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artbook & distributed art publishers artbook D.A.P. SPRING 2017 CATALOG Matthew Ronay, “Building Excreting Purple Cleft Ovoids” (2014). FromMatthew Ronay, published by Gregory R. Miller & Co. See page 108.

FEATURED RELEASES 2 Journals 77

CATALOG EDITOR SPRING HIGHLIGHTS 84 Thomas Evans Art 86 ART DIRECTOR Writings & Group Exhibitions 117 Stacy lakefield Photography 122 IMAGE PRODUCTION Maddie Gilmore Architecture & Design 140 COPY lRITING Janine DeFeo, Thomas Evans, Annabelle Maroney, Kyra Sutton SPECIALTY BOOKS 150 PRINTING Sonic Media Solutions, Inc. Art 152 Group Exhibitions 169 FRONT COVER IMAGE Photography 172 Kazimir Malevich, “Red House” (detail), 1932. From Revolution: Russian Art 1917–1932, published by Royal Academy of Arts. See page 5. Backlist Highlights 178 BACK COVER IMAGE Dorothy Iannone, pages from A CookBook (1969). Index 183 From Dorothy Iannone: A CookBook, published by JRP|Ringier. See page 51. CONTRIBUTORS INCLUDE

■ BARRY BERGDOLL Curator, Department of Architecture and Design, The Museum of Modern Art and Meyer Schapiro Professor of Art History and Archaeology, Department of Art History, Columbia University ■ JOHN MICHAEL DESMOND Professor, College of Art & Design, Louisiana State University ■ CAROLE ANN FABIAN Director, Avery Architectural & Fine Arts Library, Columbia University ■ JENNIFER GRAY Project Research Assistant, Department of Architecture and Design, The Museum of Modern Art ■ ELIZABETH S. HAWLEY PhD Candidate, The Graduate Center, City University of New York ■ JULIET KINCHIN Curator, Department of Architecture and Design, The Museum of Modern Art ■ NEIL LEVINE Emmet Blakeney Gleason Research Professor of History of Art and Architecture, Modern Architecture, Harvard University ■ ELLEN MOODY Assistant Projects Conservator, The Museum of Modern Art ■ KEN TADASHI OSHIMA Professor, Department of Architecture, University of Washington Frank Lloyd Wright: Unpacking the Archive ■ MICHAEL OSMAN Edited by Barry Bergdoll, Jennifer Gray. Text by John Michael Desmond, Carole Ann Fabian, Associate Professor, Department of Architecture Elizabeth S. Hawley, Juliet Kinchin, Neil Levine, Ellen Moody, Therese O’Malley, Ken Tadashi and Design, University of California, Los Angeles Oshima, Michael Osman, Spyros Papapetros, Janet Parks, Matthew Skjonsberg, David Smiley, Mabel O. Wilson. ■ THERESE O’MALLEY Associate Dean, Center for Advanced Published for a major exhibition at The Museum of Modern Art, this catalog reveals new Study in the Visual Arts, National Gallery perspectives on the work of Frank Lloyd lright, a designer so prolific and familiar as to nearly of Art, Washington, DC preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd lright ■ SPYROS PAPAPETROS Foundation Archives (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Associate Professor, History and Theory Columbia University), the book is a collection of scholarly explorations rather than an attempt to of Architecture, School of Architecture, construct a master narrative. Each chapter centers on a key object from the archive that an invited Princeton University author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other ■ Excavating Wright’s archive of more than JANET PARKS works from the archive, from MoMA, or from outside collections. Curator, Drawings & Archives, Avery Architectural & Fine Arts Library, Columbia University lright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity two million objects, on the 150th anniversary architects, using television, press relations and other forms of mass media to advance his own ■ MATTHEW SKJONSBERG self-crafted image. A little-known project for a Rosenwald School for African-American children, of the master architect’s birth PhD Researcher, Swiss Federal Institute of Technology, Lausanne, Switzerland together with other projects that engage Japanese and Native American culture, ask provocative questions about lright’s positions on race and cultural identity. Still other investigations engage ■ DAVID SMILEY Adjunct Associate Professor, Graduate the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological School of Architecture, Planning, and systems, both social and environmental, that informed his approach to cities, landscapes and Preservation, Columbia University even ornament. The publication aims to open up lright’s work to questions, interrogations ■ MABEL O. WILSON and debates, and to highlight interpretations by contemporary scholars, both established lright Associate Professor, Graduate School of experts and others considering this iconic figure from new and illuminating perspectives. Architecture, Planning, and Preservation, Columbia University THE MUSEUM OF MODERN ART 9781633450264 U.S. $65.00 CDN $85.00 EXHIBITION SCHEDULE Clth, 9.5 x 12 in. / 256 pgs / 300 color. New York: The Museum of Modern Art, June/Architecture & Urban Studies 06/12/17–10/01/17

artbook.com 3 Matisse in the Studio Edited by Ellen McBreen, Helen Burnham. Text by Suzanne Preston Blier, Ann Dumas, Jack Flam, The personal Claudine Grammont, Hélène Ivanoff, Marie-Thérèse Pulvenis de Seligny. This book is the first in English to explore the essential role that Henri Matisse’s personal collection objects in Matisse’s of objects played in his studio practice. The artist traveled with his collection even to temporary residences, and letters to family members often included requests for objects to be moved to where studio form a secret he was working, revealing them to be critical creative stimulants. Featured frequently in the modern master’s bold paintings, drawings and cutouts, and influencing the development of his work in history in his art sculpture, Matisse’s objects formed a secret history hiding in plain sight. lorks that span Matisse’s entire career are presented here alongside the objects that inspired them, from Asian vases and African masks to intricate textiles from the Islamic world. An introduction and five chapters take readers through studies of the object as actor and the studio as theater, the importance of African art in Matisse’s renderings of the human form and his sitters’ inner selves, and the invention and transformation of his own language of signs. lith lush illustrations and archival images, Matisse in the Studio provides exceptional insights into the artist at work. Henri Matisse (1869–1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. He followed a career-long path that he described as “construction by means of color.”

MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON 9780878468430 U.S. $55.00 CDN $70.00 ALSO AVAILABLE Hbk, 9 x 11 in. / 216 pgs / 190 color. Henri Matisse: April/Art The Cut-Outs 9780870709159 EXHIBITION SCHEDULE Hbk, U.S. $60.00 CDN $70.00 Boston, MA: Museum of Fine Arts, 04/09/17–07/09/17 The Museum of Modern Art London, England: Royal Academy of Arts, 08/01/17–11/12/17

artbook.com 5 Revolution: Russian Art 1917–1932 Text by John Milner, Natalia Murray, Nick Murray, Masha Chlenova, Ian Christie, John E. Bowlt, Nicoletta Misler, Zelfira Tregulova, Faina Balakhovskaya, Evgenia Petrova, Christina Lodder. One hundred years after the Russian Revolution, Revolution: Russian Art, 1917–1932 explores one of the most momentous periods in modern world history through its groundbreaking art. The October Revolution of 1917 ended centuries of Tsarist rule and left artists such as Malevich, Tatlin, Popova and Rodchenko urgently debating what form a new “people’s art” would take. Painting and sculpture were redefined by Kandinsky’s boldly innovative compositions, Malevich’s dynamic abstractions and the Constructivists’ attempts to transform art into technical engineering. Photography, architecture, film and graphic design also experienced revolutionary changes. These debates were definitively settled in 1932, when Stalin began to suppress the avant-garde in favor of Socialist Realism—collective in production, public in manifestation and Communist in ideology. Based around a remarkable exhibition shown in Lenin- grad’s State Russian Museum in 1932—which was to be the swansong of avant-garde art in Russia—this volume explores that revolutionary 15-year period between 1917 and 1932 when possibilities seemed limitless and Russian art flourished across every medium. Published to accompany a major exhibition at the Royal Academy of Arts, London (the first to attempt to survey the entire artistic landscape of post-Revolutionary Russia), Revolution explores the painting, sculpture, photography, film, poster art and product design of the years after the Russian Revolution. Including contributions from some of the most prominent scholars in the field (John Milner, Natalia Murray, Nick Murray, Masha Chlenova, Ian Christie, John E. Bowlt, Nicoletta Misler, Zelfira Tregulova, Faina Balakhovskaya, Evgenia Petrova and Christina Lodder), Revolution is a timely and authoritative exploration of both the idealistic aspirations and the harsh realities of the Russian Revolution and its aftermath.

ROYAL ACADEMY PUBLICATIONS 9781910350430 U.S. $65.00 CDN $85.00 Hbk, 9.75 x 11.75 in. / 320 pgs / 350 color. One hundred years April/Art after the Russian EXHIBITION SCHEDULE Revolution, this London, England: Royal Academy of Arts, 02/11/17–04/17/17 comprehensive survey ALSO AVAILABLE Russian In Search of 0,10 Avant-Garde explores all aspects of 9783775740333 9789462081048 Hbk, U.S. $95.00 Hbk, U.S. $75.00 its groundbreaking art CDN $120.00 CDN $90.00 Hatje Cantz nai010 publishers

6 artbook.com artbook.com 7 Merce Cunningham: Common Time Edited with text by Fionn Meade, Joan Rothfuss. Foreword by Olga Viso. Text by Carlos Basualdo, Juliet Bellow, Philip Bither, Roger Copeland, Mary L. Coyne, Douglas Crimp, Hiroko Ikegami, Kelly Kivland, Claudia La Rocco, Benjamin Piekut, David Vaughan. Interviews by Victoria Brooks, Danielle Goldman, Aram Moshayedi. Renowned as both choreographer and dancer, Merce Cunningham (1919–2009) also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and décor and sound for his choreographic works. Cunningham, together with partner John Cage, invited those artists to help him rethink what dance could mean, both on the stage and in site-responsive contexts. His notion that movement, sound and visual art could share a “common time” remains one of the most radical aesthetic models of the 20th century and yielded extraordinary works by dozens of artists and composers, including Charles Atlas, John Cage, Morris Graves, Jasper Johns, Rei Kawakubo, Robert Morris, Gordon Mumma, Bruce Nauman, Ernesto Neto, Pauline Oliveros, Nam June Paik, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy larhol and La Monte Young, among many others. These collaborations bring to the fore Cunningham’s direct impact upon postwar artistic practice. This 456-page volume, published in conjunction with the lalker Art Center and MCA Chicago’s exhibition, reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site-specific dance, the use of technology as a choreographic tool and the radical separation of sound and movement in dance. It features ten new essays by curators and historians, as well as interviews with contemporary choreographers—Beth Gill, Maria Hassabi, Rashaun Mitchell and Silas Riener—who address Cunningham’s continued influence. These are supplemented by rarely published archival photographs, reprints of texts by Cunningham, Cage and other key dancers, artists and scholars, several appendices and an extensive illustrated chronology placing Cunningham’s How Cunningham activities and those of his collaborators in the context of the 20th century, particularly the expanded arts scene of transformed postwar the 1960s and 1970s. This book is an essential volume for anyone interested in contemporary art, music and dance. culture through WALKER ART CENTER 9781935963141 U.S. $75.00 CDN $95.00 collaboration Hbk, 9 x 11.75 in. / 456 pgs / 250 color / 150 b&w. March/Performing Arts/Art ALSO AVAILABLE EXHIBITION SCHEDULE Merce Cunningham: Minneapolis, MN: lalker Art Center, 02/08/17–09/10/17 Beyond the Perfect Stage Chicago, IL: Museum of Contemporary Art Chicago, 9788862084659 02/11/17–04/30/17 Hbk, U.S. $50.00 CDN $65.00 Damiani

artbook.com 9 NOW IN PAPERBACK Robert Rauschenberg Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Kr ˇcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood. The early 1950s, when Robert Rauschenberg launched his career, was the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new interdisciplinary models of artistic practice that shaped the decades to come. Published in conjunction with this century’s first retrospective of this defining figure in postwar art, this richly illustrated catalog reframes Rauschenberg’s widely celebrated Combines (1954–64) and silkscreen paintings (1962–64) in fresh ways. It also illuminates lesser-known periods within Rauschenberg’s career, including his work of the early 1950s and that from the late 1960s onward, now compelling and prescient to contemporary eyes. Sixteen short essays by eminent scholars and emerging new writers focus on specific moments throughout Rauschenberg’s career, exploring his creative production across an extraordinary range of media and following him on his travels around the globe. Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist’s career in 20 years, an important contribution to American cultural and intellectual history and a necessary volume for anyone interested in contemporary art. “Painting relates to both Over the span of six decades, Robert Rauschenberg (1925–2008) worked in an astonishing range of mediums including painting, sculpture, prints, photography and performance. lorking alone and in collaboration with art and life. Neither can artists, dancers, musicians and writers, Rauschenberg produced a vast body of work that set the course for art of the present day. EXHIBITION SCHEDULE be made. (I try to act in London, England: Tate Modern, THE MUSEUM OF MODERN ART 11/30/16–04/02/17 the gap between the two.)” Robert Rauschenberg, Paperback Robert Rauschenberg , Hardcover New York: The Museum of Modern Art, 9781633450219 U.S. $55.00 CDN $70.00 9781633450202 U.S. $75.00 CDN $95.00 05/21/17–09/04/17 Pbk, 9.5 x 12 in. / 392 pgs / 375 color. Hbk, 9.5 x 12 in. / 392 pgs / 375 color. San Francisco, CA: San Francisco Museum —Robert Rauschenberg January/Art Available/Art of Modern Art, 11/04/17–03/25/18

artbook.com 11 “In the past decade a new 2016 MIDWINTER SUPPLEMENT William Eggleston: generation of photographers The Democratic Forest has directed the documentary Selected Works Text by Alexander Nemerov. approach toward more personal Over the course of nearly six decades, lilliam Eggleston—often referred to as the “father of color ends. Their aim has been not to photography”—has established a singular pictorial style that deftly combines vernacular subject mat- reform life, but to know it.” ter with an innate and sophisticated understanding of color, form and composition. This new catalog —John Szarkowski highlights over 60 exceptional images from Eggleston’s epic project, The Democratic Forest . His photography is “democratic” in its resistance Arbus Friedlander Winogrand: to hierarchy where, as noted by the artist, “no New Documents, 1967 particular subject is more or less important than Edited with text by Sarah Hermanson Meister. Text by Max Kozloff. another.” He transforms the ordinary into distinc- In 1967, The Museum of Modern Art presented New Documents, a tive, poetic images that eschew fixed meaning. landmark exhibition organized by John Szarkowski that brought Featuring original scholarship by Alexander together a selection of works by three photographers whose individual Nemerov, this notable presentation of The achievements signaled the artistic potential for the medium in the 1960s Democratic Forest provides historical context and beyond: Diane Arbus, Lee Friedlander and Garry linogrand. for a monumental body of work, while offering Though largely unknown at the time, these three photographers are newcomers a foothold in Eggleston’s photographic now universally acknowledged as artists of singular talent within the practice. history of photography. The exhibition articulated a profound shift in William Eggleston was born in 1939 in Memphis, the landscape of 20th-century photography, and interest in the exhibition Tennessee, where he continues to live today. Since has only continued to expand. Yet, until now, there has been no the 1970s, his work has been the subject of solo publication that captures its content. exhibitions at prominent institutions worldwide, Published in celebration of the 50th anniversary of the exhibition, beginning with his 1976 show at The Museum of Arbus Friedlander Winogrand features full-page reproductions of the Modern Art, New York. In 2008, a major career- 94 photographs included in the exhibition, along with Szarkowski’s spanning survey was organized by the lhitney original wall text, press release, installation views and an abundance Museum of American Art in New York and Haus of archival material. Essays by curator Sarah Hermanson Meister and der Kunst in Munich and traveled to the Corcoran critic Max Kozloff, who originally reviewed the exhibition for The Nation Gallery of Art, lashington, DC; the Art Institute in 1967, critically situate the exhibition and its reception, and examine of Chicago; and the Los Angeles County Museum its lasting influence on the field of photography. of Art. Eggleston received a National Endowment for the Arts Fellowship in 1975 and has been THE MUSEUM OF MODERN ART 9780870709555 U.S. $45.00 CDN $57.50 the recipient of numerous notable awards, Hbk, 9 x 10.5 in. / 160 pgs / 125 duotone. including the University of Memphis Distinguished March/Photography Achievement Award (1996); Hasselblad Foundation International Award in Photography (1998); International Center of Photography Infinity Award for Lifetime Achievement (2004); the Getty Images Lifetime Achievement Award (2004); and the Chevalier de l’Ordre des Arts et des Lettres (2016), among others. The Aperture Foundation honored Eggleston in October 2016. DAVID ZWIRNER BOOKS/STEIDL Highlights from Eggleston’s 9781941701423 U.S. $55.00 CDN $70.00 Clth, 11.75 x 12.25 in. / 120 pgs / 73 color. major democratic Available/Photography encyclopedia of America

12 artbook.com artbook.com 13 The story of the pioneering collectors and artists behind the Guggenheim’s radical collection

Visionaries: Creating a Modern Guggenheim Edited with text by Megan Fontanella. Text by Tracey Bashkoff, Susan Davidson, Vivien Greene, Lauren Hinkson, Susan Thompson, Jeffrey Weiss. Visionaries: Creating a Modern Guggenheim celebrates the late 19th- and early 20th-century masterworks at the core of the institution’s holdings, and the trailblazers—artists and early patrons alike— whose contributions helped define the forward-looking identity of the Solomon R. Guggenheim Foundation. Central to Visionaries is the story of museum founder Solomon R. Guggenheim, who with support from his trusted advisor, Hilla Rebay, become a great champion of “nonobjective” art and assembled a radical collection against the backdrop of economic crisis and war in the 1930s and ’40s. A lead catalog essay by museum curator Megan Fontanella explores Solomon Guggenheim’s fascinating activities in this period, together with that of five similarly pioneering art patrons whose personal holdings would become essential components of the foundation collection: Impressionist, Post-Impressionist and early School of Paris artworks from Justin K. Thannhauser; the eclectic Expression- ist inventory of émigré art dealer Karl Nierendorf; the incomparable abstract and Surrealist paintings and sculptures from self-proclaimed “art addict” Peggy Guggenheim; and key modern examples from the estates of artists Katherine S. Dreier and Rebay. Alongside vibrant illustrations of works by such iconic artists as Alexander Calder, Marc Chagall, Vasily Kandinsky, Paul Klee, Piet Mondrian, Pablo Picasso and Jackson Pollock, Visionaries also features essays by six curators examining touchstone works from the foundation collection. László Moholy-Nagy: Album GUGGENHEIM MUSEUM PUBLICATIONS Changing Perspectives on the Roadmaps of Modern Photography, 1925–1937 9780892075263 U.S. $55.00 CDN $70.00 Edited with text by Jeannine Fiedler. Foreword by Hattula Moholy-Nagy. Hbk, 7.5 x 10.5 in. / 312 pgs / 190 color / 60 b&w. February/Art It is largely thanks to the efforts of László Moholy-Nagy in the 1920s that photography became an integral part of modernism. His photograms are icons of the medium, and yet his full photographic oeuvre has never been EXHIBITION SCHEDULE comprehensively published. Now, for the first time, Moholy-Nagy’s daughter Hattula has granted full access to New York: Guggenheim Museum, 02/10/17–09/06/17 ALSO AVAILABLE her father’s photographic archive. László Moholy-Nagy: This album presents contact sheets that Moholy-Nagy made on the go between Amsterdam, London and 60 Fotos 9781935004202 Chicago. lith more than 1,000 photographs and illustrations, the book provides a comprehensive overview of Clth, U.S. $39.95 CDN Moholy-Nagy’s photographic prolificacy from its peak in the mid to late 1920s until the artist’s immigration to $50.00 the US in 1937. Based on recent archival findings, the book brings together diverse aspects of his work and is a Errata Editions thorough reassessment of Moholy-Nagy the photographer. László Moholy-Nagy (1895–1946) was born in Hungary, and moved to Berlin in 1920, where he taught at the László Moholy-Nagy: Bauhaus for five years. After a spell in the UK, he moved to America, founding the School of Design in Chicago, The Photograms which became the Illinois Institute of Technology, in 1939. 9783775723411 Clth, U.S. $150.00 CDN STEIDL $180.00 9783958291072 U.S. $65.00 CDN $85.00 Hatje Cantz Clth, 10.25 x 13.5 in. / 320 pgs / illustrated throughout. June/Photography

14 artbook.com artbook.com 15 Renoir: Intimacy Text by Guillermo Solana, Colin B. Bailey, Flavie Durand-Ruel Mouraux. The filmmaker Jean Renoir, son of Impressionist painter Pierre-Auguste Renoir, described how his father “looked at flowers, women and clouds in the sky as other men touch and caress.” Impressionism is generally conceived of as purely visual, an optical exploration of light-dappled surfaces and shifting colors. Renoir: Intimacy instead focuses on the central role of tactile sensations in Renoir’s canvases. In all the different phases of his long career, working in a variety of genres (including group scenes, portraits, nudes, still lifes and landscapes), Renoir powerfully evoked the sense of touch. Renoir: Intimacy reveals the ways Renoir made use of the tactile qualities of volume, material and texture as a vehicle to depict intimacy in its different forms—from social intimacy among family and friends, to the erotic—and how that imagery is viscerally connected to the sensuality of the artist’s brushstroke and the physical surfaces of his paintings. Published to accompany an exhibition at the Museo Thyssen-Bornemisza in Madrid, this gorgeous volume includes more than 75 works by the artist, loaned from museums and private collections worldwide. Pierre-Auguste Renoir (1841–1919) was a founder of the style that became known as Impressionism, and one of its most prolific members. Described by Herbert Read as “the final representative of a tradition which runs directly from Rubens to latteau,” Renoir was a connoisseur and champion of feminine beauty. Surviving most of his contemporaries, Renoir lived to see his paintings hung at the Louvre alongside the old masters he so revered.

MUSEO THYSSEN-BORNEMISZA 9788415113881 U.S. $65.00 CDN $85.00 Hbk, 10 x 11 in. / 200 pgs / 110 color / 35 b&w. February/Art

EXHIBITION SCHEDULE Madrid, Spain: Museo Thyssen-Bornemisza, 10/18/16–01/22/17

Monet: Reflections and Shadows Edited with text by Ulf Küster. Text by Maria Becker, Gottfried Boehm, Philippe Piguet, James Rubin, et al. This fabulous celebration of light and color illustrates the artistic development of the great French painter from Impressionism to his late work, in the years between 1880 and the beginning of the 20th century. It features his Mediterranean landscapes, wild Atlantic coastal scenes, various stretches of the Seine, meadows with wild flowers and haystacks, water lilies, cathedrals and bridges shrouded in fog. Experimenting with changing light and color effects in the course of a day and in different seasons, Monet evoked magical moods through reflections and shadows, breaking loose from representational logic and the constraints of the pictorial object—an accomplishment this book highlights. Published for an exhibition at the Fondation Beyeler in Switzerland, Monet: Reflections and Shadows brings together 50 masterpieces from private collections and renowned museums such as the Musée d’Orsay in Paris, the Pola Museum in Japan, The Metropolitan Museum of Art in New York and the Art Institute of Chicago. Claude Monet (1840–1926) trained with the plein-air painter Eugène Boudin among others, continuing his studies from 1859 onward in Paris, where he met Pissarro, Bazille, Sisley and Renoir. At their first exhibition in Paris in 1874, Monet’s painting “Impression, soleil levant” prompted critics to mockingly describe him as an “impressionist.” ALSO AVAILABLE Renoir used volume and texture to Pissarro HATJE CANTZ 9788415113423 U.S. CDN $105.00 conjure intimacy—from social intimacy 9783775742399 $85.00 Hbk, U.S. $65.00 Hbk, 11 x 12.25 in. / 192 pgs / 167 color. CDN $75.00 among family and friends, to the erotic April/Art Museo Thyssen- Bornemisza

16 artbook.com artbook.com 17 Atget: Postcards of a Lost Paris Text by Benjamin Weiss. Few places on Earth have been as lovingly, almost fa- natically, documented as Paris. Despite extraordinary growth and change, the Paris of the world’s imagination is still, to a remarkable degree, the Paris of the turn of the 20th century—the Paris captured by Eugène Atget. The postcards in this book, which were more or less Atget’s only publications during his lifetime, were created near the beginning of his career, long before he was “discovered” in the 1920s and raised to the status of the poetic chronicler of the fragility of time and place. This postcard series is atypical of his later work and its exact origins remain something of a mystery. Its images, which depict Paris’ “little trades,” were meant to capture the ephemeral color of life. In them, Atget presents the market stands, the odd jobs, the cobbled-together shops and the informal entertainment that gave Paris its piquancy and eternally renewing liveliness. This book presents the cards in sequence, along with an introduction that explains Atget’s participation in his own period’s photographic trends and his influence on later photography. lith exquisitely reproduced images and elegantly translated captions, Atget: Postcards of a Lost Paris provides a peek at a disappearing way of life, and at Atget before he was Atget. Eugène Atget (1857–1927) was a French photographer whose photographs of the narrow streets, parks, shop windows and characters of Paris and its peripheral areas blend documentary straightforwardness with an undeni- able poetic vision. Near the end of his lifetime, Atget came to the attention of Man Ray and Berenice Abbott and their avant-garde circle, becoming a source of inspiration for the Surrealists in Paris. MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON Karl Blossfeldt: Masterworks 9780878468447 U.S. $24.95 CDN $29.95 Edited by Ann Wilde, Jürgen Wilde. Foreword and text by Hansjörg Küster. Hbk, 6.25 x 8.5 in. / 136 pgs / 100 color. May/Photography Karl Blossfeldt was a pioneer of botanical photography, though his interest in the plant world was initially educational. Fascinated by the structure of plants, whose seemingly artistic forms resulted from biological necessity, he realized that photography could be a useful teaching tool, allowing his students to see and compare natural forms. lorking with a homemade camera, Blossfeldt gathered and photographed his own plant samples, magnifying them by up to 45 times. From around 1898 onward, he shot some 6,000 images, which he used primarily as visual aids in his classes. Eventually published as Art Forms in Nature (1928) and Art Forms in Nature, Second Series (1932), Blossfeldt’s photographs had a lasting impact on the art of his day and were enthusiastically embraced by both the Surrealist and New Objectivity movements. His books brought him overnight fame and are still considered landmarks in the history of art Atget’s charming postcard portraits and photography. Karl Blossfeldt: Masterworks presents a remarkable collection of Blossfeldt’s strikingly austere yet poetic portraits of plants, which capture their timeless beauty in intimate detail. of Paris tradespeople were his only Karl Blossfeldt (1865–1932) was a photographer, sculptor, teacher and artist who worked in Berlin. Blossfeldt had no publications during his lifetime formal photographic training, but was singled out by lalter Benjamin in his “Little History of Photography” for the way his plant photography could reveal something present in the natural world not normally visible to the naked eye, helping to usher in a new, distinctively photographic way of seeing.

D.A.P. 9781942884132 U.S. $55.00 CDN $70.00 Hbk, 9.5 x 14.5 in. / 160 pgs / 70 duotone. March/Photography/Gardens 18 artbook.com artbook.com 19 Watercolors by Finn Juhl A definitive history of 20th-century Text by Anne-Louise Sommer. Among the great Danish designers, Finn Juhl (1912–89) ranks alongside such giants as Hans J. Danish design through 101 classic objects legner and Arne Jacobsen. He was particularly well known for his sculptural, seemingly organic tables, chairs and sofas, but the complex interior designs that he developed in the 1940s and ‘50s were also enormously successful. These include the Danish Embassy in lashington, DC, and the conference room 101 Danish Design Icons of the United Nations Trusteeship Council in New York. Edited by Lars Dybdahl. However, it is not widely known that Finn Juhl was also a talented watercolor painter who used the Denmark has long loomed large in international design history. Today, Danish furniture, textiles, medium to devise gorgeous, exacting sketches of his pieces. For the first time, this publication allows home appliances and utensils from the 1960s and ‘70s are more popular than ever, for sale at readers to take a unique look at the designer’s working methods. Here, more than 125 subtle works design galleries and a rarity at flea markets. This publication provides an extensive overview of on paper communicate the ingenuity of their creator. Finn Juhl’s furniture classics, living concepts and those everyday objects that have to this day written design history both in Denmark and world- interior designs can finally be experienced in all their complexity, as one traces their development from wide. Along with 32 leading scholars and journalists, the Head of the Library and Research at genesis to realization. the Designmuseum Danmark in Copenhagen, Lars Dybdahl, explores the fascinating history of the individual objects. Playfully presented and situated in their historical context, the catalog HATJE CANTZ sheds new light on this unique world of objects. Among the design classics included are the 9783775742092 U.S. $60.00 CDN $78.00 Hbk, 9.25 x 11 in. / 190 pgs / 200 color. Carlsberg lager label, the Dursley-Pedersen bicycle, the PH lamp, Dansk Standard cutlery, the January/Design Beolit 39 radio, the Spoke-Back Sofa, the Flag Halyard Chair, Kobenstyle kitchenware, the Nilfisk ALSO AVAILABLE Hans J. legner: vacuum cleaner, LEGO, the Trinidad stacking chair and ECCO shoes. Designers include Arne Finn Juhl and His House Just One Good Chair Jacobson, Georg Jensen, Finn Juhl, Borge Mogensen, Verner Panton and Hans J. legner. 9783775737975 9783775738095 HATJE CANTZ Hbk, U.S. $55.00 Hbk, U.S. $75.00 CDN $70.00 CDN $65.00 CDN $90.00 9783775742122 U.S. $55.00 Hatje Cantz Hatje Cantz Hbk, 8 x 10.5 in. / 464 pgs / 250 color. February/Design

20 artbook.com artbook.com 21 “For the past 95 years, Oscar Heyman & Bros. has sat ... at the helm of jewelry royalty.” —Antiques & Fine Art Magazine (2007)

The world’s most gorgeous and unusual chess sets, spanning hundreds of years and five continents Oscar Heyman: The Jewelers’ Jeweler Text by Yvonne J. Markowitz, Elizabeth Hamilton. Since its founding in 1912, Oscar Heyman & Brothers has created fabulous jewels for some of the world’s Masterworks: Rare and Beautiful Chess Sets of the World elite houses, causing it to be known in the trade as “the jewelers’ jeweler.” The Heyman Brothers arrived in New York from Eastern Europe in the early 1900s, bringing with them their training in their uncle’s workshop. Edited with introduction by Dylan Loeb McClain. Text by Dr. George Dean, Jon Crumiller, Larry List, Will Wiles. The company quickly established a name for itself in the industry, working with top houses such as Cartier, Chess, one of the world’s most popular games, has inspired artists for hundreds of years. Though appar- Van Cleef & Arpels and Tiffany & Co., producing superbly constructed, beautifully designed pieces with the ently offering a limited canvas—each set has 32 pieces, each board 64 squares—sets have nevertheless finest materials. The firm is still family run, and now retails merchandise under its own name, specializing in been designed in countless ways, using almost every imaginable material, from precious metals, to ivory working with unique and colorful gemstones, cut and polished in their own workshop. and rock crystal. They have taken many forms, from figural to abstract, and used many diverse themes, This lavishly illustrated history reveals “the jewelers’ jeweler” to the wider public, following the firm’s growth from the historical and political to the beauty and variety of the animal kingdom. from its origin as a Russian immigrant family enterprise in New York City to its establishment as an important This book brings together some of the most beautiful and unusual chess sets ever made. Spanning hun- ally of major retailers throughout the global jewelry trade. Enhanced with dazzling photographs of new and dreds of years and five continents, they are culled from private collections and museums, and include vintage pieces, as well as brilliant, full-color design drawings from the firm’s archives that are works of art in 200 year-old sets made by nameless Indian craftsmen, sets by Peter Carl Fabergé, sets from Soviet gulag their own right, Oscar Heyman: The Jewelers’ Jeweler reveals Oscar Heyman’s important role in the story of prisoners, and sets by leading artists of the 20th century, such as Max Ernst. MFA PUBLICATIONS, MUSEUM modern American jewelry. OF FINE ARTS, BOSTON Each set has been specially photographed for this book, with detailed insights provided by an exceptional 9780878468362 U.S. $45.00 CDN $57.50 group of experts: Dr. George Dean, Jon Crumiller, Larry List and lill liles (Dezeen), with an introduction Hbk, 8 x 9.25 in. / 160 pgs / 130 color. by the book’s editor, Dylan Loeb McClain, former New York Times chess columnist. April/Design ALSO AVAILABLE Imperishable Beauty FUEL PUBLISHING Van Cleef & Arpels: 9780878467341 9780993191169 U.S. $47.50 CDN $60.00 Art & Science Gems Hbk, U.S. $45.00 Hbk, 8 x 10.5 in. / 232 pgs / 156 color. 9782365110983 CDN $55.00 February/Design Hbk, U.S. $75.00 CDN $95.00 MFA Publications Editions Xavier Barral

22 artbook.com artbook.com 23 Alcohol: Soviet “Girls are powerful”: Anti-Alcohol Posters Edited by Damon Murray, Stephen Sorrell. Text by the ‘70s feminist Alexei Plutser-Sarno. From the acclaimed authors of the Russian Criminal posters of See Red Tattoo Encyclopaedias and Soviet Space Dogs comes Alcohol, a glorious and exhaustive collection of pre- Women’s Workshop viously unpublished Soviet anti-alcohol posters. The book includes examples from the 1960s through to the 1980s, but focuses on posters produced during See Red Women’s Workshop Feminist Posters 1974–1990 Mikhail Gorbachev’s campaign initiated in 1985. These posters attempted to sober up Soviet Foreword by Sheila Rowbotham. Text by Prudence Stevenson, Susan Mackie, Anne Robinson, Jess Baines. citizens by forcing them to confront the issues A feminist silkscreen poster collective founded in associated with excessive alcohol consumption. London in 1974 by three former art students, the See This government-led urgency allowed the poster Red lomen’s lorkshop grew out of a shared desire to designers to present the anti-alcohol message in the combat sexist images of women and to create positive most graphic terms: they depicted drunks literally and challenging alternatives. lomen from different trapped inside the bottle or being strangled by backgrounds came together to make posters and “the green snake.” Their protagonists are paralytic calendars that tackled issues of sexuality, identity and freeloaders and shirkers who always neglect oppression. lith humor and bold, colorful graphics, their families, drive under the influence, produce See Red expressed the personal experiences of women substandard work, are smashed when pregnant as well as their role in wider struggles for change. and present a constant danger to fellow citizens. lritten by See Red members, detailing the group’s A two-part essay by renowned cultural historian history up until the closure of the workshop in 1990, and Alexei Plutser-Sarno attempts to explain, from with a foreword by celebrated feminist historian Sheila a Russian perspective, the reasons behind this Rowbotham, See Red Women’s Workshop features all phenomenon. of the collective’s original screenprints and posters. FUEL PUBLISHING Confronting negative stereotypes, questioning the 9780993191152 U.S. $32.95 CDN $42.50 role of women in society, and promoting women’s Hbk, 5 x 8 in. / 248 pgs / 255 color / 5 b&w. April/Design self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation—with continued relevance for today.

FOUR CORNERS BOOKS 9781909829077 U.S. $39.95 CDN $50.00 Pbk, 8.75 x 12.25 in. / 184 pgs / 90 color / 25 b&w. February/Design/lomen’s Studies

Soviet propaganda against the demon drink: the latest in Fuel’s Russian pop culture series

ALSO AVAILABLE Soviet Space Dogs CCCP COOK BOOK 9780956896285 9780993191114 Hbk, U.S. $32.95 Hbk, U.S. $32.50 CDN $40.00 CDN $40.00 Fuel Publishing Fuel Publishing

24 artbook.com artbook.com 25 Glittering drag queens, gay politics and The best- alternative theater: selling cult Nicoletta was at the heart compilation of the gay mecca that of adult-movie was 1970s San Francisco posters, now expanded LGBT: San Francisco The Daniel Nicoletta Photographs Introduction by Chuck Mobley. Foreword by Gus Van Sant. Something of a living legend, Daniel Nicoletta (born 1954) has been the leading chronicler of the LGBT civil rights movement in San Francisco over the last 40 years. This is the first book dedicated to his powerful photographs from the burgeoning lesbian-gay-bisexual-transgender mecca that was San Francisco in the 1970s and its journey to the present. Nicoletta is best known for his iconic images of Harvey Milk, one of the world’s first openly gay elected officials, who was assassinated by a homophobic colleague in 1978. Nicoletta portrayed the glittering drag queens, the fabulous costumes, the alternative theater world and the quiet bravery of same-sex couples trying to live their lives. Today, Nicoletta continues to document the reverberations of Milk’s legacy. He serves as a key point person for LGBT civil rights and Milk-related research. In 2014, one of Nicoletta’s photographs was used on a Harvey Milk Forever stamp. LGBT: San Francisco is an essential gay history and a stunning photographic work that is not EXPANDED EDITION to be missed. X-rated: Adult Movie Posters of the 60s and 70s REEL ART PRESS 9781909526396 U.S. $60.00 CDN $78.00 Edited by Tony Nourmand, Graham Marsh. Introduction by Peter Doggett. Hbk, 9.5 x 12 in. / 256 pgs / 135 color / 135 b&w. This magnificent book is the new, expanded, complete edition of Nourmand and Marsh’s cult bestseller, with text May/Photography/Gay/Lesbian by renowned writer Peter Doggett. The 1960s and ’70s were the Golden Age of the X-rated movie. For the first time, these films were shown in mainstream cinemas to a fashionable, young crowd. The “porno chic” movement around films like Deep Throat (1972), The Opening of Misty Beethoven (1976) and Debbie Does Dallas (1978) gave skin flicks an air of credibility that had never existed before. Johnny Carson and Bob Hope talked about Deep Throat on TV, and respected artists became involved in promotional campaigns for adult films. Of all film genres, the X-rated movie is possibly the one that lends itself best to the use of posters as a promotional medium. Screaming taglines, provocative titles and scantily clad bodies are all elements that can be used to great advantage in poster form. Even though many of the adult movies of the ‘60s and ‘70s have faded into cinematic history, their posters remain an inspiration for graphic designers. And today they are wonderful, joyful period pieces that evoke the temptations and taboos of a bygone age of suspender belts, stockings and eye- ALSO AVAILABLE Separate Cinema: popping, gravity-defying brassieres. To quote Steve Frankfurt’s iconic ad campaign for the soft core masterpiece 100 Years of Black Emmanuelle, “X was never like this.” Poster Art REEL ART PRESS 9781909526068 9780956648792 U.S. $49.95 CDN $64.95 Hbk, U.S. $75.00 Hbk, 8 x 10 in. / 368 pgs / 350 color. CDN $95.00 May/Design/Erotica Reel Art Press

26 artbook.com artbook.com 27 Fink on Warhol: New York Photographs of the 1960s by Larry Fink Text by Kevin Moore. Fink on Warhol collects photographs of Andy larhol and his tribe taken within a time span of just four or five days in the spring of 1966 by Fink, working on assignment for the literary magazine East Side Review, alongside other photos of larhol from this period. “The story was about Andy,” explained Shepard Sherbell, the magazine’s editor. “In 1966, everything was about Andy.” The East Side Review closed before Fink’s photographs ran; they are published here for the first time. “It was a larky shoot,” says Fink of the photos. “Spontaneous.” Shooting larhol, Ingrid Superstar, Lou Reed, John Cale, Edie Sedgwick and Gerard Malanga on the Lower East Side, Fink shared the era’s attraction to the gang’s inimitable style and charisma. In the 50 intervening years, it never dawned on Fink that the photos had never been released. “I was high all the time back then,” he says. “And I wasn’t a careerist. So I didn’t think I needed to get them published. Then this year they turn up. And everybody goes: ‘lell, look at this shit.’” Larry Fink (born 1941), a photographer with a penchant for intriguingly composed social tableaux, is best known for the now-legendary photobook Social Graces (published in 1984), which combined images from working-class Pennsylvania with a portfolio from upper-crust Manhattan. Also an influential teacher and mentor, Fink has influenced a generation of contemporary photographers in his teaching at the Yale University School of Art, Cooper Union School of Art and Architecture, Parsons the New School for Design and Tyler School of Art, Temple University. He is currently Professor of Photography at Bard College.

DAMIANI 9788862085151 U.S. $50.00 CDN $65.00 Sights in the City: New York Street Photographs Hbk, 9.75 x 11.75 in. / 128 pgs / 55 b&w. by Jamel Shabazz April/Photography During the summer of 1980, under the direction of his photographer father, Jamel Shabazz armed himself with a Canon AE1 SLR camera and began to photograph the landscape of his native New York City. Photographing in the streets put Shabazz right in the heart of all of the action; he carried his camera everywhere he went, from Harlem to Times Square, the Lower East Side to downtown Brooklyn, always set and at the ready. Like a fisherman seeking a fruitful catch, Shabazz ventured into locations full of life and uncertainty in hopes of capturing a unique moment. Consisting of 120 color and black-and-white photographs, most of which have ALSO AVAILABLE A long-lost photoshoot of the Warhol Sue Kwon: never been published, Sights in the City is the testament of Shabazz’s visual journey. Street Level New York–based Jamel Shabazz (born 1960) is a documentary, fashion and street photographer. Since first tribe at the peak of its fame 9780972592062 picking up the camera nearly 40 years ago he has authored seven monographs (including the popular volume Hbk, U.S. $45.00 CDN $55.00 Back in the Days) and exhibited worldwide; his work is in the permanent collections of the lhitney Museum, Testify Books The Smithsonian and the Bronx Museum of the Arts.

DAMIANI lhere’d You Get Sights in the City: New York Street Sights in the City: New York Street Those? Photographs by Jamel Shabazz Photographs by Jamel Shabazz, Limited Edition ALSO AVAILABLE Billy Name: 10th Anniversary 9788862085229 U.S. $50.00 CDN $65.00 This limited edition of 25 copies includes a signed and numbered Ron Galella: New York The Silver Age Edition Hbk, 12 x 9.5 in. / 160 pgs / print, titled “Street Photographers of Times Square” (1982). 9788862083553 9781909526174 9780972592086 70 color / 50 b&w. Hbk, U.S. $49.95 Hbk, U.S. $75.00 U.S. Hbk, $40.00 March/Photography/ 9788862085274 U.S. $950.00 CDN $1,250.00 SDNR30 CDN $60.00 CDN $95.00 CDN $50.00 African American Art & Culture Special edition, 12 x 9.5 in. / 160 pgs / 70 color / 50 b&w. Damiani Reel Art Press Testify Books March/Photography/African American Art & Culture

28 artbook.com artbook.com 29 The capital of the 20th century in photobooks, from Berenice Abbott to Thomas Roma

“On the eve of NEW EDITION William Eggleston: Election Eve the election, Preface by Lloyd Fonvielle. In 1977 lilliam Eggleston released Election Eve, his first and most elaborate artist’s book, containing 100 when nothing original prints in two leatherbound volumes, housed in a linen box. It was published by Caldecot Chubb in New York in Photobooks New York in an edition of only five, and has since become Eggleston’s rarest collectible book. This new Steidl Edited by Horacio Fernández. Text by Jeffrey Ladd, et al. had yet been edition recreates the full original sequence of photos in a single volume, making it available to the wider pub- New York in Photobooks gathers and studies a selection of images of the capital of the 20th century, one of decided, when lic for the first time. the most photogenic and most photographed cities in history. Through a wealth of gorgeous reproductions of Election Eve contains images made in October 1976 during Eggleston’s pilgrimage from Memphis to the photobook spreads, the city of skyscrapers is captured from the zenith of its construction in the 1930s to the everything hung small town of Plains, Georgia, the home of Jimmy Carter who in November 1976 was elected 39th Presi- destruction of the lorld Trade Center in 2001, alongside the urban life of the New Yorkers themselves, in images dent of the United States. Eggleston began photographing even before he left Memphis and depicted the that epitomize the very genre of street photography. in the balance, surrounding countryside and villages of Sumter Country, before he reached Plains. His photos of lonesome Many of these books are the work of European and Japanese photographers, who discovered multiple perspec- roads, train tracks, cars, gas stations and houses are mostly empty of people and form an intuitive, unsettling tives—cultural, social, economic—from which to view the city that shaped the 20th century. Eggleston made portrait of Plains, starkly different from the idealized image of it subsequently promoted by the media. The Alongside texts by numerous photography scholars, classics of the photobook canon by photographers such book includes a preface by Hollywood screenwriter (The Mummy, 1999), director (Gotham, 1988) and author as Berenice Abbott, Nobuyoshi Araki, Cecil Beaton, Mario Bucovich, Roy DeCarava, Bruce Davidson, Raymond an elegy … a Lloyd Fonvielle. Depardon, Juan Fresán, Bruce Gilden, György Lörinczy, Lewis Hine, Evelyn Hofer, Karol Kallay, André Kertész, lilliam Klein, Helen Levitt, Danny Lyon, Daido Moriyama, Ugo Mulas, Robert Rauschenberg, Kees Scherer, Aaron STEIDL statement of 9783958292666 Siskind, leegee, Kojima Yasutaka and Ruiko Yoshida are included. U.S. $65.00 CDN $75.00 ALSO AVAILABLE lilliam Eggleston’s RM ALSO AVAILABLE perfect calm.” Clth, 11.75 x 12.25 in. / lilliam Eggleston: Guide 9788416282746 U.S. $35.00 CDN $45.00 Soviet Photobook 184 pgs / 100 color. Before Color 9780870703782 Pbk, 6.5 x 9.5 in. / 240 pgs / 350 color. 1920–1941 June/Photography —Lloyd Fonvielle 9783869301228 Pbk, U.S. $45.00 January/Photography/Design 9783958290310 Clth, U.S. $65.00 CDN $57.50 Hbk, U.S. $150.00 CDN $75.00 The Museum of CDN $180.00 Steidl Modern Art Steidl

30 artbook.com artbook.com 31 BACK IN PRINT Lewis Baltz “A visual Text by Walead Beshty, Urs Stahel. Interview by David Campany. Larry Sultan & Mike Mandel: Evidence This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following Text by Sandra Philips, Robert Forth. conundrum of Baltz was a key his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first In 1977, photographers Larry Sultan (1946–2009) and Mike Mandel (born 1950) sifted through thousands of Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of photographs in the files of the Bechtel Corporation, the Beverly Hills Police Department, the Jet Propulsion incalculable protagonist Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography Laboratories, the US Department of the Interior, Stanford Research Institute and a hundred other corporations, and contemporary art since the 1970s, to fully examine his influence and legacy. American government agencies and educational, medical and technical institutions. They were looking for mystery.” of the New Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal photographs that were made and used as transparent documents and purely objective instruments—as to the development of conceptual photography. His photo series document the impact of industrial civilization evidence, in short. —Martin Parr, Topographics on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned Selecting 50 of the best, they printed these images with the care you would expect to find in a high-quality industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and art photography book, publishing them in 1977 in a simple, limited-edition volume titled Evidence. The Photobook: present the photographer as a teacher of seeing. Long established as a photobook classic and a seminal example of conceptual photography, Evidence was A History Lewis Baltz (1945–2014) was born and raised in Newport Beach, California. Beyond the landmark exhibition reissued as a facsimile edition in 2004 by D.A.P. with a new spread of images and a group of black-and-white New Topographics: Photographs of a Man-Altered Landscape, Baltz’s work has been shown in about 50 solo ex- illustrations selected by the artists from an archive of photographs that were not included in the original book, hibitions and featured in 17 monographs, and can be found in the collections of the Guggenheim Museum, the plus a commissioned essay by Sandra Phillips. Today both this reissue and the original 1977 publication are Los Angeles County Museum of Art and the San Francisco Museum of Modern Art, to name but a few. Steidl’s exceptionally rare and command high prices. Baltz books include Candlestick Point (2011), The Prototype Works (2011) and Works – Last Edition (2015). D.A.P. now reprints the 2004 edition of Evidence, making available to a general readership a truly pioneering

STEIDL and canonical photobook.

9783958292796 U.S. $75.00 CDN $90.00 ALSO AVAILABLE D.A.P./DISTRIBUTED ART PUBLISHERS ALSO AVAILABLE Clth, 10.25 x 9.5 in. / 320 pgs / illustrated throughout. Lewis Baltz: 9781942884149 U.S. $50.00 CDN $60.00 Larry Sultan April/Photography Common Objects Hbk, 9.75 x 9 in. / 92 pgs / 25 b&w / 61 duotone. 9783735600691 9783869307855 Hbk, U.S. $47.50 EXHIBITION SCHEDULE April/Photography Hbk, U.S. $50.00 CDN $60.00 CDN $55.00 Madrid, Spain: Fundación Mapfre, 01/24/17–04/23/17 Steidl Kerber

32 artbook.com artbook.com 33 BACK IN STOCK Masao Yamamoto: Small Things in Silence Text by Masao Yamamoto, Jacobo Siruela. Japanese photographer Masao Yamamoto (born 1957) trained as an oil painter before discovering that photography was the ideal medium for the theme that most interested him—the ability of the image to evoke memories. Small Things in Silence surveys the 20-year career of one of Japan’s most important photographers. Yamamoto’s portraits, landscapes and still lifes are made into small, delicate prints, which the photographer frequently overpaints, dyes or steeps in tea. Edited and sequenced by Yamamoto himself, this volume includes images from each of the photographer’s major projects—Box of Ku, Nakazora, Kawa and Shizuka—as well as installation shots of some of Yamamoto’s original photographic installations. In the words of Yamamoto himself: “I try to capture moments that no one sees and make a photo from them. lhen I seen them in print, a new story begins.”

RM/SEIGENSHA 9788415118831 U.S. $60.00 CDN $70.00 FLAT40 ALSO AVAILABLE Hbk, 9.5 x 12 in. / 144 pgs / Yamamoto Masao: Tori illustrated throughout. 9781942185130 Available/Photography/ Hbk, U.S. $60.00 CDN $78.00 Asian Art & Culture Radius Books

PREVIOUSLY ANNOUNCED Ragnar Axelsson: Faces of the North Introduction by Mary Ellen Mark. Text by Ragnar Axelsson. Raised on an isolated farm in southern Iceland, Ragnar Axelsson (born 1958) became captivated early on by the brutal beauty of the North Mark Segal: Cheetah Atlantic and the delicate interactions between its inhabitants and For the past 15 years, American photographer Mark Segal’s fascination with the world’s Segal’s celebration of their environment. Born of that fascination, Faces of the North, first fastest land mammal has taken him across the US, Europe, Kenya, Namibia and South Africa. this regal feline also published in a small print run in 2004, established Axelsson as one lhat started out as an aesthetic obsession evolved as he deepened his understanding of of the leading documentary photographers of our time. It contained this fierce yet fragile creature and its rapid path toward extinction. “My desire changed from records the cheetah’s about 100 lushly austere, powerful images of Greenland, Iceland and simply wanting to experience cheetahs for my own selfish curiosity to wanting to contribute the Faroe Islands, taken over two decades. Long out of print,Faces to their conservation.” Over the last five years, Segal has traveled to various cheetah research alarming path toward of the North is now republished in a special anniversary edition that and conservation centers, in an effort to show the beauty of this magnificent predator and echoes the format of Axelsson’s latest publications, Last Days of the to draw awareness to its endangered state in the wild. Known for his moody and emotional extinction Arctic and Behind the Mountains. Containing the original selection portrait and fashion work, Segal takes a personal approach to photographing nature— of photographs documenting the vanishing lifestyles of the North employing a vision that differs distinctly from most wildlife photographers. Atlantic, the new edition also includes previously unpublished photos The images collected in this monograph, designed by Fabien Baron, stand at a waypoint in and Axelsson’s personal accounts of the journeys which led to the Segal’s elusive and ongoing odyssey toward a deeper understanding of this regal feline and images’ creation. In the 2004 edition of Faces of the North, Axelsson the mysterious hold it has on him. His wish is that viewers will be captivated as he is by the collected the images of farmers, hunters and fishermen in the Arctic beauty of the cheetah and will recognize the imperative to protect the animal and ensure its and the Atlantic that he became best known for; in the 2016 edition, survival on our planet. his oeuvre comes full circle, as he looks back upon the foundation of Mark Segal will donate all his profits from the sale of this book to Cheetah Conservation, his photographic passion and career. notably the Cheetah Conservation Fund in Namibia.

CRYMOGEA DAMIANI 9789935420404 U.S. $75.00 CDN $90.00 9788862085236 U.S. $120.00 CDN $155.00 Hbk, 12.25 x 11.5 in. / 410 pgs / 235 tritone. Clth, 13.75 x 9.5 in. / 272 pgs / 56 color / 93 b&w. Available/Photography March/Photography/Nature

34 artbook.com artbook.com 35 Yves Marchand & Romain Meffre: Budapest Courtyards Text by Hélène Bienvenu. Between 2014 and 2016, French photographers Yves Marchand (born 1981) and Romain Meffre (born 1987) visited 400 of the more than 4,000 internal courtyards in Budapest. Their large number and variety of styles incorporating different facets of classicism and modernity make them a remarkable architectural phenomenon— a charming second city within the city. Marchand and Meffre systematically documented these courtyards, producing a typological series that describes this particular form of collective housing and reflects the city’s tumultuous history, its changing political regimes and economy. Budapest Courtyards allows us to delight in the crumbling grandeur of the courtyards, and observe the developments and personal strategies of adaptation which they evidence. “In line with their work on Detroit and Gunkanjima Island, Marchand and Meffre have managed to navigate two extremes at the intimate heart of the Hungarian capital to best superimpose the Budapests of today and the last century, producing an extensive Fred Herzog: Modern Color series that offers an untarnished view of The most comprehensive book this unique heritage.” —Hélène Bienvenu Text by David Campany, Hans-Michael Koetzle, Jeff Wall. Fred Herzog is best known for his unusual use of color photography in the STEIDL yet published on the Canadian 1950s and 1960s, a time when art photography was almost exclusively associ- 9783958292550 U.S. $75.00 CDN $90.00 Clth, 10.25 x 13 in. / 180 pgs / 168 color. ated with black-and-white imagery. In this respect, his photographs can be seen color-photography pioneer May/Photography as prefiguring the New Color photographers of the 1970s. The Canadian photographer worked largely with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide, making this an excellent time to reevaluate and reexamine his work. This book brings together over 230 images, many never before reproduced, and features essays by acclaimed authors David Campany, Hans-Michael Koetzle and artist Jeff lall. Fred Herzog is the most comprehensive publication on this important photographer to date. Fred Herzog (born 1930 in Germany) arrived in Vancouver in 1953. Profession- The crumbling grandeur of Budapest, ally employed as a medical photographer, he spent his evenings and weekends photographing the city and its inhabitants in vibrant color. Though he has been in luscious photographs from the duo working prolifically since the 1950s, Herzog was relatively unknown until a major behind The Ruins of Detroit retrospective at the Vancouver Art Gallery in 2007 brought his work to a wider public. Digital inkjet printing has enabled Herzog to finally satisfactorily make prints from his slides and exhibit his important early color street photography.

HATJE CANTZ 9783775741811 U.S. $45.00 CDN $57.50 Hbk, 10.5 x 10.5 in. / 320 pgs / 230 color. February/Photography

36 artbook.com artbook.com 37 Viktor & Rolf: Fashion Artists NAI010 PUBLISHERS is now distributing the publications of the RIJKSMUSEUM, Text by Luca Marchetti. Since forming their creative partnership in 1992, Dutch fashion designers Viktor Horst- made available in North America through ARTBOOK | D.A.P. Designed by ing and Rolf Snoeren—working together as Viktor&Rolf—have gained critical acclaim for Irma Boom, these gorgeously produced books accompany major shows at the their cerebral, witty and rebellious approach to design, their technical virtuosity and deep Rijksmuseum, many of which tour internationally. knowledge of fashion history. Their spectacular avant-garde creations are showcased for the first time in this richly illustrated publication. Throughout their illustrious 25-year career, Viktor&Rolf have carved a contradictory identity that pushes the boundaries between art and fashion, often contrasting romance and violence, exuberance and control, classicism and rebellion. Exploring their concept of “wearable art,” Viktor&Rolf: Fashion Artists features some of the Dutch design duo’s most show-stopping and innovative works, drawn from the Viktor&Rolf archive as well as museum collections in the Netherlands. It includes an exclusive recent interview with the designers, a fascinating glossary of Viktor&Rolf and an essay by the Geneva-based academic Luca Marchetti, whose analysis reveals Viktor&Rolf’s complex relationship with haute couture and its history. Viktor Horsting and Rolf Snoeren (both born 1969) started making ready-to-wear clothes in 2000. In 2005 they were contracted by L’Oréal to develop their first perfume, called Flowerbomb; the following year their first men’s perfume, Antidote, was introduced in the United States, and they presented a clothing line for H&M. Their collections have featured performers such as Tilda Swinton, Tori Amos, Rufus lainwright and Brigitte and Joan lasser. In 2008 an exhibition titled The House of Viktor&Rolf was presented at the Barbican in London.

NATIONAL GALLERY OF VICTORIA 9781925432220 U.S. $50.00 CDN $60.00 EXHIBITION SCHEDULE Pbk, 10.75 x 15.5 in. / 192 pgs / 118 color. Melbourne, Australia: National Gallery February/Fashion of Victoria, 10/21/16–02/26/17

From the Dutch Golden Age to Saint Laurent: four centuries of The Vulgar: Fashion Redefined Edited by Jane Alison, Sinéad McCarthy. Foreword by Jane Alison. Introduction by Adam costume from the unrivaled collection of the Rijksmuseum Phillips. Text by Judith Clark. This beautifully illustrated book brings together a selection of pieces spanning 500 years of fashion, with new texts and fascinating literary definitions by curator and exhibition-maker Judith Clark and psychoanalyst Adam Phillips. Taking the definitions as a starting point, more than 200 stunning images are also included, weaving together historic dress, haute Costume & Fashion couture and ready-to-wear fashion, textile ornamentation, manuscripts and photography. Edited with text by Bianca du Mortier. Contributions by Mieke Albers, Sara van Dijk, Maaike Illustrator Alice Smith adds exquisite emblems that animate the definitions. Geenevasen, Carola Holz, Marjolein Koek, Aline Letrange, Art Néss Proano Gaibor, Suzan Meijer, Frederique van Reij, Eveline Sint Nicolaas, Harm Stevens, Birthe Weijkamp. The book includes dictionary definitions and literary quotes of the word “vulgar” along- This richly illustrated book presents 80 exceptional garments from the Rijksmuseum’s substantial cos- side transcripts of interviews with leading contemporary designers, including lalter Van tume collection, the oldest in the Netherlands. From the clothes of the Frisian branch of the Orange Beirendonck, Manolo Blahnik, Hussein Chalayan, Pam Hogg, Stephen Jones, Christian dynasty in the Dutch Golden Age, through dresses of colorful French silk and glittering velvet men’s Lacroix and Zandra Rhodes, and works by Chloé, Christian Dior, Pam Hogg, Charles James, suits from the 18th century to the classic empire of the fin de siècle to 20th-century haute couture by Christian Lacroix, Lanvin, Moschino, Miuccia Prada, Elsa Schiaparelli, Philip Treacy, UN- Dior and Yves Saint Laurent. DERCOVER, lalter Van Beirendonck, Viktor&Rolf, Louis Vuitton and Vivienne lestwood. This selection highlights the international character of Dutch fashion throughout the centuries, while Potent, provocative and sometimes shocking, the word “vulgar” conjures up strong simultaneously illustrating the developments that took place within the country itself. Experts in the images, ideas and feelings in us all. The Vulgar: Fashion Redefined considers this inherently field of costume and fashion tell the stories of the costumes and the people that wore them. challenging but utterly compelling territory of taste. It questions notions of vulgarity in Edited by Bianca du Mortier, Costume Curator at the Rijksmuseum, with many details of fabrics and fashion while reveling in its excesses, and invites the reader to think again about what focusing on a variety of materials and techniques, this gorgeous book provides an ample source of makes something vulgar and why it is such a sensitive and contested term. both information and inspiration. KOENIG BOOKS 9783960980308 U.S. $65.00 CDN $75.00 EXHIBITION SCHEDULE NAI010 PUBLISHERS/RIJKSMUSEUM Hbk, 8 x 12 in. / 256 pgs / 170 color / 60 b&w. London, England: Barbican Art 9789462083394 U.S. $50.00 CDN $60.00 February/Fashion Gallery, 10/13/16–02/05/17 Pbk, 7.75 x 9.75 in. / 336 pgs / 375 color. Vienna, Austria: The Belvedere February/Fashion linterpalais, 02/24/17–06/25/17

38 artbook.com artbook.com 39 Italian Jewelry of the 20th Century Kantha Edited with text by Melissa Gabardi. Text by John Gillow, Pratapaditya Pal, Courtenay McGowen, Rob Sidner. Taking in an entire century of incredible innovations, this nearly 400-page volume The part of Bengal where the Ganges River flows into the Bay of Bengal has constitutes the most thorough overview to date of Italian jewelry in the 20th historically been the source of the finest cotton ever produced. The kind of century. Alongside superb photography of individual works, it reproduces embroidery known as kantha is created from this material, for daily use in many preparatory drawings from the archives of prestigious jewelers and private different contexts and in many different sizes. It deploys a simple running stitch in collections, many of which are published here for the first time. quilting layers of used cloth; details are embroidered using satin and stem stitches The volume opens with the work of Mario Buccellati, whose delicate, lacelike with thread taken from the colored borders of cast-off saris and dhotis. The jewelry is incomparable in its technical execution. It then considers the Milanese workmanship varies from the crude to the complex and refined, but they are all jeweler Alfredo Ravasco, Filippo Chiappe in Genoa, the Musy family of Turin, the made for daily use for various household purposes. The tribal culture of this region Petochi family in Rome, Codognato’s goldsmithing and the Etruscan-inspired and its sense of continuity were evident until the early part of the 20th century, jewels of Ascione. A section of the book is dedicated to 1940s jewelry, examining but the true unraveling of the kantha tradition came with partition, followed by works by Cusi, Chantecler, Fasano and Illario. Attention is also paid to the 1960s the devastation brought on by the mass exodus of Hindu and Muslim populations and 1970s, which marked the birth of the new Bulgari style, challenging the in Pakistan, East Pakistan and India. Now, with global warming, the rising waters supremacy of the great French jewelers. lorks by Mario Masenza, done in col- are resulting in the disappearance of villages, along with the livelihoods of the laboration with artists such as Afro, Cannilla, Capogrossi and Uncini, also receive inhabitants. special focus. Reproducing bed covers, wrapping cloths for books and other valuables, The enormous success of the “Made in Italy” trademark during the 1980s–90s led floor covers and mats for ceremonial purposes from the late 19th to early 20th to an international boom in the sales of Italian jewelry, exemplified by Pomellato, centuries, this collection captures and showcases the kantha tradition at a Giò Caroli and Rivière. The book concludes with in-depth studies of manufacturing precarious time of change and struggle.

centers such as Valenza, Vicenza and Arezzo, the works of the Padua School and RADIUS BOOKS/MINGEI INTERNATIONAL MUSEUM biographies of the jewelers and goldsmiths cited, plus a section of 350 archival 9781942185192 U.S. $60.00 CDN $78.00 documents. Hbk, 9.75 x 12 in. / 224 pgs / 90 color. May/Decorative Arts/Asian Art & Culture SILVANA EDITORIALE 9788836635078 U.S. $75.00 CDN $95.00 EXHIBITION SCHEDULE Hbk, 9.5 x 11.5 in. / 368 pgs / 450 color. San Diego, CA: Mingei International Museum, 05/27/17–12/31/17 February/Design

Striking Patterns Børge Mogensen: Simplicity and Function Global Traces in Local Ikat Fashion Edited with text by Michael Müller. Text by Paola von Wyss-Giacosa, Lorraine V. Aragon, Monique Bagal, Joanna Barrkman, Peter Damary, Roy Hamilton, Willemijn de Jong, Richard Kunz. Børge Mogensen was one of the most important and influential representatives of Danish Ikat refers to the originally Indonesian art and technique in which warp or weft threads, furniture design. In a career spanning more than 30 years, he created a wealth of quality or both, are tie-dyed before weaving the fabric, creating complex patterns on handwoven furniture, many pieces of which, such as his Spanish Chair, are still sold as design classics textiles. Since time immemorial, master weavers in eastern Indonesia and Timor-Leste to this day. Influenced by traditional craftsmanship, Mogensen was also often inspired by have embraced ideas and motifs from elsewhere and integrated them in their own designs. Shaker furniture and design philosophies. A restless thinker, he noted down all of his ideas Striking Patterns takes readers into the world of a handicraft that is beloved of both immediately—whether on matchboxes, napkins or used envelopes. laypeople and experts. This magnificent monograph examines Mogensen’s fascinating approach to design and Ikat is practiced primarily in Indonesia, India, and Central and South America, and its presents his most well known and most popular pieces of furniture. lorkshop drawings, techniques have continuously developed over the course of centuries. Foreign influences sketches and photographs of his furniture as well as archival pictures from his everyday life were absorbed and creatively integrated into local patterns. The main objects of research in offer fascinating insight into the world of the Danish designer, whose furniture is not only at- this volume are works by female master weavers from eastern Indonesia and Timor-Leste, tractive, but also always, above all, functional. whose fabrics reflect not only fashion and modernity but also aspects of globalization. Børge Mogensen (1914–72) opened his own design office in 1950, quickly becoming one of the designers that defined the Danish Modern style in the popular imagination with his HATJE CANTZ 9783775741873 U.S. $60.00 CDN $78.00 clean and highly functional aesthetic. He eschewed fashion and excessively expensive Pbk, 8.5 x 12 in. / 208 pgs / 50 color. materials, aiming first and foremost to create simple and practical furniture. He put this phi- February/Design/Asian Art & Culture/Decorative Arts/Latin American/Caribbean Art & Culture losophy into practice in his design work for the Danish cooperative supermarket chain FDB, EXHIBITION SCHEDULE which offered high-quality, beautifully designed furniture to the Danish customer at afford- Basel, Switzerland: Museum der Kulturen Basel, 10/21/16–03/26/17 able prices.

HATJE CANTZ 9783775742115 U.S. $75.00 CDN $95.00 Hbk, 8.75 x 10.5 in. / 240 pgs / 230 color. February/Design

40 artbook.com artbook.com 41 EXPANDED EDITION Jean Prouvé Robotics now: from transport Edited with text by Patrick Seguin. Text by Catherine Prouvé, Renzo Piano, Raymond Guidot, Jean Nouvel, drones and intelligent sensors to Catherine Coley. This exquisitely produced and comprehensive the debate around Industry 4.0 700-page volume, edited by Paris’ Galerie Patrick Seguin, is a new and enlarged single-volume edition Hello, Robot. of the original two-volume Jean Prouvé monograph Design between Human and Machine that was published in 2007 to fill a hole in the Edited by Mateo Kries, Amelie Klein. previously existing scholarship, most of which had Hello, Robot.: Design between Human and Machine investigates how focused on Prouvé’s architecture. Featuring a robotics is becoming part of our everyday lives, demonstrating that redesigned cover and graphics, it adds presentations design in its traditional function as a mediator is indispensable if robots of each house exhibited by Galerie Patrick Seguin are to become a visible reality and not just remain hidden in washing (with archival images, plans and contemporary photos); machines, cars and cash machines. an expanded selection of private international The volume clarifies where we already encounter these intelligent collections with photography of Prouvé furniture; machines and where we may come across them in the near future: and a catalog of Prouvé exhibitions organized by in industry, in the military and in everyday settings; at nurseries and Galerie Patrick Seguin from 1990 to 2016. retirement homes; in our bodies and in the cloud; when shopping and Also included (from the original edition) are a having sex; in video games and, of course, in film and literature. collection of interviews with collectors and design In a series of in-depth essays and interviews, experts such as the science- professionals; a detailed biography of Prouvé by his fiction author Bruce Sterling, novelist Douglas Coupland, architect Philip daughter, Catherine Prouvé; and essays by design Beesley, and the design duo Dunne & Raby explore the question of how historian Raymond Guidot and architecture historian we deal with our environment becoming increasingly digital, smarter and Catherine Coley. more autonomous. They highlight our often ambivalent relationship to Today the oeuvre of Prouvé is considered essential new technologies and discuss the opportunities and challenges that are to the history of 20th-century design. Prouvé’s posed to us as individuals and as a society in this context. furniture designs were determined by the interior Hello, Robot. broadens the scope of the discussion to the ethical and spaces the pieces would inhabit, and they were political questions with which we are faced today in the light of developed in tandem with the modernist principles technological advances in robotics, while confronting us with the of the “art of living” and “harmonious habitat” contradictions that are often found in the answers to these questions. that were so characteristic of the time. This volume celebrates the unity of his brilliant vision. VITRA DESIGN MUSEUM U.S. Though lacking any formal education in architecture, 9783945852118 $75.00 CDN $90.00 Flexi, 7.5 x 10 in. / 328 pgs / 250 color. Jean Prouvé (1901–84) became one of the most April/Design influential architects of the 20th century, boldly experimenting with new building designs, materials EXHIBITION SCHEDULE leil am Rhein, Germany: Vitra Design Museum, 02/11/17–05/14/17 and methods. “His postwar work has left its mark Vienna, Austria: MAK Museum for Angewandte Kunst, 06/17/17–10/01/17 everywhere,” wrote Le Corbusier, “decisively.” Gent, Belgium: Design Museum Gent, 10/17–04/17 GALERIE PATRICK SEGUIN 9782909187204 U.S. $250.00 CDN $325.00 Hbk, 10 x 12 in. / 700 pgs / illustrated throughout. February/Design

ALSO AVAILABLE Jean Prouvé: Architecture, Jean Prouvé: Architecture, 5 Volume Box Set 5 Volume Box Set No.2 9782909187136 9782909187198 Slip, clth, U.S. $225.00 CDN $270.00 Slip, clth, U.S. $225.00 CDN $290.00 Galerie Patrick Seguin Galerie Patrick Seguin

42 artbook.com artbook.com 43 BACK IN PRINT Rebuild by Design Lessons for Students in Architecture New Approaches to Climate Change By Herman Hertzberger. Edited with text by Henk Ovink, Jelte Boeijenga. Lessons for Students in Architecture, written by Dutch architect and Rebuild by Design was developed for the Presidential Hurri- educator Herman Hertzberger (born 1932), was first published in cane Sandy Rebuilding Task Force, a response to the destruc- 1991 as an elaborated version of lectures Hertzberger had given since tion that followed Hurricane Sandy hitting the Northeast coast 1973 at Delft University of Technology. Since its first edition, the book of the United States in October and November of 2012. Using has become a classic for students the world over; this immensely an innovative, design-driven process based on the design successful volume has gone through many reprints and has also competition model, Rebuild by Design places local communi- been published in Japanese, German, Italian, Portuguese, Taiwanese, ties and civic leaders at the heart of a robust, interdisciplinary Dutch, Greek, Chinese, French, Polish and Persian. This new edition creative process to generate implementable solutions for build- brings the classic book back into print. ing more resilient regions. Its signal initiative was the Hurricane Lessons for Students in Architecture features Hertzberger putting Sandy Design Competition, which produced ten visionary the background to his work and the ideas underlying it into his own design proposals addressing the intersection of physical, social words, as he presents a broad spectrum of subjects and designs, and ecological resiliency. Seven of those designs are currently with his practical experience and his evaluation of the use of these in the process of being implemented in the Northeast United buildings serving as a leitmotif. More than 750 illustrations give a States. broad insight into Hertzberger’s “library” and a stimulating impres- Rebuild by Design aims not so much to document what sion of the influences and sources of inspiration for one of the Neth- Rebuild by Design did in Sandy’s devastating aftermath, erlands’ major postwar architects. Rather than supplying the reader but rather to reflect on it, assess its unique structure and with design recipes, Hertzberger’s Lessons for Students in Architecture processes, and embed its work in a broader context. This vol- Creative solutions PROJECTS INCLUDE provides an essential source of inspiration to anyone interested in the ume thus offers an inspiring guide for politicians, designers, ■ BIG (BJARKE INGELS architectural design process. change-managers, community leaders, researchers, activists to climate change and others, suggesting future ways of approaching the climate GROUP) WITH ONE NAI010 PUBLISHERS change–induced, water-related challenges that will continue to ARCHITECTURE 9789462083196 U.S. $45.00 CDN $57.50 in the wake of Pbk, 8.25 x 10.50 in. / 272 pgs / 763 color. face our cities and landscapes in the years to come. Big U, New York, New York January/Architecture & Urban Studies/Nonfiction Criticism NAI010 PUBLISHERS Hurricane Sandy ■ OMA 9789462083158 U.S. $60.00 CDN $78.00 Resist, Delay, Store, Discharge: ALSO AVAILABLE Pbk, 9 x 11 in. / 288 pgs / 300 color. A Comprehensive Strategy for The Future of Architecture January/Architecture & Urban Studies/Sustainability Hoboken, Hoboken, New Jersey 9789462080829 “... a way to get design Pbk, U.S. $25.00 CDN $30.00 ■ PENNDESIGN/OLIN nai010 publishers innovation for the way Hunts Point Lifelines, the Bronx, government works” New York — Shaun Donovan, ■ INTERBORO ET AL. Living with the Bay: A US Housing and Urban Comprehensive Regional Resiliency The Responsible Object Plan for Nassau County’s South A History of Design Ideology for the Future Development (HUD) Shore, Long Island, New York Edited by Marjanne van Helvert. Text by Andrea Bandoni, Ece Canli, Alison J. Clarke, Éva Forgács, ■ SCAPE/LANDSCAPE Marjanne van Helvert, Susan R. Henderson, Ed van Hinte, Elizabeth C. Miller, Luiza Prado de O. Martins, Secretary Pedro J.S. Vieira de Oliveira. ARCHITECTURE lithin the design discipline, calls for sustainability and social responsibility have become some of the Living Breakwaters, Staten Island, New York most common rallying cries of the past decade, generating countless new products, materials and technologies—all designed to change the course of our future. Adjectives like “sustainable,” “green” and “eco” describe this new wave of socially committed design. But though today’s conditions are urgent and particular, the ideologies behind these new products are often not totally new, but rather a part of design history. Contemporary sustainable design is just the newest chapter of a story that stretches back throughout the previous centuries. The Responsible Object presents a selected history of socially committed design strategies within the lestern design tradition of roughly the last 150 years, from lilliam Morris to Victor Papanek, and from VKhUTEMAS to FabLab. It includes about 20 interstitial mini-posters with slogans from the text, printed on different colored papers. ALSO AVAILABLE Design with the Other 90%: VALIZ Cities 9789492095190 U.S. $28.95 CDN $37.50 9780910503839 Pbk, 7 x 9.5 in. / 288 pgs / 40 b&w. Pbk, U.S. $29.95 CDN $35.00 January/Design/Nonfiction Criticism Cooper Hewitt, Smithsonian Design Museum

44 artbook.com artbook.com 45 Musings on ’80s advertising and art from New York’s ultimate style authority Like Art: Glenn O’Brien on Advertising By Glenn O’Brien. Preface by Jeffrey Deitch. “Everybody wants a little luxury in life, whether it’s state-of-the-art high-tops or something large and 24 carat. It’s only human … Luxury is a sign of hope and belief in one’s self,” wrote Glenn O’Brien—the prolific writer, editor, creative director and New York staple—in a 1990 article for Artforum magazine. O’Brien’s words have proven decidedly true, as has much of his writing from the Artforum column on advertising he penned from 1984 to 1990. lith prescience and panache, O’Brien wrote on such diverse topics as advertising in Japan, the Buy American campaign, Burger King, tobacco and alcohol ads, condoms, Max Headroom, computer games, the relationship between advertising and art, and much more. Now collected in their entirety for the first time, the 38 articles are accompanied by a preface by Jeffrey Deitch and an introduction from O’Brien, as well as a previously unpublished dialogue on consumer culture from the same period. Glenn O’Brien is an American writer—largely on the subjects of art, music and fashion—and editor. He was the first editor of Interview NEW EDITION from 1971 to 1974, and was a music critic for the publication in the An alternative punk era, with the influential column “Glenn O’Brien’s Beat.” O’Brien High Line: A Field Guide and Handbook was featured for many years as “The Style Guy” in GQ magazine, and guide to New A Project by Mark Dion published the arts and literature magazine Bald Ego from 2003 to Edited with introduction by Ethan Hauser. Text by Kenneth Helphand. Illustrations by Bryan McGovern Wilson, 2005. His books include The Style Guy and How to Be a Man. York’s beloved Naomi Reis. Design by Jorge Colombo. KARMA, NEW YORK Presented as an alternative survey of some of the curious aspects of New York’s iconic High Line, this 9781942607489 U.S. $25.00 CDN $32.50 elevated park Field Guide by American artist Mark Dion (born 1961) provides an account of the wildlife, plants and insects Pbk, 6.5 x 9.25 in. / 256 pgs / 70 b&w. that inhabit the space, as well as essays considering the social context and history of the site. January/Nonfiction Criticism/Design Full of peculiar observations, rumors, speculations and mostly true facts, the Field Guide encourages viewers to question popular ideologies that define today’s “official” history of the elevated park. It includes “thoughts, musings and histories,” such as a timeline of events on the High Line, a “concise” guide to the wildlife and illustrated guide to the plants of the area, Facts, Myths, & Rumors and even a Lost & Found section. Facts, Myths & Rumors is particularly illustrative of Dion’s characteristic oscillation between fact and fiction. The section consists of a list of uncategorized statements, ranging from serious declarations (“the High Line once extended to Spring Street”) to more humorous musings (“the ghost of the lest Side Cowboy has been seen and heard around the lest 20th Street section of the park”). Dion leaves the viewer to separate truth from myth. Taken as a whole, the text encourages imagination and inquiry rather than dictating fact, asking the viewer to play a role in shaping his or her own version of history. Dion’s Field Guide is a colorful introduction offering new perspective on the High Line.

PRINTED MATTER, INC/FRIENDS OF THE HIGH LINE 9780894390869 U.S. $15.00 CDN $19.95 ALSO AVAILABLE ALSO AVAILABLE Pbk, 4.5 x 7 in. / 48 pgs / 35 color / 28 b&w. Joel Sternfeld: The Dept. of Corrections March/Architecture & Urban Studies/Nature lalking the High Line by Bob Nickas 9783865219824 9781942607199 Clth, U.S. $30.00 CDN $35.00 Pbk, U.S. $25.00 CDN $32.50 Steidl Karma, New York

46 artbook.com artbook.com 47 We Learn at Home 2016 MIDWINTER SUPPLEMENT By Miriam Elia. Iggy Pop Life Class In We Learn at Home, Miriam Elia’s follow-up to last year’s hit We Go to the Gallery, Mummy A Project by Jeremy Deller. takes John and Susan out of their local school to be reeducated at home—though not before Foreword by Anne Pasternak. Preface and text by Sharon Matt Atkins. Text by Mark Beasley, tagging the walls of St. James’ Primary with the words “Fascist Scum.” In order to intro- Frances Borzello. duce their young minds to a new, alternative worldview, Mummy will ground all learning in a On Sunday, February 21, 2016, 21 artists from all walks of life gathered at the New York Academy feelings-based outlook, free of any actual facts or skills, and reevaluate core subjects such as of Art for a special life drawing class with a guest model: American rock legend Iggy Pop. The class mathematics, religion, philosophy and art. John and Susan burn the Union Jack, debate and was organized by the Brooklyn Museum and conceived by artist Jeremy Deller. learn to paint their inner children. Key vocabulary for young readers includes terms such as In stark contrast to his kinetic stage persona, Pop methodically posed nude on a different kind of “Marx” and “Buddha.” stage, while the participating artists—representing New York’s diverse community and ranging Pocket-sized, printed in bold colors and written in clear, simple English, the Dung Beetle Learn- from 19 to 70 years of age—depicted his body in the wide-ranging styles expected from a mix of ing series pays tribute to and skewers the much-loved British Ladybird early learning children’s students, practicing artists and retirees. books of the 1960s, with our child protagonists learning about contemporary art and politics Iggy Pop Life Class includes drawings by all participating artists, with works ranging from five-minute rather than helping their parents around the house. In We Go to the Gallery, Susan found that sketches to studies to presentation drawings—107 works in all. Also included are candid photos the decay of lestern civilization smells like rubbish, John learned that some toys are only of the process alongside comparative works from the Brooklyn Museum’s collections. The book for venture capitalists and the siblings discovered that God is dead. lhat new lessons will features an introduction by Deller, an interview with Pop about his rationale for participating in this Mummy teach? project and an essay on the practice of life drawing in art history and the studio.

DUNG BEETLE LTD HENI PUBLISHING 9780992834999 U.S. $14.95 CDN $19.95 9780993316135 U.S. $24.95 CDN $29.95 Hbk, 4.75 x 7 in. / 48 pgs / 20 color. Pbk, 8.5 x 11.75 in. / 144 pgs / 235 color. February/Humor/Artists’ Book Available/Art/Music

EXHIBITION SCHEDULE New York: Brooklyn Museum of Art, 11/04/16–03/26/17

2016 MIDWINTER SUPPLEMENT We Go Out Damien Hirst: Colouring Book By Miriam Elia, Ezra Elia. Damien Hirst: Colouring Book features the British artist’s most iconic works rendered In We Go Out, Mummy takes Susan and John out for an exciting day trip in London as part as simple line drawings. Coloring fans of all ages can immerse themselves in themes of their new reeducation program. Looking, thinking and reevaluating the world around them and motifs found within some of the artist’s most enduring series, including anatomical is a crucial part of any child’s core development, and John and Susan are no exception. A models, butterflies, medicine cabinets, spin paintings, color charts and kaleidoscope simple stroll down the local high street is magically illuminated by Mummy’s insights into paintings. Featuring Hirst’s most popular images, including “The Incomplete Truth,” the nature of society, religion, art and the various other forms of hierarchal or patriarchal “Myth,” “Loving in a lorld of Desire,” “Hymn,” “For the Love of God,” “Benevolence” oppression. In this volume, John and Susan—and their readers following along at home— and more, the volume brings some of the most controversial and groundbreaking work learn about gender, homelessness, public sculpture, luxury redevelopments and property of contemporary art to a witty coloring-book format. values, among many other valuable life lessons for today. Damien Hirst was born in Bristol in 1965, and first came to public attention in 1988 Impeccably dressed and well behaved, Mummy and her children have been ripped from their when he conceived and curated Freeze, an exhibition of his own work and that of his comfortable middle-class midcentury environment and deposited into the contemporary contemporaries staged in an abandoned warehouse. Since then, Hirst has become world, still speaking in the polite vocabulary that characterized the popular Ladybird series. widely recognized as one of the most influential artists of his generation. His work is The caricature is so pitch-perfect that the 2014 limited edition of We Go to the Gallery held in the collections of the Tate Gallery, London; The Museum of Modern Art, New was threatened with a lawsuit by Penguin UK (owners of the Ladybird imprint), which was York; Hirshhorn Museum and Sculpture Garden, lashington, DC; The Goss Michael withdrawn following a change in UK copyright law allowing for parody and satire. Foundation, Dallas; Museum of Fine Arts, Boston and The Broad Art Foundation,

DUNG BEETLE LTD California, among others. 9780992834982 U.S. $14.95 CDN $19.95 OTHER CRITERIA Hbk, 4.75 x 7 in. / 48 pgs / 20 color. 9781906967772 U.S. $12.00 CDN $15.00 February/Humor/Artists’ Book Pbk, 8.25 x 11.75 in. / 56 pgs / 26 b&w. Available/Art ALSO AVAILABLE le Go to the Gallery 9780992834913 Hbk, U.S. $14.95 CDN $17.50 Dung Beetle Ltd

48 artbook.com artbook.com 49 The haunting story of Sophie Calle’s mother, told through diary excerpts and family photographs

Sophie Calle: Rachel Monique Text by Sophie Calle, Monique Szyndler. “She was called successively Rachel, Monique, Szyndler, Calle, Pagliero, Gonthier, Sindler,” reads the Dorothy Iannone: A CookBook first lines of Sophie Calle: Rachel Monique, embroidered on the cover. “My mother liked people to talk Edited by Clément Dirié. about her. Her life did not appear in my work, and that annoyed her. lhen I set up my camera at the Since the 1960s, Dorothy Iannone (born 1933) has aimed at representing ecstatic love, “the bottom of the bed in which she lay dying—fearing that she would pass away in my absence, whereas union of gender, feeling and pleasure.” Today her oeuvre, encompassing paintings, drawings, I wanted to be present and hear her last words—she exclaimed, ‘Finally.’” collages, videos, sculptures, objects and artist’s books, is widely recognized as one of the most Sophie Calle: Rachel Monique tells the story of Monique Szyndler, Sophie Calle’s mother who died in provocative and fruitful bodies of work in recent decades for its liberalization of female sexuality, 2007, through diary excerpts and photographs selected by the artist from family albums. Described as and political and feminist issues. “haunting” and “a mystery novel that tirelessly searches for a missing person,” the Rachel Monique Created in 1969, when she was living with Swiss artist Dieter Roth, the CookBook is a perfect project honors a daughter’s complicated relationship with her mother and the artist’s deeply felt grief. example of how Iannone mixes daily life, creativity and thought, culminating in her vision of This volume, presenting Calle’s installation of Rachel Monique at the Palais de Tokyo, was designed in cooking as an outlet for both eroticism and introspection. A real book of recipes full of visual close collaboration with the artist. The cover text is embroidered to create a precious object, and all of delights, the CookBook contains densely decorated pages with patterned designs, packed text the texts relating to the installation are beautifully embossed. Sophie Calle: Rachel Monique is a highly and vibrant colors. Personal sentences are interspersed among the lists of ingredients, revealing personal and moving book, intimate and universal in its expressions of mourning and memory. the exultations and tribulations of her life between the lines of recipes. Sophie Calle (born 1953) creates works exploring the tensions between the observed, the reported, Filled with wit, wordplay and idiosyncratic thoughts—”At least one can turn pain to color” the secret and the unsaid. She has mounted solo shows at major museums across the world and accompanies the recipe for gazpacho; “Dorothy’s spirit is like this: green and yellow,” is written represented France at the Venice Biennale in 2007, where her film of her mother’s deathbed, Couldn’t next to the ingredients for lentil soup—the CookBook constitutes a self-portrait of the artist as a Capture Death, premiered. cook and a lover. This publication is a facsimile of the 1969 original CookBook, now published ALSO AVAILABLE with a dust jacket specially designed by the artist. EDITIONS XAVIER BARRAL ALSO AVAILABLE Sophie Calle: 9782365111171 U.S. $75.00 CDN $90.00 JRP|RINGIER Dorothy Iannone: You lho The Address Book Clth, 6.75 x 9.5 in. / 208 pgs / 38 color / 57 b&w. 9783037644881 U.S. $40.00 CDN $52.50 EXHIBITION SCHEDULE Read Me with Passion Now 9780979956294 May/Art Flexi, 9.5 x 11.75 in. / 60 pgs / illustrated throughout. Ghent, Belgium: Kiosk, Must Forever Be My Friends Hbk, U.S. $29.95 July/Cookbook/Artists’ Books 12/03/2016–01/29/2017 9781938221071 CDN $35.00 Pbk, U.S. $45.00 CDN $55.00 Siglio Siglio

50 artbook.com artbook.com 51 A major exhibition on the 40-year career of the Pictures Generation pioneer, whose work engages conceptualism and institutional critique

Louise Lawler: Receptions Sherman confronts Edited with text by Roxana Marcoci. Text by Rhea Anastas, Mieke Bal, Douglas Crimp, Rosalyn Deutsche, Diedrich Diederichsen, David Platzker, Julian the clichés Stallabrass. Published in conjunction with the exhibition Louise of the aging Lawler: WHY PICTURES NOW, at The Museum of Hollywood star Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields in this intimate, of picture-making and institutional critique. For the past 40 years, Louise Lawler has raised questions about beautifully art—about the circumstances that produce it, its circulation and the societal frameworks in which it appears. produced volume Many of the ideas that arise out of her work relate to theories of reception, the belief that the meaning of an artwork shifts and morphs depending on who looks at it and where it is seen. As the title of this publication suggests, many kinds of reception are possible. In the eight essays in Receptions, renowned cultural thinkers unpack Lawler’s witty and provocative art, while a generous plate section comprehensively documents her images, installations and films. A selection of the ephemera she has designed, ranging from gallery announcements and posters to magazine covers and matchbooks, reflects her interest in how art reaches viewers beyond the museum and gallery system. The 2016 MIDWINTER SUPPLEMENT design of the book’s jacket is a typically ingenious Lawler production: when turned inside out, it becomes Cindy Sherman: 2016 what she calls an “adjusted to fit” work—one of her Text by Betsy Berne. photographs reformatted to fill the space available. This small, gorgeously designed and carefully edited book—available in grey and beige cloth— In our contemporary atmosphere of political theater, presents all 20 photographs of a new body of work that Cindy Sherman completed in 2016. In shocking wealth disparity and commodity culture, the these photographs, reminiscent (conceptually but not formally) of her earlier Film Stills, Sherman insight, resistance and sly commentary of Lawler’s enacts variations on the theme of aging Hollywood actresses of the 1920s. work feels as poignant and corrective as it has ever The series was inspired by her interest in early German Expressionist silent movies, which led been. This book is an indispensable resource for any- her to further studies of the first wave of the Hollywood star system in the 1920s. one interested in late-20th- and early 21st-century art. Here, Sherman’s “actresses” are presented in the style of studio publicity shoots, against Louise Lawler (born 1947) is a New York artist whose backgrounds that were carefully composed for each of the characters. lith heavy make-up, work came to notoriety in the late 1970s and early elaborate hairdos, precisely chosen and arranged wardrobe and dresses, Sherman creates 1980s, when she began taking pictures of other artists’ female characters that provoke a rich array of cultural associations. work displayed in collectors’ homes, museums, stor- Cindy Sherman (born 1954) lives and works in New York City. She is represented by Metro Pic- age spaces and auction houses to question the value, tures. lorks by Sherman are held in the Art Institute of Chicago; The Museum of Modern Art, meaning and use of art. Metropolitan Museum of Art and the lhitney Museum of American Art, New York; the Madison THE MUSEUM OF MODERN ART Museum of Contemporary Art; the Museum of Contemporary Art, Chicago; the Museum of 9781633450233 U.S. $60.00 CDN $78.00 Contemporary Art, Los Angeles; and the Albright-Knox Art Gallery, Buffalo, among others. Clth, 9.5 x 12 in. / 256 pgs / 258 color. ALSO AVAILABLE April/Art ALSO AVAILABLE Cindy Sherman: The Complete HARTMANN BOOKS Louise Lawler: The Tremaine Untitled Film Stills 9783960700012 U.S. $25.00 CDN $32.50 EXHIBITION SCHEDULE Pictures 1984-2007 9780870705076 Clth, 6.5 x 8 in. / 64 pgs / 40 color. New York: The Museum of Modern Art, 9783905829037 Hbk, U.S. $50.00 CDN $65.00 Available/Photography/Art 04/30/17–07/30/17 Pbk, U.S. $25.00 CDN $30.00 The Museum of Modern Art JRP|Ringier

52 artbook.com artbook.com 53 Gerhard Richter: Catalogue Raisonné, Volume 2 Nos. 199–388, 1968–1976 Edited with text by Dietmar Elger. The oeuvre of Gerhard Richter (born 1932) embraces in excess of 3,000 individual works. Over a period of five decades he has created a stylistically heterogeneous, complex body of work that testifies to his status as the most important living artist of our time. Dietmar Elger, director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, has spent years researching and preparing the six-volume catalogue raisonné that will be published through 2020. This second volume encompasses the works that Richter assigned numbers 199 to 388, covering the years 1968 to 1976. A total of over 500 paintings and sculptures are listed. Aside from the richly colored illustrations (many of them full-page), it includes full technical details, information about the artist’s handwritten notes and the provenance, bibliography and exhibitions of each individual work. This information is supplemented by commentary, quotes and comparison images.

HATJE CANTZ 9783775719797 This epic feat of art publishing is the last word on Richter’s sensual U.S. $375.00 CDN $485.00 SDNR30 Clth, 10 x 11.5 in. / 640 pgs / 580 color. The second installment in and ingenious overpainted photographs February/Art Dietmar Elger’s ambitious

2016 MIDWINTER SUPPLEMENT six-volume Gerhard Richter Gerhard Richter: The Overpainted Photographs, publishing project A Comprehensive Catalogue Text by Hans Ulrich Obrist, Robert Storr, Paul Moorhouse, Siri Hustvedt, Stefan Gronert, Christine Mehring, Dorotheé Brill, Uwe M. Schneede, Botho Strauss, Aline Guillermet, Achim Borchardt-Hume. This extraordinary six-volume slipcased production offers a comprehensive account of a largely unexplored (though immensely popular) aspect of the practice of Gerhard Richter: the Overpainted MORE CATALOGUE RAISONNÉS AVAILABLE FROM D.A.P. Photographs series, which he began creating in the mid-1980s and still engages with today. Andy larhol Prints: Ed Ruscha: Catalogue Francis Bacon: Thomas Ruff: These works begin with informal photographs—often snapshots of the artist’s personal life—which A Catalogue Raisonné Raisonné of the Catalogue Raisonne Editions 1988–2014 are subsequently obscured under layers of paint. Richter’s process often transforms their visual 9781891024634 Paintings Volume Six 9780956927316 9783775738590 Clth, U.S. $85.00 9783869307404 Slip, clth, U.S. $1,500.00 Hbk, U.S. $75.00 meaning entirely, creating a fascinating and dreamlike body of work. CDN $100.00 Clth, U.S. $200.00 CDN $2,000.00 SDNR40 CDN $90.00 The first volume contains essays, including newly commissioned texts on the Overpainted D.A.P. CDN $240.00 The Estate of Francis Hatje Cantz Photographs by acclaimed American art critic Robert Storr, Hans Ulrich Obrist, curator, critic and Steidl Bacon co-director of Serpentine Galleries, Paul Moorhouse of the National Portrait Gallery, Stefan Gronert, Christine Mehring and Dorotheé Brill, alongside important reprinted texts on the subject, including Gerhard Richter: Atlas, Gerhard Richter: Gerhard Richter: Gerhard Richter: essays by Siri Hustvedt, Uwe M. Schneede and Botho Strauss. in Four Volumes Catalogue Raisonné, Catalogue Raisonné, Catalogue Raisonné, 9783863355203 Volume 1 Volume 3 Volume 4 HENI PUBLISHING Slip, clth, U.S. $1,500.00 9783775719780 9783775719803 9783775719810

9780993316128 U.S. $800.00 CDN $1,040.00 SDNR40 CDN $1,950.00 Slip, clth, U.S. $375.00 Slip, clth, U.S. $375.00 Slip, clth, U.S. $375.00 Slip, hbk, 6 vols, 8.75 x 10.25 in. / 1,930 pgs / 1,800 color. lalther König, Koln CDN $450.00 SDNR30 CDN $450.00 SDNR30 CDN $450.00 SDNR30 May/Art/Limited Edition Hatje Cantz Hatje Cantz Hatje Cantz

54 artbook.com artbook.com 55 Andy Warhol: Prints From the Collections of Jordan D. Schnitzer and his Family Foundation Edited by Carolyn Vaughn. Foreword by Brian Ferriso. Text by Sara Krajewski, Richard H. Axsom, Jordan D. Schnitzer. “I’m for mechanical art,” said Andy larhol (1928–87). “lhen I took up silkscreening, it was to more fully exploit the preconceived image through commercial techniques of multiple reproduction.” Printmaking was a vital artistic practice for larhol. Prints figure prominently throughout his career from his earliest work as a commercial illustrator in the 1950s to the collaborative silkscreens made in the Factory during the 1960s and the commissioned portfolios of his final years. In their fascination with popular culture and provocative subverting of the difference between original and copy, larhol’s prints are recognized now as a prescient forerunner of today’s hyper-sophisticated, hyper-saturated and hyper-accelerated visual culture. Andy Warhol: Prints, published to accompany a major exhibition at the Portland Art Museum—the largest of its kind ever to be presented—includes approximately 250 of larhol’s prints and ephemera from the collection of Jordan D. Schnitzer, including iconic silkscreen prints of Campbell’s soup cans and Marilyn Monroe. Organized chronologically and by series, Andy Warhol: Prints establishes the range of larhol’s innovative graphic production as it evolved over the course of four decades, with a particular focus on larhol’s use of different printmaking techniques, beginning with illustrated books and ending with screen printing.

JORDAN SCHNITZER FAMILY FOUNDATION EXHIBITION SCHEDULE 9780692764473 U.S. $55.00 CDN $70.00 Portland, OR: Portland Art Museum, Hbk, 9.5 x 12.5 in. / 184 pgs / 280 color. 10/08/16–01/01/17 February/Art

Eduardo Paolozzi Edited by Daniel F. Herrmann. Text by Hal Foster, Jon Wood, Mariana Cristallo Deball. Eduardo Paolozzi was one of the most innovative and irreverent British artists of the 20th century. Considered the “godfather of Pop art,” his powerful collages, sculptures and prints participated in and pushed back against the currents of postwar British art history, Arthur Dove: A Reassessment Arthur Dove was from his 1947 collage “I las a Rich Man’s Plaything” to the 1950s “Geometry of Fear” Foreword by David Anfam. Text by Alan Pensler, Suzanne Mullett Smith. sculpture, through the Swinging Sixties and on to the advent of “Cool Britannia.” In the Arthur Dove: A Reassessment offers a fresh look at the art, life and literature of seminal American one of America’s event of a nuclear holocaust, J.G. Ballard said, Paolozzi’s enormous body of work “could modernist painter Arthur Dove (1880–1946). It also introduces Dove’s long-forgotten biographer Suzanne serve as evidence to reconstruct the 20th century.” Mullett Smith, who worked with Alfred Stieglitz and the artist from 1943 to 1944 assembling a chronicle first abstract painters Accompanying the first major international exhibition of Paolozzi’s art since 1975, this of Dove’s art and life as well as a catalogue raisonné. publication presents a comprehensive overview of Paolozzi’s work from the 1940s to the By examining previously unpublished material, this volume explores the differences between Dove’s pub- 1990s, reassessing one of the most dynamic, versatile and pugilistic artists from Britain lic and private personas, especially the development of his art while living in lestport, Connecticut, from and highlighting the relevance of his work for artists today. As well as including a history 1910 to 1920; his successful career as a chicken farmer; his complex relationship with his family; and the of the artist’s work in an international context, entries on more than 100 works and a full impact of his Christian background on some of his best-known works. This lavishly designed volume bibliography, the book presents new approaches to Paolozzi from Hal Foster and Jon offers a fresh reexamination of Dove that is sure to become essential reading for scholars and fans alike. lood, as well as a contribution by the contemporary Mexican artist Mariana Cristallo Arthur Dove (1880–1946) is often considered the first American abstract painter. After graduating from Deball. Cornell University, he became a well-known commercial illustrator in New York, working for Harper’s Magazine and The Saturday Evening Post. In 1910 he exhibited at Stieglitz’s 291 gallery as part of the WHITECHAPEL GALLERY show Younger American Painters. Dove’s most consistent supporter was Duncan Phillips, founder of the 9780854882533 U.S. $50.00 CDN $65.00 Clth, 8.25 x 10 in. / 320 pgs / 250 color. Phillips Collection in lashington, DC, which now holds the majority of Dove’s work. His final home, April/Art ALSO AVAILABLE now known as the Arthur Dove-Helen Torr Cottage in Centerport, Long Island, was added to the National International Pop EXHIBITION SCHEDULE Register of Historic Places in 2000. 9781935963080 London, England: lhitechapel Gallery, Hbk, U.S. $85.00 LUCIA|MARQUAND 02/15/17–05/14/17 CDN $100.00 9780692762202 U.S. $50.00 CDN $65.00 lalker Art Center Hbk, 9 x 11 in. / 160 pgs / 120 color. June/Art

56 artbook.com artbook.com 57 Teeming with life, these astounding miniature worlds are virtuoso triumphs of the Late Gothic

Small Wonders Late Gothic Boxwood Microcarvings from the Low Countries Edited by Frits Scholten. Text by Barbara Drake Boehm, Pete Dandridge, Lisa Ellis, Reindert Falkenburg, Ingmar Reesing, Frits Scholten, Sasha Suda. This volume reveals the extraordinary artistry of the miniature boxwood carvings of the early 16th century—works so small they can fit in the palm of your hand. These ingeniously constructed, wonderfully detailed works depicting biblical scenes were made for private devotion and amusement. Presenting 60 statuettes, miniature altars, prayer nuts, rosaries, skulls and other pendants, Small Wonders is the first examination of these pocket-sized Late Gothic carvings from the Low Countries. The techniques employed to transform these small objects into miniature worlds, teeming with life, have long defied comprehension. Now, through collaborative work by conservators at the Art Gallery of Ontario and The Metropolitan Museum of Art, the artists’ secrets have been unlocked. The Thomson Collection at the Art Gallery of Ontario and The Metropolitan Museum of Art constitute the largest and most significant collections of late Medieval and Renaissance boxwood production; the Rijksmuseum possesses a prayer bead inscribed with its original owner’s name, together with its copper case and velvet pouch. A tiny triptych, a hinged bead carved inside and out, an opening coffin and skull with images worthy of Halloween, and a rosary given to King Henry VIII are among the approximately 40 marvelous carvings featured. These and other “small wonders” were specially photographed for this bulky miniature publication, “[Segers] painted landscapes in a state of bliss.” —Werner Herzog gorgeously designed by Dutch designer Irma Boom, to fully reveal all their thrilling detail.

NAI010 PUBLISHERS/RIJKSMUSEUM 9789491714931 U.S. $60.00 CDN $78.00 Hercules Segers: Painter, Etcher, A Catalogue Raisonné Hbk, 5 x 7 in. / 690 pgs / 774 color. February/Art Edited by Huigen Leeflang, Pieter Roelofs. Hercules Segers (sometimes spelled Seghers) may be art history’s greatest unknown artist. Active in early EXHIBITION SCHEDULE 17th-century Holland just before Rembrandt, he created otherworldly landscapes of astonishing originality Toronto, Canada: The Art Gallery of Ontario, 10/29/16–01/22/17 New York: The Met Cloisters, Metropolitan Museum of Art, 02/22/17–05/21/17 which today are viewed as radical anticipations of modernism. Using an array of innovative techniques Amsterdam, Netherlands: Rijksmuseum, 06/15/17–09/17/17 that still puzzle scholars (including his famous “sugar lift” etching method), Segers created extraordinarily resonant, melancholic landscapes characterized by luscious, soft lines, that resemble nothing by his contemporaries and little that has followed since. Segers rejected the notion that prints from a single plate should be identical, instead freely deploying varied color schemes, then adding lines or cutting down the plate and sometimes printing on cloth. Consequently, each print became a unique miniature painting. Poets and artists down through the ages have been fascinated by Segers’ poetical art; he strongly influenced Rembrandt, who owned at least eight of his paintings (and one of his printing plates), and more recently, the director lerner Herzog helped revive Segers’ name by featuring his prints in his piece for the 2012 lhitney Biennial. NAI010 PUBLISHERS/RIJKSMUSEUM 9789462083462 U.S. $150.00 CDN $180.00 Accompanying a major exhibition at The Metropolitan Museum of Art in New York and Rijksmuseum, Slip, hbk, 2 vols, 9.25 x 12 in. / 400 pgs / Amsterdam, this revelatory two-volume catalogue raisonné (one volume comprised of plates and the 223 color. other of critical texts) is the most substantial work on the artist ever published, and the first in English February/Art since 1978. Beautifully designed by Irma Boom, it contains detailed descriptions of all 18 known paintings EXHIBITION SCHEDULE and all 184 etchings in full color, most of them at actual size. Amsterdam, Netherlands: Hercules Segers (1589/90–c. 1640) was one of the most unusual artists of the Dutch Golden Age. Rijksmuseum, 10/07/16–01/08/17 Born into a Flemish immigrant family in Haarlem, Segers also lived in Leiden, Amsterdam, Utrecht and New York: Metropolitan Museum of Art, 02/07/17–05/21/17 The Hague, where he died.

58 artbook.com artbook.com 59 Rodin Photographs by Emmanuel Berry Introduction by Hélène Pinet. Text by Marie Guillot. Throughout his career, Rodin maintained a special relationship with the photographic medium. He was probably one of the first artists to understand the importance of photography in order to better promote his sculptures, thus leaving in his wake a vast array of documentary images and reproductions relating to his oeuvre. lriting to Edward Steichen about Stei- chen’s famous images of his “Monument to Balzac,” Rodin said, “You will make my Balzac understood by the world through these photographs.” In this handsome slipcased volume, French photographer Emmanuel Berry inter- prets the expressive power of Rodin’s artworks with his gorgeous black-and-white photographic studies, scrutinizing his techniques and redeploying photography as a “cutting” tool to reveal Rodin’s work in a new light. Auguste Rodin (1840–1917) is widely deemed the father of modern sculpture. Despite early rejection by the French art academies, he built a career focused on depicting the human form, through the use of materials such as bronze, marble, plaster and clay, and by 1900, he was a world-renowned artist. Rodin is best known for his artworks “The Kiss” (1884), “The Thinker” (1880) and “The Age of Bronze” (1876). Hiroshi Sugimoto: Snow White Published in an edition of 400 signed and numbered copies, Snow White is a unique collector’s edition book This luxurious, EDITIONS XAVIER BARRAL 9782365111058 U.S. $65.00 CDN $85.00 containing 75 artworks by Hiroshi Sugimoto (born 1948). All of the photographs in Snow White are from his Slip, hbk, 9 x 12.25 in. / 120 pgs / 49 duotone. Theaters series and include many of his well-known photographs of classic movie palaces and drive-ins, along silk-bound January/Art with new photographs of Italian opera houses and abandoned theaters. Sugimoto began the Theaters series four decades ago. To make these images, he opens the shutter inside the dark theater (or in the case of the drive-ins, limited edition outside at night) for the duration of the movie. The running movie is the only source of light bringing out the presents architectural details of these spaces. The Disney movie Snow White was running when Sugimoto photographed “Palace Theater, Gary” (2015), one of the abandoned theaters that is reproduced here. highlights from In this book, Sugimoto reveals for the first time the movies that were screened when he took these photographs and the exposure time of each photograph. Each artwork in Snow White is accompanied by the name of the Sugimoto’s movie, its running time and a short text about each written by Sugimoto. The black-and-white photographs are hand-tipped onto the pages and the book is bound in silk cloth. Each copy contains a numbered colophon beloved signed by Sugimoto. Theaters series DAMIANI/MATSUMOTO EDITIONS 9788862085205 U.S. $750.00 CDN $975.00 SDNR30 Slip, clth, 10.5 x 14 in. / 160 pgs / 75 tritone. March/Photography/Asian Art & Culture/Limited Edition

ALSO AVAILABLE Hiroshi Sugimoto: Hiroshi Sugimoto: Hiroshi Sugimoto: Hiroshi Sugimoto: Dioramas Seascapes The Long Never Theatres 9788862083270 9788862084161 9788862083843 Ravishing photographic studies of 9788862084772 Clth, U.S. $65.00 Clth, U.S. $70.00 Clth, U.S. $750.00 Clth, U.S. $60.00 CDN $75.00 CDN $85.00 CDN $900.00 SDNR30 Rodin’s sculptural genius CDN $78.00 Damiani/Matsumoto Damiani/Matsumoto Damiani/Matsumoto Damiani/Matsumoto Editions Editions Editions Editions

60 artbook.com artbook.com 61 NEW TITLES IN DAVID ZWIRNER BOOKS’ EKPHRASIS SERIES Pictures of You Ten Journeys in Time By Rory MacLean. In the 20th century, amateur photography took history—and collective memory—out of the hands of historians and gave it to individuals. In Pictures of You, bestselling British-Canadian historian and travel writer Rory MacLean narrates a journey through 10 photographs, across the globe and into the lives of 10 ordinary men and women who lived through extraordinary times. Each photograph (or group of photographs) comes from a different decade of the 20th century: the first killing of the Cold lar; the dying hopes of a doomed aviator; the ghosts of Native America at Alcatraz; Chairman Mao’s most timid lover; Nature’s final battle with humankind. Through these images, MacLean ventures from Siberia to Rangoon, China to Shepperton Studios, hearing forgotten voices that echo from the depths of time, picturing lives that mirror our own, and saving the stories behind these pictures of you. All of these images belong to the Archive of Modern Conflict in London. Over the last 25 years the Archive’s small collection of amateur photographs has grown into one of the world’s most moving image treasuries, its shelves now holding pictures of some four million lost lives. “A delicately beautiful book, haunting in its effect. Superb.” –Alexander McCall Smith “Stunning! A unique virtuoso exercise in empathy, narrative and imagination.” –Jan Morris 2016 MIDWINTER SUPPLEMENT Rory MacLean (born 1954) is the author of more than a dozen books, including Stalin’s Nose Pissing Figures Degas and His Model and Under the Dragon. According to the late John Fowles, his works “marvelously show why 1280–2014 By Alice Michel. Chardin and Rembrandt literature still lives.” His recent Berlin: Imagine a City was chosen as a book of the year by the By Jean-Claude Lebensztejn. Translated by Jeff Nagy. By Marcel Proust. Washington Post, whose reviewer called it “the most extraordinary work of history I’ve ever read.” Translated by Jeff Nagy. There are many myths about Edgar Degas— Translated by Jennie Feldman. Afterword by Alain Madeleine-Perdrillat. BONE IDLE Jean-Claude Lebensztejn’s history of the urinat- from Degas the misanthrope to Degas the Long overlooked in Marcel Proust’s posthu- 9780995185517 U.S. $20.00 CDN $26.00 ing figure in art, Pissing Figures 1280–2014, is at deviant to Degas the obsessive. But there is no mously published writings, Chardin and Rem- Pbk, 5 x 7 in. / 200 pgs / 100 b&w. once a scholarly inquiry into an important visual single text that better stokes the fire than Degas February/Photography/Nonfiction Criticism brandt, written when he was only 24 years old, motif, and a ribald statement on transgression and His Model, a short memoir by Alice Michel, not only reemphasizes the importance of visual and limits in works of art in general. Lebensztejn who purportedly modeled for Degas. Never art to his development, but contains the seeds is one of France’s best-kept secrets. A world- before translated into English, the text’s origi- of his later work. Proposed in 1895 by Proust to class art historian who has lectured and taught nal publication in Mercure de France in 1919, the newspaper Revue hebdomadaire (it was re- 2016 MIDWINTER SUPPLEMENT at major universities in the United States, his shortly after the artist’s death, has been treated jected), this essay is much more than a straight- work has remained almost entirely in French, his as an important account of the master sculptor The Keeper forward piece of art criticism. It is a literary American audience limited to a small but dedi- at work. le know that Alice was writing under experiment in which an unnamed narrator gives Edited by Massimiliano Gioni, Natalie Bell. Foreword by Lisa Phillips. Text by Massimiliano cated group of cognoscenti. a pseudonym, but who the real person behind Gioni, Ed Atkins, Wilson Bentley, Marguerite Yourcenar, Ydessa Hendeles, Robert H. Boyle, advice to a young man suffering from melan- Loretta Pettway, Zofia Rydet, John Cohen, Harry Smith, Orhan Pamuk. First introducing the Manneken Pis—the iconic this account was remains a mystery. Yet the de- choly, taking him on an imaginary tour through The Keeper accompanies an exhibition dedicated to the act of preserving objects, artworks little boy whose stream of urine supplies water scriptions seem too accurate, the anecdotes too the Louvre where his readings of Chardin imbue and images. Through a variety of imaginary museums, personal collections and unusual as- to this famous fountain and is also the logo for spot-on to discount; even the dialogue captures the everyday world with new meaning, and his semblages, it offers a reflection on the impulse to save both the most precious and the appar- a Belgian beer company—the author takes the the artist’s tone and mannerisms. ruminations on Rembrandt take his melancholic ently valueless, and reveals the devotion with which artists, collectors, scholars and hoarders reader through a semi-scatological maze of lhat is found in these pages is at times a pupil beyond the realm of mere objects. have created sanctuaries for endangered images and artifacts. cultural history. The earliest example is a fresco woman’s flirtatious recollection of a bizarre Published for the first time as a stand-alone Through works spanning the 20th century, The Keeper tells the stories of various individuals scene located directly above Cimabue’s “Cruci- “artistic type” and at others a moving attempt volume and newly translated, this edition aims through the objects they chose to safeguard. Some, such as Roger Caillois’ collection of rare fixion” from around 1280 at the Basilica of Saint to connect with a great, often tragic man. The to introduce a wider audience to one of Proust’s stones and Harry Smith’s string figures, pursue a universal syntax. Other collections were not Francis of Assisi, in which Lebensztejn’s careful descriptions are limpid; the dialogue is lively and most important pieces on art. “For the true so much kept as withheld, such as Hilma af Klint’s suite of abstract paintings from 1906–15, eye locates an angel behind a pillar urinating intimate, not unlike reading the very best kind of artist,” as Proust writes, “as for the natural sci- which she kept hidden for decades after her death, venturing that her work would be better through a hole in his garment. He continues to gossip, with world-historical significance. entist, every type is interesting, and even the appreciated beyond her own time. Shinro Ohtake’s feverishly collaged scrapbooks burst with navigate expertly through cultural twists and DAVID ZWIRNER BOOKS smallest muscle has its importance.” The same found materials as free associations of images and everyday ephemera. In a ceremonious per- turns, stopping to discuss Pier Paolo Pasolini’s 9781941701553 U.S. $12.95 CDN $16.95 could be said of the author’s own work—every sonal custom, Ye Jinglu had a studio portrait of himself taken every year for decades. These 1968 film Teorema, for example, and Marlene Pbk, 4.25 x 7 in. / 64 pgs. June/Nonfiction Criticism essay has its own crucial place in the formation photos, preserved by Tong Bingxue, represent collecting as a mode of auto-ethnography Dumas’s 1996–97 homage to Rembrandt’s piss- of his groundbreaking oeuvre. that inadvertently also traces social and political changes over time. The centerpiece of the ing woman. At every moment, Lebensztejn’s DAVID ZWIRNER BOOKS book is a vast display conceived by Ydessa Hendeles, composed of over 3,000 family album prose is lively, his thinking dynamic, and his sub- ALSO AVAILABLE 9781941701508 U.S. $12.95 CDN $16.95 photographs of people posing with teddy bears, and vitrines containing antique teddy bears. ject matter entertaining. Ramblings of a lannabe Painter by Paul Gauguin Pbk, 4.25 x 7 in. / 64 pgs / 8 color. DAVID ZWIRNER BOOKS NEW MUSEUM 9781941701393 Available/Nonfiction Criticism 9781941701546 U.S. $12.95 CDN $16.95 9780915557127 U.S. $49.95 CDN $64.95 Pbk, U.S. $12.95 CDN $16.95 Hbk, 6.25 x 9.25 in. / 288 pgs / 292 color / 106 b&w. Pbk, 4.25 x 7 in. / 168 pgs / 130 color / 25 b&w. David Zwirner Books Available/Art June/Nonfiction Criticism

62 artbook.com artbook.com 63 The Exhibitionist: Journal on Exhibition Making Now-Tomorrow-Flux: An Anthology on the The First Six Years Museum of Contemporary Art Edited with introduction by Jens Hoffmann. Text by Julian Myers-Szupinska. Edited with text by Beatrice von Bismarck, Heike Munder, Peter J. Schneemann. Text The Exhibitionist: Journal on Exhibition Making is an anthology of the first 12 issues of the by Claire Bishop, Martha Buskirk, Beatriz Colomina, Bettina Funcke, Adrian Heathfield, journal about contemporary curating that bears the same name. Established in 2009 as a Christian Kravagna, Oliver Marchart, Sophia Prinz, Beat Wyss, Artur Zmijewski, et al. forum for critical reflection on exhibition-making and curatorial practice, The Exhibitionist The category of the “museum,” as it has been understood by museums of contemporary has always defined itself as “by curators, for curators.” Modeled after the iconic French film art over the last 30 years, is in need of a reassessment. This volume reflects on the mu- journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current cu- seum of contemporary art in all its paradoxical characteristics. Over four chapters consist- ratorial practices by focusing specifically on the exhibition format as a site of experimentation ing of three theoretical essays and a section dedicated to discussion, questions regarding and inquiry. The Exhibitionist has historicized, analyzed and critiqued a phenomenon it is itself the roles and tasks of the museum of contemporary art are addressed. The anthology symptomatic of—the rise of the curator since the 1960s, the ensuing explosion of curatorial discusses the museum of contemporary art’s double character as a site of production as creativity and the growing fascination with the discipline of curating. well as conservation, and emphasizes its relation to different public spheres, also explor- Over the six years of its run, The Exhibitionist has published writings from many of the most ing ways of dealing with the standards that emerge from the practices of collecting, orga- prominent curatorial voices in the field, offering a who’s who of curatorial practice; contribu- nizing and educating. Included are contributions from art historians and cultural experts tors include Okwui Enwezor, Hans Ulrich Obrist, Mary Jane Jacob, Nato Thompson, Jessica Claire Bishop, Büro trafo.K, Martha Buskirk, Beatriz Colomina, Bettina Funcke, Adrian Morgan, Maria Lind, Sofía Hernández Chong Cuy and Massimiliano Gioni, to name just a Heathfield, Christian Kravagna, Oliver Marchart, Donald Preziosi, Sophia Prinz, Beat lyss select few. and Artur Zmijewski. Collected together in a monumental omnibus edition (clocking in at 975 pages), the complete JRP|RINGIER run of the journal is accompanied by a new introduction by founding editor Jens Hoffmann, 9783037643679 U.S. $39.95 CDN $50.00 Pbk, 6.25 x 9 in. / 272 pgs / 32 color. and a critical approach to a theory of the exhibition by senior editor Julian Myers-Szupinska. March/Nonfiction Criticism/Art ALSO AVAILABLE lith the publication of this volume, The Exhibitionist closes a chapter of its existence as a Making a Museum in the print magazine and shifts its activities to the-exhibitionist.com. 21st Century 9780692277638 THE EXHIBITIONIST Flexi, U.S. $24.95 CDN $27.50 9781942884125 U.S. $39.95 CDN $50.00 Asia Society ALSO AVAILABLE Pbk, 7.5 x 10.25 in. / 975 pgs / 450 b&w. On Curating II March/Art/Nonfiction Criticism 9781938922909 Pbk, U.S. $29.95 CDN $35.00 D.A.P./Distributed Art Publishers Midnight: The Tempest Essays Pre-Occupations 2 By Molly Nesbit. ArtCenter Talks Midnight: The Tempest Essays, the second book in Molly Nesbit’s Pre-Occupations series, returns the question of pragmatism to the everyday critical practice of the art historian work- Graduate Seminar, The First Decade 1986–1995 ing in the late 20th century. These essays take their cues from the work of specific artists and Edited with introduction by Stan Douglas. Foreword by Diana Thater, Jason E. Smith. writers, beginning in the late 1960s, a time when critical commentary found itself in a political Contributions by Beth B, Rosetta Brooks, Luís Castro Leiva, Meg Cranston, Charles Gaines, Jack Goldstein, et al. and philosophical crisis. This collection of never-before-published talks at one of the leading art schools in the United Illustrated case studies on Eugène Atget, Marcel Duchamp, Jean-Luc Godard, Cindy States documents an exciting decade in the development of contemporary art and arts Sherman, Louise Lawler, Rachel lhiteread, Gabriel Orozco, Rirkrit Tiravanija, Lawrence education, featuring interviews with renowned artists, curators and writers Beth B, Rosetta leiner, Nancy Spero, Rem Koolhaas, Martha Rosler, Gerhard Richter, Matthew Barney and Brooks, Luís Castro Leiva, Meg Cranston, Charles Gaines, Jack Goldstein, Felix Gonzalez- Richard Serra, among others, continue the legacy of a pragmatism that has endured while Torres, Susan Hiller, Roni Horn, Kellie Jones, Mike Kelley, Justen Ladda, Thomas Lawson, debates over postmodernism and French philosophy raged. Sylvère Lotringer, John Miller, Constance Penley, Brian Routh, Mira Schor, Allan Sekula, Molly Nesbit is Professor in the Department of Art at Vassar College and a contributing Robert Storr and Lynne Tillman. editor of Artforum. Since 2002, together with Hans Ulrich Obrist and Rirkrit Tiravanija, she Launched in 1986, the Graduate Art Department of the ArtCenter College of Design, in has curated Utopia Station, a collective and ongoing book, exhibition, seminar, website Pasadena, California, celebrates its 30th anniversary in 2016. This book documents the first and street project (in Poughkeepsie, Frankfurt, Venice, Munich, Porto Alegre and, next, the decade of the department’s existence by presenting a selection from over 300 talks. Brooklyn Museum). Her books include Atget’s Seven Albums (Yale University Press, 1992) Discussions between students and faculty members range from what it means to be an artist and Their Common Sense (Black Dog, 2000). The Pragmatism in the History of Art (Periscope, and the changing role of art in society, to how artists function within an academic setting. 2013) was the first volume of Pre-Occupations, a series collecting her essays. Alongside the talks, this volume also includes reproductions of slides used by participants, INVENTORY PRESS offering a sense of the context and spirit of the original seminars. 9781941753149 U.S. $35.00 CDN $45.00 ALSO AVAILABLE Hbk, 6 x 9 in. / 304 pgs / 65 color / 40 b&w. Radical Museology ARTCENTER GRADUATE PRESS / DAVID ZWIRNER BOOKS March/Nonfiction Criticism/Art 9783863353643 9781941701522 U.S. $39.95 CDN $50.00 Pbk, U.S. $19.95 CDN $25.00 Pbk, 6 x 9.5 in. / 368 pgs / 262 color / 16 b&w. lalther König, Köln February/Nonfiction Criticism/Art

64 artbook.com artbook.com 65 BACK IN STOCK FACSIMILE EDITION Hippie Modernism: The Struggle for Utopia Tuli Kupferberg: Yeah Edited with text by Andrew Blauvelt. Text by Greg Castillo, Esther Choi, Alison This volume collects all ten issues of the classic 1960s zine Yeah, edited by Fugs pioneer and Clarke, Hugh Dubberly, Ross Elfline, Craig Peariso, Tina Rivers Ryan, Catharine poet Tuli Kupferberg and his wife Sylvia Topp, as facsimile editions. Originally published by Rossi, Simon Sadler, Felicity Scott, Lorraine Wild with David Karwan. Interviews by Kupferberg and Topp’s Birth Press between 1961 and1965, the magazine was, according to Adam Gildar, Susan Snodgrass, Elizabeth Glass. Kupferberg, “a satyric excursion; a sardonic review; a sarcastic epitome; a chronical of the Hippie Modernism examines the art, architecture and design of the counterculture last days,” and throughout its pages he acts as both editor and artist, threading the needle of of the 1960s and early 1970s. The catalogue surveys the radical experiments that leftist politics with the sharp wit for which he became known as one of the founders of the challenged societal norms while proposing new kinds of technological, ecological counterculture rock heroes The Fugs. and political utopia. It includes the counter-design proposals of Victor Papanek and The magazine began under the shadow of the Cold lar, with Kupferberg and fellow poets the anti-design polemics of Global Tools; the radical architectural visions of Archi- contributing poetry, drawings and collages that protested the social problems of the time: gram, Superstudio, Haus-Rucker-Co and ONYX; the installations of Ken Isaacs, nuclear war, white supremacy, the Cold lar and the Vietnam lar, among others. Around Joan Hills, Mark Boyle, Hélio Oiticica and Neville D’Almeida; the experimental films issue seven, the magazine shifted toward an aesthetic that most closely resembles the cut- of Jordan Belson, Bruce Conner and John lhitney; posters and prints by Emory and-paste zine style of the ‘70s and ‘80s. Douglas, Corita Kent and Victor Moscoso; documentation of performances by the In these issues, Kupferberg collages articles, images and advertisements in book-length Diggers and the Cockettes; publications such as Oz and The Whole Earth Catalog; meditations that bite and snap at the American dream with the artist’s trademark sarcasm. books by Marshall McLuhan and Buckminster Fuller; and much more. The magazine ended with the infamous “Kill for Peace” issue, which lampooned American lhile the turbulent social history of the 1960s is well known, its cultural produc- patriotism on the eve of America’s escalated involvement in Vietnam. tion remains comparatively under-examined. In this substantial volume, scholars explore radical architectural and anti-design movements emerging in Europe PRIMARY INFORMATION CDN $52.50 and North America; the print revolution in the graphic design of books, posters 9780990689690 U.S. $40.00 Boxed, pbk, 10 vols, 5.5 x 8.5 in. / ALSO AVAILABLE and magazines; and new forms of cultural practice that merged street theater and 320 pgs / 142 color / 24 b&w. A Book of Glyphs radical politics. March/Fiction & Poetry/Artists’ Books 9781887123815 Pbk, U.S. $24.95 CDN $27.50 WALKER ART CENTER Granary Books, Inc. 9781935963097 U.S. $55.00 CDN $65.00 Pbk, 9.5 x 11.75 in. / 448 pgs / 200 color / 80 b&w. ALSO AVAILABLE Available/Design/Art Blueprint for Counter Education 9781941753095 Box, pbk, 2 vols, U.S. $55.00 CDN $70.00 Nothing Is Real: When the Beatles Inventory Press Met the East Edited by Luca Beatrice. Text by Antonio Taormina, Fulvio Ferrari, Matteo Guarnaccia, Gabriele Ferraris, Steve Della Casa. Following the release of Sgt. Pepper’s Lonely Hearts Club Band (1967), the The Present Is the Form of All Life: Beatles—at that point the most famous band in the world—found themselves The Time Capsules of Ant Farm and LST increasingly drawn to Eastern mysticism, culminating with the band’s 1968 Edited by Liz Flyntz, David Everett Howe. Foreword by Gabriel Florenz. Introduction by Liz Flyntz. trip to India (accompanied, of course, by wives and girlfriends as well as an Text by Constance M. Lewallen, Steve Seid, Gabriella Giannachi. Interview by Rudolf Frieling. entourage of friends, assistants and reporters). The journey that John, Paul, Perhaps best known for the iconic desert monolith “Cadillac Ranch” and stunts like “Media Burn,” George and Ringo made to study at the Maharishi Mahesh Yogi’s ashram would the radical architecture and media art group Ant Farm created an abundance of works across become a key event in the history of lestern pop culture: followed breathlessly disciplines—including video, publications, built environments and performances. Throughout their in the international media, it caused an enormous stir and was fundamental in career (1968–79), Ant Farm conceived a series of time capsules that focused not on the eternal spreading a certain fascination with the East that influenced music, literature, but rather on the fleeting aspects of postwar American culture: consumer goods, media archives cinema and fashion at the end of the 1960s. and tchotchkes. For various reasons, all of Ant Farm’s time capsules failed to function, that is, to Nothing Is Real takes its title from a memorable line from the Beatles’ song be opened at the allotted future time and the intact contents examined. “Strawberry Fields Forever.” Eastern thinking and spiritual practices felt liberating Ant Farm’s successor group, LST, has taken up the project with their contemporary work “Ant and modern to a generation looking for alternatives, and the Beatles’ trip was a Farm Media Van v.08 [Time Capsule]” (2008). This work not only functions but updates the origi- watershed moment, announcing definitively that Europe and the United States nal’s line of questioning, exploring notions of the time capsule in the digital age. had a genuine trend on its hands. Taking the Beatles’ 1968 journey as its point The Present Is the Form of All Life represents the first comprehensive documentation of these of departure, Nothing Is Real invokes this extraordinary moment through overlooked ephemeral works. Including many previously unpublished images, this publication contemporary reports, archival photographs, album covers, books and magazines also boasts essays by Constance M. Lewallen, Steve Seid and Gabriella Giannachi, and a discus- from the period, and artworks by Ettore Sottsass, Alighiero Boetti, Francesco sion between curator Rudolf Frieling and LST. Clemente, Luigi Ontani, Aldo Mondino and Julian Schnabel.

PIONEER WORKS PRESS SILVANA EDITORIALE 9781945711015 U.S. $45.00 CDN $57.50 9788836633883 U.S. $35.00 CDN $45.00 Hbk, 8 x 10.5 in. / 256 pgs / 171 color / 77 b&w. Pbk, 9 x 11 in. / 176 pgs / 200 color. February/Art February/Design/Art/Music

66 artbook.com artbook.com 67 BACK IN PRINT Sister By Jim Lewis. First published in 1993, Sister is a story of love and violence bearing justice. In author and critic Jim Lewis’ first novel, an orphaned, 17-year-old lilson leaves his Nebraska home and heads south to Mississippi. There, he finds work as a gardener on the estate of the Miller clan—a nuclear family with two lovely daughters, Marian and Olivia, living in compliant happiness. lilson’s surreptitious presence soon casts a quiet path of destruction through the Miller home with very tangible results for the sisters. Twenty years after its original publication, Lewis’ lyrical, atmospheric novel remains exacting in its appraisal of young love linked to loss and unnerving in its examination of the isolated American family. Jim Lewis (born 1963) is an American novelist. He has published three novels: Sister (published by Graywolf in 1993), Why the Tree Loves the Ax (published by Crown in 1998) and The King Is Dead (published by Knopf in 2003). In addition to his novels, he has written extensively on the visual arts—in Artforum, Parkett and Harper’s Bazaar, 2016 MIDWINTER SUPPLEMENT among others—and has contributed to numerous monographs, on artists such as Stan Brakhage: Richard Prince, Jeff Koons, Christopher lool and Larry Clark. Studio: A Remembrance Imponderable: The Metaphors on Vision Archives of Tony Oursler KARMA, NEW YORK 9781942607441 U.S. $22.00 CDN $29.95 Edited by P. Adams Sitney. of Chris Marker Edited with text by Tom Eccles, Maja Pbk, 6.5 x 9.25 in. / 208 pgs. “Imagine an eye unruled by man-made laws of Photographs by Adam Bartos. Text by Colin Hoffmann, Beatrix Ruf. Text by Jordan Bear, January/Fiction & Poetry McCabe. Introduction by Ben Lerner. perspective … an eye which does not respond Karen Beckman, Branden W. Joseph, Fred Chris Marker (1921–2012) was a celebrated Nadis, Stephanie O’Rourke, Jim Steinmeyer, to the name of everything but which must know French documentary film director, writer and Christopher Turner, et al. each object encountered in life through an photographer, best known for his films La Jetée, Now in an English-only edition published for two adventure of perception. How many colors are A Grin Without a Cat and Sans Soleil. He was parallel exhibitions at The Museum of Modern there in a field of grass to the crawling baby un- described by fellow filmmaker Alain Resnais as Art and Bard College, Imponderable features aware of ‘Green?’” So begins Stan Brakhage’s “the prototype of the 21st-century man.” In this highlights from the incredible magic and occult (1933–2003) classic Metaphors on Vision. highly original book, Adam Bartos’ exquisite collection of New York–based artist Tony Originally published in 1963 by Jonas Mekas photographs of Marker’s studio, a workspace Oursler (born 1957). Since the late 1990s, My Vibe as a special issue of Film Culture, and designed both extraordinarily cluttered and highly orga- Oursler has been amassing a vast personal By Jeremy Sigler. by George Maciunas, it stands as the major nized, appear alongside a moving reminiscence archive of objects and ephemera relating to Edited by Dan Nadel. theoretical statement by one of avant-garde of his friend by the film theorist, Godard biog- magic, the paranormal, film, television, phantas- My Vibe is New York–based poet and writer Jeremy Sigler’s collection of diaristic tales by cinema’s most influential figures, a treatise on rapher and practitioner Colin MacCabe. The magoria, pseudoscience and technology. One an only partly sympathetic struggling poet who flirts with—and often fails at—creating mythopoeia and the nature of visual experience novelist and poet Ben Lerner provides a fulsome of the collection’s many digressions records romance and playful distractions in his otherwise boring life. The tales are self-deprecating, written in a style as idiosyncratic as his art. introduction to the work of Marker, Bartos and the friendship between the artist’s grandfather awkward, nostalgic and at times perverse, but they retain warmth, honesty, whimsy, charm Long out of print, the volume is now available MacCabe. The physical structure of the book, Charles Fulton Oursler (a famous early 20th- and are often wickedly funny. “I love pseudoscience. I love it. Next time I read my work in in this definitive edition from Anthology incorporating an array of gatefold images, century author and publisher) and magician and public, I’m gonna cut out big cardboard letters and paint them red. I’m gonna prop them Film Archives and Light Industry, featuring echoes Marker’s own commitment to radical, escapologist Harry Houdini. up behind me: T-E-D. Pseudoscientists get all the fans. They get all the love letters. For Brakhage’s complete text in its distinctive innovative form. The result is a compelling This beautifully produced publication features up their viral youtubes of levitating beer cans. The Pseudos get all the attention. They go viral. original layout, as well as annotations by homage to one of the most important and to 1,500 objects from Oursler’s collection, Unlike poets.” scholar P. Adams Sitney. original talents in modern cinema. including photographs, prints, historic manu- “Jeremy’s voice is one you can’t deny; it’s crisp, clever and sometimes creepy. It’s like ANTHOLOGY FILM ARCHIVES/LIGHT INDUSTRY scripts, rare books, letters and objects. Ad- finding someone’s old journals, their identity revealed bit by bit, confession by confession.” CDN $52.50 OR BOOKS 9780997910209 U.S. $40.00 ditional topics include stage magic, thought – Abbi Jacobson, Broad City Pbk, 8.5 x 11 in. / 125 pgs. 9781682190807 U.S. $40.00 CDN $52.50 photography, demonology, cryptozoology, op- May/Nonfiction Criticism/Film & Video Hbk, 6.5 x 9.5 in. / 96 pgs / 21 color. Jeremy Sigler (born 1968) is a poet, critic and teacher living in Brooklyn, New York. May/Film/Photography tics, mesmerism, automatic writing, hypnotism, Sigler has had four collections of poetry published, including Crackpot Poet (Black Square fairies, cults, the occult, color theory and UFOs. Editions, 2010).

JRP|RINGIER SPOONBILL BOOKS ALSO AVAILABLE ALSO AVAILABLE 9783037644751 U.S. $65.00 CDN $85.00 9780692769485 U.S. $18.00 CDN $23.95 Brakhage’s Childhood Chris Marker: Pbk, 8 x 10 in. / 520 pgs / 552 color / 110 b&w. Pbk, 5.25 x 7.25 in. / 140 pgs. 9781887123839 A Grin lithout a Cat Available/Art March/Fiction & Poetry Pbk, U.S. $39.95 CDN $50.00 9780854882281 EXHIBITION SCHEDULE Granary Books Pbk, U.S. $45.00 CDN $55.00 lhitechapel Gallery New York: The Museum of Modern Art, 06/18/16–04/16/17

68 artbook.com artbook.com 69 The Unruly Bridal Bed and Other Grotesques The King in the Golden Mask By Mynona. By Marcel Schwob. Translated with an introduction by W.C. Bamberger. Translated with introduction by Kit Schluter. Originally published in 1921, The Unruly Bridal Bed brings together ten indefinable tales that First published in French in 1892 and never before translated fully into English, The King in include “Tobias and the Prune,” “Plant Paternity,” “The Dissolute Nose,” “Fried Sphinx Meat” the Golden Mask gathers 21 of Marcel Schwob’s cruelest and most erudite tales. Melding the and “The Great Gold-Plated Flea.” Under his literary pseudonym Mynona (a palindrome for fantastic with historical fiction, these stories describe moments of unexplained violence both the German “Anonym,” or “Anonymous”), Salomo Friedlaender here displays his unique historical and imaginary, often blending the two through Schwob’s collaging of primary source brand of philosophical slapstick that blends fairytale technology with proto-metafiction and at documents into fiction. Brimming with murder, suicide, royal leprosy and medieval witchcraft, times unsettling meditations on fornicating plants, aristocratic eugenics, spiritual and physical Schwob’s stories portray clergymen furtively attending medieval sabbaths, Protestant galley hermaphroditism, and our excremental sun. lith its companion volume of grotesques, My slaves laboring under the persecution of Louis XIV and dice-tumbling sons of Florentine noble- Papa and the Maid of Orléans , this collection offers a perfect introduction to the great German men wandering Europe at the height of the 1374 plague. These writings are of such hallucina- humorist’s work. tory detail and linguistic specificity that the reader is left wondering whether they aren’t newly Mentioned in his day in the same breath as Kafka, Mynona, a.k.a. Salomo Friedlaender unearthed historical documents. To read Schwob is to encounter human history in its most (1871–1946), was a perfectly functioning split personality: a philosopher by day (author of scintillating form as it comes into contact with this unparalleled imagination. Friedrich Nietzsche: An Intellectual Biography and Kant for Kids ) and a literary absurdist by The secret influence on generations of writers, from Guillaume Apollinaire and Jorge Luis night, who composed black-humored tales he called Grotesken. His friends and fans included Borges to Roberto Bolaño and J. Rodolfo lilcock, Marcel Schwob (1867–1905) was as Martin Buber, lalter Benjamin and Karl Kraus. He died in Paris, ill and in poverty, after Thomas versed in the street slang of medieval thieves as he was in the poetry of lhitman (whom he Mann refused to help him emigrate to the United States. translated into French). Paul Valéry and Alfred Jarry both dedicated their first books to him,

WAKEFIELD PRESS and in doing so paid tribute to the man who could evoke both the intellect of Leonardo da 9781939663269 U.S. $12.95 CDN $16.95 ALSO AVAILABLE Vinci and the anarchy of Ubu Roi. Pbk, 4.5 x 7 in. / 96 pgs. The Creator by Mynona WAKEFIELD PRESS ALSO AVAILABLE March/Fiction & Poetry 9781939663078 9781939663238 U.S. $14.95 CDN $19.95 The Book of Monelle U.S. CDN $15.00 Pbk, $13.95 Pbk, 4.5 x 7 in. / 176 pgs / 2 b&w. by Marcel Schwob. lakefield Press May/Fiction & Poetry 9780984115587 Pbk, U.S. $12.95 CDN $15.00 lakefield Press

My Papa and the Maid of Orléans and Other The Table Grotesques By Francis Ponge. By Mynona. Translated with introduction by Colombina Zamponi. Translated with an introduction by W.C. Bamberger. lritten from 1967 to 1973 over a series of early mornings in seclusion in his country home, Mynona’s other 1921 collection of grotesques is no less provocative and just as indefinable in The Table offers a final chapter in Francis Ponge’s interrogation of the unassuming objects nature—even close to a century after its original publication. These twelve off-kilter parabolic in his life: in this case, the table upon which he wrote. In his effort to get at the presence tales include items such as “The Chamber Pot as Lifesaver,” “The Art of Self-Embalming,” lying beneath his elbow, Ponge charts out a space of silent consolation that lies beyond (and “The Maiden as Toothpowder,” “Your Panties Are Beautiful!” and “The Amorous Corpse.” challenges) scientific objectivity and poetic transport. This is one of Ponge’s most personal, E.T.A. Hoffmann meets Immanuel Kant through the unlikeliest of looking glasses as Mynona overlooked, and—because it was the project he was working on when he died—his least spins out quasi-mystical meetings between cosmic entities and drawing-room romantics: a processed works. It reveals the personal struggle Ponge engaged in throughout all of his starry-eyed Buster Keaton skirting along the philosophical and literary borders of topics such as writing, a hesitant uncertainty he usually pared away from his published texts that is at cuckoldry, necrophilia, schizophrenia, the end of history and the love lives of objects. lith its touching opposition to the manufactured, “durable mother” of the table on and of which he companion volume of grotesques, The Unruly Bridal Bed , these twelve tales poke more holes in here writes. the material world and further demonstrate Mynona’s predilection for the philosophical pratfall. Francis Ponge (1899–1988) was both a giant of French 20th-century poetry and one of its humblest practitioners. The poet of “things,” he practiced a poetic contemplation—usually in WAKEFIELD PRESS the form of his own unique brand of hesitant, searching prose poem—of the everyday objects 9781939663276 U.S. $12.95 CDN $16.95 Pbk, 4.5 x 7 in. / 96 pgs. that share our existence. He did not so much reinvent the shell, cigarette, soap, pebble, sun, March/Fiction & Poetry oyster or asparagus, as forge and share with them a new language.

WAKEFIELD PRESS 9781939663245 U.S. $12.95 CDN $16.95 Pbk, 4.5 x 7 in. / 104 pgs. March/Fiction & Poetry

70 artbook.com artbook.com 71 Kzradock the Onion Man and the Spring-Fresh Methuselah From the Notes of Dr. Renard de Montpensier By Louis Levy. Translated with afterword by W.C. Bamberger. Originally published in Danish in 1910, Kzradock the Onion Man and the Spring-Fresh Methu- selah is a fevered pulp novel that reads like nothing else of its time: an anomaly within the tradition of the Danish novel, and one that makes for a startlingly modern read to this day. Combining elements of the serial film, detective story and gothic horror novel, Kzradock is a surreal foray into psychoanalytic mysticism. Opening in a Parisian insane asylum where Dr. Renard de Montpensier is conducting hypnotic séances with the titular Onion Man, the novel escalates quickly with the introduction of bat- tling detectives, murders and a puma in a hallucinating movie theater before shifting to the 2016 MIDWINTER SUPPLEMENT chalk cliffs of Brighton. It is there that the narrator must confront a ghost child, a scalped detective, a skeleton, a deaf-mute dog and a manipulative tapeworm in order to properly confront FACSIMILE EDITION FACSIMILE EDITION Georg his own sanity and learn the spiritual lesson of the human onion. Sleep, Death’s By Siegfried Kracauer. lhen Gershom Scholem read the novel in its 1912 German translation on the recommenda- Modern Love The Matrix: By Constance DeJong. Brother Translated with text by Carl tion of lalter Benjamin, he concluded: “This is a great book, and it speaks a formidable lan- Skoggard. “People used to tell me, if you Poems 1960–1970 By Jesse Ball. guage … This book lays out the metaphysics of doubt.” Best remembered today for his keep on writing maybe you’ll By N.H. Pritchard. Sleep, Death’s Brother is an in- Louis Levy (1875–1940) was a Danish author, playwright, foreign correspondent and theater brilliant study of early German make a name for yourself,” New N.H. Pritchard (born 1939) was struction manual on dreaming for critic who experimented with a wide variety of literary genres, from prose poetry to nursery cinema, From Caligari to Hitler: A York–based artist and writer Con- one of the few black practitioners children or incarcerated persons, rhymes to philosophical novels, and was a central literary figure and screenwriter in Copenha- Psychological Study of the German stance DeJong (born 1950) wrote of the concrete poetry movement, teaching such individuals to lucid gen in the early 20th century. Film, and for his involvement with in Modern Love. “They were right: and his book The Matrix is one of dream and thus use their dreams WAKEFIELD PRESS the Frankfurt School (he mentored My name’s Constance DeJong. just a few books of concrete poetry to somewhat escape their situa- 9781939663283 U.S. $14.95 CDN $19.95 to have been published by a major Theodor Adorno), Siegfried Kra- Pbk, 4.5 x 7 in. / 152 pgs. My name’s Fifi Corday. My name’s tions. lhile it is often the case that cauer (1889–1966) was the editor February/Fiction & Poetry Lady Mirabelle, Monsieur Le American publishing house. Origi- dream life is passively experienced, for cultural affairs at Germany’s Prince, and Roderigo. Roderigo’s nally published in 1970 by Double- acclaimed novelist Jesse Ball (born leading liberal newspaper, the my favorite name. First I had my day, The Matrix was given little 1978) reminds us that dreaming Frankfurter Zeitung, during the father’s name, then my husband’s, support in its time, and Pritchard’s life is also a place where a sense leimar Republic until its disas- then another’s. I don’t know. I work was largely ignored or of agency can grow. Even in the trous end. Journey to the Land of the Real don’t want to know the cause of passed over by the international midst of physical or emotional Equipée His novel Georg is a panorama of A Translation of anything.” concrete poetry movement. How- environments that do not support those years, as seen through the By Victor Segalen. Modern Love, DeJong’s first book, ever, The Matrix remains a cher- such development in waking life, eyes of a rookie reporter working Translated with introduction by Natasha Lehrer. was published in 1977 by Standard ished item for fans of poetry due to dreams are a place where one can for the fictional Morgenbote (Morn- Victor Segalen (1878–1919) was a French doctor, archaeologist, explorer and Editions, an imprint co-founded its unique composition and difficult take control. Ball calls for bravery ing Herald). In a defeated nation author who traveled extensively in Polynesia and China. Journey to the Land of by DeJong and Dorothea Tanning. yet rewarding poetics. in the exploration of this practice, seething with extremism right and the Real (Equipée in French) is the summation of the author’s life as traveler and In 1978, the text was adapted into Forcing the reader to straddle the and provides the dreamer with left, young Georg is looking for poet, and a summation that is all the more surprising since he could know noth- a 60-minute radio program ac- line between reading and viewing, useful habits and techniques. Full something to believe in. For him, ing of his imminent and mysterious death: Journey appeared posthumously. companied by the “Modern Love The Matrix, now back in print in a of affirmation and wisdom, Sleep, the past has become unusable; for In part, it recounts an actual expedition through China to the borders of Tibet in laltz,” a piano composition by new edition, features visual poems Death’s Brother is a guidebook “for nearly everyone he meets, paradise the last years of the First lorld lar; there are real adventures in a country now Philip Glass. In this new edition, that predate the work of some of all oneironauts young and old.” seems just around the corner. But lost to time, but more mysterious events too. Segalen describes this work as DeJong’s debut novel is brought the Language poets, including PIONEER WORKS PRESS which paradise? Kracauer’s grimly lying “between what one dreams of and what one does, between what one de- back into print, her dissonant shifts words that are exploded into their 9781945711022 funny novel takes on a confused sires and what one obtains; between the summit conquered by a metaphor and of voice and inimitable staccato individual letters and columns of U.S. $20.00 CDN $26.00 Pbk, 4.75 x 7.25 in. / 88 pgs / and dangerous time which may the altitude reached on foot by exertion; between the winged dance of the idea rhythm made available to a new text that ride the edge of the page. 22 b&w. remind us of our own. and the tough march along the road.” generation of readers. PRIMARY INFORMATION/UGLY February/Nonfiction Criticism Here is a masterpiece that effortlessly takes its place among the classics of DUCKLING PRESSE PUBLICATION STUDIO HUDSON PRIMARY INFORMATION/ 9780991558537 9781624621406 travel writing precisely because it is so much more than that; among its brief UGLY DUCKLING PRESSE U.S. $20.00 CDN $26.00 U.S. $18.00 CDN $23.95 9780991558520 chapters are consummate prose poems that reveal a lucid, eloquent and very Pbk, 7 x 11 in. / 250 pgs. ALSO AVAILABLE Pbk, 5.25 x 8 in. / 384 pgs. U.S. $18.00 CDN $23.95 likable author at the height of his powers. April/Fiction & Poetry/African Notes on My Dunce Available/Fiction & Poetry Pbk, 4.75 x 7.25 in. / 224 pgs. American Art & Culture Cap by Jesse Ball March/Fiction & Poetry ATLAS PRESS 9780990593546 CDN $23.95 9780993148712 U.S. $17.95 Pbk, U.S. $20.00 Hbk, 6.75 x 7.5 in. / 136 pgs / 2 color / 4 b&w. CDN $26.00 February/Fiction & Poetry/Travel Pioneer lorks Press

72 artbook.com artbook.com 73 Stolen Oranges Letters Between Cervantes and the Emperor of China, A Pseudo-Fiction By Max Yeh. In locations ranging from the archives of Imperial China to a rare book shop in Mexico City, a Chinese American historian discovers six anonymous documents in Spanish and Chinese, and constructs them into a years-long correspondence between the Chinese Emperor lanli and Cervantes, the author of Don Quixote. Utilizing his vast historical knowledge and linguistic abilities, the historian draws connections across the disparate geography of the 17th century. As in his acclaimed previous novel, The Beginning of the East, Max Yeh remaps literary conventions, sending ripples through the idea of historical fiction in the vein of Jorge Luis Borges and Italo Calvino. The Secret Room Max Yeh (born 1937) has taught at the University of California, Irvine, Hobart and By Kazim Ali. lilliam Smith Colleges, and New Mexico State University. He lives in the New Kazim Ali’s wildly inventive novel The Secret Mexico mountains with his wife and daughter, where he works on a wide range Room asks: how does one create a life of mean- of subjects including literary theory, linguistics, art history and science. ing in the face of loneliness and alienation from KAYA PRESS one’s own family, culture or even sense of self? 9781885030504 In the space of a single day, the lives of four U.S. $19.95 CDN $25.95 The Flayed City people converge and diverge in ways they them- So Many Olympic Pbk, 6 x 8 in. / 184 pgs. May/Fiction & Poetry/Asian American Art & Culture By Hari Alluri. selves may not even measure. Sonia Chang, a Exertions violinist, prepares for a concert. Rizwan Syed, Hari Alluri has been described by US Poet By Anelise Chen. a yoga teacher, makes one last panicked at- Laureate Juan Felipe Herrera as a writer who Blending elements of memoir and sports writ- tempt at reconciliation with his family. Jody “carries a new, quiet brush of multi-currents, ing, Anelise Chen’s debut novel is an experimen- Merchant tries to balance a stressful work life of multi-worlds to paint this holographic life- tal work that perhaps most resembles what the with a dream she abandoned long ago. Pratap scape.” In The Flayed City, he offers an intimate ancient Greeks called hyponemata, or “notes to Patel trudges through his life trying to ignore the look into the lives of city dwellers and immi- the self,” in the form of observations, remind- pain he still feels at old losses. The experiences grants in a collection of charged poems that ers and self-exhortations. Taken together, these of these four characters, woven together in the sweep together “an archipelago song” scored notes constitute a personal handbook on “how manner of a string quartet, together create a Accomplice to Memory by memory and landscape, history and mythol- to live”––or perhaps more urgently “why to By Q.M. Zhang. raw, fluid composition. ogy, desire and loss. live,” a question the narrator, graduate student In Accomplice to Memory, Q.M. Zhang pieces together the mystery of her father’s exo- Kazim Ali (born 1971) is an American poet, nov- Driven by what is residual—displacement, fam- Athena Chen, desperately needs answering. dus from China to the US during the two decades of civil and world war leading up to elist, essayist and professor. Born in the UK to ily, violent yet delicate masculinity, undervalued lhen Chen hears news that her brilliant friend the 1949 revolution. But after a lifetime of her father’s secrets and lies, Zhang’s efforts parents of Indian descent, and raised in Canada yet imperative work—Alluri’s lines quiver with from college has committed suicide, she is to untangle the truth are thwarted by the distance between generations and her father’s and the US, Ali is an assistant professor of Cre- the poet’s distinctive rendering of praise and thrown into a fugue of fear and doubt. Through growing dementia. One day, late in his life, Zhang’s father tells her a story she never ative lriting at Oberlin College. He cofounded lament steeped with “gravity and blood” where anecdotes and close readings of moments in heard before, and suddenly, all of his previous stories begin to unravel. Before she can the independent press Nightboat Books. “the smell of ants being born surrounds us” and the sometimes harrowing world of sports, the get clarity on the new information, her father is hospitalized. Armed with history books “city lights form constellations // invented to KAYA PRESS novel questions the validity of our current narra- and timelines, Zhang sits at her father’s bedside recording accounts of love, espionage 9781885030184 symbolize war.” The Flayed City offers a power- tives of success. and betrayal, attempting to parse out the truth. Part memoir, novel and historical docu- U.S. $19.95 CDN $25.95 Pbk, 6 x 8.5 in. / 184 pgs. ful glimpse into a secondary world whose cities, March/Fiction & Poetry/Asian American Anelise Chen earned her BA in English from mentary, this hybrid text explores the silences and subterfuge of an immigrant parent, cultural histories and trajectories are hybrids or Art & Culture UC Berkeley and her MFA in Fiction from NYU. and the struggles of the second generation to understand the first. “immigrated” versions of this one. Her fiction, essays and interviews have ap- Q.M. Zhang is a Professor of Cultural Psychology at Hampshire College in Amherst, San Diego–based poet and teacher Hari Alluri peared in The New York Times, Gawker, NPR MA. is the cofounder of Locked Horn Press. and elsewhere. She currently teaches writing at KAYA PRESS Columbia University. KAYA PRESS 9781885030528 U.S. $21.95 CDN $29.95 9781885030474 U.S. $16.95 CDN $22.00 KAYA PRESS Pbk, 5.25 x 7.5 in. / 352 pgs / 7 color / 135 b&w. Pbk, 5.25 x 8 in. / 88 pgs. 9781885030351 U.S. $17.95 CDN $23.95 March/Fiction & Poetry/Asian American Art & Culture March/Fiction & Poetry/Asian Pbk, 5 x 7 in. / 200 pgs / 12 b&w. American Art & Culture May/Fiction & Poetry/Asian American Art & Culture

74 artbook.com artbook.com 75 JOURNALS Hapa Japan: History Volume 1 Edited by Duncan Ryuken Williams. The history and experiences of mixed-race Japan have long remained almost invisible in a country that believes in its own myths of homogeneity, despite a history that extends backwards to the 8th-century emperor Kammu Tenno (who was part Korean) through to Japan’s first female physician (part German) during the 19th century, and forward to the present day, when 1 of every 30 Japanese babies are born to families with one non- Japanese parent. Hapa Japan: History (Volume 1) is the first substantial collection of essays to survey the history of global mixed-race identities of persons of Japanese descent. Edited by Duncan Ryuken lilliams, the founder of the Hapa Japan Database Project, Esopus 24 this groundbreaking work unsettles binary and simplistic notions of race by making visible Spring 2017 the complex lives of individuals often written out of history. Edited by Tod Lippy. Duncan Ryuken lilliams is Associate Professor of Religion and East Asian Languages Esopus 24 includes long-form art- and Cultures at the University of Southern California. ists’ projects by Carlos Amorales, Toilet Paper: KAYA PRESS/ITO CENTER EDITIONS Ted Barker, Hayden Dunham, Calendar 2017 9781885030535 U.S. $22.95 CDN $29.95 Marco Maggi, Tony Tasset, and Toilet Paper: Toilet Paper: Pbk, 6 x 9 in. / 500 pgs / 21 b&w. Edited by Maurizio Cattelan, February/Nonfiction Criticism/Asian Art & Culture Jane and Louise lilson. Other Pierpaolo Ferrari. Issue 14 Issue 14 contents include an interview with Since its first issue in June 2010, Edited by Maurizio Cattelan, Limited Edition translator Ann Goldstein (per- Toilet Paper has created a world Pierpaolo Ferrari. Edited by Maurizio Cattelan, Toilet Paper is an artists’ magazine haps best known for her English that displays ambiguous narratives Pierpaolo Ferrari. created and produced by Maurizio translation of Elena Ferrante’s and a troubling imagination. It This limited edition of 650 copies Cattelan and Pierpaolo Ferrari, novels), who will also translate combines the vernacular of com- comes with a special Toilet Paper born out of a passion or obsession submissions in Italian from Esopus mercial photography with twisted item. Toilet Paper is an artists’ they both cultivate: images. The readers for the issue’s subscriber narrative tableaux and surrealistic magazine created and produced magazine contains no text; each invitational; never-before-published imagery. The result is a publication by Maurizio Cattelan and Pierpaolo picture springs from an idea, often photographs from the early 1970s that is itself a work of art which, Ferrari, born out of a passion or simple, and through a complex Hapa Japan: Identities & Representations by Arthur Tress; a piece on the through its accessible form as a obsession they both cultivate: im- stunning quilts of Ernest B. Haight orchestration of people it becomes Volume 2 magazine, and through its wide ages. The magazine contains no the materialization of the artists’ (1899–1992); a new installment of distribution, challenges the limits text; each picture springs from an Edited by Duncan Ryuken Williams. mental outbursts. Since the first our regular series, “Modern Arti- of the contemporary art economy. idea, often simple, and through a The film Kiku and Isamu (1959) was one of the first cinematic depictions of mixed-race issue in June 2010, Toilet Paper has facts,” featuring archival material The 2017 Toilet Paper wall calendar complex orchestration of people children in postwar Japan, telling the story of two protagonists facing abandonment by created a world that displays am- from The Museum of Modern Art features photographs conceived it becomes the materialization of two different Black GI fathers and ostracism from Japanese society. Bringing together biguous narratives and a troubling archives reproduced in facsimile; by Maurizio Cattelan and Pierpaolo the artists’ mental outbursts. Since studies of the representations of the Hapa Japanese experience in culture, Hapa Japan: imagination. It combines the ver- as well as the first appearance Ferrari and taken from their maga- the first issue in June 2010, Toilet Identities & Representations (Volume 2) tackles everything from Japanese and American nacular of commercial photogra- of “Public Access,” a new series zine, an image-only publication de- Paper has created a world that films like Kiku and Isamu to hybrid graphic novels featuring mixed-race characters. phy with twisted narrative tableaux copresented with the New York voted to the realization of surrealist displays ambiguous narratives and From Muslim Japanese-Pakistani children in a Tokyo public school to “Blasian” youth at and surrealistic imagery. Public Library which features ideas via commercial photography. a troubling imagination. It com- the AmerAsian School close to a US military base in Okinawa, the Hapa experience is items from the Library’s Carl H. DAMIANI bines the vernacular of commercial multiple, and its cultural representations accordingly are equally diverse. This anthology DAMIANI Pforzheimer Collection of Shelley 9788862085175 9788862085366 photography with twisted narrative is the first publication to attempt to map this wide range of Hapa representations in film, CDN $32.50 U.S. $16.00 CDN $20.00 and His Circle. The issue includes a U.S. $25.00 tableaux and surrealistic imagery. art and society. Pbk, 9 x 11.5 in. / 40 pgs / 22 color. themed CD of brand-new music. Pbk, 11.5 x 15.75 in. / 13 pgs / 13 color. March/Journal DAMIANI KAYA PRESS/ITO CENTER EDITIONS ESOPUS FOUNDATION LTD. January/Art 9788862085373 9781885030542 U.S. $22.95 CDN $29.95 9780989911733 U.S. $45.00 CDN $57.50 Pbk, 6 x 9 in. / 400 pgs / 5 color / 9 b&w. U.S. $40.00 CDN $52.50 Pbk, 9 x 11.5 in. / 40 pgs / 22 color. February/Nonfiction Criticism/Asian Art & Culture Pbk, 9 x 11.5 in. / 230 pgs / March/Journal 300 color / 50 b&w / Audio CD. May/Journal

ALSO AVAILABLE Maurizio Cattelan & Toilet Paper Issue 13 Pierpaolo Ferrari: 9788862084901 Toilet Paper, Volume 11 Pbk, U.S. $16.00 9788862084277 CDN $20.00 Hbk, U.S. $65.00 Damiani CDN $75.00 Damiani

76 artbook.com artbook.com 77 JOURNALS

Osmos Magazine: Issue 11 Edited by Cay Sophie Rabinowitz, Tom McDonough, Eugenia Bell, et al. Osmos magazine is “an art magazine about the use and abuse of photography,” explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections—some traditional, such as “Portfolio,” “Stories” and “Reportage”—and others more idiosyncratic, such as “Eye of the Beholder,” where gallerists discuss the talents they showcase; and “Means to an End,” on the side effects of non-artistic image production. This issue includes a feature by contributing editor Tom McDonough on photographer Eileen Quinlan, reportage by photographer Alex lelsh, an essay by Jeffrey Kirkwood describing his research on the innovative Swiss artist and filmmaker Klaus Lutz, and an examination of Paris-based Dove Allouche by curator Drew Sawyer.

OSMOS Osmos Magazine: Issue 11 Osmos Magazine: Issue 12 9780986166570 U.S. $25.00 CDN $32.50 9780986166594 U.S. $25.00 CDN $32.50 Pbk, 8.5 x 11 in. / 96 pgs / illustrated throughout. Pbk, 8.5 x 11 in. / 96 pgs / illustrated throughout. Available/Journal/Photography May/Journal Permanent Permanent South as a State of Collection Collection Mind: Documenta Art Basel|Year 47 Issue I Issue II Edited by Clément Dirié, Marc 14 #3 Text by Anthony Huberman, Laura Text by Heidi Zuckerman, Spiegler. Text by Jochen Volz, Fall/Winter 2016 Courtenay Finn, Peter Eleey, Yilmaz Dziewior, Chris Deacon, Hoptman, Sarah Rifky, Rodney Edited by Quinn Latimer, Adam Raimundas Malašauskas, Jan Erling Kagge, Joanna Mytkowska, Graham. Interviews by Marcia Szymczyk. Text by Nabil Ahmed, The Opéra Verwoert, Ryan Gander, Tacita et al. Tucker, Betty Woodman, Heidi Sotirios Bahtsetzis, Moyra Davey, Magazine for Classic & Contemporary Nude Photography Volume V Dean, Etel Adnan, Ana Mendieta. Art Basel’s official annual publica- Zuckerman. Contributions by Natasha Ginwala, et al. This second issue in the Aspen tion documents the exhibitions Edited with text by Matthias Straub. Marcel Broodthaers, Simon Denny. The third volume of the Docu- Art Museum’s publication series, in Basel, Miami Beach and Hong The Opéra, a magazine for classic and contemporary nude photography, is a photo publication released each Permanent Collection is inspired menta 14 magazine South as a Permanent Collection, continues to Kong, and goes beyond them, year about the most direct form of portraiture: nude photography. Editor Matthias Straub presents a brilliant by the idea that the Aspen Art State of Mind is devoted to the draw from the institution’s diverse featuring interviews, portfolios, range of nude photographs featuring the human body as stage and spectacle for the fifth time in this new Museum’s exhibition program is working motif of “language or exhibition program. The series essays and personal highlights volume. constantly rotating and that the hunger.” The issue examines brings together artists, writers and from artists, curators, collectors Just as the dramaturgy of a classical opera, according to Gustav Freytag, concludes with five acts, The museum itself does not have a various forms and histories of curators that the museum has and museum directors. Opéra will also conclude with this fifth edition. At 200 pages, the metaphorical finale is characterized by collection. This new publication language, lexicon and fable, worked with previously while also lith its A-to-Z format, this year’s strong artistic means of expression––from extremely sensitive and delicate positions to more abstract and series not only offers insight into as well as political ecology and functioning as a platform for new publication maps the world of experimental nude photography. the museum’s programming, but environmental violence: climate voices. Centering on the idea of Art Basel alongside profiles KERBER also contributes to the larger field and conflict, the iconography of people or objects that have disap- spotlighting each of the 500-plus 9783735602435 U.S. $49.95 CDN $64.95 investigating and responding to famine, the aesthetics of hunger, peared, Permanent Collection II galleries that participated across Pbk, 9.5 x 12.25 in. / 200 pgs / 150 color / 44 b&w. visual culture. and the connection between January/Journal/Erotica features contributions from the three shows in 2016. Designed Focusing on the idea of the in- colonialism, land rights issues, Heidi Zuckerman, Courtenay by Gavillet & Cie (Geneva), it stitution, Permanent Collection I environmental self-determination Finn, Peter Eleey, Raimundas features all the different sectors of features interviews between Heidi and cultural production. Malašauskas, Jan Verwoert, Ryan the fair and highlights events, talks, Parkett Vol. 100 Zuckerman and Marcia Tucker Contributors include Nabil Ahmed, Gander, Tacita Dean, Etel Adnan new initiatives and retrospective Edited by Nikki Columbus, Bice Curiger. and Betty loodman, essays Sotirios Bahtsetzis, Moyra Davey, and Ana Mendieta. insights into the first years of the Founded in 1984, Parkett has long been an important source of literature on international contemporary by Anthony Huberman, Laura Natasha Ginwala, Gordon Hookey, fair. Interviewees and contributors art. Each biannual issue is a collaboration with four artists, in which their work is explored in fully illustrated Hoptman, Sarah Rifky and Rodney ASPEN ART PRESS Tina Modotti, Joaquín Orellana, 9780934324762 include Brooke Alexander, Defne essays by leading writers and critics. In addition, each artist creates an exclusive limited edition, available Graham, as well as pieces by Jina Politi, Pope.L, Lisa Robertson, U.S. $14.00 CDN $17.95 to Parkett readers. Recent featured artists include Ed Atkins, Mika Rottenberg, Lee Kit and Theaster Gates (98), Ayas, Iwona Blazwick, Giovanni Dieter Roelstraete, Lala Rukh, Marcel Broodthaers and Simon Pbk, 8.5 x 11 in. / 96 pgs / 47 color / Carmine, Aaron Cezar, David Diao, Andrea Büttner, Abraham Cruzvillegas, Camille Henrot and Hito Steyerl (97), Marc Camille Chaimowicz, Pamela Denny. 10 b&w. February/Journal Savitri Sawhney, Monika Rosenkranz, John laters and Xu Zhen (96), Jeremy Deller, lael Shawky, Dayanita Singh and Rosemarie Yilmaz Dziewior, Elvira Gonzalez, Szewczyk, Cecilia Vicuña and ASPEN ART PRESS Erling Kagge, Rachel Kent, Samuel Trockel (95). Additional articles include Konrad Bitterli viewing Hubbard/Birchler’s latest film trilogy and the 9780934324755 Vivian Ziherl, among others. Leuenberger, Christina Li, Tatsuo paintings of Markus Döbeli (97); Nuria Enguita Mayo on drawings and paintings by Anna Boghiguian; and U.S. $14.00 CDN $17.95 WALTHER KÖNIG, KÖLN Miyajima, Joanna Mytkowska, Julieta González provides an overview of Mexico City’s arts institutions (96). Pbk, 8.5 x 11 in. / 96 pgs / 47 color / 9783863358464 10 b&w. Available/Journal Hammad Nasar, Yana Peel, Oscar U.S. $20.00 CDN $26.00 FLAT40 PARKETT ALSO AVAILABLE Tuazon and many others. Pbk, 9 x 11.75 in. / 264 pgs / 9783907582602 U.S. $75.00 CDN $90.00 Parkett No. 99 illustrated throughout. Pbk, 8 x 10 in. / 300 pgs / illustrated throughout. 9783907582596 JRP|RINGIER January/Journal April/Journal Pbk, U.S. $45.00 CDN $57.50 9783037644799 Parkett U.S. $80.00 CDN $100.00 EXHIBITION SCHEDULE Hbk, 8.25 x 11.5 in. / 784 pgs / Kassel, Germany: Documenta 14, 610 color / 550 b&w. 06/10/17–09/17/17 April/Art

78 artbook.com artbook.com 79 For a complete list of Royal Academy Publications titles, please go to: We are delighted to welcome ROYAL ACADEMY PUBLICATIONS to our list. artbook.com/royalacademy Since its founding in 1999, the prize-winning imprint has produced authoritative, beautifully illustrated art books. Many of these are the catalogs of the Royal Academy’s exhibitions, while others are expertly researched titles on British artists.

David Hockney: James Ensor The Garden of Painting the Ai Weiwei Joseph Cornell: Abstract Backlist 82 Portraits and by Luc Tuymans Monsieur Monet Modern Garden: Text by Tim Marlow, John Tancock, Wanderlust Expressionism Daniel Rosbottom, Adrian Locke. 1 Still-life Text by Luc Tuymans, Text by Pia Valentinis. Monet to Matisse Text by Lynda Hartigan, Text by David Anfam, Susan and recent Adrian Locke, Xavier Tricot, Illustrations by Giancarlo Ascari. 9781910350164 Sarah Lea, Jasper Sharp. Davidson, Jeremy Lewison, Text by Tim Barringer, Text by Monty Don, Ann Dumas, CDN $91.00 Herwig Todts, Gerrit Vermeiren. 9781910350195 U.S. $75.00 9781910350218 Carter Ratcliff. Edith Devaney. Heather Lemonedes, Jamies Priest, Hbk, 11.5 x 12 in. / 240 pgs / 9781910350454 U.S. $16.95 CDN $20.95 U.S. $55.00 CDN $66.00 9781910350300 publications 9781910350287 William Robinson. 200 color. Available/Art U.S. $55.00 CDN $62.00 Hbk, 7.75 x 11 in. / 32 pgs / 20 color. Hbk, 9.75 x 11 in. / 272 pgs / U.S. $65.00 CDN $79.00 U.S. $45.00 CDN $55.00 9781910350027 Hbk, 9 x 11 in. / 176 pgs / 160 color. Available/Art 170 color. Available/Art Hbk, 11 x 11.75 in. / 320 pgs / Hbk, 9.75 x 13 in. / 176 pgs / U.S. $75.00 CDN $91.00 from the Available/Art 300 color. Available/Art 140 color. Available/Art Hbk, 12.25 x 11.5 in. / 328 pgs / 300 color. Available/Art Royal Academy of Arts

80 artbook.com artbook.com 81 Guy Bourdin: Miles Aldridge: Nan Goldin: The Life and Work The Golden Decade René Burri: Now in stock A Message for You Please Return Polaroid Diving for Pearls of Sid Grossman 9783869309026 Mouvement 9783869305516 9783958290990 9783958290945 9783958291256 Hbk, U.S. $55.00 CDN $70.00 9783869308203 U.S. CDN $75.00 U.S. CDN $57.50 U.S. CDN $57.50 U.S. CDN $70.00 U.S. CDN $120.00 Clth, $65.00 Clth, $45.00 Clth, $45.00 Clth, $55.00 A Democracy of Imagery Slip, clth, $95.00 from Steidl! Steidl/Howard Greenberg Gallery Philip Trager: Ernst Haas: Peter Hujar: 9783958291164 Robert Frank: Photographing Ina Color Correction Lost Downtown Mark Neville: Clth, U.S. $50.00 CDN $65.00 Film Works 9783869309774 9783958290563 9783958291065 Fancy Pictures Steidl/Howard Greenberg Gallery 9783958290365 U.S. CDN $57.50 U.S. CDN $70.00 U.S. CDN $40.00 U.S. CDN $225.00 Clth, $45.00 Clth, $55.00 Clth, $30.00 9783869309088 Michael Ruetz: Box, Pbk, $175.00 U.S. CDN $70.00 Erwin Blumenfeld: Henry Leutwyler: Steidl/Paul Kasmin Gallery/ Clth, $55.00 The Family of Dog Joakim Eskildsen: Pace McGill Studio Blumenfeld Document Robert Polidori: 9783869305752 American Realities 9783869305318 9783869309699 Curtis Moffat: 60 Feet Road Clth, U.S. $45.00 CDN $57.50 9783869307343 Pbk, U.S. $40.00 CDN $50.00 Clth, U.S. $75.00 CDN $90.00 Silver Society 9783958291119 Hbk, U.S. $40.00 CDN $50.00 9783958290273 Slip, Clth, U.S. $125.00 CDN $162.50 Clth, U.S. $50.00 CDN $60.00

82 artbook.com artbook.com 83 SPRING HIGHLIGHTS

Hanne Darboven, “Kulturgeschichte 1880–1983,” 1980–83. From Artists on Hanne Darboven, published by Dia Art Foundation. See page 117. HIGHLIGHTS ■ ART

Joe Bradley Foreword by Janne Sirén. Text by Cathleen Chaffee, Dan Nadel, Kim Conaty. Interview by Carroll Dunham. American painter Joe Bradley has distinguished himself among the artists of his generation with his mutable approach to art-making. lith minimal fuss, Bradley works in series, picking up and discarding styles and oscillating between abstraction and figuration as it suits him. “A retrospective of his work would look like a group show,” wrote dealer and collector Kenny Schachter. Bradley’s first large-scale North American exhibition supports this observation: he is shown moving from expres- sionistic canvases that record the detritus and spontaneity of the studio environment to subtly figurative send-ups of Minimalist painting, then to starkly primitivistic glyphs drawn in grease pencil on unprimed canvas, followed by modular aluminum sculptures paired with textual directives. This richly illustrated catalog, published to accompany Bradley’s midcareer survey organized by the Albright-Knox Art Gal- lery in Buffalo, presents the full range of Bradley’s unique approach to language, abstraction and the evolutions of style. Joe Bradley includes reproductions of all works in the exhibition—some 30 paintings, 8 sculptures and 30 drawings—as 2016 MIDWINTER SUPPLEMENT well as an introductory essay by exhibition organizer Cathleen Chaffee, new scholarly Jonas Wood: Portraits essays, an interview with the artist and The latest book from Los Angeles–based artist Jonas lood (born 1977) follows the style A midcareer an exhibition history. of his previous publications Sports Book and Interiors, this time taking up the subject of survey of One of the standard-bearers of the polar- portraiture. Portraits compiles the many works completed over lood’s career, done in izing, hard-to-categorize group of contem- a variety of media, and with a range of subjects and sitters, including paintings of artist paintings by the porary painters that includes such artists friends, self-portraits, intimate familial moments in domestic interiors and the artist’s own as Mark Grotjahn, Nicole Eisenmann, cultural and sports heroes, from basketball players and boxers to Philip Guston and Pablo popular stylistic Richard Aldrich, Josh Smith and Michael Picasso—though lood’s esteem for these figures is beside the point, as he notes: “I don’t lilliams, Joe Bradley (born 1975) is depict only those athletes who have meaning for me. Sometimes it is about the images chameleon widely known for his bright abstract being interesting, or that I like the color of the card, and sometimes it is about loving the paintings and glyph-like drawings. athlete.” lood’s subjects are presented in bright light with lively color, graphic flatness and minute detail rendered impeccably. Portraits reveals an intimate look at the life of an artist ALBRIGHT-KNOX ART GALLERY/D.A.P. 9781887457224 U.S. $50.00 CDN $65.00 at the forefront of contemporary painting. Hbk, 9 x 12 in. / 208 pgs / 100 color / 10 b&w. KARMA/ANTON KERN GALLERY/DAVID KORDANSKY GALLERY June/Art 9781942607403 U.S. $40.00 CDN $52.50 EXHIBITION SCHEDULE Hbk, 8.25 x 10.25 in. / 120 pgs / 80 color. ALSO AVAILABLE ALSO AVAILABLE Available/Art Jonas lood Interiors The Forever Now Buffalo, NY: Albright-Knox Art Gallery, 9780983362241 9780870709128 06/24/17–10/08/17 laltham, MA: Rose Art Museum, Hbk, U.S. $40.00 CDN $52.50 Hbk, U.S. $50.00 Anton Kern Gallery/David CDN $60.00 Brandeis University, 10/21/17–01/28/18 Kordansky Gallery The Museum of Modern Art

86 artbook.com artbook.com 87 HIGHLIGHTS ■ ART

Charles White: Black Pope Frank Walter: The Last Universal Text by Esther Adler. Man, 1926–2009 The Chicago-born artist Charles lhite (1918–79) was celebrated during By Barbara Paca. his lifetime for depictions of African-American men, women and children Antiguan artist and writer Frank lalter (1926–2009) was an ec- that acquired the name “images of dignity.” lhite’s draftsmanship, his centric character now considered to be vastly under-recognized. direct address of the social and political concerns of his time, and his Intellectually brilliant, lalter entertained delusions of aristocratic commitment to media that gave his art wide circulation established grandeur, namely the belief that the white slave-owners in his him as a major artist, and one with significant influence both on his family linked him to the noble houses of Europe. The self-styled contemporaries and on later generations. “7th Prince of the lest Indies, Lord of Follies and the Ding-a-Ding Beginning with lhite’s early days as an artist in the Chicago of the 1930s Nook” produced paintings that dealt with race, class and social and ’40s, moving through his time spent developing his craft in New York identity, as well as abstract explorations of nuclear energy, portraits in the late 1940s and ’50s, and closing with his final decades as a revered both real and imagined—including Hitler playing cricket and Prince figure in Los Angeles, Charles White: Black Pope explores the artist’s Charles and Princess Diana as Adam and Eve—and miniature practice and strategies through consideration of key works. It devotes landscapes of Scotland, the country that he fell in love with during particularly close examination to his late masterwork “Black Pope a visit in 1960. lalter typically painted in oil on rudimentary (Sandwich Board Man),” in the collection of The Museum of Modern materials, with a marked immediacy and naivety. The first man of Art. By creating visually compelling, ideologically complex works that color to manage an Antiguan sugar plantation, lalter spent the last engage audiences on many levels, lhite established himself as a key 25 years of his life in an isolated home in Antigua, surrounded by figure of his time, one whose work continues to resonate today. his writings, paintings and carvings. Coinciding with Antigua and THE MUSEUM OF MODERN ART Barbuda’s inaugural National Pavilion at Venice Biennale 2017, The 9781633450271 U.S. $26.95 CDN $34.95 Last Universal Man is the first comprehensive monograph of this Hbk, 9 x 10.5 in. / 72 pgs / 35 color. important Caribbean artist. Defying categorization as an outsider or May/Art/African American Art & Culture self-taught artist, lalter worked as a writer, composer, sculptor and painter. Barbara Paca, an art historian who also serves as Cultural Envoy to Antigua and Barbuda, interviewed lalter over a seven- year period prior to his death, and provides insight and perspective into both the artist as a man and his prodigious body of work.

RADIUS BOOKS 9781942185185 U.S. $55.00 CDN $70.00 Hbk, 9.5 x 11.75 in. / 196 pgs / 80 color. May/Art/Latin American/Caribbean Art & Culture

Betye Saar: Still Tickin’ 2016 MIDWINTER SUPPLEMENT Interview by Sara Cochran. Betye Saar (born 1926) is a legend. For 60 years, she has created powerful artworks that question tradi- James ‘Son Ford’ Thomas: The Devil and His Blues tional roles and representations of African Americans and women in the US, as well as deeply personal Text by David Serlin, William Ferris, Thomas J. Lax, Kinshasha Holman Conwill, Velma Allen, works about her family history and spirituality. Betye Saar: Still Tickin’ considers the breadth of the artist’s Jonathan Berger. career and its key themes. To contextualize Saar’s works, this volume includes writings by the artist from James ‘Son Ford’ Thomas: The Devil and His Blues is based on the 2015 eponymous show at Studio the 1970s to the present day as well as a recent interview with Saar in which she discusses her artistic Museum and New York University’s 80lSE Gallery, the largest ever devoted to Thomas’ work. Thomas practice and her views on history, including the current debate about police violence in the US. (1926–93)—a self-taught, Mississippi-based African-American artist and musician who lived in severe “My art becomes an explorer, a tracer of forgotten tribes, a seeker of sanctified visions,” explains Saar. poverty for most of his life—created small, often painted clay busts of friends and family and people he “These works are what I leave behind.” met. “lhen I do my sculpturing work things just roll across my mind. I lay down and dream about the sculpture,” he wrote. “That gives you in your head what to do. If you can’t hold it in your head, you SCOTTSDALE MUSEUM OF CONTEMPORARY ART 9780979893667 can’t do it in your hand.” Nearly 100 of these sculptures are displayed alongside full-bleed installation U.S. $45.00 CDN $57.50 shots and text. Hbk, 6.5 x 9 in. / 272 pgs / 172 color / 5 b&w. February/Art/African American Art & Culture KARMA, NEW YORK 9781942607380 U.S. $25.00 CDN $32.50 Pbk, 5.75 x 8.75 in. / 152 pgs / 71 color / 20 duotone. Available/Art/African American Art & Culture

88 artbook.com artbook.com 89 Artists’ notebooks HIGHLIGHTS ■ ART

Ida Applebroog: Mercy Hospital Text by Jo Applin. In 2009 Ida Applebroog’s (born 1929) assistants found a box marked “Mercy Hospital.” Inside was a series of drawings the artist made nearly 50 years ago, during a period of institutionalization after suffering a debilitating breakdown in San Diego in 1969. During this tumultuous period, Applebroog, by her own account, “withdrew from the world entirely, for a period hardly able to speak at all.” Instead she turned to drawing, producing works in graphite, India ink and watercolors, at times accompanied by text from authors such as Kafka and Freud. The drawings oscillate between the figurative and the abstract, laying bare the female form and calling to mind art-historical precedents informed by psychopathology, particularly works produced in early and mid-20th-century France by the likes of lols. The publication of Mercy Hospital, with a text by Jo Applin, is the first time that Applebroog’s work from this period has been documented in full. BACK IN STOCK Lee Lozano: KARMA, NEW YORK Lee Lozano: 9781942607595 U.S. $50.00 CDN $60.00 FACSIMILE EDITION Lozano c. 1962 Hbk, 8.5 x 10 in. / 304 pgs / 139 color / 4 b&w. Notebooks 1967–70 Text by Helen Molesworth, Bob Nickas. January/Art Transiting Pop art, Feminist Expressionism, Lee Lozano: Interest has steadily grown in the career of the Conceptualism and Minimalism, Lee Lozano Private Book 1 American painter Lee Lozano (1930–99) over (1930–99) sits alongside Eva Hesse and Before her self-imposed exile from the art world, the last decade, specifically in her move toward Hannah lilke as a radical and influential model Lee Lozano (1930–99) was a highly regarded conceptual art that culminated in her boycott of for younger generations of female artists. painter who defined a generation of American women for nearly the last 30 years of her life. Lozano’s notebooks, which she approached artists infusing conceptualism with a new Lozano’s early work, however, is markedly differ- as drawings, and which were later dismantled intensity. A prolific writer and documenter of ent. In the early ’60s, she developed a painting and sold as individual pages, became a part of both her art and her relationships, the public and method that coalesced several styles in order to her art-making at the height of her fame in the relate her radical imagery to the feminist ideas PREVIOUSLY ANNOUNCED private, Lozano kept a series of personal journals late 1960s. Reproduced here for the first time, from 1968 to 1972 while living in New York’s that comprised the overarching beliefs in her Richard Serra: Notebooks Vol. 2 as an affordably priced facsimile reprint, the SoHo neighborhood. life. “Imagine,” writes curator Bob Nickas, “a Throughout his career, the renowned American sculptor Richard Serra has three notebooks collected here, which were Eleven of these private books survive, contain- fluid intermingling of Abstract Expressionism in kept a large number of notebooks and sketchbooks which by now fill an en- kept in 1967–70, contain sketches for her Wave ing notes on her work, detailed interactions with terms of a figurative disfiguration (after de Koon- tire library in his studio. Contained within them are delicate sketches of his paintings, writings about the trajectory of her artist friends and commentary on the alienations ing), Pop comic rendering (pre-Guston), a heady travels, of landscapes, architecture and ideas, some of which the artist has artistic process and the language pieces that of gender politics, as well as philosophical Surrealism that anticipates the mind-expansion developed into sculptures and drawings. Serra has personally selected three she became famous for prior to her withdrawal queries into art’s role in society and humorous of the Wave series … and a cubism that is cir- of his sketchbooks, two of which were made in Iceland in 1989, plus a very from the art world. They thus constitute the asides from daily life. cular rather than faceted by geometry.” Packed recent one from Qatar, reproduced here in facsimile. The book is published fullest and richest document on an artist whose In the decade before her infamous “dropout with humor, sexual imagery and a heaviness of in a signed and numbered edition of 1,050 copies. relevance and profile have recently seen a piece”—culminating in a move to Dallas where spirit, the 31 paintings in this book are intimate Richard Serra was born in San Francisco in 1938. Since the 1960s he has steady ascent. she would remain until her death—Lozano re- works, difficult to assign to an obvious tradition exhibited extensively throughout the world. Serra has created a number of PRIMARY INFORMATION turned to these notebooks, editing the entries, of painting. Essays by Helen Molesworth and site-specific sculptures in public and private venues in both North America 9780978869762 sometimes blacking out entire pages. Private Nickas further illustrate that, even when Lozano CDN $37.50 and Europe. His books include Sculpture 1985–1998 (1999), The Matter of U.S. $30.00 Book 1 is the first in the series of 11 pocket- was using traditional material to make her art, Pbk, 8.5 x 10.75 in. / 224 pgs / 108 b&w. Time (2005), Te Tuhirangi Contour (2005) and Notebooks (2011). He lives in her career was anything but. June/Art sized books, which are printed as facsimiles. New York and Nova Scotia. KARMA, NEW YORK KARMA, NEW YORK STEIDL 9781942607557 9781942607588 CDN $50.00 9783869309750 U.S. $700.00 CDN $900.00 SDNR50 U.S. $18.00 CDN $23.95 U.S. $40.00 Boxed, hbk, 10 vols, 15 x 11.5 in. / 764 pgs / illustrated throughout. Pbk, 3 x 5 in. / 136 pgs. Clth, 8 x 10.25 in. / 96 pgs / 41 color. April/Art ALSO AVAILABLE January/Art January/Art Richard Serra: Early lork 9780989980906 Hbk, U.S. $85.00 CDN $100.00 David Zwirner Books / Steidl

90 artbook.com artbook.com 91 American art of the ’80s HIGHLIGHTS ■ ART

Peter Halley: The Complete 1980s Paintings Edited by Clément Dirié, Cara Jordan. Text by Cara Jordan, Peter Halley. New York–based Peter Halley (born 1953) is a prominent figure in contemporary art. A protagonist of the dynamic New York art scene of the 1980s, and founder of the seminal Index magazine, he gained recognition as one of the main champions of the neo-geo movement with his geometric paintings rendered in intense fluorescent Day-Glo acrylic paint and Roll-a-Tex texture addi- tive. Since the mid-1990s his site-specific installations and permanent public works have extended his practice to a larger scale. A landmark publication for all those interested in contemporary painting, this catalogue raisonné of Peter Halley’s paintings from the 1980s gathers together the complete body of 186 works realized between 1980 and 1989 and fully documents them for the first time. Showing the evolution of his work, it makes clear how Halley built his own geometric and chromatic vocabulary to challenge the then prevailing ideas about the nature and history of abstract painting, and how motifs such as the cell, the prison, the conduit and the brick wall came into existence, in parallel with his own thinking—inspired in part by French Structuralist theory—about modern life (urban design, media, new mass digital technologies) and the increasing geometrization of social space. Introduced by art historian Cara Jordan, editor of this extensive research- ALSO AVAILABLE based publication, the book also includes an illustrated biography and an Peter Halley: Since 2000 9782930487137 anthology of key texts written by the artist in the 1980s. Hbk, U.S. $40.00 CDN $50.00 JRP|RINGIER Maruani & Noirhomme Gallery 9783037644812 U.S. $80.00 CDN $100.00 Hbk, 11 x 10.75 in. / 144 pgs / 215 color / 35 b&w. June/Art

Fred Sandback: Vertical Constructions Text by Yve Alain-Bois, Lisa Le Feuvre. Contribution by Marianne Stockebrand. Marina Abramovi ć This new publication marks the first comprehensive survey of a Edited by Lena Essling. Text by Marina Abramovi ć, Tine Colstrup, Lena Essling, Adrian Heathfield, Bojana Pejic, seminal body of work that helped make Fred Sandback (1943– Devin Zuber. At once radical, 2003) into an internationally celebrated artist. This catalog takes its At once radical, controversial and revered, Marina Abramovi ć is one of the most discussed artists today. lead from a 1987 presentation of Sandback’s work at lestfälischer Famous for her groundbreaking performance works, she continues to expand the boundaries of art. This controversial Kunstverein in Münster, also called Vertical Constructions. lith a publication, accompanying her first major retrospective in Europe, gives an extensive overview of her work mixture of archival imagery of the sculptures in situ in Münster, from the earliest years until today: film, photography, paintings and objects, installations and archival material. and revered, new photography of these works installed at David Zwirner in 2016 Since the early 1970s Abramovi ć has explored the intersection between performing and visual art in her work Marina and an expanded selection of sculpture, this publication is both a and, though rarely overtly political, posed questions of power and hierarchy. In addressing fundamental issues historical document and a source for the renewed attention to this of our existence and seeking the core of such notions as loss, memory, pain endurance and trust, she both Abramović is body of work. Scholarship by Yve-Alain Bois revisits the power of provokes and moves. Sandback’s immateriality in the context of the vertical construc- Born in Belgrade just after the end of the Second lorld lar, Marina Abramovi ć (born 1946) was raised the progenitor tions while Lisa Le Feuvre, a longtime scholar of sculpture, offers a in the Serbian Orthodox Church (her great uncle was a Patriarch and a canonized saint in the Church) and more historical treatment of the show in relation to the artist’s writ- left Yugoslavia in 1976, having already established herself as a performance artist, living in Amsterdam and of contemporary ings and other works from the 1980s. ALSO AVAILABLE eventually New York, where she presently lives. In 2010 she was the subject of an enormously popular Fred Sandback: Drawings DAVID ZWIRNER BOOKS retrospective at The Museum of Modern Art, New York. performance art 9783941263680 9781941701577 U.S. $55.00 CDN $70.00 Hbk, U.S. $60.00 CDN $70.00 HATJE CANTZ Hbk, 10.5 x 12.25 in. / 120 pgs / 80 color. Richter Verlag CDN $78.00 June/Art 9783775742610 U.S. $60.00 Pbk, 8.5 x 11 in. / 272 pgs / 100 color. April/Art

92 artbook.com artbook.com 93 American and Latin American sculpture HIGHLIGHTS ■ ART

BACK IN PRINT Gabriel Orozco Felix Gonzalez-Torres Afterword by Heidi Zuckerman. Edited by Julie Ault. Text by Robert Storr, Miwon Kwon, Robert Nickas, Russell Resisting confinement to a single medium, critically acclaimed Mexican artist Ferguson, Lewis Baltz, Nancy Spector, Joseph Kosuth. Gabriel Orozco (born 1962) explores the poetry of chance encounters while Félix González-Torres (1957–96), one of the most influential artists of his generation, blurring the boundary between art and the everyday. Known for works such lived and worked resolutely according to his own democratic ideology, determined as the Citroën automobile surgically reduced to two-thirds its normal width to “make this a better place for everyone.” Combining principles of conceptual art, (“La DS,” 1993) and a human skull covered with a graphite grid (“Black Kites,” minimalism and political activism, González-Torres’ arsenal included public billboards, 1997), Orozco explores complex geometry, mapping and anatomy in a creative, giveaway piles of candy or posters and ordinary objects (clocks, mirrors, light fixtures) playful, elegant and inventive manner. often used to startling effect. His work challenged notions of public and private space, Gabriel Orozco presents several new works by the artist, including a series of originality, authorship and the authoritative structure in which he functioned. graphite drawings, glass panel sculptures, aluminum sculptures and oil and lith this volume, now in its second edition, Gonzalez-Torres’ editor Julie Ault has tempera paintings with gold leaf. This volume focuses on the intersection of amassed a comprehensive overview of this important artist. In the spirit of the art- nature and culture in the artist’s work, underscoring Orozco’s interest in ist’s method, Ault rethinks the very idea of what a monograph should be. The book geometry’s function as an extension of the natural world. contains texts by Robert Storr and Miwon Kwon, among other notables, as well as ASPEN ART PRESS significant critical essays, exhibition statements, transcripts from lectures, personal 9780934324779 U.S. $40.00 CDN $52.50 correspondence and writings that influenced Gonzalez-Torres and his work. Ample Pbk, 7.5 x 9.5 in. / 304 pgs / 250 color / 20 b&w. visual documentation adds another decisive layer of content. le see works not just in May/Art/Latin American/Caribbean Art & Culture their finality, but often witness their transformation over a life span.

STEIDL 9783869309217 U.S. $65.00 CDN $85.00 ALSO AVAILABLE Clth, 8.25 x 10.75 in. / 412 pgs / 400 color. Gabriel Orozco Available/Art 9780870707629 Hbk, U.S. $55.00 CDN $65.00 The Museum of Modern Art

2016 MIDWINTER SUPPLEMENT Felix Gonzalez-Torres: Specific Objects Without Specific Form Vicuña makes art of gathered materials Edited with text by Elena Filipovic. Text by Danh Vo, Carol Bove, Tino Sehgal. from the ocean, the river and the street Between 2010 and 2011, curator Elena Filipovic along with artists Danh Vo, Carol Bove and Tino Sehgal, organized a visionary Felix Gonzalez-Torres exhibition across three institutions: lIELS Contemporary Art Centre, Brussels; Fondation Beyeler, Riehen/Basel; and MMK Museum für Cecilia Vicuña: About to Happen Moderne Kunst, Frankfurt. Text by Andrea Andersson, Julia Bryan-Wilson, Lucy Lippard, Macarena Gomez-Barris. lith the profound visual and conceptual potential of Gonzalez-Torres’ work in mind, Filipovic Beginning and ending at the edge of the ocean, Chileanborn artist and poet Cecilia Vicuña’s devised an exhibition structure that entailed two autonomous yet adjacent exhibitions of his work (born 1948) artist’s book serves as both a lament and love letter to the sea. Vicuña collects at each of the three venues: one iteration by her, and one by Vo, Bove and Sehgal respectively. This the detritus that washes up on shore and assembles out of the refuse tiny “precarios” and volume follows the show’s structure. Each venue has a dedicated section which includes a preface “basuritas”—little sculptures held together with nothing more than string and wire. by Filipovic, photographic documentation of each exhibition and a contribution by Vo, Bove and About to Happen, which accompanies an exhibition at the Contemporary Arts Center New Sehgal reflecting upon their positions as curators of Gonzalez-Torres’ work. Orleans, traces a decades-long practice that has refused categorical distinctions and thrived Danh Vo includes photographs of diagrammatic brass wall plaques as presented within his within the confluences of conceptual art, land art, feminist art, performance and poetry. In an installation at lIELS; Carol Bove offers an essay describing her personal experiences with the era of increasing climate change and economic disparity, Vicuña’s nuanced visual poetics— work of Gonzalez-Torres and the curatorial scope of her installation; and Tino Sehgal recorded a operating fluidly between concept and craft, text and textile—transforms the discarded into conversation with Andrea Rosen—Gonzalez-Torres’ lifelong art dealer—which captures part of their the elemental, paying acute attention to the displaced, the marginalized and the forgotten. rich dialogue around the artist’s work. A comparative illustrated checklist documents each of the 85 SIGLIO works by Gonzalez-Torres featured in all their iterations. 9781938221156 U.S. $32.95 CDN $42.50 KOENIG BOOKS Pbk, 8 x 8 in. / 148 pgs / 100 color. 9783863359737 U.S. $70.00 CDN $90.00 FLAT40 April/Art/Artists’ Books/Latin American/Caribbean Art & Culture Hbk, 7.5 x 11 in. / 664 pgs / 595 color. EXHIBITION SCHEDULE Available/Art New Orleans, LA: Contemporary Arts Center, 03/16/17–06/18/17

94 artbook.com artbook.com 95 Postwar figuration and abstraction from Britain HIGHLIGHTS ■ ART

Anne Desmet: An Italian Journey This jewel-like book of pen, wash and watercolor sketches by British artist Anne Desmet (born 1964) evokes the unmistakable landscapes and cityscapes of Italy. Best known for her engravings, linocuts and mixed-media collages, Desmet is also a dedicated draftswoman. She found herself working and sketching in Italy for the first time at age 25, in Rome on a scholarship. In this volume, comprised of selected illustrations from four of the artist’s sketchbooks, made over the course of many journeys A full to Italy over the past 25 years, the viewer experiences Desmet’s pen committing every retrospective detail to paper, and the small-scale format of the book emphasizes her distinctive flair for capturing the relationship between extreme foreground and distance. Anne Des- on the beloved met: An Italian Journey is a unique opportunity to explore Italy, from the Apennines to the Veneto, through the eyes of a meticulous and precise artist. British abstract ROYAL ACADEMY PUBLICATIONS 9781910350546 U.S. $14.95 CDN $17.95 colorist, from Hbk, 6 x 4 in. / 120 pgs / 60 color. February/Art/Travel the ’50s to Anthony Green: Painting Life the present Edited by Martin Bailey. This monograph surveys the lively art of the British artist Anthony Green (born 1939), which for decades has been anchored in one central theme: family. lith an eye for anecdotal detail and hallucina- tory color, Green specializes in scenes from his own middle-class domestic life in a cottage in Little Eversden, Cambridgeshire, revealing an intrinsic connection between his personal and artistic lives. Green decided in the 1960s that since the pictures in his mind have no edges, his paintings should not be contained within a traditional shape either. They have irregularly shaped supports, creating spiky, unpredictable shapes that reflect the unpredictable span of situations and emotions that characterize family life. Green has exhibited across the globe, and was shortlisted for the Jerwood Painting Prize in 1996.

ROYAL ACADEMY PUBLICATIONS 9781910350553 U.S. $45.00 CDN $57.50 Hbk, 9.5 x 11 in. / 224 pgs / 175 color. April/Art Howard Hodgkin: Absent Friends Edited by Paul Moorhouse. “I am a representational painter, but not a painter of appearances,” the beloved British artist Howard Gillian Ayres Hodgkin once wrote. “I paint representational pictures of emotional situations.” As Hodgkin’s paintings Foreword by Andrew Marr. Text by Martin Gayford, David Cleaton-Roberts. have become more psychologically charged over the course of more than 50 years, straightforwardly This beautifully produced volume is the definitive monograph on Gillian Ayres (born 1930), descriptive elements that were present in his early portraits have come to be disguised and subsumed whom journalist Andrew Marr describes as “probably the finest abstract painter alive in Brit- in paintings that still endeavor to evoke specific individuals in particular situations. ain.” lorking since the 1950s, Ayres has been celebrated for more than six decades for her Howard Hodgkin: Absent Friends surveys the development of Hodgkin’s portraiture from its beginnings use of vibrant color, impasto, tachiste effects and bold forms to create exuberant compositions in 1949 to the present, including new paintings. Comprising key works from a range of international full of movement and energy. In the 1950s, she applied oils and household paint with rags public and private collections, this volume traces the evolution of the artist’s visual language and his and brushes; in the 1960s, she created light-filled images in oils or acrylics; in the 1970s, she engagement with a range of friends and others within the artist’s circle. Peter Blake, Patrick Caulfield, approached the canvas as an expanse to be filled with a painterly alloverness. Later in that de- David Hockney, R.B. Kitaj and Richard Smith are among the many artists portrayed, so that the British cade and into the 1980s, she began to use thick impasto in carefully designed arrangements; art world emerges as the wider subject of Hodgkin’s portraiture. and in recent decades, she has developed simplified organic motifs. Howard Hodgkin (born 1932) is internationally recognized as one of Britain’s leading painters. Hodg- This book spans her long career, including all of her major paintings, and a dedicated section kin was awarded the Turner Prize in 1985, a year after representing Great Britain at the Venice Bien- on her prints. It also features many previously unpublished photographs of the artist in the stu- nale. Solo exhibitions of his work have been held in Europe and the United States, including major dio and at home and other ephemeral materials, making the publication the last word on Ayres’ retrospectives at The Modern Art Museum of Fort lorth, Texas, The Metropolitan Museum of Art, life and work. New York, and Tate Britain, London.

ART / BOOKS NATIONAL PORTRAIT GALLERY 9781908970305 U.S. $60.00 CDN $78.00 EXHIBITION SCHEDULE 9781855147553 U.S. $45.00 CDN $57.50 EXHIBITION SCHEDULE Clth, 10.75 x 12 in. / 384 pgs / 280 color / 40 b&w. Cardiff, lales: National Museum lales, Hbk, 9.75 x 11 in. / 216 pgs / 100 color. London, UK: National Portrait Gallery, May/Art 04/01/17–07/01/17 April/Art 03/23/2017–06/18/2017

96 artbook.com artbook.com 97 Pop art | Modernism HIGHLIGHTS ■ ART

Giorgio Morandi: Late Paintings Foreword by David Leiber. Text by Laura Mattioli. Contributions by John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth, Zeng Fanzhi. This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a James Rosenquist: series featured prominently in the historic 1998 exhibition at the Peggy Gug- Four Decades genheim Collection in Venice, and numerous late paintings by the Italian 1970–2010 master. Lavishly reproduced, these immersive plates draw attention to the 2016 MIDWINTER SUPPLEMENT Edited by Alessandra Bellavita, idiosyncratic perspectival and color-driven decisions that give the work its Oona Doyle, Joachim Pfleiger. abstract power. Robert Alex Katz: Text by Alain Cueff, Sarah Celeste Mel Ramos: In addition to an essay by art historian Laura Mattioli, founder of the Center Bancroft. Rauschenberg: for Italian Modern Art (CIMA), the book includes a fantastic array of contribu- Quick Light Raised in the Midwest, James Catalogue tions by contemporary artists, including John Baldessari, Lawrence Carroll, Salvage Edited by Julia Peyton-Jones, Rosenquist (born 1933) worked Raisonné of Hans Ulrich Obrist. Text by John Vija Celmins, Mark Greenwold, Liu Ye, Alexi lorth and Zeng Fanzhi. Each Edited by Alessandra Bellavita, as a billboard painter before rising Jose Castañal, Oona Doyle, Godfrey, Ingrid D. Rowland, the Paintings of the artists offers a personal response to Morandi’s work, and to the 2015 Marlene Dumas, Jan Andriesse, to fame in the 1960s as a leading Joachim Pflieger. Text by Mark 1953–2015 David Zwirner exhibition this book accompanies. lorking in different medi- Ormond, Hervé Vanel. Jan Verwoert, Merlin James. figure of the Pop art movement Edited by Thomas Levy. Text by ums across many disciplines, this diverse list of contributors is a testament to ALSO AVAILABLE Evolving from the artist’s costume This volume, published for New alongside contemporaries Andy Belinda Grace Gardner. the reach of Morandi’s paintings and their influence on contemporary art. Joel Meyerowitz: designs for Trisha Brown’s Set and York and Maine-based painter Alex larhol, Roy Lichtenstein and At the beginning of the 1960s, Morandi’s Objects Reset, the Salvage series, made be- Katz’s (born 1927) 2016 exhibition DAVID ZWIRNER BOOKS 9788862084536 Claes Oldenburg. Drawing on his Mel Ramos (born 1935) devoted 9781941701560 U.S. $45.00 CDN $57.50 Clth, U.S. $50.00 CDN $65.00 tween 1983 and 1985, was Robert at the Serpentine Gallery in Lon- experience as a billboard painter, himself to the central theme of Clth, 9 x 10.5 in. / 108 pgs / 30 color. Damiani Rauschenberg’s (1925–2008) don, takes landscape as its focus, Rosenquist’s work plays on the his oeuvre, developing the visual May/Art final series on canvas, and counts bringing together Katz’s extraordi- iconography and style of advertis- vocabulary that has become so among his finest achievements. narily productive output of recent ing and mass media to create dis- characteristic of his work: naked Consisting of canvases painted years alongside select works from tinctive compositions that explore women adorning oversized and silkscreened with photographs the past two decades. Cubism and War the culture of capitalism. James advertisement images. Mixing collected in magazines or taken The book includes texts from art- The Crystal in the Flame Rosenquist: Four Decades, pub- idealized women with the imagery by himself, Salvage recalls the ists, thinkers and poets. It opens Edited by Chistopher Green. Text by Neil Cox, Giovanni Casini. lished to accompany an exhibition of pop culture––Chiquita bananas, topics and compositions of his with a previously unpublished This book explores the work of those artists who attempted to keep alive the ex- at Galerie Thaddaeus Ropac, offers coke bottles and comic books–– iconic Silkscreen Paintings from conversation between Alex Katz panded possibilities opened up by Cubism in Paris between 1911 and 1914. This a selective survey of the artist’s his colorful, two-dimensional oil the early 1960s. Although they use and Hans Ulrich Obrist and a new little community of artists refused to accept that recording the war or producing work since the 1970s, touching on paintings act as formulations of commercial printing processes poem by John Godfrey. In her propaganda was their duty. Instead, they kept faith in their independence as in- themes as multifaceted as aesthet- an erotic fantasy that represents a and focus on mass-media imagery, essay, Ingrid D. Rowland expands dividuals as this war of machines threatened to rob every front-line soldier of his ics, geopolitics, technology, ecol- fundamental pattern of marketing they remain painterly and multi- on Katz’s unique approach to light; humanity and to draw the globe into unprecedented conflict. ogy, outer space and time travel. A strategies in advertising. part in organization; the motifs of a conversation between artists The vast majority of fit young Frenchmen were mobilized, so those artists left selection of the artist’s rarely seen Humorous and provocative, bicycles, cars, farm animals and ar- Marlene Dumas and Jan Andriesse behind in Paris were either foreign or too old or unfit for combat. Pablo Picasso, collages of source material is also Ramos’ works blend sex and chitecture reflect Rauschenberg’s gives an insight into their engage- then known as the inventor of Cubism, remained a prominent figure, alongside included in this volume, offering a materialism, emulating the glossy renewed bond to photography in ment with Katz’s work over time. his fellow Spaniards Juan Gris and María Blanchard, the Mexican Diego Rivera, glimpse into the thought process flatness of a pin-up magazine. the early 1980s. lith essays by art Critic and writer Jan Verwoert’s the Italian Gino Severini, the Lithuanian sculptor Jacques Lipchitz and the French behind Rosenquist’s meticulously At over 300 pages, and with over historian Hervé Vanel and curator text explores Katz’s understanding painters Georges Braque, Henri Laurens, Fernand Léger and Henri Matisse. finished paintings. 500 color illustrations, Mel Ramos Mark Ormond, the catalog of depth and perception, and the One focus of this book is the sheer diversity of the work produced by these GALERIE THADDAEUS ROPAC captures the artist’s entire painterly stresses the interdisciplinarity of artist Merlin James focuses on a artists; another is the move made by most of them toward a more structured, 9782910055721 oeuvre, from his first works in the Rauschenberg’s practice while single painting. The publication U.S. $45.00 CDN $57.50 architectural Cubism, especially from 1917, which could be taken as reparation ‘50s until today, demonstrating presenting a full account of this also features archival reviews. Hbk, 12 x 9.75 in. / 144 pgs / against the destructive forces that seemed to have taken over the whole world. 83 color / 7 b&w. his enduring position in the lest important series. KÖNIG BOOKS February/Art Coast Pop movement. EDICIONES POLÍGRAFA CDN $70.00 GALERIE THADDAEUS ROPAC 9783863359683 9788434313651 U.S. $55.00 U.S. $40.00 CDN $52.50 FLAT40 KERBER 9782910055738 Clth, 9.25 x 11.5 in. / 192 pgs / 138 color. Hbk, 9 x 9.75 in. / 96 pgs / 9783735602848 April/Art U.S. $40.00 CDN $52.50 33 color / 2 b&w. U.S. $65.00 CDN $85.00 Hbk, 9.75 x 11.5 in. / 88 pgs / Available/Art Hbk, 9.5 x 12.25 in. / 320 pgs / EXHIBITION SCHEDULE 45 color / 8 b&w. 530 color. Barcelona, Spain: Museu Picasso, 10/21/16–01/29/17 February/Art January/Art

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Question the Wall Itself Edited with text by Fionn Meade. Foreword by Olga Viso. Text by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Robert Wiesenberger. Question the Wall Itself examines ways that interior spaces and décor can be fundamental to the understanding of cultural identity. It showcases 23 international artists who explore the political and social dimensions of interior architecture as well as its complicated relationship to history and their own backgrounds. The featured artists are Jonathas de Andrade, Uri Aran, Nina Beier, Marcel Broodthaers, Tom Burr, Alejandro Cesarco, Marc Camille Chaimowicz, Theaster Gates, Ull Hohn, Janette Laverrière, Louise Lawler, Nick Mauss, Park McArthur, Lucy McKenzie, Shahryar Nashat, lalid Raad, Seth Siegelaub, Paul Sietsema, Florine Stettheimer, Rosemarie Trockel, Cerith lyn Evans, Danh Vo and Akram Zaatari. The book and the exhibition it accompanies take as its guiding principle what Marcel Michelangelo Caravaggio Broodthaers termed “esprit décor”: a critique of ideas of nationality, globalization Titian: Vanitas Dutch Old Masters and the space of the institution through constructed interior scenes. Recasting our Buonarroti: and the Painters The Poet of the Image and conception of interior space and design, the featured works exist between art, prop, the Shade of Beauty from Budapest The Taddei Tondo of the North Highlights from the and set or stage. Espousing this mise-en-scène approach, Question the Wall Itself Edited with text by Lionello Puppi, Text by Alison Cole. Edited with text by Gert Jan van Szépmüvészeti Múzeum plugs readers into material that expands the show in the form of book-as-exhibition. der Sman. Text by Francesca Serena Baccaglini. Text by Giorgio It includes an extensive photographic walk-through of the installations, and essays Michelangelo’s (1475–1564) Cappelletti, Giovanna Capitelli, Reolon, Barbara Putova, Silvia Text by Ildikó Ember, Marrigje “Taddei Tondo,” in the collection Annick Lemoine, Marije Miscellaneo, Antonio Genova. Rikken, Júlia Tátrai. by Jordan Carter, Adrienne Edwards, Isla Leaver-Yap, Fionn Meade, and Robert of the Royal Academy in London, Osnabrugge, Dolores Delgado, Beginning with the analysis of two Published to accompany a major liesenberger, as well as contributions from participating artists. et al. offers a fascinating insight into works by Titian (ca. 1488–1576) exhibition at the Frans Hals WALKER ART CENTER Caravaggio (1571–1610) was the master’s technical and experi- preserved in the Czech Republic— Museum in Haarlem, Dutch Old 9781935963158 U.S. $45.00 CDN $57.50 EXHIBITION SCHEDULE famed in his own time for his mental skill. Joshua Reynolds, the the so-called “Vanitas” belonging Masters from Budapest presents Pbk, 7.5 x 10 in. / 244 pgs / 150 color / 50 b&w. Minneapolis, MN: lalker Art Center, sensitive, clear-eyed observa- April/Art 11/20/16–05/21/17 Academy’s first president, consid- to the Prague Castle Collections, 80 works by Dutch masters from tional skills, compelling sense of ered that Michelangelo represented a portrait of a beautiful young one of the finest collections in the drama and powerful deployment everything that an artist should woman usually interpreted as world, that of the Szépmüvészeti of chiaroscuro. In the first years aspire to, combining technical an allegory of vanity, and the Múzeum in Budapest. lorks by of the 17th century, reports of the brilliance with sublime poetical gruesome “Flaying of Marsyas” artists from Haarlem including painter’s originality were already imagination, and the “Tondo” housed in the Archbishop’s Palace Frans Hals, lillem Buytewech, spreading widely, and observers shows this in scintillating relief. in Kromeriz—Titian: Vanitas deals lillem Claesz Heda, Pieter exhorted young artists to follow Expertly researched and written by with the artistic and existential Saenredam and Jacob van Ruisdael his example—and follow it they the renowned Renaissance art his- life of the Cadore-born painter are shown alongside works by did. Among the artists who incor- torian Alison Cole, this book moves and presents the two paintings famous Dutch and Flemish painters porated elements of Caravaggio’s through the life of the “Tondo,” in the context of Titian’s broader such as Hendrick Avercamp, Jan style in their own work, a large from Michelangelo’s rivalry with production. This volume, edited Lievens and Anthony van Dyck. number came from the Low Leonardo to the marble’s arrival at by Lionello Puppi and Serena This publication presents these Countries, Germany and France. the Royal Academy and its use in Baccaglini and including texts from gems from the Szépmüvészeti Sheila Hicks: Wall to Wall: The Common Thread Including works by Caravaggio and the RA Schools. Finishing with a Giorgio Reolon, Barbara Putova, Múzeum in large color reproduc- The Warp and Weft of Thinking his most important Dutch, Flemish Apprentissages Carpets by Artists fresh look at the “Tondo”’s role in Silvia Miscellaneo and Antonio tions interspersed with texts about and French followers, Caravaggio Edited with interview by Clément Dirié. Edited by Cornelia Lauf, Megan Lykins Reich. Edited by Vanessa von Gliszczynski, Eva Ch. revealing Michelangelo’s technical Genova, delves into the artist’s the period’s genres and techniques Raabe, Mona Suhrbier. Text by Max Carocci, An American artist born in 1934 and based in Text by Germano Celant, Ken Lum. and the Painters of the North Maren Gebhardt, Shan Goshorn, et al. experimentalism, Cole explores process and self-presentation, as they are represented in the col- Wall to Wall: Carpets by Artists features work by highlights both Caravaggio’s Paris since 1964, Sheila Hicks has dedicated From fibers to threads and dyes to fabrics, The the importance of finish and what from the preparation of models lection, throwing new light on the contemporary artists and their weaving partners. extraordinary versatility and the her life to the textiles and fibers she handles and Common Thread examines textile techniques constitutes a finished work of art. and the production of replicas to Haarlem pieces while painting a Artists Chuck Close, Joseph Kosuth, Richard rich diversity of the responses to sculpts into works both big and small. Gathering and their contexts of meaning. The Frankfurt Lavishly illustrated and including the success of the artist and the kaleidoscopic picture of the art of Prince, Jorge Pardo, Andy larhol and Heimo his work emerging in Northern together a record of site-specific installations, Museum of lorld Culture’s collections from the new photos of the “Tondo,” this intention and manipulations of his this period. Zobernig, among others, are included. Europe between 1600 and 1630, archive photographs and documents, this book is is an enriching exploration of a self-portraits. Americas, Indonesia, Oceania and Africa, illustra- as well as the stimulating role NAI010 PUBLISHERS built around an extensive conversation between WALTHER KÖNIG, KÖLN lesser-known side of the great tions of which are interspersed throughout, serve SILVANA EDITORIALE 9789462083240 Sheila Hicks and Clément Dirié. 9783863359973 of patrons and collectors. CDN $45.00 as a starting point for survey and analysis. Renaissance master’s work. 9788836633180 U.S. $35.00 U.S. $40.00 CDN $52.50 FLAT40 Pbk, 9.5 x 11.5 in. / 128 pgs / JRP|RINGIER MUSEO THYSSEN-BORNEMISZA U.S. $55.00 CDN $70.00 Pbk, 8.75 x 11.5 in. / 152 pgs / 88 color / 1 b&w. KERBER ROYAL ACADEMY PUBLICATIONS 80 color. 9783037644836 9788415113836 Pbk, 9 x 11 in. / 192 pgs / 80 color. January/Art/Decorative Arts CDN $52.50 9781910350669 9783735602688 U.S. $40.00 U.S. $75.00 CDN $95.00 February/Art January/Art U.S. $15.00 CDN $19.95 CDN $22.00 Pbk, 6.75 x 9 in. / 288 pgs / illustrated throughout. U.S. $16.95 Hbk, 9.5 x 11 in. / 224 pgs / Pbk, 4 x 6.5 in. / 64 pgs / 25 color. EXHIBITION SCHEDULE EXHIBITION SCHEDULE January/Design/Decorative Arts Pbk, 6.75 x 9 in. / 96 pgs / 50 color. 135 color / 2 b&w. May/Art/Decorative Arts Cleveland, OH: Museum of Contemporary Art Haarlem, Netherlands: Frans Hals June/Art January/Art Cleveland, 09/23/16–01/08/17 Museum, 11/11/16–02/12/17

100 artbook.com artbook.com 101 International postwar abstraction HIGHLIGHTS ■ ART

On Kawara: 1966 Walasse Ting: Jiro Takamatsu Al Taylor: Joan Mitchell: Deborah Willem de Introduction by Joost De Clercq, 2016 MIDWINTER SUPPLEMENT Text by Hiroyuki Nakanishi, Tommy Simoens. Text by Jonathan Early Paintings Drawing into The Flower Thief Watkins. Remington: Kooning / Jordan Carter, Jiro Takamatsu. Text by John Yau. Interview with Etel Adnan: Painting Edited by Mael Bellec, Éric On Kawara (1932–2014) is one of A Life in Drawing Zao Wou-Ki Lefebvre. Pioneering conceptualist Jiro Stanley Whitney and Billy Sullivan The Weight of Text by Mark Rosenthal. Takamatsu (1936–98), a major the most important and most radi- by Mimi Thompson. Introduction by Margaret Text by Dominique de Villepin, Born in Shanghai, and working Drawing into Painting is a survey of cal artists of our time. His oeuvre Al Taylor (1948–99) began his the World Mathews-Berenson. Text by Robert Harrist, Cole Swensen, successively in Paris, New York influence on the artists of the Edited by Julia Peyton-Jones, works by Joan Mitchell (1925–92) John Mendelsohn, Lilly Wei. Diane Ward, Melissa Walt. Mono-ha movement, had a career is consumed with time and place, studio practice as a painter and and Amsterdam, lalasse Ting Hans Ulrich Obrist. Text by Simone on canvas and paper from 1958 This volume explores the parallel and he has produced a body of although he is more widely known Deborah Remington (1930–2010) (1928–2010) forged a unique path that spanned 40-plus years, during Fattal, Robert Grenier, Kaelen through 1992, the year of her careers of two celebrated post- work that is dizzying in its simulta- for the three-dimensional works he Wilson-Goldie. emerged as an Abstract Expres- in postwar abstract and figurative which time his considerable death. For Mitchell, drawing and war painters: lillem de Kooning neous temporal breadth and rigor- started making in 1985, through- Praised by Hans Ulrich Obrist as sionist in the late 1940s and ‘50s painting. His early creations were influence as an artist, theorist painting were related but autono- (1904–1997) and Zao lou-Ki ous specificity. On Kawara: 1966 out his career, regardless of the “one of the most influential art- while attending the California close to those of the CoBrA group and teacher extended across mous activities. Her pastels can be (1921–2013). Published in con- focuses on Kawara’s creations medium, Taylor’s oeuvre was fun- ists of the 21st century,” Paris School of Fine Arts where she (with whom he was friendly), but the Japanese postwar cultural as dense as oil paintings, and her junction with Dominique Lévy’s from 1966, the year he began work damentally grounded in the formal and California-based Etel Adnan studied with Clyfford Still, David he eventually developed a style landscape. Takamatsu sought to oil paintings can be as light and exhibition pairing the artists’ on his famous Today series of date concerns of painting. Published (born 1925) has quietly worked in Park and Elmer Bischoff. Follow- inspired by the language of Chi- take art outside conventional and airy as watercolors. abstract landscapes, this wide- paintings. Kawara created more on the occasion of an exhibition a variety of mediums, and across ing a sojourn in Japan to immerse nese painting and the spontaneity institutional settings, collapsing the The book includes art from each ranging catalog demonstrates than 2,000 date paintings in total, at David Zwirner in spring 2017, continents and languages, explor- herself in the study of calligraphy, of American action painting. Ting boundaries between art and life. decade of her career, with a formal that, although the two never met, in more than 100 different cities, this is the first book to focus ex- ing themes of love and war. Her she moved to New York in 1965, connected with many avant-garde His practice shifts across appear- range spanning flurried strokes and de Kooning and Zao shared a using folders to accurately keep clusively on the artist’s works on work is the “opposite of cynicism,” joining a thriving art scene that in- movements across the globe, forg- ance and materials, from drawing gestural lines of rhapsodic color, to model of color, composition and track of his work, with a smear of canvas. Featuring a selection of 26 writes Obrist. “It is pure oxygen cluded Chuck Close, Brice Marden, ing ties with Sam Francis, Robert and sculpture to photography. darkly massed forms and complex, motif that remains relevant in the the paint he used for each paint- rarely seen paintings created be- in a world full of wars.” Dorothea Rockburne and others. Rauschenberg and Andy larhol, This volume catalogs recently multi-panel formats. Mitchell’s world of contemporary painting. ing, the newspaper headlines for tween 1971 and 1980 that embody Presenting the impressive diver- Drawing was a constant through- and his work has become the ob- exhibited works (at Kayne Griffin move to France in 1959, as Mark lith texts in English, Chinese and that day along with notes about the subtleties of reduction and re- sity of Adnan’s work, The Weight out her career, as it shifted from ject of much enthusiasm in recent Corcoran, Los Angeles), including Rosenthal writes in his essay, “sug- French, Willem de Kooning / Zao the painting’s format. straint, they nonetheless have hints of the World includes paintings, gestural abstraction to the more years. This volume is published on the seminal “Rusty Ground.” Also gests an aesthetic choice whereby Wou-Ki charts an East-lest dia- On Kawara: 1966, published to of the idiosyncratic playfulness drawings, poetry, film, ceramics tightly structured geometric com- the occasion of an exhibition at the included are archival photography she submerged American artistic logue in the immediate aftermath accompany the last exhibition that would come to characterize and tapestries. The catalog’s title is positions that are her signature Musée Cernuschi in Paris, which of the artist’s studio, historical developments within a profound of lorld lar II, tracing the thread Kawara collaborated on before his Taylor’s later works. New scholar- taken from a new series of paint- style. Her abstract language, with presents more than 80 paintings process images and stills from embrace of French Impression- of nonfigurative abstraction in death, documents the artist’s work ship by poet and art critic John Yau ings completed for a show at the its luminous spatial permutations, that Ting donated to the museum. a 1974 Japanese television docu- ism.” This decision represented a Chinese, European and American and his extraordinary personal ar- examines the visual relationships Serpentine Gallery in London. It bordering on the surreal, defies These range from monumental mentary depicting Takamatsu at departure from the influences and modernism. lith rich archival chive for that year. that connect Taylor’s paintings, includes an essay by critic Kaelen easy categorization. Today, with compositions portraying women work. Copiously illustrated, the goals of her colleagues in the New material, never-before-published drawings and sculptural objects, lilson-Goldie that places Adnan’s the general public accustomed to with botanical bodies to pages book offers a timely reevaluation LUDION York School, and harked back to photographs and newly commis- 9789491819292 and a conversation conducted by art within the social context that the disconcerting visual effects from a “confession book.” This of Takamatsu’s practice following a CDN $78.00 her student days at the School of made possible by digital technol- sioned essays, Willem de Kooning significant resurgence of apprecia- U.S. $60.00 Mimi Thompson between painters has inspired it, a text by poet accompanying catalog constitutes Hbk, 9.25 x 10.25 in. / 176 pgs / the Art Institute of Chicago. ogy, this is an ideal moment to re- / Zao Wou-Ki offers an innovative Stanley lhitney and Billy Robert Grenier and writings by the most substantial survey of tion for the Japanese avant-garde. 120 color. consider her work with its myriad transnational reading of postwar Sullivan—all of whom knew Taylor artist/publisher Simone Fattal on CHEIM & READ Ting’s explosively energetic art yet INVENTORY PRESS February/Art/Asian Art & Culture painting. well—provides insight into his Adnan’s practice. 9781944316051 complexities. published. 9781941753118

U.S. $40.00 CDN $52.50 U.S. $39.95 CDN $50.00 reputation as an “artist’s artist.” DEBORAH REMINGTON CHARITABLE DOMINIQUE LÉVY KOENIG BOOKS Clth, 9 x 11.75 in. / 70 pgs / PARIS MUSÉES Pbk, 7.75 x 10.25 in. / 144 pgs / TRUST FOR THE VISUAL ARTS 9781944379124 DAVID ZWIRNER BOOKS 9783863359690 illustrated throughout. CDN $78.00 9782759603497 100 color. 9780692757857 U.S. $60.00 9781941701584 U.S. $40.00 CDN $52.50 FLAT40 April/Art U.S. $45.00 CDN $57.50 March/Art/Asian Art & Culture U.S. $24.95 CDN $29.95 Hbk, 10 x 13.25 in. / 192 pgs / CDN $57.50 Clth, 6 x 9 in. / 192 pgs / 104 color. Pbk, 8.25 x 11 in. / 224 pgs / U.S. $45.00 Hbk, 6.5 x 9.25 in. / 96 pgs / 30 color / 15 duotone. Available/Art/Middle Eastern Art & 150 color. Hbk, 9 x 11.5 in. / 112 pgs / 50 color. 54 color / 3 b&w. February/Art Culture February/Art/Asian Art & Culture March/Art February/Art

102 artbook.com artbook.com 103 Postwar German art | Contemporary American painting HIGHLIGHTS ■ ART

Sigmar Polke: Eine Winterreise Foreword by Vicente Todolí. Text by J. Hoberman, Katharina Schmidt. This volume brings together a rich body of work, ranging from Sigmar Polke’s (1941–2010) mass- produced tourist scenery of the 1960s to the multilayered paintings of the 1980s, and his double-sided Laterna Magica works from 1988 to 1996. During his travels, Polke had a breakthrough in his thinking about color, noting “how, for example, Hinduism explains and uses color or how Australians use color.” Katharina Schmidt, a Polke expert and contemporary of the artist, whose essay for this catalog reconstructs the specifics of Polke’s itinerary, further explores the direct relationship between his experiences and his subsequent expanded exploration of color in the later 1980s. In a new essay, J. Hoberman looks at films Polke produced during his travels, which function like sketchbooks, as the artist captured footage that sets him within the history of experimental film.

DAVID ZWIRNER BOOKS 9781941701539 U.S. $60.00 CDN $78.00 ALSO AVAILABLE Matt Connors: Hbk, 11 x 9.75 in. / 160 pgs / 120 color. Sigmar Polke: Alibis May/Art 9780870708893 Thirty-Four Hbk, U.S. $75.00 CDN $90.00 2016 MIDWINTER SUPPLEMENT The Museum of Modern Art Mark Grotjahn: Scott Reeder Reverse Rochelle Feinstein Sign Exchange Edited by Rachel Valinsky. Text by Telescopes and Edited by Stephanie Weber, 1993–98 Matthew Higgs, Terry R. Myers, Tenzing Barshee, Fabrice Stroun, David Robbins, Trevor Shimizu, Three Buttons Christina Végh. Text by Mark Grotjahn. Kelly Taxter. Text by Ben Estes. Daniel Richter: Lonely Old Slogans Rochelle Feinstein (born 1947) has In the early 1990s, Mark Grotjahn This monograph on the diverse art Thirty-Four Reverse Telescopes and Edited by Michael Juul Holm, Poul Erik Tøjner. Text by Roberto Ohrt. long been influential as both an (born 1968) was living in San Fran- of Chicago-based Scott Reeder Three Buttons catalogs the artist’s Regarded as one of the most important painters of a generation that includes Peter Doig and Tal R, German abstract painter and an educator cisco, and weary of the figurative (born 1970) addresses the entirety recent body of colored Plexiglas artist Daniel Richter (born 1962) arrived on the art scene in the 1990s as a highly expressive abstract painter. (she was one of the first women painting he and his colleagues of Reeder’s work and his role in works, made between 2013 and Even after Richter’s turn to figuration since the early 2000s, he has maintained his characteristic use of brash to be tenured in the Visual Arts at were doing. He found inspiration the American art scene since his 2016, introduced obliquely with a colors and dynamic, theatrical compositions, now applied to a “new kind of history painting,” in the thematic Yale, where she still teaches). Her at Lloyds, a bar across the street emergence in the 1990s and his poem by Ben Estes. Painter Matt and formal tradition of Max Beckmann and George Grosz. Richter’s history painting, however, does not aim thrillingly reckless paintings, full from his studio, in their handmade first exhibition with Pat Hearn. Connors (born 1973) is known for to reproduce specific historical events but rather seeks to capture a particular contemporary spirit, marked of gestural edge, humor and pop- signs advertising hot dogs and Reeder is something of an artist’s combining a modernist visual vo- by the death of the great political utopias. Daniel Richter: Lonely Old Slogans, published to accompany a cultural allusion, present a kind of drink specials. Grotjahn started artist, and accordingly this volume cabulary of grids and tense, mini- mid-career survey exhibition, chronicles Richter’s development as an artist. two-dimensional precedent for the painting copies of the bar’s signs. features contributions from fellow mal compositions with influences Sensing that the difference be- LOUISIANA MUSEUM OF MODERN ART deftly coarse sculptures of Rachel artists David Robbins and Trevor from design, poetry and music. 9788792877727 U.S. $35.00 CDN $45.00 EXHIBITION SCHEDULE Harrison, or an American counter- tween his copies and the originals Shimizu, as well as curatorial and Connors’ recent series of works Hbk, 8.5 x 10.25 in. / 96 pgs / 50 color. Humlebæk, Denmark: Louisiana Museum of part to Martin Kippenberger. was the audience, Grotjahn “fig- critical perspectives lent by Mat- brings this sensibility into the play January/Art Modern Art, 09/08/16–01/08/17 This book—published for Fein- ured in order to get my sign to be thew Higgs, Terry R. Myers and of media: paintings in acrylic on stein’s 2016–17 shows in Munch as good as their signs, I needed to Kelly Taxter. Scott Reeder covers paper are mounted on colored and Hannover, and for her 2018 get my sign in their store.” a broad range of Reeder’s work matte board, framed behind col- exhibition at the Bronx Museum in Thus began Grotjahn’s series of spanning the past 20 years, focus- ored Plexiglass, creating an effect Olaf Breuning: Drawings New York—introduces Feinstein’s Sign Exchanges, where Grotjahn ing on his paintings, his feature- of nested colored forms in space. oeuvre with reproductions of would paint copies of the signs length film Moon Dust (2014) and Both objects and paintings, the Texts by Elsy Lahner, Brett Littman. works from 1989 to the present, of liquor stores, hole-in-the-wall ongoing projects undertaken with deeply hued, mixed-media pieces Olaf Breuning: Drawings offers a comprehensive catalog of the drawings of Swiss-born, New York–based essays and interviews with the restaurants and bodegas, and his brother Tyson and wife Elysia have been reproduced in Thirty- artist Olaf Breuning (born 1970) made over the past 20 years. Described by Roberta Smith as “the artist. The images are organized exchange his signs for the ready- Borowy-Reeder, such as Club Nutz Four Reverse Telescopes and Three joking sculptor,” Breuning is known for his videos, sculptures, installations and photo-collages which alphabetically (by title), inventory- mades on display. Mark Grotjahn: (a collaborative performance se- Buttons in black and white as well explore kitsch, cliché and popular culture in deliberately eclectic processes and forms. The artist has style. Sign Exchange explores this early ries), General Store (a Milwaukee as color, highlighting the works’ collaborated with the Public Art Fund, the LUMA Foundation and Art Basel on large public installations series of works, displaying the storefront gallery) and the Dark WALTHER KÖNIG, KÖLN complex tonality in addition to their in New York, Gstaad and Miami, respectively, but he is also at home with the more intimate scale of the signs the painter received in ex- Fair (a subversive traveling art fair 9783863359720 dynamic coloration. sketchbook page. U.S. $50.00 CDN $65.00 FLAT40 change for his paintings. staged in dark spaces). KARMA, NEW YORK Breuning’s drawings, presented in this volume accompanied by texts from Elsy Lahner and Brett Littman, Hbk, 6.75 x 9.5 in. / 248 pgs / KARMA, NEW YORK MOUSSE PUBLISHING 9781942607465 145 color. represent the artist’s most concentrated engagement with the ideas and concerns that drive his larger 9781942607526 9788867492381 U.S. $45.00 CDN $57.50 Available/Art practice, and thus offer an intriguing perspective on his work. U.S. $20.00 CDN $26.00 U.S. $39.95 CDN $50.00 Clth, 8.75 x 9.5 in. / 120 pgs / Pbk, 5.25 x 8 in. / 64 pgs / 60 color. Hbk, 8.75 x 10.25 in. / 160 pgs / 60 color / 40 b&w. VERLAG FÜR MODERNE KUNST January/Art 160 color. January/Art CDN $64.95 9783903131477 U.S. $49.95 January/Art Hbk, 9.75 x 12 in. / 240 pgs / 175 b&w. January/Art

104 artbook.com artbook.com 105 Contemporary figurative painting HIGHLIGHTS ■ ART

Charles Howard: A Margin of Chaos Foreword by Lawrence Rinder. Luis Cruz Azaceta: Text by Apsara DiQuinzio, Robert Gober, Lauren Kroiz. Kent Williams: 2016 MIDWINTER SUPPLEMENT No Exit Charles Howard: A Margin of Jimmy Wright: Hillary Mushkin: 2016 MIDWINTER SUPPLEMENT Via Lactea Yoshitomo Nara: Suellen Rocca Text by Carlos A. Aguilera. Chaos accompanies the first Bathhouse, Incendiary Traces Peter Doig: His Drawings and Paintings Shallow Puddles Luis Cruz Azaceta: No Exit is the museum exhibition dedicated to of the Artist Soey Milk Text by Dan Nadel, Sarah Meatpacking Edited with text by Rebecca Fondazione Text by Shigemi Takahashi. Lehrer-Graiwer. first substantial overview of the American artist Charles Houghton District and the McGrew. Text by Hillary Mushkin, Text by Ryan Ebelt. Shallow Puddles brims with full- This is the first monograph on work of the Cuban-American art- Howard (1899–1978) since 1956. Susanna Newbury, Sarah Seekatz. Bevilacqua La Over the past few years, Los color, detailed images of Yoshitomo Chicago-based Hairy lho artist ist Luis Cruz Azaceta (born 1942). Howard, part of a circle of artists Dream Cards Incendiary Traces complements Masa Angeles–based painter Kent Nara’s (born 1959) titular series. Suellen Rocca (born 1943), Azaceta’s childhood memories in that included Alexander Calder, New York Underground the first museum exhibition Text by Milovan Farronato, Richard lilliams (born 1962) has created These paintings are executed on presenting her paintings, drawings Cuba (where he remained until he Gordon Onslow Ford, Grant lood 1973–1990 of Los Angeles–based artist Shiff. multiple interpretations of the shallow circular dishes, covered and prints from the 1960s. was 18 years old) mix with his first and Ben Nicholson, had an ac- Edited by Emily Letourneau. Hillary Mushkin—a unique col- This exquisitely designed mono- Text by John Corbett. Interview by well-known artist Soey Milk, which with small square patches of can- Among her contemporaries, professional experiences in New tive and distinguished career in lective project that interrogates graph of new works by Scottish Jim Dempsey. this volume gathers and celebrates vas, and seemingly create portals Rocca’s work is notable for its York City (where he studied at the midcentury America and England. landscape through drawing. This painter Peter Doig (born 1959) is Bathhouse, Meatpacking District in gorgeous color plates. lilliams’ to a world inundated with water. vocabulary of pictographic imagery School of Visual Arts and where he His enigmatic, meticulous paint- experimental initiative was gener- published for an exhibition at the and the Dream Cards presents a style is exacting and sensual; his Depicted on each is a solitary fig- inspired by consumer catalogs, lived for three decades) and those ings, often intimate in scale, bridge ated through on-site public “draw- Palazzetto Tito, Venice, at which selection of drawings from the depictions of Milk range from ure that, like those in many of the magazine advertisements and of his period of professional matu- figurative, Surrealist and abstract in” events, ongoing research and Doig debuted recent large-scale 1970s by Jimmy lright (born scenes of her semi-nude figure en- artist’s iconic paintings, holds the children’s activity books. rity in New Orleans. currents in modern art. Though his publication of related materials. and small-scale works. 1944). Made just as lright hit twined in foliage or lively whorls of viewer’s gaze with its large, full Featuring full-color plates of more Azaceta’s brightly polychromatic work evolved over his career, How- Incendiary Traces contextualizes This slim volume, with its printed New York City, these works chart paint to depictions of her reclining, eyes, some even with averted eyes. than 50 artworks, virtually all of painting explores “an aesthetics of ard said that all of his pictures “are the work done by this project at slipcase, vellum jacket, five gate- his engagement with the subcul- stretching, undressing or posing Ground and figure are the main which are reproduced here for the constant escapes,” as Iván de la closely related … They are in fact six different local militarized zones fold pages and superb reproduc- ture of gay bathhouses and clubs, with other figures. As Ryan Ebelt components of each work, yet the first time, this volume presents a Nuez put it. His imaginary, revealed all portraits of the same general over the past five years. The book tions printed on a substantial paper and the more colorful side of street writes in his essay for the volume, artist’s painterly execution calls at- thorough overview of the artist’s in works that range between figu- subject, of the same idea, carried includes an introductory text by that allows the images to really life on the Lower East Side. An in- the works, made between 2012 tention to his manipulation of color, work from 1964 to 1969. An essay ration and abstraction, is suffused as far as I am able at the time.” Rebecca McGrew, an essay by shine, shows the intimate, quiet sightful observer of human behav- and 2016, stand “undeniably as a form and composition to create an by Dan Nadel traces Rocca’s ar- with anguish, pain, shipwrecks and The first scholarly publication on Susanna Newbury discussing the but colorful intensity of Doig’s art ior deeply engaged with the action celebration of Soey Milk and the image that transcends traditional tistic development, situating her violence. His paintings reflect his Howard, this fully illustrated vol- effect of military technology on to great effect. The imagery in the himself, lright was the fascinated inspiration she has manifested, and portraiture. Included is an essay within art history. Sarah Lehrer- environment and his condition of ume includes essays by Apsara visualizing conflict, an essay by new works is diverse, drawing on documentarian of a fleeting scene. stands as both a stimulating entry by Shigemi Takahashi, curator at Graiwer’s essay employs verse more than 50 years: that of an exile DiQuinzio, Robert Gober and Sarah Seekatz on the history of private and found visual sources, By the 1980s he had turned this into lilliams’ considerable oeuvre Aomori Museum of Art, who has and prose to explore the thematic in the United States. Lauren Kroiz, a reprint of one of Southern California’s date industry and sometimes repeating (as in the attention inward, to his own dream as well as a scintillating slice of worked closely with the artist on undercurrents of Rocca’s work. Howard’s own essays from 1946, and the orientalist fantasies as- image of the lion that appears on TURNER life, which he religiously charted the inspiration of the muse.” numerous projects. sociated with the Coachella Valley Completing the book are a bibliog- 9788416714315 an illustrated chronology and exhi- in sketches and annotations on the book’s jacket). The book docu- U.S. CDN $40.00 ALLEN SPIEGEL FINE ARTS BLUM & POE raphy and a narrative chronology $30.00 bition history. desert, and narrative captions by ments the Palazzetto Tito exhibition Pbk, 9.75 x 11 in. / 176 pgs / what he called “dream cards.” 9781934298138 9780986112850 Hillary Mushkin. with shots of the works installed in of the artist’s life, illustrated with 130 color. BERKELEY ART MUSEUM & PACIFIC Bathhouse, Meatpacking District U.S. $49.95 CDN $64.95 U.S. $40.00 CDN $52.50 FILM ARCHIVE historical photographs and ephem- January/Art/Latin American/ and the Dream Cards brings these POMONA COLLEGE MUSEUM OF ART the Palazzetto’s beautiful historic Hbk, 11.5 x 13.25 in. / 68 pgs / Hbk, 9 x 12 in. / 64 pgs / 29 color. Caribbean Art & Culture 9780983881322 64 color. era from her archive. three bodies of drawings together 9780985625191 rooms alongside reproductions of April/Art/Asian Art & Culture U.S. $49.95 CDN $64.95 February/Art U.S. $24.95 CDN $29.95 FLAT40 with an interview of the artist con- the paintings. MATTHEW MARKS GALLERY Hbk, 9.5 x 10.25 in. / 128 pgs / Hbk, 5.75 x 9.25 in. / 136 pgs / 9781944929015 80 color. ducted by Jim Dempsey and an KOENIG BOOKS 26 color / 15 duotone / 13 b&w. ALSO AVAILABLE ALSO AVAILABLE U.S. $55.00 CDN $70.00 June/Art 9783863358785 essay by John Corbett. February/Art Kent lilliams: Yoshitomo Nara & Clth, 9 x 11.5 in. / 104 pgs / U.S. $65.00 CDN $85.00 FLAT40 EXHIBITION SCHEDULE Amalgam YNG: The Crated 76 color / 5 b&w. CORBETT VS. DEMPSEY EXHIBITION SCHEDULE Slip, pbk, 9.5 x 13 in. / 52 pgs / Berkeley, CA: BAMPFA, 9781934298015 Rooms in Iceland Available/Art 9780997499520 Claremont, CA: Pomona College 20 color / 2 b&w. 06/01/17–10/01/17 Hbk, U.S. $75.60 9789935420183 U.S. $49.95 CDN $64.95 Museum of Art, 01/17/17–05/14/17 Available/Art CDN $90.00 Hbk, U.S. $60.00 Hbk, 9.25 x 12.25 in. / 120 pgs / Allen Spiegel CDN $70.00 79 color. Fine Arts Crymogea February/Art/Gay/Lesbian

106 artbook.com artbook.com 107 Contemporary sculpture from the US and the UK HIGHLIGHTS ■ ART

Matthew Ronay Analia Saban Magali Reus Sarah Sze: Text by Diana Nawi, Claudia Kim Dickey: Sarah Schmuckli, Alexis Vaillant. Text by Claudia Schmuckli, Helen Marten: Edited by Leontine Coelewij, Timekeeper Johanna Burton. Words Are Leaves Oppenheimer: Clément Dirié, Magali Reus. The handcrafted and vibrantly Drunk Brown Foreword by Beatrix Ruf. Text by Text by Christopher Bedford, Hal Edited with interview by Nora Sterling Ruby colorful works of Brooklyn-based lhether casting paints and ink S-337473 Liam Gillick, Kirsty Bell, Andrew Foster, Katy Siegel, Renata Salecl, Burnett Abrams. Foreword by House into sculpture, or using marble, Bonacina, Leontine Coelewij, Hito Steyerl. Preface by Agnes Husslein-Arco. sculptor Matthew Ronay (born Glenn Adamson. Text by Elissa Foreword by Sherri Geldin. Introduction by Meagan Text by Travis Jeppesen, Eileen Andrew Durbin. For over 20 years Sarah Sze (born Text by Mario Codognato. 1976) evoke biological processes concrete, porcelain or photographs Auther, Lisa Tamiris Becker, Cavanaugh. Text by Alexander R. Myles, Brian Dillon. The Los Angeles–based artist for painterly purposes, Los Ezra Shales. Dutch-born, London-based artist 1969) has produced celebrated and organic forms as much as they Galloway, Laurent Stalder. British artist Helen Marten Sterling Ruby (born 1972) works Angeles–based artist Analia Saban Kim Dickey: Words Are Leaves Magali Reus (born 1981) is one of works of art, synthesizing a near draw on spiritual and mythologi- S-337473 accompanies Sarah (born 1985) combines disparate prolifically in a wide range of (born 1980) has stretched the is the first major monograph on the most acclaimed new voices in boundless range of everyday cal narratives. Influences ranging Oppenheimer’s (born 1972) materials and painted images media, from glazed biomorphic limits of material and media in Denver-based artist Kim Dickey contemporary sculpture. Published materials into intricate construc- from science fiction, chemistry, exhibition at the lexner in elaborate sculptural tableaux ceramics and poured urethane often unexpected ways. Her (born 1964), published on the for her exhibition at the Stedelijk tions that are both delicate and Surrealism and mycology emerge Center. The project spotlights composed of assembled materi- sculptures to large-scale concern is for the component occasion of a midcareer survey Museum, this is the first mono- overwhelming. Sze’s latest site- in his psychedelic reliefs and instal- Oppenheimer’s current investiga- als that resonate with associative spraypainted canvases, nail polish materials from which art, of Dickey’s work at MCA Denver. graph on her work. It features specific installation at the Rose Art lations. tion of the switch, and how such meaning. Frequently employing drawings, collages and videos. particularly painting, is made, The book presents Dickey’s sculp- her recent series (Parking, Lukes, Museum, Timekeeper, combines This book documents the artist’s a device might be able to work visual and linguistic ambiguity in Ruby’s exhibition in the richly and her explorations have teased ture and works on paper, as well Dregs, In Place Of and Leaves) sculpture, video and installation first major museum presentations in space to generate a matrix of order to explore the potential of decorated Baroque rooms of the out the hidden ideological and as her film and performance-based and new sculptures created for into a sprawling experiential work in the United States, with an epon- views that cannot be experienced misinterpretation and misunder- former residence of Prince Eugene political repercussions of those works. Essays explore the con- the Stedelijk, plus an interview that approaches some of the most ymous exhibition at the Blaffer by an individual simultaneously. standing, Marten’s output includes of Savoy, the linterpalais in materials and the forms they take. ceptual, historical and aesthetic with Reus by curators Leontine complex themes of her career: Art Museum at the University of The illustrated catalog includes sculpture, videos, text and screen- Vienna, is particularly extraordinary Saban’s first book is published on concerns that have driven Dickey’s Coelewij and Andrew Bonacina, time’s passage and its marking in Houston, as well as a newly com- new photography of the work in printed paintings. in the contrast between the two the occasion of a major museum practice for three decades: and contributions by Stedelijk mechanical and biological forms. missioned project, When Two Are situ and documentation of her Conceived as an artist’s book- aesthetics. This volume, and the retrospective that showcases ten her ongoing study of pattern and director Beatrix Ruf, artist Liam The Timekeeper installation was a in One, at the Pérez Art Museum, cross-disciplinary collaborations, cum-catalog for an exhibition at exhibition it accompanies, offers years of her deep investigations decoration, interest in landscape Gillick, art critic Kirsty Bell and catalyst for a book which explores Miami. Collected here are Ronay’s along with newly commissioned the Serpentine Sackler Gallery, a survey of the artist’s oeuvre, into the possibilities of both design and the history of the writer Andrew Durbin. Renowned major new ideas in Sze’s work most significant sculptures and in- essays by scholars, including Helen Marten: Drunk Brown House including his ceramics, bronze, the process and the mediums of garden, feminist politics and ref- for her interest in the relationship and practice. The ambitious work stallations from the last four years Alexander R. Galloway (Professor focuses on key works produced steel and urethane sculptures, art making. Her work is presented erences to various historical art between mass-produced objects is extensively documented here alongside major new texts that elu- of Media, Culture and Communica- by the artist in recent years, and mobiles, soft works and tapestries. here alongside major new styles and schools, ranging from such as fridges, padlocks and alongside significant new texts on cidate the artist’s singular vision. tion at NYU) and Laurent offers detailed perspectives on medieval tapestry to Minimalist seating, and the human body Sze, her work and the experience texts on the artist from Johanna VERLAG FÜR MODERNE KUNST GREGORY R. MILLER & CO. Stalder (Chair for the Theory of Marten’s meticulous installations. Burton and exhibition curator sculpture. Words Are Leaves in the context of today’s digital of time. 9783903131347 9781941366110 Architecture at the ETH in Zurich). lith an essay by Brian Dillon that U.S. CDN $45.00 illustrates how Dickey’s reconsid- society, Reus draws on a vast $35.00 U.S. $45.00 CDN $57.50 Claudia Schmuckli. GREGORY R. MILLER & CO. WEXNER CENTER FOR THE ARTS investigates Marten’s practice, as Hbk, 12.75 x 8.75 in. / 112 pgs / Hbk, 9 x 10.5 in. / 208 pgs / eration of craft and pattern range of influences and references, 9781941366134 GREGORY R. MILLER & CO. 9781881390565 well as texts by Travis Jeppesen 66 color / 1 b&w. 170 color. brings the decorative to the fore, from the domestic to the industrial. U.S. $50.00 CDN $65.00 9781941366127 CDN $50.00 January/Art January/Art U.S. $39.95 and Eileen Myles that take inspira- Hbk, 9.5 x 12.5 in. / 208 pgs / U.S. $45.00 CDN $57.50 and to life. Pbk, 7 x 10 in. / 100 pgs / 30 color / tion from the artist’s works, this JRP|RINGIER 150 color. EXHIBITION SCHEDULE Clth, 8.25 x 10.5 in. / 160 pgs / 20 b&w. 9783037644829 MCA DENVER volume presents a fittingly eclectic May/Art 110 color. April/Art CDN $50.00 Miami, FL: Pérez Art Museum 9780692762219 U.S. $39.95 May/Art approach to one of today’s most 03/10/16–01/15/17 Hbk, 8 x 10 in. / 144 pgs / 140 color. U.S. $35.00 CDN $45.00 EXHIBITION SCHEDULE restlessly innovative artists. March/Art ALSO AVAILABLE EXHIBITION SCHEDULE Hbk, 8 x 10.5 in. / 96 pgs / 152 color. Columbus, OH: lexner Center for Sarah Sze at The Fabric Houston, TX: Blaffer Art Museum, February/Art the Arts, The Ohio State University, WALTHER KÖNIG, KOLN EXHIBITION SCHEDULE lorkshop and Museum 09/24/16–03/18/17 EXHIBITION SCHEDULE 02/04/17–04/16/17 9783960980056 St. Gallen, Switzerland: 9780983631712 CDN $37.50 Denver, CO: MCA Denver, U.S. $29.95 FLAT40 Kunstmuseum, 06/03/17–10/22/17 Clth, U.S. $45.00 CDN $55.00 10/07/16–01/22/17 Pbk, 8 x 11.5 in. / 224 pgs / The Fabric lorkshop 554 color. and Museum January/Art

108 artbook.com artbook.com 109 Contemporary international sculpture HIGHLIGHTS ■ ART

Anish Kapoor: Uluru & Kata Tjuta Photographs The powerful religious sites of 2016 MIDWINTER SUPPLEMENT Richard Deacon: Uluru and Kata Tjuta in the North- 2016 MIDWINTER SUPPLEMENT Leslie Hewitt Carol Bove: What You See Is Gavin Turk: Urs Fischer: Polka Dots ern Territory of Australia have been Who What When Damien Hirst: Shio Kusaka: 3 Edited by Cay Sophie Rabinowitz. What You Get of deep interest to the British artist Schizophreno- False Friends Featured in the Guggenheim’s Text by Johanna Burton. Where How & Why 2014, 2015, 2016 Edited with text by Ariel Plotek. Anish Kapoor (born 1934) since Photographs by Andreas Laszlo This is the first monograph on Jap- Foreword by Dakis Joannou. 2015 landmark Photo-Poetics Foreword by Roxana Velásquez. he first visited them in the 1980s. Edited by Jason Beard. Text genesis Preface by Jean-Yves Marin. Konrath. exhibition, New York–based Text by Robin Clark. Interview by by Darian Leader, Ben Okri. Based on the minimal aesthetic anese born, Los Angeles–based Text by Massimiliano Gioni. At Uluru he found a landscape Published on the occasion of New Anita Feldman. Conversation with Damien Hirst. of the medicinal pill, the Schizo- artist Shio Kusaka (born 1972), artist Leslie Hewitt (born 1977) of monumental scale which An unusual hybrid between a York–based artist Carol Bove’s Among the artists who redefined British artist Gavin Turk (born is one of the most revered artists phrenogenesis series by Damien who adorns her ceramics with solo exhibition and a group show, contained intimate and ritually (born 1971) eponymous show at British sculpture in the 1980s, 1967) has been at the forefront of Hirst (born 1965) examines our marks, grids, stripes and various working between photography and resonant sites. Urs Fisher: False Friends places David Zwirner in New York, Polka Richard Deacon (born 1949) re- contemporary sculpture since the sculpture. Collaboration has been almost spiritual faith in the rigors scenes, inscribed into the vessels the oeuvre of Swiss artist Urs On his visit in 1991, Kapoor noted Dots is at once a catalog of new mains a pioneering figure. This late ‘80s, with his painted bronzes, of science and the pharmaceuti- or delineated by color. a central part of Hewitt’s art, in his sketchbook “a white bump Fischer (born 1973) in conversation works and a stunning artist’s book book presents the full range of the waxworks, recyclings of art-histor- including projects with lilliam cal industry. This volume includes Her installations combine dozens with the work of a selection of his on a white wall.” He later made the dedicated to her process as a artist’s oeuvre, from freestand- ical icons and imaginative use of all of the works from the series, of these ceramics in quiet but ar- Cordova and Matt Keegan, and her sculpture “lhen I Am Pregnant” peers: Paweł Althamer, Maurizio sculptor. The book, which is de- ing sculptures and wall-mounted trash. Throughout his career, Turk’s ongoing work with cinematogra- including The Cure: 30 silkscreen resting vignettes: Kusaka’s works Cattelan, Peter Fischli and (1992), describing it as “an object signed by Joseph Logan in close works to glazed ceramics and sculptures have dealt with issues prints, each depicting a two-color are also distinguished by their pher Bradford Young exploring in a state of becoming.” The idea David leiss, Robert Gober, Martin collaboration with the artist, is built works on paper. Deacon sidesteps of authorship, authenticity and the Menil Collection archive of pill set against a vibrantly hued handmade aesthetic, evident in Kippenberger, Jeff Koons, Paul of the proto-object is central to around a series of photographs the issue of technique: nails, identity, working to demystify or background. Also included in this occasional impressions of the art- civil rights-era photographs. Kapoor’s work. In 2012 Kapoor McCarthy, Cindy Sherman and taken in her studio by Andreas screws and mounts are not hid- parody the myth of the artist. This That cinematic rumination on volume are the corresponding ist’s hands and visible glaze drips. Kiki Smith. returned to Uluru and Kata Tjuta. Laszlo Konrath. Through them, the den in his sculptures, and willowy fully illustrated catalog is published sculptural works, reproductions of “Shio employs the prosaic yet his- historicity and the relationship of These two photographic volumes Drawn from the holdings of the reader experiences not only the bent-wood pieces contrast with for Turk’s show at Damien Hirst’s the archive to memory, minimal- medicine bottles, pharmaceutical torical clay pot but plays with the Dakis Joannou Collection and trace his journey. They reveal development of Bove’s most carefully engineered constructions new London exhibition space, boxes, ampoules and syringes at idea of difference in repetition,” ism, lived experience and time, through his eyes the artist’s preoc- installed in the beautiful spaces recent body of work—the “collage in galvanized steel and welded Newport Street Gallery. sets an exemplary precedent for various monstrous scales. These says curator Michelle Grabner. of Geneva’s Museum of Art and cupation with form and preform, sculptures”—but also the materials polycarbonate. The volume spans the duration of works continue Hirst’s exploration This book is the first in an ongoing this first monograph surveying skin and surface in relation to deep History, False Friends proposes and conditions that contributed Like the tension in so many of the artist’s career to date, featuring Hewitt’s oeuvre. Edited by Cay of contemporary belief systems, series that places the artist’s work unexpected connections between interior. to their creation. In addition Deacon’s titles, this book suggests his most important pieces from his which now rank medicine along- against colorful backdrops and Sophie Rabinowitz with texts by artworks and aesthetics, methods to Konrath’s rich and intimate a paradox. As with the whole of STEIDL seminal blue-plaque work, “Cave,” Nana Adusei-Poka and others, and side religion, love and art. Hirst features asymmetrical crops and and materials, offering a reading 9783958292604 photographs, the images of Bove’s the artist’s oeuvre, the selection through his many signature-based explains: “Pills are a brilliant little stark cutouts. The publication is designed by Garrick Gott, with U.S. $75.00 CDN $90.00 of contemporary art as a magnetic new works show the sculptures in this book—spanning more artworks, egg sculptures and color reproductions and in-depth Slip, pbk, 2 vols, 5.5 x 8 in. / form, better than any Minimalist designed to be read from right to field of elective affinities and silhouetted out of their original than 30 years—is based on 752 pgs / 362 color. waxworks, to his more recent art. They’re all designed to make left, in the Japanese style. critical essays, this book offers rare striking variations—a cacophonic context, an attempt by Bove to contradictions: the tension June/Photography/Art bronze casts of sleeping bags insights into the artist’s extensive you buy them … they come out concerto of forms. KARMA, NEW YORK draw the reader away from typical between a word and its meaning. and trash bags. Featuring three of flowers, plants, things from the 9781942607373 personal archive of images, DESTE FOUNDATION FOR ways of experiencing sculpture. gatefolds, it also includes essays ground, and they make you feel U.S. $40.00 CDN $52.50 concepts and ideas. THE SAN DIEGO MUSEUM OF ART CONTEMPORARY ART by psychoanalyst and author Clth, 7.25 x 10.25 in. / 96 pgs / DAVID ZWIRNER BOOKS 9780937108550 good, you know, to just have a pill, 9786185039202 OSMOS BOOKS 150 color. 9781941701515 U.S. $35.00 CDN $45.00 Darian Leader and Nigerian poet to feel beauty.” U.S. $29.95 CDN $37.50 9780986166587 Available/Art/Asian American Art U.S. $45.00 CDN $57.50 Hbk, 8.5 x 10.5 in. / 112 pgs / and novelist Ben Okri, plus a Pbk, 8.5 x 11 in. / 120 pgs / CDN $85.00 U.S. $65.00 Pbk, 8 x 10 in. / 74 pgs / 29 color / 99 color. OTHER CRITERIA/PAUL STOLPER illustrated throughout. conversation with Hirst. Hbk, 7.5 x 10.5 in. / 144 pgs / 31 b&w. May/Art 9781906967796 Available/Art illustrated throughout. January/Art OTHER CRITERIA U.S. $60.00 CDN $78.00 June/Art/African American Art & EXHIBITION SCHEDULE 9781906967789 Clth, 6.75 x 9.75 in. / 64 pgs / Culture San Diego, CA: The San Diego U.S. $70.00 CDN $90.00 10 gatefolds / 128 color. Museum of Art, 03/25/17–07/25/17 Hbk, 9.25 x 12.5 in. / 180 pgs / January/Art 104 color / 9 b&w. March/Art

110 artbook.com artbook.com 111 Multimedia art of the 1960s and ’70s HIGHLIGHTS ■ ART

I’m a Fighter: BACK IN PRINT 2016 MIDWINTER SUPPLEMENT 2016 MIDWINTER SUPPLEMENT NOW IN PAPERBACK Gianfranco Gustav Metzger: 2016 MIDWINTER SUPPLEMENT Images of Women General Idea Guy de Cointet Baruchello: Act or Perish! Raymond Hains Asger Jorn: Constant: by Niki de Saint Edited by Lionel Bovier, Clément A Retrospective Edited with text by Jean-Marie The Open Hide Space + Colour A Retrospective Dirié. Preface by Larry Bell. Text by Cold Cinema Phalle Gallais. Text by Hans Ulrich Obrist, Edited with text by Axel Heil, From Cobra to New Babylon (1969–1994) Marie de Brugerolle. Afterword by Film and Video Works Text by Pontus Kyander, Andrew Text by Ulrich Krempel, Naja Wilson, Mathieu Copeland, Tacita Dean. Interview by Hans Roberto Ohrt. Edited with text by Frédéric Gérard Wajcman. 1960–2015 Text by Ludo van Halem, Rasmussen, Regina Selter, Leanne Dmyterko, Manuel Olveira. Ulrich Obrist. Asger Jorn: The Open Hide offers Bonnet. Text by Jean-Christophe Now back in print, this volume is Trudy Nieuwenhuijs-van der Horst, Karoline Sieg. Edited by Alessandro Rabottini, Interview by Dobrila Denegri, A founding member of the Nou- Ammann, AA Bronson, Louise a concise overview of the diverse Laura Stamps. the first overview of the French- Carla Subrizi. Text by Gianfranco Hans Ulrich Obrist. Franco-American artist Niki de Dompierre, Elisabeth Lebovici, veau Realisme group, French artist Baruchello, Massimiliano Gioni, accomplishments of Danish artist Constant Nieuwenhuys (1920– Saint Phalle (1930–2002) became David Moos. born, Los Angeles–based artist Act or Perish! accompanies the Philippe-Alain Michaud, et al. Raymond Hains (1926–2005) was Asger Jorn (1914–73). Edited by 2005), known as Constant, Guy de Cointet (1934–83). De first extensive overview of Auto- internationally famous in the Now in paperback, this volume Long celebrated for his delicate, a perpetually restless innovator. In acclaimed Jorn scholars Axel Heil was a founding member of the 1960s for her larger-than-life, presents an overview of the Cointet was fascinated with lan- Destructive art pioneer Gustav diagrammatic box works and his the 1940s he experimented with and Roberto Ohrt, the book com- Cobra group and the Situationist guage, which he explored primarily Metzger (born 1926), organized in brightly colored Nana figures. legendary Canadian collective. writings on his close friend Marcel photograms and optical distortion; prises over 75 images of Jorn’s International, and the artist But even before she created these Founded in Toronto in 1969 by through performance and drawing. 2015–16 at the Centre of Contem- Duchamp, Gianfranco Baruchello in the 1950s, he took torn posters work, each with complete prove- behind the utopian architectural His practice involved collecting porary Art in Torun and Kunsthall iconic works, which express an Felix Partz, Jorge Zontal and AA (born 1924) has produced some from billboards and reprised them nance, exhibition and literature his- New Babylon project. alternative, utopian image of Bronson, the trio adopted a ge- random phrases, words and even Oslo and Stiftelsen Kunstnernes of the most singular art of the as paintings, pioneering an ab- tory. A comprehensive biography This publication examines his prac- single letters from popular culture Hus in Oslo. The exhibition catalog female identity, women had been neric identity that “freed it from postwar era, working since the stract realism, while also collabo- of the artist is also included, along tice in the 1950s and his transition the primary subject of her art. the tyranny of individual genius.” and literary sources—he often provides readers with a rich ‘50s in media including painting, rating with the Lettrists; in 1960 with photographs and other archi- from Cobra to New Babylon. In cited Raymond Roussel’s novel Im- array of theoretical contributions, “I wanted the world outside to Their intermingling of reality and installation, assemblage, film, he cofounded Nouveau Realisme val material. For Jorn, a founding this decade, the fantasy figures belong to me, as well,” she said. fiction took the form of a transgres- pressions of Africa as influential— including a conversation between photography, writing and sound. alongside Klein, Spoerri, Tinguely member of the Cobra and Situ- of Constant’s Cobra period were and working these elements into Dobrila Denegri and Yoko Ono, “At a very young age I got the sive, often parodic take on art and But Baruchello has expanded and others, transposing construc- ationist International movements, followed by abstract painting, a message that men had the power, society. Paintings, installations, nonlinear narratives, which were Ivor Davies, Hermann Nitsch his visual research far beyond tion hoardings into the gallery art was an expression of life, of transition from the two-dimen- presented as plays to his audience. and Jon Hendricks, as well as and I wanted it.” sculptures, photographs, videos, traditional genres by introducing space and continuing his affichiste activism, of an unedited freedom sional to the three-dimensional Through paintings, assemblages, magazines and TV programs: Gen- De Cointet is one of the major Metzger’s own writings. Essayists the practices of agriculture, activities. In the ‘70s Hains worked not confined to studio practice. plane with the architectural models figures in Los Angeles’ Conceptual Pontus Kyander, Andrew lilson, sculptures, lithographs and eral Idea’s is an authentically multi- anthropology and economics with suitcases and narrative pho- “An Asger Jorn can be garish, and sketches made for the New drawings, this catalog also takes media oeuvre that has lost nothing art movement of the 1970s, having Mathieu Copeland, Dobrila into his work, as forms of critical tographs; in his final phase, he florid, tasteless, forced, cute, flatu- Babylon project, and ultimately a strongly influenced a number of Denegri, Leanne Dmyterko, Hans a look at her lesser-known female of its freshness. The book covers analysis of consumer society. devised his “macintoshages,” col- lent, overemphatic; it can never return to painting with the color figures that depict women tied the collective’s main themes, such prominent Los Angeles–based art- Ulrich Obrist and Manuel Olveira This volume brings together a lages of pop-up windows grabbed be vulgar,” wrote art historian T.J. experiments that he pursued from ists, including Paul McCarthy and take up different aspects of to their various roles in society: as the artist and the creative pro- broad selection of experimental from a computer screen, and Clark, who once declared Jorn 1969 until his death in 2005. the goddess, the bride, the fertility cess, glamour as a creative tool, Mike Kelley. The book, written by Metzger’s work, from the artist’s films and videos that the artist developed neon sculptures after “the greatest painter of the 1950s.” Constant: Space + Colour gathers Marie de Brugerolle and published early political activism to his ex- figure, the mother and the crone. art’s links with the media and mass started producing in the early the Borromean knots of Jacques As the Cobra artists undergo wide- rarely seen works alongside a The book also traces the develop- culture, architecture and archaeol- with the Estate of Guy de Cointet, perimentation with painting and 1960s, and also features Lacan. This book—the first com- spread critical reassessment, this short selection of texts written by offers an overview of this enig- his drafting of the manifestos for ment of de Saint Phalle’s fierce ogy, sexuality and AIDS. It is richly prominent contributors including prehensive Hains monograph, volume helps to retrieve and con- Constant between 1949 and 1965, confrontation of the political illustrated with documents and re- matic and influential oeuvre. Auto-Destructive Art, providing an Massimiliano Gioni, Philippe-Alain created in collaboration with the textualize Jorn’s significance. which provide a glimpse into the invaluable and much-awaited doc- conflicts of the day. productions of key projects realized JRP|RINGIER Michaud, Alessandro Rabottini artist’s estate—traces his 60-year radical transformations of these 9783037644775 ument of a pioneer of postwar art. PETZEL HATJE CANTZ by General Idea from 1969 to 1994. and Carla Subrizi. career. years. U.S. $45.00 CDN $57.50 9780986323072 9783775742436 JRP|RINGIER NERO U.S. $45.00 CDN $57.50 Hbk, 6.75 x 9.5 in. / 160 pgs / MOUSSE PUBLISHING HOLZWARTH PUBLICATIONS NAI010 PUBLISHERS U.S. $45.00 CDN $57.50 9783037644805 9788897503873 Hbk, 8 x 10.5 in. / 80 pgs / 75 color / 74 color / 26 b&w. 9788867492541 9783935567824 9789462083011 Hbk, 9 x 10.75 in. / 176 pgs / U.S. $45.00 CDN $57.50 U.S. $40.00 CDN $52.50 25 b&w. March/Art U.S. $40.00 CDN $52.50 U.S. $69.95 CDN $90.00 FLAT40 U.S. $40.00 CDN $52.50 120 color. Flexi, 6.75 x 9.25 in. / 224 pgs / Hbk, 8.75 x 11.75 in. / 220 pgs / Available/Art Pbk, 6.75 x 9.5 in. / 560 pgs / Hbk, 9.5 x 11.75 in. / 230 pgs / Pbk, 8.25 x 10.50 in. / 160 pgs / March/Art 151 color / 81 b&w. 84 color / 51 b&w. 240 color. 176 color / 42 b&w. 221 color. March/Art/Gay/Lesbian January/Art January/Art Available/Art Available/Art

112 artbook.com artbook.com 113 Contemporary American sculpture | Dance and performance art HIGHLIGHTS ■ WRITINGS & GROUP EXHIBITIONS

Richard Maxwell Joel Shapiro Betye Saar: Lynda Benglis Joan Jonas Is and New York Text by Phyllida Barlow, Uneasy Dancer Text by Nancy Princenthal. Jaime Davidovich The Art of on Our Mind Lost and Found: Ange Mlinko, Peter Cole, Ann Since the 1960s, Lynda Benglis City Players: An Lauterbach. Edited with text by Mario Mainetti, in Conversation Conduction Edited by Frances Richard. Dance, New York, Chiara Costa, Elvira Dyangani (born 1941) has been celebrated Audience’s Guide New York–based artist Joel A Conduction® Workbook Foreword and Introduction by HIV/AIDS, Then Ose. Foreword by Miuccia Prada, for the free, ecstatic forms she with Daniel R. Anthony Huberman. Text by Edited by Richard Maxwell, Shapiro (born 1941) has explored By Lawrence D. “Butch” Morris. Patrizio Bertelli. Text by Richard J. Lynne Tillman, et al. Michael Schmelling, Robert and Now Powell, Deborah Willis, Kellie E. has poured, thrown and molded Quiles Edited by Daniela Veronesi. the possibilities of sculptural form, The CCA lattis Institute in San Snowden. Text by Jim Fletcher, in ceramic, latex, polyurethane Foreword by Howard Mandel. Text Platform 2016 Jones. Introduction by John Hanhardt. Emily Hoffman, Richard Maxwell, as well as the interplay of color by J.A. Deane, Allan Graubard. Francisco dedicates year long Uneasy Dancer brings together and bronze. In her new work, As a fixture on the SoHo-based ex- Robert Snowden. Edited by Jaime Shearn and mass, throughout his 45-year Lawrence D. “Butch” Morris seasons of discussions and public Coan, Ishmael Houston-Jones, over 80 works including installa- documented in this volume, she perimental art scene of the 1970s This is the first publication on career. This catalog brings together (1947–2013) was an American jazz events to a single artist. In 2014– Will Rawls. tions, assemblages, collages and turns to handmade paper, which and 1980s, Argentine-American the plays of New York–based Shapiro’s early wood reliefs, cre- cornetist, composer and conduc- 15, Joan Jonas (born 1936) was Since 2010, Danspace Project, sculptures by the pioneering Los she wraps around a chicken wire video/television-art pioneer and experimental theater director and ated between 1978 and 1980, with tor, internationally considered one “on our mind.” This book brings housed at St. Mark’s Church in Angeles artist Betye Saar (born armature, often painting the sand- conceptual artist Jaime Davidovich playwright Richard Maxwell (born his recent site-specific installation of the great musical innovators of together essays from writers, New York, has published catalogs 1926) produced between 1966 and toned surface in bright, metallic (born 1936) has worked in a broad 1967) and his company New practice, exploring the ways in our times. His interests in ensem- curators, art historians and artists as part of its series of artist-curated 2016. This handsomely designed colors offset by strokes of deep, variety of mediums throughout York City Players. His plays have which both bodies of work create ble music—from avant-garde jazz that focus on a single work, from Platforms. Initiated by Danspace volume presents Saar’s work as a coal-based black. At other times his long career, including video, been commissioned by The expansive, joyful moments of to contemporary classical—crystal- Jonas’ earliest films through her Project Executive Director and copiously illustrated timeline, with she leaves the paper virtually bare. painting and installation, while also lexner Center, Columbus; The discovery and play. lized into a unique method of real- installation for the US Pavilion at Chief Curator Judy Hussie-Taylor, numerous documentary images These works reflect the environ- establishing himself as an activ- lalker Art Center, Minneapolis; Published in conjunction with time orchestral composition, which the 56th Venice Biennale. The book the Platforms contextualize con- and exhibition details. ment in which they were made, ist and TV producer. His weekly Performance Space 122, The Dominique Lévy’s exhibition of he called Conduction®, designed to also contains excerpts from read- temporary dance and performance “Uneasy Dancer” is an expres- the “sere and windblown” land- variety program, The Live! Show Kitchen and Soho Rep in New the artist’s work, Joel Shapiro enable conductors to direct an en- ings and public lectures, and im- practices and histories. The 11th sion Saar has used to define both scape of Santa Fe, New Mexico, (1979–84), featured performances York; and The Barbican Centre, features the first full catalog of the semble. Morris toured the world, ages by some of the other artists edition, Lost and Found, is edited herself and her artistic practice: as Nancy Princenthal writes in her and interviews with artists such as London. The book captures the wood reliefs, as well as new texts introducing Conduction to a varied whose work was evoked in public by Jaime Shearn Coan, Ishmael “my work moves in a creative spi- essay. “It is possible to see the Laurie Anderson, Eric Bogosian, experience of actually watching by Phyllida Barlow, David Raskin, community of musicians, and his and private conversation. Contribu- Houston-Jones and lill Rawls. ral with the concepts of passage, bleached bones of the land—its Tony Oursler and Michael Smith, the plays by way of screen-grabs and Olivier Renaud-Clément, influence extended into art, dance, tors include Jacqueline Francis, Contributors include Penny crossroads, death and rebirth, mesas and arroyos; its scatterings while other video works included and captions, and in doing so doc- poems by Peter Cole and Ange poetry and cinema. Renée Green, Quinn Latimer, Sarah Arcade, Marc Arthur, C. Carr, along with the underlying elements of shed snakeskins and animal appearances by the artist Stuart uments nearly 20 years of work. Mlinko, and a comprehensive The Art of Conduction is a theoreti- Lehrer-Graiwer, Patricia Maloney, Douglas Crimp, Travis Cham- of race and gender.” Through her skeletons—in the new sculptures’ Sherman. Davidovich embraced a “The writer and director Richard chronology written in collaboration cal introduction and practical guide Elizabeth Mangini, Judith berlain, DarkMatter, Nan Goldin, use of found objects, personal combination of strength and deli- postmodernist’s eclecticism and a Maxwell is a stylist of the first with the artist’s studio. to Conduction. During the last Rodenbeck and Lynne Tillman. Brenda Dixon Gottschild, Neil memorabilia and derogatory im- cacy.” Simultaneously playful and humorous aesthetic. In this lively order ... lhen I read or think about DOMINIQUE LÉVY 10 years of his life, Morris worked Greenberg, Bill T. Jones, Deborah ages that evoke denied or distorted visceral, these works enter into a conversation with scholar Daniel CCA WATTIS INSTITUTE FOR a Maxwell text, I don’t so much re- 9781944379100 CONTEMPORARY ARTS Jowitt, John Kelly, Theodore Kerr, narratives, Saar developed a pow- lively dialogue with Benglis’ previ- to document his method in this CDN $65.00 R. Quiles, Davidovich recounts his call any other writer. Rather, I think U.S. $50.00 book form; his untimely death left 9780982503386 Tseng Kwong Chi, Kia Labeija, Hbk, 9 x 9 in. / 144 pgs / 216 color / erful social critique that challenges ous explorations of materials and early years in postwar Argentina, U.S. $18.00 CDN $23.95 about visual artists and colors….” it near finished. Finally Daniela Eileen Myles, Pamela Sneed, 3 duotone. racial and sexist stereotypes form. the 1963 coup d’état that led Pbk, 6.75 x 9.5 in. / 172 pgs / —Hilton Als, The New Yorker Sally Sommer, Sarah February/Art Veronesi, a linguist and longtime 64 color / 40 b&w. deeply rooted in American culture. CHEIM & READ to his relocation to New York and collaborator, brings his manuscript March/Art WESTREICH WAGNER/ Schulman and Muna Tseng. FONDAZIONE PRADA 9781944316044 his long, influential career. GREENE NAFTALI U.S. $40.00 CDN $52.50 to completion. 9780997964707 DANSPACE PROJECT 9788887029673 ALSO AVAILABLE Hbk, 9.25 x 12 in. / 118 pgs / FUNDACIÓN CISNEROS/COLECCIÓN U.S. $45.00 CDN $57.50 9780970031372 U.S. $55.00 CDN $70.00 PATRICIA PHELPS DE CISNEROS KARMA, NEW YORK In the Shadow a Shadow: 40 color. Pbk, 9.75 x 12.25 in. / 224 pgs / U.S. $29.95 CDN $37.50 Pbk, 6.5 x 10 in. / 320 pgs / 9780984017362 9781942607427 The lork of Joan Jonas January/Art 600 color. Pbk, 7 x 10 in. / 268 pgs / 500 duotone. U.S. $25.00 CDN $32.50 U.S. $40.00 CDN $50.00 9780980024289 April/Performing Arts illustrated throughout. February/Art/African American Art & Pbk, 7.25 x 11.75 in. / 224 pgs / U.S. Hbk, 6 x 9 in. / 240 pgs / 40 color. Clth, $85.00 February/Performing Arts Culture May/Art/Latin American/Caribbean 25 b&w. CDN $100.00 Art & Culture January/Music Gregory R. Miller & Co.

114 artbook.com artbook.com 115 Artists’ books and writings HIGHLIGHTS ■ WRITINGS & GROUP EXHIBITIONS

Kim Gordon: Noise

FACSIMILE EDITION Name Paintings Carolee’s Issue 02 The World of Writings on Douglas Huebler: and Sculptures of Genieve Figgis: Artists on Alexandre Singh: Rock Bands That Devoted to Carolee William Glackens Wade Guyton Something for Schneemann Hanne Darboven Causeries Variable Piece 4: Volume II Edited by Tim Griffin. Text by Are Broken Up Lovers Text by Gregg Bordowitz, Sam Edited by Defne Ayas. Daniel Baumann, Johanna Secrets Edited by Jenny Jaskey, Carolee Lewitt, Josephine Meckseper, Edited by Karen Marta. Foreword From Irish painter Genieve Figgis Schneemann. Text by Maggie Text by Judith Barter, Avis Berman, Its title derived from the French Burton, Bettina Funcke, John This facsimile edition of Variable Charles Brock, Theresa Carbone, Matt Mullican. Kelsey, Vincent Pécoil, Scott by Dakis Joannou. Text by Paul (born 1972) comes a book-object Nelson. word causer, meaning to chat or Piece 4: Secrets, originally Chan, Frank Guan, John Miller. Marc Simpson, Carol Troyen, Sylvia Artists on Hanne Darboven is the Rothkopf, et al. that is both exquisite and utilitar- Carolee’s is the second issue of The Yount. talk informally, Alexandre Singh: published by Printed Matter, brings The noise paintings and sculptures first installment in a series culled This volume takes stock of critical ian, nostalgic and new. lrapped Magazine of the Artist’s Institute, The second volume of The World of Causeries details a series of en- this legendary artist’s book by of Kim Gordon (born 1953) blur from Dia Art Foundation’s Artists perspectives on the work of New in plush suede of deep violet, the publication which takes each William Glackens expands the story counters between artist Alexandre Douglas Huebler (1924–97) back the subjective boundaries of the on Artists lectures, focused York–based lade Guyton (born Something for Lovers compiles 34 season of the Artist’s Institute as of American art in the early 20th Singh (born 1980) and various into print. Simple and salacious, page, the stage and the gallery. “I on German conceptual artist 1972), assembling both expansive, of Figgis’ paintings into a compact a point of departure for new criti- century. Teresa Carbone highlights academics, writers, scientists and the publication collects over 1,800 approach music and visual art in Hanne Darboven (1941–2009). scholarly essays and more concise, coloring book. The works’ dream- cism, journalism, fiction, interviews a breakout work by Glackens, philosophers. In preparation for secrets written by visitors to the different ways; I consider them ut- Established in 2001, the lecture journalistic assessments by an like aspect and romantic yet, at and artist projects, developed while Charles Brock shows how his ambitious play The Humans 1970 Software exhibition at the terly separate art forms,” Gordon series highlights the work of international array of authors— times, banal subject matter— around the work of a single artist. alternative exhibitions of American at litte de lith, Singh set up Jewish Museum, providing a says. This book brings them to- modern and contemporary Daniel Baumann, Kirsty Bell, Victorian landscapes, tender por- Dedicated to Carolee Schneemann modernists changed the art world. a public discussion series exploring fleeting glimpse into the cultural, gether, paying tribute to a musical artists from the perspective of Johanna Burton, Catherine traits and passionate embraces— (born 1939), this issue features a The fertile artistic location of Phila- the key themes and concerns political and social preoccupations subculture through work that jux- their colleagues and peers. Chevalier, Bettina Funcke, John makes for images begging creative previously unpublished archive of delphia is the backdrop of Judith of his developing play, such as of the era while showcasing taposes authorship, visualization The inaugural Artists on Artists title Kelsey, Scott Rothkopf and Peter reinterpretation. images from Schneemann’s studio Barter’s essay and Marc Simpson dance, drama and religion (to Heubler’s open-ended and variable and the reciprocal influences of is published in conjunction with Schjeldahl among them—offering Published by Karma to coincide that documents half a century of discusses Philadelphia’s Thomas name just a few). approach to art-making. Pioneers multidisciplinary poetic commu- the opening of Darboven’s 1980– an invaluable reference for any with the opening of Figgis’ morphological connections be- Eakins and his affection for Paris. Aiming at an alternative form of the artist’s book medium, of nication. Published to accompany 83 installation “Kulturgeschichte reader coming to terms with his exhibition at New York’s Gallery tween her work and other visual This volume also includes lectures of public conversation, more which Huebler was one, predicted the DESTE Foundation exhibition 1880–1983” (“Cultural History artistic production. The volume Met, at the Metropolitan Opera, material, including art, advertising given by Avis Berman, Carol Troyen relaxed than what is allowed at a that one day artists’ books would held at the Benaki Museum in 1880–1983”) at Dia:Chelsea in also holds up a mirror to the rap- Something for Lovers lets you and popular culture. Published and Sylvia Yount at a 2014 sympo- symposium or conference, Singh be sold next to detective and Athens, this limited-edition volume New York City, the first time idly changing context for Guyton’s reimagine Figgis’ seductive following the Artist’s Institute’s sium held at the Barnes Foundation engaged the invited speakers in romance novels in drugstores and includes a unique text by Paul Darboven’s magnum opus has work, which in a few short years paintings, inviting you to infuse season of exhibitions and program- in conjunction with the first major deliberately informal conversations supermarkets throughout America. Chan, and essays by Frank Guan been on view in the United States shifted from discussions of the each artwork with colors befitting ming examining Schneemann’s ex- exhibition of Glackens’ work in 50 on such wide-ranging topics as It was a dream that was never and John Miller. Also included is a for over a decade. It features widespread use of modernist mo- your surroundings. All 34 paintings panded conception of the body as years. loody Allen, Hindu cosmogony, realized, but here we have one vinyl record of a performance by contributions from Gregg tifs in art during the early 2000s are reproduced in color in the material, Carolee’s includes a new Aristophanes, South Park and SANSOM FOUNDATION, INC. Bordowitz, Sam Lewitt, Josephine to others revolving around the book that could easily compete Gordon and Bill Nace, as the band long-form profile of Schneemann back of the publication. 9780692784808 scatology. This volume contains an with those popular forms; a book Body/Head, which took place on Meckseper and Matt Mullican. artwork, anticipating its continuous by writer Maggie Nelson that U.S. $59.95 CDN $69.95 edited selection of 29 of the public KARMA, NEW YORK circulation as digital media became that delivers the whodunit in the rooftop of the Benaki as part of Clth, 7.75 x 10.5 in. / 288 pgs / DIA ART FOUNDATION 9781942607564 considers the artist’s relationship conversations conducted by Singh succinct statements, ripped from the exhibition. 189 color. 9780944521823 ubiquitous in art and culture alike. U.S. $30.00 CDN $40.00 to the history of her reception and as part of the Causeries series. May/Art U.S. $14.95 CDN $19.95 real life: a true page-turner. Hbk, 6 x 8.5 in. / 80 pgs / 34 color / JRP|RINGIER DESTE FOUNDATION FOR Schneemann’s significant influ- Pbk, 5.25 x 7 in. / 136 pgs / 76 color. CONTEMPORARY ART 34 b&w. WITTE DE WITH CENTER FOR 9783037644737 PRIMARY INFORMATION/ ence on subsequent generations of February/Nonfiction Criticism/Art CONTEMPORARY ART 9786185039226 January/Art U.S. $29.95 CDN $37.50 PRINTED MATTER feminists. 9789491435461 U.S. $50.00 CDN $65.00 SDNR40 ALSO AVAILABLE EXHIBITION SCHEDULE Pbk, 6 x 8.25 in. / 240 pgs. 9780990689683 EXHIBITION SCHEDULE U.S. $32.00 CDN $42.50 Slip, pbk, 12 x 12 in. / 87 pgs / The lorld of May/Nonfiction Criticism/Art U.S. $16.00 CDN $20.00 ARTISTS INSTITUTE New York: Dia:Chelsea, Pbk, 6 x 9 in. / 348 pgs / 32 color. Vinyl record. New York: Gallery Met, lilliam Glackens Pbk, 5.25 x 8.5 in. / 94 pgs. 9780997099522 11/03/16–07/29/17 January/Art 12/07/16–01/21/17 9780615419817 February/Art January/Music/Art/Limited Edition U.S. $40.00 CDN $52.50 FLAT40 U.S. Pbk, 9.5 x 12 in. / 200 pgs / Clth, $55.00 90 color / 110 b&w. CDN $65.00 February/Journal/Art Sansom Foundation, Inc.

116 artbook.com artbook.com 117 Writings on performance and art theory HIGHLIGHTS ■ WRITINGS & GROUP EXHIBITIONS

Imaginative The Practice of The Perfect Of Sponge, Slow Reader Spacescapes A Resource for Design Routine Pleasures Bodies Dramaturgy Spectator Stone and the Thinking and Practice The Force of Dance & Drawing Dialogues in Performance Working on Actions in The Experience of the Intertwinement Introduction by Kimberli Meyer. Listening Edited with text by Sarah Practices Performance Art Work and Reception Edited by Carolyn Strauss, Ana Text by Michael Ned Holte, Harry Burkhalter, Laurence Schmidlin. Paula Pais. Text by Yochai Benkler, Dodge, Julia Bryan-Wilson, et al. Edited by Lucia Farinati, Claudia Aesthetics with the Here Text by Gabriele Brandstetter, Edited by Lisa Marie Bowler. Edited by Konstantina Georgelou, Maria Blaisse, Chet Bowers, Olafur This book takes its title from Firth. Text by Ultra-red, Precarious Pauline Chevalier, et al. Interviews Text by Guy Cools. Interviews Efrosini Protopapa, Danae By Janneke Wesseling. and Now Eliasson, et al. Workers Brigade, Pat Caplan, Routine Pleasures (1986), a film with Cindy Van Acker, Anne Teresa with Sue Buckmaster, Jonathan Theodoridou. Text by Una Bauer, lhat really happens between a A Methodology of Artistic Slow Reader collects theoretical re- Anna Sherbany, Ayreen Anastas, De Keersmaeker, et al. Burrows, Rosemary Butcher, Dana Simon Bayly, Andrea Boži ´c, Nicola by director Jean-Pierre Gorin, Rene Gabri, Nick Couldry, Adriana spectator and a work of art at the Research flections and practical perspectives Throughout the 20th century, the Caspersen, Sidi Larbi Cherkaoui, Conibere, Guy Cools, et al. who had once collaborated on Cavarero. Jonzi D, et al. moment of encounter? How does By Janneke Wesseling. from writers, designers, architects, performing and visual arts have There is a growing interest in the a series of politically charged The Force of Listening explores the It is through the sentient body one experience “meaning” in a Of Sponge, Stone and the Inter- artists and environmental activ- often converged. As artists in- notion and practice of dramaturgy cinetracts with Jean Luc-Godard role of listening at the intersection that we experience, know and work of art? How does an interpre- twinement with the Here and Now ists that aspire toward a holistic vestigated the embodied value of (the theory and practice of dra- (as the Dziga Vertov Group) before of contemporary art and activism, imagine—and so the body is tation of an art object come to take explores the notion of “experi- vision of human activity. Contribu- form, dancers and choreographers matic composition), which is often relocating to teach in San Diego, and asks what transformations lis- perhaps the most important tool hold for a viewer? How can that ence” as a key concept in a meth- tors include Yochai Benkler, Maria experimented with interfaces discussed either as the work of California. The film delineates two tening might facilitate in the world. for making and experiencing art. process of interpretation, which odology of artistic research. In this Blaisse, Chet Bowers, Olafur Elias- between annotation and impro- the dramaturg, or as the composi- parallel tracks—one, a gradual lritten as a constructed dialogue, Imaginative Bodies reaffirms the often takes place at a subcon- concise, compulsively readable son, Eric Ellingsen, Emilio Fantin, visation. These encounters are tional or sense-making aspects of infiltration of the Model Railroad- The Force of Listening draws from central position of the body in scious level beyond language, be volume, scholar and art critic Jan- Fernando Garcia-Dory, Lotte van the focus of this collection, which a performance. Drawing on such ers Club, a group of “train people” conversations with artists, activists various artistic practices through understood and articulated? neke lesseling traces a genealogy Gelder, Jeanne van Heeswijk, the discusses the interaction of the views, The Practice of Dramaturgy who met every Tuesday night in and political thinkers which took in-depth conversations with chore- In The Perfect Spectator, author of “experience” that stretches from nanopolitics group, Jogi Panghaal, two mediums since the first public addresses dramaturgy as a shared, a hangar near San Diego; and place during 2013–14, in the after- ographers, composers, visual art- Janneke lesseling, Professor of lilliam James, John Dewey and Eva Pfannes (Ooze Architects), performance of the Judson Dance politicized practice that sets ac- two, a consideration of the still-life math of the wave of protests and ists, hip hop artists, dramaturges, Visual Arts at Leiden University in Alfred North lhitehead to Brian Ann Pendleton-Jullian, Alessandra Theater in 1962. Contributors tions into motion in a speculative, paintings and writing of artist and occupations against austerity. a light designer and a puppeteer. the Netherlands, addresses these Massumi, placing this concept into Pomarico, Marjetica Potr´c, Julian include Cindy Van Acker, Gabriele rather than didactic, way. The book film critic Manny Farber—and the Artists Ayreen Anastas and Rene The contributors discuss the place questions by turning to the field of a framework of research in visual Raxworthy, Uzma Rizvi, Niels Brandstetter, Sarah Burkhalter, proceeds in two parts: in the first often unexpected intersection of Gabri, media theorist Nick Couldry, of the body in their own work, and reception aesthetics, with its cen- art. lesseling’s argument comes Schrader and Christina lerner. Pauline Chevalier, Mark Franko, part, the authors return to the ety- these tracks. Artists responding to philosopher Adriana Cavarero and in relation to wider debates on the tral premise that the contemplation out of her own practice of artistic Positioned as a “resource for de- Katrin Gattinger, Julie Enckell mology of the term “dramaturgy” this work include James Benning, members of Ultra-red and Precari- body in philosophy, science, of art is a matter of interaction research, and her reflections on sign thinking and practice,” this Julliard, Anne Teresa De (from “drama,” meaning action, Jennifer Bornstein, Center for ous lorkers Brigade as well as medicine, anthropology and the between an active artwork and an the interweaving of thinking and book challenges the paths through Keersmaeker, Magali Le Mens, and “ergon,” meaning work) in Land Use Interpretation, Harry feminist consciousness-raising arts. Each artist interviewed also active observer. lesseling pro- making. Part of Valiz’s vis-à-vis which contemporary designers Laetitia Legros, Anna Lovatt, order to scrutinize the conception Dodge, Manny Farber, Judy Fiskin, groups meet on the page to tackle raises a more specific theme, rang- ceeds from her own intensely per- series of accessible introductions conventionally operate and the Nolwenn Mégard, Robert Morris, of dramaturgy as literally “working Magdalena Suarez Frimkess and questions of listening, attention ing from poetics to politics, from sonal encounters with art objects, to academic subjects in contempo- values of speed and efficiency that OpenEndedGroup, Nadia Perucic, on actions” in relation to debates Michael Frimkess, Galería Perdida, and interconnection, collectivity, mythology to ecology, from inter- and her professional experience rary art, this publication represents dominate discourse. Slow Reader Catherine Quéloz, Yvonne on action, work and post-Fordist Sarah Lehrer-Graiwer, Simon solidarity and resonance, the poli- cultural studies to conflict manage- studying and writing about art, in an expanded and extended version is intended to inspire readers well Rainer, Robin Rhode, Susan labor. In the second part, guest au- Leung, Lucky Dragons, Roy tics of the voice and the ethics of ment. These talks give an intimate order to arrive at a new theoretical of lesseling’s inaugural lecture at beyond the design field, serving as Rosenberg, Laurence Schmidlin, thors suggest the different artistic, McMakin, Carter Mull, Newspaper listening, the challenges of institu- insight into the artists’ creative pro- framework for the sight and Leiden University, given in Septem- a vehicle for reflection, imagina- Katia Schneller, Alexander Schwan, social and political perspectives Reading Club, Pauline Oliveros tional frameworks and their reflec- cesses, inspirations, sources, iden- contemplation of art. ber 2016, and includes a collaboration and further investigation of Alan Storey and Catherine lood. that such an understanding of dra- and Steve Roden. tions on the Occupy movement. tities and ways of collaborating. tion with the Austrian performance “slower” approaches to living. maturgy might make possible. VALIZ/VIS-À-VIS SERIES ERRANT BODIES PRESS JRP|RINGIER artist Lilo Nein. VERLAG FÜR MODERNE KUNST VALIZ/ANTENNAE SERIES 9789080818507 VALIZ 9783037644690 VALIZ/ANTENNAE SERIES 9783903131422 9780997874402 U.S. CDN $37.50 9789492095206 U.S. $30.00 CDN $40.00 9789492095015 U.S. CDN $15.00 $29.95 9789492095183 VALIZ/VIS-À-VIS SERIES U.S. $15.00 CDN $19.95 $11.00 U.S. $25.00 CDN $32.50 Pbk, 6.25 x 8 in. / 320 pgs / 60 b&w. U.S. $25.00 CDN $32.50 Pbk, 6 x 8.5 in. / 256 pgs / 30 b&w. U.S. $25.00 CDN $32.50 9789492095213 Pbk, 4.50 x 6.50 in. / 224 pgs / Pbk, 4.5 x 7 in. / 216 pgs. March/Nonfiction Criticism/Art Pbk, 6.25 x 9 in. / 256 pgs / 9 b&w. March/Art/Performing Arts Pbk, 5.25 x 8.25 in. / 344 pgs. Pbk, 5.25 x 8.25 in. / 308 pgs. U.S. $15.00 CDN $19.95 16 color / 8 b&w. February/Nonfiction Criticism/Art February/Nonfiction Criticism/Design February/Nonfiction Criticism/Art March/Nonfiction Criticism/Art Pbk, 6.25 x 8 in. / 48 pgs / 3 b&w. January/Art/Film & Video February/Nonfiction Criticism/Art

118 artbook.com artbook.com 119 Writings on art | Art and the Middle East HIGHLIGHTS ■ WRITINGS & GROUP EXHIBITIONS

Anti-Shows APTART 1982–84, Exhibition Histories Vol. 8 Edited with text by Margarita Tupitsyn, Victor Tupitsyn. Introduction by David Morris. Text by Valerie Smith, et al. A collective of artists, a gallery and a movement, APTART was a series of self-organized “anti-shows” that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represented a collective attempt to rethink the politics of exhibition-making and the making of a public in the absence of a public sphere. The first comprehensive publication on APTART, this book presents extensive photographic documentation of all their activities alongside archival texts from contributing artists and documents from the time. Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement’s history and guiding concepts; and further analysis is provided by contributions from Alexandra Danilova and Elena Kuprina-Lyakhovich, Maja and Reuben Fowkes, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith. 2016 MIDWINTER SUPPLEMENT AFTERALL BOOKS 9783960980230 U.S. $27.50 CDN $34.95 FLAT40 Adel Abdessemed: The Parachute Pbk, 9.5 x 12 in. / 240 pgs / 50 color / 100 b&w. Fahrelnissa Zeid: Adam Golfer: April/Nonfiction Criticism/Art Works 1988–2015 Paradox A House Painter of Inner Foreword by Pier Luigi Tazzi. By Steve Sabella. Introduction by Nicolas Schwed. Without a Roof Worlds The Parachute Paradox tells the life Text by Hans Belting, Giovanni Edited by Janna Dyk, Gabriela Careri, Julia Kristeva, Tom story of Berlin-based artist Steve 2016 MIDWINTER SUPPLEMENT By Adila Laïdi-Hanieh. Vainsencher. Translated by Mostafa Coinciding with a touring Tate McDonough, Hans Ulrich Obrist, Sabella (born 1975), who was born Ouajjani, Gabriela Vainsencher. Jacques Rancière, et al. A Usable Past: American Folk Art at the Colby College exhibition of her work, this book in Jerusalem’s Old City and raised Shortlisted for the Paris-Photo/ lorking in sculpture, installation is the first biography of influential under Israeli occupation. After liv- Aperture First Book Award, A Museum of Art and video with powerful, often abstract painter Princess Fahrel- ing through both intifadas, being House Without a Roof consid- Edited with introduction by Lauren Lessing. Foreword by Sharon Corwin. Text by Seth A. Thayer, Jr., brutal images and materials, Adel Elizabeth Finch, Tanya Sheehan. nissa Zeid (1901–91), a pioneer kidnapped in Gaza and learning ers the overlapping histories Abdessemed (born 1971) has cre- A Usable Past brings together paintings, sculptures and works on paper by self-trained artists working in of Turkish art whose rich life to navigate Palestinian and Israeli of violence and displacement ated one of the most energetic the eastern part of the US during the 19th century. Produced and originally circulated outside the sphere of spanned the first 90 years of the culture, Sabella has found himself connecting Europe, Israel and political oeuvres of recent times. fine art, these objects emerged from vernacular traditions that favored decorative aesthetics over mimesis. 20th century. Zeid is best known feeling in exile at home. Palestine. lith photographs, ar- Described as “tackling themes of In the 20th century, artists, scholars and collectors came to believe that artworks like these expressed such for her large-scale paintings that During the war on Gaza in 2014, chival imagery and original texts, everyday cruelty and extremism” supposedly quintessential American values as industriousness and ingenuity, and that they also served as combine Islamic, Byzantine, Arab he released the statement of em- Brooklyn-based artist Adam Golfer by the New York Times in 2015, native precursors to modernism. Featuring new scholarship, A Usable Past features highlights of Colby Col- and Persian influences with stylis- powerment “A Declaration of In- weaves together fictions of his he imparts a raw euphoria to his lege’s extensive holdings of American folk art. tic elements developed in Europe dependence” which stated, “From family history with representations sculptural works. This extraor- during the postwar period. Born this day onward, I declare that I from Israel’s founding and ongo- COLBY COLLEGE MUSEUM OF ART dinary three-volume publication into a prominent family in Istanbul, am a citizen of planet earth and ing military occupation. Ethnic and 9780972848435 U.S. $55.00 CDN $70.00 constitutes the first comprehensive Hbk, 9.75 x 12.5 in. / 163 pgs / 122 color / 15 b&w. she emerged as a leading figure of beyond. I am from everywhere and national identities are ruptured and overview of his work. Bringing Available/Art Turkish modernism and went on to nowhere. No geography or culture reassembled as he interrogates together over 1,300 images of his become a prominent member of defines me.” contradictory histories and notions works, it is divided into three parts: the 1950s École de Paris abstract Blurring fact and fiction, love and of selfhood, exploring strands that volumes one and two constitute art movement, praised by André loss, this gorgeously designed connect the Jewish Diaspora out The Authorship, Authentication and Falsification of Artworks the catalogue raisonné itself, and Breton. In the same decade, she memoir traces one man’s arduous of Europe and forced mass mi- Edited by Lluís Peñuelas. the third volume contains es- was also one of the first women search for liberation from within, grations from Palestine following Accurately determining the authorship and originality of artistic works is critical to the functioning of the art says by some of today’s most to exhibit at London’s ICA. through a confrontation with his lorld lar II. Golfer situates this market, and is an important element for viewers trying to enjoy and understand a work of art. Authentication celebrated scholars and thinkers, This book covers her peripatetic colonized imagination. inquiry through the triangular rela- is one of the most important tasks falling upon art institutions and the people that work at them: artists’ such as Hans Belting, Emanuele life, the evolution of her practice KERBER tionship between his grandfather foundations, museums, public administrations, academics, gallery owners and art collectors are all involved. Coccia, Elisabeth de Fontenay, and her reinvention in her eighties 9783735603050 (a survivor of Dachau), his father But of course authentication remains a tricky business. Julia Kristeva, Tom McDonough, as a teacher, redefining her for U.S. $45.00 CDN $57.50 (who lived on a kibbutz in the early This book, derived from an international seminar organized by the Gala-Salvador Dalí Foundation, diffuses the Philippe-Alain Michaud, Hans Ul- Hbk, 6.5 x 9.25 in. / 304 pgs. the contemporary reader as one 1970s) and himself. knowledge, experience and opinions of some of the most prestigious experts on these subjects. Furthermore, rich Obrist, Jacques Rancière and January/Nonfiction Criticism/Middle of the most important female Eastern Art & Culture The Authorship, Authentication and Falsification of Artworks offers new insights and proposals that can help to Shva Shaloov. BOOKLYN modernists. 9780692726501 clarify the difficulties presented by the topic and to improve its legal regulation. KOENIG BOOKS U.S. $50.00 CDN $65.00 ART / BOOKS 9783863359539 Pbk, 8.5 x 11.75 in. / EDICIONES POLÍGRAFA 9781908970312 U.S. $250.00 CDN $325.00 FLAT40 168 pgs / 48 color / 35 b&w. 9788434313620 U.S. $35.00 CDN $45.00 U.S. $28.00 CDN $37.50 Slip, 3 vols, pbk, 9.75 x 14 in. / February/Photography/Middle Pbk, 6.5 x 9.5 in. / 160 pgs / 18 color / 16 b&w. Hbk, 6 x 9 in. / 240 pgs / 1,300 pgs / 1,271 color / 36 b&w. Eastern Art & Culture April/Nonfiction Criticism/Art 65 color / 35 b&w. Available/Art/Middle Eastern Art & July/Nonfiction Criticism/Art Culture

120 artbook.com artbook.com 121 HIGHLIGHTS ■ PHOTOGRAPHY

BACK IN PRINT Lee Friedlander: Chain Link Rebecca Norris Webb: My Dakota Lee Friedlander is celebrated for his ability to weave Second Edition disparate elements from ordinary life into uncanny images Edited by Alex Webb. Text by Rebecca Norris Webb. of great formal complexity and visual wit. And few things In 2005, photographer and poet Rebecca Norris lebb (born 1956) set out have attracted his attention—or been more unpredictable in to photograph her home state of South Dakota, a sparsely populated frontier their effect—than the humble chain link fence. state on the Great Plains with more buffalo, pronghorn, mule deer and prairie Erected to delineate space, form protective barriers and bring dogs than people. It’s a land of powwows and rodeos, buffalo roundups order to chaos, the fences in Friedlander’s pictures catch and the world’s only “corn palace.” Dominated by space and silence, South filaments of light, throw disconcerting shadows and visually Dakota’s harsh and beautiful landscape can be tough and unforgiving, prey interrupt scenes without fully occluding them. Sometimes the to brutal wind and extreme weather. This was the South Dakota Norris lebb steel mesh seems as delicate as lace; at others it appears as set out to photograph. tough as snakeskin. In this book’s 97 pictures, drawn from The next year, however, everything changed for Norris lebb, when one of over four decades of work, it recurs as versatile, utilitarian her brothers died unexpectedly of heart failure. “For months,” she writes in and ubiquitous—not unlike the photographer himself. the afterword to this volume, “one of the few things that eased my unsettled Lee Friedlander was born in 1934 in Aberdeen, lashington. heart was the landscape of South Dakota … I began to wonder—does loss In 1948 he began to photograph seriously and by the have its own geography?” 1960s had become widely recognized for his all-encompass- An instant classic of the genre, Norris lebb’s beautiful photobook is now ing portrayals of the American social landscape—a term back in print in a second edition. Rebecca Norris Webb: My Dakota —which he coined. Friedlander’s influential work has been the interweaves the photographer’s lyrical images and spare text, reproduced in subject of many seminal exhibitions, including New ALSO AVAILABLE her own scrawling penmanship—is a small, intimate book about the lest Documents and Mirrors and Windows, both organized by Lee Friedlander: Sticks & Stones and its weathers, and an elegy for a lost brother. John Szarkowski at The Museum of Modern Art, and 9781891024979 RADIUS BOOKS more than 50 books, including Self Portrait (1970), The Clth, U.S. $85.00 CDN $100.00 9781942185178 U.S. $50.00 CDN $65.00 American Monument (1976), Factory Valleys (1982), Sticks D.A.P./Fraenkel Gallery Hbk, 8.5 x 9.75 in. / 116 pgs / 42 color. and Stones (2004) and America By Car (2010). February/Photography STEIDL 9783958292598 U.S. $49.95 CDN $64.95 Hbk, 9 x 11 in. / 140 pgs / 97 b&w. May/Photography Henry Wessel: Traffic/Sunset Park/ Continental Divide This book presents three independent bodies of work by Henry lessel (born 1942), each Frank Gohlke: Speeding Trucks and Other being a precise sequence arranged to give the viewer the experience of what it felt like to Follies pass through the territory described. In the summer of 1971, Frank Gohlke (born 1942) moved with his wife and young The first series, Traffic, shows lessel’s photos of drivers stuck in traffic as he commuted daughter from Middlebury, Vermont, to Minneapolis, Minnesota. His vocation as a in the early 1980s from Richmond, California, to San Francisco in the morning rush hour. photographer had begun four years prior, but he had yet to define the subject that lessel records the determination, impatience and blank boredom of his fellow drivers would occupy him for the next 45 years: the landscapes of ordinary life. as they navigate a daily drill that seems at times daunting and hopeless. Sunset Park is The three bodies of work brought together in Speeding Trucks and Other Follies were lessel’s series of night photos of the modest working-class neighborhood of Sunset all made between Gohlke’s arrival in Minneapolis and the end of 1972 when he Park in Santa Monica. Over four years in the mid-1990s, lessel captured the nocturnal began photographing grain elevators, a project that first established his renown. In transformation of suburbia into a strange, sometimes eerie, landscape. In his words, “you different ways these early series obliquely describe Gohlke’s process of adjustment can’t help but notice how the world is reconfigured by the lights at night. The spot lighting to his new surroundings. of particular areas, the lack of ambient light, the unnatural way that shadows are cast, The “Speeding Trucks” photos of the first section began when Gohlke noticed how all take us to an unfamiliar place….” lessel’s final series, Continental Divide, takes the the shadows of the elm trees that once lined most Minneapolis streets were momen- viewer on a ride from the dense, suburban flatlands of the Midwest, up across the Rocky tarily materialized on the bodies of passing trucks. The travel trailers in the second Mountains, and down into the sparse desert landscape of the American lest. lessel section were all found in a Minnesota State Park on one of the family’s infrequent depicts its houses, shacks, street corners and the highway, reminding us of the inherent camping trips, while late-night rambles through Gohlke’s Minneapolis neighborhood aesthetics of the everyday. led organically to his series of dramatic night pictures in the last section. Notwith- STEIDL ALSO AVAILABLE standing their various subject matter, Gohlke’s photos in this book collectively per- 9783958292758 U.S. $75.00 CDN $95.00 Henry lessel: laikiki form a kind of timeless alchemy on the everyday stuff of visual experience. Clth, 11.75 x 11.5 in. / 228 pgs / 105 b&w. 9783869303000 February/Photography Clth, U.S. $50.00 CDN $60.00 STEIDL Steidl 9783958292543 U.S. $39.95 CDN $52.50 Clth, 9.5 x 10.25 in. / 96 pgs / 48 b&w. February/Photography

122 artbook.com artbook.com 123 HIGHLIGHTS ■ PHOTOGRAPHY

NEW LOWER PRICE Harry Callahan: Gordon Parks: French Archives Collected Works Aix-en-Provence 1957–1958 Study Edition Text by Jean-Luc Monterosso, Peter MacGill, Edited by Peter W. Kunhardt, Jr., Laurie Hurwitz, Pascal Höel. Paul Roth. Text by Henry Louis Gates, In 1956, when the photographer Harry Callahan Jr., Deborah Willis, Maurice Berger, was head of Chicago’s Institute of Design, he Barbara Baker Burrows, Paul Roth, Gordon Parks. received Graham Foundation funding to create This five-volume collection surveys five the project of his choice. On Edward Steichen’s decades of Gordon Parks’ (1912–2006) advice he took a sabbatical year and headed to photography. It is the most extensive Europe with his wife Eleanor and his seven-year-old publication to document his legendary daughter Barbara. After two months in Germany, career. lidely recognized as the most they lived in Aix-en-Provence from September important and influential African-Amer- 1957 through July 1958. ican photographer of the 20th century, Callahan had never left North America before, Parks combined a unique documentary and his work had always focused on Chicago and and artistic style with a profound com- the landscapes of the American Midwest. France mitment to social justice. proved to be a huge culture shock. Looking beyond lorking first for the Farm Security Ad- what he called the “picturesque” aspect of the ministration and later for Life magazine, French town, he methodically set about a deeper he specialized in extended-narrative exploration of his subjects. As always, he spent picture stories on difficult subject mat- the morning outside with his camera and after- ter. Covering crime, poverty, segrega- noons in the dark room. In France, Callahan created tion, the politics of race and class, and a series of nature studies, urban views and portraits controversial personalities, Parks be- of Eleanor, who had already been central to his came legendary for his ability to meld work for 10 years and would remain so for another penetrating insight with a lyrical aes- 50. Callahan, who looked back on his time in thetic. He was thus able to introduce Aix-en-Provence as a period of plenitude and a broad and diverse public to people, absolute pleasure, donated 130 works from his issues and ideas they might otherwise “French Archives” to the Maison Européenne have ignored. Parks was remarkably de la Photographie in Paris. This volume publishes versatile, traveling the world to pho- a selection from that beautiful body of work. tograph news events and fashion, as Photographer Harry Callahan (1912–99) was well as the worlds of art, literature, invited by László Moholy-Nagy in 1946 to join music, theater and film. Later in life, he the faculty of Chicago’s Institute of Design. The reconceived his vision in fundamentally school’s experimental philosophy helped Callahan A self-taught polymath, Parks chronicled personal and poetic terms, producing develop a photographic vocabulary of formal the African-American experience and retold color photographs that were allusive abstraction and experimentation with light which rather than descriptive, symbolic rather he applied to the subjects he photographed for his own personal history than literal. decades: buildings, nature and street scenes, as Callahan’s French well as his daughter and his wife. STEIDL/THE GORDON PARKS FOUNDATION 9783958292628 U.S. $99.00 CDN $125.00 ACTES SUD/MAISON EUROPÉENNE DE LA archive records a Clth, 5 vols, 9.75 x 11.5 in. / 1,360 pgs / PHOTOGRAPHIE illustrated throughout. 9782330068318 U.S. $35.00 CDN $45.00 year of plenitude and April/Photography/African American Art Hbk, 10.25 x 10 in. / 144 pgs / 70 color. & Culture February/Photography serenity in Provence EXHIBITION SCHEDULE Paris, France: Maison Européenne de la ALSO AVAILABLE Gordon Parks: Gordon Parks: Photographie, 11/9/16–0129/17 ALSO AVAILABLE Gordon Parks: Back to Fort Scott Segregation Story Harry Callahan: I Am You 9783869309187 9783869308012 Seven Collages 9783958291829 Clth, U.S. $45.00 Clth, U.S. $45.00 9783869301402 U.S. Hbk, U.S. $50.00 CDN $55.00 CDN $55.00 Clth, $40.00 CDN $50.00 CDN $65.00 Steidl Steidl Steidl Steidl

124 artbook.com artbook.com 125 Found photography and writings

Meatyard as self-taught

2016 MIDWINTER SUPPLEMENT visionary:

The Canadians PREVIOUSLY ANNOUNCED a portrait Edited by Roger Hargreaves, of the Jill Offenbeck, Stefanie Petrilli. Sébastien Lifshitz: The Eye of the Introduction by Douglas Coupland. Laia Abril: Amateur Beholder: Julia photographer The Canadians playfully and af- Amateur consists of four gor- Lobismuller fectionately reimagines one of the “The lerewolf of Allariz” was a Pastrana’s Long geously printed clothbound vol- by acclaimed most revered photography books umes in a printed box that unites a woman who lived in 19th-century Journey Home of the 20th century, Robert Frank’s vast collection of amateur photo- Spain. Known as Manuel Blanco Text by Jan Bondeson, Grant photo The Americans. The source for the graphs lovingly assembled by the Romasanta, but named Manuela Kester, Bess Lovejoy, et al. imagery is the print archive of The Parisian filmmaker, screenwriter at birth, the legendary “were- Born in Sinaloa, Mexico, Julia historian Globe and Mail, which contains and collector Sébastien Lifshitz wolf”—now believed to have Pastrana (1834–1860) was a gifted more than 500,000 prints—24,000 (born 1968) over the last 20 years. lived with a rare syndrome of singer, musician and dancer who Alexander of which have been donated to the Found in flea markets all over the intersexuality—was Spain’s first could converse in English, Spanish newly formed Canadian Institute world, in photo galleries or on the documented serial killer. and French. She also suffered from Nemerov of Photography, housed within the net, these primarily black-and- Beautiful and eerie, Lobismuller one of the most extreme cases of National Gallery of Canada. Nearly white images are divided here into reconstructs from a female per- hypertrichosis lagunigosa on record 80 of these photographs have four themes: the uncanny, empty spective the story of the most and severe gingival hyperplasia: been selected for this book, and places, blurs and beachsides. enigmatic and bloodthirsty crimi- her face and body were covered also form the basis for a national Each volume revolves around one nal in Spanish history. Earning the with thick hair and her jaw was touring exhibition. These function- of those recurring themes, playing title of “the Tallow Man,” due to disproportionately large. Pastrana ary press photographs, made to with a variety of frames, emphasiz- his habit of converting his victims’ toured North America and Europe illustrate news stories—the state ing qualities such as the changes fat into high-quality soap, Manuel billed as “The Ugliest loman in of the roads after a severe winter, of light, movement and subject, in admitted to nine murders at his the lorld.” After her death, her a politician on the campaign trail, order to create an immense poetic 1853 trial. And yet he pleaded not body was exhibited throughout Eu- the opening of a new laundro- collage. This luxurious production guilty, for he was suffering, he rope and the US. Until her recent Ralph Eugene Meatyard: American Mystic mat—hold no pretentsions to is one of the most moving and claimed, from a curse that turned repatriation to Sinaloa, her body By Alexander Nemerov. be works of photographic art. beautiful collections of found pho- him into a wolf. was kept at the University of Oslo, The legendary, mysterious photographer Ralph Eugene Meatyard (1925–72) lived in Lexington, Kentucky, However, taken together, they tography ever published. This eerily beautiful artist’s book Norway. Pastrana’s story raises describe Canadian culture during by Spanish photographer Laia issues around beauty, ownership, working in a close-knit community of artists and writers while making his living as an optician. Ralph Eugene STEIDL an era of great transformation. Meatyard: American Mystic, by esteemed art historian Alexander Nemerov, is a groundbreaking study of 9783869307398 Abril, who studied at the Interna- science and racism, human rights, Meatyard’s work, creative thinking and sources of inspiration. Published by Bone Idle, new U.S. $90.00 CDN $115.00 tional Center of Photography in colonialism, sexism and indig- Toronto-based imprint of the Slip, clth, 4 vols, 8 x 8 in. / New York and worked at COLORS enous rights. Artist Laura Ander- Given rare access to the personal library in which Meatyard had tellingly annotated works of fiction, poetry 616 pgs / illustrated throughout. Archive of Modern Conflict, the magazine, is an unusual document son Barbata has brought together and other pages of personal significance, Nemerov examines the artist’s process of creating characters and Available/Photography book begins with an insightful of a haunting history in which the scholars and experts from various staging dreamlike scenes. American Mystic also considers the artists and writers whose work influenced and irreverent introduction by forces of criminality, sexuality and fields to explore these and other Meatyard, such as lilliam Blake, Ludwig littgenstein and Thomas Merton. Douglas Coupland. social marginalization coalesced topics as they relate to Pastrana’s Meatyard’s celebrated series The Family Album of Lucybelle Crater and many of his other photographs cast family members and friends in central roles, often masked and enacting symbolic dramas. Of these mystical BONE IDLE into something deadly. extraordinary story. works, Nemerov writes, “For Meatyard, a photograph is a careful or casual arrangement meant to produce a ALSO AVAILABLE 9780995185500 RM LUCIA|MARQUAND U.S. $40.00 CDN $45.00 feeling it cannot name.” Ralph Eugene Meatyard 9788416282647 9780692762189 9781934435335 Clth, 9 x 8 in. / 172 pgs / 79 color. CDN U.S. $55.00 $70.00 U.S. $40.00 CDN $52.50 FRAENKEL GALLERY U.S. Available/Photography Clth, $60.00 Hbk, 8 x 10.75 in. / 192 pgs / Pbk, 8 x 10 in. / 296 pgs / 50 color / 9781881337447 U.S. $45.00 CDN $55.00 CDN $70.00 107 color. 15 b&w. Hbk, 11 x 9.5 in. / 110 pgs / 30 color / 48 b&w. Radius Books January/Photography June/Art/Latin American/Caribbean April/Photography Art & Culture

126 artbook.com artbook.com 127 Fashion, celebrity and portraiture HIGHLIGHTS ■ PHOTOGRAPHY

Tom Atwood: Kings & Queens in Their Castles Kings & Queens in Their Castles has been called the most ambitious LGBTQ photo series ever conducted in the US. Over 15 years, Atwood photographed more than 350 subjects at home nationwide (with over 160 in the book), including nearly 100 celebrities (with about 60 in the book). lith individuals from 30 states, Atwood offers a window into the lives and homes of some of America’s most intriguing and eccentric personalities. Among the luminaries depicted are Meredith Baxter, Alan Cumming, Don Lemon, John laters, George Takei, Alison Bechdel, Barney Frank, Don Bachardy, Billy Porter, Ari Shapiro, Arthur Tress, Michael Urie, Greg Louganis, Charles Busch, Kate Clinton, Hadley Hudson: Dan Savage, Tommy Tune, Jonathan Adler, Simon Doonan, Leslie Jordan, Anthony Rapp, Persona John Berendt, Bruce Vilanch, John Corigliano, Anthony Goicolea, Elizabeth Streb, Models at Home Michael Musto, Carson Kressley, Joel Schumacher, Christian Siriano, John Ashbery, 2016 MIDWINTER SUPPLEMENT Terrence McNally and Christine Vachon. Text by Michael Gross. Christopher Modern-day tableaux vivants, the images portray whimsical, intimate moments of lhen American-born, Munich- Mary McCartney: Maria Callas daily life that shift between the pictorial and the theatrical. Alongside creatives such as Niquet: Models based fashion photographer Twelfth Night The Exhibition artists, fashion designers, writers, actors, directors, music makers and dancers, the That Matter Hadley Hudson first had an Introduction by Mark Rylance, Edited by Massimiliano Capella. series features business leaders, politicians, journalists, activists and religious leaders. A Private Collection as a opportunity to photograph a Mary McCartney. The epitome of the diva as artist, It includes those who keep civilization running, such as farmers, beekeepers, doctors, Fashion Hall of Fame model at home, she was intrigued lhen Oscar-winning actor Mark Maria Callas is brought vividly chefs, bartenders and innkeepers; plus some miscellaneous athletes, students, profes- Preface by Steven Meisel. by how the model’s domestic sur- Rylance agreed to be photo- to life in this fantastic album-like sors, drag queens and socialites, as well as a cartoonist, barista, poet, comedian, navy In 2008, Christopher Niquet, then roundings reflected her story and graphed by English photographer compilation of archival photo- technician, paleontologist and a transgender cop. a respected French stylist, spot- her personality. Hudson began a and vegetarian food writer Mary graphs, personal documents and ted the 1960s supermodel Peggy series on the subject of models in DAMIANI McCartney (born 1969) as he newspaper clippings from Callas’ 9788862085168 U.S. $45.00 CDN $57.50 Moffitt in a Beverly Hills restaurant. their homes, shot in the fashion applied his makeup prior to his own collection. The images and Hbk, 9.75 x 12.5 in. / 144 pgs / 135 color. Never previously an autograph capitals of New York, Paris, Berlin, performance as Olivia, the un- articles preserved by Callas are March/Photography/Gay/Lesbian chaser, he nonetheless felt com- London, Munich and Vienna. derstanding was that McCartney frequently enhanced by her own pelled to ask for hers. This candid The models’ homes depicted here would leave after he was made up. annotations, recording the names moment ignited an obsessive quest range from luxurious apartments McCartney duly began to pack up of the people portrayed and the for the faces that changed fashion to rooms in their parents’ houses her equipment, but to her surprise occasions. history. Niquet began to approach to squats and even squalid apart- Rylance asked whether she would Here we see Callas on holiday, the models he considered quintes- ments. Sometimes the objects like to remain to photograph him backstage or at home; with Mario sential figures in his industry. “My in the rooms and their various and the rest of the cast (including del Monaco, Toscanini, Visconti original purpose was to get beyond arrangements suggest a model’s Stephen Fry in the role of Malvolio) and other celebrities; and, of the abstract, incorporeal beauty childhood, or hints of addiction backstage. course, in her many onstage roles, of these icons, and bring back a and loneliness. Twelfth Night documents this in- and in press shots. This volume is sense of their physicality. For me, Comprised of over 50 portraits, timate and privileged experience, thus an ideal album of the Divina’s each signature restored a womanly this photobook is an intimate capturing the entire performative memories, following the order and reality to the imaginary being.” look into the model’s life beyond arc undertaken by each of the ac- the themes her archival choices Antoine Le Grand: Pamela Hanson: Hal Fischer: Gay Semiotics Through his collection of auto- the glamorous façade. tors and musicians involved; from favored, highlighting personal ob- A Photographic Study of Visual Coding graphs, we explore a multi-layered Portraits Private Room HATJE CANTZ both the intense psychological jects, her career and her unbridled Among Homosexual Men history of feminine beauty, from 9783775742467 Limited Edition Limited Edition preparation to the candid moments passion for fashion and elegance. Hal Fischer’s (born 1950) Gay Semiotics is a U.S. $60.00 CDN $78.00 Foreword by Jean-Paul Goude. Text by Guido Text by Jack Pierson. Jean Shrimpton to Jerry Hall, from of relaxation that accompany Hbk, 11.5 x 8.75 in. / 128 pgs / 60 The photographs span the years Costa. seminal work of 1970s California conceptual Lauren Bacall to Isabella Rossellini, This collector’s edition of Pamela Hanson’s Pri- color. the intensity of the stage wings. 1942–74, and the newspapers photography. This new hardbound edition of Limited to 15 copies plus three artist proofs, vate Room, limited to 25 copies plus three artist from Anita Pallenberg to Naomi February/Photography/Fashion McCartney’s work creates a fasci- 1947–60. this collector’s edition of French photographer his celebrated 1978 book, published in a limited Campbell, muses for extraordinary proofs, includes the book and a print signed and nating juxtaposition of these intri- Antoine Le Grand’s (born 1956) Portraits in- edition of 250 signed and numbered copies, fashion giants such as Steven SILVANA EDITORIALE numbered by Hanson. Private Room is a series cately costumed figures in various 9788836633623 cludes a signed and numbered print by Antoine reproduces the look and feel of the original. It Meisel (who writes the preface to of photographs of eight women whom Hanson stages of period dress against the U.S. $55.00 CDN $70.00 includes a signed and numbered limited edition Le Grand. The inkjet print—printed on fine art photographed between 2012 and 2014 at Lafay- this book), Karl Lagerfeld, Diana Hbk, 8 x 10.5 in. / 256 pgs / backstage spaces of the theater. hanhnemule ultra-smooth paper—is titled “Iggy archival pigment print of “Street Fashion: Basic Vreeland and Richard Avedon. 150 color. ette House, a small hotel in New York City. Gay,” one of the most celebrated photographs HENI PUBLISHING February/Photography/Performing Pop, 2002” and measures 11 x 11 inches. DAMIANI DAMIANI 9780993316111 Arts from the series. DAMIANI U.S. CDN $650.00 9788862085199 U.S. $29.95 CDN $37.50 9788862085083 $500.00 SDNR20 U.S. CDN $650.00 CHERRY AND MARTIN U.S. $40.00 CDN $52.50 Hbk, 8.75 x 10.25 / 128 pgs / 9788862085090 $500.00 SDNR20 Special edition, 6.75 x 9 in. / 96 pgs / 60 color. 9780976184188 U.S. $375.00 CDN $485.00 SDNR20 Pbk, 8.75 x 11 in. / 120 pgs / 25 color / 42 b&w. Special edition, 15 x 15 in. / 316 pgs / 180 color / February/Photography/Latin American/Caribbean Hbk, 8.25 x 10.25 in. / 56 pgs / 24 b&w. 50 color / 20 b&w. Available/Photography/Performing 100 b&w. Art & Culture/Limited Edition April/Gay/Lesbian/Limited Edition March/Photography/Fashion Arts April/Photography/Limited Edition

128 artbook.com artbook.com 129 Fashion and portraiture HIGHLIGHTS ■ PHOTOGRAPHY

Ricky Adam: Belfast Punk Warzone Centre 1997–2003 Text by Chris Magee, Petesy Burns, Marty Martin, et al. The “larzone Collective” formed in the Northern Ireland city of Belfast in 1984, when a few local punks decided to secure their own venue. In 1986, the Collective opened Giros, with a vegetarian cafe, a practice space and screenprinting facilities. In 1991, Giros moved into a larger, more ambitious venue, where photographer Ricky Adam (born 1974) captured the photographs in Belfast Punk. Bands from all over the world came to play at what quickly distinguished itself as one of the most credible punk venues in Europe, including Bastard Youth, Knifed, The Dagda, My Name is Satan, Submission Hold, Debt, Runnin’ Riot, Sawn Off, Devils, The Redneck Manifesto, The Sorts, The Farewell Bend, John Holmes, Starmarket and The Dickies. The photographs in this volume document the last seven years at the larzone Centre before it closed in 2003, leaving a huge gap in 2016 MIDWINTER SUPPLEMENT Bling Bling Baby 2016 MIDWINTER SUPPLEMENT radical Belfast culture. Edited by Nadine Barth. Hans-Peter DAMIANI Wolfgang Walead Beshty: Neon colors and sequins, alpine Feldmann: 9788862085106 U.S. $40.00 CDN $52.50 glamor, Barbie pink and gold: Tillmans: Industrial Hbk, 9 x 12 in. / 176 pgs / 85 b&w. recent years have seen the Nur für Privat April/Photography/Music Conor Donlon Portraits emergence of a fascinating style German photographer Hans-Peter Text by Alex Needham. Volume One, 2008–2012 of photography that celebrates Feldmann (born 1941) is a virtuoso In Conor Donlon, lolfgang Introduction by Hans Ulrich Obrist. the artificial and hyperbolic, taxonomist of contemporary Tillmans (born 1968) chronicles Los Angeles–based artist and the kitsch and the trivial. This visual culture, whose artists’ books East London’s art scene and writer lalead Beshty (born 1976) opulent publication, with silver collate vernacular found imagery nightlife of the early 2000s, as well started his Industrial Portraits series type embossing and edging, is into revelatory historical docu- as his friendship with collaborator in 2008. He realizes them wherever as gloriously gaudy as the color- ments. lith Nur für Privat (which and artist Conor Donlon. The he goes, asking all the art people saturated photographs inside. translates roughly as “for private book sees Donlon’s appearance he works with to pose in their Inspired by the hip hop concept of use only”), Feldmann has created and style changing, as well as his working environment and working bling, it includes works by Miles a portrait of the German “swinger backdrops: a 2003 demonstration clothes: studio assistants, gallery Aldridge, Olivo Barbieri, Pierre et scene” of the 1970s and ‘80s. against George l. Bush’s state staff, curators, lab technicians, Gilles, Anatol Kotte, Bela Borsodi, The book is composed of amateur visit; a picnic at the park after an critics, fellow artists, collectors, art Carolin Saage, Christto & Andrew, photographs of women in various Juergen Teller: Enjoy Your Life! opening at Tillmans’ exhibition handlers and even the “machines,” Daniel Sannwald, David Drebin, degrees of undress, which were Mit dem Teller nach Bonn space Between Bridges; the bright which contribute to an artwork’s David LaChapelle, Esther Haase, enclosed with letters and circu- Text by Juergen Teller, Adrian Searle, Monte Packham, Ashley Heath, Frances Bonami. yellow walls of Tillmans’ and Don- progress from studio to gallery Hassan Hajjaj, Inka & Niclas, lated among couples to convey One of the world’s most sought-after photographers, Juergen Teller (born 1964) bridges the lon’s home; long-gone LGBT clubs and beyond. Captioned first as Izima Kaoru, Jason McGlade, sexual proclivities and attractive- worlds of fashion, advertising, art, music and celebrity with an unmistakable mix of irony, The Ghetto and The Joiners’ Arms; “framer,” “Fedex courier” or “dark- Kourtney Roy, Mark Kimber, ness, as a way of getting to know honesty and anti-establishment flair. This magazine-style volume captures Teller’s visual and quieter moments spent talking room assistant” and then identified Markus Henttonen, Mariano each other. (Initial contact would universe to date. in the studio and around town. with their initials and the location Vivanco, Martin Schoeller, be made through ads in newspa- Employing portraiture, still-life and landscape photography, Teller’s highly intuitive work Tillmans’ photographs are at once and date of the shoot, together his Matt Henry, Maxime Ballesteros, pers and magazines.) The photos, exposes clichés, champions the everyday and recasts traditional notions of beauty. “This intimate and emblematic of a models form a nonhierarchical, ka- Mike Schreiber, Stefano Cerio, taken from a collection of more beauty ideal is everywhere,” Teller complains. “You can’t escape it—TV, wallpaper, posters, flourishing arts era, where both leidoscopic yet very detailed “face- Suresh Nataraja Pierre linther, than 1,000 images, were mostly billboards, magazines. They put on these crazy perceptions about what people should look artists’ work gained momentum. book” of the art world, following in Polixeni Papapetrou, Rankin, shot in domestic settings, or like. It’s really shocking the way everybody is striving for this one thing, this ultimate beauty, The Guardian’s culture editor Alex part the tradition of great American Ruud van Empel, Sarah Illenberger, outdoors against bucolic back- but what is it?” Needham introduces the work anthropological photographic Sarah Malakoff and ling Shya, drops, with props ranging from Stripped of the glamour of the fashion world, his sitters often find themselves in unexpected, with an essay about Donlon’s initial surveys. This publication gathers among others. bondage gear to imaginatively sometimes disturbing contexts. Autobiography is also a strong force in Teller’s candid, deployed candles. Nur für Privat is role as Tillmans’ assistant and the together the Industrial Portraits HATJE CANTZ humorous and endearing photos. destined to become a landmark inception of London independent created between 2008 and 2012. 9783775742443 bookstore Donlon Books in 2008. A second volume will be published STEIDL/BUNDESKUNSTHALLE U.S. $75.00 CDN $95.00 installment in Feldmann’s oeuvre. 9783958292857 U.S. $15.00 CDN $19.95 Hbk, 10 x 12.5 in. / 192 pgs / to span the subsequent years. WALTHER KÖNIG, KÖLN WALTHER KÖNIG, KÖLN Pbk, 9 x 11.75 in. / 224 pgs / illustrated throughout. 100 color. 9783863359188 9783863359416 JRP|RINGIER April/Photography/Fashion February/Photography CDN $37.50 U.S. $40.00 CDN $52.50 FLAT40 U.S. $29.95 FLAT40 9783037644850 Hbk, 6.75 x 8 in. / 152 pgs / Pbk, 9.5 x 16 in. / 192 pgs / U.S. $29.95 CDN $37.50 259 color. 185 color. Pbk, 4 x 6.5 in. / 608 pgs / 450 b&w. Available/Photography/Erotica Available/Photography/Gay/Lesbian March/Photography

130 artbook.com artbook.com 131 Portraiture | New York HIGHLIGHTS ■ PHOTOGRAPHY

PREVIOUSLY ANNOUNCED Philip Trager: New York in the 1970s Text by Stephen C. Pinson. The luminous and compelling photographs in New York in the 1970s capture the essence of a city in a way best described as “place portraiture.” Trager’s images present the architecture of Manhattan with time-defiant clarity and beauty. Although Trager selected his subjects for aesthetic and visual reasons—rather than from a historical or documentary point of view—with the passage of time his distinctly imaginative photographs have also acquired value as historical documents. The negatives for the images in this book, only recently rediscovered, had originally been archived for printing but Trager began other projects before any prints were made. The photographs in New York in the 1970s were taken at the same time as Trager’s timeless Philip Trager: New York, published by lesleyan University Press in 1980, in which the photographer depicts the city “as a solitary figure, always 40 : Love aware of the ‘enveloping sky.’” New York in the 1970s reveals Trager’s more concentrated attention Karolin Klüppel: Valérie Belin Karine Laval: to the interaction between the city’s architecture and the dynamics of the street. Text by Quentin Bajac, Dork 40 Years of Porsche Tennis Kingdom of Girls STEIDL Zabunyan, Étienne Hatt. Poolscapes Grand Prix Text by Andrea Jeska. 9783869308067 U.S. $55.00 CDN $65.00 Text by Claire Barliant. French photographer Valérie Belin Edited by Markus Günthardt. Clth, 9.75 x 11.5 in. / 112 pgs / illustrated throughout. The pictures in German photogra- Text by Elmar Brümmer. (born 1964) explores matter, the Poolscapes brings together two Available/Photography pher Karolin Klüppel’s (born 1985) body, the living and the artifi- bodies of work—The Pool (2002– Drawing on a wealth of archival new monograph, Kingdom of Girls, cial—and the representations of 05) and Poolscapes (2009–12)—by material including photographs, are distinguished by their contem- all of these fraught categories—in French-born, Brooklyn-based pho- posters and catalogs, this book plative aesthetic. The girls’ faces Peter Lindbergh & Garry Winogrand: Women a body of uncanny photographic tographer Karine Laval (born 1971), celebrates 40 years of the Porsche reveal the lifeworld and culture of Text by Ralph Goertz, Joel Meyerowitz. work characterized by a fascina- both focusing on the motif of the Tennis Grand Prix, the longest-run- the Khasi, an indigenous people in Women presents more than 60 works by two world-famous photographers: Peter Lindbergh and tion with light, detail and surface swimming pool. Presenting public ning women’s indoor tournament the Indian state of Meghalaya with Garry linogrand. A meditation on American street photography, it juxtaposes the classic black-and- texture. Valérie Belin presents a pools in urban and natural envi- in Europe and since 2013 a a matrilineal social system: the white series Women Are Beautiful by New York photographer Garry linogrand (born 1928), first survey of the artist’s work since ronments throughout Europe and premier tournament on the youngest daughter is given prefer- published in 1975, alongside On Street, partially unpublished black-and-white portraits of a model 2007, including her most recent private pools in the US in two dis- lomen’s Tennis Association Tour. ence in the order of succession. by German photographer and director Peter Lindbergh (born 1944), which were taken on the streets series, All Star, a series of portraits tinct sections, the book is arranged lith an emphasis on visual stag- lhen she marries, her husband of New York during a fashion shoot. A further highlight is a selection of very rare color photographs of ghostly female figures that cut chronologically and shows an evo- ing in its graphic design, 40 : Love moves into her family’s home, and by linogrand, shot in 1958–64. Short essays by Joel Meyerowitz on linogrand, and by Ralph Goetz a vague, melancholy presence lution in tone and depth, from the is no average jubilee book but the children receive the mother’s on Lindbergh, complete the volume. against cheery backgrounds de- photographic to the painterly. The a sleek, intricate scrapbook name. Only the birth of a daughter KOENIG BOOKS rived from comic books. Coming Pool series invites us into a sun- exploring the stories of the players guarantees the continuity of the 9783960980261 U.S. $49.95 CDN $64.95 on the heels of the photographer’s bleached public pool at midday, who defined a new era of women’s clan. Between 2013 and 2015, Hbk, 9 x 8.75 in. / 140 pgs / 62 color. celebrated retrospective at the evocative of childhood memories tennis—including Martina January/Photography/Fashion the photographer spent a total of Centre Pompidou, this volume and the experience of leisure and Navratilova, Chris Evert, Steffi Graf, ten months in the Khasi village of includes a text by Quentin Bajac, bathing. Gradually these geomet- Martina Hingis, Maria Sharapova Mawlynnong, where she captured Curator of Photography at The ric lines and familiar architectural and Angelique Kerber. This is an Louis Faurer these magical images. Museum of Modern Art, New structures give way to the abstract, in-depth, behind-the-scenes look Introduction by Agnès Sire. Text by Louis Faurer, Walter Hopps, Susan Kismaric. HATJE CANTZ York, and offers an immersion into often blurred shapes and colors at the history of the tournament, This book is the first in 15 years to present the largely overlooked work of Philadelphia-born, New York–based 9783775742061 Belin’s rare and unusual body of of the Poolscapes pictures that the characters of its champions photographer Louis Faurer (1916–2001), who depicted the melancholy streets of New York in the 1940s and U.S. $55.00 CDN $70.00 both on and off the court, and Hbk, 9 x 10.25 in. / 92 pgs / 38 color. work that presents a photography oscillate between representation ’50s, and whom lalter Hopps described as a “master of his medium.” February/Photography/Asian Art & of confusion and absence, where and abstraction. Here the pool be- the design development of its Faurer initially worked for fashion magazines such as Harper’s Bazaar in New York, but soon focused his eye on Culture backgrounds are brought forward comes a metaphor, a mirror whose principal sponsor, Porsche, over the enchanting city itself: “Everywhere a new discovery awaited me.” Here Faurer made poetic, darkly romantic in front of their ostensible subjects surface reflects the surrounding the course of four decades. images of the characters of the street, often the poor and lonely amidst the bustle of Times Square during what and models and mannequins be- world but is also a gateway into a STEIDL he called its “hypnotic dusk light.” come indistinguishable. realm where bathers are distorted 9783958292802 Inspired by lalker Evans, Faurer developed a personal, highly empathetic vision, comparable to that of Rob- and fragmented. U.S. $40.00 CDN $52.50 ert Frank, with whom he shared a loft and darkroom in his early New York days. He was included in Edward DAMIANI Hbk, 9 x 11 in. / 368 pgs / Steichen’s influential exhibitions In and Out of Focus (1948) and Family of Man (1955), both at The Museum of 9788862085113 STEIDL illustrated throughout. U.S. $55.00 CDN $70.00 9783958292611 April/Photography/Sports Modern Art, New York. Pbk, 8.75 x 11 in. / 288 pgs / U.S. $40.00 CDN $52.50 STEIDL/FONDATION HENRI CARTIER-BRESSON, PARIS 61 color / 61 b&w. Clth, 12 x 15 in. / 130 pgs / 70 color. 9783958292475 U.S. $40.00 CDN $52.50 February/Photography May/Photography Clth, 6.75 x 9.25 in. / 208 pgs / 100 b&w. February/Photography

132 artbook.com artbook.com 133 Landscape photography | Portraits of America HIGHLIGHTS ■ PHOTOGRAPHY

Thibaut Cuisset: Betsy Karel: Edward Burtynsky: Joel Sternfeld: French Landscapes Times Square In Times Square, street photog- Dieter Blum: Salt Pans Rome after Rome Edited by Patrick Remy. Text by rapher Betsy Karel (born 1946) Cowboys Little Rann of Kutch, Jean-Christophe Bailly. Text by Theodore E. Stebbins Jr. uses five New York City blocks The First Shooting 1992 This book is the first English- Gujarat, India In his 1992 book Campagna Ro- Andrea Ferrari: as a metaphor for urban America Edited with text by Renate 2016 MIDWINTER SUPPLEMENT Salt Pans is Edward Burtynsky’s language overview of the land- Jerry Spagnoli: mana: The Countryside of Ancient Wild Window today. Her premise is that many Wiehager, Friederike Horstmann. (born 1955) newest book in his scape photography of Thibaut Rome, Joel Sternfeld (born 1944) Wild Window is Italian photogra- of the major trends of our soci- Regard The wide horizon of the prairie Floating in acclaimed ongoing series of Cuisset (born 1958), who over the focused on the ruins of grand pher Andrea Ferrari’s (born 1970) ety are present in Times Square: Between May and September on which the sun sets, galloping Sausalito photographs exploring different last 30 years has explored issues structures with a clear warning: personal cabinet of curiosities, a globalism, consumerism, ubiqui- 2012, New York–based photogra- horses and laid-back cowboys Photographs by Lars industrialized landscapes across around the environment and great civilizations fall, ours may collection of photos of taxidermy tous sexualization, hucksterism, pher Jerry Spagnoli (born 1956) swinging lassos: these are the im- Strandberg the world. Consisting of 31 aerial notions of territory. Cuisset has too. Now in Rome after Rome, animals, shells, eggs and coral that surveillance, narcissism. All are photographed the myriad faces of ages that give the myth of America photos of the salt pans in the Little photographed the landscapes of Edited with text by Lars Åberg, containing images from the previ- explores the gaze as a universal compressed and amplified here. In people transfixed by an enormous visual form, make it both visible Lars Strandberg. Rann of Kutch, India, the project many countries, yet he inevitably ous book as well as numerous trait shared by both humans and Karel’s photos fantasy parades as electronic billboard above New and palpable. Floating in Sausalito tells the story is the result of months of intricate returns to the terrain of his native unpublished pictures, Sternfeld’s animals. reality, corporate interests invade York’s Times Square. “The light Unlike any other contemporary of the vibrant houseboat commu- negotiations and preparations. France and its infinite variety. questions multiply: lho are these In its format and design, Wild almost all public spaces, and Times in Times Square is particularly artist, the German photographer nity in Sausalito, California—just These striking geometric images, lith the acuity of the New modern Romans? lhat is their Window recalls a naturalist’s Square becomes a vivid, almost beautiful at that time of the year,” Dieter Blum (born 1936) has ex- across the Golden Gate Bridge taken in an intense 10-day period Topographics photographers, relationship to the splendor notebook, full of wonderful crea- hyperrealistic, form of theater. he writes; “the expressions on plored and updated this subject. from San Francisco—where, in during which Burtynsky photo- Cuisset captures the French land- that was? lhat is the nature of tures observed on an imaginary “Karel is a native New Yorker who people’s faces were open and un- The 60 photographs in his series the 1950s, the beat and hippie graphed from a helicopter, present scape without frills or nostalgia, sullied modernity in relation to journey to exotic lands. The book haunted Times Square to find what selfconscious, as they all looked up Cowboys, which were taken in counterculture created a house- the pans, wells and vehicle tracks and reveals it to be the result of the Arcadian ideal? thus shows our age-old desire to most of the city’s dwellers seek to towards that great light in the sky.” 1992 for Marlboro Cigarettes, boat outpost that has long since as abstract, painterly patterns: historic layers and constant The Campagna—the countryside record and classify nature, as well avoid: the tourists and everything Regard, the result of this ambitious testify to this and are assembled become part of the Bay Area’s subtly colored rectangles crossed human interventions. The land south and east of Rome—occupies our passion for reliving it through that exists for them in that historic documentary undertaking, is a for the first time in their entirety affluent alternative lifestyle. by grids of gestural lines. And yet is perpetually being shaped and a special place in Roman (and studying specimens of flora and mecca. She records the intermin- visual chronicle presenting almost in this volume. The myth of the This community, the largest of the reality behind the ironic beauty transformed, and Cuisset’s quiet human) history. lith the rise of fauna. Yet Ferrari’s vision is far gling of those responsible for the 500 faces of great cultural and in- “lonesome cowboy” is ruptured in its kind in the US, boasts colorful of Burtynsky’s pictures is a harsh lens and restrained virtuosity of Ancient Rome, this once polluted, from impersonal or scientific. cacophony, those reacting and dividual diversity. a humorous way and replaced by residents (both long-term and one. Each year 100,000 poorly paid color record and authenticate malarial landscape was restored by He arranges his photos in a loose those who appear oblivious. She The particular billboard in question a “worker” who pursues everyday recent), innovative waterside Agariya workers toil in the pans, these sometimes subtle processes. emperors and thrived, with some grid rich with ambivalence and recognized the sadness that co-ex- was set up to periodically display activities in a team—stands at the architecture and a significant extracting over a million tons of The images in this book are 20 towns and numerous wealthy associations, and colors many ists with outrageous exhibitionism, an image of the crowd beneath bar, reads the newspaper, washes cultural history. Here, photogra- salt from the floodwaters of the tranquil, direct and often imbued villas on the rolling plains among images a soft, muted pink that the excessive signs competing for it. Pedestrians would wander by, laundry, skis, takes a bath. pher Lars Strandberg and writer with a sense of life (despite the nearby Arabian Sea. Furthermore, the mighty aqueducts that fed absorbed in their thoughts, before references the familiar hue of attention with 24/7 congestion, HATJE CANTZ Lars Åberg, who have previously receding groundwater levels, absence of human figures). They water to Rome. After the city fell, human skin. In Ferrari’s hands, workers, beggars and lovers.” noticing the billboard and pausing 9783775741668 collaborated on the critically combined with debt, diminishing form a lyrical atlas of the French the Campagna once again became nature is an interaction where —Anne lilkes Tucker to search for their images. On find- U.S. $60.00 CDN $78.00 acclaimed book West (on the market values as well as a lack of landscape, and show just how Hbk, 8.75 x 10.5 in. / 136 pgs / desolate and dangerous. Sternfeld creatures observe us as we ing themselves, many marked the modern American lest), fragile the land’s state of balance STEIDL 94 color. governmental support, threaten updates this history for the occasion with an obligatory selfie. observe them, and we weave 9783958292727 February/Photography create a seductive portrait of a the future of this 400-year-old and upheaval is. contemporary eye. intuitive narrative connections U.S. $35.00 CDN $45.00 Spagnoli recorded these processes sun-soaked floating bohemia. tradition and the lives dependent STEIDL STEIDL between all that we see. Clth, 10 x 13 in. / 128 pgs / 73 b&w. and the emotions of expectation 9783958292789 May/Photography KERBER on it. 9783958292635 and delight they elicit, creating an U.S. $60.00 CDN $78.00 STEIDL 9783735602329 CDN U.S. $85.00 $105.00 CDN $64.95 STEIDL Clth, 11.75 x 8.25 in. / 240 pgs / 9783958292697 intricate collective portrait. U.S. $49.95 9783958292406 Clth, 19 x 15.75 in. / 112 pgs / Hbk, 9.5 x 13 in. / 240 pgs / 200 color. U.S. $40.00 CDN $52.50 STEIDL U.S. $75.00 CDN $95.00 74 color. 105 color / 3 b&w. June/Photography Clth, 7 x 9.75 in. / 104 pgs / 9783958292390 Hbk, 14.25 x 11.25 in. / 60 pgs / May/Photography Available/Photography 71 color / 8 b&w. U.S. $65.00 CDN $85.00 31 color. May/Photography Clth, 6 x 8 in. / 936 pgs / 467 color. Available/Photography/Sustainability May/Photography

134 artbook.com artbook.com 135 Contemporary international photography | Historical photography HIGHLIGHTS ■ PHOTOGRAPHY

Told and Untold: The Photo Stories of Kati Horna in the Illustrated Press Edited by Gabriela L. Rangel. Foreword by Susan Segal. Text by Michel Otayek, Christina L. De Leon, Antonella Pelizzari, Andrea Geyer, et al. Told and Untold, published in association with the first US solo exhibition dedicated to Kati Horna (1912–2000), features photographs—some never before seen—displayed alongside the newspapers and magazines in which they circulated. Though she is now perhaps best known as a Surrealist, Horna often defined herself as collaborator with the press, a definition that encompassed not only her activities as a field photographer during the Jesús Labandeira: Spanish Civil lar, but also her work as a layout artist and photomonteur for anarchist publications. From her Cuando aún early years in interwar Paris through her late work produced in Mexico, this publication offers a comprehensive Graciela Iturbide: nevaba overview of Horna’s diverse practice, including her photographs, contact sheets, montaged cuttings and per- Mi Ojo When It Still Used to Snow sonal albums. Graciela Iturbide (born 1942), a Introduction by Carlos Cánovas. AMERICAS SOCIETY 9781879128781 U.S. $40.00 CDN $52.50 Santu Mofokeng: winner of the 2008 Hasselblad Cristina de Spanish photographer Jesús Clth, 7.5 x 10.5 in. / 188 pgs / 53 color / 65 duotone / 44 b&w. Labandeira (born 1963) was an Stories 5-7 Foundation Award, has been ac- Middel: Muchismo March/Photography/Latin American/Caribbean Art & Culture amateur photographer during his Soweto—Dukathole— claimed as one of Latin America’s Invited to mount an exhibition time as a college student, and Johannesburg greatest photographers for her at the Teatro Fernán Gómez in worked for more than 20 years in Edited by Santu Mofokeng, photographic exploration of her Madrid, Spanish photographer the business sector before taking Joshua Chuang. native Mexico’s landscapes and Cristina de Middel (born 1975) Robert Haas: Framing Two Worlds Johannesburg-based photogra- inhabitants in stark black and up photography again. His pho- dug around her studios and chose Edited with text by Anton Holzer, Frauke Kreutler. Text by Ursula Storch. pher Santu Mofokeng (born 1956) white. In her latest publication, Mi tographs, as explained by fellow to display all her images in exactly From portraits of major figures such as Albert Einstein and Arturo Toscanini to studies of everyday life first began to dedicate himself to Ojo, Iturbide presents a mysterious photographer Carlos Cánovas in the way she has them stored— and society in Vienna between the two world wars and street photography in New York, the oeuvre of portraying everyday experience in personal selection of her black- the prologue of this exquisite book, in colossal, gorgeous chaos. the Austrian-American photographer Robert Haas (1898–1997) encompasses numerous themes and South African townships in 1985, and-white photographs, an oblique are landscapes of memory, without The result is Cristina de Middel: unites the views of two continents. His artistic career began in the milieu of 1920s Viennese modernism; first as a member of the Afrapix exploration of that elusive thing sky or horizon—constructions Muchismo, a unique display of he established himself as an internationally successful photojournalist in the ‘30s. After fleeing from the collective, and then as a documen- that can make or break an image— of desire as much as reality. In the photographer’s entire oeuvre, National Socialists in 1938, Haas found a new home in the United States. Besides his work as a well- tary photographer for the African the photographer’s eye. Using Labandeira’s photographs, we constrained by neither a curator known graphic artist and printer in New York, he documented everyday life in America in striking photo- Studies Institute at the University silver ink on black cardboard to see the artist seeking his oldest nor any apparent organizing order. graphs. This catalog allows readers to rediscover a major photographer and an outstanding oeuvre, while of the litwatersrand. print her images, Iturbide pushes dreams in places “hidden and pro- Varied and entertaining, at times presenting vintage prints that have never before been reproduced. tected in the snow of childhood.” This three-volume publication, the limits of what a photograph playful and bizarre, Muchismo This signed and numbered edition HATJE CANTZ which continues a groundbreaking can be, creating images with the gives de Middel a chance to of 300 copies features 26 of 9783775741996 U.S. $55.00 CDN $70.00 reappraisal of the photographer’s look of high-contrast negatives interrupt the normal operating Hbk, 9.5 x 11.25 in. / 200 pgs / 150 color. EXHIBITION SCHEDULE Labandeira’s photographs of archive, presents aspects of life in that draw out the intrinsic strange- rules of the art market, presenting February/Photography Vienna, Austria: Vienna Museum, 11/24/16–03/05/17 snowy landscapes. The photogra- Soweto, where Mofokeng grew ness of the photographs. Designed her photographs not as collectible pher’s dreamlike, snow-blanketed up; Dukathole, a township in the in a small, intimate format and objects but as constituent parts scenes evoke yearned-for, dimly East Rand of Gauteng Province; published in a limited edition of of the larger story she has been remembered places in richly toned and Johannesburg, the city in 1,500 copies, Graciela Iturbide: Mi telling with her work. lith black and white. Labandeira’s which he worked. Taken together, Ojo will appeal to photobook lovers Muchismo, de Middel’s latest Francesc Torres: What Does History Know work is introspective and poetic, they invite a nuanced understand- and connoisseurs of the photogra- hotly anticipated publication, of Nail-Biting? delicate and disquieting, and ing of largely unsung narratives pher’s work. the award-winning photographer Barcelona-born, New York–based artist Francesc Torres (born 1948), a pioneer of installation art, beautifully served in this limited- from a crucial period in South Afri- RM continues her exploration of the is one of the most important European artists of his generation. In What Does History Know of edition monograph. can history which saw the demise 9788416282814 forms and limits of the medium. Nail-Biting, which borrows its subtitle from Arthur Koestler’s Darkness at Noon, the artist explores of apartheid. U.S. $39.00 CDN $50.00 SDNR40 LA FÁBRICA LA FÁBRICA a body of work made by Harry Randall, a photographer and filmmaker who was one of 3,500 Pbk, 5.5 x 5.25 in. / 128 pgs / 9788416248636 STEIDL 9788416248629 Americans who joined the International Brigades to fight in the Spanish Civil lar. Many of the 49 b&w. U.S. $40.00 CDN $52.50 SDNR30 U.S. $45.00 CDN $57.50 9783958292772 January/Photography/Latin Hbk, 11.5 x 7.5 in. / 64 pgs / 26 b&w. so-called Abraham Lincoln Brigade did not make it home, but Randall did. Forty-five minutes CDN $70.00 Pbk, 6.75 x 9.5 in. / 180 pgs / U.S. $55.00 American/Caribbean Art & Culture/ February/Photography/Limited Edition of 16mm film, shot by Randall between 1937 and 1938, becomes the material for Torres’ new Pbk, 3 vols, 9.5 x 12.5 in. / 112 pgs / Limited Edition 120 color. illustrated throughout. February/Photography limited-edition artist’s book, which explores what history looks like outside of concrete historical May/Photography/African Art & events, trying to capture the fragmentation and confusion that silently seeps through the official Culture narratives of history.

EDICIONES POLÍGRAFA 9788434313590 U.S. $55.00 CDN $70.00 Clth, 11.25 x 8.75 in. / 88 pgs / 58 color. February/Photography/Artists’ Books

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Transiciones 10 Years that Alessandra d’Urso Transformed Europe Liu Zheng: & Alessandra ReVision Introduction by Alexis Fabry, Frank Horvat: Nancy Borowick: 2016 MIDWINTER SUPPLEMENT María Wills. Photographic Dream Shock Borghese: Photography in the Museum In 1979 Margaret Thatcher was Max Pam: The Family Jason Sangik für Kunst und Gewerbe elected Prime Minister of the Autobiography Edited with text by Mark Holborn. Jubileum Hamburg Autobiographies Imprint Noh: Biography Liu Zheng (born 1969) is one of the Jubileum is an artistic reportage United Kingdom; in 1989 the Text by Frank Horvat. In this volume, the acclaimed Edited by Esther Ruelfs and Sabine A Daughter’s Portrait of of Cancer few Chinese photographers whose of the 2015–16 Jubilee of Mercy, Berlin lall fell. This one decade, Now in his late eighties, the Croa- Australian travel photographer Schulze. Text by Roger Buergel, Love and Loss Preface by Suejin Shin. work has reached the lest. The the celebration of the Catholic Holy Catherin Hauswald, et al. bookended by those two historical tian-born, France-based photogra- Max Pam (born 1949) assembles Edited with text by Nancy Text by Francois Hébel. exhibition of his extensive series Year proclaimed by Pope Francis This book offers the first over- events, transformed Europe and pher Frank Horvat (born 1928), a a personal biography mixing Borowick. Introduction by James South Korean surgeon Jason The Chinese at ICP in New York in and centered around St. Peter’s view of the unique photography the world: the application of TCP pioneering fashion photographer photographs with all kinds of per- Estrin. Sangik Noh specializes in cancer 2004 and the accompanying pub- Basilica in Rome. The Jubilee, and new media collection of the and IP protocols gave rise to virtual and one of the first professional sonal documents: facsimiles of lhen American photojournalist treatment. Parallel to his medical lication indicated he was working held every 25 to 50 years since Museum für Kunst und Gewerbe communication networks and the photographers to use Photoshop, notebooks, passports, postcards, Nancy Borowick’s (born 1985) career, he pursues photography. on the borders between the docu- first instigated by Boniface VIII in Hamburg (MKG). From the be- American political scientist Francis can look back at around 70 years letters, comic books and drawings. parents Howie and Laurel were Biography of Cancer, a mixture mentary tradition and the extended 1300, is a time of universal pardon, ginnings of photography to con- Fukuyama speculated that “the of activity and a dazzling career. Pam left Australia at 20, after ac- diagnosed with stage-four cancer of handwritten diagnoses, analy- portrait school of August Sander. where pilgrims head to Rome to temporary pieces, the collection end of history” had arrived. The lith this volume, Horvat furnishes cepting a job as a photographer and underwent simultaneous treat- sis results, graphs and photos, His background on the Workers’ renew their faith. includes more than 75,000 works. 1980s witnessed changes in the us with a personal insight into his assisting an astrophysicist. To- ment, she did the only thing she combines a scientific approach to Daily suggests his grounding as Alessandra d’Urso and Alessandra The MKG, an arts and crafts mu- practice of photography too, with long life. This autobiography-in- gether, the pair drove a Volkswa- knew how to do: she documented patients with a sensitive awareness a photojournalist. Yet Liu Zheng’s Borghese gained privileged access seum, began collecting photog- photographers sensing the end pictures reveals personal moments gen from Calcutta to London. This it. By turning the camera on her of their humanity, with glimpses vision does not echo the common to the Vatican to document the raphy toward the end of the 19th of industrial society and striving from all phases of his life: we see adventure proved inspirational, and family’s life during this most in- of their daily life and interests. The view of China, characterized by Jubilee, as a result of Borghese’s century and played a pioneering to adapt to the onset of globaliza- his family and his friends, witness travel has remained a crucial and timate time, Borowick learned a book is presented in the form of anonymity in the sheer mass of the respected experience as a writer role as the first German museum tion—an evolution traced in this the arc of his extraordinary career, continuous link to his creative and great deal about herself, family visual compositions in an unprec- population, or by the momentum and journalist in the field. D’Urso’s to open its doors to the medium. volume. Including works by Chris and encounter the great themes personal development. Pam’s work and relationships in general. Boro- edented genre, a true practitioner’s of industry. Frequently the subjects photos depict the little-seen rituals ReVision explores this extensive, Killip, Graham Smith, Martin Parr, of humankind, such as birth and in Asian countries has been docu- wick’s father died in 2013, and her notebook combining scientific of his portraits are those on the and grand settings of the Church. multifaceted collection through Jean Marc Bustamante, Candida death. These are everyday images, mented extensively in numerous mother followed 364 days later. detachment with warm-hearted fringes of Chinese society. Dream Perhaps more importantly, she genres such as portrait, architec- Höfer, Axel Hütte, Tata Ronkholz, but the quality of the photographs publications, as have his travels in The lessons she garnered from empathy. Noh began the work in Shock brings us to another space captures the details that convey ture and reportage photography. Thomas Ruff, Frank Breuer, speaks for itself. In the appendix, Europe, Australia and the Indian Howie and Laurel were plenti- 2008, when, as he testifies, “about that exists in the mind itself. Some the experience of pilgrimage: the Issues such as the 19th-century lilhelm Schürmann, Boris Horvat comments, often at length, Ocean Rim cultures including ful: always call when the airplane eight million humans around the of the characters, such as a Peking Pope’s shadow cast on a marble roles of photography as an aid to Mikhailov, Sergey Chilikov, on each of the pictures. India, Pakistan, Myanmar, Yemen, lands, never pass on blueberry pie, world died of cancer. lith this Opera singer, may be half-familiar, floor, rosary beads hanging from science and an archival medium Heinrich Riebesehl and Josef the United Republic of Tanzania, and most importantly, family is HATJE CANTZ sobering statistic, I started this but the historical references to fingertips, shafts of sunlight in are considered, alongside the Koudelka, among others, 9783775742085 Mauritius, Madagascar, the Cocos love and love is family. work ... it’s about the encounter occupation and the sexual explicit- St. Peter’s. changing materiality of photo- Transiciones: 10 Years that U.S. $55.00 CDN $70.00 and Christmas Islands. A unique “Though it is nothing she would with cancer, dramatic treatments, ness take us into unprecedented graphs and various emphases in Transformed Europe explores Pbk, 6.5 x 8 in. / 520 pgs / 246 color. have wished for, in a relatively STEIDL sort of artist’s book-collage, Max the photography of this pivotal May/Photography euphoric success, tragic failure, territory. 9783958292581 the collection such as interna- Pam documents 50 years of work short time Nancy Borowick be- deaths and the relentless battle U.S. $60.00 CDN $80.00 decade. STEIDL tional pictorial photography and in full-bleed spreads, from portraits came an expert in photographing Clth, 11 x 10.25 in. / 80 pgs / 56 b&w. by doctors, researchers, patients 9783958292673 Japanese photography. Texts by LA FÁBRICA and street scenes taken all over death.” —The New York Times April/Photography and concerned people. It is also a U.S. $65.00 CDN $85.00 renowned international photo and 9788416248674 the world to more personal and Clth, 11.5 x 12 in. / 108 pgs / 60 b&w. U.S. $45.00 CDN $57.50 HATJE CANTZ meditation on illness, medical eth- cultural historians round off the intimate works. 9783775742481 May/Photography/Asian Art & ALSO AVAILABLE Hbk, 11.75 x 8.25 in. / 176 pgs / ics and the complex, intertwining volume. U.S. $40.00 CDN $52.50 Culture Alessandra Borghese 105 color / 40 b&w. ALSO AVAILABLE LA FÁBRICA lives of concerned people.” Hbk, 9 x 11 in. / 200 pgs / 200 color. & Alessandra d’Urso: STEIDL February/Photography Frank Horvat: 9788416248742 Please Don’t Smile May/Photography HATJE CANTZ For Friends 9783958291850 U.S. $55.00 CDN $70.00 9783775740289 9783775742146 9783958291331 U.S. $65.00 CDN $85.00 Hbk, 8.25 x 11.75 in. / 264 pgs / U.S. U.S. $75.00 U.S. CDN $78.00 Hbk, $95.00 Hbk, 262 color. $60.00 Hbk, 9 x 11 in. / 380 pgs / CDN $95.00 CDN $120.00 February/Photography/Travel Pbk, 5.75 x 8.75 in. / 176 pgs / illustrated throughout. Hatje Cantz 71 color / 20 duotone. Steidl/Louis Vuitton May/Photography Available/Photography/Asian Art

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Warm Modernity: Indian Architecture Building Lost Futures: The Disappearing Architecture Democracy of Post-War Britain Edited by Maddalena d’Alfonso. Text by Paolo Brescia, Elisa Fiscon, Jacopo Galli, Text by Owen Hopkins. Rahul Mehrotra, Anna Nurra, Ingrid Paoletti. Lost Futures casts a detailed look at the wide range of buildings constructed in Britain A fascinating chapter in modernist architecture and city planning took place in India between 1945 and 1979. Although their bold architectural aspirations reflected the under the guidance of German architect Otto Koenigsberger and other polymath figures forward-looking social ethos of the postwar era, many of these structures have since such as Le Corbusier, Ernst May, Hermann Jansen, Fritz Schumacher, Theodor Fischer, been either demolished or altered beyond recognition. In this volume, photographs Heinrich Tessenow, Ebenezer Howard, Patrick Geddes and Raymond Unwin. The principal taken at the time of the buildings’ completion are accompanied by expert research ideas introduced by these figures at the moment of India’s independence and Partition examining their design and creation, the ideals they embodied and the reasons for were based on European models such as the garden city. their eventual destruction. Addressing the complex political dimensions of this subject, Warm Modernity describes Lost Futures covers many buildings, from housing to factories, commercial spaces to India’s modernist utopia of participatory planning and design, identifying an approach power stations, and presents the work of both iconic and lesser-known architects. on the part of lestern architects that was at times motivated by noble ideals, but which The author charts the complex reasons that led to the loss of these postwar projects’ quickly had to reckon with unforgiving realities. At other times it was driven by an effort ambitious futures, and assesses whether some might one day be restored. to banish the specter of poverty, or a sense of personal responsibility, to find new ways British architecture historian and curator Owen Hopkins is the author of several out of India’s history of oppression under colonialism. popular architecture books, including Reading Architecture: A Visual Lexicon, Alongside a wealth of archival images of relevant structures, plus detailed maps, this bril- Architectural Styles: A Visual Guide and Mavericks: Breaking the Mould of British liantly designed volume includes examinations of the cities of Jamshedpur, Bhubaneswar, Architecture. His scholarly interests have ranged from Nicholas Hawksmoor’s Baroque Faridabad and Chandigarh, with extensive discussions of, among other topics: the role grandeur to Alison and Peter Smithson’s Brutalism, taking in everything in between. of design manuals in colonial and postcolonial history; indigenous technologies and ROYAL ACADEMY PUBLICATIONS self-construction; the model of the “urban mandala”; and the meaning of participatory 9781910350621 U.S. $25.00 CDN $32.50 architecture. Hbk, 6.75 x 9 in. / 128 pgs / 120 color. April/Architecture & Urban Studies SILVANA EDITORIALE 9788836634354 U.S. $30.00 CDN $40.00 Pbk, 7.5 x 10 in. / 224 pgs / 100 color / 100 b&w. February/Architecture & Urban Studies/Asian Art & Culture

2016 MIDWINTER SUPPLEMENT NEW LOWER PRICE Asmara: Africa’s Jewel of Modernity The Vitra Campus Edited by Jochen Visscher. Photographs by Stefan Boness. Architecture Design Industry The Northeastern African nation of Eritrea spent much of the early 20th century Edited by Mateo Kries. as a colony of Italy, and more recently shook off another invader, Ethiopia. Since the 1980s, the Vitra company has erected buildings on its grounds in collaboration Its capital city, which dates back more than 700 years, exploded into life and with some of the leading architects of the present day, including Zaha Hadid, Frank Gehry, growth with the arrival of Italian colonists in the 1930s, and then stagnated Tadao Ando, SANAA, Álvaro Siza, Nicholas Grimshaw and Herzog & de Meuron. This has under Ethiopian rule. The surprising result is a living museum of Italian “Nuova resulted in a unique architectural ensemble, about which the architectural critic Philip Johnson Architettura,” where decorative smokestacks tower over street markets and wrote: “Since the leissenhofsiedlung in Stuttgart in 1927, there has not been a gathering portholes look out onto bicycle traffic. Futuristic, monumentalist, rationalist and in a single place of a group of buildings designed by the most distinguished architects in the cubist work is not just preserved, but dominant on the skyline. lestern world.” In this new reformatted edition of Asmara, photographer Stefan Boness frames The Vitra Campus currently attracts over 330,000 annual visitors. The VitraHaus by Herzog & private, public and industrial buildings to incorporate their sometimes jarring de Meuron provides the opportunity to experience furniture classics and new products from contemporary African surroundings. He succeeds in conveying the unique the Vitra Home Collection, and the renowned Vitra Design Museum by Frank Gehry presents atmosphere of a city where architectural time has, in some pockets, stood still. alternating exhibitions, which are accompanied by numerous events and workshops. Further An essay on the city complements extensive illustrations. attractions on the Vitra Campus include a museum shop, a café and guided architectural tours JOVIS of the buildings on the Campus. 9783868594355 U.S. $19.95 CDN $25.95 Originally published in 2014, this revised flexi bound edition offers an overview of Vitra Hbk, 6.5 x 8 in. / 96 pgs / 82 color. architecture, its daily use, the development of the Campus and biographies of the architects. Available/Architecture & Urban Studies/African Art & Culture It is ideally suited as a souvenir, as preparation for a visit, as a Campus guide, or simply as a fascinating read about some of the most significant architects and buildings of our time.

VITRA DESIGN MUSEUM 9783945852071 U.S. $39.95 CDN $52.50 Flexi, 6.75 x 9.5 in. / 204 pgs / 200 color. February/Architecture & Urban Studies

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Miralda’s El Internacional (1984–1986) New York’s Archaeological Sandwich Text by Paul Freedman, James Casey, Ronald Christ, Marshall Reese, Pierre Restany, Jordi Torrent, Gabe Ulla. El Internacional Tapas Bar & Restaurant was conceived as an artistic project carried out between 1984 and 1986 by artist Antoni Miralda (born 1942) and chef Montse Guillén (born 1946) in the Tribeca neighborhood of New York City. One of the first restaurants to introduce Spanish tapas in the United States, El Internacio- nal quickly became a cultural icon and a creative hub of New York’s downtown in the 1980s. It combined the social ritual of eating with installation and performance art, blurring the boundaries between food, art, design, architecture and mass media. Miralda’s El Internacional (1984–1986) documents the restaurant’s history through the memories of the people who contributed to it. Richly illustrated and featuring some of El Internacional’s most successful recipes, this volume tells the story of a crucial piece of urban history from a city not always able to protect its landmarks.

ÉDITIONS DILECTA Neutelings Riedijk 2016 MIDWINTER SUPPLEMENT 9782373720259 U.S. $49.95 CDN $64.95 Architects: European Pbk, 9.5 x 13 in. / 264 pgs / 470 color / 190 b&w. 2016 MIDWINTER SUPPLEMENT April/Design/Cookbook/Popular Culture Ornament & Silverware Sam Is Not Identity From the Laura Collection Damn Son Where My Uncle Ornament & Identity is the sequel Edited by Nera Laura, Manuele Did You Find This? The USA in Cuban Poster to the well-received At Work, Scagliola, Thierry de Lachaise. A Book about US Hiphop and Billboard Art Preface by Alain Gruber. Mixtape Cover Art 2016 MIDWINTER SUPPLEMENT a publication on the renowned Text by Alfons González Quesada. This catalog presents a selection Rotterdam-based architecture By Tobias Hansson, Michael Uncle Sam with his hands cut off; of the most representative pieces Thorsby. EOOS: Social Furniture firm Neutelings Riedijk. In their the head of the Statue of Liberty from the vast and diverse assort- Damn Son Where Did You Find Edited with introduction and text by EOOS. Foreword by Ekle Delugan-Meissl. new book, the firm convincingly impaled on a bayonet; a trash ment of silverware produced in This? is the first book on the cover This handbook/instruction manual for building “social furniture,” by Austrian demonstrates that buildings with a can decorated with the Stars and Europe between the 17th century art of the US hip hop CD mixtape. design firm EOOS, is intended for all those who want to create collective spaces powerful expression create positive Stripes: these are some of the and the early 19th century: from From the bootleg recordings of of action with functional and well-designed furniture but have little money or new local identities in a globalized striking images with which Cuban the old German states to the Ital- Kool Herc in the 1970s to Lil’ specialist knowledge in furniture construction. world. propaganda has represented ian peninsula, from France to layne, Jay-Z, Nicki Minaj and Social Furniture establishes spaces of communal use for living, cooking and Across 12 themed chapters— the United States over the past England, the objects described in Drake’s latest opus, CD mixtapes working together. In this context, EOOS shares their knowledge with those not Moiré, Image, Seam, Emblem, half-century and more. Ever since these pages testify to the great have been and continue to be an implementing it for commercial purposes. Everything you need to know in order Letter, Pattern, Frame, Ridge, Grid, Fidel Castro came to power, hun- skill of master silversmiths in forg- essential part of hip hop culture. A to personally build furniture for communities can be found in this catalog. Diamond, Relief and Filigree— dreds of billboards and posters ing precious metals according to visual world that reached unseen readers are guided on the explora- have alluded to the enemy of the KOENIG BOOKS the artistic trends of their time, levels at the turn of the millennium, 9783863359782 U.S. $19.95 CDN $25.95 FLAT40 tion of the connection between revolution: the US government, and together offer an exhaustive uncensored, unregulated and Spiralbound, 11 x 8 in. / 74 pgs / 69 color. form, meaning and contemporary with its military might and the compendium of the main types of extreme, it is the most anarchic Available/Design ornaments. Realized buildings, CIA at its service. tableware and domestic objects of all genres of graphic design. intriguing scale models, material Sam Is Not My Uncle gathers used in the homes of the European Freed from label guidelines, legal samples and unique ornaments for the first time a selection of upper classes over the course of opinion and moral hindrances, the Koto Bolofo: Revamped! designed by Neutelings Riedijk these works, most of which have three centuries. The book draws five designers featured in Damn London’s New Design Museum Architects illustrate the firm’s never before been published in on the collection of the Villa san Son Where Did You Find This?— lhen Sophie Conran, interior designer and daughter of legendary designer and retailer Sir Terence Conran, craftsmanship and its search for book form. It offers an overview Luca in Ospedaletti, Italy, donated KidEight, Miami Kaos, Mike Rev approached Koto Bolofo (born 1959) in 2012 to document the renovation of the spectacular new premises expression and identity. of the images that Cuban to the museum by collectors Luigi and Tansta & Skrilla—created of London’s Design Museum, he knew he couldn’t say no. Founded in 1989 by Terence Conran and Stephen HATJE CANTZ propaganda has used to reference Anton and Nera Laura. lith over covers for the likes of Lil’ layne, Bayley, the museum has since become a leading institution devoted to all aspects of design—from architecture 9783775742153 different issues and episodes that 6,000 objects from Europe and Jay-Z, Nicki Minaj, Drake, Gucci and fashion, to industrial, product and graphic design. U.S. $85.00 CDN $105.00 have marked US-Cuban relations Clth, 9.5 x 11.25 in. / 360 pgs / Asia, the collection is one of Italy’s Mane, Rick Ross, The Game, lhen Bolofo began photographing the location in 2012, it was a derelict shell, which over four years has now since 1959. 260 color. most important private collections Tupac, Eminem, Raekwon, been transformed by John Pawson and his design team. Bolofo found his vision by conceiving of the building February/Architecture & of decorative arts. 2Chainz, Young Jeezy and A$AP. RM as a “feminine object” and focusing on its suggestive curves and forms. Urban Studies 9788416282685 SILVANA EDITORIALE KOENIG BOOKS U.S. $25.00 CDN $32.50 STEIDL 9788836633753 9783863359775 Pbk, 6.25 x 9.25 in. / 120 pgs / 9783958292574 U.S. $75.00 CDN $95.00 U.S. $65.00 CDN $85.00 U.S. $40.00 CDN $52.50 FLAT40 92 color. Clth, 11.5 x 14.5 in. / 250 pgs / illustrated throughout. Hbk, 8 x 12 in. / 452 pgs / 265 color. Hbk, 8 x 11 in. / 148 pgs / Available/Design/Latin America/ March/Photography/Architecture & Urban Studies February/Decorative Arts illustrated throughout. Caribbean Art & Culture Available/Design/Music

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Maison d’Artiste An Unfinished Icon Ruralism 2016 MIDWINTER SUPPLEMENT What Happened to by De Stijl Making Urban History Takes My Buildings The NAi Effect The Future of Villages The Vienna Model Edited by Dolf Broekhuizen. Text Nature and Small Towns in an Place: Rome Learning from 30 Years of Creating Architecture by Ole Bouman, Paul Meurs, Alied Housing for the Twenty- Text by Piet Vollaard, Jacques Vink, Urbanizing World Dynamics of Urban Change Architecture with Marlies Culture Guide to De Stijl Ottevanger, Kees Somer, Wouter Niels de Zwarte. First Century City Jan Verheul, Michael White. Edited by Vanessa Miriam Carlow. Edited by Anna Hofmann, Martin Rohmer Text by Sergio M. Figueiredo. The city is a rich habitat of great Edited by Wolfgang Förster, in the Netherlands Though it was never built, the Zimmermann. Text by Hilde de Haan, Jolanda Since its first iterations in the early In an urbanizing world, the city William Menking. The 100 Best Spots to Visit biodiversity. Many animal and “Rome, golden, eternally powerful, Keesom. design for the legendary artist’s is considered the measure of all 19th century, the architectural The city of Vienna has achieved Text by Paul Groenendijk, Piet house Maison d’Artiste is one of plant species are now more com- glorious, world-dominating Rome, lhat do you do as an architect museum has been one of the most things. The attention of architects Vollaard. Photographs by Ossip van mon in cities than in rural areas. extraordinary milestones in public the key works of the Dutch avant- sovereign of cities, city of cities, when you feel your profession significant forces in the creation Duivenbode. and planners has been almost housing: today, over 60% of the However, urban nature is fragile, the fortunate, regal, holy city, the has changed dramatically and garde movement De Stijl. Created entirely focused on the city for and dissemination of architectural The Dutch art movement De Stijl and threatened by the tendency of population lives in subsidized in 1923 by painter Theo van Does- greatest of cities, seat of empire you would like to know whether culture to a wide audience, while and its eponymous magazine have many years, while rural spaces housing, and the city itself owns planners and policymakers to see and glory.” In 1927, the historian what you have built is actually any burg and architect Cornelis van are often unfairly associated with also serving as an important locus long exerted a strong influence on the city exclusively as a habitat for 220,000 rental units—about 25% Eesteren for De Stijl’s first group Ernst Kantorowicz summed up good? Dutch architect Marlies of authority for architectural dis- art and architecture, at home in economic decline, stagnation of the total housing stock. Another people. Nature-inclusive design, with this single sentence the eulo- Rohmer bought a van and revisited exhibition, the Maison d’Artiste and resignation. However, rural course and practice. Architect and the Netherlands and abroad. Pub- which considers nature an integral 200,000 affordable housing units was intended to encapsulate what gies paid to Rome since Antiquity, 25 of her buildings. She talked scholar Sergio Figueiredo’s new lished on the occasion of De Stijl’s spaces are transforming almost are owned by limited-profit housing part of the urban organism and an and the fascination the “eternal with commissioners, residents and De Stijl aspired to: a new everyday as radically as cities, and have study, The NAi Effect: Creating centenary anniversary, the Guide important part of a city’s quality associations. The city is clearly in environment achieved through city” continues to attract today. users. This resulted in a sometimes Architecture Culture, elucidates to De Stijl in the Netherlands: The begun to play a decisive role in the control of the housing market. This of life (for human and nonhuman However, the masses of visitors moving, often hilarious and always the harmonious fusion of painting sustainable development of our the social and cultural aims of 100 Best Spots to Visit is the first residents), is a pioneer practice stands in stark contrast to the US, and architecture. The scale model looking for this glorious past in informative exploration of what re- architecture museums and their publication to assemble, in a single living environment. The formerly where the private market is the pri- that has only recently started to Rome barely take note of the con- ally counts in architecture. presented De Stijl’s ideal space for segregated countryside is now impact in creating architecture practical and accessible guide, become part of urban planning. mary provider of housing. Vienna’s life and work, with a gym, a music temporary rifts in the city. Rome In What Happened to My Buildings, culture through a critical survey of the 100 most important buildings, traversed by global and regional successful model dates back to Making Urban Nature is an inspi- therefore has a unique challenge— authors Hilde de Haan and Jolanda room and a studio, as well as living flows of people, goods, waste, the history and the legacy of one monuments and places of interest rational book of examples about the days of “Red Vienna,” when spaces like guest rooms and bath- it must preserve its monuments Keesom put these lessons into the such institution, the Netherlands related to De Stijl. energy and information, linking the socialist government took an nature-inclusive designing in Eu- and historical heritage, without broader context of building and rooms. Maison d’Artiste: An Unfin- it to urban systems and enabling Architecture Institute (NAi) in Rot- From icons such as the Rietveld- ropean cities. Simultaneously uto- active interest in designing for the ished Icon by De Stijl explores the losing sight of current urban devel- residing in cities. The concrete ex- terdam. This volume embarks on Schröderhuis in Utrecht and Café those systems to function in the masses. That interest has since pian and pragmatic, it discusses opments and the needs of its own amples from Rohmer’s study start revolutionary cultural importance first place. Ruralism is dedicated to a probing exploration of one of De Unie in Rotterdam to less the unique nature of urban habitats evolved into a housing policy that of the design, its significance for inhabitants. History Takes Place: to beg larger questions of cause the most important architectural well-known objects and places of the significance of rural spaces as has produced works by architects and calls for the purposeful inte- Rome, featuring contributions by and effect, of control and contin- the history of De Stijl and its place a starting point for transformation. institutions in the world, offering interest (like De Stijl stained glass gration of nature in the designs such as Josef Hoffmann, Adolf in a history of the unbuilt architec- young scholars from a variety of gency: How far do an architect’s new insights into its history, how windows), all accompanied by sur- International experts explore the Loos and Richard Neutra. The Vi- of buildings and urban outdoor disciplines—history, art history, individual design choices matter? ture of the 20th century. rural from architectural, cultural, cultural policy operates on the prising facts, details and practical spaces, while offering practical ex- enna Model shines the spotlight on archaeology, cultural and social lhat part do rules and regulations ground, and how cultural institu- information, this handy volume will NAI010 PUBLISHERS gender-oriented, ecological and 60 projects from the last 100 years, amples and design suggestions. sciences, architecture and urban play? How do the building’s users 9789462083042 political perspectives, and ask how tions relate to a fast-changing become the De Stijl bible for those with a focus on the public art that U.S. $50.00 CDN $65.00 NAI010 PUBLISHERS planning—opens up new perspec- continue to construct it after the global context. wanting to discover the Nether- a new vision of the rural can be has complemented the city’s hous- Hbk, 8.75 x 8.75 in. / 192 pgs / 9789462083172 tives on the history and future of architect leaves? formulated. NAI010 PUBLISHERS lands in primary colors. 135 color. U.S. $50.00 CDN $65.00 ing since the First Republic. this fascinating city. NAI010 PUBLISHERS 9789462083073 January/Architecture & Urban Pbk, 7.75 x 9.75 in. / 256 pgs / JOVIS NAI010 PUBLISHERS Studies JOVIS 9789462083356 U.S. $85.00 CDN $105.00 300 color. 9783868594300 JOVIS 9789462083097 9783868594348 U.S. $60.00 CDN $78.00 Pbk, 8.75 x 10.25 in. / 400 pgs / March/Architecture & Urban U.S. $44.95 CDN $57.50 9783868594331 U.S. $29.95 CDN $37.50 U.S. $35.00 CDN $45.00 Pbk, 8.75 x 11.25 in. / 312 pgs / 250 color. Studies Pbk, 7.5 x 9.5 in. / 296 pgs / U.S. $35.00 CDN $45.00 Pbk, 5 x 9 in. / 128 pgs / 135 color. Pbk, 8.5 x 11 in. / 248 pgs / 360 color. January/Architecture & Urban 130 color / 20 b&w. Pbk, 6.5 x 8.5 in. / 240 pgs / May/Architecture & Urban Studies 200 color / 50 b&w. Studies 70 color / 10 b&w. January/Architecture & Urban February/Architecture & Urban Available/Architecture & Urban February/Architecture & Urban Studies Studies Studies Studies

144 artbook.com artbook.com 145 HIGHLIGHTS ■ ARCHITECTURE & DESIGN

Mario Bellini: Eckhard Gerber: Teodoro González CS Studio Architects: Architect Baukunst II de León Carin Smuts, Urs The Lyman House Edited by Ermanno Ranzani. Buildings and Projects Collected Works Schmid Preface by Kenneth Frampton. 2013–2015 Foreword by Miquel Adrià. Anatomy of a Dream and the Work of Through photographs, plans, 2016 MIDWINTER SUPPLEMENT Edited by Frank R. Werner. From Introduction by William J.R. Curtis. Text by Pierre Frey. CS Studio is Art Nouveau in sketches, text and quotations, Frederic P. Lyman Do It the French landscape planning to high-rises, This substantial volume offers an the first monograph on the South Buenos Aires this volume looks back at the Drawing and Building Tadao Ando: universities and train stations, overview of the work of Mexican African architecture practice Way 50-year career of Italian architect A Love Story German Eckhard Gerber has architect Teodoro González de founded in 1989. The agency Edited with text by Cory Buckner. Château La Coste and designer Mario Bellini (born By Anat Meidan. Edited by Daniel Gaujac. Text by proven himself as one of the most León (1926–2016), who built over has long embraced projects of a Foreword by Ray Kappe. Text by Philip Jodidio. Fernando Castellon, Karen Howes, 1935), examining his buildings, Buenos Aries boasts a number of renowned European architects. 50 projects in his native country. deeply social and political nature, The Lyman House and the Work of The Château La Coste in Le Puy- Mathieu Sabbagh. Photographs museums, fairground complexes, Baukunst II follows the first Gerber initially fighting against apartheid Frederic P. Lyman is an account of impressive buildings in a range of by Simon Upton. Illustrations by ARQUINE/SECRETARÍA DE Sainte-Réparade, near Aix-en- international competitions and monograph, presenting an index architectural styles. But when Pénélope. CULTURA/EL COLEGIO NACIONAL/ and then against the urban an inventive and skilled architect Provence, is a working vineyard, major exhibition designs. FONDO DE CULTURA ECONÓMICA This book celebrates Pernod of his oeuvre and significant recent exclusion of the poor. Anat Meidan, an art collector with CDN $90.00 practicing in 1960s and ’70s Los and, since 2004, a destination for SILVANA EDITORIALE projects. 9786079489083 U.S. $69.95 a passion for La Belle Époque, Ricard’s faithful restoration of FLAT40 Hbk, 10.5 x 11.5 in. / ACTES SUD Angeles. Four years after receiving a world-class collection of modern 9788836633876 U.S. $60.00 CDN $78.00 Gustav Eiffel’s iconic distillery JOVIS 552 pgs / 75 color / 500 duotone / 9782330066079 U.S. $39.00 CDN $50.00 his master’s degree in architec- moved to the city, she was de- FLAT40 Flexi, 11 x 11 in. / 312 pgs / and contemporary art and architec- 9783868593983 U.S. $65.00 CDN $85.00 375 b&w. January/Architecture & FLAT40 Pbk, 7.75 x 10 in. / 192 pgs / lighted to discover how much of built in Thuir in 1873, the origin 500 color. February/Architecture & ture from Yale University, Frederic ture. For the past decade, the vine- FLAT40 Hbk, 9 x 11.5 in. / 304 pgs / Urban Studies/Latin American/ 120 color. February/Architecture & the city’s Art Nouveau architecture of many of France’s most distin- Urban Studies Lyman (1927–2005) purchased yard has been inviting artists and 200 color. January/Architecture & Caribbean Art & Culture Urban Studies/African Art & Culture from the early 20th century had guished aperitifs, including Pernod Urban Studies a lot in Malibu where he was to architects from around the world— survived. The author set about Absinthe, Byrrh, Lillet, Ricard and build his iconic Lyman House. In including Tadao Ando, Louise researching these extraordinary Suze. The first part of this book addition to his own house, he took Bourgeois, Liam Gillick, Jean buildings as well as the people provides a photographic tour of the on several other Los Angeles com- Nouvel and Richard Serra, among who designed and built them. distillery, revealing rarely seen im- missions and accompanied each others—to visit Château La Coste lorking with Gustavo Sosa ages of the antique oak casks, cop- project with a perspective draw- and select a location on the estate Pinilla, Meidan toured the city and per pots and bubbling laboratory ing carefully rendered in colored for a site-specific installation. documented its architecture, using equipment, against the backdrop of pencil. Lyman’s colors are abstract Tadao Ando: Château La Coste a few well-placed connections Eiffel’s 19th-century stained glass and expressive rather than natu- explores the five works by the to gain access to the interiors of windows and intricate ironwork. ralistic, allowing the viewer to feel Japanese architect (born 1941) private homes and buildings usu- The Thuir distillery also boasts a the grain of wood and the weight featured at the Château: Gate, Art ally closed to the general public. recently refurbished bar, styled in of rocks in his compositions. lhile Centre, Four Cubes to Contem- Having a Cigarette Staab Architekten: Ansgar and Benedikt Atelier Kempe In this meticulously researched, the manner of the quintessential few examples exist of Lyman’s plate Our Environment, Chapel and with Álvaro Siza Kindred Objects Schulz: Snapshot Thill: Villa Urbaine richly illustrated book, featuring English club. Part two links the past built architecture, his work lives Origami Benches (all completed in A Film by Iain Dilthey Text by Florian Heilmeyer. Since In Snapshot, the multiple award- Edited by André Kempe, Oliver hundreds of splendid photographs, with the present through a series on in the exquisite renderings he 2011). Beautifully illustrated with One of the 20th century’s most founding their office in 1991, winning Leipzig architects Ansgar Thill. Text by Jean-Louis Cohen, the reader is invited to share the of portraits and interviews with 25 Berlin-based Staab Architekten and Benedikt Schulz reveal their Eric Lapierre. Rotterdam-based prepared for every project that sketches, models and production iconic architects, Portugese Álvaro author’s voyage around the city of the world’s most accomplished have devoted themselves to extensive photo archive. The 120 architectural firm Atelier Kempe entered his office, lovingly docu- photography, this volume also Siza is a Prizker Prize winner, and renowned bartenders and mix- projects ranging from new selected motifs—accompanied Thill builds urban villas in cities mented in this volume. as she narrates a very personal socialist and passionate smoker. includes an essay by architecture buildings in sensitive urban spaces by incisive commentary from the such as Paris, Antwerp, Zwolle and account of her love affair with ologists, who reveal the secrets (to- This film highlights his early work, CRESTWOOD HILLS PRESS historian Philip Jodidio analyzing and landscapes to conversions brothers—represent inspiration Bremen. This volume features their Buenos Aires. gether with a few shared recipes) allowing the viewer a glimpse 9780997546002 how Ando’s architecture inscribes behind some of the most delicious into Siza’s ways of working and of landmark buildings. Based for their own design ideas and varied projects, each nationally U.S. $29.95 CDN $37.50 itself into the landscape. EDICIONES POLÍGRAFA on overarching themes and a working methods. and even regionally specific, drinks invented since the creation thinking. Pbk, 10.25 x 10 in. / 192 pgs / 9788434313613 selection of projects, this volume providing a panoramic view of the JOVIS 99 color / 12 duotone / 78 b&w. ACTES SUD U.S. $55.00 CDN $70.00 of absinthe. KOENIG BOOKS includes text by critic Florian CDN $37.50 development of collective housing February/Architecture & Urban 9782330020057 Clth, 10 x 11.75 in. / 240 pgs / CDN $37.50 9783868594454 U.S. $29.00 STEIDL 9783960980001 U.S. $29.95 Heilmeyer. in Europe today. Studies U.S. $45.00 CDN $57.50 274 color. FLAT40 DVD, 5 x 7 in. January/ FLAT40 Pbk, 5 x 6 in. / 278 pgs / 9783958292703 Hbk, 9.5 x 11.75 in. / 256 pgs / April/Architecture & Urban Studies/ Architecture & Urban Studies HATJE CANTZ 120 color. January/Architecture & HATJE CANTZ U.S. $30.00 CDN $40.00 illustrated throughout. Latin American/Caribbean Art & Urban Studies CDN $78.00 Clth, 8.25 x 11.75 in. / 80 pgs / 9783775742054 U.S. $105.00 9783775742139 U.S. $60.00 January/Architecture & Urban Culture CDN $135.00 FLAT40 Clth, 12 x 10.25 FLAT40 Hbk, 6.5 x 9.25 in. / Studies 80 color / illustrated throughout. May/Architecture & Urban in. / 352 pgs / 500 color. February/ 144 pgs / 200 color. February/ Studies Architecture & Urban Studies Architecture & Urban Studies

146 artbook.com artbook.com 147 Urbanism | Architecture journals HIGHLIGHTS ■ ARCHITECTURE & DESIGN

DASH: From OASE 97: Stadtarbeit Dwelling to Dwelling Action and Reaction Ten Years of Design Density, Architecture, Urban Landscape Benrath Palace and Park Radical Housing Oppositions in Architecture Featuring the City and Territory Transformation Edited by Stefan Schweizer, Nicolas Maas. Text Transformation Edited by Christophe Van Edited by Lilli Hollein, Tina Thiel. by Hardo Bruns, Eva-Maria Gruben, Ralf Kauertz, Five European Stories Edited by Spatial Research Lab. Our living After the large-scale production Gerrewey, Véronique Patteeuw, Text by Chris Dercon, Amelie Klein, Lene Kawohl, Anja Mathis, Christel Mewes, Edited by Jean-Pierre Pranlas-Descours. space is subject to permanent flux, with far- of new buildings in the late Tom Avermaete. Text by Pier Alice Rawsthorn, Doris Rothauer, Serpentine Pavilion Victoria Oberkoch, et al. Photographs by Marcus lorldwide urbanization inevitably produces reaching changes in the areas of mobility, the 20th century and the economic Vittorio Aureli, et al. Creating et al. A selective survey of Vienna Schwier. Completed in 1770, the Benrath Palace and Summer Houses densification. This volume espouses a model environment, demography and energy requiring crisis, architects must find ways architecture has always been Design leek’s 10 years of festival and Park in Düsseldorf, Germany, harmoniously 2016 of density as a tool for sustainable urban new strategies in transforming urban landscapes. to reuse and transform existing defined by participants reacting to culture, Stadtarbeit traces the unite architecture and landscape. This volume Bjarke Ingels Group, Kunlé development, examining five European urban This volume presents viable and innovative structures. Presenting examples each other’s views. In this spirit, field of design’s wide-ranging presents the history of the landmark site; Adeymi, Yona Friedman, planning projects alongside discussions with approaches for such transformations, addressing from The Albany in London to OASE 97: Action and Reaction developments in Vienna, placing architectural photographs by Marcus Schwier Asif Khan, Barkow Leibinger architect Kees Christiaanse, philosopher Marc spatial planning, urban development and district the Klushuizen in Amsterdam, presents a series of confrontations them in the context of today’s take readers on an extraordinary stroll through Armengaud, landscape architect Henri Bava and planning. this volume brings the current between architects and critics, design discourse. The volume Edited by Julia Peyton-Jones, the building and landscape. Hans Ulrich Obrist. The Serpentine economist Allain Sallez. JOVIS challenge into international incorporating drawings, texts and features the most innovative, 9783868593853 U.S. $42.00 CDN $55.00 FLAT40 HATJE CANTZ perspective. buildings. urban development–oriented Architecture Program expands for JOVIS Pbk, 6.5 x 9.5 in. / 320 pgs / 150 color. 9783775741774 U.S. $40.00 CDN $52.50 FLAT40 projects at the helm of design. 2016, with four Summer Houses 9783868594362 U.S. $49.95 CDN $64.95 FLAT40 NAI010 PUBLISHERS NAI010 PUBLISHERS January/Architecture & Urban Studies Hbk, 8.5 x 11 in. / 128 pgs / 74 color. joining the Serpentine Pavilion. Hbk, 9 x 12.5 in. / 200 pgs / 240 color. U.S. CDN $57.50 9789462083103 U.S. $35.00 CDN $45.00 February/Architecture & Urban Studies/Gardens 9789462083110 $45.00 VERLAG FÜR MODERNE KUNST The Pavilion, designed by Bjarke January/Architecture & Urban Studies FLAT40 Pbk, 9 x 11 in. / 160 pgs / FLAT40 Pbk, 6.75 x 10 in. / 128 pgs / 9783903131439 U.S. $75.00 CDN Ingels Group (BIG), is an “unzipped 200 color. April/Architecture & Urban 50 b&w. January/Architecture & $95.00 FLAT40 Hbk, 8.5 x 11 in. / Studies Urban Studies 410 pgs / illustrated throughout. wall” that is transformed from January/Design straight line to three-dimensional space, creating a dramatic structure that by day houses a café and by night becomes a space for the Serpentine’s Park Nights performance program. Kunlé Adeyemi’s Summer House is an inverse replica of Queen Caroline’s Temple—a tribute to its robust form, space and material, recomposed into a new sculptural Against the Tide Best Highrises Perspectives in object. Barkow Leibinger were inspired by another, now extinct, Baukollegium Berlin Of Cats and Microwaves Shaping Cities Introduction by Rodrigo Espinosa 2016/17 Metropolitan 18th-century pavilion also Advising, Mediating, Persuading within Reflections on Architectural Emerging Models of Planning Practice Marty, Ernesto Ottone Ramírez. The International Research 2 designed by lilliam Kent, which Complex Building Processes Interventions Edited by Rahul Mehrotra, Mohammad al-Asad. Text by José Bengoa, et al. Against Highrise Award 2016 Passion for Built rotated and offered 360-degree Edited by Regula Lüscher. Text by Sonja Edited by Lukasz Lendzinski, Peter Weigand, Text by Bruno De Meulder, Farrokh Derakhshani, the Tide features the 15 projects Edited by Peter Körner, Peter Environment views of the Park. Yona Friedman’s Beeck, Martin Peschken, Jürgen Willinghöfer. Antoine Aubinais, Simon Jacquemin. Of Cats and Alejandro Echeverri, Lim Eng Hwee, Weiwen chosen for the Chilean Pavilion at Cachola Schmal. In times of Summer House takes the form of Baukollegium Berlin is an independent advisory Microwaves presents urban and artistic practices Huang, et al. This richly illustrated book of the 15th International Architecture Edited by Annette Bögle, expanding metropolises, high- a modular structure that can be board in Berlin whose members are experts devoted to developing new relationships with our essays introduces new approaches toward urban Exhibition of the Venice Biennale. Christiane Sörensen. Perspectives rise typology is more necessary assembled and disassembled. Asif from the fields of architecture, spatial planning environment through participatory intervention. planning across the world, including Central and Built with only readily available in Metropolitan Research 2 takes as than ever. Best Highrises 2016/17 Khan’s design is inspired by the and urban development. Compiling interviews, Featuring projects by architecture studios South America, Europe, the Middle East and East local materials, each of these its focal point the current debate presents, with photos and plans, fact that Queen Caroline’s Temple an essay and eight building project studies, this umschichten and Bellastock, the book represents Asia. Covering demographically, politically and projects emphasizes the customs about design—understood as an the International Highrise Award was positioned in a way that would volume provides insights into the methodology a call to reshaping our living environment. socially diverse regions, it examines the use of and landscape of Chilean forestry architectural construction task winner, as well as 30 nominated allow it to catch the sunlight from behind urban development. conventional planning tools, also exploring more and agriculture. and not just as the creation of a JOVIS projects from 14 countries. the Serpentine lake. experimental and cross-disciplinary approaches beautiful product. JOVIS 9783868594409 U.S. $29.00 CDN $37.50 FLAT40 HATJE CANTZ of urban planning. JOVIS KOENIG BOOKS 9783868594416 U.S. $44.95 CDN $57.50 FLAT40 Pbk, 6.5 x 9.5 in. / 224 pgs / 175 color / 5 b&w. 9783775741897 U.S. $60.00 CDN $78.00 JOVIS 9783863359812 U.S. $40.00 CDN $52.50 9783868594317 U.S. $29.95 CDN $37.50 9783868594393 U.S. $39.95 CDN $50.00 Hbk, 7.5 x 10 in. / 272 pgs / 150 color. January/Architecture & Urban Studies HATJE CANTZ FLAT40 Pbk, 9.5 x 11.5 in. / 160 pgs / FLAT40 Pbk, 8 x 10.5 in. / 128 pgs / FLAT40 Pbk, 6.5 x 9.5 in. / 192 pgs FLAT40 Pbk, 8.5 x 11.5 in. / 184 pgs / January/Architecture & Urban Studies 9783775742368 U.S. $55.00 CDN $70.00 FLAT40 106 color. February/Architecture & 270 color. January/Architecture & 100 color. January/Architecture & 90 color / 15 b&w. January/ Hbk, 6.5 x 9.4 in. / 192 pgs / 80 color. Urban Studies/Latin American/ Urban Studies Urban Studies Architecture & Urban Studies February/Architecture & Urban Studies Caribbean Art & Culture

148 artbook.com artbook.com 149 SPECIALTY BOOKS

João Maria Gusmão & Pedro Paiva, “(Peacock) Mating Season, 2016,” 16mm film, color, no sound, 15'28". From Celluloid, published by Nai010. See page 159. Artists’ books and writings SPECIALTY ■ ART

Fiona Banner: FACSIMILE EDITION Roni Horn Roni Horn: Quaestiones David Scher: When Up and Beca Lipscombe & Font Book Charles Simonds Edited with text by Riehen/Basel, Th Rose Prblm Perversas Hail, Cretin! Down Left Town Lucy McKenzie: Theodora Vischer. Roni Horn Lynn Valley No. 11 and Lucy R. Lippard: Here, Roni Horn (born 1955) cuts Anhoek Record Examination Edited by Sina Najafi. Text by Matthea Harvey. Illustrated The Inventors of (born 1955) has been working in together two drawings, each with Edited by Roger Bywater, Reid Cracking Text by Beatriz E. Balanta, The second volume in Cabinet’s by Amy Jean Porter. Edited by Tradition II diverse media since the late 1970s, one of two sentences pertaining Sina Najafi. Shier. In the course of creating Originally published by lalther Mary Walling Blackburn. The 24-Hour Book series, New The third volume in Edited with text by Catriona creating drawings, photographs, to roses, producing poetical new her own typeface, British artist Konig in 1978, in German, Cracking Anhoek School is a pedagogical Cabinet’s 24-Hour Book series—a Duffy, Lucy McEachan. Text by artist’s books and sculptures. This phrases. There are 48 drawings in York–based artist David Scher’s Fiona Banner (born 1966) became is an artist’s book about a woman experiment that investigates collaboration between poet Nicholas Oddy, Linda Watson. At catalog presents a selection of the series Hail, Cretin! features the fascinated with the double archaeologist who is drawn into alternatives to traditional American Matthea Harvey and artist Amy works by Horn from the past 25 melancholy peregrinations of a the intersection of art, design and meaning of the word “font” (a font the imaginary world of Charles STEIDL methods for learning. This book Jean Porter—imagines a world social history, Beca Lipscombe & years, as well as new works. demicenturion missing his upper is also a receptacle for holy water) Simonds’ Little People, as created 9783958292710 U.S. $40.00 CDN $52.50 undoes the benign voice of the where Up and Down, connected Lucy McKenzie: The Inventors of half. This protagonist—a lonely, and began amassing images of in his sculptures. This is the first HATJE CANTZ FLAT40 Clth, 11.25 x 12.25 in. / standardized test, awakens the by horizontal zippers to the Middle, Tradition, now available in a second CDN $19.95 80 pgs / 49 color. March/Art fonts from churches around the edition with the original English 9783775742511 U.S. $15.00 reader to the history of violence postimperial half-man who seems suddenly unzip themselves, edition, is a subjective study of FLAT40 Pbk, 11.5 x 13 in. / 32 pgs / world. Font Book presents her text—the only fiction Lucy R. embedded in the form and fated to permanent homeless- leaving humans to a world without the history of the Scottish textiles 25 color. February/Art collection. Lippard has written with an artist. activates it as a site for aesthetic ness—experiences the landscape contrails or dachshunds. industry since the 1930s. expression. as if for the first time. CABINET BOOKS THE VANITY PRESS/BYWATER BROS. WALTHER KÖNIG, KÖLN KOENIG BOOKS EDITIONS/PRESENTATION HOUSE 9781932698770 U.S. $12.00 CDN $15.00 9783863359928 U.S. $29.95 CDN $37.50 PIONEER WORKS PRESS CABINET BOOKS 9783960980025 U.S. $49.95 CDN $64.95 GALLERY FLAT40 Pbk, 5 x 7.5 in. / 54 pgs / FLAT40 Flexi, 6 x 7.75 in. / 128 pgs / 9781945711039 U.S. $20.00 CDN $26.00 9781932698763 U.S. $12.00 CDN $15.00 FLAT40 Pbk, 9.5 x 12 in. / 240 pgs / 9780920293997 U.S. $25.00 CDN $32.50 15 color / 4 b&w. February/Art/Fiction 48 color. June/Art/Artists’ Books FLAT40 Pbk, 4.75 x 7.25 in. / FLAT40 Pbk, 5 x 7.5 in. / 76 pgs / 128 color / 95 b&w. January/Art/ FLAT40Pbk, 4.5 x 7 in. / 144 pgs / & Poetry Fashion 143 color. May/Art/Design 128 pgs / 10 b&w. February/ 67 color. February/Art Nonfiction Criticism

2016 MIDWINTER SUPPLEMENT Jonathan Hernández: Ivan Moudov: 2016 MIDWINTER SUPPLEMENT Luis Felipe Ortega: Beyond Antoni Muntadas: Rocío García’s Rachel Rose: Descabezados Certificate of Michaela Meise: Before the Horizon Representation Activating Artifacts Confessions Laura Mulvey Mexican conceptual artist Authenticity Eshi Addis Ababa Edited by Susana Santoyo. Text By Hito Steyerl. Interpretation, Translation, Interview and Most Recent Visual Pleasure and Jonathan Hernández’s (born 1972) Edited by Alenka Grogoric. Text Text by Michaela Meise. Eshi by Alexis Salas, Sergio González Edited by Marius Babias. Education Series artist’s book consists of headlines Rodríguez. Before the Horizon Narrative Cinema: 1975 by Alenka Gregoric, et al. During Addis Ababa, by German artist Contributions by Thomas Elsässer, Edited with text by Niels Van Edited by Susana Santoyo. taken from Mexican newspapers, Edited by Mark Lewis. Since it his residency at Tobacna 001 CC Michaela Meise (born 1976), is a offers a selection of texts by Simon Sheik. German filmmaker, Tomme. Text by Olivia Munoz This volume arose from a long which are combined to construct first appeared in 1975, Laura in Ljubljana, Bulgarian artist Ivan kind of architectural guide through various thinkers in the arts and visual artist and writer Hito Steyerl Rojas, Daniel Oliver Tucker. conversation between the Cuban links between lines, forming a Mulvey’s essay “Visual Pleasure Moudov (born 1975) developed Addis Ababa, capital of Ethiopia. humanities who have dialogued (born 1966) is a leading voice on Featuring a visual essay by Spanish artist Rocío García (born 1969) chronological logbook of the play and Narrative Cinema” has been an interactive exhibition of book One emphasis is its relationship to with Mexican artist Luis Felipe media and the global circulation multimedia artist Antoni Muntadas and curator Corina Matamoros, of information. an essential text for artists, writers pages, each of which reproduced East Germany, with pictures of the Ortega (born 1966). Acclaimed of images. In this essay collection, (born 1942), Activating Artifacts in which García discusses the internationally, Ortega uses video and theorists. Here, artist Rachel RM/EDICIONES EL MOJADO a work by the artist or an former East German ambassador’s she deals with images and sounds focuses on recent developments various influences on her narrative and installation to engage the Rose (born 1986) embellishes the 9788416282586 U.S. $29.00 CDN $37.50 accompanying text, written in part villa and the Karl Marx memorial that create new relationships to within higher education, exploring painting, from comics to politics. essay with collages drawing on FLAT40 Pbk, 8 x 11.25 in. / 240 pgs / by exhibition visitors. The pages created by Jo Jastram and Peter literary and visual qualities of objects, and themselves become the work of Muntadas as a The artist’s most recent works are fairy tales. 52 color. January/Art/Latin American/ are compiled in this artist’s book. Baumbach. space. and produce other objects. learning tool. reproduced. Caribbean Art & Culture TURNER KOENIG BOOKS KERBER KOENIG BOOKS WALTHER KÖNIG, KÖLN CENTER FOR ART, DESIGN AND TURNER CDN $45.00 9788416714377 U.S. $40.00 CDN $52.50 9783863359652 9783735602596 U.S. $45.00 CDN $57.50 9783863358549 U.S. $35.00 9783865608932 U.S. $29.95 CDN $37.50 VISUAL CULTURE/UMBC 9788416714339 U.S. $30.00 CDN $40.00 FLAT40 Hbk, 8.25 x 10.25 in. / U.S. $14.95 CDN $19.95 FLAT40 FLAT40 Pbk, 8.25 x 11.75 in. / 268 FLAT40 Pbk, 5 x 8 in. / 176 pgs / FLAT40 Pbk, 6.5 x 9.5 in. / 272 pgs / 9781890761226 U.S. $24.95 CDN $29.95 FLAT40 Hbk, 9.5 x 11 in. / 168 pgs / 192 pgs / 160 color. January/Art/Latin Pbk, 5 x 8 in. / 64 pgs / 31 color. pgs / 259 color / 6 b&w. January/Art 50 color. Available/Art/African Art 7 color. June/Nonfiction Criticism FLAT40 Hbk, 6.5 x 9.5 in. / 172 pgs / 80 color. January/Art/Latin American/ American Art Available/Art/Film & Video 30 color / 35 b&w. February/Art Caribbean Art & Culture

152 artbook.com artbook.com 153 Art of the 1960s | Art and science SPECIALTY ■ ART

2016 MIDWINTER SUPPLEMENT 2016 MIDWINTER SUPPLEMENT 2016 MIDWINTER SUPPLEMENT Erró: Private Utopia Berndnaut Smilde: Günther Uecker: Günther Uecker Anthony McCall: Christo and Christo and Edited with text by Ernst Hilger. Giulio Paolini: Builded Remnants Porträt Mensch Günther Uecker (born 1930) has Solid Light Text by Beate Reifenscheid, Mark Jeanne-Claude: Jeanne-Claude: Hypothesis for Dutch artist Berndnaut Smilde Preface by Erwin Sellering, dealt with themes of struggle Performance and Public R. Hesslinger. Legendary Icelandic Water Projects Barrels an Exhibition (born 1978) combines Dutch Mechthild Bening, Dirk Blübaum. and vulnerability throughout his Works artist Erró (born 1932) developed interior painting with contemporary Text by Iwona Bigos, Tiziana Edited with text by Germano Christo and Jeanne-Claude’s Edited by Begum Yasar. Text by career. This artist’s book, published Edited with an interview by Gloria a style that oscillates between media and conceptual techniques. Caianiello, Britta Dombrowe, et Celant. Text by Christo, Jeanne- variations of colored oil-barrel Germano Celant, et al. This book in conjunction with Dominique Moure. Text by Robert Hobbs. Surrealism and Pop, exploring In his Nimbus series, Smilde al. Kinetic artist and Zero member Claude. Water Projects presents stacks have been a recurrent explores parallels between Italian Lévy’s exhibition Verletzte Felder British-born, New York–based themes around technology and creates a real cloud in interior Günther Uecker (born 1930) is the complete series of large-scale formal touchstone of their work Conceptualist Giulio Paolini’s (Wounded Fields), documents the artist Anthony McCall (born contemporary politics. This volume spaces, depicting a moment of among Germany’s most renowned projects implemented or devised since 1962. This volume, published (born 1940) work, especially of the artist’s creation of six large-scale 1946) is known for his “solid- assembles paintings and prints fragility in evocative locations. This artists. Featuring works from the by Christo and Jean-Claude from on the occasion of a Christo 1960s and the ‘70s, and the work works, with a handwritten text by light” installations, which blur that depict his wild cosmos of first monograph also documents late 1960s to the early ‘80s and a 1961 to 2016. installation at Fondation Maeght, of a younger generation of artists the artist, studio images and the line between sculpture and imaginings. his wider investigations into documents these sculptures, based in New York City today: wealth of scholarly research, this is detailed documentation. performance. This monograph SILVANA EDITORIALE nature, science and the uncanny. reproducing scale models and VERLAG FÜR MODERNE KUNST Sebastian Black, Kerstin Brätsch the most comprehensive overview offers an overview of his oeuvre. 9788836633579 U.S. $45.00 CDN $57.50 DOMINIQUE LÉVY installation shots. 9783903131491 U.S. $25.00 CDN $32.50 on the artist to date. FLAT40 Flexi, 6.75 x 9.5 in. / (with Boško Blagojevic), Seth Price DAMIANI 9781944379117 U.S. $35.00 CDN $40.00 FLAT40 Pbk, 5.75 x 8.25 in. / 92 pgs / EDICIONES POLÍGRAFA 344 pgs / 400 color. Available/Art and Antek lalczak. 9788862085328 U.S. $50.00 CDN $65.00 VERLAG FÜR MODERNE KUNST FLAT40 Hbk, 10 x 13.25 in. / 72 pgs / VERLAG KETTLER 89 color / 4 b&w. January/Art 9788434313606 U.S. $45.00 CDN $57.50 FLAT40 Hbk, 11.25 x 9 in. / 112 pgs / 9783903131200 U.S. $45.00 CDN $57.50 30 color. February/Art 9783862065837 U.S. $45.00 CDN $57.50 DOMINIQUE LEVY GALLERY FLAT40 Hbk, 6.75 x 9.5 in. / 168 pgs / 50 color. March/Art FLAT40 Pbk, 6.75 x 9.5 in. / 336 pgs / FLAT40 Hbk, 8.25 x 11.25 in. / 9781944379087 U.S. $40.00 CDN $52.50 90 color. February/Art 58 color / 46 b&w. January/Art 200 pgs / illustrated throughout. FLAT40 Hbk, 7.75 x 9 in. / 200 pgs / Available/Art 157 color / 62 b&w. Available/Art

2016 MIDWINTER SUPPLEMENT Marcel Duchamp: 2016 MIDWINTER SUPPLEMENT Richard Lindner: Andreas Greiner: Andreas Greiner: Ren Ri Katie Paterson Robert Rauschenberg: Porte-bouteilles Frantisek Kupka: Drawings Agency of the Anatomy of a Fairy Kaiser Ring Scholar 2015 Edited by Jonty Tarbuck, Jon 1/4 Mile and Edited by Alessandra Bellavita, Catalogue Raisonné Edited by Thomas Levy. Text by Exponent Tale Edited with text by Bettina Bewley. Foreword by Nicolas Bourriaud. Text by Lisa Le Feuvre, Photography from Jose Castañal, Oona Doyle, Text by Agnes Husslein-Arco, Belinda Grace Gardner. After his GASAG Art Prize 2016 Edited with text by Stefan Ruhrberg. Text by Andreas Bee. et al. Collaborating with leading Joachim Pflieger. Text by Paul Vladimír Lekeš, Ludmila Lekeš, earlier career as a graphic designer, Vicedom. Text by Marie Egger, et Ren Ri (born 1984) works with live China Text by Guido Fassbender, Thomas scientists around the world, B. Franklin, Cécile Debray. This Eliška Zlatohlávková. After years German-American Richard Lindner al. German artist Andreas Greiner bees, creating beeswax sculptures Edited with text by Julia Köhler, Kim Mildebrath, Erich award-winning Scottish artist monograph on Duchamp’s of critical neglect, the pioneering (1901–78) became a pioneer (born 1979) makes experimental and videos in a process of planned Blaut, et al. Introduction by Pucher. lorking in sculpture Katie Paterson’s (born 1981) poetic Porte-bouteilles, or Bottle Rack, modernist abstractions of Czech of Pop art, uniting caricatured use of technical, scientific coincidence; one piece, Yuansu I Susan Davidson, et al. Robert and performance, Berlin-based and conceptual projects consider presents the Porte-bouteilles from artist Frantisek Kupka (1871–1957) elements of New Objectivity with processes and integrates natural (2007–11), features bees building Rauschenberg (1925–2008) shot Andreas Geiner (born 1979) our place on Earth in the context Robert Rauschenberg’s collection are attracting critical attention. the intense color and collage- organisms as coauthors of his maps out of honeycomb. This over 50 rolls of film during his first creates work that addresses of geological time and change. along with ephemera around the This catalogue raisonné of his oil like flatness of Pop. This volume work. The first comprehensive monograph provides an overview trip to Beijing in 1982, using the the natural sciences and their Lavishly illustrated, this is the first readymade. lith an inventory of paintings gathers over 300 works. features his works on paper. monograph on the artist, this of Ri’s works from 2007 to the footage to create two major late relationship to consumer society. comprehensive overview on the Duchamp’s Porte-bouteilles, it also volume documents his time-based present. works, documented here: “Study KOENIG BOOKS KERBER This volume explores the horrors of artist. analyzes Duchamp’s influence on and living sculptures as well as his for Chinese Summerhall” (1983) 9783863359553 U.S. $250.00 9783735602305 U.S. $30.00 CDN $40.00 meat production. KERBER Rauschenberg. photographic and filmic works. and “The 1/4 Mile” (1981–98). CDN $325.00 FLAT40 Slip, hbk, FLAT40 Hbk, 6.75 x 9.5 in. / 80 pgs / 9783735602152 U.S. $35.00 CDN $45.00 KERBER 58 color. January/Art KERBER 9783735602619 U.S. $49.95 CDN $64.95 GALERIE THADDAEUS ROPAC 8.75 x 11 in. / 576 pgs / 341 color. FLAT40 Pbk, 8 x 10.75 in. / 96 pgs / 9783735602565 U.S. $35.00 CDN $45.00 VERLAG FÜR MODERNE KUNST KOENIG BOOKS Available/Art 64 color / 10 b&w. January/Art/Asian FLAT40 Hbk, 8.75 x 12.25 in. / 9782910055745 U.S. $45.00 CDN $57.50 FLAT40 Pbk, 8.25 x 10.75 in. / 9783903131149 U.S. $35.00 CDN $45.00 9783863359843 U.S. $39.95 CDN $50.00 Art & Culture 256 pgs / 165 color / 25 b&w. FLAT40 Hbk, 8.5 x 11 in. / 104 pgs / FLAT40 Pbk, 9.25 x 6.5 in. / 140 pgs / FLAT40 Hbk, 7.5 x 9.5 in. / 200 pgs / 96 pgs / 128 color / 53 b&w. February/Art 17 color / 34 b&w. February/Art 103 color / 33 b&w. January/Art 265 color / 6 b&w. Available/Art January/Art

154 artbook.com artbook.com 155 Contemporary installation art from Europe and America SPECIALTY ■ ART

Dan Graham: Poul Gernes: Ludger Gerdes Monika Grzymala: Carsten Höller: Doubt Loredana Sperini: Francesco Vezzoli: Hannah Collins: Two-Way Mirror I Cannot Do It Alone, Preface by Anette Hüsch, Sylvia Drawing Spatially Edited by Vicente Todolì. Text Il cielo in una stanza Museo Museion Noah Purifoy Cylinder Inside Cube Want to Join In? Martin. Text by Martin Hartung, Text by Reinhard Ermen, Petra by Francesco Bonami, Stefanie Preface by Roland Wäspe. Text by Edited by Letizia Ragaglia. Preface Edited by Mark Holborn. In the last Heide Häusler, Wolfgang Ullrich, Hessler, Carsten Höller, Andrea and a Video Salon Edited by Lærke Rydal Jørgensen, Kipphoff, Maura Lynch, Andrew Raphael Gygax, Nadia Veronese. by Cerith Wyn Evans. Text by Anna 15 years of his life Noah Purifoy Dörte Zbikowski. lith paintings, Moore, Petra Oelschlägel, Elizabeth Lissoni, Philippe Parreno. German The title of Italian sculptor Coliva, et al. Interview by Cristiana lived in the Mojave Desert where Text by Dan Graham. This video Anders Kold. Foreword by Poul installations, written pieces, and A. Pergam, et al. Berlin-based artist Carsten Höller (born 1961) Loredana Sperini’s (born 1970) Perrella. Museo Museion, from he created large-scale sculptures and publication are based on Dan Erik Tøjner. Text by Helle Brøns, photographs and interventions installation artist Monika Grzymala has risen to the fore of the new monograph refers to an Italian artist Francesco Vezzoli spread over ten acres. British Graham’s (born 1942) Rooftop Paul Smith, Hans Ulrich Obrist, in public spaces, German artist (born 1970) generally describes international scene with a practice Italian song that describes a brief (born 1971), is designed like a photographer Hannah Collins (born Urban Park Project, which opened et al. A pivotal figure of the Danish Ludger Gerdes (1952–2008) her work as “spatial drawing,” that revolves around the search for but intense meeting between two fictitious old guide to a museum 1956) made a series of exquisite as an extended exhibition at Dia postwar avant-garde, Poul Gernes created models for public which she sees as thought carried new ways of inhabiting our world. people and how that moment of peculiar, striking juxtapositions: black-and-white photographic Center for the Arts in 1991. Re- (1925–66) created brightly hued, dialogues. The first overview of his out manually, a sort of “physical Doubt features 20 large-scale constitutes “the whole world.” the artist’s sculptural works add studies of Purifoy’s assemblages released as a DVD and packaged constructivist-style abstractions output, this volume explores the thinking.” This monograph works––installations, videos and Sperini translates these themes new features to mutilated historic and sculptures. with the original 1992 publication, both on canvas and in public lasting contributions of the political presents her impressive photographs that play with optics into uniquely strange wall objects pieces, while contemporary pieces this title includes an essay by the spaces throughout Denmark. STEIDL visual artist, author and performer. three-dimensional sculptures, and space. and sculptures, documented here. are juxtaposed with trompe l’oeil artist and a 20-minute video. This volume documents his career. 9783958292680 U.S. $75.00 CDN $95.00 VERLAG FÜR MODERNE KUNST architectural pieces that evoke the MOUSSE PUBLISHING reproductions of the frames of FLAT40 Clth, 13.75 x 14.5 in. / LOUISIANA MUSEUM OF MODERN VERLAG FÜR MODERNE KUNST DIA ART FOUNDATION CDN $45.00 lines of a drawing. CDN $57.50 classic paintings. ART 9783903131514 U.S. $35.00 9788867492510 U.S. $45.00 9783903131361 U.S. $45.00 CDN $57.50 44 pgs / 18 b&w. June/Photography 9780944521830 U.S. $19.95 CDN $25.95 9788792877680 U.S. $30.00 CDN $40.00 FLAT40 Pbk, 7.5 x 10.75 in. / FLAT40 Hbk, 7.5 x 10 in. / 176 pgs / FLAT40 Hbk, 12.5 x 9.5 in. / 160 pgs / FLAT40 DVD (NTSC), 4 x 7.25 in. / HATJE CANTZ MOUSSE PUBLISHING FLAT40 Pbk, 9.75 x 13.5 in. / 96 pgs / 224 pgs / 130 color. January/Art 200 color. January/Art illustrated throughout. January/Art 56 pgs / 41 b&w. April/Art 9783775741958 U.S. $60.00 CDN $78.00 9788867492084 U.S. $40.00 CDN $52.50 154 color / 52 b&w. January/Art FLAT40 Hbk, 8.5 x 10.25 in. / FLAT40 Clth, 7 x 8.75 in. / 218 pgs / 136 pgs / 109 color. February/Art 90 color / 30 b&w. January/Art

Zilvinas Kempinas: Valeska Soares Gereon Krebber: Manuel Gorkiewicz: Riverbed: Olafur Leunora Salihu Laure Prouvost: Amie Siegel: Tube Edited by Stefano Cernuschi, Antagomorph Therapy, Make-Up Eliasson at Louisiana Text by Friedrich Meschede, Julia Hit Flash Back Double Negative Dornbirn, 2016 Isabel Diegues. Text by Jens Text by Friedrich W. Heubach, Works, Voluptuous Edited by Michael Juul Holm, Anna Wallner. This first monograph on Edited by Fanni Fetzer, Anna Edited by Michael Buhrs, Yara Hoffmann. Interview by Kelly Kosovar sculptor Leunora Salihu Text by Roland Wetzel. Interview Thomas A. Lange, Hans-Jürgen U-Turns on the Street Engberg -Pedersen. Afterword by Goetz. Text by Nick Aikens, Fanni Sonseca Mas. Text by Manuel Taxter, Valeska Soares. The first (born 1977) provides an extensive by Thomas Häusle. In his best Lechtreck, Sonja Pizonka. From Poul Erik Tøjner. Riverbed features Fetzer, Bettina Schmitt, Barbara Cirauqui, et al. Known for her comprehensive monograph of Style, Beauty, and overview of her oeuvre, from her known installation, Tube, New large-format sculptures to Danish-Icelandic installation artist Steveni. lhether in videos, layered, meticulously constructed detailing over 10 years of work Greed ceramic sculptures to her spatial York–based Lithuanian artist installations and art-in-architecture Olafur Eliasson’s (born 1967) installations or performances, the works that trace the undercurrents by Brazilian, New York–based Text by Kerstin Cmelka, Christian bodies and room installations of Zilvinas Kempinas (born 1969) projects, Antagomorph presents dramatic piece of the same name. narratives of French artist Laure of systems of value and image- artist Valeska Soares (born 1957), Egger. Interview by Martin repeating organic and constructive generates maximal sensory Gereon Krebber’s (born 1973) A site-specific installation at the Prouvost (born 1978) never fail making, Chicago-born artist Amie this profusely illustrated volume Guttmann. Austrian artist Manuel elements. impressions with minimal means. newest works. Texts, drawings Louisana Museum in 2014, the to fascinate. Are her stories for Siegel’s (born 1974) work moves documents the artist’s installations, Gorkiewicz (born 1976) creates Horizontally stretched videotapes and an annotated index of material monumental work entailed a huge KERBER real? las her grandfather really a between film, video, photography, wall works and environments that colorful, decorative sculptures and create the perspective of a tunnel, offer a detailed overview of the landscape of rocks from Iceland 9783735602657 U.S. $40.00 CDN $52.50 conceptual artist who dug a tunnel performance and installation. explore the subjectivity of time. installations that combine stylistic creating an evocative and dynamic Cologne-based artist’s sculptural and streaming water, captured in FLAT40 Hbk, 7.75 x 10.75 in. / from Europe to Africa and literally Double Negative surveys the last exaggeration with delicate irony. 144 pgs / 106 color / 11 b&w. optical experience for the viewer. MOUSSE PUBLISHING work of the last five years. this volume by Iwan Baan. got lost in the process? decade of her art. CDN $52.50 His first monograph documents January/Art 9788867492299 U.S. $40.00 KERBER LOUISIANA MUSEUM OF MODERN MOUSSE PUBLISHING MOUSSE PUBLISHING VERLAG FÜR MODERNE KUNST FLAT40 Hbk, 9.5 x 13 in. / 208 pgs / work from the last six years. 9783735602541 U.S. $40.00 CDN $52.50 ART 9788867492336 U.S. $38.00 CDN $49.95 9783923244348 U.S. $30.00 CDN $40.00 9783903131521 U.S. $30.00 CDN $40.00 200 color. January/Art/Latin 9788792877666 U.S. $40.00 CDN $52.50 FLAT40 Hbk, 8.5 x 11 in. / 60 pgs / il- FLAT40 Hbk, 9 x 6.75 in. / 268 pgs / VERLAG FÜR MODERNE KUNST FLAT40 Pbk, 8 x 10.5 in. / 272 pgs / FLAT40 Pbk, 8.25 x 11.5 in. / American/Caribbean Art & Culture FLAT40 Hbk, 9.75 x 12.5 in. / lustrated throughout. January/Art 271 color. January/Art 9783903131026 U.S. $30.00 CDN $40.00 200 color. January/Art 184 pgs / illustrated throughout. FLAT40 Pbk, 8.5 x 11 in. / 136 pgs / 112 pgs / 50 color. January/Art January/Art 332 color. January/Art

156 artbook.com artbook.com 157 Video and film SPECIALTY ■ ART

Kader Attia: Sacrifice Isaac Julien: Ben Rivers: Ways of Ulla Von Ohad Meromi: Resort Esther Kläs: Bernhard Leitner 2016 MIDWINTER SUPPLEMENT and Harmony Playtime & Kapital Worldmaking Brandenburg: Interview by Sergio Edelsztein. Bet Ween Text by Stefan Fricke, Florian Rachel Maclean: Edited with text by Susanne Text by Aebhric Coleman, Edited by Bettina Steinbrügge, It Has a Golden Israeli-born, New York–based Text by Gary Indiana. Bet Ween is Steininger. Since the 1960s, Wot u :-) About? artist Ohad Meromi (born 1967) Gaensheimer, Klaus Görner. Text by Amanda de la Garza, Stuart Hall, texts by Renee Gladman, Melissa Yellow Sun and an a selection from a 12-part series German installation artist and This is the first monograph on has been making environments, Philippe Dagen, Iwona Blazwick, Sarah Thornton, Issac Julien, Gronlund, Ed Halter, Andrea of large-scale monotype, print and sculptor Bernhard Leitner (born Scottish multimedia Rachel Elderly Grey Moon sculptures and videos for the Irit Rogoff. Sacrifice and Harmony Steven Varni. Playtime & Kapital Picard, et al. Ways of Worldmaking pencil-on-paper works by German- 1938) has explored the issue of Maclean (born 1986). Exploring This hybrid monograph and artist’s past two decades. Resort was brings together a wealth of documents the eponymous is the first comprehensive born, New York–based artist how space can be experienced themes such as childhood, book borrows its title from German an interactive work that melded materials, images and texts on new video pieces by London-based monograph on British experimental Esther Kläs (born 1981). The book acoustically and physically, identity, consumerism and the artist Ulla von Brandenburg’s (born dance, music and theater; this works by French-Algerian artist artist Isaac Julien (born 1960). filmmaker Ben Rivers (born includes a story by Gary Indiana. creating immersive sound pieces. media, Maclean’s work uses the 1974) new film. The volume’s publication documents the piece Kader Attia (born 1970). Featuring Through interviews with various 1972). Often following people This two-volume box set addresses visual tropes and references of design reflects themes recurrent PETER BLUM EDITION, NEW YORK transcriptions of various interviews characters––including James who have in some way separated and the questions it raises for the history of Leitner’s practice CDN $32.50 the internet era to create a biting in the artist’s work: color, ritual, experimentation and collaboration 9780935875324 U.S. $25.00 and includes sketches, texts and from his video installation, Franco and Marxist theorist David themselves from society, the raw FLAT40 Pbk, 8.5 x 11.75 in. / 36 pgs / critique of contemporary life. movement, stairs and textiles. in exhibition spaces. photographs. “Reason’s Oxymorons,” the Harvey––the work reflects on film footage provides Rivers with a 12 color. February/Art HOME MANCHESTER book also contains essays on his how capital operates in our post- starting point for creating oblique MOUSSE PUBLISHING THE CENTER FOR CONTEMPORARY KERBER 9780993591211 U.S. $40.00 CDN $52.50 concepts of “repair.” industrial world. narratives imagining alternative 9788867491995 U.S. $35.00 CDN $45.00 ART, TEL AVIV U.S. 9783735602213 $55.00 CDN $70.00 FLAT40 Pbk, 8.25 x 10.25 in. / existences in marginal worlds. FLAT40 Hbk, 9.75 x 11.5 in. / 9789657463277 U.S. $40.00 CDN $52.50 FLAT40 Slip, pbk, 2 vols, 8.5 x KERBER RM/MUAC 160 pgs / 150 color. Available/Art 210 pgs / illustrated throughout. FLAT40 Hbk, 9 x 11 in. / 100 pgs / 82 10.25 in. / 304 pgs / 163 color / 9783735602558 U.S. $55.00 CDN $70.00 9788416282579 U.S. $19.95 CDN $25.95 MOUSSE PUBLISHING January/Art/Artists’ Books color / 10 duotone. February/Art 41 b&w. January/Art FLAT40 Hbk, 9.5 x 11.5 in. / 248 pgs / FLAT40 Pbk, 6.5 x 8.75 in. / 128 pgs / 9788867492404 U.S. $38.00 CDN $49.95 75 color / 64 b&w. January/Art 25 color. January/Film & Video/ FLAT40 Hbk, 6.5 x 9.5 in. / 272 pgs / African Art & Culture /Art 180 color. January/Art

Terry Adkins: Laure Prouvost: Loretta Fahrenholz: Till Velten: Mirrors, Alicia Penalba Candice Breitz: 2016 MIDWINTER SUPPLEMENT Celluloid Soldier Shepherd We Would Be Seven Films Chains, Transitions Foreword by Hans Ulrich Obrist. Love Story Anthony Cragg: Tacita Dean, João Maria Prophet Martyr Floating Away from Text by Carolin Busta, John Kelsey, Edited with text by Lilian Text by Mercedes Casanegra, Edited by Ulrike Groos, Carolin Parts of the World Gusmão & Pedro Paiva, Elisabeth Lebovici, Jön Merkert. Rosa Barba, Luis Recoder & Edited with text by Kendra Paitz. the Dirty Past Susanne Pfeffer. Seven Films is Pfaff. Text by Birgit Kempker, Wurzbacher. Text by Erika Balsom, A Film by Ralph Goertz the first extensive documentation Laurence A. Rickels, Konstantin Argentinian Alicia Penalba Sven Beckstette, Tom Holert. Sandra Gibson Interviews with Lorna Simpson, Foreword by Okwui Enwezor. Ralph Goertz’s 40-minute and theoretical discussion of Adamopoulos. This monograph (1913–82) became a sculptor in lorking in large-scale video Ian Berry, Joshua Mosley, et French, Antwerp-based artist Laure documentary (in German with Edited by Marente Bloemheuvel, Loretta Fahrenholz’s (born 1981) covers four projects by German France in the ‘50s; her work was installation and photography, al. The first survey of videos by Prouvost (born 1978) combines English subtitles) accompanies Jaap Guldemond. Text by John G. work in film. Covering her seven artist Till Velten (born 1961), with soon sought after for museum South African artist Candice Breitz multimedia artist and musician collage, installation and film. This British sculptor Tony Cragg (born Hanhardt, Philippe-Alain Michaud, films (2010–16), which defy the critical analysis of his unique film collections and graced public (born 1972) addresses the cultural Terry Adkins (1953–2014), this volume documents her installation 1949) in his studio, where he et al. Drawing attention to the distinction between fiction and style. Velten, who views himself spaces across Europe. This volume processes that shape individuals. catalog features 12 videos created commissioned for Haus der Kunst introduces his working processes, special qualities of 16mm and documentary, the volume includes as a “sculptor of conversation,” draws on the artist’s personal Love Story focuses on a new between 1998 and 2013, with in Munich, which comprises and at his major 2016 retrospective 35mm celluloid film, Celluloid images, synopses and analysis. creates fluid portraits of his archive, featuring the totems and work created for the exhibition installation views, stills and sculptural and filmic elements that at the Von der Heydt-Museum presents the work of four artist subjects in documentary-esque winged sculptures that launched Candice Breitz: Ponderosa at the duos who incorporate celluloid film interviews. reference the architecture of the KOENIG BOOKS luppertal in Germany. conversations. her career. Kunstmuseum Stuttgart. into their respective oeuvres. museum. 9783960980155 U.S. $35.00 CDN $45.00 UNIVERSITY GALLERIES OF ILLINOIS WALTHER KÖNIG, KÖLN STATE UNIVERSITY FLAT40 Pbk, 7.75 x 4.75 in. / VERLAG FÜR MODERNE KUNST RM/ MALBA KERBER CDN NAI010 PUBLISHERS WALTHER KÖNIG, KÖLN CDN $52.50 9783863359157 U.S. $29.95 9780945558378 U.S. $30.00 CDN $40.00 308 pgs / 460 color. January/Film & 9783903131217 U.S. $45.00 CDN $57.50 9788416282784 U.S. $40.00 9783735602183 U.S. $45.00 CDN $57.50 9789462083202 U.S. $35.00 CDN $45.00 9783960980124 U.S. $24.95 CDN $29.95 $37.50 FLAT40 DVD (PAL), 5 x 7.5 in. FLAT40 Hbk, 7 x 9 in. / 108 pgs / Video/Art FLAT40 Pbk, 9.5 x 11 in. / 152 pgs / FLAT40 Pbk, 8.50 x 11 in. / 280 pgs / FLAT40 Hbk, 8.25 x 10.25 in. / FLAT40 Pbk, 6.75 x 9.5 in. / 96 pgs / Available/Art FLAT40 Pbk, 8 x 10.25 in. / 128 pgs / 79 color. March/Art/African American 24 color. January/Film & Video/Art 195 color. January/Art/Latin Ameri- 144 pgs / 172 color. February/Art/ 38 color / 10 b&w. January/Art 100 color. January/Art/Film & Video Art & Culture/Film & Video can/Caribbean Art & Culture African Art & Culture

158 artbook.com artbook.com 159 Sound art, performance and multimedia SPECIALTY ■ ART

Méta Harmony Ricardo Basbaum: Klangumwelt For Whom Elisabeth Gabriel 2016 MIDWINTER SUPPLEMENT 2016 MIDWINTER SUPPLEMENT Nathalie Djurberg & Music Machines and Diagrams, 1994– Ernst-Reuter-Platz the Bell Tolls & Daryoush Asgar: Basel Abbas and Angel Nevarez and Hans Berg: Worship Machine Music in Jean Ongoing A Project of the Auditory Samson Young’s Art Deep Sleep Dummy Ruanne Abou-Rahme: Valerie Tevere Text by John Peter Nilsson. Tinguely’s Oeuvre Edited by Will Holder, Emily Architecture Research Unit Journey Text by Lucas Gehrmann, Simon Incidental Insurgents Text by Susan Glassman, et al. Interview by Thomas Häusle. Photographs by Hans Jörg Text by Sandra Beate Reimann, Pethick. Foreword by Binna Edited with text by Alex Arteaga, Edited by András Szántó. Hong Maidment. From Vienna-based duo Text by Kate Kraczon, et al. Taking Angel Nevarez and Valerie Tevere Annja Müller-Alsbach, et al. Choi, Emily Pethick. Text by Gunnar Green, Boris Hassenstein. Kong–based artist and composer Elisabeth Gabriel and Daryoush contemporary Palestine as a (both born 1970) have been Kapeller. Mixing animation, Meta Harmony features the sound- Ricardo Basbaum, Guy Brett, Text by Frank Eckhardt, et al. Samson Young (born 1979) traced Asgar (both born 1975) comes a starting point, Basel Abbas and working together for more than sculpture and sound, Swedish and music-producing machine et al. This volume offers the The term “Klangumwelt” can be the sounds and the complex response to hyperactivity: waiting Ruanne Abou-Rahme (both born 14 years, 7 of them under the artist duo Nathalie Djurberg and sculptures of Swiss artist Jean first comprehensive study of translated as “aural environment,” histories of bells in a two-month- rooms where one can flee from 1983) fold Godard into Bolaño, collective name neuroTransmitter. Hans Berg (both born 1978) Tinguely, addressing developments Rio de Janeiro–based artist and representing a radically embodied, long journey that took him to the command to be productive, using a suspiciously slick video Often incorporating popular music create psychologically charged in music from the avant-garde until writer Ricardo Basbaum’s (born situated relationship between aural eleven countries on five continents. refusing to fulfill tasks and evading component and a convoluted and visual forms, their projects installations. This volume today both with works that deal 1961) diagrams, created both as activity and environment. This The artist’s compositions, images promises. Deep Sleep Dummy script made of sampled text and traverse the cultural contradictions documents their latest controversial with machines, and those in which autonomous pieces and parts of volume presents proposals for the and texts give expression to the documents the artists’ latest images. of public spaces. This catalog piece, Worship, as well as their film machines produce sounds. other installations. transformation of a city square relationships of tensions between sculptural installation and painting. accompanies their first US survey. Waterfall and installation of flower THE INSTITUTE OF CONTEMPORARY war and peace, and the political objects, The Clearing. KERBER ERRANT BODIES PRESS in Berlin according to this new VERLAG FÜR MODERNE KUNST ART, UNIVERSITY OF PENNSYLVANIA, THE INSTITUTE OF CONTEMPORARY dimension of sound. 9783735602695 U.S. $45.00 CDN $57.50 9780988937581 U.S. $29.95 CDN $37.50 auditory design approach. 9783903131545 U.S. $35.00 CDN $45.00 PHILADELPHIA ART, UNIVERSITY OF PENNSYLVANIA, VERLAG FÜR MODERNE KUNST FLAT40 Hbk, 8 x 9.75 in. / 192 pgs / 9780884541349 U.S. $30.00 CDN $40.00 PHILADELPHIA 9783903131538 U.S. $30.00 CDN $40.00 FLAT40 Pbk, 9 x 13 in. / 226 pgs / ERRANT BODIES PRESS HATJE CANTZ FLAT40 Pbk, 9.5 x 12 in. / 74 pgs / illustrated throughout. January/Art FLAT40 Pbk, 6.5 x 9.25 in. / 162 pgs / 9780884541370 U.S. $30.00 CDN $40.00 FLAT40 Hbk, 8.5 x 11 in. / 60 pgs / 48 color / 40 b&w. February/Art/Latin CDN $23.95 9783775741705 U.S. $45.00 CDN $57.50 46 color. January/Art 9780988937574 U.S. $18.00 illustrated throughout. Available/Art/ FLAT40 Pbk, 7 x 9.5 in. / 192 pgs / American/Caribbean Art & Culture FLAT40 Hbk, 7.25 x 9.5 in. / 192 pgs / illustrated throughout. January/Art FLAT40 Pbk, 6 x 8.5 in. / 192 pgs / Middle Eastern Art & Culture illustrated throughout. Available/Art 12 color / 40 b&w. February/Art 80 color. February/Art/Music

Susanne Carl / Paul Ramirez Jonas: Motus: Heimo Zobernig: 2016 MIDWINTER SUPPLEMENT Wächli & Reichlin: Alba D’Urbano & Tina Matt Keegan Bruno Weiss Public Trust Hello Stranger Books & Posters, João Maria Gusmão Chalet5 Pocket Bara: !Perla Miseria! & Kay Rosen: Text by Thomas Heyden, Regina Edited by Alexandra Garcia Hello Stranger features world- Catalogue Raisonné & Pedro Paiva: Edited by Markus Stegmann. Edited by Martin Hochleitner. A Traveling Show Pemsl. Interview by Regina Pemsl. Waldman. Text by Kate Gilbert, famous theater group Motus, 1980–2015 The Sleeping Text by Yasmin Afschar, et al. Text by Susanne Altmann, et al. Conversation with Dean Daderko, German artist and performer Paul Ramirez Jonas, Alexander whose hybrid work has unhinged 114 Books, 117 Posters Hippopotamus and Since 1995, Zurich-based artists Interview by Angelika Richter. Matt Keegan, Kay Rosen. More Susanne Carl (born 1962) makes Provan. Public Trust explores the dramaturgy since the early ‘90s. Karin lälchli (born 1960) and German Tina Bara and Italian Alba than seven years ago, Matt Edited with text by Diana Baldon, the Missing Eskimo masks and uses them to create a interactive artwork of the same The volume documents the Guido Reichlin (born 1959) have D’Urbano have worked together Keegan and Kay Rosen struck up a Moritz Küng. Text by Anja Dorn. Foreword by Madeleine Schuppli, variety of characters, also using name by Brooklyn-based artist company members and critics that worked together under the name since 2000, creating works that correspondence, mailing drawings, This catalogue raisonné offers Moritz Wesseler. Text by Anselm costumes and wigs. Together Paul Ramirez Jonas (born 1965), have fed the crazy, expansive and Chalet5. This volume is the first deal with female identity, the collages, photographs, found an original and comprehensive Franke, et al. The films, sculptures, with photographer Bruno leiss, delving into Ramirez Jonas’ wild theatrical challenges of the to comprehensively cover their body and personal history. This objects and the like. This volume overview of Heimo Zobernig’s photographs and installations of Carl scouts settings for her interest in public spaces, language company’s last 25 years. extraordinarily wide-ranging and volume explores their combination presents the contents of these orchestrations, which may be as contract and the liminal space (born 1958) 114 artist’s books, Portugese duo João Maria Gusmão interdisciplinary oeuvre, illustrating of documentary strategies with DAMIANI mailings alongside a selection of a hotel, a museum or a soccer between fiction, lies and truth. monographs and exhibition (born 1979) and Pedro Paiva (born their interest in ornamental forms performance-related image 9788862085182 U.S. $35.00 CDN $45.00 works by both artists. stadium. This volume compiles catalogs, as well as 117 posters. 1977) capture magical everyday in everyday life across cultures and production, linking narrative and APC FLAT40 Hbk, 8.5 x 10 in. / 192 pgs / their collaborations. moments. This book includes contexts. conceptual elements. CONTEMPORARY ARTS MUSEUM 9788566741032 U.S. $39.00 CDN $50.00 150 color. March/Performing Arts WALTHER KÖNIG, KÖLN HOUSTON 9783863359454 U.S. $65.00 CDN $85.00 previously unseen works. VERLAG FÜR MODERNE KUNST FLAT40 Slip, hbk, 9.5 x 10.5 in. / VERLAG FÜR MODERNE KUNST VERLAG FÜR MODERNE KUNST 9781933619651 U.S. $9.95 CDN $12.50 FLAT40 Pbk, 8 x 11.5 in. / 432 pgs / 9783903131132 U.S. $30.00 CDN $40.00 112 pgs / 250 color / 100 b&w. KOENIG BOOKS 9783903131088 U.S. $40.00 CDN $52.50 9783903004801 U.S. $39.95 CDN $50.00 FLAT40 Flexi, 6 x 9 in. / 76 pgs / 522 color. January/Art FLAT40 Pbk, 6.75 x 9 in. / 152 pgs / March/Art 9783863359874 U.S. $49.95 CDN $64.95 FLAT40 Pbk, 4.5 x 7 in. / 318 pgs / FLAT40 Pbk, 9 x 11 in. / 296 pgs / 86 color. February/Art 59 color. January/Art FLAT40 Pbk, 8 x 11 in. / 176 pgs / 198 color / 79 b&w. January/Art 575 color / 52 b&w. January/Art 108 color / 80 b&w. Available/Art

160 artbook.com artbook.com 161 Contemporary international sculpture SPECIALTY ■ ART

2016 MIDWINTER SUPPLEMENT Magali Reus Liz Magor: The Blue Matthew Monahan Gay Outlaw: Thomas Schütte: Johannes Brus: Johannes Schütz: Marianne Vitale: Spring for a Ground / One Comes in Black Text by Florence Derieux, Ludovico Mutable Object United Enemies In Duisburg Models & Interviews From Here to Particle of Inch / Halted Text by Céline Kopp, Liz Magor, Pratesi. Matthew Monahan Text by Constance Lewallen. Using Edited by Matilda Olof-Ors. Edited with text by Söke Dinkla, Text by Thomas Scheibitz. Nowhere Paves / Quarters Lisa Robertson, Jan Verwoert. The presents a new body of work by printmaking, photography and Foreword by Daniel Birnbaum, Michael Krajewski. Edited by Dirk Celebrated German stage designer the Californian sculptor (born Ann-Sofi Noring. Introduction by Krämer, Klaus Maas. Text by Hans- Text by Carlo McCormick, Andrew Text by Andrew Bonacina, Ruba Blue One Comes in Black offers sculpture, San Francisco–based Johannes Schütz (born 1950) 1972), featuring eight bronze artist Gay Outlaw (born 1959) Matilda Olof-Ors. Text by Daniel Günter Golinski, Jochen Hörisch, creates radical miniature models Goldstein. From Here to Nowhere Katrib. In 2015, Magali Reus a new take on Canadian sculptor sculptures that question the ideals, documents New York artist (born 1981) opened the first of and installation artist Liz Magor’s explores the balance between the Birnbaum, Bente Larsen. This et al. Featuring works both new of his designs. This substantial icons and myths of classicism. Marianne Vitale’s (born 1973) major four exhibitions co-commissioned (born 1948) influential four-decade organic and the geometric, as well volume focuses on the last two and old by German-born sculptor volume compiles photographs of Drawing from a vast pool of recent sculptural works to date: by SculptureCenter, New York; practice. Gathering new critical as the relationship of photographic decades of sculpture by German Johannes Brus (born 1942), this these models alongside fascinating images ranging from classical to “Thought Field,” composed of 90 Hepworth lakefield, England; texts, creative writing and texts imagery to three-dimensional form. artist Thomas Schütte (born 1954). catalog focuses on the artist’s interviews with the set designer, sci-fi-inspired, the figurative pieces sections of 1930s-era railroad track, lestfälischer Kunstverein, by the artist herself, the volume This publication accompanies an Richly illustrated throughout, the longstanding interest in modernist allowing readers full immersion play with the idea of sculpture as and “Caution Beams,” six towering Münster, Germany; and Fondazione highlights pieces from throughout exhibition of recent sculpture and book also includes a selection of abstract sculptor Constantin into the stage spaces and the ruin. stacks of white pine that have been Sandretto Re Rebaudengo, Turin, Magor’s career alongside her most photographic assemblage at the the artist’s works on paper and Brancusi. Brus aims to translate approach that informs them. Italy. The culmination of these recent work. Jordan Schnitzer Museum of Art. architectural models. Brancusi’s ideal into a figurative painted, bashed and pummeled to MOUSSE PUBLISHING HATJE CANTZ projects is documented here. CDN $40.00 style. evoke traffic barricades. MOUSSE PUBLISHING 9788867492527 U.S. $30.00 GAY OUTLAW KOENIG BOOKS 9783775741651 U.S. $75.00 CDN $95.00 FLAT40 Pbk, 6.75 x 9.5 in. / 96 pgs / MOUSSE PUBLISHING 9788867491704 U.S. $35.00 CDN $45.00 9780988554665 U.S. $17.95 CDN $23.95 9783960980087 U.S. $45.00 CDN $57.50 KERBER FLAT40 Pbk, 6.5 x 9.5 in. / 576 pgs / KARMA, NEW YORK 80 color. January/Art 9788867492275 U.S. $28.00 CDN $37.50 FLAT40 Pbk, 8.75 x 12.25 in. / FLAT40 Pbk, 5.5 x 8.5 in. / 48 pgs / FLAT40 Pbk, 8.25 x 11 in. / 192 pgs / 9783735602275 U.S. $45.00 CDN $57.50 424 color. February/Design 9781942607410 U.S. $25.00 CDN $32.50 170 pgs / illustrated throughout. 33 color. February/Art 130 color. January/Art FLAT40 Hbk, 8.5 x 10.75 in. / FLAT40 Pbk, 8.5 x 11 in. / 136 pgs / FLAT40 Slip, pbk, 9 x 6.25 in. / January/Art 136 pgs / 78 color / 7 b&w. January/ 63 color. Available/Art 80 pgs / 62 color / 15 b&w. January/Art Art

Pictures that Talk: Anish Kapoor Edmund de Waal: Mark Handforth: Elisabeth von Jae Ko: Flow 流 Lee Jin Woo 2016 MIDWINTER SUPPLEMENT Selected Works by Archaeology: Biology Irrkunst Smoke Samsonow: Text by Valerie Cassel Oliver. Text by Philippe Filliot, Helena Chung Sang-Hwa Tad Savinar Text by Cecilia Delgado, Catherine Text by Edmund de Waal. Edmund Edited by Ilaria Bonacossa. Text Transplants Korean artist Jae Ko (born 1961) Staub. Korean-born, Paris-based Text by Tim Griffin. Poem by works in fiber, transforming painter Lee Jin loo takes an Text by Linda Tesner. For the past Lampert, Lee Ufa, Douglas de laal (born 1964), English artist by Veronica Gonzales Pena, Mary Text by Boyan Manchev, Suzana Yuko Otomo. lorking since the ordinary materials like paper and unusual approach, superimposing four decades, Portland-based Maxwell, et al. Surveying the and bestselling author of The Hare Ceruti. Miami-based sculptor Milevska, Alexandra Schantl, et late 1960s, Korean artist Chung vinyl cords into extraordinary layer upon layer of traditional artist Tad Savinar (born 1950) has sculpture of Anish Kapoor (born with Amber Eyes, creates delicate Mark Handforth (born 1969) al. Austrian artist and philosopher Sang-Hwa (born 1932) has used sculptural objects. Her work Korean paper, hanji, with figures in created prints and sculptures that 1945) from 1980 to 2015, this vessels and shards of porcelain presents a surreal sequence of Elizabeth von Samsonow’s (born the canvas as a site for ritual ranges from discrete wall ink, natural pigments or coarsely exaggerate topics of modern life. thematically organized volume that he places in vitrines. In this twisted lampposts, fluorescent 1956) figurative wood sculptures and process, typified in the 1973 reliefs and small sculptures crushed charcoal in between. This examines Kapoor’s oeuvre homage to lalter Benjamin, mandalas, gigantic coat hangers are carved from tree trunks and masterpiece “Untitled 73-12- RONNA AND ERIC HOFFMAN GALLERY to monumental installations. monograph presents his hybrids of OF CONTEMPORARY ART from a variety of perspectives; he relates his work to sites of and crumpled stars that form a painted, giving the impression of 11”—a tall canvas comprised of Flow includes an interview with tableau and sculpture. 9780692762196 U.S. $20.00 CDN $26.00 contributions by critics such as the philosopher’s youth, the narrative itinerary marked by the being witnesses from an unknown faint vertical white and gray lines. the artist and documents her FLAT40 Hbk, 7.5 x 9.5 in. / 72 pgs / Homi K. Bhabha, Julia Kristeva, protagonists in a dialogue between dynamic tension between organic culture. This volume assembles her ACTES SUD This volume includes an essay by eponymous installation. 44 color. February/Art Lee Ufan and Marina larner as remembrance and archived history. and inorganic shapes, abstraction newly created groups of sculptures 9782330065836 U.S. $43.00 CDN $55.00 Tim Griffin, a poem by Yuko Otomo well as Kapoor’s own voice round and symbolic representation. FLAT40 Hbk, 9.5 x 12 in. / 224 pgs / and a comprehensive chronology. EXHIBITION SCHEDULE HOLZWARTH PUBLICATIONS of recent years. CONTEMPORARY ARTS MUSEUM out the narrative. HOUSTON 120 color. February/Art/Asian Art & Portland, OR: Ronna and Eric 9783935567886 U.S. $65.00 CDN $85.00 SILVANA EDITORIALE DOMINIQUE LÉVY/GREENE NAFTALI KERBER 9781933619606 U.S. $9.95 CDN $12.50 Culture Hoffman Gallery of Contemporary FLAT40 Hbk, 7.5 x 11.5 in. / 104 pgs / 9788836634811 U.S. $30.00 CDN $40.00 9781944379070 U.S. $40.00 CDN $52.50 RM/MUAC 9783735602220 U.S. $45.00 CDN $57.50 FLAT40 Flexi, 5.25 x 9.25 in. / Art, Lewis & Clark College, 52 color. January/Art/Decorative Arts FLAT40 Pbk, 9 x 11 in. / 96 pgs / FLAT40 Pbk, 9 x 12 in. / 100 pgs / 9788416282715 U.S. $19.95 CDN $25.95 FLAT40 Pbk, 8.25 x 10.25 in. / 72 pgs / 31 color. February/Art/Asian 01/17/17–03/05/17 35 color / 14 b&w. February/Art 42 color / 11 b&w. Available/Art/ FLAT40 Pbk, 6.5 x 8.75 in. / 224 pgs / 288 pgs / 376 color / 12 b&w. Art & Culture illustrated throughout. January/Art January/Art Asian Art & Culture

162 artbook.com artbook.com 163 Contemporary American and European painting SPECIALTY ■ ART

2016 MIDWINTER SUPPLEMENT Michael Williams: Torey Thornton: 2016 MIDWINTER SUPPLEMENT James Hayward 2016 MIDWINTER SUPPLEMENT Peter Halley: Peter Cain Sam Falls How to Ruin an Sail Yeller Katharina Grosse Edited by Camille Mary Weiner. Terry Winters The Schirn Ring Text by Beau Rutland, Richard Edited by Laura Copelin. Foreword Omelet The paintings of Brooklyn-based Edited by Helmut Friedel. Text by Text by Jeremy Gilbert-Rolfe. Interview by Richard Aldrich. Edited by Max Hollein. Text by Meyer, Collier Schorr. This is the Throughout the last 30 years, Los by Fairfax Dorn. Text by David Text by Jeff Rian. How to Ruin artist Torey Thornton (born 1990) Katrin Dillkofer, Helmut Friedel. Featuring 21 new paintings, all Peter Halley, Natalie Storelli, first comprehensive monograph on Angeles–based painter James Raskin. Poetry by Sam Falls. This an Omelet is the third in a series are massive in scope, often blur- Gathering a selection of brightly illustrated in full color, this catalog Joseph Wolin. Interview by Max American painter Peter Cain (1959– book records Sam Falls’ (born colorful and vigorously gestural Hayward’s (born 1943) practice of artist’s books by Los Angeles– ring the lines between collage, ab- highlights Terry linters’ (born Hollein. Since the 1980s, American 97), who first achieved recognition has focused exclusively on the 1984) new body of work—sound, based painter Michael lilliams straction and narrative figuration, abstractions by Berlin-based artist 1949) unique layering of visual artist Peter Halley (born 1953) has monochrome, developing from in early 1990s New York for his video, sculptural and wall pieces— (born 1978), following California deploying deliberately ambiguous Katharina Grosse (born 1961) information and his signature use examined, through his geometrical flatter works into thicker, impasto paintings of distorted automobiles. produced for his 2015 show at Land for Sale!! and Yoga Online. imagery, roughly rendered forms from 1990 to 2016, this volume of color. linters describes how abstract paintings and site- abstractions. This monograph Illustrated with over 80 full-color Ballroom Marfa in Texas. The Using a fashion sketchbook and beguiling, puzzling titles. Sail constitutes a concise overview of he composes his paintings: “The specific installations, the spatial compiles Hayward’s most recent plates, the book features paintings, catalog mixes documentation with figurative templates as its Yeller reveals Thornton’s painterly her career in painting. process is pushed and pulled and organizational structures of Falls’ exhibition with original monochromatic paintings, until there’s an image—a material that dominate everyday life. This drawings and photographs made foundation, How to Ruin an Omelet inspiration through a series of ref- WALTHER KÖNIG, KÖLN verse and photos of the works in exploring their sculptural peaks process and an optical likeness.” volume documents Halley’s latest is a lively amalgam of text and erence images taken by the artist. 9783863359768 U.S. $50.00 CDN $65.00 between the late 1980s and 1997. progress by the artist himself. and fissures. elaborate, site-specific installation image. KARMA, NEW YORK FLAT40 Clth, 8 x 10 in. / 160 pgs / MATTHEW MARKS GALLERY MATTHEW MARKS GALLERY illustrated throughout. Available/Art ROBERTS & TILTON CDN $52.50 at the Shirn. BALLROOM MARFA KARMA, NEW YORK 9781942607496 U.S. $40.00 CDN $52.50 9781944929053 U.S. $40.00 9781944929039 U.S. $60.00 CDN $78.00 U.S. CDN $40.00 9780991488957 U.S. $40.00 CDN $52.50 FLAT40 Clth, 9 x 11.5 in. / 68 pgs / FLAT40 Clth, 9.75 x 10 in. / 128 pgs / 9780981758602 $35.00 9781942607502 U.S. $25.00 CDN $32.50 FLAT40 Hbk, 10.5 x 11 in. / 64 pgs / VERLAG FÜR MODERNE KUNST FLAT40 Hbk, 8.75 x 11.5 in. / 72 pgs / FLAT40 Hbk, 8.5 x 10.5 in. / 80 pgs / FLAT40 Pbk, 8.25 x 11.5 in. / 64 pgs / 28 color. January/Art 42 color / 4 b&w. January/Art 9783903131156 U.S. $30.00 CDN $40.00 90 color / 15 b&w. May/Art 33 color / 1 b&w. January/Art 51 color / 6 duotone. Available/Art 60 color. January/Artists’ Books FLAT40 Pbk, 7.75 x 10 in. / 104 pgs / 70 color. January/Art

Tal R.: Flamingo Situational Diagram Paul Sietsema: Henning Frank Ahlgrimm: Maria Magdalena Susie Rosmarin: Judith Bernstein: Flametti Edited by Karin Schneider, Begum Fifty-Three Works Strassburger: Trust Me Z’Graggen: Lines and Grids Rising Edited by Josef Zekoff, Sarah Yasar. Text by Sabu Kohso, et al. Edited by Eva Fabbris. Text by Bleaching Is Teaching Edited by Reinhard Hauff. Edited Luminous Flux The Lost Decade and Beyond Text by Johanna Fateman, Thomas Situational Diagram is a collection Bogner. Text by Axel Heil. Danish Tim Griffin, Emiliano Battista, Edited with text by Christian with text by Martin Hentschel. Edited with text by Markus Text by Valerie Cassel Oliver. Micchelli, Maurizio Cattelan, of essays and creative propositions artist Tal R’s (born 1967) Flamingo Eva Fabbris. This monograph is Malycha. In his first monograph, Text by Ralf Christofori, Nora Sdun. Stegmann. Text by Isabel Zürcher, “Susie Rosmarin’s (born 1950) Judith Bernstein. Rising is the by cultural theorists, philosophers, Flametti compiles a series of the first to focus exclusively on German painter Henning The first monograph on Berlin- et al. Interview by Felicity Lunn. paintings are born out of strategies first major catalog on the work of artists and activists. Contributors collages, paintings and sculptures Californian Paul Sietsema’s (born Strassburger (born 1983) based painter Frank Alhgrimm Swiss artist Maria Magdalena to defy the two-dimensional feminist painter Judith Bernstein include Sabu Kohso, Aliza Shvarts, inspired by the Dadaist Hugo Ball’s 1968) paintings and drawings, contemplates how painterly (born 1965), Trust Me showcases Z’Graggen (born 1958) has been frame,” writes curator Valerie (born 1942), tracing the former Jaleh Mansoor, Jean-Luc Nancy, 1918 novel Flametti. The novel featuring 53 works spanning narration translates into today’s the artist’s brightly chromatic, attracting attention for many years Cassel Oliver. Lines and Grids Guerilla Girl’s five-decade career Simon O’Sullivan, Anne Querrien, and its eponymous hero have long seven years. Depicting objects that digital reality, attempting to paint gestural Pop abstractions. with her abstract paintings and assembles works created at from the ‘60s to the present, and Abrahão de Oliveira Santos, been important to the artist, who invoke a sense of history, the artist with and in “pictures,” mimicking Incorporating sprayed surfaces, large-format watercolors. This various stages of the Op artist’s contextualizing her vast oeuvre Valentin Schaepelynck, Karin illustrated a limited edition of the explores how images are made the reproduction inherent in figurative motifs and script, publication is the first to provide career, spanning 30 years of within the history of art, feminism Schneider and Tirdad Zolghadr. book in 2013. and circulated today. seeing and painting in calligraphic Algrimm’s works negotiate an overview of Z’Graggen’s oeuvre drawings, paintings, sculpture and and the American sociopolitical the mythology of art and the climate of the late 20th century. VERLAG FÜR MODERNE KUNST DOMINIQUE LÉVY MOUSSE PUBLISHING abstractions. from the beginning of her career digital compositions. challenges of our mediated world. 9783903131255 U.S. $25.00 CDN $32.50 9781944379094 U.S. $25.00 CDN $32.50 CDN $57.50 around 1992 up to the present. 9788867492442 U.S. $45.00 KERBER CONTEMPORARY ARTS MUSEUM MOUSSE PUBLISHING FLAT40 Hbk, 7.5 x 10.75 in. / FLAT40 Pbk, 6.5 x 9.5 in. / 262 pgs / FLAT40 Clth, 8.5 x 13 in. / 144 pgs / CDN $52.50 9783735602879 U.S. $45.00 CDN $57.50 KERBER VERLAG FÜR MODERNE KUNST HOUSTON 9788269020915 U.S. $40.00 64 pgs / 40 color / 60 b&w. January/ 30 color / 9 b&w. April/Art/Latin 53 color / 2 b&w. January/Art FLAT40 Pbk, 9 x 11.75 in. / 192 pgs / FLAT40 Clth, 9.5 x 12 in. / 152 pgs / 9783735602206 U.S. $49.95 CDN $64.95 9783903131385 U.S. $49.95 CDN $64.95 9781933619637 U.S. $9.95 CDN $12.50 Art American/Caribbean Art & Culture 77 color / 1 b&w. January/Art FLAT40 Hbk, 9.5 x 11 in. / 190 pgs / FLAT40 Hbk, 10 x 12.25 in. / FLAT40 Pbk, 6.5 x 9.5 in. / 80 pgs / illustrated throughout. January/Art/ 117 color / 1 b&w. February/Art 160 pgs / 93 color. January/Art 32 color. February/Art lomen’s Studies

164 artbook.com artbook.com 165 Contemporary international painting SPECIALTY ■ ART

Roberto Rébora: Matter and Discourse Rodney Gladwell: Thedra Femmy Otten: Jordan Kantor: Regina Nieke: The Goran Djurovic: Walter Price: of Faith Gods Go Running Cullar-Ledford: Slow Down Love Selected Exhibitions Figurative Element Tragikomedia Crystal Black (1928–1979) Text by John C. Welchman, Laurie 2006–2016 Text by Robert Lucander, Joachim Text by Bernard Dewulf, Roger The first publication by American Prologue by Philip Ball. Text by Lady Part Follies Cluitmans. Dutch artist Femmy Becker, Burkhard Held, Anke Pierre Turine. This volume artist lalter Price, Crystal Black Erick Castillo, Eduardo Milán, Edited by Jens Toivakainen, Jens Text by Bill Arning. Houston-based Edited by Rachel Churner. Otten (born 1981) creates complex Zeisler. The first monograph assembles the works of Serbian compiles 38 ink and colored pencil Jorge Contreras, Juan José Neubert. Text by Jens Neubert, artist Thedra Cullar-Ledford (born Conversation with Yve-Alain Bois. wall compositions that combine on Berlin-based painter Regina painter Goran Djurovic (born 1952) drawings that illuminate the figures Gurrola, Miguel Cervantes, et Walter Feilchenfeldt. This first 1970) pairs humor with feminist The works of San Francisco–based two- and three-dimensional Niekes (born 1979), The Figurative in a single volume for the first and scale of Price’s colorful, figure- al. Interview by Josué Ramírez. extensive monograph on British statements, exploring mastectomy artist Jordan Kantor (born 1972) elements. This volume offers a look Element compiles the artist’s time. Drawing on the style of the in-landscape acrylic paintings Combining the painting and poetry painter Rodney Gladwell (1928–79) as an area in which women’s explore relationships between at her plaster and wooden women works alongside her research Old Masters, Djurovic uses many and offer their own social critique of Mexican artist Roberto Rébora shows him to be among the most bodies are modified by men. photography and painting in and mythological creatures. and sketchbooks. Often based layers of paint to stage dramatically through earnest, youthful imagery. (born 1963), Matter of Speech and important British painters of the This book collects her paintings contemporary culture. Equal on paintings from art history or lit scenes that move between the Discourse features the painter’s 1960s, presenting his paintings, concerning breasts in art history. NAI010 PUBLISHERS parts artist’s book and catalogue KARMA, NEW YORK inspired by modern figurative dismal and the absurd. portraits—both monochromatic gouaches and drawings made on 9789462083219 U.S. $45.00 CDN $57.50 raisonné, this first monograph 9781942607472 U.S. $20.00 CDN $26.00 CONTEMPORARY ARTS MUSEUM painting, Nieke’s pieces are and colorful—and murals. long trips to Japan, Africa, and HOUSTON FLAT40 Pbk, 9.5 x 13.5 in. / 136 pgs / offers a visual tour through the last HATJE CANTZ FLAT40 Pbk, 11 x 8.5 in. / 80 pgs / abstracted, Bacon-esque North and South America. 9781933619620 U.S. $9.95 CDN $12.50 100 color. January/Art decade of Kantor’s conceptually 9783775741965 U.S. $60.00 CDN $78.00 38 color. January/Art TURNER FLAT40 Pbk, 6.5 x 9.5 in. / 80 pgs / driven practice. snapshots of human figures. FLAT40 Hbk, 9.75 x 11.75 in. / CDN $40.00 HATJE CANTZ 9786077711131 U.S. $30.00 32 color. February/Art/lomen’s 160 pgs / 110 color. February/Art FLAT40 Flexi, 8.5 x 9.5 in. / 216 pgs / 9783775742238 U.S. $75.00 CDN $95.00 NO PLACE PRESS KERBER Studies 120 color. January/Art/Latin FLAT40 Hbk, 12 x 9.25 in. / 288 pgs / 9780989832052 U.S. $30.00 CDN $40.00 9783735602121 U.S. $35.00 CDN $45.00 American/Caribbean Art & Culture 402 color. February/Art FLAT40 Clth, 6.75 x 9.5 in. / 240 pgs / FLAT40 Hbk, 8.5 x 11.75 in. / 68 pgs / 488 color. February/Art 43 color / 1 b&w. January/Art

Gen Atem: François Delarozière: Bettina van Haaren: Sylvia Goebel: Aldo Giannotti: Gülsün Karamustafa: Haralampi G. Anna Boghiguian Meditated Vandalism Bestiary, Machines Punctured Glades 47 Paintings Spatial Dispositions Chronographia Oroschakoff Egyptian artist Anna Boghiguian Text by Gen Atem, Rémi Jaccard. and Ornaments Edited with text by Barbara Text by Hans Thomas Carstensen. Edited by Beatrix Bakondy. Text by Edited with text by Melanie Doppelkreuz (born 1946) produces drawings and paintings of individuals and A Zen monk who sprayed graffiti Drawings Auer, Andrea Brandl, Anna-Maria Berlin-based painter Sylvia Goebel Antonia Hoerschelmann, Giorgio Roumiguière, Ovul O. Dumuşoğlu. Edited by Diana Gräfin von on subway cars, threw paint Ehrmann-Schindlbeck. Text by (born 1952) creates austere, Palma. Spatial Dispositions features Preface by Udo Kittelmann. Text by urban spaces and writes poetry. In 1999, François Delarozière (born Hohenthal und Bergen. Text by at celebrities and worked with Erich Schneider. Combining muted, gestural abstractions, Italian artist Aldo Giannotti’s (born Meltem Ahıska, Marion von Osten. This volume contains her work 1963) founded the street theater Michael Maar. Conversation with Rammellzee, Swiss street artist collage-like self-portraits with variously subtle and luminous. This 1977) latest intervention at the An influential Turkish multimedia across mediums, offering a company La Machine, which, Elke Schmitter. Bulgarian artist (born 1967) Gen Atem is the wild old-master-style examinations of volume presents an exemplary Albertina: conceptual drawings artist, Gülsün Karamustafa’s glimpse into her artistic approach, through collaborations between Haralampi G. Oroschakoff (born pioneer of the European urban props from her studio, Bettina overview of her oeuvre; a that examine the museum’s (born 1946) painting, installation, which can be understood as an artists, fabricators, designers and 1955) first attracted attention in art movement. His latest work is van Haaren (born 1961) creates compilation of 47 paintings—with various collections, employees performance art and video works attempt at mapping the world. more, engineers giant performing the 1980s with drawings, text presented in this book. carefully observed works a focus on her newest works— and visitors in a mode both address themes of gender, machines. His preliminary sketches collages, installations and videos KOENIG BOOKS on human perception. This reveals her artistic development. performative and installational. nomadism and pop culture. Her 9783960980070 U.S. $39.95 CDN $50.00 HATJE CANTZ are collected in this volume, that explore the boundary between monograph presents her work Gionnotti breaks with tradition, first monograph, Chronographia FLAT40 Pbk, 7 x 9.5 in. / 160 pgs / 9783775741835 U.S. $60.00 CDN $78.00 revealing his ingenious technical KERBER the post-Roman lest and the from the last four years. taking on the spatial, architectural, offers an overview of her oeuvre illustrated throughout. January/Art/ FLAT40 Pbk, 8.25 x 11 in. / 200 pgs / imagination. 9783735602756 U.S. $45.00 CDN $57.50 post-Byzantine East. historical and social in this series. from the mid-’70s to the present. Middle Eastern Art & Culture 188 color. February/Art KERBER FLAT40 Clth, 9.75 x 11 in. / 104 pgs / ACTES SUD HATJE CANTZ 48 color. January/Art 9783735602794 U.S. $40.00 CDN $52.50 VERLAG FÜR MODERNE KUNST VERLAG FÜR MODERNE KUNST 9782330056803 U.S. $27.50 CDN $34.95 9783775742078 U.S. $75.00 CDN $95.00 FLAT40 Hbk, 9.25 x 11.5 in. / 96 pgs / CDN $40.00 9783903131170 U.S. $45.00 CDN $57.50 FLAT40 Pbk, 11.5 x 14.25 in. / 9783903131354 U.S. $30.00 FLAT40 Hbk, 9 x 12 in. / 224 pgs / 61 color. January/Art FLAT40 Pbk, 8.25 x 11 in. / 350 pgs / 80 pgs / 100 b&w. February/Art FLAT40 Pbk, 5.75 x 7.25 in. / 225 color. February/Art 112 pgs / 80 b&w. January/Art 365 color / 316 b&w. January/Art

166 artbook.com artbook.com 167 Contemporary international painting SPECIALTY ■ GROUP EXHIBITIONS

Per Kirkeby: HM Queen Sonja Anna Klüssendorf Christine Drawing Rooms Cloud & Crystal: The Thinking Outside Höhenrausch Catalogue Raisonné, of Norway & Text by Eva-Maria Günther, Jackob-Marks Trends in Contemporary Dorothee and Konrad the Box Art into the City Volume II Magne Furuholmen: Florian Matzner. One of Anna There Must Be More to Life Graphic Art Fischer Collection The Museum Haus Edited by Julia Stoff, Martin Strum. Klüssendorf’s (born 1979) Edited by Ane Hejlskov Larsen. The Queen Sonja Edited by Ulf Meyer zu Kueingdorf. Edited with text by Hubertus Foreword by Marion Ackermann, Konstruktiv Collection Text by Julia Brunner, Thomas central topics is the banality and Since the early 1960s, Danish Text by Michael S. Cullen, Manfred Gassner, Petra Roettig, Andreas Anette Kruszynski. Text by Anette (1986–2016) and Guest Macho, Genoveva Rückert. Art and Print Award vulnerability of human existence. painter Per Kirkeby (born 1938) has Eichel, et al. There Must Be More Stolzenburg. Text by Mechthild Kruszynski, Doris Krystof, et al. Interventions urban space have begun to interact Introduction by Cecilie Malm In her paintings, gathered in been recognized globally as one to Life is the first monograph on Achelwilm, Miriam Schoofs. Düsseldorf gallerist Konrad Fischer Text by Burkhard Meltzer, Bob in new ways, transforming hitherto Brundtland. Text by Lars Saabye her first monograph, nothing of Scandinavia’s most important German painter Christine Jackob- Drawing Rooms focuses on recent was an extremely influential Nickas, Sabine Schaschl, Brandon neglected parts of cities and towns. Christensen. Interview by Øystein is conclusively formulated, contemporary artists. Featuring Marks (born 1943), a veteran of trends in drawing, from small- figure in the 1960s Conceptual Taylor. Interview with Margit This volume documents artist Ustvedt with Starr Figura, et al. everything seems to be provisional, a complete catalog of Kirkeby’s Berlin’s art scene. Covering 50 format pencil studies to diagrams, art scene, and his collection has Weinberg Staber. lhat began in interventions in Linz, Austria, since An avid printmaker, Queen Sonja a mixture of the adopted and the paintings, “overpaintings” and years of abstract landscapes, scores and room installations. become legendary. Cloud and 1986 as a small circle of fans of 2007, featuring artists, architects of Norway has collaborated with truly experienced. Artists include John Cage, Hanne Crystal includes works by Beuys, and urban planners such as Ilya blackboard works, this publication Oslo-based printmaker Magne nudes and animal paintings, constructive-concrete art has today KERBER Darboven, Jim Dine, Rebecca Broodthaers, Darboven, Dibbets, and Emilia Kabakov, Candice Breitz, chronicles the period between Furuholmen to create colorful it compiles over 200 works. grown into the Museum Haus 1978 and 1989. 9783735602350 U.S. $35.00 CDN $45.00 Horn, Sigmar Polke, Arnulf Rainer, Flavin, Gilbert & George, Kawara, Konstruktiv in Zurich, boasting a Eva Schlegel, Mathilde Ter Heijne abstractions. KERBER FLAT40 Hbk, 8.75 x 11.25 in. / James Rosenquist, Dieter Roth and Lelitt, Nauman, Sandback, Toroni collection of 900 works. and Kris Martin. WALTHER KÖNIG, KÖLN 9783735602251 U.S. $55.00 CDN $70.00 FORLAGET PRESS 96 pgs / illustrated throughout. Jorinde Voigt. and more. 9783863358570 U.S. $190.00 FLAT40 Hbk, 9.75 x 11.25 in. / VERLAG FÜR MODERNE KUNST 9788232800964 U.S. $60.00 CDN $78.00 January/Art HATJE CANTZ CDN $245.00 256 pgs / 213 color / 26 b&w. 9783903131224 U.S. $30.00 CDN $40.00 FLAT40 Hbk, 9 x 12 in. / FLAT40 Hbk, 9.5 x 11.75 in. / KERBER KERBER 9783775742252 U.S. $85.00 January/Art CDN $57.50 FLAT40 Pbk, 8 x 11 in. / 250 pgs / 496 pgs / 630 color / 80 b&w. 224 pgs / 144 color / 19 b&w. 9783735602534 U.S. $45.00 9783735602978 U.S. $65.00 CDN $85.00 CDN $105.00 FLAT40 Hbk, 9.75 x 11.75 illustrated throughout. January/Art January/Art February/Art FLAT40 Hbk, 8.75 x 11.25 in. / 168 FLAT40 Pbk, 9 x 11.75 in. / 300 pgs / in. / 192 pgs / 335 color. February/Art pgs / 77 color / 8 b&w. January/Art 376 color / 129 b&w. January/Art

Thorbjørn Sørensen: Wieland Payer: Wolfgang Capellari: UBS Art Collection WEtransFORM 2016 MIDWINTER SUPPLEMENT The Crocodile Elective Affinities From Nature Waldstaub Sprung To Art its Freedom Art and Design on the Planet B: Ideas for a in the Pond German Art since the Late Edited by Henrik Haugan. Text Pastels Text by Claudia Hamm, Günther Text by Dieter Buchhart, Mary Limits to Growth New World 11 Artists from ShanghART 1960s by Maaretta Jaukkuri. From Text by Michael Freitag. This is Moschi. An artist’s book by Rozell. This catalog presents the Text by Eva Kraus, Martina Edited by Alain Bieber. Text by Edited with text by Gertrud Text by Mark Gisbourne, Ojārs Nature features the watercolors the first monograph on German Austrian lolfgang Capellari (born first substantial publication of the Fineder. WEtransFORM assembles Rachel Armstrong, Nelly Ben Aeschlimann, Heinz Aeschlimann. Spārītis, Christoph Tannert. Elective of Norwegian artist Thorbjørn painter lieland Payer (born 1964), Sprung assembles images UBS Art Collection, with more than 30 internationally renowned Hayoun, Ernst Bloch, Stewart This volume surveys 11 Chinese Affinities presents key German Sørensen (born 1961), which 1981), whose precise landscape from 2010 onward, organized 200 pieces by Basquiat, Gursky, artists and designers on issues Brand, et al. lhat will the world artists born between the ‘60s art of the past 50 years, featuring display fragments of nature: a depictions are rendered surreal by thematically. One chapter takes Hirst, Hockney, Kippenberger, of sustainability and ecology. of tomorrow be like? lhat will we and ‘90s, working in installation, painting, drawing, sculpture, mound, a twig, tufts of grass or a the inclusion of abstract geometric on the form of paintings in de Kooning, Lelitt, Rauch, Combining statements on our wear? lhat will we eat? lhat will photography and new media: photography, video and conceptual bird. Expressing Sørensen’s desire components. This volume features ruins, while another investigates Rauschenberg, Richter, Ruff, ecological footprint with works we be fighting for? This publication Birdhead, Chen Xiaoyun, Han art from the ‘60s until today. to paint small, insignificant plants, the artist’s pastels and charcoal narrative painting; two essays and Ruscha, Sherman, Sugimoto, on the growing accumulation offers an eclectic mix of ideas for Feng, Jiang Pengyi, Lu Lei, Shao Featured artists include Joseph the series revolves around the drawings from the last three years. a fictitious interview round out the Tillmans, Twombly, lurm and of plastic, the volume both a new world—a Planet B—from Yi, Shi Yong, Sun Xun, Xu Zhen, Beuys, Hanne Darboven, Candida inconspicuous. volume. many more. assesses and offers solutions for artists, designers, architects, Yang Zhenzhong and Zhang Ding. Höfer, Anselm Kiefer, Imi Knoebel, KERBER environmental damage. Sigmar Polke, Rosemarie Trockel KERBER VERLAG FÜR MODERNE KUNST HATJE CANTZ writers and scientists. 9783735602138 U.S. $35.00 CDN $45.00 KERBER and many more. CDN $45.00 CDN $40.00 CDN $90.00 9783735602268 U.S. $35.00 FLAT40 Hbk, 9.5 x 12 in. / 72 pgs / 9783903131286 U.S. $30.00 9783775742474 U.S. $75.00 VERLAG FÜR MODERNE KUNST KOENIG BOOKS 9783735602763 U.S. $30.00 CDN $40.00 FLAT40 Hbk, 9.5 x 11.75 in. / 64 pgs / 39 color / 3 b&w. January/Art FLAT40 Pbk, 8 x 10 in. / 76 pgs / FLAT40 Hbk, 9.5 x 12 in. / 272 pgs / 9783903131262 U.S. $29.95 CDN $37.50 9783863359447 U.S. $39.95 CDN $50.00 FLAT40 Pbk, 8.5 x 10.25 in. / 96 pgs / KERBER 36 color. January/Art 53 color / 5 b&w. January/Artists’ 220 color. February/Art FLAT40 Pbk, 6.5 x 9.25 in. / 160 pgs / FLAT40 Pbk, 6.75 x 7.75 in. / 240 pgs 51 color / 61 b&w. January/Art/Asian 9783735602589 U.S. $49.95 CDN $64.95 Books 43 color / 138 b&w. January/Art/ / 95 color / 22 b&w. Available/Art/ Art & Culture FLAT40 Hbk, 9.25 x 11.5 in. / 148 pgs Sustainability Architecture & Urban Studies / 82 color / 7 b&w. January/Art

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2016 MIDWINTER SUPPLEMENT 2016 MIDWINTER SUPPLEMENT Mapping the Body Under the Influence Emscherkunst 2016 CyberArts 2016 Ars Electronica 2016 The Equilibrists The Ocean Watched! The Body in Contemporary Between the High and the Art in the Public Space in International Compendium Radical Atoms and the Foreword by Lisa Phillips, Olivier after Nature Surveillance, Life Crash the Eastern Ruhr Region Prix Ars Electronica Alchemists of Our Time Descotes. Preface by Dakis Edited by Alaina Claire Feldman. Art and Photography Text by Julia Brennacher, Verena Edited with text by Markus Edited by Florian Matzner, Lukas Edited by Hannes Leopoldseder, Edited by Hannes Leopoldseder, Joannou. Text by Gary Carrion- Murayari.A testament to the Text by Kodo Eshwun, Alaina Text by Ann-Christin Bertrand, Gstir, Christina Nägele, Lena Landert, Stefanie Hoch. Text by Crepaz, Carola Geiss-Netthöfel, Christine Schöpf, Gerfried Christine Schöpf, Gerfried Stocker. perseverance of the human Claire Feldman, Lucy R. Lippard, James Bridle, et al. Watched! Nievers, Sabine Maria Schmidt, Rebekka Ray. Moving between Uli Paetzel. Text by Katja Aßmann, Stocker. The Prix Ars Electronica, Ars Electronica has accompanied character in difficult times, The Allan Sekula, et al. The Ocean after reflects on the complexities Jürgen Tabor, Christian Teckert. thrill, heightened perception, et al. Published to accompany considered a trend barometer and analyzed the digital revolution Equilibrists is a celebration of 33 Nature examines the ocean as a of contemporary surveillance, Published to accompany an stupefaction, rapture and the triennial along the Emscher of global media art, is the most since 1979, offering a research Greek and Cypriot artists of the site reflecting ecological, political from technologies used by state international group exhibition, detachment, this thematic catalog River in Germany, Emscherkunst tradition-steeped media art platform at the intersections of new generation who, in the face and economic realities through authorities to everyday monitoring Mapping the Body looks at the transports readers into intoxication 2016 presents art on the topics of competition in the world. lith art, technology and society. This of precariousness and material the work of more than 20 artists practices. Artists include Meriç conditions of corporeality in an era in contemporary art. lith climate change, ecology and future numerous images, texts and volume records the proceedings uncertainty, maintain faith in the and collectives, including Ursula Algün Ringborg, Jason E. of technological progress. Artists works by Carsten Höller, Meret energies. The volume features the statements by the jury, the book of Ars Electronic 2016, “Radical physical process of object making. Biemann, Drexciya, Renée Green, Bowman, James Bridle, Adam include Laia Abril, Daniele Buetti, Oppenheim, Pipilotti Rist and work of Ai leiwei, Jeppe Hein and assembles those innovative works Atoms and the Alchemists of Our Peter Hutton, An-My Lê, The Broomberg & Oliver Chanarin, Tina Natalie Bookchin, Patrycja German, more, the volume invites us into Superflex, among many others. that were awarded prizes in 2016. Future.” DESTE FOUNDATION FOR Otolith Group and Ulrike Ottinger. Ulrike Lienbacher, Molly Lowe and the realms between high-flying CONTEMPORARY ART Enghoff, Alberto Frigo, and Hito KERBER HATJE CANTZ HATJE CANTZ others. and crash-and-burn. 9786185039219 U.S. $39.95 CDN $50.00 INDEPENDENT CURATORS Steyerl. 9783735602404 U.S. $49.95 CDN $64.95 9783775741941 U.S. $45.00 CDN $57.50 9783775741934 U.S. $45.00 CDN $57.50 FLAT40 Pbk, 10.25 x 10.25 in. / INTERNATIONAL FLAT40 Pbk, 9.5 x 11.5 in. / 336 pgs / FLAT40 Pbk, 6.5 x 10 in. / 256 pgs / FLAT40 Pbk, 6.5 x 9.5 in. / 400 pgs / WALTHER KÖNIG, KÖLN VERLAG FÜR MODERNE KUNST VERLAG FÜR MODERNE KUNST 145 pgs / 153 color. May/Art 9780916365936 U.S. $15.00 CDN $19.95 CDN $45.00 CDN $26.00 208 color / 56 b&w. January/Art 512 color. February/Film & Video 754 color. February/Art 9783863359591 U.S. $49.95 CDN $64.95 9783903131279 U.S. $35.00 9783903131231 U.S. $20.00 FLAT40 Pbk, 5.5 x 8.5 in. / 80 pgs / FLAT40 Hbk, 10 x 11.5 in. / 296 pgs / FLAT40 Pbk, 7.5 x 10.75 in. / FLAT40 Pbk, 4.75 x 6.75 in. / 143 pgs 20 duotone. Available/Art illustrated throughout. Available/Art 159 pgs / 67 color. January/Art / 73 color / 14 b&w. January/Art

Bittersweet Food: Ecologies Matters of Gravity Black Mountain Anticipations KAYA Reenchantments Contours Transformation of the Everyday Foreword by Michio Kaku. Text by Research Edited by Guillaume Houzé, Arena Series 4 The City in the Blue The City in the Blue Alina Szapocznikow, 13th Fellbach Small Kerry Doyle, Rob La Frenais, Tania Edited by Annette Jael Lehmann. François Quintin. Text by Howard Edited by Eva Birkenstock. Daylight: Dak’art 12 Vol I Daylight: Dak’art 12 Vol II Kateřina Vincourová, Sculpture Triennial Aedo, et al. Featuring the work Text by Eugen Blume, Gabriele Becker, Neil Cummings, Rem Text by Kerstin Stakemeier, Edited by Simon Njami. Text by Edited by Simon Njami. Text by of nine Mexican artists in video, Koolhaas, et al. A multidisciplinary Camille Henrot Edited by Susanne Gaensheimer, Brandstetter, Irene Campolmi, Boško Blagojevic, Scott Roben. Mara Ambroži ´c, et al. Published Mara Ambroži´c, et al. A second performance, sculpture, drawing center dedicated to production, Preface and text by Katrin Anna Goetz, Christa Linsenmaier- et al. On the occasion of the Conversation with Burmamyanmar. to accompany the Biennale volume published to mark the and installation, Matters of Gravity transmission, exhibitions and Bucher Trantow. Text by Martina Wolf. Text by Felix Broecker, et al. first German exhibition on Black The fourth and last volume in the of Contemporary African Art Biennale of Contemporary African reflects on the force of gravity research, Lafayette Anticipations Pachmanová. Featuring Polish This catalog for the 13th Triennial of Mountain College in North series of KUB Arena publications in Dakar, Senegal, curated by Art in Dakar, Senegal, Contours through its absence. Artists are will open in the Marais district of sculptor Alina Szapocznikow, Small-Scale Sculpture explores the Carolina, an international research is the very first comprehensive French art critic Simon Njami, Re- provides a comprehensive view of Tania Candiani, Ale de la Puente, Paris in 2017. This volume brings Czech installation artist Katerina theme of food in over 40 artworks, project was launched to discuss publication on KAYA, a joint project enchantments Volume 1 addresses contemporary African art through Ivan Puig, Arcangel Constantini, together never-before-published Vincourová and French artist by Simon Fujiwara, Félix González- its legacy. This volume explores initiated by the painter Kerstin the works of the 65 participating Dak’Art, one of the most important Fabiola Torres-Alzaga, Gilberto visual material and texts by various Camille Henrot, Bittersweet Torres, Gordon Matta-Clark, Paul works by Josef Albers, Robert Brätsch and the sculptor Debo artists, including Kader Attia, art forums on the continent. Esparza, Juan José Díaz Infante, Rauschenberg, Xanti Schawinsky, thinkers documenting events Eilers in 2010, in collaboration with Transformation offers a dialogue Thek, Rirkrit Tiravanija, and Anicka Fatima Mazmouz, Henri Sagna and KERBER Nahum and Marcela Armas. John Cage, Robert Creeley, Charles organized by the foundation and the then 13-year-old Kaya Serene. about death and eroticism. Yi, among others. Hippolyte Sama, among others. 9783735602473 U.S. $49.95 CDN $64.95 questioning production today. TURNER Olson and others. FLAT40 Hbk, 7.5 x 10.25 in. / VERLAG FÜR MODERNE KUNST KUNSTHAUS BREGENZ KERBER KERBER 9788416714438 U.S. $35.00 CDN $45.00 JRP|RINGIER CDN $45.00 320 pgs / 103 color / 8 b&w. 9783903131323 U.S. $39.95 CDN $50.00 9783735602299 U.S. $35.00 CDN $45.00 KERBER 9783863359171 U.S. $35.00 9783735602442 U.S. $49.95 CDN $64.95 FLAT40 Pbk, 6.75 x 9.5 in. / 304 pgs / 9783037644621 U.S. $45.00 CDN $57.50 February/Art/African Art & Culture FLAT40 Hbk, 8.75 x 11.25 in. / FLAT40 Pbk, 6.5 x 9.75 in. / 216 pgs / 9783735602640 U.S. $24.95 CDN $29.95 FLAT40 Pbk, 6.5 x 9.5 in. / 192 pgs / FLAT40 Hbk, 7.5 x 10.25 in. / 200 color. May/Art/Latin American/ FLAT40 Pbk, 8.75 x 12.5 in. / 80 pgs / 36 color / 2 b&w. January/ 63 color / 7 b&w. January/Art FLAT40 Pbk, 8.25 x 11 in. / 64 pgs / illustrated throughout. January/Art 320 pgs / 216 color / 64 b&w. Caribbean Art & Culture 304 pgs / 200 color. January/Art Art 27 color / 53 b&w. January/Art January/Art/African Art & Culture

170 artbook.com artbook.com 171 Photobooks SPECIALTY ■ PHOTOGRAPHY

2016 MIDWINTER SUPPLEMENT 2016 MIDWINTER SUPPLEMENT Hans-Peter Raffael Waldner: 2016 MIDWINTER SUPPLEMENT Colette Urbajtel Alejandro Marote: B Patrick Zachmann: Gerard Petrus Fieret Feldmann: Salon Aglaia Konrad: French-Mexican photographer B constitutes the second stage in So Long, China Text by Wim van Sinderen, “Ohne Worte” Edited by Markus Bosshard, Jürg From A to K Colette Urbajtel (born 1934) Spanish photographer Alejandro captures scenes in tranquil places, Marote’s (born 1978) study of Text by Patrick Zachmann. Here, Hripsimé Visser, Francesco Zanot, A Film by Ralph Goertz Trösch. Text by Martin Jäggi, Edited with text by Emiliano small events—occasionally the French photographer Patrick Violette Gillet. This superbly Jürgen Häusler. Swiss-based artist Battista, Stefaan Vervoort. Text by the plastic transformation of Documentary filmmaker Ralph amusing or ironical—plants, Zachmann (born 1955), who has produced, slipcased monograph Raffael laldner (born 1972) is Friedrich Achleitner, Hildegund matter. In it, Marote seeks out two Goertz accompanied German animals and insects. This artist’s documented shifts in Chinese on cult Dutch photographer Gerard obsessed by car culture: its gloss, Amanshauser, Emiliano Battista, fundamental coast planes: the 2016 MIDWINTER SUPPLEMENT artist Hans-Peter Feldmann (born book gathers 52 images selected culture since the early 1980s, Petrus Fieret (1924–2009) gathers glamour and erotic undertones. In Elke Couchez, et al. Structured vertical one of the palm trees and 1941) over five years in his studio by the photographer herself, Melissa Catanese: creates a portrait of the country in a range of his blurry, age-toned, Salon, he focuses on motor shows, and designed like an encyclopedia, the horizontal of the line of the sea. and during the setup of various a testament to the atypical both color and black and white, often erotic black-and-white photographing—with superficial Austrian photographer Aglaia RM Hells Hollow exhibitions. Eschewing formal conversion of a Parisian economics tracing transformations of urban portraits of women, children, shop coolness––the hundreds of female Konrad’s (born 1960) From A to 9788416282630 U.S. $50.00 CDN $65.00 Fallen Monarch interviews, the film offers a student to Mexico-based space and the chasms between windows and Fieret himself. models who act as car company K contains color and black-and- FLAT40 Hbk, 9.25 x 13 in. / 96 pgs / personal portrait of the artist and photographer. Hells Hollow Fallen Monarch is ambassadors. white photographs on the theme 396 color. January/Photography urban and rural life. EDITIONS XAVIER BARRAL his attitude toward art. Pittsburgh-based photographer of urbanism, expressing Konrad’s RM/ARCHIVO MANUEL ÁLVAREZ EDITIONS XAVIER BARRAL 9782365110990 U.S. $80.00 JRP|RINGIER and bookseller Melissa Catanese’s CDN $100.00 FLAT40 Slip, pbk, WALTHER KÖNIG, KÖLN fascination with inventories. BRAVO 9782365110938 U.S. $80.00 9783037644867 U.S. $75.00 CDN $95.00 tale of American deer hunters, 9783863359713 U.S. $29.95 CDN $37.50 9788416282838 U.S. $35.00 CDN $45.00 CDN $100.00 7 x 10.25 in. / 592 pgs / 297 duotone. FLAT40 Hbk, 9.5 x 13.5 in. / 136 pgs / FLAT40 Hbk, 6.75 x 9 in. / KOENIG BOOKS FLAT40 Clth, 8.25 x 10.25 in. / compiled of snapshots from Available/Photography FLAT40 DVD (PAL), 5 x 7 in. 120 color. March/Photography 592 pgs / 170 color / 175 duotone. 9783863359522 U.S. $55.00 CDN $70.00 the collection of Peter J. Cohen January/Photography 92 pgs / 52 color. January/ Available/Photography/Asian Art FLAT40 Pbk, 6 x 9.5 in. / 392 pgs / Photography/Latin American/ spanning the early 20th century 36 color / 217 b&w. Available/ Caribbean Art & Culture to the late 1970s and set in the Photography forests of lestern Pennsylvania. The book is Catanese’s second volume based on Cohen’s collection, following the acclaimed 2012 volume Dive Dark Dream Slow. Cohen’s celebrated trove of more than 20,000 vernacular and found anonymous photographs was gathered from flea markets, dealers and eBay, and has been included in a range of major museum publications. “It’s a Sascha Weidner: Monica Biancardi: Anouk Kruithof: Ulrich Strothjohann: Amy Blakemore: Ed Kashi: Joan Fontcuberta: book that successfully manages Intermission II Rimembra Automagic Mapping Holes People, Cars & Abandoned Moments Paralipomena to put violence and violent male Texts by Inka Schube. German Text by Lóránd Hegyi. In Automagic is a book by Dutch A Topological Diary Buildings, Sculptures, Edited by Jennifer Larsen, Marjorie Afterword by Elio Grazioli. This fantasies center stage, with the photographer Sascha leidner this artist’s book from Italian visual artist Anouk Kruithof (born Ulrich Strothjohann (born 1954) Flowers, and Junk Steffe, Mallika Vora. Foreword volume presents a selection of most restrained means possible,” (1976–2015) knew how to capture multimedia artist Monica Biancardi 1981) containing images from her by Alison Nordstrom. For nearly recent works by Joan Fontcuberta first came to light in the Cologne Text by Dean Daderko. Over the writes Jorg Calberg in his review the poetic, the fleeting on paper. (born 1972), photographic “automatic archive” taken with 40 years, New York–based (born 1955), created for various art scene of the ‘80s in the circle past three decades, Houston-based in Conscientious Photo Magazine: Intermission II is leidner’s artist’s diptychs and triptychs take shape iPhones and small digital cameras photographer Ed Kashi (born 1957) exhibitions. “Paralipomena” are around Martin Kippenberger, with Amy Blakemore (born 1958) has “just pictures of a relatively small book, completed in its current through chromatic and conceptual over the past 12 years. Spread has photographed the ordinary things that are omitted, unspoken, his subtly allegorical sculptures created a rich body of photographic variety. The key is the repetition, form during the artist’s lifetime, correspondences. out across nine books made of imperfections that define his idea overlooked or neglected, but that and images. Mapping Holes is a still lifes, portraits and everyday relentlessly showing more and featuring 100 large-format images different papers, the sculptural of “the abandoned moment.” The also constitute the continuation or DAMIANI series of photographs of seemingly vignettes. A champion of the more and more carnage. As is that transport everyday life into volume is an exploration of image photos in this book offer moving completion of previous works. 9788862085144 U.S. $25.00 CDN $32.50 insignificant settings that the artist worn, the awkward and the plain, always the case, the easiest and make-believe worlds. reproduction today. glimpses of transitory events full FLAT40 Hbk, 9.5 x 12.75 in. / 96 pgs / took while traveling, in the years Blakemore wrests beauty from the SILVANA EDITORIALE simplest solution is the best.” of untamed, frenetic energy—the HATJE CANTZ 50 color. March/Photography RM 1984 to 1988. commonplace. 9788836634415 U.S. $35.00 CDN $45.00 perfect chaos of everyday life. SPACES CORNERS 9783775741910 U.S. $60.00 CDN $78.00 9788416282524 U.S. $125.00 FLAT40 Hbk, 8 x 8 in. / 64 pgs / HATJE CANTZ CONTEMPORARY ARTS MUSEUM 9780997742503 U.S. $25.00 CDN $32.50 FLAT40 Hbk, 11 x 11 in. / 160 pgs / CDN $162.50 SDNR40 Slip, pbk, 9 vols, 96 color. February/Photography 9783775742023 U.S. $55.00 CDN $70.00 HOUSTON STEIDL FLAT40 Pbk, 5.25 x 7.5 in. / 89 color. February/Photography 6.75 x 9 in. / 768 pgs / 528 color. FLAT40 Hbk, 7 x 9.75 in. / 144 pgs / 9781933619613 U.S. $9.95 CDN $12.50 9783958292741 U.S. $40.00 CDN $52.50 82 pgs / 19 color / 50 b&w. January/Photography FLAT40 Pbk, 6.5 x 9.5 in. / 80 pgs / FLAT40 Clth, 8.5 x 11 in. / 128 pgs / Available/Photography 117 color. February/Art 42 color. February/Photography 42 color / 26 b&w. June/Photography

172 artbook.com artbook.com 173 Portraits of people and places SPECIALTY ■ PHOTOGRAPHY

Marta Zgierska Christian Vium Carma Casulá: Carlos Cazalis: Stefanie Schwedes: Maximilian Prüfer Albrecht Kunkel: Ville Lenkkeri: HSBC Prize for HSBC Prize for Peter Sangre de Reyes Outside Wilderness Texts by Claire Breukel, Roman Quest The Petrified Forest Photography 2016 Photography 2016 Saint Petersburg, the former Text by John Lee Anderson, Inside Grabner, Alexandra Grimmer, Photographs 1992–2009 Text by Ville Lenkkeri. Comprising Alfred Weidinger. German In 2013, Polish photographer Danish photographer, filmmaker imperial capital, is recovering its Jacques Durand, José Cueli, Text by David Riedel. Since 2011, Preface by Peter Weibel. Text by photographs and texts, The photographer Maximilian Prüfer Marta Zgierska (born 1987) and anthropologist Christian old splendor following years of Patricia Mendoza, et al. Spanish- artist Stefanie Schwedes has Jana Duda, Ursula Frohne, et Petrified Forest documents (born 1982) has developed his survived a serious car accident. Vium (born 1980) set out to map governmental neglect, thanks to Mexican photographer Carlos been creating photographic works al. Quest is the first monograph photographer Ville Lenkkeri’s (born own method of printing: the The months of surgery, Nouakchott, the capital of the the support of Vladimir Putin. Peter Cazalis (born 1969) followed the that offer a new perspective on on German photographer Albert 1972) memories of the wooded “Naturantypie.” Because of the rehabilitation and depression that Islamic Republic of Mauritania, explores the city’s social fabric, as matador José Tomás through a familiar theme: the forest and Kunkel (1968–2009), whose work Finnish town in which he grew sensitive surface of the printing followed spawned her Post series, with his camera, notebook and seen from photographs shot inside three countries to create this nature. Blurring the distinction concentrates on landscapes and up. The volume’s short texts area he is able to illustrate the an attempt to represent her trauma GPS. Incorporating photography, the homes of its residents. cinematic volume on modern-day between the real and the virtual, rooms of historic, cultic or social represent missing pictures, guiding bullfighting. Blood of Kings cycles slightest of movements: the wing the viewer through the artist’s through fragile photographic archival images, press clippings, RM her abstract images testify to the significance. lith a focus on beats of moths or the tracks of subjective recollections of a small, images that scrutinize both fear film and written sources, his CDN $57.50 through the exhilarating and impact of human culture on the cultural practices and procedures, 9788416282722 U.S. $45.00 ants. This volume reproduces and survival. project captures a rapidly FLAT40 Hbk, 6.75 x 8.75 in. / dangerous world of a controversial earth. Kunkel’s images explore collective industrial town. these works. expanding megalopolis. 144 pgs / 236 color. January/ professional bullfighter through ACTES SUD/HSBC KERBER memory and the construction of KERBER Photography eloquent photographs. HATJE CANTZ 9782330063054 U.S. $22.00 CDN $29.95 ACTES SUD/HSBC 9783735602114 U.S. $35.00 CDN $45.00 history. 9783735602572 U.S. $45.00 CDN $57.50 9783775742498 U.S. $60.00 CDN $78.00 FLAT40 Hbk, 8.75 x 11.25 in. / 9782330063047 U.S. $22.00 CDN $29.95 RM FLAT40 Clth, 6.75 x 9.5 in. / 96 pgs / FLAT40 Hbk, 10.75 x 9.5 in. / FLAT40 Hbk, 10 x 11.5 in. / 164 pgs / VERLAG FÜR MODERNE KUNST 104 pgs / 45 color. February/ FLAT40 Hbk, 8.75 x 11.25 in. / 9788416282753 U.S. $38.00 CDN $49.95 47 color. January/Photography 160 pgs / illustrated throughout. 100 color. February/ 9783903131552 U.S. $40.00 CDN $52.50 Photography 104 pgs / 45 color. February/ FLAT40 Hbk, 6.75 x 9.75 in. / 192 pgs March/ Photography Photography FLAT40 Flexi, 9 x 10.75 in. / 208 pgs / Photography/Middle Eastern Art & / 77 color. January/Photography/Latin 120 color. March/Photography Culture American/Caribbean Art & Culture

Clemens Fantur: Michael Krzanich: Wolfgang Strassl: Alfredo Cortina: Berlin Raum Radar Harf Zimmermann: Scarlett Hooft Masumi Hayashi Aurora Cordial Someone’s Mana Homeland PHotoBolsillo New Architecture Hufelandstrasse, Graafland: Text by Barbara Tannenbaum. Text by Fabian Knierim, Introduction and text by Haare East Jerusalem Landscapes Text by Ariel Jiménez. A Photography Berlin 1055 Shores Like You Best known for her technique of creating photo collages by suturing Danton Remoto. Vienna-based Williams. In 2014 and 2015, New Text by Wolfgang Strassl. Through photographer, broadcasting Edited with text by Nadine Barth. Text by Joachim Gauck. Text by Nanda van den Berg, together images into a grid format, photographer Clemens Fantur Zealand photographer Michael documentary-style photography, pioneer, author, publicist, collector, Text Nikolaus Kuhnert, et al. Berlin Hufelandstrasse, Berlin 1055 Maarten Doorman, et al. Scarlett American photographer Masumi collects impressions, encounters, Krzanich (born 1964) explored Munich- and Tel Aviv-based designer and more, Alfredo Raum Radar traces Berlin’s urban is Harf Zimmermann’s (born Hooft Graafland (born 1973) Hayashi (1945–2006) trained her found objects and thoughts from the undercurrent of remote New lolfgang Strassl explores the Cortina (1903–88) was a truly morphology—chronicling the 1955) 1986–87 black-and-white photographs the high-altitude salt lens on Rust Belt landscapes, a trip to the Philippines in this Zealand and found a resonance urban landscapes of Jerusalem— remarkable figure in 20th-century cityscape’s numerous permanent portrait of the people and places flats in Bolivia, remote farming EPA Superfund sites, Japanese photobook. lhat takes shape in unique to that part of the world. its Palestinian residents and Israeli Venezuela. This volume compiles changes and the upheaval of of Hufelandstrasse, a bustling sheds in Iceland, the beaches American internment camps from the notes is the story of a family The images in Someone’s Mana settlers, separated by walls and his photographs, a treasure trove entire districts since the city’s neighborhood street in the heart of of Dubai and the polar region of lorld lar Two and decaying scattered across the globe and of a depict people and places that have fences—and provides a rarely of a testimony to the Caracas of reunification—by compiling over communist East Germany, inspired Gorinchem, The Netherlands, prisons. love between continents. a connection with Maori life. seen view of the deep scars left by his time. 80 works from the past 15 years by by Bruce Davidson’s East 100th tracing the disappearance of KERBER HATJE CANTZ conflict over the decades. LA FÁBRICA Tacita Dean, Mitch Epstein, Robert Street. traditional cultures in images RADIUS BOOKS

9783735602367 U.S. $40.00 CDN $52.50 9783775742276 U.S. $75.00 CDN $95.00 9788416248728 U.S. $19.95 CDN $25.95 Polidori and many others. colorful and surreal. 9781942185208 U.S. $55.00 CDN $70.00 KERBER STEIDL FLAT40 Hbk, 8.25 x 10.25 in. / FLAT40 Hbk, 11.8 x 9.8 in. / FLAT40 Pbk, 5 x 7 in. / 96 pgs / FLAT40 Hbk, 15 x 9.25 in. / 168 pgs / 9783735602527 U.S. $45.00 CDN $57.50 HATJE CANTZ 9783958292642 U.S. $65.00 CDN $75.00 NAI010 PUBLISHERS 104 pgs / 71 color / 1 b&w. January/ 160 pgs / 70 color. February/Art 60 b&w. February/Photography/Latin 62 color. May/Photography FLAT40 Hbk, 11.75 x 8 in. / 128 pgs / 9783775741798 U.S. $40.00 CDN $52.50 FLAT40 Clth, 11.5 x 9.5 in. / 9789462083226 U.S. $75.00 CDN $95.00 Photography American/Caribbean Art & Culture 87 color. January/Photography/ FLAT40 Hbk, 8.75 x 8.75 in. / 110 pgs 132 pgs / 15 color / 80 b&w. FLAT40 Hbk, 9 x 11 in. / 176 pgs / Middle Eastern Art & Culture / 80 color. February/Photography June/Photography 80 color. January/Photography

174 artbook.com artbook.com 175 Portraiture SPECIALTY ■ PHOTOGRAPHY

Stefan Hanke: José Luis Cuevas: Toni Meneguzzo: Johan Willner: Franco Gobbi: Fragile Robin Broadbent Sarai Mari: Maurizio Galimberti Concentration New Era Gauchillos Wind upon the Face Franco Gobbi’s (born 1976) The latest volume from Speak Easy Portraits Camp Survivors Controversial Mexican Text by Toni Meneguzzo, Andrés of Waters Fragile is a series of photographs London-born, New York–based Foreword by Xerxes Cook. Edited by Benedetta Donato. featuring the world top models. photographer Robin Broadbent Text by Charles Chaplin, Eckart photographer José Luis Cueva’s Salas, Daphné Anglès, Jean Edited by Göran Odbratt, Michael Japan-born, New York–based This first collection of mosaic-style Gobbi’s work draws on and refers upends preconceptions of fashion Dietzfelbinger, Stefan Hanke, (born 1973) New Era evokes a Blanchaert, Tommaso Basilio. Tjelder. Stockholm-based fashion photographer Sarai Mari portraits by Mauruzio Galimberti to an array of predecessors, and abstraction. Broadbent has Joachim Wolbergs. German time of spiritual darkness: full Gauchillos follows the footsteps photographer Johan lillner (born has always been interested in the (born 1956), spanning the past including Man Ray, Francis Bacon worked for publications such as photographer Stefan Hanke (born of symbolic echoes, the series of Gauchito Gil and San la 1971) combines black-and-white gender roles men and women 30 years, includes a diverse range and Andy larhol. Fragile is Numero, Vogue, New York Times 1961) spent the last 11 years suggests the coming of the Muerte, two of many folk saints photos with an integrated essay, play within society. This volume of sitters, from Johnny Depp and Gobbi’s debut book of Magazine, Wall Street Journal traveling thousands of kilometers apocalypse. In images of mystical unrecognized by the Roman creating a joint photographic celebrates all notions of gender Kate linslet to Peter Greenaway, photography. Magazine and Harper’s Bazaar. in order to meet and photograph objects, landscapes burn to Catholic Church but flourishing and textual narrative. Wind Upon and sexuality. Julian Schnabel, Chuck Close, ashes and suffering, and Cuevas in Argentina. The book includes Daniel Spoerri and Mimmo Rotella. the last survivors of the Nazi the Face of Waters deals with DAMIANI DAMIANI DAMIANI progresses through concepts of evocative photographs of pilgrims, 9788862085298 U.S. $70.00 CDN $90.00 9788862085304 U.S. $50.00 CDN $65.00 concentration camps. Captioned questions of religion and faith in 9788862085076 U.S. $45.00 CDN $57.50 SILVANA EDITORIALE expiation, purification and rebirth. gauchos and prayer centers FLAT40 Hbk, 8.75 x 8.75 in. / FLAT40 Pbk, 8.5 x 11 in. / with each subject’s story, this the modern, secular society of the FLAT40 Hbk, 8.25 x 10.75 in. / 9788836633708 U.S. $60.00 CDN $78.00 192 pgs / 150 color. March/Fashion/ 184 pgs / 100 color / 60 b&w. moving volume is more personal throughout the country. ‘70s and ‘80s. 160 pgs / 15 color / 70 b&w. March/ FLAT40 Hbk, 12 x 15 in. / 208 pgs / RM/FUNDACIÓN BANCOMER/ Photography March/Photography interpretation than documentary. FUNDACIÓN TELEVISA Photography 120 color. February/Photography DAMIANI KERBER 9788416282739 U.S. $37.50 CDN $47.50 HATJE CANTZ 9788862085137 U.S. $35.00 CDN $45.00 9783735602664 U.S. $35.00 CDN $45.00 FLAT40 Hbk, 8.75 x 12.75 in. / FLAT40 Hbk, 11 x 8.5 in. / 184 pgs / 9783775741972 U.S. $75.00 CDN $95.00 FLAT40 Hbk, 6.75 x 8.25 in. / 5 152 pgs / 73 color. January/ IMAGE CREDITS COVER: Kazimir Malevich, “Red House” (detail), 1932. Oil on canvas, 25 x 21 ⁄8"’. State Russian Museum. Photo © 2016, State Russian Museum, St. Petersburg. FLAT40 Hbk, 10 x 13 in. / 264 pgs / 140 color. March/Photography/Latin 104 pgs / 30 b&w. January/ Photography/Latin American/ American/Caribbean Art & Culture PAGE 2: Pedro E. Guerrero, Frank Lloyd lright with the San Francisco Call Building model (1913). 1947. © Pedro E. Guerrero Archives. Frank Lloyd lright, Prefabricated Farm 123 color. February/Photography Photography 3 3 Caribbean Art & Culture Unit for lalter V. Davidson. Project, c. 1932. Painted wood and particle board, 7 ⁄4 x 54 ⁄4 x 70". The Frank Lloyd lright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York). PAGE 3: Frank Lloyd lright, Raul Bailleres House, Acapulco, Mexico. Project, 1952. Ink, pencil and colored 3 7 pencil on tracing paper, 31 ⁄4 x 52 ⁄8". The Frank Lloyd lright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New 3 1 York). PAGE 4: Henri Matisse, “Yellow Odalisque,” 1937. Oil on canvas, 21 ⁄4 x 18 ⁄8". Philadelphia Museum of Art, The Samuel S. lhite 3rd and Vera lhite Collection, 1967, The Philadelphia Museum of Art/Art Resource, NY © 2016 Succession H. Matisse/Artists Rights Society (ARS), New York. PAGE 5: Henri Matisse, “Still Life with Blue Tablecloth,” 1909, 5 oil on canvas, 34 ⁄8 x 46½", The State Hermitage Museum, Saint Petersburg. Photograph © The State Hermitage Museum. Photograph by Vladimir Terebenin. © 2016 Succession H. Matisse/ Artists Rights Society (ARS), New York. Photograph of Matisse painting the model Zita at 1 place Charles-Félix, Nice, 1928. Archives Henri Matisse. Henri Matisse, 3 5 “Goldfish and Sculpture,” 1912. Oil on canvas, 45 ⁄4 x 39 ⁄8". The Museum of Modern Art, New York, Gift of Mr. and Mrs. John Hay lhitney, 1955, digital image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY © 2016 Succession H. Matisse/Artists Rights Society (ARS), New York. PAGE 6: Kazimir Malevich, “Head of a Peasant,” 1928–29. 1 1 Oil on plywood, 28 ⁄5 x 21 ⁄5". State Russian Museum. Photo © 2016, State Russian Museum, St. Petersburg. Georgy Petrusov, “Caricature of Aleksandr Rodchenko,” c. 1933–34. 3 Photograph Gelatine silver print, 11½ x 15 ⁄4". Alex Lachmann collection London © Collection Alex Lachmann. Advertisement “Of course, cream-soda!,” 1926 Paper, chromolitho- 3 graph, 18 x 11 ⁄5". The State Museum of the History of St Petersburg. Photo © Provided with assistance from the State Museum and Exhibition Centre ROSIZO. Anna Golubkina, 4 3 “Birch-tree,” 1927. Bronze, 37 ⁄5 x10 ⁄5 x 10¼". State Tretyakov Gallery. Photo © State Tretyakov Gallery. PAGE 7: Kazimir Malevich, “Dynamic Suprematism Supremus,” c. 1915. Oil 3 on canvas, 31 ⁄5 x 31½". Tate, purchased with assistance from the Friends of the Tate Gallery 1978. Photo: © Tate, London 2016. Boris Mikhailovich Kustodiev, “Bolshevik,” 1920. 4 1 Oil on canvas, 39 ⁄5 x 55 ⁄3". State Tretyakov Gallery. Photo © State Tretyakov Gallery. PAGE 8: Composite image of Merce Cunningham Dance Company performing Anniversary Arwed Messmer: Cell Carlos Alba: Giovanni Gastel Jens Nolte: Event during the exhibition of Olafur Eliasson’s The leather Project, Tate Modern, London, November 2003 (interior); Merce Cunningham Dance Company in Persepolis Event, Persepolis, Iran, September 8, 1972 (exterior); interior photo by Gigi Giannella; exterior photo courtesy of Merce Cunningham Trust. PAGE 9: Merce Cunningham and Charles Atlas, In 1975, the lest German politi- The Observation Edited by Germano Celant. This Aufwacken Event for Television (still from Scramble excerpt), 1976. © Charles Atlas, courtesy Charles Atlas and Luhring Augustine. © 2016 Frank Stella / Artists Rights Society (ARS), New cian Peter Lorenz was abducted of Trifles volume tracks the creative path Text by Peter Scharf, Boris Kaiser. York. Barbara Morgan, Merce Cunningham in “Root of an Unfocus,” 1944. Collection UCLA Library Special Collections Barbara and lillard Morgan Archives. PAGE 10: Robert by the June 2 Movement. Today, if of the Milanese photographer Rauschenberg and Susan leil. “Untitled (Double Rauschenberg,”. c. 1950. Exposed blueprint paper. 6'10½" × 36¼". Cy Twombly Foundation. © 2016 Robert Rauschenberg Text by Rodrigo Orrantia, Laura Every August, for over 25 years, you search online, just one image, Giovanni Gastel (born 1955) over Foundation. Robert Rauschenberg, “Bed,” 1955. Oil and pencil on pillow, quilt and sheets on wood supports, 6' 3¼" x 31½" x 8". The Museum of Modern Art. Gift of Leo Castelli in Kaye. Nominated for lorld Press the village of lacken, Germany, honor of Alfred H. Barr, Jr. © 2016 Robert Rauschenberg Foundation. PAGE 11: Robert Rauschenberg, “Gold Standard,” 1964. Oil, paper, printed reproductions, clock, cardboard featuring Lorenz in his cell, defines the past 40 years, through the Photo, Madrid-born photographer has been the center of the box, metal, fabric, wood, string, pair of men’s boots and Coca-Cola bottles on gold folding Japanese screen with electric light, rope and ceramic dog on bicycle seat and wire-mesh the event. However, a body of intertwining of his professional and Carlos Alba (born 1984) presents international heavy metal scene, base. 84¼ x 142½ x 51¼" overall. Glenstone Museum, Potomac, Maryland. © 2016 Robert Rauschenberg Foundation. Photograph: Tim Nighswander / Imaging4Art.com. PAGE 12: 3 11 about 3,000 negatives has sur- personal lives across the genres when around 100,000 people Lee Friedlander, “New York City,” 1966. Gelatin silver print, 5 ⁄4 x 8 ⁄16". The Museum of Modern Art, New York. Carl Jacobs Fund. © 2016 Lee Friedlander. Diane Arbus, “Identical East London through the eyes of 1 9 vived, organized here by Arwed of still life, portraiture and fashion Twins, Roselle, New Jersey,” 1967. Gelatin silver print, 15 ⁄8 x 14 ⁄16". The Museum of Modern Art, New York. Richard Avedon Fund. © 2016 The Estate of Diane Arbus, LLC. Garry make the pilgrimage for the music 11 13 an outsider in The Observation of linogrand, “San Francisco,” 1964. Gelatin silver print, 8 ⁄16 x 12 ⁄16". The Museum of Modern Art, New York. Purchase and gift of Barbara Schwartz in memory of Eugene M. Messmer (born 1964) based on work. Trifles, offering up a guide to the festival. From photographer Jens Schwartz. © 2016 The Estate of Garry linogrand, courtesy Fraenkel Gallery. PAGE 15: Photo Archivio Cameraphoto Epoche. © Solomon R. Guggenheim Foundation, New York. material, size and detail. city as told through the objects SILVANA EDITORIALE Nolte (born 1974) comes the first Kandinsky, “Several Circles” © 2017 Artists Rights Society (ARS), New York. Photo © Solomon R. Guggenheim Foundation, New York. PAGE 16: “Mlle Charlotte Berthier,” 1883. Oil on canvas, 36¼ x 28¾". lashington, DC, National Gallery of Art. Gift of Angelika lertheim Frink. “loman with a Parasol in a Garden,” 1875. Oil on canvas, 21½ x 25½" Madrid, found on its streets. 9788836634835 U.S. $60.00 CDN $78.00 photobook on the festival. HATJE CANTZ Museo Thyssen-Bornemisza. PAGE 18: Jean-Eugène Auguste Atget, “Fleurs au panier – Duex bottes pour trois sous,” Les petits métiers de Paris. Hand-colored collotype on card FLAT40 Pbk, 8 x 9.5 in. / 528 pgs / 9783775741859 U.S. $60.00 CDN $78.00 KERBER stock, 5½ x 3½" Leonard A. Lauder Archive Postcard Archive, Gift of Leonard A. Lauder. PAGE 22: Photograph copyright 2015 Tiffany & Co. Archives. PAGE 43: © Höweler + Yoon LA FÁBRICA 500 color. February/Photography FLAT40 Pbk, 9.75 x 13.5 in. / Architecture, Squared Design Lab. © Courtesy Dunne & Raby, Photo: Per Tingleff. © AKA. PAGE 51: Dorothy Iannone, pages from A CookBook (1969). © Photo Hans-Georg Gaul. 9788416248643 U.S. $45.00 CDN $57.50 9783735602503 U.S. $35.00 CDN $45.00 160 pgs / 100 color. February/ Courtesy Air de Paris, Paris. PAGE 53: Louise Lawler, “Life after 1945 (Faces),” 2006/2007. Silver dye bleach print, 40 x 33¼". The Museum of Modern Art, New York. Promised FLAT40 Clth, 9 x 11.75 in. / 110 pgs / FLAT40 Hbk, 8.25 x 11.75 in. / 96 Photography pgs / 45 color. January/Photography/ gift of Glenn and Amanda Fuhrman. © 2016 Louise Lawler. PAGE 88: Charles lhite. Black Pope (Sandwich Board Man). 1973. Oil on board, 65½ x 49½". The Museum of Modern 100 color. February/Photography Art, New York. Richard S. Zeisler Bequest (by exchange), The Friends of Education of The Museum of Modern Art, Committee on Drawings Fund, Dian loodner, and Agnes Gund. Music 4 © 2016 The Charles lhite Archives. PAGE 96: Anthony Green, “A Modern Olympia III.” Oil on board 53½ x 48 ⁄5". © Royal Academy of Arts. Photography: John Bodkin/Dawkins Colour. PAGE 97: Howard Hodgkin, “Mr and Mrs James Kirkman,” 1980–4. Oil on wood, 40¾ x 47¾" © Howard Hodgkin. PAGE 101: Photograph by Nina Beier. Courtesy the artist. PAGE 125: © The Estate of Harry Callahan / Courtesy Pace / MacGill Gallery, New York. Collection Maison Européenne de la Photographie, Paris.

176 artbook.com artbook.com 177 ART BACKLIST HIGHLIGHTS DESIGN & ARCHITECTURE BACKLIST HIGHLIGHTS

Agnes Martin Art & Beauty Magazine: Francis Picabia: Our Heads Are Round 5 Year Diary: Black Cover Alexander Girard: By the People: Designing 9781938922763 Drawings by R. Crumb so Our Thoughts Can Change Direction 9780977648139 A Designer’s Universe a Better America Clth, U.S. $55.00 CDN $65.00 9781941701348 9781633450035 Clth, U.S. $24.95 CDN $27.50 9783945852057 9781942303145 U.S. U.S. D.A.P./Tate Hbk, U.S. $35.00 CDN $45.00 Hbk, U.S. $75.00 CDN $95.00 The Ice Plant Clth, $85.00 CDN $105.00 Pbk, $29.95 CDN $37.50 David Zwirner Books The Museum of Modern Art Vitra Design Museum Cooper Hewitt, Smithsonian Design Museum

Georgia O’Keeffe: Watercolors Gerhard Richter: Panorama KAWS Where the End Starts 9781942185048 9781938922923 9780929865362 Hbk, U.S. $60.00 CDN $78.00 Hbk, U.S. $65.00 CDN $85.00 Clth, U.S. $55.00 CDN $70.00 Cape Cod Modern How Posters Work The Lucky, Plucky Chairs Radius Books/Georgia O’Keeffe Museum D.A.P./Tate Modern Art Museum of Fort lorth 9781935202165 9780910503822 9783945852095 Hbk, U.S. $45.00 CDN $55.00 Hbk, U.S. $29.95 CDN $35.00 Hbk, U.S. $18.50 CDN $23.95 Metropolis Books Cooper Hewitt, Smithsonian Design Museum Vitra Design Museum

The Little Mermaid by Hans Christian Raymond Pettibon: Homo Americanus What Is Contemporary Art? A Guide Never Built New York Robert Venturi: Complexity And Soviet Bus Stops Andersen & Yayoi Kusama 9781941701263 for Kids 9781938922756 Contradiction In Architecture 9780993191107 U.S. 9788792877598 Hbk, U.S. $65.00 CDN $85.00 9780870708091 Hbk, U.S. $55.00 CDN $70.00 9780870702822 Hbk, $32.50 CDN $40.00 U.S. Hbk, U.S. $45.00 CDN $57.50 David Zwirner Books/Deichtorhallen Hbk, U.S. $22.95 CDN $29.95 Metropolis Books Pbk, $24.95 CDN $29.95 Fuel Publishing Louisiana Museum of Modern Art Hamburg–Sammlung Falckenberg The Museum of Modern Art The Museum of Modern Art

178 artbook.com artbook.com 179 PHOTOGRAPHY BACKLIST HIGHLIGHTS POPULAR CULTURE BACKLIST HIGHLIGHTS

Carrie Mae Weems: The Family of Man Henri Cartier-Bresson: The Decisive The 2001 File: Harry Lange and the The Anatomical Venus Bruce Springsteen & The E Street Kitchen Table Series 9780870703416 Moment Design of the Landmark Science 9781938922916 Band 1975 9788862084628 Pbk, U.S. $24.95 CDN $27.50 9783869307886 Fiction Film Hbk, U.S. $35.00 CDN $45.00 9781909526341 U.S. U.S. Clth, U.S. $50.00 CDN $65.00 The Museum of Modern Art Slip, $125.00 CDN $150.00 9780957261020 D.A.P./Distributed Art Publishers, Inc. Hbk, $60.00 CDN $78.00 Damiani/Matsumoto Editions Steidl Hbk, , U.S. $75.00 CDN $95.00 Reel Art Press Reel Art Press

James Mollison: Where Children Paris Metro Photo Photography at MoMA 1920 to 1960 Hokusai’s Lost Manga Jim Marshall Jazz Festival Mina Stone: Cooking for Artists Sleep 9782330065911 9781633450134 9780878468263 9781909526327 9780984721078 9781905712168 Hbk, U.S. $55.00 CDN $70.00 Clth, U.S. $75.00 CDN $95.00 Clth, U.S. $35.00 CDN $45.00 Clth, U.S. $75.00 CDN $95.00 Hbk, U.S. $40.00 CDN $50.00 Hbk, U.S. $30.00 CDN $39.95 Actes Sud The Museum of Modern Art MFA Publications, Museum of Fine Arts, Reel Art Press Kiito-San Chris Boot Boston

Robert Frank: The Americans Saul Leiter: Early Color Walker Evans: American Photographs The Moon 1968–1972 Muhammad Ali Fighter’s Heaven 1974 Russian Criminal Tattoo 9783865215840 9783865211392 9780870708350 9781942884057 9781909526389 Encyclopaedia Volume I U.S. Clth, U.S. $40.00 CDN $50.00 Clth, U.S. $45.00 CDN $55.00 Clth, U.S. $40.00 CDN $52.50 Hbk, U.S. $18.00 CDN $23.95 Hbk, $49.95 CDN $60.00 9780955862076 U.S. Steidl Steidl The Museum of Modern Art T. Adler Books Reel Art Press Hbk, $32.95 CDN $40.00 Fuel Publishing

180 artbook.com artbook.com 181 INDEX WRITINGS BACKLIST HIGHLIGHTS 101Danish Design Icons 21 BittersweetTransformation 170 Darboven,Hanne 117 Floatingin Sausalito 135 HistoryTakes Place: Rome 144 40: Love 132 BlackMountain Research 170 Dash 149 Fontanella,Megan 15 Hobbs,Robert 155 Blakemore,Amy 173 Davidovich,Jaime 114 Food:Ecologies of Hoberman,J. 104 Abbas,Basel 161 Blauvelt,Andrew 66 Davidson,Susan 81 theEveryday 170 Hockney,David 80 Abdessemed,Adel 121 BlingBling Baby 131 deCointet, Guy 112 Forceof Listening 119 Hodgkin,Howard 97 Abou-Rahme,Ruanne 161 Blossfeldt,Karl 19 deKooning, lillem 102 Forth,Robert 33 Hoffmann,Jens 64 Abramovic,Marina 93 Blum,Dieter 135 deMiddel, Christina 136 Foster,Hal 11,56, 108 Höhenrausch 169 Abril,Laia 126 Blumenfeld,Erwin 82 deSaint Phalle, Niki 113 Fotcuberta,Joan 173 Holborn,Mark 139,157 AbstractExpressionism 81 Boghiguian,Anna 167 DeStijl in the FrankLloyd lright: Hollein,Max 165 Accompliceto Memory 75 Bois,Yve-Alain 11,92, 167 Netherlands,Guide 145 Unpackingthe Archive 3 Höller,Carsten 157 Adam,Ricky 130 Bolofo,Koto 142 delaal, Edmund 162 Frank,Robert 83 HooftGraafland, Scarlett 175 Adkins,Terry 158 Bonami,Francesco 157 Deacon,Richard 111 Friedlander,Lee 12,123 Hopkins,Owen 141 Adnan,Etel 103 Borchardt-Hume,Achim 11 Dean,Tacita 113,159 Funcke,Bettina 117 Hopps,lalter 133 AdultMovie Posters Borowick,Nancy 138 Degasand His Model 63 Furuholmen,Magne 168 Hoptman,Laura 79 ofthe 60s and 70s 26 Bourdin,Guy 82 Deitch,Jeffrey 47 Horn,Roni 152 Againstthe Tide 149 Bove,Carol 110 DeJong,Constance 73 Galimberti,Maurizio 177 Horna,Kati 137 Ahlgrimm,Frank 165 Bradley,Joe 86 Delarozière,François 166 García,Rocío 153 Horvat,Frank 138 Alba,Carlos 176 Brakhage,Stan 68 Deller,Jeremy 49 Gardenof Monsieur Howard,Charles 106 Alcohol:Soviet Breitz,Candice 159 Democracyof Imagery, A 83 Monet,The 80 Huberman,Anthony 79,115 Anti-AlcoholPosters 24 Breuning,Olaf 104 Density,Architecture, Gastel,Giovanni 176 Hudson,Hadley 128 Aldridge,Miles 82 Broadbent,Robin 177 andTerritory 148 Gates,Jr., Henry Louis 124 Huebler,Douglas 116 Ali,Kazim 74 Brus,Johannes 163 DesignThinking and GayOutlaw 163 Hujar,Peter 82 100 Secrets of the Art World An Attempt at Exhausting Donald Judd Writings 1958–1993 Alluri,Hari 74 BudapestCourtyards 36 Practice,Slow Reader 119 Geldin,Sherri 109 Hustvedt,Siri 54 Anderson,John Lee 174 Burri,René 83 Desmet,Anne 96 GeneralIdea 112 9783863359614 a Place in Paris 9781941701355 Ando,Tadao 146 Burton,Johanna 108,110, 117 Dickerman,Leah 11 Georg 73 Iannone,Dorothy 51 U.S. 9780984115525 U.S. CDN $50.00 Pbk, $9.95 CDN $12.50 Pbk, $39.95 Anfam,David 57,81 Burtynsky,Edward 134 Dickey,Kim 109 Gerber,Eckhard 147 IggyPop Life Class 49 U.S. Koenig Books Pbk, $12.95 CDN $15.00 Judd Foundation/David Zwirner Books AntFarm 66 Diederichsen,Diedrich 53,56 Gerdes,Ludger 156 Ikat 41 lakefield Press Anticipations 171 Cain,Peter 165 Dilthey,Iain 147 Gernes,Poul 156 Ikegami,Hiroko 9,11 Anti-Shows 120 Callahan,Harry 125 Dion,Mark 46 Giannotti,Aldo 167 ImaginativeBodies 118 Applebroog,Ida 90 Callas,Maria 128 Djurberg,Nathalie 161 Gioni,Massimiliano 62,110 Imponderable 68 Arbus,Diane 12 Calle,Sophie 50 Djurovic,Goran 167 Glackens,lilliam 117 IndianArchitecture 140 Architecture,Lessons Campany,David 32,37 DoIt the French lay… 146 Gladwell,Rodney 166 Indiana,Gary 159 forStudents 44 Canadians,The 126 Documenta 79 Gobbi,Franco 177 ItalianJewelry of Arning,Bill 166 Capellari,lolfgang 168 Doig,Peter 107 Godfrey,Mark 11 the20th Century 40 ArsElectronica 2016 171 Caravaggioand the Douglas,Stan 64 Goebel,Sylvia 166 ItalianJourney, An 96 ArtBasel|Year 47 79 Paintersof the North 100 Dove,Arthur 57 Gohlke,Frank 123 Iturbide,Graciela 136 ArtNouveau in Buenos Aires 146 Carl,Susanne 160 DrawingRooms 169 GoldenDecade, The 83 Artof Conduction, The 115 Carolee’sIssue 02 116 DreamShock 139 Goldin,Nan 82 Jackob-Marks,Christine 168 ArtCenterTalks 64 Casulá,Carma 174 Duchamp,Marcel 154 Golfer,Adam 121 Jiménez,Ariel 174 Artistson Hanne Darboven 117 Catanese,Melissa 172 Dunham,Carroll 86 Gonzálezde León, Teodoro 147 Joannou,Dakis 110,116, 171 Asgar,Daryoush 161 Cattelan,Maurizio 77 DutchOld Masters Gonzalez-Torres,Felix 94 Jonas,Joan 115 Asmara:Africa’s Jewel Cazalis,Carlos 174 fromBudapest 100 Gordon,Kim 116 Jonas,Paul Ramirez 160 ofModernity 140 Celant,Germano 101,154, 176 Gorkiewicz,Manuel 156 Jorn,Asger 113 AtelierKempe Thill 147 Celluloid 159 Eggleston,lilliam 13,30 GothicBoxwood Microcarvings 59 Journeyto the Land of the Real 72 Atem,Gen 166 Chan,Paul 116 ElectiveAffinities 169 Graham,Dan 156 Juhl,Finn 20 Atget,Eugène 18 Chardinand Rembrandt 63 Elger,Dietmar 55 Gray,Jennifer 3 Julien,Isaac 158 Attia,Kader 158 Cheetah 35 Elia,Miriam 48 Green,Anthony 96 Atwood,Tom 129 Chen,Anelise 74 Eliasson,Olafur 157 Greiner,Andreas 155 Kantha 41 Ault,Julie 94 ChessSets of the lorld 23 Emscherkunst2016 171 Griffin,Tim 117,163, 164 Kantor,Jordan 167 Authorship,Authentication and Christoand Jeanne-Claude 154 Ensor,James 80 Grosse,Katharina 164 Kapoor,Anish 111,116 The Floral Ghost The Hearing Trumpet Joe Brainard: I Remember Falsificationof Artworks 120 ChungSang-Hwa 163 Enwezor,Okwui 158 Grossman,Sid 83 Karamustafa,Gülsün 167 9780986281495 9781878972194 9781887123488 Axelsson,Ragnar 34 Cloud& Crystal: The Dorothee and EOOS 142 Grotjahn,Mark 105 Karel,Betsy 135 Ayres,Gillian 96 KonradFischer Collection 169 Erró 154 Grzymala,Monika 156 U.S. CDN $29.95 Pbk, U.S. $15.95 CDN $17.50 Pbk, U.S. $14.95 CDN $17.50 Kashi,Ed 173 Hbk, $22.00 Collins,Hannah 157 Eskildsen,Joakim 83 Guggenheim,Visionaries 15 Exact Change Granary Books Katz,Alex 98 Planthouse Bajac,Quentin 132 ColouringBook, Damien Hirst 49 Esopus24 77 Gusmão,João Maria 161 Kawara,On 103 Bal,Mieke 53 CommonThread, The 101 EuropeanSilverware 143 Guyton,lade 117 KAYA 171 Ball,Jesse 73 Connors,Matt 105 Evidence 33 Keegan,Matt 161 Baltz,Lewis 32,94 Constant 113 ExhibitionHistories 120 Haas,Ernst 82 Keeper,The 62 Banner,Fiona 152 Contours 171 Exhibitionist:Journal Haas,Robert 137 Kempinas,Zilvinas 156 Barba,Rosa 159 Cookbook,Dorothy Iannone 51 onExhibition Making 64 Hains,Raymond 113 Kingin the Golden Mask, The 71 Bartos,Adam 68 Cools,Guy 118 Eyeof the Beholder 126 Halley,Peter 92,165 Kirkeby,Per 168 Baruchello,Gianfranco 112 Cornell,Joseph 81 Handforth,Mark 162 Kismaric,Susan 133 Basbaum,Ricardo 160 Cortina,Alfredo 174 Facesof the North 34 Hanhardt,John 114 KlangumweltErnst- Basualdo,Carlos 9 Costume& Fashion 38 FahrelnissaZeid: Hanke,Stefan 176 Reuter-Platz 160 BaukollegiumBerlin 148 Cowboys 135 Painterof Inner lorlds 121 Hanson,Pamela 129 Kläs,Esther 159 Baumann,Daniel 117 Cragg,Anthony 159 Fahrenholz,Loretta 158 HapaJapan 76 Klüppel,Karolin 132 Beatles,Nothing Is Real 67 Crimp,Douglas 9,53 Falls,Sam 164 Harvey,Matthea 153 Klüssendorf,Anna 168 BelfastPunk 130 Crocodilein the Pond, The 169 Fantur,Clemens 174 Havinga Cigarette Ko,Jae 163 Belin,Valérie 132 CruzAzaceta, Luis 106 Faurer,Louis 133 withÁlvaro Siza 147 Konrad,Aglaia 173 Bellini,Mario 147 CSStudio 147 Feinstein,Rochelle 105 Hayashi,Masumi 175 Kozloff,Max 12 Benglis,Lynda 114 Cubismand lar 99 Feldmann,Hans-Peter 131,172 Hayward,James 165 Krebber,Gereon 156 BenrathPalace and Park 148 Cuevas,José Luis 176 Ferguson,Russell 94 Hello,Robot. 43 Kruithof,Anouk 172 Berg,Hans 161 Cuisset,Thibaut 134 Ferrari,Andrea 134 Henrot,Camille 170 Krzanich,Michael 174 Bergdoll,Barry 3 Cullar-Ledford,Thedra 166 Ferrari,Pierpaolo 77 Hermanson,Sarah 12 Kunhardt,Jr., Peter l. 124 Berger,Maurice 124 Cunningham,Merce 9 Fieret,Gerard Petrus 172 Hernández,Jonathan 152 Kunkel,Albrecht 175 BerlinRaum Radar 175 CyberArts2016 171 Figgis,Genieve 116 Hertzberger,Herman 44 Kupferberg,Tuli 67 Bernstein,Judith 165 Figueiredo,Sergio M. 145 Herzog,Fred 37 Kupka,Frantisek 154 Berry,Emmanuel 60 d`Urso,Alessandra 139 Fink,Larry 29 Hewitt,Leslie 110 Kusaka,Shio 110 Marcel Duchamp: Rolling the R’s Shakespeare and Company, Paris Beshty,lalead 32,131 D’Urbano,Alba 161 FischerCollection 169 Heyman,Oscar 22 Kwon,Miwon 94 The Afternoon Interviews 9781885030511 9791096101009 BestHighrises 2016/17 149 Dak’art12 171 Fischer,Hal 129 Hicks,Shelia 101 Kzradockthe Onion Man 72 9781936440399 Pbk, U.S. $16.95 CDN $22.00 Hbk, U.S. $34.95 CDN $45.00 BeyondRepresentation 153 DamnSon lhere Did You Fischer,Urs 110 HighLine 46 Biancardi,Monica 172 FindThis? 143 Flam,Jack 5 HippieModernism 66 U.S. CDN $20.00 Labandeira,Jesús 136 Pbk, $16.00 Kaya Press Shakespeare and Company Paris Bither,Philip 9 DanishDesign Icons 21 FlayedCity, The 74 Hirst,Damien 49,111 Badlands Unlimited

182 artbook.com artbook.com 183 INDEX

Ladd, Jeffrey 31 Monet, Claude 17, 80 Pictures of You 62 Schwob, Marcel 71 Unruly Bridal Bed, The 70 Laïdi-Hanieh, Adila 121 Moorhouse, Paul 54 Pierson, Jack 129 Secret Room, The 74 Urbajtel, Colette 173 Lauf, Cornelia 101 Morandi, Giorgio 99 Pissing Figures 63 See Red lomen’s lorkshop 25 Urban Landscape Laura Mulvey, Visual Pleasure 152 Morris, Lawrence D. Butch 115 Planet B: Ideas for a New lorld Segal, Mark 35 Transformation 148 Laval, Karine 132 Motus 160 169 Segalen, Victor 72 Usable Past 120 Lawler, Louise 53 Moudov, Ivan 152 Platzker, David 53 Segers, Hercules 58 Le Grand, Antoine 129 Moure, Gloria 155 Polidori, Robert 83 Seguin, Patrick 42 van Haaren, Bettina 166 Lebenzstejn, Jean-Claude 63 Muntadas, Antoni 153 Polke, Sigmar 104 Serpentine Pavilion 149 Velten, Till 158 Leitner, Bernhard 159 Mushkin, Hillary 107 Ponge, Francis 71 Serra, Richard 90 Vezzoli, Francesco 157 Lenkkeri, Ville 175 My Papa and the Maid Postcards of a Lost Paris 18 Shabazz, Jamel 28 Vicuña, Cecilia 95 Lessons for Students of Orléans 70 Practice of Dramaturgy 118 Shaping Cities 148 Vienna Model: Housing for the in Architecture 44 My Vibe 69 Price, lalter 167 Shapiro, Joel 114 Twenty-First Century City 144 Leutwyler, Henry 82 Myles, Eileen 109 Princenthal, Nancy 114 Sher, David 153 Viktor & Rolf 39 Levy, Louis 72 Mynona 70 Pritchard, N. H. 73 Sherman, Cindy 52 Vincourová, Kate_ina 170 Lewallen, Constance 163 Private Room 129 Siegel, Amie 157 Visionaries: Creating a Modern Lewis, Jim 69 Nadel, Dan 86, 106 Proust, Marcel 63 Siegel, Katy 108 Guggenheim 15 Lewison, Jeremy 81 NAi Effect, The 145 Prouvé, Jean 42 Siegfried Kracauer 73 Vitale, Marianne 162 LGBT: San Francisco 27 Najafi, Sina 153 Prouvost, Laure 157, 158 Sietsema, Paul 164 Vitra Campus, The 141 Lifshitz, Sébastien 126 Nara, Yoshimoto 107 Prüfer, Maximilian 175 Sights in the City: New York Vium, Christian 174 Like Art: Glenn O’Brien Nemerov, Alexander 13, 127 Street Photographs 28 von Brandenburg, Ulla 158 on Advertising 47 Nesbit, Molly 65 Quaestiones Perversas 153 Sigler, Jeremy 69 von Samsonow, Elisabeth 163 Lindbergh, Peter 133 Neutelings Riedijk Architects 143 Queen Sonja of Norway 168 Simonds, Charles 152 Vulgar, Fashion Redefined 39 Lindner, Richard 154 Nevarez, Angel 161 Question the lall Itself 101 Singh, Alexandre 117 Lippard, Lucy R. 95, 152, 170 Neville, Mark 83 Quiles, Daniel R. 114 Sire, Agnes 133 Wächli, Karin 161 Lipscombe, Beca 153 New Documents, Arbus Sister 69 laldner, Raffael 173 Littman, Brett 104 Friedlander linogrand 12 R., Tal 164 Sleep, Death’s Brother 73 lall to lall: Carpets by Artists101 Lost and Found: Dance, New York in Photobooks 31 Rabinowitz, Cay Sophie 78, 110 Slow Reader 119 lall, Jeff 37 New York, HIV/AIDS, Nickas, Bob 91, 94, 169 Ramos, Mel 98 Small londers 59 lalter, Frank 89 Then and Now 115 Nicoletta, Dan 27 Ratcliff, Carter 81 Smilde, Berndnaut 155 larhol, Andy 56 Lost Futures 141 Nieke, Regina 167 Rauschenberg, Robert 11, 98, 154 So Many Olympic Exertions 74 larm Modernity 140 Lozano, Lee 91 Niquet, Christopher 128 Rébora, Roberto 166 Soares, Valeska 156 latched! Surveillance, Lyman House, The 146 Njami, Simon 171 Rebuild by Design 45 Sørensen, Thorbjørn 168 Art and Photography 170 Noh, Jason Sangik 138 Reeder, Scott 105 South as a State of Mind: latercolors by Finn Juhl 20 Maclean, Rachel 159 Nolte, Jens 176 Reenchantments 171 Documenta 14 79 le Go Out 48 Maclean, Rory 62 Norris lebb, Rebecca 122 Remington, Deborah 102 Soviet Anti-Alcohol Posters 24 le Learn at Home 48 Magor, Liz 162 Nothing Is Real 67 Renoir, Pierre-Auguste 16 Spacescapes Dance & Drawing119 leibel, Peter 175 Maison d’Artiste 145 Now-Tomorrow-Flux 65 Responsible Object, The 44 Spagnoli, Jerry 135 leidner, Sascha 172 Making Urban Nature 144 Reus, Magali 109, 162 Spector, Nancy 94 leiss, Benjamin 18 Mandel, Mike 33 OASE 97 149 ReVision 139 Sperini, Loredana 157 leiss, Bruno 160 Mapping the Body 170 O’Brien, Glenn 47 Revolution: Russian Art 7 Staab Architekten 147 leiwei, Ai 81 Marchand, Yves 36 Obrist, Hans Ulrich 54, 83, 98, Ri, Ren 155 Stadtarbeit 149 lessel, Henry 122 Marcoci, Roxana 53 103, 113, 131, 149, 159 Richard, Frances 115 Stahel, Urs 32 lesseling, Janneke 118 Mari, Sarai 177 Ocean after Nature, The 170 Richter, Daniel 104 Sternfeld, Joel 134 lEtransFORM 169 Marker, Chris 68 Of Cats and Microwaves 148 Richter, Gerhard 54, 55 Steyerl, Hito 153 lhat Happened to Marote, Alejandro 173 Of Sponge, Stone and the Inter- Rijksmuseum, Stolen Oranges 75 My Buildings 145 Marta, Karen 116 twinement with the Here and Costume & Fashion 38 Storr, Robert 54, 94 lhen Up and Down Marten, Helen 109 Now 118 Rinder, Lawrence 106 Strandberg, Lars 135 Left Town 153 Masterworks: Rare and Beautiful Ohrt, Roberto 104, 113 Rivers, Ben 158 Strassburger, Henning 164 lhite, Charles 88 Chess Sets of the lorld 23 Opéra, The 78 Rocca, Suellen 106 Strassl, lolfgang 174 lilliams, Duncan Ryuken 76 Matisse in the Studio 5 Oppenheimer, Sarah 109 Rodin, Auguste 60 Striking Patterns 41 lilliams, Kent 107 Matisse, Henri 80 Oroschakoff, Haralampi G. 167 Rohmer, Marlies 145 Strothjohann, Ulrich 173 lilliams, Michael 164 Matrix, The 73 Orozco, Gabriel 95 Ronay, Matthew 108 Sugimoto, Hiroshi 61 lillis, Deborah 124 Matters of Gravity 170 Ortega, Luis Felipe 153 Rose, Rachel 152 Sultan, Larry 33 lillner, Johan 176 Maxwell, Richard 115 Osmos 78 Rosen, Kay 161 Szapocznikow, Alina 170 linogrand, Garry 12, 133 McCall, Anthony 155 Otten, Femmy 166 Rosenquist, James 98 Sze, Sarah 108 linters, Terry 165 McCartney, Mary 128 Oursler, Tony 68 Rosenthal, Mark 102 lomen’s lorkshop, See Red 25 McClain, Dylan 23 Outlaw, Gay 163 Rosmarin, Susie 165 Table, The 71 loo, Lee Jin 163 McCormick, Carlo 162 Rothfuss, Joan 9 Takamatsu, Jiro 103 lood, Jonas 87 McKenzie, Lucy 153 Painting the Modern Garden: Rothkopf, Scott 117 Taylor, Al 103 lou-Ki, Zao 102 Meade, Fionn 9, 101 Monet to Matisse 80 Routine Pleasures 119 Teller, Juergen 130 lright, Frank Lloyd 3 Meatyard, Ralph Eugene 127 Paiva, Pedro 161 Rowbotham, Sheila 25 Tevere, Valerie 161 lright, Jimmy 106 Meffre, Romain 36 Pam, Max 138 Ruby, Sterling 108 Thinking Outside the Box 169 lritings on lade Guyton 117 Meise, Michaela 152 Paolini, Giulio 154 Ruetz, Michael 83 Thomas, James ‘Son Ford’ 89 Meneguzzo, Toni 176 Paolozzi, Eduardo 56 Ruralism 144 Thornton, Torey 164 X-rated 26 Meromi, Ohad 159 Parachute Paradox, The 121 Tillman, Lynne 115 Messmer, Arwed 176 Parkett 78 Saar, Betye 88, 114 Tillmans, lolfgang 131 Yamamoto, Masao 34 Méta Harmony 160 Parks, Gordon 124 Saban, Analia 108 Ting, lalasse 102 Yau, John 103 Metaphors on Vision 68 Parreno, Philippe 157 Sabella, Steve 121 Tinguely, Jean 160 Yeah 67 Metzger, Gustav 112 Pastrana, Julia 126 Salihu, Leunora 157 Titian 100 Yeh, Max 75 Michel, Alice 63 Paterson, Katie 155 Sam Is Not My Uncle 143 Todolì, Vicente 104, 157 Young, Samson 160 Michelangelo 100 Patrick Zachmann 172 Sandback, Fred 92 Toilet Paper 77 Midnight: The Tempest Essays 65 Torres, Francesc 137 Payer, lieland 168 Sang-Hwa, Chung 163 gierska, Marta 174 Miller, John 116 Trager, Philip 82, 133 Z Penalba, Alicia 159 Sangre de Reyes 174 Z’Graggen, Maria Magdalena 165 Miralda’s El Internacional 142 Transiciones 139 Perfect Spectator, The 118 Savinar, Ted 162 Zhang, Q.M. 75 Mitchell, Joan 102 Tupitsyn, Margarita 120 Performance Practices, Imaginative Scher, David 153 Zheng, Liu 139 Modern Love 73 Tupitsyn, Victor 120 Bodies 118 Schneemann, Carolee 116 Zimmermann, Harf 175 Moffat, Curtis 82 Turk, Gavin 111 Permanent Collection 79 Schneider, Karin 164 Zobernig, Heimo 160 Mofokeng, Santu 136 Tuymans, Luc 80 Perspectives in Metropolitan Re- Schorr, Collier 165 Zuckerman, Heidi 79, 95 Mogensen, Børge 21, 40 search 2 149 Schulz, Ansgar 147 Moholy-Nagy, László 14 Peyton-Jones, Julia 98, 103, 149 Schütte, Thomas 163 UBS Art Collection 168 Molesworth, Helen 11, 91 Philips, Sandra 33 Schütz, Johannas 163 Uecker, Günther 155 Monahan, Matthew 162 Phillips, Lisa 171 Schwedes, Stefanie 175 Under the Influence 170

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