Generations 94 Hernandez, Anthony 32 Adler, Tom 65 Blue Rider 43 Craig-Martin, Michael 155 Fourth BMW Art Guide 170 Herzau, Andreas 174 af Klint, Hilma 42 Bo, Su 172 Creative Infidelities 149 Fourth Plinth 168 Hilliard, John 172 African Futures 169 Bogren, Martin 127 Crumb, R. 17 Fowle, Kate 112, 129, 157 Hine, Lewis 24 Against Translation 160 Bois, Yve-Alain 3 Cuba 1959 28 Fox, Terry 163 Hine, Lewis 24 Ahtila, Eija-Liisa 162 Bolofo, Koto 172 Czech Houses 147 Fragile Beasts Coloring Book 13 Hipp, Benedikt 164 Aili, Jia 159 Boman, Eric 134 Franck, Goddio 125 Höch, Hannah 40 Air Guitar​ An Attempt at Exhausting a Place in Blueprint for Counter Education​ Al Qasimi, Hoor 116 Boness, Stefan 173 Dancing with Myself 139 Frank, Robert 30, 180 Hödicke, K.H. 155 9780963726452 Paris​ 9781941753095 Albers, Josef 22 Borchardt-Hume, Achim 3 Dansaekhwa 159 Freund, David 122 Hoffmann, Jens 92, 165 Pbk, u.s. $19.95 cdn $25.00 9780984115525 Hbk, u.s. $55.00 cdn $70.00 Albert, Elizabeth 132 Borghese, Alessandra 135 Darmstaedter, Nick 165 Fried, Michael 130 Hokusai 10 Art Issues Press Pbk, u.s. $12.95 cdn $15.00 Inventory Press Alemani, Cecilia 154 Bostwick Davis, Elliot 75 Das Institut 164 Fritsch, Katharina 165 Hollywood and the Ivy Look 177 Wakefield Press All the People 138 Bourgeois, Louise 146 Davenport, Nancy 142 Fulford, Jason 96, 130, 131 Hollywood Bound 177 Allora & Calzadilla 115 Boutonnet, François 119 Davis, Bettina 72 Funakoshi, Katsura 167 Holtrop, Anne 147 Althoff, Kai 87 Bradbury, Ray 66 de la Mora, Gabriel 167 Homebase 168 Alvarez Bravo, Lola 40 Brady, Scott 126 de Zuviria, Facundo 173 Gabel, J.C. 8, 134 Hominal, David 158 Andersen, Hans Christian 11, 96 Brandis, Birgit 158 Della Robbia 45 Gander, Ryan 154 Hopper, Dennis 63 Anderson & Low 60 Bräumer, Jan 159 Demand, Thomas 116 Gates, Theaster 95 Hoptman, Laura 87 Anfam, David 103 Breitwieser, Sabine 85 Denny, Simon 162 Gauguin, Paul 20 Horn, Roni 171 Angus, Patrick 109 Brodovitch, Alexey 36 Designing Modernism: Gaussi, Jeanno 162 Houdek, Vladimír 162 Anicet or the Panorama 70 Broodthaers, Marcel 81 New Directions at 80 8 Gefeller, Andreas 175 HPP Architects 147 Appel, Karel 99 Brooklyn Hipsters 133 destefashioncollection: Atlas 135 Gego 103 Hroch, Pavel 173 Aragon, Louis 70 Brown, Cecily 109 Dibbets, Jan 124 George Washington and The Human Rights Watch 138 Aravena, Alejandro 140 Brown, Susan 59 Dickerman, Leah 3 Passage of the Delaware 75 Hurn, David 28, 80 Arcenillas, Javier 174 Brutal Beauty 150 Dine, Jim 90 Gerz, Jochen 166 Hurrell, George 177 Archiprix 2016 149 Building upon Building 148 Dirty Ear Report #1, 2 161 Ghelderode, Michel de 69 Huyghe, Pierre 160 Architecture in the Bulatov, Erik 157 Disco 28 Gilbert & George 97 Netherlands 149 Buren, Daniel 155 Disco, Limited Edition 80 Ginzburg, Moisej 147 Ikegami, Hiroko 3 Arning, Bill 108 Burin, Katarina 160 Disegno 170 Gioni, Massimaliano 108, 110, 176 Imagine No. 09, 10 149 Arroyo, Eduardo 156 Burnstine, Susan 127 Diving to the Pharaohs 125 Girst, Thomas 76 Index Roma 169 Art Cologne 1967–2016 77 Busonero, Federico 174 do Espírito Santo, Iran 156 Glinn, Burt 28 Inner: Collected Writings Art in Unexpected Places II 169 Butler, Cornelia 74 Do It 116 Global Game 175 of Sean Scully 115 Arthritic Grasshopper 69 By the People 58 Donovan, Terence 53 Gobbi, Claudio 146 Invisible Adversaries 88 Artist Estate, The 77 Byrne, Gerard 161 Don’t Be Afraid to Participate 148 Godfrey, Mark 3 Israel, Alex 107 Edgewise: A Picture Joe Brainard: I Remember​ Marcel Duchamp: Audible Presence 102 Drawing Then 101 Golden, Greg 5 Izu, Kenro 127 of Cookie Mueller​ 9781887123488 The Afternoon Interviews​ Audrey Hepburn in Hats 177 Cabinet 78 d’Urso, Alessandra 135 Golden, Samara 111 9783942214209 Pbk, u.s. $14.95 cdn $17.50 9781936440399 Aurdal, Siri 97 Caldas, Waltercio 115 d’Urso, Alessandra 135 Goldin, Nan 121 James Bond’s Spectre 60 Avery, Sid 177 Calder, Alexander 101, 105 Dzama, Marcel 96 Goldsmith, Kenneth 130, 158, 160 Japanese Photobook, The 9 Pbk, u.s. $24.95 cdn $27.50 Granary Books Pbk, u.s. $16.00 cdn $20.00 Callahan, Harry 126 Goodwin, Clare 155 Jazz Festival 27 Bbooks Verlag Badlands Unlimited Back in the USSR 141 Calle, Sophie 73 Eccles, Tom 88 Grass, Albert 71 Jimenez, Ariel 115 Backström, Fia 97 Cambareri, Marietta 45 Eeles, Simon 135 Great Expectations 117 Joannou, Dakis 135 Bacon, Francis 47 Campany, David 172, 175 Eiben, Henrik 167 Greenaway, Peter 160 Johnson, Rashid 157 Bader, Darren 176 Campbell, Andrianna 3 Eide Einarsson, Gardar 176 Greenwold, Mark 159 Joseph, Branden 3 Badges, Peter 138 Carron, Valentin 116, 166 Eisenman, Nicole 110 Grooms, Red 93 Joya, Mario Garcia 37 Baechler, Donald 156 Casilli, Mario 177 Electronic Superhighway 114 Gröschl, Rainer 159 Joyner Giuffrida Collection 94 Bailey, David 126 Castellani, Enrico 102 Eleey, Peter 154 Grupo Proceso Pentágono 163 Judd, Donald 19, 102 Bajac, Quentin 23, 128, 139 Castets, Simon 105, 116 Elger, Dietmar 103 Guardans, Xavier 171 Judd, Flavin 19 Bakker, Aldo 150 Catalogues Raisonnés 47, 90, 91 Elgort, Arthur 54 Gudzowaty, Tomasz 171 Ballen, Roger 165 Cattelan, Maurizio 50, 51, 79, 110 Elmgreen & Dragset 165 Guest, Barbara 103 Kaabi-Linke, Nadia 166 Baltz, Lewis 32 Celant, Germano 99, 104, Elvgren, Gil 177 Guide to Common Urban Imagi- Kacunko, Sabine 163 Barlow, Phyllida 166 106, 135, 139 Epler, Barbara 8 naries in Contested Spaces 148 Kandinsky, Marc, Barnes, Hunter 177 Celebrate Life! 168 Epstein, Mitch 33 Guixé, Martí 160 and Der Blaue Reiter 43 Barsuglia, Alfredo 165 Chaffee, Cathleen 162, 164 Escobar, Darío 111 Gump, Owen 174 Kandinsky, Wassily 43 Basquiat, Jean-Michel 16 Change the Way You Move! 148 Esopus 79 Gunstheimer, Jana 160 Kane, Art 177 Baum, Erica 130 Cheng, Ian 113 Ethridge, Roe 176 Kashi, Ed 138 Baumgärtel, Tilo 111 Chernysheva, Olga 157 Europe in the Renaissance 44 Hacking Habitat 114 KAWS 15 Beautiful Disorder, A 169 Chessex, Luc 173 Europe: Co-operative Housing 148 Halverson, Krista 7 Kelley, Tom 28 Belanger, Marion 137 Christoffersen, Helga 110 Exhibition, Design, Participation Hanke, Jirí 173 Kennedys, The 177 Beloff, Zoe 70, 71 City Linkage 144 117 Hanson, Pamela 133 Kentridge, William 85, 93 Berardi, Franco ‘Bifo’ 115, 119 Clay, Langdon 64 Exit Art 88 Hanzlová, Jitka 136 Kessels, Erik 131 On Curating II​ Rolling the R's​ The Hearing Trumpet​ Berger, John 136 Clinton, Bill 27 Eye Attack 168 Harms, Bendix 108 Kimball, Justin 137 9781938922909 9781885030511 9781878972194 Berlin, Brigid 28, 80 Cobra 48 Harquitectes 147 King, Susan Te Kahurangi 92 Berman, Tosh 89 Cohen, Josh 172 Facing Value 119 Harris, Roger 171 Kippenberger, Martin 91 Pbk, u.s. $29.95 cdn $35.00 Pbk, u.s. $16.95 cdn $22.00 Pbk, u.s. $15.95 cdn $17.50 Berman, Wallace 89 Colen, Dan 176 Falls, Sam 176 Harrison, Martin 47 Klein, William 36 Kaya Press Exact Change D.A.P./Distributed Art Publishers, Inc. Bernstein, Bill 28, 80 Coloring Books 12, 13, 155 Fantasian 72 Hartford, Juliet 137 Klein, Yves 18, 102

182 artbook.com­­ artbook.com 183 INDEX

Knausgaard, Karl Ove 79 Mendez, Sam 60 Pham, Larissa 72 Search for Europe, The 145 Ursuta, Andra 110 Koestenbaum, Wayne 159 Meyer, Richard 3 Philipsz, Susan 165 Separate Cinema 177 Koolhaas, Rem 49 Michael Caine: 1960s 177 Phillipson, Heather 162 Serrano, Andres 139 Værslev, Fredrik 154 Koons, Jeff 107 Mickey, Darin 131 Photographers 177 Shahbazi, Shirana 174 Van Cleef & Arpels 55 Koppelkamm, Stefan 173 Milinis, Ignatij F. 147 Photography at MoMA 23 Shakespeare and Company 7 Van Gogh, Vincent 21 Koschkarow, Alexej 165 Miller, Gerold 166 Piacentino, Gianni 99 Shape of Things, The 128 Vanity 177 Kounellis, Jannis 163 Mixed Matters 145 Picasso, Pablo 46 Shields, Alan 93 Van Sant, Gus 61 Kozloff, Max 36 Mnemosyne 119 Pierre’s Issue 01 160 Shiraga, Kazuo 102 Vermeer, Johannes 44 Kruger, Barbara 51 Modelling for the Camera 146 Piffaretti, Bernard 158 Shirreff, Erin 164 Views of Japan 128 Kuhn, Mona 120 Modern Women 74 Pinault Collection 139 Sigler, Jeremy 157 Vischer, Theodora 105 Kunstmuseum Basel 147 Molesworth, Helen 3 Pissarro, Joachim 105 Silent Beaches, Untold Stories 132 Vision Shared, A 25 Kuo, Michelle 3 Money, Good and Evil 119 Platino 163 Simon, Peter Angelo 26 Visionaire 66 51 Kusama, Yayoi 11 Moon 1968–1972, The 65 Platzker, David 97 Simon, Taryn 129 Vital Architecture 144 Kyndrová, Dana 173 Moore, Andrew 81 Plossu, Bernard 127 Singh, Dayanita 130 Vivanco, Mariano 135 Moore, James 52 Polidori, Robert 129 Skerbisch, Hartmut 164 Vo, Danh 165 Lanchner, Carolyn 75 Morris, Sarah 154 Pollock, Griselda 101 Skiba, Zuzanna 158 Von Bruenchenhein, Eugene 41 Landscape of Contemporary Mortagne, Fred 62 Porter, Jenelle 107, 164 SkypeLab 168 von Osten, Marion 116 Infrastructure, The 143 Morton, Timothy 64 Posters: Speed 150 Smith, Alexis 156 von Zwehl, Bettina 172 Larner, Liz 107 Motherwell, Robert 103 Post-War Reconstruction in the Smith, Cynthia 58 Laughter and the Camera, The 124 MPA 113 Netherlands 145 Snøhetta 140 Waliszewska, Aleksandra 108 Leaf, June 86 Much Wider Than a Line 118 Pousette-Dart, Richard 157 Sotto Voce 102 Walkers: Hollywood Afterlives 114 LEAP Dialogues 143 Muhammad Ali: Fighter’s Heaven Prassinos, Gisele 69 Soulages, Pierre 102 Walther, Franz Erhard 99 Lebeck, Cordula 134 1974 26 Price, Elizabeth 161 South as a State of Mind 79 Ward, Gerald W.R. 75 Lebeck, Robert 134 Müller, Michael 162 Price, Ken 93 Speak its Name! 72 Wasteland 118 Lee, Pamela 3 Mullican, Matt 98 Prina, Stephen 162 Specialism 119 Waters, John 80 Le-Grand, Antoine 134 Murmuring 150 Private Art Museum Report 77 Spector, Nancy 50 WdW Review Volume I 170 Lepik, Andres 142 Murray, Caitlin 19 Problems and Provocations 169 Speech: 16 149 WDWXXV: In Light of 25 Years 170 Lewis, Sarah 81 Museo de Arte Ponce 44 Promesse du Bonheur 130 Spells 69 Weber, Bruce 51 Liebert, Emily 3 Myers, Joan 172 Propeller Group, The 114 Spooner, Cally 110 Weems, Carrie Mae 81 Life-Styled 145 Prouvé, Jean 56 Springstein, Bruce 28 Weerasethakul, Apichatpong 112 L’image volée 116 Name, Billy 28, 80 Pyle, Barbara 28 Stairway to Sun & Dance Weiss, David 96, 105 Limited Editions 17, 51, 63, 79, 80, Nengudi, Senga 103 of Comets, The 68 Wekua, Andro 176 81, 173 Nesin, Kate 3 Radio Days 150 Steilneset Memorial 146 Weller, Sam 66 Limits 148 Neumann, Hans 133 Rauschenberg, Robert 3 Steinberger, Randi-Malkin 137 Welling, James 130 Lincoln, Paul Etienne 71 Never Built New York 5 Rawsthorn, Alice 150, 155 Stella, Frank 90, 102 Wesselmann, Tom 100 Lippard, Lucy 137 Newman, Barnett 100 Reed, Lou 161 Stock, Dennis 177 West, Franz 104 Listen to the Echoes 66 Noguchi, Isamu 141 Resch, Magnus 76 Stokvis, Willemijn 49 Wheeler, Doug 106 Little Mermaid, The 11 NOPHOTO 174 Restoration of a Mural Painting 169 Stories of Finnish Art 170 Whitman, Sylvia 7 Littman, Brett 167 Nordeman, Landon 52 Revelations 172 Storr, Robert 87, 101 Wigley, Mark 49 Liversidge, Peter 162 Nuevo New York 133 Reverdy, Pierre 68 Strandberg, Sverre 174 Will Brown 96 Livingstone, Marco 90, 155 NYC Marathon 133 Revere, Paul 75 Studio Anne Holtrop 147 Winters, Terry 158 Local History: Castellani, Rhode, Robin 95 Sugimoto, Hiroshi 34 Winterson, Jeanette 7 Judd, Stella 102 O & O Baukunst 147 Richier, Germaine 102 Sully, Thomas 75 Wirtz Gardens, The 57 Loeber, Stefan 171 OASE 96 149 Richter, Curt 171 Sun Placed in Abyss, The 124 Wirtz Private Garden, The 57 Long Live the Glorious O’Brien, Glenn 28, 80, 100 Richter, Gerhard 103, 178 Svankmajer, Jan 164 Without Restraint 169 May 7th Directive 37 Obrist, Hans Ulrich Riedel, Michael 107 Sylvester, David 117 Wolfe, Bryon 126 Longo, Robert 157 42, 81, 102, 105, 112, 116, 155, Riedler, Reiner 172 Women in Trees 131 Lozano-Hemmer, Rafael 163 157, 162, 164, 170 Riley, Bridget 155 Take Me (I’m Yours) 81 Wood, Catherine 3 Lubell, Sam 5 Ohrt, Roberto 157 Rivera-Barraza, Gabriel 133 Taking Stock of Power 145 Wood, Jonas 154 Lubomirski, Alexi 54 Oldenburg, Claes 115 Robbins, Andrea 136 Tales of Our Time 118 Woodman, Betty 106 Lurie, Boris 89 Olsson, Mikael 175 Roberts, Jacqueline 171 Tarn, Nathaniel 172 Woods, Clare 155 Luser, Constantin 157 On the Set of James Bond’s Roberts, Linda Foard 136 Taussig, Michael 111 Woodstock 177 Spectre 60 Roberts, Sarah 3 Taylor, Zinn 176 Words as Doors in Machotka, Miroslav 173 One Valencia Lane 72 Rohrer, Warren 109 Tehran 147 Language, Art, Film 168 Maciunas, George 97 O’Neal, Hank 25, 39 Rojas, Clare 92 Telling Tales 139 Work Hard: Selections Macuga, Gosha 110, 11 Opalka, Roman 102 Rondinone, Ugo 166 Temkin, Susanna 94 by Valentin Carron 116 Magdy, Basim 164 Open House 2 149 Rosefeldt, Julian 161 Testimony of Serpent Handling, A World of Malls 142 Magor, Liz 106 Oppenheim, Meret 75 Rosen, Barry 160 177 World Redrawn, A 70 Mahn, Inge 167 Osgemeos 159 Rosenquist, James 158 Tezuka Architects 146 Writingplace 144 Making Heimat 118 Osmos 78 Rotter, Jess 67 The Shape of Things 128 Malani, Nalini 156 O’Toole, Erin 32 Ruscha, Ed 91, 100 The Turn 170 Yalcindag, Ekrem 159 Maljkovic, David 164 Ott, Bernd 138 Russian Alphabet Thief of Talant, The 68 Yamamoto, Masao 35 Marc, Franz 43 Ottmann, Klaus 99 Colouring Book 12 Thompson, Sarah E. 10 Yau, John 102, 103 Marshall, Jim 27 Russians: Icons and Desires 173 Tinari, Philip 159, 165 Yee, Lydia 84 Marta, Karen 105, 116 Pakesch, Peter 158, 167 Tinguely, Jean 98 Young, Brian 132 Marten, Helen 156 Panar, Ed 64 Salle, David 109 Toilet Paper 79 Zagaris, Michael 29 Martín, Ricardo 171 Pandora’s Box 124 Sandner, Stefan 167 Top This 59 Zhen, Xu 167 Martinez, Eddie 154 Paris Metro Photo 38 Schade, Titus 158 Toroni, Niele 105 Zuder, Samuel 126 Massee, Happy 60 Parkett 78 Scheerbart, Paul 68 Total Excess 29 Zumthor, Peter 146 Matter of Memory, A 125 Parks, Gordon 31 Schiff, Richard 101 Twombly, Cy 102 Zwirner, Lucas 96 Mayer, Mónica 161 Parmigianino 44 Schinwald, Markus 158 Tyson, Nicola 156 McBride, Rita 166 Parreno, Philippe 112 Schnabel, Julian 176 McEvilley, Thomas 104 Patton, Phil 59 Schneider, Carrie 175 Ufan, Lee 159 McMillian, Rodney 95 Paul, Frédéric 154 Schwarz, Alexandra 74 Ulay 113 McQuaid, Matilda 59 Paz, Alicia 156 Schwarz, Dieter 98 Understanding Color 150 Meese, Jonathan 157 Peterson, Mark 138 Scraps 59 Unlimited 170 Melsheimer, Isa 166 Peyton-Jones, Julia 42, 155, 162, Scully, Sean 115 Unseen McQueen 177 Méndez Blake, Jorge 167 164 Sculpture on the Move 168 Up Up 145

184 artbook.com­­