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distributed art publishers art distributed artbook Spring 

artbook SPRING 2014 NEW BOOKS ON ART & CULTURE distributed art publishers 155 Sixth Avenue, nd Floor, New York, NY 10013 www.artbook.com Ray Johnson, from Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35.

Featured releases 2 Journals 82

sprIng HIgHlIgHts 90 CATALOGUE EDITOR Thomas Evans photography 92 ART DIRECTION art 108 Stacy Wakefield group exhibitions 136 IMAGE PRODUCTION Ranya Asmar Writings 142 DATA PRODUCTION design 150 Alexa Forosty

COPY WRITING Film 158 Jarrod Annis, Thomas Evans, Tyler Fields, Annabelle Maroney, Seamus Mullarkey architecture 159

PRINTING limited editions 168 Sonic Media Solutions, Inc.

Front Cover Image speCIalty Books 170 5 7 Robert Heinecken, Recto/Verso #2, 1988. Silver dye bleach print, 8 ⁄8 x 7 ⁄8''. The Museum of Modern Art, New York. Mr. and Mrs. Clark Winter Fund. art 172 © 2013 The Robert Heinecken Trust. From Robert Heinecken: Object Matter, photography 196 published by The Museum of Modern Art, New York. See page 36.

BaCk Cover Image Backlist Highlights 201 Ray Johnson © Ray Johnson Estate, courtesy Richard L. Feigen & Co. From Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Index 207 © Ray Johnson Estate, courtesy Richard L. Feigen & Co & Feigen L. Richard courtesy Estate, Johnson Ray © ​Show​Time:​The​50​Most​ “a fascinating survey of Influential​Exhibitions of​Contemporary​Art​ groundbreaking exhibitions from Edited and with text by Jens Hoffman. Conversation with Hans Ulrich Obrist, Massimiliano Gioni, Maria the 1980s through to now . . . the Lind, Jessica Morgan, Carolyn Christov-Bakargiev, Adriano Pedrosa, Mary Jane Jacob. selection shines with the inquiring This monumental new book explores the recent history of exhibition-making, looking at the radical intelligence and practical know-how shifts that have taken place in the practice of curat- ing contemporary art over the last 20 years. Tracing that make Jens Hoffmann one of a history of curating through its most innovative shows, renowned curator Jens Hoffmann selects the most inventive of contemporary the 50 key exhibitions that have most significantly shaped the practice of both artists and curators. curators.” —terry smith Chosen from the plethora of exhibitions, biennials and art events that have sprung up across the world since the 1990s, each exhibition reviewed here has triggered profound changes in curatorial practice, EXHIBITIONS INCLUDE Sculpture and reanimated the potential of contemporary art. The book includes an international roster of curators, Projects Münster 1977, 1987, 1997, 2007 • and exhibition venues that span the globe, from the Magiciens de la Terre 1989 • Helter USA, Mexico, Brazil and South Africa to France, Skelter 1992 • Mike Kelley: The Uncanny Germany, the Netherlands, Turkey and Spain. It is 1993 • This Is the Show and the Show Is comprised of nine themed sections, including: Many Things 1994 • Inside the Visible “New Lands” (on shows such as Magiciens de la 1995 • In a Different Light 1995 • Traffic Terre, The Short Century and After the Wall); “Bien- nial Years” (which documents influential biennials 1996 • Sensation 1997 • Cities on the Move such as the Documentas [10, 11, 13] and the Berlin 1997–98 • 24th São Paulo Biennial 1998 • and São Paulo Biennials); “New Forms” (including The Museum as Muse 1999 • Global experiments in exhibition-making such as Do It and Conceptualism 1999 • Freestyle 2001 • NowHere); “Others Everywhere” (on ‘identity poli- The Short Century 2001 • Century City tics’ shows such as In a Different Light, Phantom 2001 • WACK! Art and the Feminist Sightings and the 1993 Whitney Biennial); “Tomor- row’s Talents Today” (on influential group exhibitions Revolution 2007 • What Keeps Mankind of emerging artists such as Helter Skelter and Sensa- Alive? 2009 • Documenta (13) 2012 tion); and “History” (on historical surveys such as Inside the Visible, Global Conceptualism and WACK!). A bold proposition for the future of exhibition culture as well as a means of making the recent past acces- sible, Show Time is essential reading for any student of curating or museum studies, for professional cu- CURATORS INCLUDE Iwona Blazwick • rators and for all those interested in one of today’s Francesco Bonami • nicolas Bourriaud • most dynamic forms of cultural production. Jens Hoffmann is an exhibition maker and writer 50 exhibitions Cornelia Butler • dan Cameron • Carolyn based in New York. He is Deputy Director and Head Christov-Bakargiev • Catherine de Zegher • of Exhibitions and Public Programs at The Jewish that changed okwui enwezor • Charles esche • massimiliano Museum, New York. He has curated and co-curated gioni • thelma golden • Hou Hanru • damien a number of large-scale exhibitions, including the the course of Hirst • mary Jane Jacob • Joseph kosuth • 2nd San Juan Triennial (2009), the 12th Istanbul Bi- contemporary art Jean-Hubert martin • kynaston mcshine • ennial (2011) and the 9th Shanghai Biennial (2012). Jessica morgan • Hans ulrich obrist • adriano D.A.P./DISTRIBUTED ART PUBLISHERS, INC. 9781938922336 U.S. | CDN $ 45.00 pedrosa • paul schimmel • Fred Wilson Hbk, 8 x 10.25 in. / 256 pgs / 187 color / 15 b&w. March / Art

2 artbook.com­­ artbook.com 3 ​Sigmar​Polke:​Alibis​1963–2010​ Edited and with text by Kathy Halbreich. Text by Paul Chan, Christophe Cherix, Tacita Dean, Barbara Engelbach, Mark Godfrey, Stefan Gronert, Rachel Jans, John Kelsey, Erhard The first career-spanning publication to show Polke’s work across Klein, Jutta Koether, Christine Mehring, Matthias Muehling, Marcelle Polednik, Christian Rattemeyer, Kathrin Rottmann, all media, Alibis celebrates the artist’s punishing and experimental Magnus Schaefer, Lanka Tattersall. Interview by Benjamin H.D. Buchloh. critiques of artistic and social conventions Working across an unusually broad range of media, including painting, photography, film, drawing and sculpture, Sigmar Polke is widely regarded as one of the most ferociously exper- imental and influential artists of the postwar generation. His irreverent wit and promiscuous intelligence, coupled with the ways in which he blurred the boundaries of his media, pro- vided the foundation for his punishing critiques of the con- ventions of art history and social behavior. Experimenting wildly with materials and tools as varied as meteor dust and the copy machine, Polke made work of both an intimate and monumental scale, drawn from sources as diverse as news- paper headlines and Dürer prints. Polke avoided any one sig- nature style, a fluid method best defined by the word “alibi,” which means “in or at another place.” This term is also a re- minder of the deflection of responsibility which shaped Ger- man behavior during the Nazi period, compelling Polke’s generation to reinvent the role of the artist. Published in con- junction with Alibis: Sigmar Polke 1963–2010, the first retro- spective to encompass the artist’s work across all media, this richly illustrated publication provides an overview of his cross-disciplinary innovations and career. Essays by Kathy Halbreich, Associate Director of The Museum of Modern Art; Mark Godfrey, Curator of International Art, Tate Modern; and a range of scholars and artists bring new perspectives to the broad scope of Polke’s exceptionally inventive oeuvre and place his enormous skepticism of all social, political and artis- tic conventions in relation to German history. Sigmar Polke (1941–2010) was born in Oels, in eastern Ger- many, now Olésnica in present-day Poland. At the end of World War II, Polke and his family fled to East Germany and, in 1953, escaped to Düsseldorf, where he was trained as a glass painter and subsequently studied at the Kunstakademie Düsseldorf. Since the late 1960s, Polke’s work has been shown widely in solo and group exhibitions around the world. He won numerous other prizes, including the Golden Lion at the Venice Biennale in 1986 and the Japan Art Association’s Praemium Imperiale in 2002. His last major work was a com- mission for 12 stained glass windows of the Grossmünster Cathedral in Zurich, Switzerland, completed in 2009.

THE MUSEUM OF MODERN ART, NEW YORK 9780870708893 U.S. | CDN $ 75.00 Hbk, 9.5 x 12 in. / 320 pgs / 520 color. April /Art ALSO AVAILABLE Sigmar Polke: We Petty Sigmar Polke: Windows for EXHIBITION SCHEDULE Polke & Co: We Petty Bourgeois the Zurich Grossmünster New York: The Museum of Modern Art, 04/19/14–08/03/14 Bourgeois 9781935202615 9783907582275 London, England: Tate Modern, 10/01/14–02/15/15 9783865607881 Hbk, U.S. | CDN $75.00 Hbk, U.S. | CDN $65.00 Cologne, Germany: Museum Ludwig, 03/14/15–07/05/15 Pbk, U.S. | CDN $49.95 D.A.P./ Walther König, Parkett/Zurich Grossmünster Walther König, Köln Köln

4 artbook.com­­ artbook.com 5 ​Andrew​Wyeth:​Looking​Out, Looking​In​ The window as subject takes us beyond and into Wyeth’s world Text by Nancy K. Anderson, Charles Brock. One of Andrew Wyeth’s most important paintings, “Wind from the Sea” (1947), is also the artist’s first full realization of the window as a recurring subject in his art. Wyeth returned to windows during the course of the next 60 years, producing more than 300 remarkable works that explore both the formal and conceptual richness of the subject. Absent from these spare, ele- gant, almost abstract paintings is the narrative element inevitably associated with Wyeth’s better-known figural compositions. In 2014 the National Gallery of Art, Wash- ington, presents an exhibition of a select group of these deceptively realistic works, window paintings that are in truth skillfully manipulated compositions centering on the visual complexities posed by the transparency, beauty and formal structure of windows. In its exclusive focus on paintings without human subjects, this cata- logue offers a new approach to Wyeth’s work and repre- sents the first time that his non-figural works have been published as a group. The authors explore Wyeth’s fasci- nation with windows—their formal structure and metaphorical complexity. In essays that address links with the poetry of Robert Frost and the paintings of Edward Hopper, Charles Sheeler and other artistic peers, the authors consider Wyeth’s statement that he was, in fact, an abstract painter. American painter Andrew Wyeth (1917–2009) lived his entire life in his birthplace of Chadds Ford, Pennsylvania, and his summer home in mid-coast Maine. His seven- decade career was spent painting the land and people that he knew and cared about. Renowned for his tem- pera “Christina’s World” (1948), Wyeth navigated be- tween artistic representation and abstraction in a highly personal way.

NATIONAL GALLERY OF ART, WASHINGTON/D.A.P. ALSO AVAILABLE 9781938922190 U.S. | CDN $ 55.00 Andrew Wyeth: A Spoken Clth, 10 x 11 in. / 216 pgs / 150 color. Self-Portrait May / Art 9781938922183 Hbk, U.S. | CDN $29.95 EXHIBITION SCHEDULE National Gallery of Art, Washington, DC: National Gallery of Art, 05/14 Washington/D.A.P.

6 artbook.com­­ artbook.com 7 From the “summer Bauhaus” on, the Cape’ s modern designers enjoyed a lifestyle based on communion with nature, solitary creativity and shared festivity ​Cape​Cod​Modern​ ​Mid-Century​Architecture​and​Community​ on​the​Outer​Cape​ Foreword by Kenneth Frampton. Text by Peter McMahon, Christine Cipriani. Photographs by Raimund Koch. In the summer of 1937, Walter Gropius, founder of the Bauhaus and a professor at Harvard’s new Graduate School of Design, rented a house on Planting Island, near the base of Cape Cod. There, he and his wife, Ise, hosted a festive re- union of Bauhaus masters and students who had recently emigrated from Europe: Marcel Breuer, Herbert Bayer, László Moholy-Nagy, Xanti Schawinsky and others. Together they feasted, swam and planned their futures on a new continent, all sensing they were on the cusp of a momentous new phase in their lives. Yet even as they moved on, the group never lost its connection to the Cape Cod coast. Several members returned, when they had the means, to travel farther up the peninsula, rent cabins, buy land and design their ideal sum- mer homes. Thus began a chapter in the history of modern architecture that has never been told—until now. The flow of talent onto the Outer Cape continued and, within a few years, the area was a hotbed of intellectual currents from New York, Boston, Cambridge and the country’s top schools of architec- ture and design. Avant-garde homes began to appear in the woods and on the dunes; by the 1970s, there were about 100 modern houses of interest here. In this story, we meet, among others, the Boston Brahmins Jack Phillips and Nathaniel Saltonstall; the self-taught architect, carpenter and painter Jack Hall; the Finn Olav Hammarström, who had worked for Alvar Aalto; and the prolific Charlie Zehnder, who brought the lessons of both Frank Lloyd Wright and Brutalism to the Cape. Initially, these designers had no clients; they built for themselves and their families, or for friends sympathetic to their ideals. Their homes were laboratories, places to work through ideas without spending much money. The result of this ferment is a body of work unlike any other, a regional modernism fusing the building traditions of Cape Cod fishing towns with Bauhaus concepts and postwar experimentation.

METROPOLIS BOOKS 9781935202165 U.S. | CDN $ 45.00 Hbk, 8.75 x 10.5 in. / 272 pgs / 130 color / 200 b&w. June / Architecture & Urban Studies

ALSO AVAILABLE Fire Island Modernist: Horace Gifford and the Architecture of Seduction 9781938922091 Hbk, U.S. | CDN $60.00 Metropolis Books/Gordon de Vries Studio

artbook.com 9 NEW EDITION ​Ron​Galella:​ Danny​Lyon:​The​Bikeriders New​York​ Introduction and interviews by Danny Lyon. Edited by Nick Vogelson. First published in 1968, and now back in print for Text by William Van Meter. the first time in ten years, The Bikeriders explores The paparazzi photography of Ron firsthand the stories and personalities of the Galella has been the subject of several Chicago Outlaws Motorcycle Club. This journal-size monographs, but this is the first volume volume features original black-and-white photo- to focus on the city with which his work graphs and transcribed interviews by Lyon, made is most identified—New York, in the from 1963 to 1967, when he was a member of the 1970s and 80s. The book contains many Outlaws gang. Authentic, personal and uncompro- unpublished images from Galella’s mising, Lyon’s depiction of individuals on the out- archives of iconic celebrities of the day, skirts of society offers a gritty yet humane such as Bianca Jagger, Madonna, Grace perspective that subverts more commercialized Jones, Halston and Al Pacino—out and treatments of Americana. Akin to the documentary about on the streets, at JFK airport or in style of 1960s-era New Journalism made famous hotel lobbies, enjoying the nightlife and by writers such as Hunter S. Thompson, Joan theater culture of a grittier New York Didion and Tom Wolfe, Lyon’s photography is City. Journalist William Van Meter inter- saturation reporting at its finest. The Bikeriders is views Galella about specific images, a touchstone publication of 1960s counterculture, providing captions that reveal previously crucially defining the vision of the outlaw biker as untold anecdotes about Galella’s most found in Easy Rider and countless other movies legendary photographs. and photobooks. Ron Galella (born 1931) is widely re- Danny Lyon (born 1942) is one of the most influ- garded as the most famous and most ential documentary photographers of the last five controversial celebrity photographer in decades. His many books include The Movement the world. He has been dubbed “Pa- (1964), The Destruction of Lower Manhattan (1969), parazzo Extraordinaire” by Newsweek, Conversations with the Dead (1971), Knave of and “the godfather of US paparazzi cul- Hearts (1999), Like a Thief’s Dream (2007) and Deep ture” by Time and Vanity Fair. Galella Sea Diver (2011). Widely exhibited and collected, has endured two highly publicized court Lyon has been awarded Guggenheim Fellowships battles with Jacqueline Kennedy-Onas- twice and National Endowment for the Arts grants sis, a broken jaw at the hands of Marlon ten times. Brando and a serious beating by Richard Burton’s bodyguards. His work APERTURE 9781597112642 U.S. | CDN $ 35.00 has been exhibited at museums and Hbk, 6.25 x 9.25 in. / 94 pgs / 48 duotone. galleries throughout the world. The Mu- April / Photography seum of Modern Art New York and San

Francisco, the Tate Modern in London and the Helmut Newton Foundation Museum of Photography in Berlin, among many others, all maintain collec- tions of Galella’s photography. A native New Yorker now residing in Montville, New Jersey, Galella served as a United States Air Force photographer during the Korean conflict before attending the Celebrity spotting in Art Center College of Design in Los An- Based on the original 1968 edition, geles, where he earned a degree in Pho- New York with the tojournalism. paparazzi godfather with new reproductions of Lyon’s classic DAMIANI 9788862083553 U.S. | CDN $ 49.95 Hbk, 9 x 11 in. / 176 pgs / illustrated portraits of these American outlaws throughout. April /Photography

10 artbook.com­­ artbook.com 11 PREVIOUSLY ANNOUNCED ​Anders​Petersen​ Text by Hasse Persson, Urs Stahel. Anders Petersen is one of Europe’s most beloved documentary photographers. His black-and-white portraits, often of persons at the fringes of society— prostitutes, transvestites, drunks and drug addicts— evince a rare compassion and warmth, and his images of lovers (one famous example of which adorns the cover of Tom Waits’ Rain Dogs) have come to consti- tute recurrent motifs throughout his oeuvre, express- ing his “exaltation of humanity” (as a recent exhibition was titled). The 30 or so books Andersen has published over the course of his career have become an impor- tant part of the photo-book canon—most famously the 1978 book Café Lehmitz, which depicted Hamburg’s seedy Reeperbahn in the late 1960s and 70s. This magnificent volume, by far the largest monograph on Anders Petersen to date, reproduces more than 250 of Petersen’s most celebrated photographs. In addition, Hasse Persson, former head of the Hasselblad Center and former director of the Borås Art Museum in Swe- den, contributes a concise biography of Petersen’s life and methodology. An essay by Urs Stahel—curator, art critic and director of the Fotomuseum Winthertur in Zürich—further illuminates Petersen’s photography from an international perspective. Anders Petersen was born 1944 in Stockholm, Sweden. In 1967 he began photographing the Café Lehmitz in Hamburg, where, in 1970, he held his first solo exhibition behind the bar, with 350 photographs nailed to the wall. In 1973 Petersen published his first photo book, Gröna Lund, which depicted an amusement park in Stockholm. He has received ​Shomei​Tomatsu:​Chewing​Gum​and​Chocolate​ numerous grants and rewards since the 70s. In Edited by Leo Rubinfien, John Junkerman. Text by Leo Rubinfien, Shomei Tomatsu. 2003 Petersen was elected Photographer of the Year One of Japan’s foremost twentieth-century photographers, Shomei Tomatsu has created a defining portrait of by the International Photofestival in Arles. postwar Japan. Beginning with his meditation on the devastation caused by the atomic bombs in 11:02 Nagasaki, Tomatsu focused on the tensions between traditional Japanese culture and the nation’s growing Westernization, MAX STRÖM most notably in his seminal book Nihon. Beginning in the late 1950s, Tomatsu photographed as many of the 9789171262837 U.S. | CDN $ 75.00 Hbk, 9 x 13 in. / 384 pgs / 264 b&w. American military bases as possible—beginning with those on the main island of Japan and ending in Okinawa, a Available / Photography much-contested archipelago off the southernmost tip of the country. Tomatsu’s photographs focused on the seis- mic impact of the American victory and occupation: uniformed American soldiers carousing in red-light districts EXHIBITION SCHEDULE Paris, France: Bibliothèque Nationale de France, with Japanese women; foreign children at play in the seedy landscape of cities like Yokosuka and Atsugi; and the 11/13/13–02/02/14 emerging protest- and counter-culture formed in response to the ongoing American military presence. He origi- nally named this series Occupation, but later retitled it Chewing Gum and Chocolate to reflect the handouts given to Japanese kids by the soldiers—sugary and addictive, but lacking in nutritional value. And although many of his most iconic images are from this series, the best of this work has never before been gathered together in a single volume. Leo Rubinfien, co-curator of the photographer’s survey Skin of the Nation, contributes an essay that en- Petersen’s portraits of those at society’s gages with Tomatsu’s ambivalence toward the American occupation and the shifting national identity of Japan. Also included in this volume are never-before-translated writings by Tomatsu from the 1960s and 70s, providing margins are an exaltation of humanity context for both the artist’s original intentions and the sociopolitical thinking of the time. Shomei Tomatsu (1930–2012) played a central role in Vivo, a self-managed photography agency, and founded the publishing house Shaken and the quarterly journal Ken. He participated in the groundbreaking New Japanese APERTURE 9781597112505 U.S. | CDN $ 80.00 Photography exhibition in 1974 at The Museum of Modern Art, New York, and, in 2011, the Nagoya City Art Mu- Clth, 10 x 12 in. / 216 pgs / 125 duotone. seum featured Tomatsu Shomei: Photographs, a comprehensive survey of his work. May / Photography/Asian Art & Culture

12 artbook.com­­ artbook.com 13 Full of playful and fresh ideas, this ​The​Photographer’s​Playbook​ Renaldi creates spontaneous, fleeting relationships for the camera, Over​250​Assignments​and​Ideas affordable paperback contains over Edited by Jason Fulford, Gregory Halpern. often pushing his subjects beyond their comfort levels 250 assignments for the photography There is no better way to learn than by doing. This book is for anyone who wants to be inspired, to learn to take better pictures ​Richard​Renaldi:​Touching​Strangers​ and to discover how to look at them in a more informed way. student, professional or fan Featuring over 250 photographic assignments as well as ideas Introduction by Teju Cole. and anecdotes from the world’s top photographers and photog- Since 2007, Richard Renaldi has been working on a series of photo- raphy professionals, the texts in The Photographer’s Playbook graphs that involve approaching and asking complete strangers will inspire fresh ways of understanding and documenting the to physically interact while posing together for a portrait. Working world we live in. Inside, you will find tips for better shooting and on the street with a large format eight-by-ten-inch view camera, editing, creative ways to start new projects and personal ac- Renaldi encounters the subjects for his photographs in towns and counts that reveal the inner workings of photography luminaries’ cities all over the United States. He pairs them up and invites them practices. The wide range of exercises and anecdotes covers a to pose together, intimately, in ways that people are usually taught full spectrum of genres, from portraiture and landscape to docu- to reserve for their close friends and loved ones. Renaldi creates alec soth mentary and still life. The assignments in this unique volume are spontaneous and fleeting relationships between strangers, for the “I think that’s one of the hardest things to do—combine an indispensable tool for teachers and students, as well as those camera, often pushing his subjects beyond their comfort levels. words and photographs. But I would certainly try it.” looking to enhance their creativity, learn about different ap- These relationships may only last for the moment the shutter is re- —robert Frank proaches from top photographers, or to shake things up within leased, but the resulting photographs are moving and provocative, part of my ongoing education as a photographer is their own vision and process. Edited by acclaimed photogra- and raise profound questions about the possibilities for positive to try and figure out how words and photographs phers Jason Fulford and Gregory Halpern, The Photographer’s human connection in a diverse society. Following an extremely successful Kickstarter effort which raised nine times its goal, can work together. For this assignment, print one Playbook includes assignments from leading photographers and Touching Strangers will have an extensive social media campaign. of your photographs on one half of a sheet of paper. educators such as John Baldessari, Elinor Carucci, Sandra Phillips, Stephen Shore and Alec Soth. Visit touchingstrangers.org for more information. on the other half, write something about the picture. Richard Renaldi (born 1968) graduated from New York University APERTURE the key is to write something that doesn’t destroy with a BFA in photography in 1990. He has presented solo exhibi- the magic of the photograph. Write in a straightfor- 9781597112475 U.S. | CDN $ 24.95 Pbk, 6 x 9 in. / 288 pgs / 26 b&w. tions both in the United States and abroad, including at Fotografins ward way. do not use adjectives or fancy words. June / Photography/Nonfiction & Criticism/Photography Technique Hus, Stockholm; Robert Morat Galerie, Hamburg, Germany; and do not explain the picture, enhance it. once you are Yossi Milo Gallery, New York. Renaldi’s work has also appeared in ‘ done, fold the piece of paper in half. Is the picture group exhibitions, including Strangers: The First ICP Triennial of better without the writing? If so, repeat the assign- Photography and Video at the International Center of Photography ment with different photographs until you’ve made in New York (2003). Touching Strangers is Renaldi’s third book, a combination that is more than the sum of its parts. following Figure and Ground (Aperture, 2006) and Fall River Boys (Charles Lane Press, 2009).

APERTURE 9781597112499 U.S. | CDN $ 45.00 Hbk, 9 x 11.5 in. / 120 pgs / 71 color. April / Photography

EXHIBITION SCHEDULE New York: Aperture Gallery, 04/14 CONTRIBUTORS INCLUDE Shelby Lee Adams • Jane Evelyn Atwood • Seattle, WA: Photographic Center Northwest, 09/14 John Baldessari • Roger Ballen • Tina Barney • Peter Bunnell, David Campany • Charlotte Cotton • Philip Lorca diCorcia • Doug Dubois • Shannon Ebner • Barbara Ess • Wendy Ewald • Sam Falls • Larry Fink • Tierney Gearon • Bruce Gilden • Jim Goldberg • John Gossage • Charles Harbutt • Marvin Heiferman • Todd Hido • Takashi Homma • Jeff Jacobson • Ron Jude • Mark Klett • Justine Kurland • Susan Meiselas, Sandra Phillips, Sylvia Plachy, Richard Renaldi • Stephen Shore • Alec Soth • Mark Steinmetz • Hank Willis Thomas • Penelope Umbrico • Tim Walker • Alex & Rebecca Norris Webb

14 artbook.com­­ artbook.com 15 We are delighted to welcome the NATIONAL PORTRAIT GALLERY, London, How contemporary to the ARTBOOK | D.A.P. list. Founded in 1856, the Gallery is dedicated to promoting the appreciation and understanding of portraiture in all media, and holds the photographers and artists most extensive collection of portraits in the world. have reinvented portraiture for our times ​David​Bailey:​Bailey’s​Stardust​ Introduction by Tim Marlow. The portraits in this book have been personally selected by David Bailey from the wide range of subjects and groups that he has captured over the last five decades: actors, writers, musicians, politicians, filmmakers, models, artists and people encountered on his travels to Australia, India, Sudan and Papua New Guinea; many of them famous, some unknown, all of them engaging and mem- orable. Bailey’s Stardust is accompanied by a major exhibition at the National Portrait Gallery, London, in Spring 2014, which will then tour to international ven- ues. The book, like the exhibition, is structured thematically, with iconic images presented alongside many lesser-known and previously unseen portraits. Initially engaged as an assistant to John French in 1959, Bailey was contracted by British Vogue the following year. He has since worked for the French, Italian and Ameri- can editions of the magazine, created album sleeves for musicians such as the Rolling Stones, directed television commercials and made documentary films, in- cluding in-depth studies of Cecil Beaton, Luchino Visconti and Andy Warhol. Bai- ley’s photographs helped to define the cultural and social scene of the 1960s, and immortalizing figures from the worlds of fashion, music, film and art ele- vated Bailey to the status of celebrity himself. Michelangelo Antonioni’s cult film Blow-Up (1966), about a London fashion photographer, was inspired by Bailey, whose life was also dramatized recently in the film We’ll Take Manhattan (2012).

NATIONAL PORTRAIT GALLERY 9781855144521 U.S. | CDN $ 75.00 Hbk, 10 x 13 in. / 272 pgs / 300 color. March / Photography

EXHIBITION SCHEDULE London, England: National Portrait Gallery, 02/06/14–06/01/14

​21st-Century​Portraits​ Introduction by Sarah Howgate, Sandy Nairne. Foreword by Andrew Graham-Dixon. With over 150 illustrations by 50 artists, 21st-Century Portraits explores new developments in the representa- ​David​Bailey:​Bailey​Exposed​ tion of the human form and face as well as the continuing appeal of commissioned portraiture. The selection of portraits features cutting-edge new work from the international art community, and reflects an increasing Born into a working-class family in London’s East End in 1938, David Bailey became the best-known photographer interest in identity worldwide. Organized thematically, the book examines seven key strands of portraiture: of his generation and has led a life that most people can only dream of. Drawing on numerous interviews, some Observational Portraits; Self-Portraits; Commissioned and Celebrity Portraits; Social Portraits; Geopolitics and previously unpublished, and illustrated with many iconic photographs as well as previously unpublished images National Identity; The Body; and Re-invented Portraits. The artists and photographers featured are Marina from Bailey’s private archive, this book explores the man behind the camera. His outspoken and irreverent observa- Abramovi´c, Francis Alÿs, Sophie Calle, Tacita Dean, Rineke Dijkstra, Milena Dragicevic, Marlene Dumas, tions on life, death, women, style, fashion, sex, class, the movies, the 1960s, photography and Hitler are as Lucian Freud, Shadi Ghadirian, Antony Gormley, Zhang Huan, Chantal Joffe, Michael Landy, Annie Leibovitz, thought-provoking as they are revealing. The book also contains the reflections of some of the illustrious figures Hew Locke, Steve McQueen, Oscar Muñoz, Shirin Neshat, Julian Opie, Grayson Perry, Marc Quinn, Gerhard Bailey has worked with, among them Angelica Huston, Paul Smith, Jerry Hall, Catherine Deneuve, Mary Quant, Richter, Boo Ritson, Jenny Saville, Thomas Struth, Tomoaki Suzuki, Sam Taylor-Wood, Gavin Turk, Gillian Kenneth Williams, Jean Shrimpton, Penelope Tree, Damien Hirst and Diana Vreeland, as well as fellow photogra- Wearing and Bettina von Zwehl. With a foreword by Andrew Graham-Dixon and an essay by Sandy Nairne phers Cecil Beaton, Terence Donovan and Brian Duffy. In their interviews and writings over the years, these figures (Director of the National Portrait Gallery) and Sarah Howgate (Curator of Contemporary Portraits at the have provided some fascinating insights into the experience of being the focus of Bailey’s lens. National Portrait Gallery) that locates contemporary portraiture within a historic tradition, 21st-Century NATIONAL PORTRAIT GALLERY Portraits examines current trends, showcasing the wide range of media used by today’s artists. The book NATIONAL PORTRAIT GALLERY 9781855144668 U.S. | CDN $ 19.95 9781855144163 U.S. | CDN $ 49.95 also includes an extensive list of suggested further reading. Flexi, 5 x 6.5 in. / 160 pgs / 60 color. Hbk, 8.75 x 11.25 in. / 240 pgs / 150 color. March / Photography February / Art

16 artbook.com­­ artbook.com 17 PREVIOUSLY ANNOUNCED Borremans’ uncanny worlds: the fullest survey of his work in ​Peter​Doig:​No​Foreign Lands​ painting, drawing, sculpture and film Text by Hilton Als, Stéphane Aquin, Keith Hartley. Interview by Angus Cook. Peter Doig is well known for the exotic ​Michaël​Borremans:​ atmospheres and dreamy narratives that As​Sweet​as​It​Gets​ appear in his work. With an uncommonly Edited by Jeffrey Grove. Text by Michael Amy, Hans rich color palette and a unique material Christ, David Coggins, Martin Germann, Jeffrey Grove, Jan Hoet, Jeffrey Kastner, David Lynch, Charlotte sensibility, he has created some of the most Mullins, et al. resonant and evocative images in contempo- Since the late 1990s, when he first began to produce rary painting, placing him among the most drawings and paintings, Michaël Borremans has cre- inventive painters working today. But, as ated an extraordinarily mature body of work that has this extensive volume makes clear, he is captured international attention. The disparate spaces also a sophisticated visual thinker, endlessly he imagines in his paintings, drawings, sculptures and preoccupied with the process and history films are unified by an uncanny sense of dislocation of painting. No Foreign Lands is the first pub- and an often unsettling beauty. Rendered in complex lication to examine in depth the conceptual palettes and exquisite techniques, Borremans’ works in underpinnings of Doig’s oeuvre. Particular all media embrace a rich legacy of artistic progenitors, attention is given to the importance of but remain firmly anchored in the present. Presenting motifs, themes and variations in his work, over 100 works created by the artist over a 14-year pe- explored in over 200 paintings and works riod in all media, this publication includes many works on paper from the past 13 years, among not previously reproduced in books or catalogues, them new works never before published. offering the most complete overview of Borremans’ Born in Edinburgh in 1959, Peter Doig was oeuvre to date. Contributions include a concise and raised in Canada and spent two decades in incisive overview of Borremans’ practice; a revealing, London before moving to Trinidad, where in-depth interview between the main author of the he now lives and works. Doig graduated book, Jeffrey Grove, and the artist, addressing process, from St. Martin’s School of Art in 1983 and influence and philosophical and critical issues; as well the Chelsea School of Art in 1990. He was as more than 50 individual entries and mini-essays on nominated for the Turner Prize in 1994, individual works in the artist’s oeuvre by notable writ- and was included in the 2006 Whitney ers, curators, filmmakers and musicians. Described by Biennial. In February 2013, his painting the artist as “the mother of all Borremans books,” “The Architect’s Home in the Ravine” sold Michaël Borremans: As Sweet As It Gets is published for $12,000,000 at a London auction. The on the occasion of a major mid-career retrospective. exhibition No Foreign Lands, which opened Initially trained in photography and graphic design, the at the Scottish National Gallery before travel- Belgian artist Michaël Borremans (born 1963) turned ing to the Museum of Fine Arts, Montreal, to painting at the age of 30. Work by the artist is held in showcases works created during the past numerous public collections, including The Art Institute ten years, much of which the artist spent of Chicago; High Museum of Art, Atlanta, Georgia; in Trinidad. The Independent called the exhi- Museum of Contemporary Art, Los Angeles; Museum bition “a thrilling show,” and The Observer of Fine Arts, Boston; The Museum of Modern Art, Motifs, themes and praised it as “mesmerizing.” New York; National Gallery of Canada, Ottawa; San HATJE CANTZ Francisco Museum of Modern Art; and the Walker variations in the 9783775737234 U.S. | CDN $ 65.00 Art Center, Minneapolis, Minnesota. Borremans lives Clth, 9.75 x 11.5 in. / 224 pgs / 326 color. and works in Ghent. Available / Art sensuous landscape HATJE CANTZ EXHIBITION SCHEDULE 9783775737692 U.S. | CDN $ 85.00 painting of Peter Doig Montreal, Canada: Museum of Fine Arts, Hbk, 11.5 x 13.25 in. / 304 pgs / 120 color. winter 2014 May / Art ALSO AVAILABLE Michaël Borremans: Michaël Borremans: Magnetics EXHIBITION SCHEDULE Eating the Beard 9783775735018 Brussels, Belgium: BOZAR, 02/22/14–09/03/14 9783775728355 Pbk, U.S. | CDN $25.00 Tel Aviv, Israel: Tel Aviv Museum of Art, 09/04/14–01/31/15 Hbk, U.S. | CDN $55.00 Hatje Cantz Dallas, TX: Dallas Museum of Art, 03/15/15–07/05/15 Hatje Cantz

18 artbook.com­­ artbook.com 19 ​Kazimir​Malevich​and the​Russian​Avant-Garde​ ​Featuring​Selections​from​the Khardziev​and​Costakis​Collections​ Text by Linda S. Boersma, Bart Rutten, Aleksandra Shatskikh. In 1915, Kazimir Malevich (1878–1935) radi- cally transformed the course of twentieth-cen- With their tury art with his “Black Square” painting and his manifesto “From Cubism to Suprema- economy of tism.” These works espoused a new art of means and pure geometricism, intended to be universally comprehensible regardless of cultural origin. chromatic Although he is famed for his rigorous pursuit of the “non-objective,” Malevich in fact geometries, explored many strands of painting, embracing at various stages Impressionism, Symbolism, Matisse’s Fauvism and Cubism, as well as traditional Russian folk art. Drawing on the collections cut-outs of Nikolai Khardzhiev and Georges Costakis— the two leading collectors of Russian avant- are the garde art, whose collections were largely apex of his assembled at a time when abstract art was banned in the Soviet Union—this catalogue “construction traces the breadth of Malevich’s career through his oil paintings, gouaches, drawings, by means sculptures and designs for opera and film. All phases of his development are represented of color” here, from his early Impressionist-style work to his iconic Suprematist pieces, as well as his lesser-known figurative paintings and works on paper. These are contextualized alongside work by Malevich’s contemporaries, such as Marc Chagall, Wassily Kandinsky, Natalia Goncharova, Vera Pester, Ivan Puni and Mikhail Meno. ​Henri​Matisse:​The​Cut-Outs​ Edited by Karl Buchberg, Nicholas Cullinan, Jodi Hauptman. Contributions by Samantha Friedman, Flavia Frigeri, Markus Gross, Stephan Lohrengel. Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse’s paper cut-outs, made from the early 1940s until the artist’s death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse’s colorful and innovative final chapter. The result of research conducted on two fronts—conservation and curatorial—the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist’s methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation

THE MUSEUM OF MODERN ART, accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and lumi- NEW YORK nosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical 9780870709159 U.S. | CDN $ 50.00 and technical perspectives, and five thematic essays, each focusing on a different moment in the development of Hbk, 9 x 10.5 in. / 256 pgs / 250 color. WALTHER KÖNIG, KÖLN/STEDELIJK MUSEUM AMSTERDAM the cut-out practice, that provide a chronicle of this radical medium’s unfolding, and period photographs that show May / Art 9783863354206 U.S. | CDN $ 59.95 ALSO AVAILABLE the works in process in Matisse’s studio. Hbk, 7 x 11 in. / 240 pgs / 349 color. From Surface to Space: EXHIBITION SCHEDULE One of modern art’s towering figures, Henri Matisse (1869–1954) was a painter, draftsman, sculptor and January /Art Malevich & Early Modern Art London, England: Tate Modern, 9783865605573 printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the 04/17/14–09/07/14 EXHIBITION SCHEDULE Pbk, U.S. | CDN $49.95 New York: The Museum of Modern South of France in 1904–05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Amsterdam, Netherlands Stedelijk Museum, 10/19/13–02/02/14 Walther König, Köln Art, 10/25/14–02/08/15 Matisse followed a career-long path that he described as “construction by means of color.” London, England: Tate Modern, 07/17/14–10/26/14

20 artbook.com­­ artbook.com 21 PREVIOUSLY ANNOUNCED Vasily​Kandinsky: From​Blaue​Reiter​ to​the​Bauhaus, 1910–1925​ Text by Vivian Endicott Barnett, Shulamith Behr, Reinhold Heller, Jill Lloyd, Peter Vergo, Rose-Carol Washton Long. This catalogue accompanies a major exhibition devoted to Vasily Kandinsky. It explores the evolution of his work from the Blaue Reiter to the Bauhaus years. During this period, Kandinsky developed his revolutionary abstract style and began to move beyond con- ventional easel painting. As master of the mural workshop at the Bauhaus, Kandinsky was able to put his ambition to create large-scale art environments into practice, particularly in his mural designs for the 1922 Juryfreie exhibi- tion in Berlin and later in his decora- tions for the Salon de Musique in 1931. At this time, he developed a strong interest in the Wagnerian con- cept of the Gesamtkunstwerk, or total work of art. Embracing the principles of synesthesia, Kandinsky focused on the relationship between art and music, pushing the boundaries of the medium. Khardzhiev’s collection is itself a key part of the movement’s history Vasily Kandinsky (1866–1944) began painting at the age of 30, after putting aside a highly successful career in law. Russian​Avant-Garde​ After studying at the Academy of Fine ​The​Khardzhiev​Collection​at​the​Stedelijk​Museum​Amsterdam​ Arts in Munich, he returned to his na- How Kandinsky merged abstraction, music and Text by by Elena Basner, Geurt Imanse, Frank van Lamoen, Michael Meylac, Sergey Sigey et al. tive Moscow just after the outbreak of The famous Russian collector and literary scholar Nikolai Khardzhiev (1903–1996) was a close friend and World War I. Uninspired by the preva- theater in his Blaue Reiter and Bauhaus years admirer of the modern painters, poets and philosophers of his time. Often buying directly from the artists lent Suprematist and Futurist art there, and their families, from the late 1920s Khardzhiev collected work by such masters of the Russian avant- he returned to Germany in 1921, garde as Kazimir Malevich, Mikhail Larionov, Olga Rozanova, El Lissitzky, Vasily Chekrygin, Mikhail teaching at the Bauhaus until the Matyushin and Vladimir Tatlin, thus compiling one of the greatest collections of this period. As the Soviet school was closed by the Nazis. He regime began to clamp down on Futurism and Suprematism, Khardzhiev sought to acquire anything that then moved to France, where he lived would allow him to one day write a history of these movements, and his archives also included manuscripts until his death in 1944. and rare books, as well as his own correspondence with artists. Russian Avant-Garde provides a full HATJE CANTZ overview of the unique Khardziev-Chaga collection, which has been housed at the Stedelijk Museum Ams- 9783775737340 U.S. | CDN $ 60.00 terdam since 1997. The collection contains numerous works on paper, including gouaches, watercolors, Hbk, 9.25 x 11.25 in. / 208 pgs / 192 color. Futurist book cover designs, sketches, studies and archival photographs. These items, many of which have Available /Art never previously been reproduced, greatly deepen our understanding of the sheer range and prolificness of ALSO AVAILABLE these monumental artists, and Khardzhiev’s valiant determination to preserve their work. EXHIBITION SCHEDULE Concerning The Spiritual In Art EXHIBITION SCHEDULE New York: Neue Galerie, 9780878467020 Amsterdam, Netherlands: Stedelijk Museum, NAI010 PUBLISHERS 10/03/13–02/10/14 Pbk, U.S. | CDN $27.50 10/19/13–02/02/14 9789462081048 U.S. | CDN $ 75.00 MFA Publications London, England: Tate Modern, Hbk, 9.5 x 12 in. / 552 pgs / 900 color. 07/03/14–10/19/14 February / Art

22 artbook.com­­ artbook.com 23 ​Surrealism​and​the​Dream​ ​Italian​Futurism,​1909–1944​ Edited by José Jiménez. Text by Dawn Ades, José Jiménez, Georges Sebbag. ​Reconstructing​the​Universe​ ”Can’t the dream be used in solving the fundamental problems of life?” Edited and with introduction by Vivien Greene. Text by asked André Breton, in the First Surrealist Manifesto. For the Surrealists, Walter Adamson, Silvia Barisione, Gabriella Belli, Fabio Benzi, Günter Berghaus, Emily Braun, Marta Braun, dreams were the ultimate site of possibility, the realm in which the artist and Esther da Costa Meyer, Enrico Crispolti, Massimo writer might be liberated from his or her rationality, moral judgment and Duranti, Flavio Fergonzi, Matteo Fochessati, Daniela taste. This beautifully designed volume offers, for the first time, a thorough Fonti, Simonetta Fraquelli, Emilio Gentile, Romy Golan, Vivien Greene, Marina Isgro, Giovanni Lista, Adrian account of the centrality of dreams to the Surrealist project. It includes paint- Lyttelton, Lisa Panzera, Maria Antonella Pelizzari, ings, drawings, collages, sculptures and photographs by Jean Arp, Brassaï, Christine Poggi, Lucia Re, Michelangelo Sabatino, Victor Brauner, André Breton, Claude Cahun, Leonora Carrington, Salvador Claudia Salaris, Jeffrey T. Schnapp, Susan Thompson, Patrizia Veroli. Dalí, Paul Delvaux, Max Ernst, René Magritte, André Masson, Dora Maar, Published to accompany the exhibition Italian Futurism, Paul Nougé, Karel Teige and Yves Tanguy, among others. A special section on 1909–1944: Reconstructing the Universe opening at the “Those Who Paved the Way (of Dreams)” includes works by J.J. Grandville, Solomon R. Guggenheim Museum in 2014, this cata- Odilon Redon and Henri Rousseau. Critical texts by Dawn Ades and Geroges logue considerably advances the scholarship and under- Sebbag examine the history and philosophy of dreams within the Surrealist standing of an influential yet little-known twentieth- movement. century artistic movement. As part of the first compre- MUSEO THYSSEN-BORNEMISZA hensive overview of Italian Futurism to be presented in 9788415113461 U.S. | CDN $ 85.00 the United States, this publication examines the historical Hbk, 9.5 x 11.5 in. / 368 pgs / illustrated throughout. February / Art sweep of Futurism from its inception with F. T. Marinetti’s manifesto in 1909 through the movement’s demise at EXHIBITION SCHEDULE the end of World War II. Presenting over 300 works cre- Madrid, Spain: Museo Thyssen-Bornemisza, 10/08/13–01/12/14 ated between 1909 and 1944, by artists, writers, design- ers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Ger- ardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encom- passes not only painting and sculpture, but also architec- ture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance. A wealth of scholarly essays discuss ​Day​Dreams,​Night​Thoughts:​Fantasy​ Italian Futurism’s diverse themes and incarnations. and​Surrealism​in​the​Graphic​Arts​and​ GUGGENHEIM MUSEUM Photography​ 9780892074990 U.S. | CDN $ 60.00 Hbk, 8.5 x 11.5 in. / 352 pgs / 328 color. Edited and with text by Yasmin Doosry. Text by Ulrich Grossmann, Manuel Fontán, February /Art Juan José Lahuerta, Rainer Schoch, Christine Kupper, Christine Lauterbach.

Across more than 200 drawings, prints, photographs, books and magazines, rang- EXHIBITION SCHEDULE ing from the late Middle Ages to the heyday of Surrealism, this book follows the New York: Solomon R. Guggenheim Museum, trail of the legendary and controversial show that Alfred H. Barr, founding director 02/21/14–09/01/14 of The Museum of Modern Art, New York, organized in 1936, titled Fantastic Art, Dada, Surrealism. Barr’s show imaginatively juxtaposed works by contemporary Dada and Surrealist artists and authors with works by their predecessors, such as Hieronymus Bosch, Giuseppe Arcimboldo, Giovanni Battista Piranesi, William Hogarth, Francisco de Goya, J.J. Grandville and others. Barr thus provided a family tree of Surrealism, just as André Breton himself had frequently done, establishing it as a fundamental tendency throughout the history of art. This beautiful volume will enchant fans of Dada and Surrealism, and of the longstanding tradition of the grotesque, the visionary and the bizarre.

LA FÁBRICA/FUNDACIÓN JUAN MARCH 9788415691495 U.S. | CDN $ 60.00 Speed, machines and modernity: Hbk, 8.75 x 10.5 in. / 276 pgs / illustrated throughout. February / Art the incendiary art of Italian Futurism

24 artbook.com­­ artbook.com 25 ​El​Lissitzky:​The​ Experience​of​Totality​ Edited by Olivia María Rubio. Text by Isabel Tejeda, Valery Dymshits, Victor Margolin. The epitome of the modernist engineer-archi- tect-artist, El Lissitzky is one of the most influ- ential and genuinely experimental artists of the early twentieth century. Equally prolific as a painter, designer, architect and photogra- pher, he connected countries and cultures as a leading ambassador between the Soviet and European avant-gardes of the 1920s, promot- ing Suprematist and Constructivist art in the West and European abstract movements in Russia. For El Lissitzky, art was conceived not as a personal expression and production of objects, but rather as a collective and social activity. Working with Malevich, he developed the new visual language of Suprematism, which he applied not only to painting, but also to print and book works, architectural and the- ater projects, ceramics, educational theory and propaganda. Fusing this array of media, his three-dimensional work “Proun Room” used the actual space of a room to merge painting, sculptural installation and architec- ture; similarly, with his students he adorned the trams and buildings of Vitebsk with Supre- matist triangles and squares, and used his “Proun” motifs to design costumes and ma- chinery for the stage (most famously for the A magnificently produced survey of Serra’s early work in rubber, 1920 Futurist opera, Victory over the Sun). This volume provides a comprehensive view neon, lead and steel of Lissitzky’s influential career. Eliezer (Lazar) Markovich Lissitzky, El Lissitzky (1890–1941) was one of the most ​Richard​Serra:​Early​Work​ experimental and controversial artists to work Edited by David Frankel. Text by Hal Foster. with the Russian and European avant-garde This publication focuses on the early work of Richard Serra, one of the most influential artists working during the early twentieth century. After 1917, today. The works included in this volume represent the beginning of the artist’s innovative, process-ori- during the first communist period, El Lissitzky ented experiments with nontraditional materials, such as vulcanized rubber, neon and lead, in addition to served as a cultural ambassador, promoting key early examples of his work in steel and a selection of the artist’s films from this period. The interplay Russian art and Soviet ideas in the West. Later of gravity and material that was introduced early in Serra’s career set the stage for his ongoing engage- he worked as a propagandist for the Stalinist ment with the spatial and temporal properties of sculpture. This monograph aims to reconsider the regime during the 1930s. He died of tubercu- groundbreaking practices and ideas that so firmly situate Serra in the history of twentieth-century art. losis in 1941. The publication includes new scholarship by Hal Foster, in addition to archival texts and photographs from the years 1966 to 1972. LA FÁBRICA A Suprematist Richard Serra was born in San Francisco in 1938. His first solo exhibitions were held at the Galleria 9788415691532 U.S. | CDN $ 60.00 Hbk, 8.75 x 10.5 in. / 226 pgs / illustrated La Salita, Rome, in 1966, and, in the United States, at the Leo Castelli Warehouse, New York, in 1969. polymath and vital throughout. His first solo museum exhibition was held at The Pasadena Art Museum in 1970; subsequent solo mu- March / Art cultural ambassador seum shows have been held at the Stedelijk Museum, Amsterdam, 1977; The Museum of Modern Art, EXHIBITION SCHEDULE New York, 1986; Dia Center for the Arts, New York, 1997; and the Pulitzer Foundation for the Arts, St. TrentoRovereto, Italy: Museo d’Arte Moderna Louis, 2003. In 2005, eight large-scale works by Serra were installed permanently at the Guggenheim e Contemporanea, 02/06/14–06/08/14 Museum Bilbao, and in 2007 The Museum of Modern Art, New York presented a retrospective of the DAVID ZWIRNER/STEIDL Málaga, Spain: Museo Picasso Málaga: 9780989980906 U.S. | CDN $ 85.00 06/14–10/14 artist’s work. A traveling survey of Serra’s drawings was on view in 2011–12 at the Metropolitan Mu- Hbk, 9.5 x 12 in. / 340 pgs / illustrated throughout. Barcelona, Spain: Fundación La Pedrera seum of Art, New York; the San Francisco Museum of Modern Art; and the Menil Collection, Houston. February /Art Barcelona: 10/14–01/15

26 artbook.com­­ artbook.com 27 ​Ana​Mendieta:​Traces​ Foreword by Ralph Rugoff. Text by Julia Bryan-Wilson, Adrian Heathfield, Stephanie Rosenthal. During her short career, Ana Mendieta (1948–85) created a body of work that was provocative and radically inventive. Using her own body, together with elemental materials—blood, fire, earth and water—she created visceral tableaux and ephemeral “earth-body” sculptures exploring life, death, rebirth and spiritual transformation. Much of her art also expresses the pain and rupture of cultural displacement and exile (Mendieta was born in Cuba, but sent to the US as a child). In her work, the outline of her body is consumed by gunpowder, fireworks, or advancing waves; and ancient goddess-forms are shaped from sand, carved into rock or incised into clay or onto leaves. The media are exception- ally diverse, but the images are consis- tently compelling, mysterious and poetic. Encompassing a wealth of drawings, photography and film, Ana Mendieta: Traces provides a comprehensive and illuminating overview of this highly influential artist’s work. Essays by art historians Julia Bryan-Wilson and Adrian Heathfield, as well as Stephanie Rosenthal, Chief Curator at Hayward Gallery, provide an array of new ap- proaches to Mendieta’s practice. This publication also includes a wide-ranging and richly illustrated anthology of ​Lygia​Clark:​The​Abandonment​of​Art​ never-before-seen material, including From Concrete Mendieta’s own notebooks, exhibition Edited by Cornelia Butler, Luis Pérez-Oramas. Text by Sergio Bessa, Eleonora Fabião, Briony Fer, Geaninne plans and correspondence, the result of Gutiérrez-Guimarães, André Lepecki, Zeuler Lima, Christine Macel, Frederico de Oliveira Coelho. art to relational unparalleled access to the Ana Mendieta Published in conjunction with a major retrospective of the work of Brazilian painter, sculptor and perform- Archive. Filled with new imagery, ance artist Lygia Clark, this publication presents a linear and progressive survey of the artist’s groundbreak- objects: the ephemera and scholarship, Ana ing practice. Having trained with modern masters from the late 1940s to the mid-1950s, Clark was at the Mendieta: Traces provides a artistic paths of forefront of Constructivist and Neo-Concretist movements in Brazil and fostered the active participation comprehensive introduction to this of the spectator through her works. Examining Clark’s output from her early abstract compositions to the major twentieth-century artist, as essen- Lygia Clark “biological architectures” and “relational objects” she created late in her career, this is the most compre- tial for Mendieta experts as for those hensive volume on the artist available in English. Three sections based on key phases throughout her coming to her work for the first time. career—Abstraction, Neo-Concretism and The Abandonment of Art—examine these critical moments in Mendieta’s performances and Clark’s production, anchor significant concepts or constellations of works that mark a definitive step in her HAYWARD PUBLISHING work, and shed light on circumstances in her life as an artist. Featuring a significant selection of previously 9781853323171 U.S. | CDN $ 39.95 “earth-body” sculptures Pbk, 8.5 x 10.5 in. / 240 pgs / 150 color. THE MUSEUM OF MODERN ART, NEW YORK unpublished archival texts of Clark’s personal writings, it is a vital source of primary documentation for 9780870708909 U.S. | CDN $ 75.00 January /Art/Latin American Art & Culture investigate death, rebirth and Hbk, 9.5 x 12 in. / 336 pgs / 400 color. twentieth-century art history scholarship. April / Art/Latin American Art & Culture Lygia Clark (1920–1988) trained in Rio de Janeiro and Paris from the late 1940s to the mid-1950s. From EXHIBITION SCHEDULE London, England: Hayward Gallery, spiritual transformation the late 1960s through the 1970s she created a series of unconventional artworks in parallel to a lengthy EXHIBITION SCHEDULE 09/24/13–12/15/13 New York: The Museum of Modern Art, psychoanalytic therapy, leading her to develop a series of therapeutic propositions grounded in art. Clark Salzburg, Austria: Museum of Modern Art, 04/30/14–08/24/14 has become a major reference for contemporary artists dealing with the limits of conventional forms of art. 03/29/14–05/06/14

28 artbook.com­­ artbook.com 29 ​Emilie​Brzezinski:​The​Lure​of​the​Forest​ ​Eva​Hesse:​One​More​than​One​ ​Sculpture​1979–2013​ Edited by Hubertus Gassner, Brigitte Kölle, Petra Roettig. Text by Renate Petzinger, Tom Doyle, Doug Johns, Brigitte Kölle, Lucy Lippard, Robert Edited by Todd Bradway. Introduction by Mika Brzezinski. Text by John Mangold, Sylvia Mangold, Cindy Nemser, Petra Roettig, Franz Erhard Walther. Beardsley, Aneta Georgievska-Shine. Interviews by Barbara Rose, Aneta Georgievska-Shine. Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth cen- Emilie Brzezinski began her art career in the 1970s, initially working in a tury. Her artistic practice combined the seriality and reduction of 1960s Minimalism variety of media such as plastic, latex and wood fiber. Equally inspired with emotion, sensuousness and physicality, while the transparency and transience by Minimalism and natural forms, her early work consisted of transparent of her unconventional materials also contributed greatly to her unique position in resin casts of trees and site-specific arrangements of expressionistic, the art world of her day. From November 2013 onward, the Hamburger Kunsthalle figurative molds. Since the early 1990s, she has focused entirely on is presenting the first solo exhibition of Hesse’s work in her native city. Hesse emi- monumental wood sculpture, using a chainsaw and axe to carve forms grated with her family via the Netherlands and England to the United States in 1938. that breathe new life into found wood—arches, bowls, chairs, columns They settled in New York City, where she later studied painting at the Cooper Union and discs. “Nature has a grand design,” she writes, “but its manifestations School of Art from 1954 to 1957, and then continued her studies in the master class unfold in imperfection and specificity. Respect to this persistent individual- of Josef Albers at the Yale School of Art and Architecture from 1957 to 1959. At the ity in natural form is the underpinning of my work … as I carve the trunk, I invitation of Friedrich Arnhard Scheidt, a German industrialist and art collector, and retain the essential outline and gesture of the tree.” Brzezinski’s sculptural his wife Isabel, Hesse and her husband Tom Doyle spent a year in Kettwig an der approach, which conjures the work of artists as varied as David Nash, Ruhr during 1964–1965. This period is regarded as a turning point in Hesse’s artistic Magdalena Abakanowicz and Ursula von Rydingsvard, celebrates the practice. Drawing inspiration from the materials she found in an abandoned textile knots, hollows, wounds and cracks of wood, and the myriad possibilities factory in Kettwig, she made her first three-dimensional artworks, and when she suggested by organic forms. The Lure of the Forest, designed by Katy returned to New York she devoted herself exclusively to sculpture, creating fragile Homans, explores the entirety of the artist’s career, documenting over works in unconventional materials such as polyester, fiberglass and latex. Hesse died 80 works. Highlights include her magnum opus Forest (1997–2005), a of a brain tumor in 1970, aged just 34. The exhibition at the Hamburger Kunsthalle monumental work composed of 46 tree trunks, and Family Trees (2010– focuses on the latter part of the artist’s career, a highly productive period in which 2013), in which she combines sculpture and photography to create a she created a substantial number of sculptures and drawings. vivid portrait of her family members. In addition to contributions by art HATJE CANTZ historians John Beardsley, Barbara Rose and Aneta Georgievska-Shine, 9783775737548 U.S. | CDN $ 50.00 the book includes an introduction by Mika Brzezinski, co-host of MSNBC’s Pbk, 7.25 x 9.75 in. / 240 pgs / 138 color. February /Art “Morning Joe” and the artist’s daughter.

Born in 1932 in Geneva, Switzerland, Emilie Brzezinski immigrated to EXHIBITION SCHEDULE the US and grew up in California. She graduated from Wellesley College Hamburg, Germany: Hamburger Kunsthalle 11/29/13–03/02/14 in Massachusetts with a degree in the history of art. During the last two decades, the artist has had many gallery and museum installations in the US and overseas. Her work is in the permanent collection of the Corcoran Museum, Washington, DC and has been shown at the Virginia Museum ​Gego:​Line​as​Object​ of Art, Katzen Art Center, Washington, DC, and the Delaware Center for Text by Eva M. Froitzheim, et al. Contemporary Art. It can also be seen at sculpture parks across North Many of the works of Gego (1912–1994) can be turned around, walked around America, such as the Grounds for Sculpture, New Jersey, Stone Quarry or walked through, so that their composition seems to be constantly changing. Hill Art Park, New York and the Socrates Art Park, New York. Filigreed and minimal, so light that they almost seem to dance, her grid sculp- tures can be hung like reliefs in front of walls or positioned freely in space. D.A.P./DISTRIBUTED ART PUBLISHERS, INC. Born in Hamburg, the Venezuelan artist created her three-dimensional installa- 9781938922312 U.S. | CDN $ 49.95 Hbk, 10 x 12 in. / 200 pgs / 180 color / 20 b&w. tions out of wire, ropes or aluminum bars, or sometimes with found materials May / Art such as clothes hangers or metal springs. Before emigrating in 1939, Gertrud Goldschmidt (Gego) studied architecture at the Technische Hochschule in Stuttgart under Paul Bonatz, and, as a result, the construction of structures and the shaping of space took on great significance in her artistic work, which takes line as a theme in its own right. This publication provides insight into the artist’s drawings and sculptural work and is the first to shed light on how Gego’s stud- ies influenced her work.

HATJE CANTZ 9783775737401 U.S. | CDN $ 45.00 Pbk, 7.25 x 9.75 in. / 248 pgs / 160 color. March / Art/Latin American Art & Culture

EXHIBITION SCHEDULE Hamburg, Germany: Hamburger Kunsthalle, 11/29/13–03/02/14 Stuttgart, Germany: Kunstmuseum Stuttgart, 03/29/14–10/19/14 Leeds, England: Henry Moore Institute, 07/24/13–10/19/14

30 artbook.com­­ artbook.com 31 ​Ad​Reinhardt:​ Warhol as publisher, author, book artist and illustrator How​to​Look​ ​Art​Comics​ Edited by Anna Gray, Kristine Bell. Text by Robert Storr. Published on the occasion of the exhibition Ad Reinhardt at David Zwirner, New York, this cat- alogue presents a comprehensive exploration of the artist’s cartoon works, which he created for various publications throughout his life- time, most notably the progressive tabloid daily newspaper P.M., in which his How to Look series first appeared in 1946. Reinhardt’s comics shed light on the artist’s humorous in- sight into art history, politics and culture, as well as his unparalleled critical sensibility as a painter and thinker. The publication includes new scholarship on this facet of Reinhardt’s practice by curator Robert Storr. Ad Reinhardt (1913–1967) was born in Buffalo, New York, and studied art history at Columbia University, where he forged lifelong friendships with Thomas Merton and Robert Lax. After studies at the American Artists School, he worked for the WPA and became a member of the American Abstract Artists group, with whom he exhibited for the next decade; later he was also represented by Betty Parsons. Throughout his career Reinhardt engaged in art-world activist politics, participating in the famous protests against The Museum of Modern Art in 1940 and the Metropolitan Museum of Art in 1950 (among the group that became known as “The Irascibles”). ​Reading​Andy​Warhol​ HATJE CANTZ/DAVID ZWIRNER ​Author​Illustrator​Publisher​ 9783775737685 U.S. | CDN $ 40.00 Hbk, 11 x 14 in. / 92 pgs / 43 color. Edited by Nina Schleif. Text by Marianne Dobner, Burcu Dogramaci, Simone Förster, Birgitta Heid, Lucy January / Art Mulroney, Susan M. Rossi-Wilcox, Anna Rühl, Nina Schleif, Jordan Troeller, Reva Wolf, Matt Wrbican. Was Andy Warhol (1928–1987) an intellectual or a comics reader? In any case, he loved books. From his student days onward, he was fascinated by the medium of print. Starting out with illustrations for famous novels by the likes of Truman Capote and Katherine Anne Porter, he became a successful graphic designer who then also cre- ated playful thematic booklets that he would hand out to New York’s fashion scene as promotional gifts. He de- signed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of literature by having sound recordings transcribed and pub- lished. Including a complete bibliography, this fascinating and fresh volume is the first substantial presentation of Warhol’s important innovations in printed books.

HATJE CANTZ 9783775737074 U.S. | CDN $ 60.00 Cartoons, comics and caricatures from the ALSO AVAILABLE Warhol’s Queens Hbk, 8.75 x 11.25 in. / 304 pgs / 300 color. The Autobiography and 9783775735452 January /Art “black monk” of American abstraction Sex Life of Andy Warhol Hbk, U.S. | CDN $60.00 9780970612618 Hatje Cantz EXHIBITION SCHEDULE Hbk, U.S. | CDN $45.00 Munich, Germany: Museum Brandhorst, 09/18/13–01/12/14 Trela Media

32 artbook.com­­ artbook.com 33 BACK IN PRINT ​Not​Nothing:​Selected​Writings​by​ ​Ray​Johnson:​The​Paper​Snake Ray​Johnson​1954–1994​ Long out of print and unavailable to wider audiences, The Paper Edited by Elizabeth Zuba. Text by Kevin Killian. Snake is an essential work in Ray Johnson’s oeuvre and the second Ray Johnson (1927–1995) blurred the boundaries of life and art, of authorship and title published by Dick Higgins’ Something Else Press, in 1965. intimacy. Correspondence is the defining character of all of Johnson’s work, partic- Johnson describes the book as “all my writings, rubbings, plays, ularly his mail art. Intended to be read, to be received, to be corresponded with, his things that I had mailed to [Higgins] or brought to him in cardboard letters (usually both image and textual in character) were folded and delivered to an boxes or shoved under his door, or left in his sink, or whatever, over individual reader, to be opened and read, again and again. Using a variety of letter- a period of years.” A vertiginous, mind-bending artist’s book, The heads, Johnson addressed letters to Joseph Cornell, Yoko Ono, Nam June Paik, Paper Snake was far ahead of its time. In his essay “The Hatching Robert Motherwell, Andy Warhol, Jacques Derrida, Eleanor Antin, Germaine Greer, of the Paper Snake,” Higgins says: “I was fascinated by the way Lynda Benglis, Arakawa and Madeline Gins, among many others, and to his close that the small works which Ray Johnson used to send through the circle of friends, such as William S. Wilson, Grace Glueck/Glook and Dick Higgins. mail seemed so rooted in their moment and their context and yet The subjects of his correspondence ranged from the New York avant-garde (Cage, somehow they seemed to acquire new and larger meaning as time Johns, de Kooning, Duchamp) to filmmakers such as John Waters and writers such went along ... Since a book is a more permanent body than a mail- as Gertrude Stein and Marianne Moore. This collection of more than 200 selected ing piece or even than our own physical ones, I could not help letters and writings—most of which are previously unpublished—opens a new view wondering what it would be like to make a new body for Johnson’s into the sprawling, multiplicitous nature of Johnson’s art, revealing not only how he ideas as a sort of love letter or time capsule for the future.” A col- created relationships, glyphs and puzzles in connecting words, phrases, people and lection of letters, little plays, tid-bits, collages and drawings, The ideas, but also something about the elusive Johnson himself. In a 1995 article in Paper Snake connects disparate elements to unbed fixed relation- The New York Times, Roberta Smith wrote: “Make room for Ray Johnson, whose ships and forge new systems of meaning by means of scissors, place in history has been only vaguely defined. Johnson’s beguiling, challenging art paste and the American postal system. has an exquisite clarity and emotional intensity that makes it much more than sim- SIGLIO ply a remarkable mirror of its time, although it is that, too.” 9781938221033 U.S. | CDN $ 34.70 Hbk, 10.75 x 8.75 in. / 48 pgs / 48 color . SIGLIO May / Art/Artists’ Books 9781938221040 U.S. | CDN $ 45.00 Pbk, 9 x 12 in. / 256 pgs / 50 color / 160 b&w. June / Art/Nonfiction & Criticism

BACK IN PRINT ​An​Anthology​of​Concrete​Poetry​ Edited by Emmett Williams. ​Complete​Minimal​Poems​ First published by the legendary Something Else Press in 1967, An Anthology of Concrete Poetry was ​​​By​Aram​Saroyan.​ the first American anthology on the international movement of Concrete poetry. The movement itself Preface by Ron Silliman. began in the early 1950s, in Germany—through Eugen Gomringer, who borrowed the term “con- Long cherished in out-of-print editions, anthologies and textbooks, and more recently celebrated on crete” from the art of his mentor, Max Bill—and in Brazil, through the Noigandres group, which in- the internet, the groundbreaking Concrete and Minimalist poems of Aram Saroyan (born 1943) are cluded the de Campos brothers and Decio Pignatari. Over the course of the 1960s it exploded across gathered together here in a single, much-needed volume. Working in the 1960s among the so-called Europe, America and Japan, as other protagonists of the movement emerged, such as Dieter Roth, Second Generation New York School of poetry and the international Concrete poetry movement, Öyvind Fahlström, Ernst Jandl, bpNichol, Mary Ellen Solt, Jackson Mac Low, Ian Hamilton Finlay, but also informed by Conceptual art, Saroyan brought an intense focus to the sensuality of words— Bob Cobbing, Dom Sylvester Houédard, Pierre Garnier, Henri Chopin, Brion Gysin and Kitasono often single words—highlighting their material strangeness. Among the most popular of these Katue. By the late 1960s, poet Jonathan Williams could proclaim: “If there is such a thing as a world- poems are the infamous “lighght” (singled out by Senator Jesse Helms, who publicly lambasted wide movement in the art of poetry, Concrete is it.” The work of the 77 writers collected in this an- the poem when its author received an NEA award), “eyeye,” and his four-legged letter “m.” “Even thology varies greatly in its aims and forms, but all can be said to emphasize the visual dimension of a five-word poem has a beginning, middle and end,” Saroyan once stated; “A one-word poem language, manipulating individual letters and minimal semantic units to produce poems that are for doesn’t. You can see it all at once. It’s instant.” Complete Minimal Poems reissues the entirety of contemplating as much as for reading. Emmett Williams, the book’s editor, added explanatory com- Saroyan’s rare collections Aram Saroyan, Pages and The Rest for the first time, as well as his mentary for the poems and biographies of their authors, making this volume—long out of print—the well-known “Electric Poems” (originally published in the 1972 All Stars anthology) and the previously definitive anthology of this movement, which has so influenced artists and writers of subsequent unpublished sequence “Short Poems.” The first edition of Complete Minimal Poems was published generations. in 2007, receiving praise in The New York Times and winning the 2008 William Carlos Williams

PRIMARY INFORMATION ALSO AVAILABLE Award. This reprint of that edition includes a new preface by Ron Silliman. 9780985136437 U.S. | CDN $ 28.00 Sweethearts by PRIMARY INFORMATION/UGLY DUCKLING PRESSE Pbk, 6.25 x 9.25 in. / 342 pgs / 316 b&w. Emmet Williams 9780985136482 U.S. | CDN $ 20.00 January / Literature 9783865608109 Pbk, 5.5 x 8 in. / 288 pgs. Pbk, U.S. | CDN $29.95 January /Literature Walther König, Köln

34 artbook.com­­ artbook.com 35 PREVIOUSLY ANNOUNCED ​Raymond​Pettibon: Here’s​Your​Irony​Back​ ​Political​Works​1975–2013​ Text by Benjamin H. D. Buchloh. Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the bound- aries of “high” and “low,” from the devia- tions of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute reflections of contempo- rary society. Throughout the years, his subjects have included political figures and historical events, with particular intensity since the events of September 11, 2001. Seen here are images of Ronald and Nancy Reagan, J. Edgar Hoover, both Bush presidents, the Kennedys, Hitler, scenes from the Vietnam War and protest move- ments, wars in Iraq and Afghanistan, the prisoner abuse of Abu Ghraib, President Obama and Osama bin Laden. Raymond Pettibon (born 1957) studied economics at UCLA around the same time he joined his brother in the punk band Black Flag. He soon began to contribute artwork to album covers, flyers and t-shirts, for the band and its label, SST Records, and exhibited his work in group shows in ​Robert​Heinecken:​Object​Matter​ galleries in the 1980s. Since the 1990s his work has been the subject of numerous Edited by Eva Respini. Text by Jennifer Jae Gutierrez. major solo exhibitions. Robert Heinecken was a pioneer in the postwar Los Angeles art scene who described himself as a para- photographer because his work stood “beside” or “beyond” traditional ideas of the medium. Published in HATJE CANTZ/DAVID ZWIRNER/REGEN PROJECTS conjunction with the first museum exhibition of the artist’s work since his death in 2006, this publication 9783775737333 U.S. | CDN $ 60.00 covers four decades of his remarkable and unique practice, from the early 1960s through the late 1990s, Hbk, 10.75 x 12.5 in. / 212 pgs / 122 color. with special emphasis on his early experiments with technique and materiality. Culling images from news- Available /Art papers, magazine advertisements and television, Heinecken recontextualized them through collage and assemblage, double-sided photograms, photolithography and re-photography. Although he was rarely behind the lens of a camera, his photo-based works question the nature of photography and radically redefine the perception of it as an artistic medium. As the most comprehensive survey of Heinecken’s Pettibon’s drawings excavate America’s dark past oeuvre, this book sets his work in the context of twentieth-century history of photographic experimenta- THE MUSEUM OF MODERN ART, NEW YORK tion and conceptual art. An illustrated essay by conservator Jennifer Jae Gutierrez about the artist’s 9780870709067 U.S. | CDN $ 50.00 experimental techniques, which ranged from photograms to photolithography to collage, contributes to Hbk, 9.5 x 12 in. / 188 pgs / 300 color. the sparse scholarship on Heinecken’s working methods. March / Photography/Art ALSO AVAILABLE Robert Heinecken was born in 1931 in Denver, Colorado and in 1942 his family relocated to Riverside, Raymond Pettibon: Whuytuyp EXHIBITION SCHEDULE California. After serving in the US Marine Corp, he earned a BA in 1959 from the University of California, 9783037642900 New York: The Museum of Modern Art, Hbk, U.S. | CDN $35.00 Los Angeles, where he continued his studies, specializing in printmaking and graduating with an MFA in 03/15/14–06/22/14 JRP|Ringier Los Angeles, CA: Hammer Museum, 1960. He founded the graduate program for photography at UCLA in 1964, where he taught until 1991. 10/05/14–01/17/15 Heinecken died at age 74 in 2006 in Albuquerque, New Mexico.

36 artbook.com­­ artbook.com 37 The seductive and eerie photography of diCorcia PREVIOUSLY ANNOUNCED ​Philip-Lorca​ from 1975 to the ongoing East of Eden series diCorcia​ Edited by Katharina Dohm, Max Hollein. Text by Katharina Dohm, Geoff Dyer, Christoph Ribbat. The photography of Philip-Lorca diCorcia achieves a marvelous balance of artifice and the everyday. Over the past three decades, diCorcia has de- veloped a unique and influential style, Hujar’s in which a realistic, almost documen- tary style of representation is sub- nudes, at verted or countered by visibly staged once tender composition. This combination of seemingly opposite qualities endows and taboo, his images with a mysterious eeriness. In his Hustlers series (1990–1992), di- project a Corcia made portraits of male prosti- tutes in minutely composed settings, universal and for Heads (2000–2001)—probably his most famous series—he depicted humanity passersby on the street in New York (who were oblivious to his photo- graphing them) as though they were film stars. Alongside the series Street- work (1993–1999), Lucky 13 (2004) and A Storybook Life (1975–1999), this volume, published for a major Euro- ALSO AVAILABLE KERBER Philip-Lorca diCorcia 9783866788350 U.S. | CDN $ 45.00 pean retrospective and produced in Eleven W 1997–2008 Pbk, 9.75 x 11.75 in. / 208 pgs / 79 color. close collaboration with diCorcia, also 9788862081672 Available / Photography features works from his new and on- Hbk, U.S. | CDN $70.00 going East of Eden project. Freedman Damiani EXHIBITION SCHEDULE Tilburg, Netherlands: De Pont Museum of Contemporary Art, 10/05/13–01/19/14

​Peter​Hujar:​Love​&​Lust​ NOW IN PAPERBACK Introduction by Jeffrey Fraenkel. Text by Vince Aletti, Stephen Koch. Interview with Fran Lebowitz. Celebrated and revered by artists, the work of Peter Hujar remains something of a public secret, but his ​Nan​Goldin:​The​Ballad​of​Sexual​Dependency​ photographs dealing with sex and eroticism, made between the years 1969 and 1986, have come to define Edited by Marvin Heiferman, Mark Holborn, Suzanne Fletcher. Text by Nan Goldin. a certain era in New York. Today they are widely considered to be his finest and most radical work. Hujar’s First published in 1986, Nan Goldin’s The Ballad of Sexual Dependency is a visual diary chronicling the strug- view of the human body is uninhibited and uncompromising, but his poignant explorations of sexuality and gles for intimacy and understanding among the friends and lovers whom Goldin describes as her “tribe.” desire also project a universal humanity; as Nan Goldin said of Hujar’s nudes, “Looking at his photographs These photographs described a lifestyle that was visceral, charged and seething with a raw appetite for living, of nude men, even of a naked baby boy, is the closest I ever came to experience what it is to inhabit male and the book soon became the swan song for an era that reached its peak in the early 1980s. Twenty-five flesh.” This monograph, published in conjunction with an exhibition at Fraenkel Gallery in San Francisco, is years later, Goldin’s lush color photography and candid style still demand that the viewer encounter their pro- the first to deal specifically with Hujar’s photographs of love and lust. Captured in deeply textured black and found intensity head-on. As she writes: “Real memory, which these pictures trigger, is an invocation of the white, these photographs present a view of human relationships that encompasses both the tender and color, smell, sound and physical presence, the density and flavor of life.” Through an accurate and detailed taboo. This volume also contains an interview with author Fran Lebowitz from 1989, and newly commis- record of Goldin’s life, The Ballad of Sexual Dependency records a personal odyssey as well as a more univer- sioned essays by Vince Aletti and Stephen Koch. sal understanding of the different languages men and women speak. The book’s influence on photography APERTURE Peter Hujar (1934–1987) was born in Trenton, New Jersey and moved to Manhattan to work in the maga- FRAENKEL GALLERY 9781597112109 U.S. | CDN $ 35.00 9781881337379 U.S. | CDN $ 45.00 and other aesthetic realms has continued to grow, making it a classic of contemporary photography. This an- zine, advertising and fashion industries. He documented the vibrant cultural scene of downtown New York Pbk,10 x 9 in. / 148 pgs / 126 color. Slip, Pbk, 11 x 14 in. / 82 pgs / niversary edition features all-new image separations produced using state-of-the-art technologies and specially March / Photography throughout the 1970s and 1980s. In 1976, he published Portraits in Life and Death, with an introduction by 36 tritone. prepared reproduction files, which offer a lush, immersive experience of this touchstone monograph. Susan Sontag. Hujar died of AIDS in 1987. February /Photography/Gay & Lesbian Studies

38 artbook.com­­ artbook.com 39 With previously unpublished photographs, this volume considers Francesca Woodman as a tableau vivant pioneer

Printed with new scans BACK IN PRINT and separations from ​Sally​Mann:​Immediate​Family​ ​Francesca​Woodman​ Afterword by Reynolds Price. ​Works​from​the​Sammlung​Verbund​ First published in 1992, Immediate Family has been lauded by critics as one of the great original prints, Mann’s Edited and with text by Gabriele Schor, Elisabeth Bronfen. Foreword and introduction by Gabriele photography books of our time, and among the most influential. Taken against the Arca- Schor. Text by Betsy Berne, Johannes Binotto, Beate Söntgen, Abigail Solomon-Godeau. classic has never looked dian backdrop of her woodland summer home in Virginia, Sally Mann’s extraordinary, inti- This volume—the most comprehensive monograph published on Francesca Woodman to date— mate photographs of her children reveal truths that embody the individuality of her own considers her enigmatic photography in the light of the tradition of the tableau vivant and also so fresh and sumptuous family yet ultimately take on a universal quality. With sublime dignity, acute wit and feral explores for the first time her poetic use of props (mirror, gloves, wallpaper, etc.) as well as her grace, Sally Mann’s pictures explore the eternal struggle between the child’s simultaneous unusual staging of space. Featuring 80 photographs and 20 previously unpublished works from dependence and quest for autonomy—the holding on and the breaking away. This is the the collection Sammlung Verbund in Vienna, it is the first publication ever to reproduce all of stuff of which Greek dramas are made: impatience, terror, self-discovery, self-doubt, pain, Woodman’s photographs in their original sizes, authentically reconstructing her idiosyncratic D.A.P./DISTRIBUTED ART PUBLISHERS, INC. vulnerability, role-playing and a sense of immortality, all of which converge in these aston- technique of placing the image on the photographic paper. Woodman’s stark, black-and-white 9781938922411 U.S. | CDN $ 65.00 ishing photographs. This reissue of Immediate Family has been printed using new scans Hbk, 9.5 x 11.5 in. / 304 pgs / 33 color / 160 b&w. photographs explore an intense curiosity and ambivalence toward the feminine self, but her often April /Photography and separations from Mann’s original prints, which were taken with an 8 x 10-inch view playful, surreal and symbolic gestures also demonstrate her ability to incorporate elements of camera, rendering them with a freshness and sumptuousness true to the original edition. humor into her otherwise sober iconography. This volume unifies all of these themes in her EXHIBITION SCHEDULE Sammlung Verbund, Vienna, Austria: 01/29/14–05/21/14 Born in Lexington, Virginia in 1951, Sally Mann is one of America’s most renowned pho- work under the broad concept of tableau vivant, showing how Woodman radically reimagined that tographers. Her work has been exhibited around the world and is held by such institutions tradition. It also includes the first detailed and illustrated biography of her life. as the Metropolitan Museum of Art, The Museum of Modern Art, and the Whitney Mu- ALSO AVAILABLE Francesca Woodman (1958–1981) was born into an artistic family and began to develop her Francesca Woodman seum of American Art, all in New York; San Francisco Museum of Modern Art; and Tokyo APERTURE interest and skill in photography during her early teenage years. She produced a distinct and 9781935202660 Metropolitan Museum of Photography. She has received numerous honors, including a Hbk, U.S. | CDN $55.00 9781597112543 U.S. | CDN $ 50.00 original body of work in under a decade. Woodman committed suicide in 1981 at the age of 22. Hbk, 11 x 9.5 in. / 88 pgs / 60 duotone. doctorate from the Corcoran College of Art and Design, Washington, DC, and a Guggen- In the years following her death, Woodman’s work has achieved widespread critical acclaim. D.A.P./San Francisco April/ Photography heim Memorial Foundation fellowship. Museum of Modern Art

40 artbook.com­­ artbook.com 41 NEW AFFORDABLE PAPERBACK FORMAT ​Richard​Misrach​&​ Kate​Orff:​Petrochemical America​ Now available in a compact and easy-to-refer- ence paperback edition, Petrochemical America features Richard Misrach’s haunting photo- graphic record of Louisiana’s Chemical Corridor, accompanied by landscape architect Kate Orff’s Ecological Atlas—a series of “speculative draw- ings” developed through research and mapping of data from the region. Their joint effort depicts and unpacks the complex cultural, physical and economic ecologies along 150 miles of the Mississippi River, from Baton Rouge to New Orleans, an area of intense chemical production that first garnered public attention as “Cancer Alley” when unusual occurrences of cancer were discovered in the region. This collaboration has resulted in an unprecedented, multilayered document presenting a unique narrative of visual information. Petrochemical America offers in- depth analysis of the causes of decades of envi- ronmental abuse along the largest river system in North America. Even more critically, the proj- ect offers an extensively researched guidebook to the way in which the petrochemical industry has permeated every facet of contemporary life. What is revealed over the course of the book, however, is that Cancer Alley—although compli- cated by its own regional histories and particu- larities—may well be an apt metaphor for the global impact of petrochemicals on the human landscape as a whole. ​Alex​Webb​&​Rebecca​Norris​Webb:​Memory​City​ Richard Misrach (born 1949) has a longstanding Located in Rochester, New York, Eastman Kodak was one of the world’s leading manufacturers of photo- association with the American south. His previ- graphic film for 125 years. Following the company’s declaration of bankruptcy in 2012, photographers Alex ous monograph, Destroy This Memory, offered a Webb (born 1952) and Rebecca Norris Webb (born 1956) traveled to Rochester to capture images of the city record of hurricane-inspired graffiti left on houses during the twilight of Kodak’s existence. Memory City responds to the uncertain future of Kodak film as a and cars in New Orleans in the wake of Katrina. medium by presenting a view of Rochester that reflects the city’s prosperous past and current troubles. Usu- On the Beach and Violent Legacies addressed ally known for his color work, for this project Alex Webb used his final rolls of Kodachrome—a color film now Misrach and Orff’s contamination of desert and beach areas. only able to be processed in black and white—to capture Rochester’s fading grandeur. He also photographed Kate Orff (born 1971) is an assistant professor the city’s streets in digital color. Rebecca’s photographs consist of color portraits and still-lifes of Rochester’s shocking record at Columbia University and founder of SCAPE, women, both young and old, taken using Portra—one of Kodak’s last films. For this publication, the artists a landscape architecture studio in Manhattan. have also created a timeline of Rochester’s cultural history, tracing the evolution of the complex, once-vibrant of environmental Her work weaves together sustainable develop- city. This book also contains quotations from many of the famous writers and thinkers who have been con- ment, design for biodiversity and community- nected to Rochester and its environs, including women’s rights activist Susan B. Anthony, abolitionist Freder- destruction and based change. Orff’s recent exhibition at MoMA, ick Douglass, and poets John Ashbery and Ilya Kaminsky. corporate neglect Oyster-tecture, imagined the future of the pol- RADIUS BOOKS luted Gowanus Canal as part of a ground-up 9781934435762 U.S. | CDN $ 60.00 community process and an ecologically revital- Hbk, 9.75 x 12.25 in. / 172 pgs / 45 color / 20 b&w. ALSO AVAILABLE ALSO AVAILABLE in Mississippi’s April /Photography Alex Webb: The Suffering Rebecca Norris ized New York harbor. of Light Webb: My Dakota EXHIBITION SCHEDULE “Cancer Alley” APERTURE 9781597111737 9781934435472 Rochester, NY: Visual Studies Workshop, 04/14 9781597112772 U.S. | CDN $ 39.95 Hbk, U.S. | CDN $65.00 Hbk, U.S. | CDN $50.00 Pbk, 11.75 x 9.25 in. / 240 pgs / 150 color. Aperture Radius Books May / Photography

42 artbook.com­­ artbook.com 43 In THE PHOTOGRAPHY WORKSHOP series, Aperture works with the world’s top ​Words​Not​Spent​ photographers, distilling their approach to making pictures into an accessible primer for a wider Today​Buy​Smaller​ audience. The key points of their practice are rendered in the photographer’s own words, which Images​Tomorrow​ accompany a selection of more than 60 photographs—iconic images by each photographer ​Essays​on​the​Past​and​Future​of​ plus key images by others that have influenced their thinking. Forthcoming volumes are by Rinko Photography Kawauchi, Todd Hido, Mary Ellen Mark, Dawoud Bey and Shelby Lee Adams, among others. ​By​David​Levi​Strauss.​ At this transitional moment in the field of pho- tography, how should we consider what is to come for the medium? Can its past and present practitioners help guide us, both as creators and as observers? David Levi Strauss—eminent ​Alex​Webb​and​Rebecca​Norris​Webb​on​Street​ author, critic and teacher—rises to the chal- Photography​and​the​Poetic​Image​ lenge of these questions and more in Words ​The​Photography​Workshop​Series Not Spent Today Buy Smaller Images Tomor- Renowned photographers and teachers Alex Webb and Rebecca Norris Webb guide readers on a row: Essays on the Past and Future of Photogra- creative journey through the world of street photography and the poetic image as a path toward phy. In the course of 25 essays, some of which finding and deepening a unique photographic vision. Based on their popular international workshop, appear for the first time in this volume, Strauss this creative couple interweaves real-world insight with stories that reveal their own creative process discusses the work of artists who provoke us and influences. They touch on a variety of photographic issues essential to photographers of all lev- with revealing, clear-eyed investigations of the els and backgrounds, including how to photograph in cultures other than your own; how to capture ostensibly patent world in front of us, and oth- luminous, poetic images in the world; how to work with color in a way that adds emotion to photo- ers who transport us to new realms, poetic and graphs; how complexity and creative tension affect the frame; how to hone a personal vision; and unreal—creative minds ranging from Frederick how to shape a growing body of work in an intuitive and meaningful way, one that enriches not only Sommer, Helen Levitt, Daido¯Moriyama and An incisive exploration of picture-making but also your life. This book provides rare access to the teaching and artistic practice Joseph Beuys to contemporary photographers photography’s changing role of two leading photographers and is an indispensable tool for students, teachers and anyone who Sally Mann, James Nachtwey, Susan Meiselas, wants to take more successful pictures. Tim Davis and many others. Also considered are the groundbreaking theoretical writings of as a tool of evidence and APERTURE Susan Sontag and Jean-Luc Nancy, the films of 9781597112574 U.S. | CDN $ 29.95 conscience from a leading Pbk, 7.5 x 10 in. / 128 pgs / 59 color / 14 b&w. Chris Marker and Stan Brakhage, and issues May / Photography/Nonfiction & Criticism/Photography Technique and events that have irrevocably altered the voice in critical writing on way we consider the medium of photography and how it communicates: 9/11, Abu Ghraib, photography the death of Osama bin Laden, the Arab Spring and Occupy Wall Street. Published in ​Larry​Fink​on​Composition​and​Improvisation​ the Aperture Ideas series, Words Not Spent Today is an incisive exploration of photogra- ​The​Photography​Workshop​Series ALSO AVAILABLE phy’s changing role as a tool of evidence and Renowned photographer and teacher Larry Fink leads readers on a creative journey exploring the Bending the Frame: Understanding a conscience as we move forward into—can we relationship between composing a photograph and improvising within the scene at hand to create Photojournalism, Documentary Photograph say it?—a post-photographic era. and the Citizen By John Berger images with both feeling and meaning—merging style, content and personal vision. Based on his David Levi Strauss is the author of From By Fred Ritchin Hbk, US | CDN $24.95 teaching, Fink combines advice, real-world insight and stories that reveal his own creative process Head to Hand: Art and the Manual (2010); 9781597111201 9781597112567 and years of experience as an artist and working photographer. He covers a variety of photographic Pbk, U.S. | CDN $19.95 Aperture Between the Eyes: Essays on Photography and issues essential to photographers of all levels and backgrounds, including how to sharpen your pho- Aperture Politics, with an introduction by John Berger tographic perception; how to maximize the frame to create layered and sophisticated compositions; (2003); and Between Dog and Wolf: Essays on Between the Eyes: Photography After Frank how to use the technical aspects of photography (depth of field, focus, shutter speed and flash) By Philip Gefter Art and Politics (1999, updated in 2010 with a Essays on Photography as an emotional tool; how to create pictures with energy that take advantage of the tension of the By David Levi Strauss 9781597110952 prolegomenon by Hakim Bey). Strauss was a Hbk, U.S. | CDN $29.95 scene; how to both anticipate a composition coming together and be responsive to chance as the 9781597112147 Guggenheim fellow in 2003 and received the Pbk, U.S. | CDN $19.95 Aperture world unfolds in front of the camera. Throughout, Fink explores the relationship between subject Infinity Award for Writing from the International Aperture and photographer, style and meaning. This book provides rare access to the teaching and artistic Center of Photography in 2007. He is chair of practice of a leading photographer and is an indispensable tool for students, teachers and anyone the graduate program in art criticism and writing Crisis of the Real: The Pleasures of who wants to take more successful pictures. Writings on Photography Good Photographs at the School of Visual Arts in New York. By Andy Grundberg By Gerry Badger APERTURE APERTURE 9781597111409 9781597111393 9781597112734 U.S. | CDN $ 29.95 9781597112710 U.S. | CDN $ 29.95 Pbk, U.S. | CDN $19.95 Pbk, U.S. | CDN $29.95 Pbk, 7.5 x 10 in. / 128 pgs / 70 duotone. Flexi, 6 x 8.5 in. / 192 pgs / illustrated throughout. Aperture Aperture May / Photography/Nonfiction & Criticism/Photography Technique May / Photography/Nonfiction & Criticism

44 artbook.com­­ artbook.com 45 ​Szenasy,​Design​Advocate​ Brilliant, chatty and often funny, Danto’s lectures give a concise ​Writings​and​Talks​by​Metropolis​Magazine Editor​Susan​S.​Szenasy​ portrait of his influential philosophy of art Edited by Ann S. Hudner, Akiko Busch. Foreword by John Hockenberry. Preface by Ann S. Hudner. Intro- duction by Akiko Busch. “I felt fairly sheepish at the beginning ​Arthur​C.​Danto:​Remarks​on​Art​and​Philosophy For more than 30 years, Susan S. Szenasy’s voice has resonated as an editor-in-chief, writer, teacher, modera- writing about beauty, for the reasons Edited by Marion Boulton Stroud. tor, filmmaker and lecturer. In all of these roles, her ad- that, as I say, in the tradition that I “What makes something a work of art?” This was the question that philosopher Arthur C. Danto vocacy for ethical, sustainable, human-centered design (1924–2013) asked himself after seeing Andy Warhol’s “Brillo Box” at a 1964 exhibition at the has been her guiding light. Known for decades as the came up in as a philosopher, nobody Stable Gallery in New York City. The philosophy of art was not Danto’s primary area of inquiry at editor-in-chief of Metropolis magazine, one of the most could take aesthetics very seriously. the time, but Warhol’s work prompted him to return to this question over several decades. influential design magazines in the world, Szenasy has Danto, professor of philosophy at Columbia University since the 1960s and art critic at The Nation led the charge on issues ranging from universal design Certainly my own philosophical from 1984 to 2009, delivered the previously unpublished lectures presented in this volume at the to emerging trends of consumer excess, from design reputation was based on fairly austere Acadia Summer Arts Program in Mount Desert Island, Maine, from 1997 through 2009. They ex- for disassembly to the recovery of Lower Manhattan’s plicate the ideas that he set forth in professional philosophical papers and books, including The communities after 9/11, from design education to the analyses that were addressed mainly Transfiguration of the Commonplace (1981), which describes his philosophy of art. Informal yet social and environmental impacts of the buildings and to the profession. But as I worked, deeply thought-provoking, these lectures explore how Danto analyzed art through a philosophical products we manufacture. This volume—the first pub- lens, yielding an approach that differs from most other contemporary art criticism. Danto’s lished collection of Szenasy’s writings—brings to- finally, on the lectures, I did get the thoughts on art go beyond formal analysis and taste judgments, instead focusing on questions gether editorials, reviews, stories, profiles, industry sense that I was writing on maybe about the nature of art and attempting to define what a work of art is. These lectures present event presentations, classroom lectures, commence- some of his most notable ideas in terms that those with no training in philosophy can readily un- ment addresses and more. Szenasy’s honest, thought- the most important thing I could’ve derstand. provoking and often challenging opinions are present “Susan is a force to be “Susan channels her written on. I don’t know yet why that A.S.A.P. in all of these pieces. So, too, is her ongoing commit- reckoned with.” efforts toward making 9780979764271 U.S. | CDN $ 32.00 ment to informed dialogue, which has influenced and Clth, 6.75 x 9 in. / 144 pgs / 6 color / DVD (NTSC). was, but I was very, very taken with guided generations of design professionals, architects, —ROGER MANDLE the debate around sustain- February / Art/Nonfiction & Criticism the way in which people responded in journalists, retailers, manufacturers, legislators, educa- ability and universal tors and the next generation of designers. New York to the World Trade Center METROPOLIS BOOKS design more constructive, disaster. Immediately, everywhere, 9781938922398 U.S. | CDN $ 29.95 “Susan has an incredible and challenging people Pbk, 6.5 x 9 in. / 353 pgs / 32 color / 4 b&w. these little shrines appeared. A very February /Design & Decorative Arts/Architecture & way of supporting a singu- to take it further.” Urban Studies vernacular kind of beauty, but they lar design vision by shar- —JOHN HOCKENBERRY all had candles, they all had flowers— ing the creative journey, they all had balloons, or many of them not just celebrating the “Susan is the only one, had balloons. They had photographs shiny outcome. I think among the major design of somebody who at least was beauti- many other architects editors, who has ful in their eyes. And so I thought that and urban thinkers would unabashedly made her the disposition to produce those kinds agree that Susan has magazine a forum for of objects in the face of that kind of inspired us with her insis- tackling grand challenges. sadness must be something very tence that architecture is What she chooses to deeply connected with what it means more than buildings and publish in each issue to be human.” form; it is about people.” cross-pollinates across —KATE LYDON all of the different design criteria—aesthetic, social, environmental.” —ANNA DYSON

46 artbook.com­­ artbook.com 47 ​Jeff​Zimmerman​ Text by John Drury. Interview by Sean Kelly. This first monograph on the work of Ameri- can master glassmaker Jeff Zimmerman ex- amines both his sculptures and functional pieces and provides an overview of his breadth of technique and creative vision. Drawing inspiration from natural forms and employing advanced glassblowing tech- niques, Zimmerman’s illuminated sculptures evoke branches, petals and waves. These organic forms are combined with human accidents, like crushing and splattering, em- bracing the quality of unpredictability inher- ent to the glassblowing process. Works such as “Biomorphic Bubble,” “Rain Drop,” “Vine” and “Serpentine” create fantastic and new formal possibilities for glass, while staying true to the traditions and techniques of old-world Italian glassmakers. This book includes previously unpublished photo- graphs of works created throughout his ca- reer, as well as interiors featuring his custom light fixtures, vases and sconces in- stalled in exhibitions, private homes, corpo- rate offices and foundations in France, Belgium, Switzerland, England, Italy, Korea and throughout the United States. A student of the classical Venetian tech- nique of glassmaking, Jeff Zimmerman (born 1968) studied with Italian technicians such as Lino Tagliapietro and Pino Sig- noretto as well as contemporary artists such as Maya Lin, Kiki Smith and Ann Hamilton. A member of several glassmaking collec- tives, most notably The B Team, Zimmer- ​Konstantin​Grcic:​Panorama​ man has worked in studios both domestic Edited by Mateo Kries. Text by Paola Antonelli, Jan Boelen, Mario Carpo, Mateo Kries, Janna Lipsky, and abroad. His solo work first came to at- Jonathan Olivares, Louise Schouwenberg, Richard Sennett, Peter Sloterdijk. tention in 1999, when his Anthropology Mu- Konstantin Grcic (born 1965) is one of the leading designers of our time. Many of his creations, such as seum of the Future, a sculptural installation Chair_One (2004) or the Mayday lamp (1999), are already recognized as design classics. Konstantin Grcic: featuring glass fetish pieces under a black Panorama is being published in conjunction with the largest solo exhibition on Grcic to date. It constitutes the light, was displayed at the Robert Lehman first catalogue raisonné of the designer’s work and documents more than 350 pieces of furniture, products and Gallery in Brooklyn. Since then, Zimmer- exhibitions with informative details, images and comprehensive descriptions. This overview is accompanied by man’s work has been featured in the perma- numerous illustrated essays from renowned authors, including Peter Sloterdijk, Richard Sennett, Paola Antonelli, nent collections of the Corning Museum of Jonathan Olivares, Mario Carpo, Louise Schouwenberg, Jan Boelen, Janna Lipsky and Mateo Kries. While some Glass, New York, and the Boghossian Foun- essays investigate Grcic’s oeuvre and its context, others address broader issues that shape Grcic’s work, such dation, Belgium, as well as private collec- Sculptural and biomorphic, as new production technologies, the evolution of the home or the development of public space. The book is tions worldwide. He currently lives and further augmented by a series of images depicting visionary spatial designs by Grcic produced especially for works in New York. Zimmerman’s work dovetails VITRA DESIGN MUSEUM the exhibition, demonstrating his conceptions of life in the future. All these facets combine to make the book a 9783931936075 U.S. | CDN $ 90.00 DAMIANI unique panorama of a designer whose contemporary influence is widely felt, as well as a fascinating read for all traditional glassblowing and Pbk, 8.25 x 10.75 in. / 300 pgs / 450 color. 9788862083584 U.S. | CDN $ 60.00 May / Design & Decorative Arts those with an interest in the future of design. Hbk, 9.5 x 11 in. / 224 pgs / illustrated throughout. contemporary art EXHIBITION SCHEDULE March / Design & Decorative Arts Weil am Rhein, Germany: Vitra Design Museum, 03/29/14–09/14/14

48 artbook.com­­ artbook.com 49 The Toilet Paper team’s eye-popping homage to Italian Radical Design Boxing in art, from Warhol and Ruscha to Nara and Dzine 1968:​Radical​Italian​Furniture​ ​Photographs​by​Maurizio​Cattelan​&​Pieropaolo​Ferrari​ Preface by Maria Cristina Didero. Drawings by Alessandro Mendini. ​Boxed:​A​Visual​History​and​the​Art​of​Boxing​ 1968, the newest project from Maurizio Cattelan and Pierpaolo Ferrari’s Toilet Paper in collaboration with Edited and with text by Carlos Dzine Rolon. Text by Franklin Sirmans. the Deste Foundation in Athens, offers an unorthodox, kaleidoscopic walk through the Dakis Joannou For the artist Carlos Rolon (born 1970), aka Dzine, boxing loomed large in his childhood collection of Italian Radical Design furniture. Led by avant-garde design firms such as Archizoom, Su- household; he recalls watching a young Howard Cosell on ABC’s Wide World and the infamous perstudio, Global Tools and 9999, Radical Design was firmly opposed to the ethics, and indeed the very No Mas fight with Roberto Duran and Sugar Ray Leonard—occasions that also provided notion of, “good design” or taste. Toilet Paper’s bold, mischievous interpretation of Joannou’s collection opportunities to bond with his father. On the heels of Dzine’s previous publication Nailed, results in delightful, high-contrast photographs that merge the seductive lines of Radical Design furni- Boxed looks at how artists have used boxing as a metaphor or have been otherwise inspired ture and objects with the curves of the modern-day nymphs cavorting among them. Published as a by the sport. Alongside new work from Dzine, it includes art by Andreas Gursky, Jean-Michel board book, and named after a year that was pivotal for architecture and design (and, of course, the Basquiat, Andy Warhol, Gary Simmons, Satch Hoyt, Rashid Johnson, Christopher Wool, world at large), 1968 is a collection of dreams and nightmares, an inspiring, eye-popping compendium Cheryl Dunn, Terence Koh, David Hammons, Ed Ruscha, Jeff Koons, George Bellows, Yoshitomo of colorful, ironic objects and bodies. At once charmingly retro and alarmingly surreal, 1968 includes Nara, Jules De Balincourt, Paul Pfeiffer, Martine Barat, Claes Oldenburg, Glenn Ligon, Lyle drawings by one of the Radical Design movement’s foremost architects, Alessandro Mendini. Owerko, Chris Mosier and Ed Paschke, among others.

DESTE FOUNDATION/TOILET PAPER DAMIANI/PAUL KASMIN GALLERY 9786185039042 U.S. | CDN $ 80.00 9788862083546 U.S. | CDN $ 60.00 Slip, Hbk, 8.5 x 11.5 in. / 120 pgs / illustrated throughout. Hbk, 9.5 x 11.5 in. / 208 pgs / illustrated throughout. February / Design & Decorative Arts February /Art/Photography/Popular Culture

50 artbook.com­­ artbook.com 51 ALSO AVAILABLE Danzig Baldaev: ​Soviets​ Drawings from the Gulag ​Drawings​by​Danzig​Baldaev.​Photographs​by​Sergei​Vasiliev.​ 9780956356246 Edited by Damon Murray, Stephen Sorrell. Hbk, U.S. | CDN $32.95 Fuel Publishing Soviets features unpublished drawings from the archive of Danzig Baldaev. Made in secret, they satirize the Communist Party system and expose the absurdities of Soviet life. Baldaev touches on a wide range of sub- Russian Criminal Tattoo jects, from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censor- Encyclopedia Postcards ship, Paranoia and Suspicion) and religion (Atheism as an Ideology). He reveals the cracks in the crumbling 9780956896261 socialist structure, describing the realities of living in a country whose leaders are in pursuit of an ideal that A remarkable Wunderkammer of Victorian medical illustration Box U.S. | CDN 29.95 NR50 will never arrive. The drawings date from the 1950s to the period immediately before the fall of the Soviet Fuel Publishing Union in 1991, with caricatures exposing communism’s winners and losers: the stagnation of the system, the corruption of its politicians and the effect of this on the ordinary soviet citizen. Baldaev’s drawings are ​The​Sick​Rose​

Russian Criminal Tattoo contrasted with classic propaganda-style photographs taken by Sergei Vasiliev for the newspaper Vercherny ​Disease​and​the​Art​of​Medical​Illustration Encyclopedia Vol 1 Chelyabinsk. These photographs depict the world the Communist leaders dreamed of: where the local fac- ​By​Richard​Barnett.​​ 9780955862076 tory produced its millionth tractor and heroic workers fulfilled their five-year plans. It is impossible to imagine The Sick Rose is a visual tour through the golden age of medical illustration. The nineteenth century experi- Hbk, U.S. | CDN $32.95 the daily reality of living under such a system; this book shows us—both broadly and in minute detail—what enced an explosion of epidemics such as cholera and diphtheria, driven by industrialization, urbanization Fuel Publishing it must have been like. and poor hygiene. In this pre-color-photography era, accurate images were relied upon to teach students and

FUEL PUBLISHING aid diagnosis. The best examples, featured here, are remarkable pieces of art that attempted to elucidate the Russian Criminal Tattoo 9780956896278 U.S. | CDN $ 32.95 mysteries of the body, and the successive onset of each affliction. Bizarre and captivating images, including Encyclopedia Vol 2 Hbk, 6.5 x 8 in. / 240 pgs / 181 b&w. close-up details and revealing cross-sections, make all too clear the fascinations of both doctors and artists of April / Art/Popular Culture 9780955006128 the time. Barnett illuminates the fears and obsessions of a society gripped by disease, yet slowly coming to un- Hbk, U.S. | CDN $32.95 Fuel Publishing derstand and combat it. The age also saw the acceptance of vaccination and the germ theory, and notable dia- grams that transformed public health, such as John Snow’s cholera map and Florence Nightingale’s pioneering Communism’s winners and histograms, are included and explained. Organized by disease, The Sick Rose ranges from little-known ailments Russian Criminal Tattoo now all but forgotten to the epidemics that shaped the modern age. It is a fascinating Wunderkammer of a Encyclopedia Vol 3 losers: the absurdities of Soviet book that will enthrall artists, students, designers, scientists and the incurably curious everywhere. 9780955006197 Hbk, U.S. | CDN $32.95 D.A.P./DISTRIBUTED ART PUBLISHERS, INC. Fuel Publishing life, from the archive of Russian 9781938922404 U.S. | CDN $ 35.00 Hbk, 6.75 x 9.5 in. / 256 pgs / 250 color. Criminal Tattoo’s Danzig Baldaev April /Art/Popular Culture

52 artbook.com­­ artbook.com 53 Celebrating the 100th anniversary of the great Mexican satirist

​Posada:​A​Century​of​Skeletons​ Text by Juan Villoro, Mercurio López, Helia Bonilla, Montserrat Galí, Rafael Barajas. To celebrate the 100th anniversary of Posada’s death, A Century of Skeletons collects nearly 1,000 reproductions of original prints, includ- ing dozens of engravings never before published. Over the last century, Posada’s satirical illustrations with their signature “calaveras,” or skele- tons, have become synonymous with the imagery of Mexico’s Day of the Dead celebrations. Often guised in various costumes, such as the Calavera de la Catrina, the “Skull of the Female Dandy,” Posada’s Calav- eras also satirized the lifestyle of the Mexican upper classes during the reign of Porfirio Díaz. His prints and lithographs utilize a distinctive blend of black, white and middle tones and his works in type metal, zinc and wood make dramatic use of proportion and disproportion. Re- flecting on various aspects of Posada’s life and work, this volume con- tains essays by Juan Villoro, Helia Bonilla, Monserrat Galí and Rafael Barajas, as well as a study by Mercurio López that organizes a signifi- cant part of Posada’s work chronologically, and with regard to the print- making techniques employed. It also includes two complementary sections: one examining the technical transition from lead to zinc in en- graving and a second giving examples of the iconographical sources for Posada’s work. José Guadalupe Posada (1852–1913) studied lithography as a young man and opened a commercial print shop in the 1870s, focusing on ad- vertising, book illustration and broadsides. After the shop was de- stroyed in a flood, Posada relocated to Mexico City and began moving toward cheaper methods of printmaking. It was there that Posada began contributing his satirical cartoons to news flyers and periodicals, using his adept imagery to communicate with a largely illiterate public. Though he died virtually unknown, Posada has been acknowledged by Diego Rivera and José Clemente Orozco as the godfather of modern Mexican art. RM/BBVA An intimate record of Kahlo’s iconic clothes and accessories 9788415118664 U.S. | CDN $ 65.00 Clth, 9 x 12 in. / 376 pgs / 968 color. March / Art/Latin American Art & Culture ​Frida​by​Ishiuchi​ Text by Miyako Ishiuchi, Hilda Trujillo, Gannit Ankori, Circe Henestrosa. Frida by Ishiuchi is the first photographic documentation ever published of Mexican artist Frida Kahlo’s personal attire and belongings, as portrayed by Japanese artist Miyako Ishiuchi. The victim of a nearly fatal bus accident as a young woman, Kahlo used fashion to channel her resulting physical difficulties into courageous statements of heritage, strength and beauty. Also focusing on the ways in which Kahlo used her iconic style to project her feminist and socialist beliefs, Ishiuchi’s color photographs transform Kahlo’s dresses, corsets, shoes, gloves, jewelry and other accessories into objects freighted with personal struggle, cultural awareness and sartorial in- ventiveness. Following Ishiuchi’s acclaimed series Mothers and Hiroshima, this collection provides a special look at a very intimate dimension of Frida Kahlo’s universe.

ALSO AVAILABLE Posada: Monograph RM/MUSEO FRIDA KAHLO Posada & Manilla: Illustrations 9788415118473 9788415118695 U.S. | CDN $ 45.00 For Mexican Fairy Tales Pbk, U.S. | CDN $29.95 Hbk, 8.25 x 11.25 in. / 144 pgs / 117 color. 9788415118510 RM March / Photography/Latin American Art & Culture Pbk, U.S. | CDN $24.95 RM

54 artbook.com­­ artbook.com 55 ​James​Ensor​ ​From​the​Royal​Museum​of​Fine​Arts​Antwerp​and​Swiss​Collections​ Edited by Anne-Birgitte Fonsmark, Nina Zimmer. Text by Herwig Todts, Nina Zimmer. Phantoms, skulls, skeletons and other macabre figures populate the paintings, drawings and prints of James Ensor. His works are bizarre, ironic, occasionally belligerent and provocative, but always buoyed by a keen sense of humor, and his nightmarish motifs reveal the absurd and grotesque about everyday life. Ensor’s interests were wide-ranging; he was as enthusiastic about Rembrandt’s prints as he was about the Belgian Carnival festival and Japanese masks. In turn, early twentieth-century artists such as Alfred Kubin, Paul Klee and the German Expressionists Emil Nolde and Ernst Ludwig Kirchner were inspired by his creative power and radical rejection of traditional European ideals of beauty. This volume presents nearly 60 paintings and an equal number of drawings, which are published here for the first time. James Ensor (1860–1949) was born in Brussels where he studied at the Académie Royale des Beaux-Arts. He first exhibited his work in 1881, and received his first solo exhibition four years later. Despite initial attacks in the press, Ensor quickly found favor in his native Bel- gium. By 1920 he was the subject of major exhibitions; in 1929 he was named a baron by King Albert; and in 1933 he was awarded the Légion d’honneur. Ensor rarely left Belgium, and endeared himself to the people of Ostend, where he spent most of his life, as a familiar figure about town.

HATJE CANTZ 9783775737227 U.S. | CDN $ 60.00 Clth, 8.25 x 12.5 in. / 136 pgs / 151 color. February / Art

ALSO AVAILABLE James Ensor: James Ensor: The Doctrinal Nourishment Complete Paintings 9780875871998 9783775724654 EXHIBITION SCHEDULE Pbk, U.S. | CDN $20.00 Hbk, U.S. | CDN $300.00 Basel, Switzerland: Kunstmuseum Basel, 02/16/14–05/25/14 Los Angeles County Hatje Cantz Museum of Art A lesser-known aspect of Gauguin’s practice that is arguably even more ​Edvard​Munch:​A​Genius​of​Printmaking​ innovative than his painting Text by Gerd Woll. Love, pain and death; passion, loneliness and sorrow—the entire oeuvre of Edvard Munch (1863– 1944) revolves around the fundamental experiences of human existence. Munch is regarded as one ​Gauguin:​Metamorphoses​ of the trailblazers of the Expressionist currents that informed European painting in the early twenti- Edited by Starr Figura. Text by Elizabeth Childs, Hal Foster, Erika Mosier, Lotte Johnson. eth century. Throughout, Munch’s graphic works were not by-products but rather a central element Gauguin: Metamorphoses explores the remarkable relationship between Paul Gauguin’s rare and extraor- of his oeuvre, from the first etchings in 1894 to the lithographs he made just before his death. dinary prints and transfer drawings, and his better-known paintings and sculptures in wood and ceramic. Among the masterpieces included in this representative volume of images and texts are graphic Created in several discrete bursts of activity from 1889 until his death in 1903, these remarkable works versions of Munch’s world-famous subjects in the form of large-format color lithographs, etchings, on paper reflect Gauguin’s experiments with a range of media, from radically “primitive” woodcuts that THE MUSEUM OF MODERN ART, NEW YORK extend from the sculptural gouging of his carved wood reliefs, to jewel-like watercolor monotypes and woodcuts, hand-colored prints and experimental prints on colored paper. Munch’s graphic works, in 9780870709050 U.S. | CDN $ 60.00 which he achieved a persuasive condensation of his major Symbolist allegories, captivate the large mysterious transfer drawings. Gauguin’s creative process often involved repeating and recombin- Hbk, 9 x 10.5 in. / 248 pgs / 233 color. viewer with their subtle color palettes and their expressive sense of reduction. ing key motifs from one image to another, allowing them to metamorphose over time and across medi- February / Art ums. Printmaking in particular provided him with many new and fertile possibilities for transposing his Edvard Munch (1863–1944) was born in Loton, Norway, and studied design and art in Oslo. In EXHIBITION SCHEDULE May of 1885 he traveled to Paris on a scholarship, and after the deaths of his sister and father the imagery. Though Gauguin is best known as a pioneer of modernist painting, this publication reveals a New York: The Museum of Modern Art, following year, he began to spend most of his time in France. His painting first achieved fame—or lesser-known but arguably even more innovative aspect of his practice. Richly illustrated with more than 03/08/14–06/08/14 notoriety—with an 1892 exhibition in Berlin, which also led directly to his influence upon the Ger- 200 works, Gauguin: Metamorphoses explores the artist’s radically experimental approach to techniques man Expressionists. Despite struggles with alcohol and mental health, Munch lived to the age of 80. and demonstrates how his engagement with media other than painting—including sculpture, printmak- ing and drawing—ignited his creativity. HATJE CANTZ ALSO AVAILABLE Painter, printmaker, sculptor and ceramicist, Paul Gauguin (1848–1903) left his job as a stockbroker in Gauguin Tahiti 9783775737012 U.S. | CDN $ 70.00 Hbk, 9.5 x 12.5 in. / 208 pgs / 224 color. Paris for a peripatetic life traveling to Martinique, Brittany, Arles, Tahiti and, finally, the Marquesas Is- 9780878466672 January / Art lands. After exhibiting with the Impressionists in Paris and acting as a leading voice in the Pont-Aven Pbk, U.S. | CDN $40.00 MFA Publications group, Gauguin’s efforts to achieve a “primitive” expression proved highly influential for the next genera- EXHIBITION SCHEDULE Zurich, Switzerland: Kunsthaus Zurich, 10/04/13–01/12/14 tion of artists.

56 artbook.com­­ artbook.com 57 ​Odilon​Redon​ Text by Raphaël Bouvier, Jodi Hauptman, Margret Stuffmann. Odilon Redon’s oeuvre marks the threshold between the nineteenth and the twentieth centuries, and thus also represents the Founder and interplay between tradition and innovation. Fractures and contrasts characterize his mentor of the artistic development, from the black-and- white of his early, dark lithographs and Impressionist works in charcoal to the veritable explosions group, of color in his bright pastels and oils. Bizarre monsters appear alongside heavenly crea- Pissarro tures in a blend of dream and nightmare, nature and vision. Tending toward receives his internalization, the mythic, sacred and biological motifs in Redon’s works under- due in this went a turn toward the mystical, not only on account of his subject matter, but also volume as a through the aesthetic aspects of color and form. Greatly admired by contemporaries pioneer of such as Paul Cézanne and Edgar Degas, modern art Redon influenced artists such as Pierre Bonnard, Henri Matisse and Marcel Duchamp, as well as the Surrealists. The artist’s brilliant ideas and his contextually, technically and materially multifaceted body of work are presented in this catalogue. Born in France to a prosperous family, Odilon Redon (1840–1916) began drawing at an early age and moved to Paris after unsuccessful forays into architecture and sculpture. Redon began his career working PREVIOUSLY ANNOUNCED primarily in charcoal and lithography, before ​ transitioning to oils and pastels in the Pissarro​ 1890s. With his keen interest in literature, Edited by Guillermo Solana. Text by Richard R. Brettell, Joachim Pissarro, Guillermo Solana. Redon found champions and collaborators ”Humble and colossal,” as his friend Cézanne described him, Camille Pissarro is at once the most in Joris-Karl Huysmans, Emile Hennequin important and the least familiar of the leading Impressionist painters. As a mentor to that group, which and, most significantly, the Symbolist poet he helped to convene, Pissarro was responsible for drafting the statutes of the artists’ cooperative that Stéphane Mallarmé. Redon’s work achieved launched the famous Impressionist exhibitions, which were the first to take art outside the academic international renown after being exhibited confines of Paris’ salon exhibitions; he was also the only painter to participate in all eight of those land- The hellish monsters and heavenly chimeras at the American Armory Show in 1913. mark shows, from 1874 to 1886, and was the first painter to develop and sustain the plein air practice HATJE CANTZ for which the Impressionists are famed. This volume presents Pissarro as one of the great pioneers of of the ultimate Symbolist painter 9783775737531 U.S. | CDN $ 75.00 modern art, appraising his career through five thematic and chronological chapters that offer a tour of Hbk, 9.75 x 11.75 in. / 168 pgs / 160 color. his preferred landscapes and cities: “On the Road to Impressionism,” “Louveciennes-London-Louveci- May / Art ennes 1869–72,” “Pontoise Revisited 1872–82,” “Eragny Landscapes 1884–1903” and “City Views.” EXHIBITION SCHEDULE It includes essays by some of the most renowned Pissarro scholars: Richard R. Brettell, who writes on Basel, Switzerland: Fondation Beyeler, the artist’s involvement with anarchism; Joachim Pissarro (one of the authors of the Pissarro catalogue 02/02/14–05/18/14 raisonné) on Monet and Pissarro’s relationship in the 1890s; and Guillermo Solana on the motif of the FUNDACIÓN COLECCIÓN THYSSEN-BORNEMISZA road in Pissarro. ALSO AVAILABLE The Arthur and Hedy The Age of Symbolism 9788415113423 U.S. | CDN $ 65.00 Otto Modersohn: Hahnloser Collection in Latvia Born on the island of Saint Thomas in the Antilles into a wealthy family of Jewish origin, Camille Hbk, 9 x 11 in. / 208 pgs / 138 color / 28 b&w. Landscapes of Silence 9781935202639 9788836617234 Pissarro (1830–1903) studied painting in Paris and Venezuela. He met Claude Monet, Auguste Renoir Available / Art 9783866787551 Hbk, U.S. | CDN $75.00 Hbk, U.S. | CDN $32.00 and Alfred Sisley in 1859. Pissarro acted as pater familias not only to the Impressionist group, but also Hbk, U.S. | CDN $55.00 D.A.P./Distributed Art Silvana Editoriale EXHIBITION SCHEDULE Kerber Publishers, Inc. to the major Post-Impressionists, including Georges Seurat, Paul Cézanne, Vincent van Gogh and Paul Barcelona, Spain: Obra Social ”la Caixa,” Gauguin. CaixaForum, 10/15/13–01/26/14

58 artbook.com­­ artbook.com 59 ​Toulouse-Lautrec​in​the From conservative orientalists to the Collection​of​The​Museum of​Modern​Art​ avant-garde, Western artists at the Text by Sarah Suzuki. turn of the century found inspiration Though he was deeply engaged with painting and drawing, Toulouse-Lautrec’s lasting contribution to in the arts of Japan artistic practice was as a graphic artist. Through his prints and posters, he brought the language of the late-nineteenth-century French avant-garde to a ​Looking​East​ broad public, through editioned prints, advertise- ​Western​Artists​and​the​Allure​of​Japan​ ments and contributions in reviews and magazines. Text by Helen Burnham, Sarah E. Thompson, Jane E. Braun. He ushered in the first print boom of the modern A craze for all things Japanese in the late nineteenth and early twentieth centuries era; taking advantage of lithography’s new poten- brought a correspondingly radical shift in Western art, dubbed Japonisme. Leading tial for color and scale, he made both posters for artists, including Vincent van Gogh and Claude Monet, were inspired by Japanese the streets of Paris and prints for the new bour- art and culture to create works of singular beauty. This lavishly illustrated publica- geois collector’s living room. During his short ca- tion explores an extraordinary moment of cross-cultural exchange by presenting reer, he created more than 350 prints and 30 a selection of major paintings, prints, drawings and decorative arts from the posters, as well as lithographed theater programs renowned collections of the Museum of Fine Arts, Boston. Masterpieces by Euro- and covers for books and sheet music. The Mu- pean and American artists are shown along with rare objects, paintings and prints seum of Modern Art’s collection of this material is from the Museum’s Japanese collection, which is one of the finest in the world. stellar, encompassing over 100 prints and posters, Among the Western artists influenced by Japonisme, and included here, are Henry his most important book projects, and many maga- Roderick Newman, Frank Weston Benson, Alfred Stevens, John La Farge, Arthur zines, journals and other examples of printed Wesley Dow, Margaret Jordan Patterson, James McNeill Whistler, Edvard Munch, ephemera. A cultural nexus, Toulouse-Lautrec con- Henri de Toulouse-Lautrec, Pierre Bonnard, Edouard Vuillard, James Ensor, Paul nected artists, performers, authors, intellectuals Gauguin, Edgar Degas, Henri Rivière and Frederick Elkington. Their works are jux- and society figures of his day, creating a bridge be- taposed with works by Japanese artists such as Utagawa Hiroshige, Katsushika tween the brothels and society salons of the Belle Hokusai, Okumura Masanobu, Maruyama O¯ kyo, Kubo Shunman, Isoda Kory¯usai Epoque. His work allows entry into many facets of and Kikugawa Eizan, among many others. With its two introductory essays, em- Parisian life of the period, from politics and eco- phasizing first Western and then Eastern perspectives, and its four thematically nomics to visual culture and the rise of popular en- organized chapters, Looking East imparts the sense of discovery and excitement tertainment in the form of cabarets and that characterized the development of Japonisme in Europe and North America. café-concerts. Featuring an overview essay by Sarah Suzuki, Associate Curator in the Department MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON of Drawings and Prints at MoMA, this publication 9780878468102 U.S. | CDN $ 29.95 Hbk, 8.5 x 10 in. / 128 pgs / 86 color. presents thematically organized groupings of February /Art/Asian Art & Culture Toulouse-Lautrec’s prints from the Museum’s col- lection, each accompanied by an illuminating essay on the theme.

Henri de Toulouse-Lautrec (1864–1901) is best EXHIBITION SCHEDULE known for his portrayals of late-nineteenth-century Nashville, TN: Frist Center for the Parisian life, particularly working-class, cabaret, cir- Visual Arts, 01/31/14–05/11/14 Tokyo, Japan: Setagaya Art cus, nightclub and brothel scenes. He was admired Museum, 06/28/14–09/15/14 then as he is today for his unsentimental evoca- Kyoto, Japan: Kyoto Municipal tions of personalities and social mores. His greatest Museum of Art, 09/30/14–11/30/14 Nagoya, Japan: Boston Museum contemporary impact was his series of 30 posters of Fine Arts, Japan, Toulouse-Lautrec’ s renowned prints (1891–1901), which transformed the aesthetics of 01/02/15–05/05/15 poster art. Québec, Canada: Musée National des Beaux Arts, 06/11/15–09/27/15 and posters, contextualized within the THE MUSEUM OF MODERN ART, NEW YORK San Francisco, California: Asian 9780870709135 U.S. | CDN $ 45.00 Art Museum, 10/30/15–01/24/16 milieu from which they arose Hbk, 9 x 10.5 in. / 176 pgs / 160 color. May / Art

EXHIBITION SCHEDULE New York: The Museum of Modern Art, 07/26/14–02/15

60 artbook.com­­ artbook.com 61 ​Quilts​and​Color​ ​The​Pilgrim/Roy​Collection​ Text by Pamela A. Parmal, Jennifer M. Swope. Quilts and Color presents more than 60 graphically bold American quilts from the Pilgrim/Roy Collec- tion, one of the finest and largest collections of quilts in the world. Influenced by twentieth-century art developments such as Abstraction, Op art and the Color Field move- ment, Paul Pilgrim and Gerald Roy were among the first to appreciate quilts as more than simply decora- tive bedcovers, women’s fancy work or symbols of a rustic past. Reproduced brilliantly and arranged by ideas based in color theory—Vibrations, Mixtures, Gra- dations, Harmonies, Contrasts, Variations and Optical Illusions— each quilt in this book is celebrated as a unique work of art. The ac- companying text also sheds light on the social and cultural history of the quilts and the practices and as- pirations of their mostly anony- mous makers, who created such works of enduring beauty and ar- resting visual impact. Quilts and Color accompanies an exhibition at the Museum of Fine Arts, Boston. ​Holland​on​Paper​ MFA PUBLICATIONS, MUSEUM OF The first publication in FINE ARTS, BOSTON ​In​the​Age​of​Art​Nouveau​ 9780878468249 U.S. | CDN $ 45.00 Text by Clifford S. Ackley. Clth, 9 x 10 in. / 144 pgs / 90 color. English on Art Nouveau’s April / Design & Decorative Arts/Craft From the 1890s through the turn of the century, there was a flourishing of new, imagi- native art and craft throughout Europe that we now know as Art Nouveau. The Nether- unique flowering in Holland EXHIBITION SCHEDULE lands experienced an inventive variant of this art and design phenomenon, but until Boston, MA: Museum of Fine Arts, 04/06/14–07/27/14 now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contri- bution to Art Nouveau through a tour of more than 100 works on paper—posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists’ conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art—Nieuwe Kunst in Dutch—coexisted and sometimes intertwined The American quilt in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by as modern art well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, 9780878467990 U.S. | CDN $ 50.00 G. W. Dijsselhof and C. A. Lion Cachet. With an introduction and explanatory text Hbk, 9.5 x 10.5 in. / 256 pgs / 120 color. about each work of art by Clifford S. Ackley, one of the world’s leading specialists June/ Design & Decorative Arts

in Dutch prints and drawings, Holland on Paper provides a fascinating and visually EXHIBITION SCHEDULE rewarding introduction to a rich and creative artistic era. Boston, MA: Museum of Fine Arts, Boston, 08/10/13–02/23/14

62 artbook.com­­ artbook.com 63 ​Mira​Cuba:​The​Cuban​Poster​Art​from​1959​ ​New​Spirits:​Images​of​a Edited by Luigino Bardellotti, Simona Biolcati, Ivo Boscariol. Introduction by Revolution​ Mario Piazza. Text by Leonardo Padura Fuentes, Pepe Menendez, Niko, Sara Vega, Reynaldo Gonzales, Olivio Martinez, Rafael Morante, Richard Frick. ​Radical​Jazz​in​the​USA​1960–75​ Many eras have passed in Cuba since Fidel Castro took office in 1959 after the Edited by Stuart Baker. Revolution, but the special character of the graphic art spawned in that chaotic, At the start of the 1960s, jazz entered a unique fertile moment has endured, as this volume shows. In Cuba, posters were, and period of revolution as African-American musicians continue to be, popular tools to disseminate ideas, to encourage the Cuban peo- redefined the art form in the context of the Civil ple in the construction of a new society and to spread information on govern- Rights Movement, Afro-centric rhythm and thought ment programs and/or propaganda. The ideal democratic art form, poster art as it and an ideology of black economic empowerment. has flourished in Cuba also developed a unique idiom in film, music and sports. John Coltrane, Ornette Coleman, Sun Ra, Pharoah Today, many of these works, by celebrated poster artists such as Olivio Martinez Sanders, Albert Ayler and others developed a new Viera, Alfredo Rostgaard, Félix Beltrán, Rafael Morante, Eduardo Marin, Olivio cosmology of sound that was as revolutionary as Martinez, Antonio Fernández Reboiro, Rafael Morante Boyerizo, René Cardenas the social and political changes that took place in Azcuy, Victor Manuel Navarrete and Eduardo Muñoz Bachs, are counted among America throughout the decade. From the musical the greatest posters produced in the twentieth century. In this overview of the explorations of John Coltrane, Cecil Taylor and subject, the influence of American Pop art and psychedelia, as well as earlier Ornette Coleman to the collective and community precedents in Dadaism, the Russian avant-garde and German Expressionism, concerns of Chciago’s Association for the can be seen to have informed Cuba’s graphic arts. Mira Cuba collects more than Advancement of Creative Musicians and the black 250 posters, sketches and layouts created between 1959 and the present. science fiction of Sun Ra, the new jazz musicians created a musical and cultural landscape from SILVANA EDITORIALE which jazz never looked back. This large-format 9788836626991 U.S. | CDN $ 40.00 Pbk, 8 x 10 in. / 256 pgs / 200 color. deluxe hardback book features hundreds of March / Design & Decorative Arts/Latin American Art & Culture stunning photographs of the new jazz musicians in the USA throughout the 1960s, presented with an introductory essay and biographies on the many artists included in the book.

SOUL JAZZ BOOKS 9780957260016 U.S. | CDN $ 49.95 Hbk, 12.5 x 12.5 in. / 208 pgs / 75 color / 125 b&w. April /Music/African American Art & Culture ​Buddy​Esquire:​King​of​the​Hip​Hop​Flyer​ Edited by Johan Kugelberg. ALSO AVAILABLE Vintage portraits Freedom, Rhythm and Sound: Known as the “King of the Flyer,” Buddy Esquire was the premier show flyer artist in Jazz Covers the Bronx during the earliest days of hip hop. Combining influences ranging from of the giants of 9780955481727 Bronx Art Deco architecture to superhero comics and Japanese anime, and teaching Hbk, U.S. | CDN $39.95 himself the fundamentals of lettering and graphic design, Esquire created a new 1960s Free Jazz Soul Jazz Records Publishing artistic style, which has been often borrowed but rarely credited today. “I would take the letters and I would cut them out”, he told an interviewer, “and I would take a ruler and measure them and I would then glue them on the piece of paper where I would want them. Once everything was glued down on the paper I would then draw the background around the letters.” Esquire’s flyers advertised the earliest perform- ​Greek​Rhapsody​ ances of legends like Grandmaster Flash, Afrika Bambaataa, Kurtis Blow, the Cold ​Instrumental​Music​from​Greece​1905–1956​ Crush Brothers, Spoonie Gee and the Treacherous Three. Edited by Johan Kugelberg, Edited by Tony Klein. Buddy Esquire: King of the Hip Hop Flyer reveals one of the key sources for hip hop’s Rembetika is a popular style of Greek folk music that deals with the sorrows and troubles of everyday life, much visual language, presenting a catalogue raisonné of Esquire’s flyers, visual art and like the Blues in the United States. Originating from oral tradition, Rembetika merges traditional Turkish and Greek hand-painted clothing. Also featured are never-before-seen photographs of Esquire, musical elements with lyrics that deal with more modern, urban issues. The Rembetika music collected for Greek his crew and the street art and hip hop culture of the late 1970s and early 80s. Rhapsody was recorded from 1905–1956 in Greece, Istanbul, the United States and even a German prison camp SINECURE BOOKS during the First World War. The set is mostly, but not entirely, made up of instrumental music, steering clear of 9781938265068 U.S. | CDN $ 50.00 FLAT40 vocally dominated songs. The publication comes with two CDs that feature 42 meticulously remastered tracks from Hbk, 8.5 x 10.75 in. / 320 pgs / illustrated throughout. June/ Design & Decorative Arts/Music/African American Arts & Culture 78 rpm recordings of Greek instrumentals, including rare and never-before-issued tracks. Delving deep into the history of this period, this publication offers a unique panorama of the instruments and styles of Greek folk music.

DUST-TO-DIGITAL 9781938922374 U.S. | CDN $ 40.00 Hbk, 6 x 7.75 in. / 152 pgs / 45 b&w / 2 audio CDs. January / Music

64 artbook.com­­ artbook.com 65 PREVIOUSLY ANNOUNCED ​Houston​Rap​ ​Photographs​by​Peter​Beste​ Edited by Johan Kugelberg. Foreword by Bun B. Text by Lance Scott Walker. The Houston, Texas, neighborhoods of Fifth Ward, Third Ward and South Park have grown to be hallowed ground for modern rap culture, populated with celebrities, entrepreneurs, support networks and a micro-economy of their own. Photographer Peter Beste (photographer of True Norwegian Black Metal) and writer Lance Scott Walker spent nine years documenting the most influen- tial style in twenty-first-century hip hop and the vibrant inner city culture from which it stems. Houston Rap, edited by Johan Kugelberg, profiles noted artists such as Bun B of UGK, Z-Ro, Big Mike, K-Rino, Willie D of the Geto Boys, Lil’ Troy and Paul Wall, alongside reflections on the lives of departed legends such as DJ Screw, Pimp C and Big Hawk. The book also features community leaders, rappers, producers, businessmen and family members, all providing an astonishing and important insight into a great American cultural narrative. In addition to featuring Beste’s previously unseen images of the contemporary Houston rap scene, Houston Rap includes a detailed timeline charting the growth of rap music in Houston from its origins to the present.

SINECURE BOOKS 9781938265051 U.S. | CDN $ 49.95 FLAT40 Hbk, 8.5 x 11.25 in. / 272 pgs / 209 color / 63 b&w. Available / Music/Photography/African American Art & Culture

​Houston​Rap​Tapes​ ​By​Lance​Scott​Walker.​ Edited by Johan Kugelberg, Michael P. Daley. Foreword by Willie D. Photographs by Sounds​of​Two​Eyes​Opening​ Peter Beste. ​Southern​Cali​Punk/Surf/Skate​Culture​66–83​ Houston Rap Tapes is the companion to Houston Rap, Peter Beste’s intimate photo book Photographs​by​Spot on this important hip hop culture. Houston Rap Tapes complements Beste’s photography Edited by Johan Kugelberg. Introduction by Ryan Richardson. with a series of oral histories conducted by writer Lance Scott Walker. The book features Glen Lockett (born 1951), better known as Spot, was the legendary in-house producer and engineer at SST Records exclusive interviews with legendary producers and MCs such as Bun B, Willie D, Paul Wall, in Los Angeles—the label founded in 1978 by Greg Ginn as a vehicle for Black Flag, the band that spearheaded the Z-Ro, Big Mike, DJ DMD, K-Rino, Salih Williams and Lil’ Troy, alongside stories from old city’s hardcore punk movement. Between 1979 and 1985, Spot recorded, mixed, produced or co-produced most of school masters like MC Wickett Crickett and Rick Royal. The life stories of the Houston rap SST’s pivotal acts, working on all of Black Flag’s greatest records, and on classic albums by the Minutemen, Meat scene are also represented by an assortment of radio and club personalities, impresarios, Puppets, the Misfits, Hüsker Dü, Saint Vitus, Descendents, Minor Threat, Big Boys and The Dicks. As this volume re- ex-pimps, former drug dealers and members of the community. Lance Scott Walker and veals, it turns out that Spot was also a master photographer, who recorded the many subcultures of Los Angeles in Peter Beste spent nine years documenting the most influential style in twenty-first-century intelligently composed black-and-white photographs. Spot photographed the circles around Black Flag, the Germs, hip hop and the vibrant inner-city culture from which it stems. the Mentors and the Minutemen, as well as the very early days of professional skateboarding and Los Angeles beach SINECURE BOOKS culture. Spanning the late 1960s through the early 1980s, Sounds of Two Eyes Opening offers an amazing portrait of 9781938265082 U.S. | CDN $ 25.00 FLAT40 Southern California’s beach life, set against the dark clubs and rehearsal spaces of the hardcore punk scene. Pbk, 8 x 10 in. / 288 pgs / 288 b&w. February / Music/African American Art & Culture SINECURE BOOKS ALSO AVAILABLE Ed Templeton: The 9781938265105 U.S. | CDN $ 50.00 FLAT40 Deanna Templeton: Cemetery of Reason Hbk, 8.25 x 10.75 in. / 276 pgs / 12 color / 264 duotone. Scratch My Name 9789075679342 April /Music/Popular Culture on Your Arm Pbk, U.S. | CDN $39.95

9789490624064 S.M.A.K. Hbk, U.S. | CDN $50.00 Schunck

66 artbook.com­­ artbook.com 67 ​Spirit​of​76:​London​Punk​Eyewitness​ ​Derek​Ridgers:​78–87​ Edited by Johan Kugelberg. Introduction by Jon Savage. Text and pho- London​Youth​ tography by John Ingham. Text by John Maybury. When punk first broke in the UK in 1976, music journalist John Ingham Taken in the streets, clubs, basements and bars of was on hand to document the very heart of the scene. He famously con- London between 1978 and 1987, the photographs in ducted the first-ever interview with the Sex Pistols (for Sounds, in April 78–87 London Youth celebrate the many mutations in 1976), partied with them, bailed Sid Vicious out of jail and witnessed the London’s youth culture from the height of punk to the band’s evolution at historic gigs (Lesser Free Trade Hall, Chalet Du Lac birth of Acid House. British photographer Derek and the final concert at Winterland in San Francisco); he also wrote the Ridgers has documented the perennial youth ritual of first reviews of The Damned and The Clash. Later, Ingham would launch dressing up and going out since he first picked up a and manage Generation X. Spirit of 76 provides a previously unseen view camera in 1971, and has been drawn to virtually of the beginning of the punk movement, with portraits of the Sex Pistols, every subculture London has spawned, from punk to The Clash, Subway Sect and The Damned at the very beginnings of their the fetish club scene of the present. From early on his careers—the only color photographs from this first wave of British punk photographs attracted the attention of both cultural (as well as many black-and-white images). Alongside Ingham’s photo- institutions such as London’s ICA and music and style graphs, the book also includes his fly-on-the-wall reportage from gigs publications such as the NME and The Face. These and tours. Ingham’s pedigree as a writer (he studied music journalism photographs, made over a ten-year span, capture with Robert Christgau at Cal Arts in Los Angeles) as well as his credibil- punk’s evolution into goth, the skinhead revival and ity among the musicians of the era make this volume an essential mis- the New Romantic scene, and the eventual emer- sive from the core of the UK punk explosion. gence of Acid House and the new psychedelia. Gath- SINECURE BOOKS ered here, Ridgers’ images serve not only as a 9781938265075 U.S. | CDN $ 40.00 FLAT40 fascinating document of UK style and culture but as a Pbk, 8.25 x 10.75 in. / 176 pgs / 41 color / 135 b&w. May / Photography/Music testament to the creative spirit of youth; he lauds his subjects and their sartorial DIY panache. Derek Ridgers (born 1950) is an English photogra- ALSO AVAILABLE pher with a career spanning more than 30 years. He Punk 45 is best known for his photography of music, film, club 9780957260009 Pbk, U.S. | CDN $39.95 and street culture, and has photographed stars from Soul Jazz Records James Brown to The Spice Girls, from Clint Eastwood Publishing to Johnny Depp, as well politicians, gangsters, artists, writers, fashion designers and sportsmen.

DAMIANI 9788862083591 U.S. | CDN $ 50.00 Hbk, 8.5 x 12.5 in. / 160 pgs / illustrated throughout. March / Photography/Music ​Simon​Barker:​Punk’s​Dead​ Foreword by Simon Barker aka SIX. Text by Michael Bracewell, Damo Suzuki, Peter Tatchell, Michael Clark, Holly Woodlawn, Greil Marcus, Camila Batmanghelidjh. From 1976 to 1978, the young photographer Simon Barker was a member of the “Bromley Con- tingent”—a group of avid Sex Pistols fans who comprised the group’s inner circle at the height of the punk movement. Many of them, such as Jordan and Siouxsie Sioux, were notorious for their daredevil dress sense, and several—such as Sioux, Steven Severin, Adam Ant, Poly Styrene, Billy Idol, Viv Albertine and Ari Up—went on to form some of the most important bands of the era. This compilation of previously unseen photographs by Barker shows these founders of punk in their earliest incarnations—in bedrooms and kitchens, at public gigs and private parties—before media and commerce sunk their claws into punk’s iconoclastic look and class politics. Taken with the simplest and cheapest pocket cameras, the photographs in this collection constitute Barker’s “family album for the years 1976 to 1978.” In the spirit of the Pistols’ “God Save the Queen,” the volume closes with a photographic sequence taken by Barker during the 1976 Jubilee celebra- tions, which shows Romanian tyrant Nicolae Ceaus˛escu hobnobbing with the Queen of England The changing face of London’s ever-creative in the royal procession.

DIVUS youth culture, from punk to Acid House 9788086450650 U.S. | CDN $ 45.00 Hbk, 8.75 x 10.75 in. / 152 pgs / 150 color. February / Photography/Music

68 artbook.com­­ artbook.com 69 ​Alexi​Lubomirski: Decade​ Foreword by Christiane Arp. Over the last ten years, Alexi Lubomirski has become an established name within the fash- ion industry, shooting for such publications as Harper’s Bazaar, Vogue and GQ. Decade is a collection of Lubomirski’s fashion and portrait work from 2003–2013. Containing studio photography and narrative fashion spreads in exotic locations, this book also features portraits of actors and celebrities such as Cate Blanchett, Victoria Beckham, Heidi Klum, Kirsten Dunst, Charlize Theron, Kate Winslet, Scarlett Johansson and Ewan McGregor against a broad array of backdrops. Through- out Decade, Lubomirski uses similarities in nar- rative, form and subject matter to tell a visual story and create a dialogue between contrast- ing images. In this way, Lubomirski’s photo- graphs feel more like film stills, capturing his subjects in moments of “visual transit”— walking down a street, emerging from a pool— that allude to a world beyond the frame of the image. In these cinematic photographs, Lubomirski creates a space in which “the viewer is left free to invent their own narrative from what they perceive from the image.” Alexi Lubomirski (born 1975) received his first camera at the age of 11 and began work- ing with narrative-based fashion photography while he was studying at the University of Brighton in the UK. After finishing his studies, ​Julian​Wasser​ he was introduced to Mario Testino, who soon Edited by Brad Elterman. Text by Julian Wasser. hired Lubomirski as an assistant. Toward the This long-overdue monograph presents an astonishing panorama of a bygone Los Angeles end of his four years with Testino, Katie Grand from photographer Julian Wasser. Some of the images are very well known—Joan Didion A widescreen portrait of chose him to start shooting for the iconic leaning against a Corvette Stingray in Hollywood, 1968; Marcel Duchamp playing chess at Face magazine and subsequently Harper’s his seminal 1963 Pasadena exhibition—while many others, such as Barbara Hershey and 1960s–70s Los Angeles, Bazaar US. In 2008, Lubomirski had his first David Carradine in bed in their Laurel Canyon house, Jack Nicholson and Angelica Huston exhibition, Transit, a mixed-media commentary at Jack’s Mulholland Drive home, or the Fonda family lined up on the family sofa, paint a from Jack Nicholson to on TV culture, comprised of preconceived picture of a very private Hollywood of the 1960s and 70s, when privacy was possible and film stills, at MILK gallery in New York. He is the Beach Boys, from celebrity culture had not yet completely consumed the country. Mingled with these iconic currently based in New York. faces are pictures of California counterculture such as the Hog Farm Commune in Sunland; the Playboy mansion to DAMIANI surfers in Malibu Beach; musicians such as the Beatles, the Beach Boys, the Byrds, Frank 9788862083485 U.S. | CDN $ 50.00 Zappa, Crosby, Stills & Nash, Joni Mitchell and Elton John, documentation of events such the Watts riots Hbk, 9.5 x 12 in. / 192 pgs / illustrated throughout. March / Photography as Robert Kennedy’s campaign and the Watts riots; shots of Clint Eastwood on the set of The cinematic portraiture Magnum Force, George and Marci Lucas with Martin Scorcese and Roman Polanski at Polanski’s house on Cielo Drive after the murder of Sharon Tate in 1969. of a rising star in fashion Julian Wasser started his career in photography as a copy boy in the Washington, DC bu- DAMIANI reau of the Associated Press. He was a contract photographer for Time magazine for many photography 9788862083492 U.S. | CDN $ 60.00 years, and his photographs have also appeared in (and on the covers of) Life, Newsweek, Hbk, 9.5 x 12.5 in. / 176 pgs / illustrated throughout. People, Vanity Fair, Paris Match, Der Spiegel, Oggi, Hello, Playboy, Elle, Vogue and GQ. May/ Photography

70 artbook.com­­ artbook.com 71 ​Toilet​Paper:​Diamond​ Collection​ Edited by Maurizio Cattelan, Pierpaolo Ferrari. Toilet Paper is an artists’ magazine created and pro- duced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: im- ages. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the mate- rialization of the artists’ mental outbursts. Since the first issue, in June 2010, Toilet Paper has created a world that displays ambiguous narratives and a trou- bling imagination. It combines the vernacular of com- mercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art econ- omy. The Diamond edition, limited to 1,000 numbered copies, features a lenticular image and includes new images from the duo plus a special edition of the mag- azine wrapped with a special jacket.

DAMIANI 9788862083478 U.S. | CDN $ 130.00 SDNR30 Hbk, 9.5 x 13.5 in. / 260 pgs / illustrated throughout / Limited edtion of 1,000 numbered copies. March / Artists’ Books The lurid imagery of 1950s–60s men’s magazines, cut up and reimagined by an anonymous DIY editor

BACK IN STOCK ​Maurizio​Cattelan​&​Pierpaolo​Ferrari:​ ​Pirate​Nightmare​Vice​Explosion​ Toilet​Paper​ ​Inherited​Remnants​of​an​Amateur​Dadaist’s​Library​ Edited by Dennis Freedman. Text compiled by James Hoff. Edited and with introduction by Michael Kupperman. On the occasion of his sensational retrospective at the Guggenheim Museum in New In the late 1990s, American comic artist Michael Kupperman bought a stack of men’s magazines York, Italian provocateur Maurizio Cattelan announced that he was retiring from art. from the 1950s and 1960s, with titles like Sir!, Real Action and Man’s Thrills. “They all had the In fact, his new career had already begun in 2010 with Toilet Paper, a magazine-cum- owner’s name stamped on them,” Kupperman observed, “but the stamp is slightly illegible, so it’s artist's book containing no text, only full spreads of color photographs that appropri- impossible to know if the name is C. Buechtel, C. Brockel, C. Buschol or some other variant. This ate the slick production values of commercial photography to deliver dreamlike (or man—I’m assuming it was a man—spent years acquiring lurid men’s magazines and taking them nightmarish) images. This deluxe volume gathers all of the images published in the apart, using the contents to form his own hybrid magazines with the pages from several reassem- first five issues, re-edited by Dennis Freedman in collaboration with Cattelan; it also bled inside the cover of one. With a grease pencil he’d cross out the headlines on the covers that includes a significant portion of previously unpublished images. The photographs didn’t apply anymore, and stamp his name on the results, along with a number. Why was he doing vary in style and reference, from nineteenth-century crime scene to French New Wave this? It’s not clear. It might have been a need to make the magazines seem like a serious collection, film still; from optical illusions and games to word play. Among its more notorious his re-editing emphasizing his sober interest in subjects such as modern fiction and wife-swapping. images is a dirty ear floating in a bowl of yellow soup. In an interview with Vogue Maybe this was one way he justified collecting these lurid periodicals, to himself or a spouse. Or Italia, Pierpaolo Ferrari said that “the project emerged from a passion/obsession that maybe it was a version of the impulse that drives many artists (and three-year-olds): a need to re- Maurizio and I have in common. Each picture springs from an idea, even a simple make and impose personal order that comes from some very deep place.” Pirate Nightmare Vice one, and then becomes a complex orchestration of people who build tableaux vivants. Explosion presents highlights from that collection, and takes place in a murky, monochromatic This project is also a sort of mental outburst.” This clothbound volume is as appropri- world where mysterious, energetic sin is always happening behind closed doors. Some of it is fac- ate for the coffee table as it is for the toilet. tual; some of it smells of heady invention. FOUR CORNERS BOOKS FREEDMAN DAMIANI Michael Kupperman is the author of Tales Designed to Thrizzle, Snake ‘n’ Bacon’s Cartoon Cabaret 9780956192875 U.S. | CDN $ 40.00 9788862082105 U.S. | CDN $ 65.00 and Mark Twain’s Autobiography 1910–2010 (Fantagraphics). His work has appeared in The New Clth, 9.5 x 13.75 in. / 220 pgs / Illustrated throughout. Pbk, 9.5 x 12.5 in. / 148 pgs / 63 color / 80 b&w. February/Artists’ Books Yorker, McSweeney’s and Saturday Night Live. February / Art/Erotica

72 artbook.com­­ artbook.com 73 The​Quay​Brothers’ ​David​Lynch:​Naming​ Universum Edited by Brett Littman. Edited by Jaap Guldemond, For the legendary director, photographer and multimedia artist David Lynch (born 1946), the Marente Bloemheuvel. Text by complex relationship between objects and their names has been a point of departure in his Suzanne Buchan. work since The Alphabet, his second short film made in 1968 during his student years at the American-born, UK-based identical Pennsylvania Academy of Fine Art. Based on a dream his first wife had about her niece twins Stephen and Timothy Quay reciting the alphabet, Lynch has described this early work as “a little nightmare about the (born 1947), better known as the fear connected with learning.” Later, between 1987–88, Lynch developed the “Ricky Board” Quay Brothers, are internationally drawing series, in which the same object is repeated across four rows of five columns, with celebrated for their incredibly inven- each one given a different name. “You will be amazed at the different personalities that tive, otherworldly films that deploy emerge depending on the names you give,” Lynch observes. This book traces how Lynch objects, puppets and people in uses “naming” in film, photography, drawings, watercolors, painting and prints from 1968 gloomy fantasies and haunted vi- to the present. sions, creating a fetishized erotics of KAYNE GRIFFIN CORCORAN “stuff” in which dead matter mocks 9780989789400 U.S. | CDN $ 30.00 human form. Over the course of their Pbk, 5 x 7.5 in. / 156 pgs / illustrated throughout. careers, they have worked across January /Art/Film & Video disciplines to develop an aesthetic EXHIBITION SCHEDULE that manages to inspire, confound Los Angeles, CA: Kayne Griffin Corcoran Gallery, 11/13–1/14 and often disturb their viewers. The Quays are also well known for the di- ALSO AVAILABLE David Lynch: Lithos verse cultural influences referenced David Lynch: Dark 9783775726733 Hbk, U.S. | CDN $60.00 throughout their films and designs, Splendor 9783775726443 Hatje Cantz from Polish modernist poster design Hbk, U.S. | CDN $85.00 to antiquarians such as Athanasius Hatje Cantz Kircher, authors such as Robert Walser, Franz Kafka and Bruno Schulz, and artists such as Adolf Wölfli. Published for an exhibition at the Eye Filmmuseum in Amsterdam, ​The​Dark​Galleries​ this Quay sourcebook presents their ​A​Museum​Guide​to​Painted​Portraits​in​Film​Noir,​Gothic​Melodramas,​and animated films, set designs (or Ghost​Stories​of​the​1940s​and​1950s​ “Dormitoriums,” as the brothers Introduction and text by Steven Jacobs, Lisa Colpaert. have named them) and works on Imagine a museum in which the portrait of Carlotta Valdes, an important prop in Alfred paper against the vast constellation Hitchcock’s Vertigo, hangs on a wall next to the painted portrait of the title character of Otto of their influences—from Wun- Preminger’s Laura, opposite the portraits of the desired or murdered women in Fritz Lang’s A sourcebook derkammer artifacts and anatomical Scarlet Street, George Cukor’s Gaslight and Nicholas Ray’s Born to Be Bad. In an adjacent models to Eastern European posters, gallery, the visitor of this imaginary museum can contemplate the portraits of patriarchs that on the Quays’ other animation films, drawings from feature in films such as House of Strangers, Suspicion, Gilda and Strangers on a Train. This is the famous Prinzhorn Collection, precisely the concept of this book. The Dark Galleries looks at American (and some British) gothic aesthetic scores by Karlheinz Stockhausen films of the 1940s and 1950s, in which a painted portrait plays an important part in the plot. and other inspirational sources. Presented as a guide to an imaginary museum, this book includes more than 80 entries on NAI010 PUBLISHERS the artistic and cinematic aspects of these portraits. 9789462081277 U.S. | CDN $29.95 ARAMER Pbk, 7 x 9 in. / 144 pgs / 100 color. 9789491775192 U.S. | CDN $ 50.00 February/Art/Film & Video Clth, 6.5 x 9.75 in. / 176 pgs / 120 b&w. February /Art/Film

ALSO AVAILABLE Quay Brothers: Piano Quay Brothers: Quay Brothers: On Deciphering Tuner of Earthquakes Phantom Museums the Pharmacists Prescription for 9781938922039 9781935202424 Lip-Reading Puppets Hbk, DVD, U.S. | CDN $29.99 Hbk, DVD, U.S. | CDN $34.99 9780870708435 Zeitgeist Films Zeitgeist Films Pbk, U.S. | CDN $24.95 The Museum of Modern Art, New York

74 artbook.com­­ artbook.com 75 NEW EDITION ​Three​New​York​Dadas​and​The​Blind​Man​ ​Don’t​Tell​Sybil​ ​By​Marcel​Duchamp,​Henri-Pierre​Roché,​Beatrice​Wood.​ ​A​Memoir​of​English​Surrealism​and​of​E.L.T.​Mesens.​​ Introduction by Dawn Ades. Translated by Chris Allen. ​By​George​Melly.​ Three New York Dadas and The Blind Man relates the story of the triangular relationship Don’t Tell Sybil is a libidinous memoir by a master raconteur. George Melly (1926–2007) between Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood, told in the words was impossible to ignore in London cultural circles between the 1950s and 90s. He first of two of its protagonists; and also reprints in facsimile the Dadaist magazine they pro- came to attention as a jazz singer, notable for risqué songs performed with verve rather duced together in New York in 1917: The Blind Man. The principal text is the first Eng- than with great technical ability. An arresting personality, Melly dressed the part: his out- lish translation of Roché’s novel Victor, an account of his friendship with Duchamp rageous suits became a mark, and his talents as a raconteur soon brought him fame as (nicknamed Victor by his close friends in those days). Although unfinished, Roché’s a TV talkshow guest (usually late-night shows, for reasons of propriety). His cheerful bi- text offers a unique account of New York Dada, all of whose principal characters and sexuality, recounted throughout his three volumes of autobiography, scandalized and events make an appearance: Francis Picabia, Arthur Cravan, the Arensbergs and their then delighted a public whose own sexual attitudes changed over the decades they de- soirées, the Blind Man’s Ball and the scandal of Duchamp’s “Fountain” at the Inde- scribe. Don’t Tell Sybil is a supplementary volume of autobiography which treats in more pendents exhibition, a pivotal moment in modern art. The novel offers interesting in- detail Melly’s youthful and long-lasting attraction to Surrealism, and his equally lengthy sights into the sexual politics of the period, when a woman could be arrested or friendship with the contradictory character who headed up the English Surrealist group, blackmailed for spending the night with a man to whom she was not married. Roché, E.L.T. Mesens. Their adventures form the core of this book—adventures of which a lifelong friend of Duchamp, appears to have been something of a devotee of triangu- Mesens did not want his wife, Sybil, to learn, hence the book’s title. Mesens was a per- lar relationships, and went on to write a more famous novel on the topic (also autobio- fect subject, an artist and prankster who could be as punctilious and stingy as the most graphical), Jules et Jim—later made into a film by François Truffaut. Beatrice Wood’s respectable bourgeois. Anecdotes of the artists who showed at Mesens’ gallery, such account of these events is taken from her memoirs; she went on to become a cele- as Schwitters and Magritte, pepper the narrative, a hugely affectionate memoir by a brated ceramicist, dying in 1998 aged 105. The introduction and commentary is by character who was truly larger than life. This new edition is augmented with previously Dawn Ades, the well-known scholar of Dada and Surrealism.

unpublished photographs relating to Melly and English Surrealism. ATLAS PRESS ATLAS PRESS 9781900565431 U.S. | CDN $ 26.95 9781900565653 U.S. | CDN $ 25.95 Hbk, 7 x 9 in. / 160 pgs / illustrated throughout. Hbk, 7 x 7.75 in. / 176 pgs / 1 color / 31 b&w. April /Literature April / Literature

​The​Star​Alphabet​of​E.L.T.​Mesens​ ​Dada​&​Surrealism​in​Brussels,​Paris​&​London​ ​Aurora​and​Cardinal​Point​ Foreword and text by Phillip Van den Bossche. Text by Christiane Geurts-Krauss, ​​​By​Michel​Leiris.​ Virginie Devillez, Nele Bernheim, Xavier Canonne, Michel Remy, Simon Delobel, Translation and introduction by Anna Warby. Erich Weiss, Peter J.H. Pauwels. This volume collects two classics of Surrealist fiction, both long out of print, by the At once artist, composer, poet, editor, photographer, curator, gallerist and col- writer and ethnographer Michel Leiris (1901–1990). Close to Georges Bataille, Picasso, lector, Edouard Léon Théodore Mesens (1903–1971) was a formidably prolific Jean-Paul Sartre and Francis Bacon, and a director of the Musée de l’Homme in Paris, and visible presence in European Dada and Surrealism. A close friend to Tristan Leiris was a pivotal figure in postwar France. He wrote important works in the fields of Tzara, Theo van Doesburg and Erik Satie, Mesens orchestrated René Magritte’s ethnology and anthropology, as well as a sequence of autobiographical works regarded international breakthrough and introduced the Surrealist movement to the as classics of modern French literature (most famously Manhood [1939]). “There is United Kingdom, thus forging links between the Belgian, British and French scarcely a literary opus today that can compare in authenticity and stature to that of branches of the movement. His collages and artworks, with their vacated Michel Leiris,” Maurice Nadeau wrote of him. In Aurora, Leiris pursues his eponymous spaces and odd geometries, recall the early work of de Chirico or the Dada heroine through a visionary landscape shot through with catastrophe. His lucid yet collages of Raoul Hausmann. This superbly produced volume is the first baroque language, with its rich descriptions and ever more extravagant metaphors, substantial monograph on Mesens, who has long been a cult figure and object is only just able to keep pace. Looking back on this novel, Leiris described its tone: of intrigue (thanks in part to George Melly’s account of his ménage-a-trois “despite the ‘black’ or ‘frenetic’ style of its blustering prose, what I like about this work with Mesens and his wife, in his autobiographical writings). Mesens’ art and life is the appetite it expresses for an unattainable purity, the faith it places in the untamed provide a crucial piece of the Surrealist puzzle. imagination, the horror it manifests with regard to any kind of fixity.” Cardinal Point ASAMER is Leiris’ first prose work. Written in 1925, soon after he had joined the Surrealist 9789491775116 U.S. | CDN $ 55.00 movement, it employs “automatic writing” to excavate the hidden meanings of ordinary Pbk, 9 x 11 in. / 288 pgs / 232 color. February / Art/Literature words, a procedure that was to underpin his most vital future works. ATLAS PRESS 9781900565462 U.S. | CDN $ 25.95 Hbk, 6.75 x 7.5 in. / 176 pgs / illustrated throughout. April /Literature

76 artbook.com­­ artbook.com 77 ​Flametti,​or​The​Dandyism​of​the​Poor​ ​Fox​Drum​Bebop​ ​​​By​Hugo​Ball.​ ​​​By​Gene​Oishi.​ Afterword by Bernhard Echte. Translated by Catherine Schelbert. Illustrations by Tal R. Hiroshi Kono is eight years old and only just beginning to question the racial and In 1916, Hugo Ball (1886–1927) cofounded the Cabaret Voltaire in Zurich and penned the “Dada economic inequities he sees around him, when he and his family—along with Manifesto,” launching what would become the Zurich Dada movement. That same year he com- 120,000 other Japanese Americans—are packed off to a concentration camp run by pleted his semi-autobiographical novel, Flametti, or The Dandyism of the Poor, which would be pub- the US government. The harsh and barren world of the Arizona desert where Hiroshi lished two years later. Drawing from his pre-Dada period of struggle and poverty in the vaudeville and his family find themselves sets sibling against sibling, parent against child and circuit, Ball immerses us in the rise and fall of Max Flametti and his vaudeville company. Fishing in neighbor against neighbor in a complex grappling with duty and disappointment the local river to feed his company, dabbling in drugs, strolling through the vegetable market on that will reverberate through the ensuing decades. Sexual initiation, kabuki tales, the Gemüsebrücke in Zurich, ducking into a side street to avoid running into the police, Flametti jazz clubs and alcoholism form the backdrop against which Hiroshi, his siblings and marches through the pages of Ball’s novel passionately pursuing a career that culminates in the his parents struggle to define themselves. Whether describing Hiroshi’s tumultuous presentation of the theatrical extravaganza The Indians at the Krokodil in Zürich (a locale that still postwar coming of age or excavating generational grievances exacerbated by intern- exists today as a Spanish restaurant). Overcoming odds and alternately averting, succumbing to ment, Gene Oishi gives heartbreaking and at times humorous context to the life of a and embracing financial ruin, Flametti ultimately emerges as a tragic figure—a Willy Loman of family set adrift by its wartime experiences. vaudeville. Flametti portrays a frenetic Zurich that had been the backdrop to the Dada movement, KAYA PRESS and is comparable to other such literary cities and eras as Christopher Isherwood’s Berlin. 9781885030177 U.S. | CDN $ 17.95 Pbk, 5.5 x 7.25 in. / 285 pgs. WAKEFIELD PRESS May / Literature 9781939663030 U.S. | CDN $ 17.95 Pbk, 6 x 9 in. / 200 pgs / 10 b&w. ALSO AVAILABLE May / Literature Lesabéndio 9780984115594 Pbk, U.S. | CDN $15.95 Wakefield Press

​Pybrac​ ​​​By​Pierre​Louÿs.​ Introduction and translation by Geoffrey Longnecker. Illustrations by Toyen. ​The​Garden​Book​ By turns amusing and offensive, Pierre Louÿs’ Pybrac is possibly the filthiest collection of poetry ​​​By​Brian​Castro. ever published, and offers a taste of what the Marquis de Sade might have produced if he had ever Brian Castro’s award-winning novel, The Garden Book, is a meditation on loneliness, turned his hand to verse. First published posthumously in 1927, Pybrac was, with The Young Girl’s addiction and exploitation. Set in the years between the Depression and the Second Handbook of Good Manners, one of the first of Louÿs’ secret erotic manuscripts to see clandestine World War in Australia’s Dandenong Ranges, it follows the emotionally turbulent life of publication. Composed of 313 rhymed alexandrine quatrains, the majority of them starting with the the beautiful Swan Hay (born Shuang He)—her marriage to the passionate yet brutal phrase “I do not like to see…,” Pybrac is in form a mockery of sixteenth-century chancellor poet Darcy Damon, her love affair with the aviator Jasper Zenlin and her rise to literary fame Guy Du Faur, Seigneur de Pibrac, whose moralizing quatrains were common literary fare for young overseas after her poetry is translated into French without her knowledge. Fifty years French readers until the nineteenth century. Louÿs spent his life coming up with his own ever- after her disappearance into institutions and a life of poverty and despair, Norman growing collection of rhymed moral precepts (suitable only for adult readers): a dizzying litany de- Shih—a rare-book librarian and “expert in self-effacement”—begins to piece together scribing everything he “disliked” witnessing, from lesbianism, sodomy, incest and prostitution to the life and losses of Swan. Tracking down clues from guesthouse libraries, antiquar- perversions extreme enough to give even a modern reader pause. With the rest of his erotic manu- ian bookshops and Swan’s own haunted writings, Shih fills out a portrait of early scripts, the original collection of over 2,000 quatrains was auctioned off and scattered throughout twentieth-century Australian lives wracked by modernist impulses of racial prejudice. private collections; but like everything erotic, what remains, collected here, conveys an impression of unending absurdity and near-hypnotic obsession. KAYA PRESS 9781885030078 U.S. | CDN $ 16.95 WAKEFIELD PRESS Pbk, 6 x 8 in. / 240 pgs. 9781939663023 U.S. | CDN $ 13.95 May /Literature Pbk, 4.5 x 7 in. / 160 pgs / 10 b&w. April / Literature

ALSO AVAILABLE Treatise on Elegant ALSO AVAILABLE Young Girl’s Handbook Living Shanghai Dancing of Good Manners 9780984115501 By Brian Castro 9780984115518 Pbk, U.S. | CDN $12.95 9781885030429 Pbk, U.S. | CDN $12.95 Wakefield Press Pbk, U.S. | CDN $18.95 Wakefield Press Kaya Press

78 artbook.com­­ artbook.com 79 The MOMA ARTIST SERIES explores key artists and favorite works in the PREVIOUSLY ANNOUNCED collection of The Museum of Modern Art and is an excellent resource for readers ​Ileana​Sonnabend:​ interested in the stories behind the masterpieces of the modern canon. Ambassador​for the​New​ Text by Ann Temkin, Leslie Camhi, ​MoMA​Artist​Series​Boxed​Set Claire Lehmann. During a career spanning half a Text by Carolyn Lanchner, Ann Temkin, Richard Thomson. century, Ileana Sonnabend Featuring artwork from The Museum of Modern Art’s extraordinary collection, (1914–2007) helped shape the each volume in the MoMA Artist Series guides readers through one artist’s most course of postwar art in Europe memorable achievements, explaining their significance and placing them in con- and America. Both a gallerist and a text among the ground-breaking innovations of their time. The first set presents noted collector, Sonnabend cham- the pivotal work of six artists who shaped the trajectory of modern art: Constantin pioned some of the most signifi- Brancusi, Paul Cézanne, Joan Miró, Claude Monet, Pablo Picasso and Vincent van cant art movements of her time. Gogh. The second collection presents the pivotal work made in the second half of Artists as varied as Vito Acconci, the twentieth century by six American artists: Jasper Johns, Willem de Kooning, John Baldessari, Mel Bochner, Jeff Roy Lichtenstein, Jackson Pollock, Robert Rauschenberg and Andy Warhol. Koons, Mario Merz, Robert Morris, THE MUSEUM OF MODERN ART, NEW YORK Robert Rauschenberg and Andy MoMA​Artist​Series​Boxed​Set​Volume​One Warhol worked with Sonnabend, 9780870709470 U.S. | CDN $ 49.95 Boxed, 6 vols, 6 x 8 in. / 288 pgs / illustrated throughout. whose support for difficult avant- February / Art garde work was legendary. Among the many important works that MoMA​Artist​Series​Boxed​Set​Volume​Two Sonnabend owned is Rauschen- 9780870708237 U.S. | CDN $49.95 berg’s Combine painting “Canyon” Boxed, 6 vols, 6 x 8 in. / 288 pgs / illustrated throughout. February/Art (1959), which the Sonnabend family generously donated to The Museum of Modern Art in 2012. In celebration of this extraordinary gift, Ileana Sonnabend: Ambassa- dor for the New accompanies an exhibition exploring her legendary eye through approximately 30 works presented in her eponymous galleries in Paris and New York from the early 1960s through the late 1980s. A biographical essay by Leslie Camhi, artists’ recollections and individual entries on the se- lected works provide further reflec- tion on Sonnabend’s taste and lasting influence.

ALSO AVAILABLE THE MUSEUM OF MODERN ART, NEW YORK Sonnabend consistently Willem de Kooning Roy Lichtenstein Jasper Johns Robert Rauschenberg 9780870708961 U.S. | CDN $ 29.95 9780870707704 9780870707681 9780870707674 9780870707889 Hbk, 8 x 10 in. / 112 pgs / 55 color. showcased the most radical Pbk, U.S. | CDN $9.95 Pbk, U.S. | CDN $9.95 Pbk, U.S. | CDN $9.95 Pbk, U.S. | CDN $9.95 Available /Art The Museum of The Museum of The Museum of The Museum of Modern Art, New Modern Art, New Modern Art, New Modern Art, New York EXHIBITION SCHEDULE work of the day, by artists York York York New York: The Museum of Modern Art, 12/21/13–04/21/14 like Robert Rauschenberg, Paul Cézanne Pablo Picasso Henri Matisse Jackson Pollock Vito Acconci and Jeff Koons 9780870707896 9780870707230 9780870707247 9780870707698 Pbk, U.S. | CDN $9.95 Pbk, U.S. | CDN $9.95 Pbk, U.S. | CDN $9.95 Pbk, U.S. | CDN $9.95 The Museum of The Museum of The Museum of The Museum of Modern Art, New Modern Art, New Modern Art, New Modern Art, New York York York York

80 artbook.com­­ artbook.com 81 JOURNALS ​American​Photography​29​ The beauty and chaos of 2012 is documented in American Photography 29, the lat- est in a series of celebrated annuals. Only 229 images were selected by a jury of cre- ative professionals to represent the best images of the year from over 9,000 entries submitted to the competition. Produced in a large-format, hardcover, deluxe, boxed slipcase, and designed by Robert Festino of Men’s Health, the book is generously laid out with many images running across double-page spreads and features two different cover images that offer a stark contrast in subject matter and tone. From the presidential election to the Olympic summer games, Hurricane Sandy to the shootings in Newtown, Connecticut, American Photography 29 records, in full-color reproductions, the achievements, aspirations, heartaches and moments that linger in our collective memories, also offering a who’s who of the world’s top photogra- phers, and the publications that insist on commissioning only first-rate, original work. An image index includes the captions and creative credits listing the publica- Gorgeous notebooks for tions, schools, agencies and clients who commissioned and utilized the winning photographs. American Photography 29 celebrates the emerging and up-and-com- the cooking, nature or ing photographers (including two students) along with masters like Cindy Sherman, Christopher Anderson, Platon, Martin Schoeller, Richard Barnes, Martine Fougeron, gardening enthusiast Benjamin Lowy, Mario Sorrenti, Dan Winters and Jill Greenberg.

AMILUS INC. 9781886212404 U.S. | CDN $ 75.00 Clth, 9.5 x 12.5 in. / 384 pgs / 299 color. January / Photography

​​​​American​Illustration​32​ Illustration, as a vital tool of communication and visual delight, continues to defy exag- ​The​Illustrated​Journals​ Cicada Books has worked with some particularly talented gerated reports of its own demise with artists taking bold risks and forging new markets emerging illustrators over the past few years. Each of the with self-generated projects—all the while maintaining a healthy amount of traditional three titles in this new series of illustrated journals covers a assignment work from publishers and advertising agencies. The creative and enterprising different subject matter and showcases a different young, persistence is clear in this year’s robust collection of 369 winning images as selected by female illustrator who brings the particular subject matter a jury from 8,742 entries submitted to the annual competition. Illustration Lives: American alive with beautiful and distinctive hand drawings. The Illustration 32 features an original cover created by artist Jon Han with an impressionistic CICADA BOOKS journals are elegantly packaged with exposed gray-board take on the human figure. Under the creative direction of Richard Turley with his design The​Illustrated​Cooking​Journal covers and fabric spines. Illustrations by Merlin Evans. team from Bloomberg Businessweek, American Illustration 32 generously presents the 9781908714152 U.S. | CDN $ 14.95 Merlin Evans’ Cooking Journal is the first in this series. Ex- winning images one image per page in alphabetical order by artist, and includes die-cut Pbk, 5.25 x 7 in. / 80 pgs / 50 color. tensively embellished with hand drawings, this notebook is a thumb tabs. An image index includes the artist’s contact information, captions and cre- March /Cooking worthy repository for treasured family recipes and an archive ative credits listing the publications, schools, agencies and clients who commissioned for recording daring new culinary experiments. and utilized the winning work. As an added bonus, the book’s designers took the compe- The​Illustrated​Gardening​Journal​ The second journal is Rebecca Truscott-Elves’ Gardening tition data and reimagined the facts and figures in six whimsical but informative charts. Illustrations by Rebecca Truscott-Elves. Journal. Planting charts, soil varieties, weed defense and 9781908714138 U.S. | CDN $ 14.95 These “graphical extrapolations of truth” include data on the global locations of the win- plenty of other gardening tips are brought to life with vibrant Pbk, 5.25 x 7 in. / 80 pgs / 50 color. ning artists; gender breakdown; predominant colors and subjects; number of winning March /Gardening watercolors. As with the other journals, plenty of space is left images per publication and school; and the location of the contenders who entered the for the gardener to fill in their own thoughts and notes. competition but were not selected by the jury for inclusion this year. The third volume in the series is a nature journal by Fiona ALSO AVAILABLE AMILUS INC. Biddington. Her warm, sketchy, colored-pencil illustrations ​​The​Illustrated​Nature​Journal Baby Journal 9781886212398 U.S. | CDN $ 75.00 Illustrations by Fiona Biddington. are the perfect medium in which to depict bird species, 9781908714053 Hbk, 9.5 x 12.5 in. / 384 pgs / 369 color. 9781908714145 U.S. | CDN $ 14.95 Hbk, U.S. | CDN January / Art mushroom varieties and wildflowers. Checklists for urban na- Pbk, 5.25 x 7 in. / 80 pgs / 50 color. $24.95 ture-spotting run alongside essential tips for pitching a tent, March /Nature Cicada Books hitching a knot and other valuable survival strategies.

82 artbook.com­­ artbook.com 83 JOURNALS

PREVIOUSLY ANNOUNCED ​Apology​Magazine​ ​Secret​Behavior​ Edited by Jesse Pearson. Edited by James Gallagher, Keith Newton, Mike Newton, Monica Apology is a quarterly-ish magazine of art, fiction, games, humor, essays, in- LoCascio. terviews, journalism and photography. Founded and edited by former Vice Edited by New York–based artist and curator James Gallagher, Secret magazine editor-in-chief and index magazine editor Jesse Pearson, Apology Behavior has a simple focus: human beings and contemporary art. It is inspired in equal measure by The New Yorker under William Shawn’s edi- is a beautifully printed publication that seeks to reveal what might torship; 1980s and 90s punk zines; the Encyclopedia Britannica, The People’s otherwise stay hidden; a publication that intends to sit and stare at Almanac and MAD magazine. In its first two issues, Apology published truths and experiences that often just vanish. In so doing, Secret work by authors and artists such as John Ashbery, Bill Callahan, Dan Colen, Behavior exposes emerging artists, celebrates unrecognized works and Jimmy De Sana, Roe Ethridge, Frederick Exley, Johanna Fateman, Rivka honor contemporary masters. It is a magazine full of feelings, flesh, fuck- Galchen, Ryan McGinley, Eileen Myles, Raymond Pettibon, Richard Prince, ​Adult​Magazine​ ing and other normal things. One that celebrates beauty, ugliness, de- Terry Richardson, Aurel Schmidt and many more. Aiming to be “a general- Edited by Sarah Nicole Prickett. sire, mystery and solitude. That recognizes our common and uncommon interest magazine for people whose general interests aren’t general,” Adult is a magazine of new erotics. In photography, conversation, art, criticism, essays and original reporting, it mental states, physical forms and sexual experiences. Secret Behavior is Apology is “a sophisticated alternative to sophomoric magazines and a returns to the first meaning of “radical”—the roots of things, traced below the skin. In Adult No. 1, we discover an exciting new publication made by human beings, about the dirty, sophomoric alternative to sophisticated magazines. Each new issue of sex in the novels of Gordon Merrick, steal Rachel Kushner’s emails and spy on masturbating friends shot by mysterious, beautiful secret that we all share: no matter what happens, Apology will be just different enough from the one before that it will be Kava Gorna. Three maverick filmmakers from three generations—Ryan Coogler, Deborah Kampmeier and David we remain human. slightly unsettling if you were a big fan of the previous issue. But readers Cronenberg—are profiled. Katherine Bernard builds a shrine to Erica Jong’s Fear of Flying, now 40 years old, SECRET BEHAVIOR LLC can always count on entertaining and thought-provoking writing and art and Wangechi Mutu, the Kenyan-American artist, shares her dark materials. Various bodies are portrayed in Secret​Behavior​Issue​01:​Anonymity from yesterday, today, and tomorrow.” photographs by Nancy Reyes, Flora Hanitijo and Henrik Purienne, and in fictions by Dodie Bellamy, Tamara This first issue includes works by Gabriel Martinez, Miroslav Tichy, “Apology’s content, a mix of fiction, literary nonfiction, photography and Faith Berger, Kristopher Jansma and more. Written features cover the ends of an empire, from the last great Paul Kooiker and Jesper Fabricius; and writing by Catherine Lacey, cultural reporting ranges from the comedic to the arcane.”—The New York Bianca Stone, Keith Newton, Jeremy Sigler, Jessica Baran, Jared White toy factory to the national nightmare that is Florida. Plus, Adult delivers a preview of Mia Schwartz and Chris Times and Francesca Seravalle. Randle’s very graphic novella, Charivari. The magazine’s creative director is Berkeley Poole. 9780989745604 U.S. | CDN $ 24.00 APOLOGY MAGAZINE ADULT CONTENT Pbk, 8 x 11 in. / 132 pgs / illustrated throughout. Apology​Magazine​No.​3 PREVIOUSLY ANNOUNCED Available /Journals/Art 9780985932626 U.S. | CDN $ 18.00 ​Adult​Magazine​No.​1 Pbk, 6.5 x 9.5 in. / 200 pgs / illustrated throughout. February / Journals 9780615845128 U.S. | CDN $ 20.00 Adult is a magazine Secret​Behavior​Issue​02:​Family ALSO AVAILABLE Pbk, 8.25 x 11 in. / 120 pgs / illustrated throughout. The second issue will include works by Morton Bartlett, TR Ericsson and Apology Magazine Eric White; and writing by Slava Mogutin, Tom Andes and Jonathan Durbin. Available / Journals/Fashion/Erotica you keep next to your Apology​Magazine​No.​4 No. 2 9780985932633 U.S. | CDN $ 18.00 ​Adult​Magazine​No.​2 9780989745611 U.S. | CDN $ 24.00 9780985932619 Pbk, 6.5 x 9.5 in. / 200 pgs / illustrated 9780615914954 U.S. | CDN $ 20.00 Pbk, 8 x 11 in. / 132 pgs / illustrated throughout. Pbk, U.S. | CDN $18.00 Pbk, 8.25 x 11 in. / 120 pgs / illustrated throughout. bed, not under it March/Journals/Art throughout. Apology Magazine May / Journals/Fashion/Erotica May / Journals

84 artbook.com­­ artbook.com 85 JOURNALS

​Conjunctions:​62,​Exile​ Edited by Bradford Morrow. From the moment homes and homelands came into being, exile ensued. While narratives of exile share themes of banishment, loss and longing, they are as diverse as the human experience itself. Writers as different as Homer and Heinlein, Aeschylus and Camus addressed this subject. In The Satanic Verses, Salman Rushdie conceives of exile as “a dream of glorious return. Exile is a vision of revolution. It is an endless paradox: looking forward by always looking back.” Its permutations know no bounds. The political dissident deported, or jailed, under house arrest; the defected spy; the classic prince banished by his royal father from the city gates; the communal exile of the diaspora. Through cutting-edge fiction, poetry and essays by emerging voices and contemporary masters, Conjunctions: 62, Exile explores the ramifications of expulsion and ostracism. Contributors include Edie Meidav, Peter Straub, Can Xue, H.G. Carrillo, AlesˇSˇteger, Maxine Chernoff and others. ​Toilet​Paper BARD COLLEGE 9780941964784 U.S. | CDN $ 15.00 Edited by Maurizio Cattelan, ​Parkett​No.​94: Pbk, 6 x 9 in. / 380 pgs. Pierpaolo Ferrari. ​The​Opéra,​ ​Kenzine​ Tauba​Auerbach, July / Journals Toilet Paper is an artists’ magazine Edited by Maurizio Cattelan, Cyprien​ Volume​II​ created and produced by Maurizio Pierpaolo Ferrari, Humberto Leon, ​Magazine​for​Classic​ Carol Lim. Cattelan and Pierpaolo Ferrari, Gaillard,​Ragnar &​Contemporary​Nude​ born out of a passion or obsession Kenzine is the exciting collabora- Kjartansson,​ Photography​ they both cultivate: images. The tion between the magazine Toilet Edited and with text by Matthias ​Cabinet​52:​Celebration​ Paper and the Parisian clothing line Shiraan​Shahbazi​ magazine contains no text; each Straub. Kenzo. Japanese designer Kenzo Edited by Bice Curiger. Edited by Sina Najafi. picture springs from an idea, often Nude photography is once again Takada, founder of Kenzo, is Since 1984, Parkett has been an Celebration—acting variously as a binding force for a community or as a self-congratulatory act, carried out simple, and through a complex or- the theme for the second issue of known for his meld of distinctively important source of literature on in settings as intimate as a family dinner and as grand as tickertape parades—would seem to be so funda- chestration of people it becomes The Opéra, a new annual magazine Asian and Japanese-influenced international contemporary art. mental to human behavior as to operate ahistorically. But the various ways we celebrate—how we crown the materialization of the artists’ edited by Matthias Straub that style with Parisian high fashion. In Each biannual issue is a collabora- our heroes, how and when we clap during an opera, how we wave our flags at victory celebrations, how we mental outbursts. Since the first presents the body as both per- 2011, Humberto Leon and Carol tion with four artists, in which their fête our celebrities—are structured in vastly different fashions depending on context and period. Cabinet 52, issue, in June 2010, Toilet Paper former and locus of interpretation. Lim, the founders of the Opening work is explored in fully illustrated with a special section on “Celebration,” features D. Graham Burnett on the history of confetti; George Pendle has created a world that displays Here, a broad swath of interna- Ceremony fashion retail store and essays by leading writers and on stamps celebrating other nations’ technological achievements; and James Trainor on the martial motifs ambiguous narratives and a trou- tional photo artists explores the private label collection in New critics. In addition, each artist cre- of Israeli greeting cards. Elsewhere in the issue: Andrea Scott on the color bittersweet; Martin Kemp on bling imagination. It combines the endless uniqueness of the human York, were appointed Creative Di- ates an exclusive limited edition, Leonardo’s library; and Sasha Archibald on the history of book indexes. vernacular of commercial photog- body. The contributing photogra- rectors of Kenzo. The duo has available to Parkett readers. Recent CABINET raphy with twisted narrative phers include Alexey Dubinsky, 9781932698602 U.S. | CDN $ 12.00 tableaux and surrealistic imagery. since revitalized the label with their artists featured in Parkett include Andrea Hübner, Brian Riley, Pbk, 7.75 x 9.75 in. / 112 pgs / 70 color / 30 b&w. unique, multifaceted experience Paulina Olowska, Jimmie Durham, DAMIANI Hannes Caspar, Li Hui, Olivier February /Journals from the fashion world and avant- Damián Ortega and Helen Marten ​Toilet​Paper:​Issue​9​ Ameur, Fridolin Schöpper, Ilja garde aesthetics. Toilet Paper, by (no. 92); Yto Barrada, Monika 9788862082945 U.S. | CDN $ 16.00 Keizer, Neda Rajabi, Rachel de artists Maurizio Cattelan and Pier- Sosnowska, Liu Xiaodong and Pbk, 9 x 11.5 in. / 40 pgs / illustrated Joode, Stefan Milev, Christy throughout. paolo Ferrari, is a picture-based Nicole Eisenman (91); El Anatsui February / Journals/Photography Lee Rogers, Igor Vasiliadis, magazine that explores ambigu- (90); Haegue Yang (89); and Paul Michael Taylor, Sam Scott Schiavo, ​Cabinet​53:​Stones​ ous, almost troubling narratives. Chan (88). Additional articles have ​Toilet​Paper:​Issue​10​ Thorsten Jankowski, Torkil Edited by Sina Najafi. 9788862083393 U.S. | CDN $ 16.00 The two creative teams have joined focused on artist Daido¯Moriyama, Gudnason, Armando Branco, The Stone Age is not over! Whether nestled in a dark corner of the gall bladder or hurtling toward us at Pbk, 9 x 11.5 in. / 40 pgs / illustrated forces in this engaging artist’s the Kochi-Muziris Biennale in India, Jessica Tremp, Michelle Lowe fearsome speeds from the Kuyper Belt, whether yielding to the sculptor’s delicate chisel or used to decorate throughout. book, named after Kenzo’s online and the current Berlin art scene June / Journals/Photography Holder, Olaf Breuning, Yves Noir, the human body, stones continue be an integral part of sociopolitical economies. Cabinet 53, with a special blog, with Toilet Paper conceiving (92); and choreographers Jérôme Carla van de Puttelaar, Carsten section on “Stones,” features an interview with Robert Proctor on the establishment in the nineteenth century the advertising campaign for Bel and Xavier Le Roy (91). Witte, Grace Vane Perry, Nicolas of the now-familiar scale used to value gemstones and the rise of the once-lowly diamond; Brooke Holmes on Kenzo’s Fall/Winter 2013 season. PARKETT Guerin and Pascal Renoux, among stones in love; Hugh Raffles on the history of the London Stone; and Richard Klein on the anthropomorphic Kenzine has been published in a 9783907582541 U.S. | CDN $ 45.00 others. erratics of Fairfield County, Conneticut. Elsewhere in the issue, Steve Rowell’s annotated map of Washington, limited run of 1,500 numbered Pbk, 8 x 10 in. / 300 pgs / color. June / Journals KERBER DC’s influential think tanks, political action committees and lobbying groups; Jude Stewart on the color copies. ALSO AVAILABLE ALSO AVAILABLE 9783866788602 U.S. | CDN $ 49.95 crimson; and Katherine Hunt on the influence that “change-ringing,” a complex mode of church bell ringing Toilet Paper: DAMIANI Parkett No. 92: Pbk, 9.5 x 12.25 in. / 200 pgs / devised in England, had on seventeenth-century mathematics and linguistics. Issue 8 9788862083430 U.S. | CDN $ 35.00 Jimmie Durham, 139 color / 68 b&w. 9788862082860 Pbk, 8.5 x 11.75 in. / 40 pgs / Helen Marten February / Journals/Photography CABINET Pbk, U.S. | CDN $16.00 22 color. 9783907582527 9781932698619 U.S. | CDN $ 12.00 Damiani March / Journals/Fashion Pbk, U.S. | CDN $45.00 Pbk, 7.75 x 9.75 in. / 112 pgs / 70 color / 30 b&w. Parkett May / Journals

86 artbook.com­­ artbook.com 87 JOURNALS

​Blind​Spot​ Edited by Dana Faconti. Blind Spot has published some of today’s most renowned artists working in ​Osmos​Magazine the medium of photography as they were building their careers—Adam Edited by Cay Sophie Rabinowitz. Fuss, Vik Muniz, Doug & Mike Starn and James Welling appeared in the After cofounding Fantom in 2009 in Milan and New York, Cay Sophie Rabi- first issue—and since its launch in 1993, the magazine has featured more nowitz is continuing the endeavor by launching her magazine with the new than 400 living artists, including Robert Adams, Francis Alÿs, John name of Osmos. Osmos magazine focuses on texts and image series by Baldessari, William Eggleston, Rachel Harrison, Zoe Leonard and Ed practitioners and professionals investigating the uses and abuses of pho- Ruscha, as well as younger artists like Walead Beshty, Peter Coffin, Anne tography. Alongside more conventional genres, such as essay, interview Collier, Seth Price, Michael Queenland and Amanda Ross-Ho. Printed in the and portfolio, Osmos frames some of its content in sectors such as “Collec- United States by Meridian Printing, Blind Spot is known for its commitment tions,” about curatorial and archival practice; “Means to an End,” about the to the highest quality reproductions. Features are often designed in collab- side effects of non-artistic image production; and “Picture Perfect,” where oration with the artists, and recent issues have been guest-edited by con- photography is implicit in the production of the featured work, but is not al- temporary artists, providing a visual exploration of specific ideas and ways the resulting final medium. One outstanding feature is the critical ap- approaches to photography-based image-making. ​Aperture​Magazine proach to the cover, which acknowledges the delayed effect of image BLIND SPOT capture or so-called “after image,” by featuring an artist or work to be dis- Edited by Michael Famighetti. Blind​Spot​47 cussed in the following issue. With a blend of arresting images, high-qual- Aperture is a sophisticated guide to the world of contemporary photography that combines the finest writing 9780983998945 U.S. | CDN $ 22.00 with inspiring photographic portfolios. Relaunched in 2013, the new Aperture updates its 60-year-old mission ity printing and distinctive design, Osmos magazine fosters contemporary Pbk, 9 x 10.5 in. / 80 pgs / 60 color. as the world’s most vital photography magazine in print. Presenting fresh perspectives accessible to the photo perspectives in photography as the medium crossing all creative industries February /Journals/Photography practitioner and the culturally curious alike, each issue examines one theme at the heart of contemporary and practices—art, design, fashion and propaganda, aiming at the core of Blind​Spot​48 our imagination. photography, explored in two distinct sections: Words, focused on ideas, interviews and debate, and Pictures, 9780983998969 U.S. | CDN $ 22.00 offering an immersive photographic experience of artists’ projects and series. Columns include Studio Visit, OSMOS Pbk, 9 x 10.5 in. / 80 pgs / illustrated throughout . The Collectors, Dispatches, Object Lessons and What Matters Now. The Spring issue, guest-edited by Susan ​Osmos​Magazine:​Issue​03​ July /Journals/Photography

Meiselas, “Documentary Expanded,” explores how photographers are utilizing emerging forms of media and 9780988340435 U.S. | CDN $ 25.00 technology to reshape the field of documentary storytelling. The Summer issue, “São Paulo,” reports on the key Pbk, 8.5 x 11 in. / 96 pgs / illustrated throughout. January /Photography/Journals photographers and photographic ideas circulating in the largest city in the largest country in South America. ​Osmos​Magazine:​Issue​04​ APERTURE 9780988340442 U.S. | CDN $25.00 ​Aperture​214:​Spring​2014​ Pbk, 8.5 x 11 in. / 96 pgs / illustrated throughout. 9781597112802 U.S. | CDN $ 24.95 ALSO AVAILABLE ALSO AVAILABLE ALSO AVAILABLE April/Photography/Journals Pbk, 9.25 x 12 in. / 128 pgs / illustrated throughout. Aperture 213: Winter 2013 Osmos Magazine: Blind Spot: Issue 46 February / Journals/Photography 9781597112352 Issue 02 9780983998921 Aperture​215:​Summer​2014​​ Pbk, U.S. | CDN $24.95 9780988340428 Pbk, U.S. | CDN $22.00 9781597112819 U.S. | CDN $24.95 Aperture Pbk, U.S. | CDN $25.00 Blind Spot Pbk, 9.25 x 12 in. / 128 pgs / illustrated throughout. Osmos May/Journals/Photography

88 artbook.com­­ artbook.com 89 SPRING HIGHLIGHTS 1954 © 2013 Estate of Ad Reinhardt/ Artist Rights Society (ARS), New York. York. New (ARS), Society Rights Artist Reinhardt/ Ad of Estate 2013 © 1954 ARTnews

Ad Reinhardt, “Foundingfathersfollyday,” from Ad Reinhardt: How to Look, published by David Zwirner/Hatje Cantz. See page 32. portraits of people and places HIGHLIGHTS ■ PHOTOGRAPHY ​Rinko​Kawauchi:​Sheets​ ​Jo​Ann​Callis:​Other​Rooms​ Edited by Rinko Kawauchi, Misha Kominek. Jo Ann Callis: Other Rooms, the first publication to compre- With every new publication, acclaimed Japanese hensively feature Jo Ann Callis’ mid-1970s investigation of photographer Rinko Kawauchi (born 1972) the nude body and sexuality, is a revelation; the work is reimagines the terms of both her own work and provocative, seductive and remarkably fresh. The artist’s the photo book as a form, while retaining her playful, evocative use of constrictions and overlays on the special capacity to depict the world with a palpa- human form, including twine, belts, tape and other every- ble delight and awe. Sheets continues this adven- day materials, are both humorous and fraught, offering an turous trajectory. It consists of contact sheets intensely personal assessment of the variable meanings of from a variety of Kawauchi’s previous projects, pleasure and the female nude as a staple of fine art photog- re-edited here as a cinematic narrative or scrap- raphy. Callis has been an active artist since the 1960s, work- book, with gatefolds interspersed throughout to ing in painting, sculpture and photography, among other punctuate the strongly rhythmic character cre- media, and is known for capturing complex and often op- ated by the contact sheets’ black frames. At once posing emotions in a single piece. Jo Ann Callis: Other emphatically ordinary and lusciously transcen- Rooms is an exquisitely produced artist’s book containing dent, these color images of veiny palm fronds Callis’ photographs of the human form from her 1976–77 and water droplets on lotus leaves, waterfalls, provisionally titled series Early Color, as well as a selection birds, butterflies, open skies, domestic activities, of black-and-white photographs from the same period. In bleached-out beach scenes and street lamps this intimate volume, Callis photographs her models nude, aglow at night celebrate ephemeral luminosity frequently in close proximity, and in anonymous and myste- and everyday epiphanies. Sequenced by rious settings, juxtaposing tactile props like honey, sand and Kawauchi and publisher/editor Misha Kominek, fabric with skin. The photographs in this volume are at once and designed by Kominek and Claudia Ott, this beautiful and discomfiting, delicate and raw, mysterious and hardcover volume opens up a new dimension on thoughtful, and confirm Callis’ important place in the history ALSO AVAILABLE Rinko Kawauchi: Illuminance of 1970s color photography. Rinko Kawauchi: Ametsuchi 9781597111447 Kawauchi’s much-admired oeuvre. Hbk, U.S. | CDN $60.00 9781597112161 KOMINEK BOOKS APERTURE Hbk, U.S. | CDN $80.00 FLAT40 Aperture 9783981510539 U.S. | CDN $ 75.00 9781597112758 U.S. | CDN $ 65.00 FLAT40 Aperture Hbk, 5.5 x 8.25 in. / 152 pgs / 62 color. Clth, 8.5 x 11 in. / 80 pgs / 30 color / 15 duotone. February/ Photography/Asian Art & Culture June / Photography

​Takashi​Homma:​New​Waves​2000–2013​ Text by David LaRocca. Takashi Homma’s (born 1962) New Waves is a deeply considered pictorial re- flection on the interaction between land, sea and sky. While these works join a Seductive and familiar pictorial tradition that stretches from the paintings of Turner to the contemporary photographs of Hiroshi Sugimoto, Homma’s photographs are provocative nudes in not explorations in abstraction or stillness; instead, they place us squarely on the shore, inviting us to dwell on the visible details of foam and sand and the a beautifully produced busy, sweeping, brushstroke effects of the water. If Homma’s images are clear-eyed, however, they are not without lyricism, as the dawn or early limited edition evening light frequently endows these scenes with light pinks and oranges. New Waves gathers series made between 2000 and 2013, and has been con- ceived by Homma as a “re-edit” of previous presentations. Published for his solo exhibition at Longhouse Projects in New York, it includes an appendix of previous Japanese publications of the series, and an essay by David LaRocca that compares the series to works by Robert Mapplethorpe, Gerhard Richter, David Hockney and Hiroshi Sugimoto.

1223 GENDAIKAIGA 9784990582425 U.S. | CDN $ 45.00 FLAT40 Flexi, 8.75 x 11.25 in. / 48 pgs / 64 color / 4 b&w. January/ Photography/Asian Art & Culture

92 artbook.com­­ artbook.com 93 artists’ books from photographers HIGHLIGHTS ■ PHOTOGRAPHY ​Luke​Stephenson:​An​Incomplete​ Dictionary​of​Show​Birds​ Foreword by Michael Smith. ”It all started very innocently I suppose, but then it gradually turned into an obsession ....” The first inkling of this obsession came when British photog- rapher Luke Stephenson (born 1983) met an artist who photographed pi- geons—side on, against a blank background. Impressed by their simplicity, Stephenson began to photograph birds. His first subjects belonged to the treasurer of the UK Budgie Society, who deemed his portraits “crap” be- cause he had omitted the legs and tails. He subsequently developed an eye for the nuances of bird photography, and, making a specialty of photo- graphing show birds of all kinds, developed the body of work gathered in this volume. While Stephenson’s photographs depict these birds with ap- parent neutrality (against a variety of colored backgrounds), Michael Smith observes in his foreword to this volume that “they live in an overlap be- tween the natural and manmade worlds, and say as much about the culture that created them as they do about nature.”

STEPHENSON PRESS | YES EDITIONS 9780957434103 U.S. | CDN $ 35.00 Hbk, 6 x 9 in. / 80 pgs / 60 color. February / Photography

​Aaron​Stern:​I​Woke​Up​in​My Clothes​ PREVIOUSLY ANNOUNCED Gearon’s inventive Text by David Wagoner, Rich Appel. ​Tierney​Gearon:​Alphabet​Book​ I Woke Up in My Clothes is a visual narrative from American Acclaimed Los Angeles–based photographer Tierney Gearon (born 1963) has gained both critical and and lighthearted photographer Aaron Stern (born 1978), whose images have commercial recognition for her intense and colorful photographs, which have often taken her children as appeared in such publications as Dazed & Confused, The New their subject. After an early career as a model and commercial photographer, Gearon began to train her photo book offers an York Times T Magazine and L’Officiel Hommes. Capturing lost camera on her own family. She was thrust into the spotlight in 2001, when two nude portraits of her sons moments of intimacy and shattered landscapes ranging from were included in the acclaimed I Am a Camera exhibition at the Saatchi Gallery in London, leading to out- enchanting take on Rockaway Beach after Hurricane Sandy to the empty lots on cry in the conservative press. Since her controversial debut, Gearon has been pushing the envelope of the outskirts of downtown Los Angeles, these photographs contemporary photography. Her new book takes the form of a children’s alphabet book. Each letter of the the children’s are the artist’s attempt to capture a world view that life con- alphabet is illustrated with a photograph by Gearon that animates the letter: A is “Airplane Adventure,” B sists of periods of positive connections that punctuate the iso- is “Bear Boy,” C becomes “Clown Car,” etc. At once an inventive photo book and an enchanting take on alphabet book lation of modern existence and the inevitable decay that faces the children’s alphabet book, this volume contains Gearon’s most charming and lighthearted work to date.

all human endeavor. Photographed on 35mm and medium- DAMIANI format film from 2007–2013, I Woke Up in My Clothes in- Tierney​Gearon:​Alphabet​Book Tierney​Gearon:​Alphabet​Book,​Limited​Edition cludes an introduction by Los Angeles writer Rich Appel and 9788862083201 U.S. | CDN $ 40.00 Published in a limited edition of 100 copies, this volume is Clth, 9.5 x 7.20 in. / 56 pgs / 26 color. a poem from award-winning American poet David Wagoner— bound in a red cloth slipcase and includes a signed and Available / Photography an existential hymn to impermanence and companionship. numbered print of one of her photographs.

DAMIANI 9788862083515 U.S. | CDN $ 490.00 SDNR30 9788862083522 U.S. | CDN $ 45.00 Slip, Hbk, 9.5 x 7.25 in. / 56 pgs / 26 color / Signed & numbered Clth, 9.75 x 11.75 in. / 96 pgs / 48 color. edition of 100 copies. March / Photography March / Limited Editions/Photography

94 artbook.com­­ artbook.com 95 Classic photo books from errata editions | travel and political photography HIGHLIGHTS ■ PHOTOGRAPHY ​Larry​Towell:​Afghanistan​ For 30 years, Afghanistan has known only war. In this volume, renowned Magnum photographer Larry Towell presents a moving and in-depth look at the country, whose citizens and landscapes are af- fected by conflict on a daily basis. Towell, a veteran conflict reporter, has worked in Nicaragua, El Sal- vador, Mexico, Palestine and Israel, as well as Afghanistan. This work, shot between 2008 and 2011, offers a tour de force examination of survival, exile, loss and recuperation. Towell shows the war from a variety of perspectives—from military camps to domestic interiors—and offers depictions of US REVISED EDITION ​Martin​Parr:​ ​Richard​ ​Donigan​ and British soldiers, landmine victims, ordinary ​Chris​Killip:​ Bad​Weather​ Billingham:​ Cumming:​ Afghan citizens, cityscapes and weaponry, as well as a rare series of Taliban portraits. This volume ​Books​on​Books​No.​17​ In​Flagrante​ Ray’s​a​Laugh​ The​Stage​ presents a facsimile of the photographer’s original ​Books​on​Books​No.​4​ Text by Thomas Weski, Peter ​Books​on​Books​No.​18​ ​Books​on​Books​No.​19​ artist maquette, complete with his handwritten Text by Gerry Badger, John Berger, Turner, Michael Fish, Martin Parr, Text by Charlotte Cotton, Jeffrey Text by Robert Enright, Jeffrey notes and stories and over 350 images, including Sylvia Grant, Jeffrey Ladd. Jeffrey Ladd. Ladd . Ladd . collages. A true art object, this book conveys the Chris Killip’s In Flagrante is often Published in a landscape paper- Photographer and painter Richard Donigan Cumming’s The Stage is complexity of the conflict, which has roots that go APERTURE cited as the most important photo- back format by A. Zwemmer Ltd in Billingham (born 1970) grew up in one of the most challenging photo 9781597112666 U.S. | CDN $ 150.00 SDNR30 1982, Bad Weather was the debut deep into historical and tribal grievances. Beauti- graphic book on England in the Hbk, 11 x 15 in. / 192 pgs / 50 color / 300 duotone / Limited Edition of 1,000 copies. a cramped, high-rise tenement books published in the last century. fully produced in a limited edition, this extraordi- monograph of one of Britain’s July / Photography/Limited Editions 1980s. Published in 1988, this apartment with his mother and Rather than merely documenting most world-renowned and prolific nary object offers an important historical document work portrays the steady decline of father in Birmingham, England. His his subjects, however, Cumming photographers. Armed with his fa- on present-day Afghanistan seen through its social, communities in Northern Eng- father, Ray, was an unemployed, collaborated with them, carefully mous wry humor and a water- political and environmental landscapes. land—former manufacturing pow- chronic alcoholic, often sleeping orchestrating their appearance and proof camera, Martin Parr (born erhouses that were gradually the whole day through, while Liz, posture in each photograph, em- 1952) captured the social land- compromised by the policies of Billingham’s overweight and heav- phasizing their most eccentric scape and national character of the Margaret Thatcher and her prede- ily tattooed mother, filled her home qualities to a degree that has UK during downpours, drizzles, cessors from the mid-1970s on- with porcelain dolls and jigsaw earned him comparisons with snow storms and other challenging Bernard​Plossu​in​México:​¡Vámonos!​​ ward. Killip’s black-and-white puzzles, housing ten cats and Diane Arbus. The Stage thus con- varieties of the weather for which ​1965–1966,​1970,​1974,​1981​ photographs were mostly taken three dogs. These are Billingham’s stitutes a portrayal of the elderly, Britain is so famed, in gentle, with 4 x 5 film, and provide an un- subjects. In stark comparison to the odd, the sick and the possibly Edited by Salvador Albiñana, Juan García de Oteyza. charming, black-and-white photo- flinching look at these disenfran- conventional family photos around demented. Books on Books No. 19 For more than 15 years, French photographer Bernard Plossu took extended trips graphs. Bad Weather has been out chised northern towns and the the dinner table or in front of offers a complete facsimile of this to Mexico to photograph people, landscapes and a culture in flux. ¡Vámanos! of print for 30 years and is now poverty visited upon them by dein- the Christmas tree, Billingham’s extremely rare, remarkable and lit- Bernard Plossu in México captures the bohemian adventures of this traveler’s four one of Parr’s most sought-after dustrialization. Books on Books No. images are raw, intimate and often tle-known Canadian photo book. It journeys, the first in 1965–66 and the last in 1981. His black-and-white and color books. Books on Books No.17 re- 4 reproduces Killip’s lyrical work uncomfortably humorous. First includes an essay by prominent images have transfixed generations of young people in France, who cherish him in produces the entire publication alongside John Berger and Sylvia published in 2000, Ray’s a Laugh cultural journalist Robert Enright. the way young Americans celebrate Jack Kerouac. Plossu’s romantic vision encom- Grant’s original essay plus a spe- spread by spread, and includes an passes coquettish women, peasants at work, fog-wrapped trails in the jungle and is now considered one of the ERRATA EDITIONS cially commissioned essay, “Dis- essay by Thomas Weski on waves lapping at sandy beaches. Yet Plossu is also aware of poverty and the chal- most important British photo 9781935004370 U.S. | CDN $ 39.95 Britain’s obsession with its patches from a War Zone,” by books of the recent past. This Hbk, 7 x 9.5 in. / 132 pgs / lenges facing a modernizing society, and his photographs capture the nobility of all weather, called “Even the Queen acclaimed photo historian Gerry publication reproduces this 150 duotone. his subjects. Containing more than 300 photographs and organized into chapters Gets Wet.” March / Photography Badger, which explores the social renowned book spread by spread, representing each of his Mexican journeys, this is the first compilation of Plossu’s context in which Killip’s evocative ERRATA EDITIONS including a contemporary essay Mexican work. 9781935004332 U.S. | CDN $ 39.95 images were made. by Charlotte Cotton. APERTURE/FUNDACIÓN TELEVISA Hbk, 7 x 9.5 in. / 96 pgs / 20 color / 9781597112765 U.S. | CDN $ 125.00 FLAT40 ERRATA EDITIONS 45 duotone. ERRATA EDITIONS | Clth, 11.25 x 12.75 in. / 336 pgs / 30 color / 300 duotone. 9781935004394 U.S. CDN $ 39.95 March / Photography 9781935004356 U.S. | CDN $ 39.95 April / Photography/Latin American Art & Culture Hbk, 7 x 9.5 in. / 108 pgs / Hbk, 7 x 9.5 in. / 112 pgs / 65 color. 75 duotone. March / Photography March / Photography

96 artbook.com­­ artbook.com 97 portraits of people and places HIGHLIGHTS ■ PHOTOGRAPHY

​Xavier​Guardans: PREVIOUSLY ANNOUNCED Windows​ PREVIOUSLY ANNOUNCED ​Barbara​Yoshida: PREVIOUSLY ANNOUNCED ​Christer ​Mark​Cohen:​ Text by Christopher Harth, ​Dayanita​Singh: Strömholm:​ ​The​Worlds​of​ Moon​Viewing​ Amanda Schmitt. Go​Away​Closer​ ​Anders​Petersen​ Dark​Knees​ Windows is the debut volume of ​Anders​Petersen: August​Strindberg​ ​Megaliths​by​Moonlight​ Foreword by Ralph Rugoff. Text by Post​Scriptum​ Text by Vince Aletti. &​JH​Engström: photographer Xavier Guardans Geoff Dyer. Interview by Stephanie Rome​ Edited by Bengt Wanselius. Text by Lucy Lippard, Nancy Edited by Joakim Strömholm, Scheper-Hughes. Mark Cohen (born 1943) is a pro- (born 1954), produced in 2006 Rosenthal. From​Back​Home​ Patric Leo, Charlotta Broady. Foreword by Björn Meidal. Text by Text by Marco Delogu. tagonist of the street photography Originally trained as a photojour- Edited by Greger Ulf Nilsson. Text by Christian Caujolle, Carole Björn Meidal. Megalithic monuments can be while exploring the Kenyan wilder- Anders Petersen (born 1944) has idiom that dominated American nalist and bookmaker, Dayanita From Back Home documents a Naggar, Johan Tell. An astounding labor of love by found across many countries, and ness. These black-and-white por- been photographing the city of photography in the early 1970s. Singh (born 1961) has exhibited rural Sweden far removed from the Post Scriptum is the largest mono- scholar Björn Meidal and photo ed- their configuration varies widely. traits of individuals from a variety Rome since the mid-1980s. He has Dark Knees is a catalogue of widely both in India and abroad. big city. Photographers Anders Pe- graph to date on one of Sweden’s itor Bengt Wanselius, The Worlds Moon Viewing: Megaliths by of Kenyan tribes—including returned numerous times, and in Cohen’s photos taken in his home- Her work often takes a curious tersen (born 1944) and JH En- most beloved photographers. of August Strindberg is a visual bi- Moonlight surveys the geographi- Turkana, Samburu, Masai, Rendille, 2005 he was invited for the Rome town over the past 40 years. The view of the everyday, and is char- gström (born 1969) both hail from Founder of the legendary photog- ography of Sweden’s most influen- cal distribution of these stones, Gabra and Pokot—were shot Commission, a prestigious com- images captured by Cohen, who acterized by an unsparing view of the rural county of Värmland in raphy school Fotoskolan in Stock- tial writer and playwright. The from Sweden in the north to West through the window of Guardans’ mission that has previously been rejects the use of his viewfinder in her subject matter. Best known for Sweden, and have returned there holm in 1962, and an inspiration to book’s biographical narrative (by Africa in the south and Armenia in Toyota Land Cruiser. The back- awarded to leading photographers favor of holding the camera away her portraits of India’s urban mid- to produce this marvelous collabo- two generations of photographers, Meidal, one of the world’s fore- the east. The book is based on ground is empty (only bright white such as Josef Koudelka, Graciela from his body, constitute a poetical dle and upper classes, her images ration. The result is an intimate Christer Strömholm (1918–2002) most Strindberg scholars) is illus- Barbara Yoshida’s ten years of light outlines each individual), Iturbide, Alec Soth and many oth- documentation of the small mining of people working, celebrating or journey among people, experi- was one of the first Swedish pho- trated with more than 500 archival travel and research and uses night while the dark window acts as an ers. He returned in 2012, and de- town in which he was raised, in resting depict everyday life without ences and landscapes spanning tographers to attain international photographs and ephemera relat- photography to emphasize the equalizing picture frame. Despite cided to photograph his lover, blurry night scenes with fragments embellishment, capturing insights over 300 pages. Engström writes prominence. Living in both Swe- ing to Strindberg and his world: relationship of megalithic stones (or because of) the uniform back- Julia, who was briefly visiting him of torsos and the backs of legs. that often challenge exotic stereo- of the project: “The land between den and France, he first won ac- Stockholm and environs, Berlin, to stars and planets. Research has ground and constant frame, the there. Rome begins with Petersen’s Cohen says of his style: “I became types in the West. Published Klarälven River and the chestnut claim with his photo book Poste Paris, portraits of—and self-por- shown that some of the stones position and composure of the portraits of Julia, which develop a surrealist because I kept walking alongside an exhibition at Hayward tree at Ekallén is full of little hard Restante, which he followed up traits by—Strindberg and a wealth were purposely aligned with the people photographed varies into a broader investigation of the around the same blocks, and I Gallery, Dayanita Singh: Go Away memories of sad and lonely times, with Vännerna från Place Blanche of images documenting theatrical appearance of stars or planets greatly, especially in the position city’s lesser-known monuments started taking a picture of a guy’s Closer marks a turning point in the but there is also a streak of warm (The Friends from Place Blanche)— performances. Across 15 chapters at certain times of the year. In of the hands—one man carries and byways, its cars, bars and citi- shoe. I didn’t know what I was career of this artist. For the first confidence that runs all the way up portrayals of transsexuals in 1960s we follow Strindberg’s life and cre- Yoshida’s night photographs, two baby goats in his arms, some zens, as Petersen revisits the loca- doing exactly. I was just being led time in print, this publication pres- to Älgsjövallen, a place of fairytale Paris. His images from his travels ative evolution: his novels and stars and planets are evidenced hands are hidden, and many hands tions he had documented seven by whatever I would see.” Dark ents a detailed overview of Singh’s creatures and inquisitive moose. I in Japan, Spain and the United plays, his romantic encounters, his as “star trails”—white streaks in and arms invade the car window, years previously, acutely conscious Knees includes an essay by the ac- Museums—wooden structures am carrying my camera, shooting States are also widely admired. friends and enemies, his precari- the sky that show how much the leaning or reaching in, toward of his own mortality. These photo- claimed photography critic Vince that introduce a radical new way these old dreams through the fo- This volume includes these and nu- ous mental health, his scientific earth moved during shooting. the viewer. Windows is the first graphs, mostly taken over the Aletti. of experiencing Singh’s work and liage. It means my memories can merous other bodies of work, in- pursuits, his study of occultism, his Augmenting the photographs in a series of five books to be course of one week with a small, photography in general. The book never be destroyed because they cluding his portraits of artists such painting and photography and his are essays by renowned art LE BAL / EDITIONS XAVIER BARRAL published featuring Guardans’ unobtrusive camera, constitute a 9782365110426 U.S. | CDN $ 70.00 includes images from throughout no longer end in themselves.” And as Duchamp, Breton, Ernst, Gia- extensive travels around Europe. critic Lucy Lippard and acclaimed long-term photographic projects. fascinating culmination in Pe- cometti, Klein, Rauschenberg, This gorgeous 512-page volume is anthropologist Nancy Scheper- FLAT40 Singh’s career, a new essay from Petersen writes: “I’ve returned to Hbk, 6.75 x 9.5 in. / 216 pgs / DAMIANI tersen’s love affair with Rome. Geoff Dyer and an in-depth inter- something my body and emotions Spoerri and others, compiling clothbound with gilt stamping and Hughes. 18 color / 182 duotone. 9788862083232 U.S. | CDN $ 60.00 WALTHER KÖNIG, KÖLN nearly 270 of Strömholm’s best a printed photograph of Strindberg Clth, 11 x 11 in. / 72 pgs / illustrated view with Singh by Hayward Chief recognize.” MARQUAND BOOKS February /Photography 9783863354619 U.S. | CDN $ 50.00 throughout. Curator, Stephanie Rosenthal. photographs. on the front cover. 9780988227576 U.S. | CDN $ 35.00 Hbk, 8 x 12 in. / 112 pgs / 85 color. MAX STRÖM EXHIBITION SCHEDULE March / Photography/African Art & Hbk, 8.75 x 11.25 in. / 72 pgs / January / Photography 9789171261649 U.S. | CDN $ 85.00 MAX STRÖM MAX STRÖM Rotterdam, Netherlands: Nederlands Culture HAYWARD PUBLISHING 55 color. Hbk, 8 x 10.75 in. / 320 pgs / 9789171262493 U.S. | CDN $ 85.00 9789171262486 U.S. | CDN $ 95.00 Fotomuseum, 11/08/14–01/11/15 9781853323188 U.S. | CDN $ 25.00 May / Photography 71 color / 156 b&w. Hbk, 9 x 10.75 in. / 404 pgs / Hbk, 9 x 11.5 in. / 512 pgs / 24 color / Hbk, 6.5 x 8.5 in. / 128 pgs / Available / Photography 21 color / 294 b&w / 4 duotone. 426 b&w. 100 color. Available / Photography Available / Literature/Photography January / Photography/Asian Art & Culture

98 artbook.com­­ artbook.com 99 photography from germany and austria HIGHLIGHTS ■ PHOTOGRAPHY

​Bastienne ​Alfred​Seiland:​ ​Barbara​Probst​ ​Christoph​Gielen: Imperium​ Schmidt:​ Ciphers​ Text by Felicity Lunn, Jens Erdman ​Katharina​ Romanum​Opus Rasmussen, Lynne Tillman. Topography​of Text by Geoff Mandugh, Johann F. ​Candida​Höfer: PREVIOUSLY ANNOUNCED ​Thomas​Ruff:​ Interview by Frédéric Paul. Quiet​ Sieve​​rding: Hartle, Galina Tachiera, Srdjan Extractum​ Düsseldorf​ In this photo series, German pho- Weiss, Susannah Sayler, Edward Text by Marcus Trier. Series​ ​Jochen​Lempert: Interview by Nessia Pope. Weltlinie Morris. Edited by Gunda Luyken, tographer Barbara Probst (born Alfred Seiland (born 1952) has for Beat Wismer. Text by Lothar Text by José Manuel Costa. In Topography of Quiet, the interna- Working at the intersection of art Phenotype​ 1968–2013​ many years been visiting the sites Baumgarten, Benjamin H.D. Interview by Valeria Liebermann. 1964) plays with the changing per- tionally acclaimed German-born, Text by Bettina Paust, Klaus and environmental politics, pho- Buchloh, Fanni Fetzer, Friedrich Text by Brigitte Kölle, Roberto spectives and fleeting moments of of antiquity around the Mediter- Over the past few decades, New York–based photographer Biesenbach, Norman Bryson, Wolfram Heubach, Gabriele Ohrt, Frédéric Paul. tographer Christoph Gielen special- urban life, posing fundamental Alexander Grönert, Peter Moritz ranean, capturing them with his Hofer-Hagenauer, Candida Höfer, Thomas Ruff (born 1958) has ex- Since the early 1990s, the German Bastienne Schmidt (born 1961) izes in conducting photographic questions about photography and Pickshaus. analog, large-format camera. His Erika Krugel, Gunda Luyken, plored new technologies in pho- photographer and biologist Jochen uses painting, drawing and pho- aerial studies of infrastructure in its Michael Oppitz, Friedemann von imagery. Using a shutter-release Since the late 1960s, acclaimed destinations are the ruins of the tography to interrogate how Lempert (born 1958) has used ana- tography to explore the patterns relation to land use. Collected and Stockhausen, Beat Wismer. mechanism controlled by radio Czech experimental photographer Roman Empire from Egypt, Libya images are read in the age of spec- logue, black-and-white photogra- and typologies of nature. Her color published here for the first time, Alongside Andreas Gursky, waves, Probst is able to use up to Katharina Sieverding (born 1944) and Israel to Italy, and the muse- tacle and media dissemination. phy to convey his gently reverential and black-and-white photographs Gielen’s abstracting views reveal Thomas Ruff and Thomas Struth, 14 cameras to simultaneously has worked with photography, film, ums of Spain to Turkey. His loca- Among the most prolific members vision of nature and sentience— of ocean tides and patterns in sand the hidden geometries of building Candida Höfer (born 1944) belongs shoot a scene from a distance and video and slide projections to ad- tions are often difficult to access of the Düsseldorf School, Ruff ef- whether that of animals, plants or and water are juxtaposed with developments that only emerge to the first generation of photogra- from numerous angles. Together, dress political and ecological con- and in some cases are not even fectively set aside conventional humans. Often grainy, sometimes other landscape scenes in which when seen from far above the phers that graduated from Bernd the various camera viewpoints and cerns as well as the construction of open to the public, remaining con- photography in 1989 to work with verging on abstraction, and some- some small gesture of human ac- ground, in the elliptical or hexago- and Hilla Becher’s famous class at framings (as well as different ob- identity. Before Jeff Wall or the cealed from tourists. Seiland’s pho- altered and appropriated imagery, times focusing minutely on the ac- tivity or intervention is apparent—a nal shapes of structures such as the Düsseldorf Arts Academy in jects and film material) result in a post-Becher generation, tographs confront the viewer with using military technology, astro- tivity of some tiny creature, his hose floating on water, a pyramid maximum security prisons or re- the early 1980s. Since then, Höfer series of views that are not bound Sieverding was making large-scale themes that shed light on the con- physics and digital reproduction to photographs exude a simple pleas- in silhouette, tire marks, agricul- tirement communities. In Ciphers, has traveled the world, photo- by stylistic features, the same photographs as posters, or walls of flict between antiquity and moder- explore and define the limits of ure in fleeting tranquility. Lempert tural demarcations, white lines on Gielen uses a triptych format to graphing at a respectful distance genre or formal proximity. The im- posters. This catalogue surveys her nity. They show us the famous contemporary image-making. The has also taken a quietly particular a soccer field. These photographs, present this sprawl as car culture the motifs that she encounters on ages are held together only by the career, documenting in particular arenas of history with their archi- images in his Nacht series, for ex- stance on the presentation of his taken in locations around the phenomenon and a way of life— her travels, whether single objects, point in time at which the shutter her newest project, Looking at the tecture, sculpture and works of art. ample, were taken using night-vi- work: in exhibitions, his images are world, are further augmented with encouraging viewers to question architectural spaces or people. Her was released, yet the arrangement Sun at Midnight. For this piece, Employing color like a painter, Sei- sion infrared technology developed presented unframed and tacked up delicate, complex paintings and both the nature of the developed photographs of public spaces al- of the photographs is so sophisti- Sieverding downloaded about land condenses moments into per- for the Gulf War. Over the last two on walls, and his books (among drawings that underscore the community and the ramifications most devoid of people—interiors, cated that it creates intriguing dra- 100,000 images of the surface of fect compositions. Yet some of the decades, Ruff has sourced material them Recent Field Work and Co- subtlety of Schmidt’s eye. As the of contemporary building trends. libraries, museums and entrance maturgies that make reference to a the sun made by NASA between images are unsettling, telling as from an array of sources, from evolution) are always immediately book’s title indicates, an expansive These pictures invoke an era of halls—are characterized by a cool variety of photographic genres. May 2010 and June 2013, con- they do time and again of man’s newspapers to Japanese manga identifiable for their modest but ex- serenity permeates these works, carefree risk-taking, of “bigger is objectivity and the precise render- densing them into a dynamic por- destruction of antique legacies. comics and the internet. Thomas HATJE CANTZ which gently pursue and embrace ing of detail. This publication gath- quisite design, printing and paper. better,” when investing in home 9783775737111 U.S. | CDN $ 60.00 trait of its surface. In this volume Ruff: Series collects 59 images Continuing this tradition of gor- the co-existence of the natural and ownership and commercial real HATJE CANTZ ers old and new work from the Hbk, 11.75 x 10.75 in. / 240 pgs / this new work is placed in dialogue from seven of Ruff’s best-known the man-made. 9783775736992 U.S. | CDN $45.00 past four decades, with a special geous bookmaking, Jochen Lem- 260 color. estate were still standard practices series. Alongside the Nacht series with a representative selection of Hbk, 11.5 x 9.5 in. / 160 pgs / bert: Phenotype reproduces 450 of February / Photography JOVISART and neither distance from work- emphasis on the works produced series from 1968 to 2013. 45 color. and the photograms, it includes his 9783868592603 U.S. | CDN $ 38.00 in Düsseldorf since her time at the his works, most of them arranged place nor gasoline prices much February/Photography series m.a.r.s., zycles and cassini, Hbk, 12 x 9.5 in. / 80 pgs / 54 color. MODERNE KUNST NÜRNBERG Arts Academy, and on works made in groups and sequences, from mattered in determining the Available /Photography 9783869844688 U.S. | CDN $ 50.00 which use 3-D renderings of math- more than 20 years of artistic pro- locations of new construction. Alfred​Seiland:​Imperium​ since 2011. Pbk, 9.25 x 12.25 in. / 304 pgs / Romanum​Opus​Magnum ematical curves and enlarged im- duction. 242 color. February / Art JOVIS RICHTER | FEY VERLAG ages from NASA satellites. ​Limited​Edition | 9783941263628 U.S. | CDN $ 50.00 WALTHER KÖNIG, KÖLN ALSO AVAILABLE 9783868593181 U.S. CDN $ 45.00 9783775737081 U.S. | CDN $ 570.00 Hbk, 9 x 11.75 in. / 192 pgs / LA FÁBRICA 9783863351533 U.S. | CDN $ 69.95 Bastienne Schmidt: Hbk, 11.75 x 10 in. / 96 pgs / SDNR30 109 color / 57 b&w. 9788415691457 U.S. | CDN $ 55.00 Hbk, 7.75 x 11 in. / 348 pgs / Home Stills 95 color. Slip, Clth, 14 x 13.5 in. / 480 pgs / February / Photography Pbk, 9.5 x 12.25 in. / 132 pgs / 450 b&w. 9783868590692 April / Photography 240 color. illustrated throughout. Available / Photography Hbk, U.S. | CDN $45.00 May /Photography February / Photography Jovis

100 artbook.com­­ artbook.com 101 travel | Found photographs HIGHLIGHTS ■ PHOTOGRAPHY ​Brian​Ulrich:​Close​Out​ ​Retail​Relics​and​Ephemera​ Edited and with introduction by Ashley Kistler. Text by Will Steacy. Interview by Ashley Kistler. Over the past four years, American photographer Brian Ulrich (born 1971) has collected found images and objects that offer an idiosyn- cratic history of postwar consumerism. Featured in this volume are images printed by Ulrich from long-buried newspaper negatives docu- menting the “Great Prosperity” of the 1940s and 50s that he acquired ​Charles​H.​Traub: from private collectors on eBay. He explains: “Almost all of the pic- tures were taken with a Speed Graphic press camera equipped with Dolce​Via​ flash bulbs, which produces a very specific and, in my opinion, won- ​Italy​in​the​1980s​ derful photographic language that goes well beyond our understand- Foreword by Max Kozloff. ​Seth​Lower:​ NEW EDITION ing of Weegee’s street photographs, for instance.” An extensive cache Introduction by Luigi Ballerini. ​Cristina​De​ of salvaged Polaroids depicting shoplifters evokes one consequence In his latest collection, photogra- The​Sun​Shone ​Mike​Slack:​ of the “Great Regression” of the 1980s and 90s, reinforcing just how pher Charles H. Traub (born 1945) Middel:​Party​ Glaringly​ High​Tide​ successfully the previous era manufactured and exalted desire as the turns his emphatically American Seth Lower’s second photo book, ​Quotations​from​Chairman First published in 2006 in a limited indelible core of a consumer culture. Objects such as neon signage, gaze upon the streets and byways The Sun Shone Glaringly, explores Mao​Tsetong​ run of 75 copies, Los Angeles pho- department store door pulls, architectural plans and an array of other of Italy, from Milan to Marsala. an observation he made upon Spanish-born, London-based pho- tographer Mike Slack’s High Tide documents extend this captivating narrative. tographer and conceptual artist Traub’s brilliant blues, reds and moving to Los Angeles in 2011: has now been issued in this ex- yellows accent the baroque “It isn’t always easy to differentiate Cristina de Middel (born 1975) fol- VCUARTS ANDERSON GALLERY panded edition. It collects a series 9780935519013 U.S. | CDN $ 20.00 posturing and gestures of between what is spontaneous, or lows the colossal success of her of Polaroid close-ups of actors ALSO AVAILABLE Pbk, 8.5 x 11 in. / 72 pgs / 27 color / 2012 volume The Afronauts—a strangers and ordinary people. real and what’s mediated. Nothing photographed in apparent states of Brian Ulrich: Is This Place Great Or What 21 duotone. self-publishing phenomenon that 9781597111928 January /Photography Traub’s friend and guide, the late is ever one or the other.” Through- calm or contemplation. “More like was voted best photo book of that Hbk, U.S. | CDN $50.00 photographer Luigi Ghirri, said of out the book, while repeatedly meditating than acting,” Jeffrey year by Photo-eye—with Party, a Aperture the imagery, “you see our foibles, announcing the thoughts and Ladd wrote (of the 2006 limited portrait of present-day China mod- strip us bare, make love through actions of our generic “hero,” edition), “each seems to have mo- eled on Mao Tsetong’s Red Book. the camera and then venerate us.” Lower combines various ele- mentarily dropped their profession De Middel uses the structure of Dolce Via is the first comprehen- ments—photographs of oddly and found a personal truth.” Slack, Mao’s book (as well as its iconic sive collection of these vivid color familiar filming locations; portraits a veteran of Polaroid photography design) to create a photo-narrative ​Another​Happy​Day​ photographs, which were made of aspiring actors he contacted (as evidenced by his previous vol- ​Found​Photographs​Collected​by​Jonah​Samson​ in Italy during the early 1980s. through Craigslist; dialogue and interspersed with adapted quota- umes OK, OK, OK, Scorpio and Edited by Jonah Samson. This publication includes contribu- screenplay notations lifted from tions from Mao. As she describes Pyramids), achieves a peculiar ten- Another Happy Day is a compilation of anonymous, mostly black-and-white photographs tions from American art critic, Hollywood blockbusters; and his it: “I decided to adapt this historic sion in these images, between found on eBay from the private collection of the Canadian artist, collector and writer Jonah photographer and founding editor own fabricated narratives—to political statement … by censoring their apparent serenity and their Samson. Titled after a line from Samuel Beckett’s play Happy Days (“This is going to be a of Artforum, Max Kozloff, and the suggest a story at once sordid and and hiding the parts of the text multiple layers of artifice. happy day! ANOTHER HAPPY DAY”), the book can be read as an ironical or darkly humor- Italian poet, Luigi Ballerini. hilarious. Like a neo-noir film script that are no longer in force and highlighting some other re- THE ICE PLANT ous take on happiness, as its vintage imagery traverses the melancholy, the obscured, the DAMIANI referencing works as diverse as designed sentences that, for me, 9780982365380 U.S. | CDN $ 32.00 forlorn and the preposterous. Throughout, sepia scenes of mildly homoerotic posturing, 9788862083447 U.S. | CDN $ 50.00 Mulholland Drive and Crocodile FLAT40 slapstick play or gymnastic antics mix freely with mistier, more sober imagery of obliter- Hbk, 11.75 x 9.5 in. / 112 pgs / Dundee IV, Lower’s book evokes form a more accurate portrait of Pbk, 6 x 8 in. / 92 pgs / 46 color. ated faces and what seem to be long-forgotten moments and places, strung together illustrated throughout. all the tropes of the Los Angeles the People’s Republic of China in January / Photography March / Photography the twenty-first century.” Party is along a carefully orchestrated narrative flow. Intimate in its production and feel, this hand- myth to address an essential published in a limited edition of ALSO AVAILABLE some clothbound volume offers a warm-hearted paean to photographic history and life’s question: how do popular repre- Mike Slack: Scorpio 750 copies and is certain to quickly perpetual brevity. sentations of Los Angeles affect 9780977648108 the everyday experience of the city, become a photo-book classic. Hbk, U.S. | CDN $30.00 PRESENTATION HOUSE GALLERY The Ice Plant 9780920293898 U.S. | CDN $ 35.00 and how do people negotiate the RM/ARCHIVE OF MODERN CONFLICT Clth, 6.5 x 8.75 in. / 96 pgs / 73 color. slippage between their real lives 9788415118671 U.S. | CDN $ 55.00 February /Photography and their potential selves? Pbk, 3.5 x 5 in. / 200 pgs / 100 color. March/ Photography/Asian Art & Mike Slack: Pyramids THE ICE PLANT Culture 9780982365311 9780989785907 U.S. | CDN $ 29.95 Hbk, U.S. | CDN $30.00 Pbk, 7.5 x 9.5 in. / 80 pgs / 39 color. The Ice Plant March / Photography

102 artbook.com­­ artbook.com 103 american photography and americana HIGHLIGHTS ■ PHOTOGRAPHY

​Mariette​Pathy ​Martin​Hyers​ ​Bull​City​Summer​ Allen:​TransCuba​ ​Mike​Osborne: ​The​Art​of​Sport​ Text by Mariela Castro Espín, ​Jonathan​Saruk: Floating​Island​ &​Will​Mebane: Allen Frame, Wendy Watriss. Edited by Sam Stephenson. Text Austin-based photographer Mike Empire​ by Howard L. Craft, Adam Sobsey, For more than 30 years, New York– The​Forbidden Osborne’s Floating Island revolves ​Adrain​Chesser: Emma D. Miller. based photographer and painter ​Daniel​Schumann: Text by Karen Irvine. Reel​ around the border-straddling com- ​Vincent​Cianni: Bull City Summer brings together a Between 2004 and 2007, American Mariette Pathy Allen has been In a nondescript concrete building The​Return​ International​ Gays​in​the​ team of artists and documentari- munity of Wendover, Utah and photographers Martin Hyers and documenting transgender culture on a busy street in the old city of Text by Timothy White Eagle. Orange​ ans around a season of minor West Wendover, Nevada. Once Military​ Will Mebane made a series of road worldwide; in 2004 she won the Kabul, young men file into a dark, From 2006 to 2012, Seattle-based league baseball to find stories and home to an important World War II Edited by Daniel Schumann, Interviews by Vincent Cianni. trips through the American South, Lambda Literary Award for her smoke-filled theater and take their photographer Adrain Chesser Christof Kerber. images on the field and behind the aviation training facility, the town is Through compelling photographs West and East to create a photo- monograph The Gender Frontier. seats. Soon the projector roars (born 1965) and Native American In 2011, having been awarded a scenes. The Durham Bulls are one now a gaming destination with five and interviews, Vincent Cianni graphic archive of objects. The In her new publication, TransCuba, to life, and the audience begins ritualist Timothy White Eagle trav- Fulbright, Austrian photographer of the most popular and successful sprawling casinos. In addition to (born 1952) has created an project, titled Empire, yielded more Allen focuses on the transgender to laugh, whistle and even dance eled throughout the western states Daniel Schumann (born 1981) minor league baseball teams in the tracing this historical trajectory, Os- important historical record of the than 9,000 photographs captured community of Cuba, especially its as the latest Pakistani cinematic of Nevada, Idaho, California and moved to San Francisco to start a country, with more players being borne’s photographs reflect on the struggles of LGBTQ men and in 25 states. Using two hand-held growing visibility and acceptance drama illuminates the big screen Oregon with a loose band of com- masters degree in photography. He sent to the Majors than any other surrounding landscape’s fantastical women in the US military. As 4 x 5 view cameras, Hyers and in a country whose government is before them. In his new book, rades, practicing a hunter-gatherer was immediately taken by the city, minor league team. To diversify aspects. The book’s title, Floating the Human Rights Commission Mebane ventured out into public transitioning into a more relaxed Forbidden Reel, American-born, way of life. This bold adventure and fell in love with the diversity the documentation of the 2013 Island, refers to a small mountain attests, the US military has a long places, met strangers and accom- model of communism under Raúl Sweden-based photographer necessitated the collective rearing, and openness of its inhabitants. In season, guest artists Alex Harris, located at the heart of the nearby history of human rights abuses panied them back to their homes, Castro’s presidency. This publica- Jonathan Saruk documents the killing and cooking of animals, International Orange, Schumann Frank Hunter, Kate Joyce, Elizabeth Bonneville Salt Flats. Due to a mi- against homosexuals, with harass- offices and factories to photo- tion therefore records a cultural cinemas of Kabul—entertainment foraging for berries, sleeping portrays same-sex families and Matheson, Leah Sobsey, Alec rage, the mountain appears to ment and discrimination frequently graph. Working in a deliberately watershed within Cuba. In addition venues that had been banned outdoors or creating shelter and couples living and working in San Soth, Hank Willis Thomas and hover perpetually above the hori- resulting in lost careers. In many forensic fashion, they pho- to color photographs and inter- under the Taliban but which have surviving harsh terrain. Chesser Francisco. The work originated Hiroshi Watanabe were invited to zon. Drawing on the phenomenon cases, these men and women— tographed the objects they views by Allen, the book also sputtered back to life since the US and White Eagle’s experiment from the artist’s desire to express photograph the team in Durham. of the mirage—a real illusion—Os- highly skilled, well educated, encountered—stoves, family includes a contribution from Raúl invasion 12 years ago. Forbidden produced the body of work titled the importance of the metropolis “The opportunity to photograph borne merges documentary and patriotic, courageous and produc- photographs, computers, trophies Castro’s daughter, Mariela Castro, Reel provides an alternative narra- The Return, a lyrical portrait of a for the gay rights movement, while spring baseball in North Carolina cinematic approaches to produce tive—had attained high rank, re- and the like. Many of the objects who is the director of the Cuban tive to life in this violence-plagued contemporary nomadic existence. also examining the theme of family was a no-brainer,” Soth says. photographs that respect the par- ceived numerous medals and held included in their project are dis- National Center for Sex Education city where going to the movies, “Give back more than you take” from a new perspective—an exam- “The pacing of baseball arouses ticularities of the site while also ex- top-level jobs that were essential to comfiting because of their impend- in Havana. In 2005, Castro pro- for many, is an escape from the is a well-known tenet of early ination he had already begun in his a kind of leisurely attentiveness ploring the myths and fantasies the military. “Don’t Ask Don’t Tell” ing obsolescence: an overhead posed a project, which became harsh reality that lies outside the hunter-gather societies, and The previous book, Princesses and that is analogous to photographic that it inspires. (and, historically, the ban against projector rests on a table, a law three years later, to allow secure confines of the theater. Return is a complex exploration Football Stars. Through his por- seeing. You look and look and DAYLIGHT BOOKS of the attempt to implement this homosexuals) failed to protect the typewriter sits on a desk, a set of transgender individuals to receive DAYLIGHT BOOKS traits, Schumann’s project reveals 9780988983144 U.S. | CDN $ 49.95 then every once in a while, snap, sex reassignment surgery and mythic ideal as it intersects with human rights of a significant por- encyclopedias waits well-organized 9780989798105 U.S. | CDN $ 49.95 Hbk, 13 x 10.25 in. / 156 pgs / the remarkable ease with which you get a hit.” tion of gay and lesbian military, on a yellow bookshelf. change their legal gender. Clth, 12 x 11 in. / 124 pgs / 50 color. 62 color. the reality of modern life. heterosexual and homosexual fam- April /Photography/Middle Eastern Art and at times service members DAYLIGHT BOOKS April /Photography ilies live together and coexist in DAYLIGHT BOOKS DAYLIGHT BOOKS & Culture DAYLIGHT BOOKS 9780988983168 U.S. | CDN $ 49.95 | were penalized and prohibited 9780988983182 U.S. | CDN $ 39.95 9780988983137 U.S. | CDN $ 45.00 9780988983199 U.S. CDN $ 49.95 San Francisco. International Or- Hbk, 11 x 8.5 in. / 216 pgs / from receiving an honorable dis- Flexi, 11 x 9 in. / 136 pgs / illustrated Hbk, 13 x 10 in. / 112 pgs / 67 color. Hbk, 9 x 10.75 in. / 144 pgs / 120 color. ange is a declaration of love for the throughout. April / Photography/Latin American 72 color. charge to retain benefits accorded April / Photography/Sports city, its social freedom and its citi- April / Photography Art & Culture/Gay & Lesbian April / Photography/Native American them for serving, often times Studies zens. EXHIBITION SCHEDULE under the extreme conditions of Raleigh, NC: Contemporary Art Mu- KERBER a combat zone. This volume tells seum, Raleigh, and North Carolina 9783866788732 U.S. | CDN $ 39.95 their stories. Museum of Art, Spring/Summer Pbk, 8.25 x 10.25 in. / 176 pgs / 2014 61 color. DAYLIGHT BOOKS February /Photography/Gay & Lesbian 9780988983151 U.S. | CDN $ 44.95 Hbk, 8.5 x 10.5 in. / 256 pgs / 70 b&w. April / Photography/Gay & Lesbian

104 artbook.com­­ artbook.com 105 portraiture from spain, Brazil and Italy HIGHLIGHTS ■ PHOTOGRAPHY

​Giuliano​Plorutti: ​Txema​Salvans: Circus​ The​Waiting​Game​ Text by Luca Panaro, Roberto Text by Martin Parr, John Carlin. Mutti, Angelo Baj, Gian Mario Lanfranconi. Gathering a series of photographs Italian photographer Giuliano taken by Txema Salvans (born ​Marc​Ohrem- Plorutti’s Circus sets aside the 1971) over the course of six years, Leclef:​Olympic familiar sights of the show ring in The Waiting Game documents the ​Pierre​Gonnord: order to portray the everyday life Favela exercise of prostitution along the The​Dream​Goes of circus performers; he is, as it Text by Luis Perez-Oramas, Itamar highways of Spain’s Mediterranean Silva, David Kelley. Over​Time​ were, more interested in the after- coast. Disguised as a surveyor, In many of Rio de Janeiro’s shanty noon’s practice than the evening’s Interview by Carmen Fernández Salvans photographed prostitution towns, or favelas, the city’s Ortiz. performance. He also favors the with an emphasis on the decidedly housing authority, the Secretaria French-born, Madrid-based pho- humbler circus groups to the large- unerotic quality of its actual Municipal de Habitação (SMH), is tographer Pierre Gonnord (born scale companies, those that offer environs: the intersections, round- enforcing policies to evict families 1963) has spent a great deal of simple combinations of music, the- abouts, dead-end streets and and demolish their homes—often time among the gypsy communi- ater and dance. These unobtrusive shoulders of the road. The photo- with little or no notice, and some- ties of Spain, particularly those in black-and-white photographs de- graphs in this book present the times with use of force—in ad- Seville and Perpignan. “In such a pict performers of all kinds—jug- solitary figure of the waiting vance of construction for the 2014 strong and marked community, it glers, musicians, snake charmers, woman as a stereotypical image of World Cup and the 2016 Olympic is hard to arrive and take pictures trapeze artists, tightrope walkers, objectified sexuality, in a landscape Games. Responding to news immediately,” he observes, and clowns—posing informally for the that is both striking and tragic. reports of these evictions, in late after an extended period of ac- camera, in the midst of limbering Exploring the varied and often sur- 2012 New York–based Marc climatization, Gonnord was ac- up in private or in the ring, playing prising gamut of human longings Ohrem-Leclef (born 1971) set cepted by his subjects and music together or alone, relaxing and behaviors, Salvans achieves a out to portray the people directly permitted to photograph them. in their caravans with their families balance of sociological dissection and indirectly affected by these “The people I met were extraordi- or in more straightforward portraits and naturalistic narration, and evictions, and the residents organ- nary. There was a real exchange, in facing the camera. The pictures America’s political spectrum by color presents the image of the prosti- izing their neighbors in resistance silence, trust and intimacy.” Deeply were taken mostly from 2000 to tute as an almost impersonal to SMH’s abuse of power. painterly, Gonnord’s photographs 2009 (with a few pictures taken component of a larger mechanism. Photographs of the subjects in draw on the Spanish tradition of in the early 1990s) in Italy, France, ​Brian​Dailey:​America​in​Color​ RM their respective environments portraiture established by Ribera Hungary and Czechoslovakia, Foreword by Klaus Ottmann. Text and interview by Wendy Grossman. 9788415118572 U.S. | CDN $ 55.00 are complemented by portraits in and Velázquez, cloaking their sub- and vividly convey the realities of Over the course of a two-year period, photographer Brain Dailey traveled across the country Clth, 13 x 9.75 in. / 88 pgs / 40 color. which they hold an emergency jects in dark, sober backdrops and March / Photography a nomadic lifestyle. with the objective of capturing individual portraits of the uncelebrated American electorate. From flare, representing their ongoing bathing their features in a light that Jackson Square in downtown New Orleans to the open range in Texas, he organized impromptu DAMIANI struggle to avoid the destruction draws out every expressive crease 9788862083249 U.S. | CDN $ 39.00 photo shoots with more than 1,200 citizens, including those with no interest in politics or voting. of their homes while using the and wrinkle with dignity rather Hbk, 12 x 9.5 in. / 120 pgs / In the portraits each individual expresses their personal identity casually in dress and pose, while illustrated throughout. core symbol of the Olympic than intrusive scrutiny. This volume their political identity is a chosen backdrop: blue for Democrat, red for Republican, grey for February / Photography Games, also a symbol of liberty gathers Gonnord’s widely exhib- Independent, green for the Green Party and orange for those who don’t vote. The resulting and independence. ited gypsy series for the first time. monograph, Brian Dailey: America in Color challenges our perceptions of the components and DAMIANI LA FÁBRICA/CENTRO DE ARTE TOMÁS individual characters that shape the American political process. Y VALIENTE 9788862083386 U.S. | CDN $ 50.00 Hbk, 9.5 x 12.25 in. / 88 pgs / OSMOS BOOKS 9788415691518 U.S. | CDN $ 35.00 9780988340473 U.S. | CDN $ 80.00 Pbk, 7.25 x 11 in. / 120 pgs / illustrated throughout. Hbk, 12 x 14 in. / 336 pgs / 300 color. illustrated throughout. March / Photography/Latin American January /Photography February / Photography Art & Culture

106 artbook.com­­ artbook.com 107 performance and photography from europe HIGHLIGHTS ■ ART PREVIOUSLY ANNOUNCED ​Whispers:​Ulay​on​Ulay​ ​Sophie​Calle:​True​Stories​ Edited and with text by Maria Rus Bojan, Alessandro Cassin. Text by Marina Abramovic´, Laurie Anderson, Thomas McEvilley, Timea Text by Sophie Calle. Lelik, Tevz Logar, Charlemagne Palestine, John Reuter, Silvio Wolf. First published in French in 1994, quickly acclaimed as a photo book classic, and now expanded and Uwe Frank Laysiepen (born 1943), better known as Ulay, has been reissued in this first English-language edition from Actes Sud, True Stories gathers a series of short auto- a pioneer of Polaroid photography and one of the central figures of biographical texts and photos by Sophie Calle. Calle’s projects have frequently drawn on episodes from European performance art since the 1970s. A singular presence her own life, but this book—part visual memoir, part meditation on the resonances of photographs and among the artists of his generation, his radically innovative work belongings—is as close as she has come to producing an autobiography, albeit one highly poetical and in partnership with Marina Abramovi´c has received critical acclaim fragmentary. The first section is composed of various reflections on objects such as a shoe, a postcard, worldwide. With the exception of his 12-year collaboration with a bathrobe and a bed, or musings on the artist’s body, such as “The Love Letter”: “For years a love letter Abramovi´c, much of the work that makes up Ulay’s long career is languished on my desk. I had never received a love letter, so I paid a public scribe to write one. Eight not well known outside of Europe. Compiled by Maria Rus Bojan days later, I received seven beautiful pages of pure poetry penned in ink. It had cost me one hundred (who has published extensively on Ulay), Whispers: Ulay on Ulay francs and the man said: ‘...as for myself, without moving from my chair I was everywhere with you.’” reveals an extremely innovative oeuvre, coherently rooted in a per- The second section of the book, “The Husband,” is comprised of ten recollections of episodes from sonal life philosophy guided by strong ethical principles. “I pro- Calle’s first marriage, by turns funny (“He was an unreliable man. For our first date he showed up one duced a very bizarre body of work,” Ulay says of his artistic career, year late”), erotic and sad. A third section gathers various autobiographical tales, and the book closes “I experimented a lot: You have to if you are aiming at something with three interlinked stories titled “Monique.” This new edition includes five new photo-text presenta- that does not exist yet.” In a long, thematic interview with tions and is the first English translation. Alessandro Cassin, Ulay speaks openly about his life and career. ACTES SUD This unusually generous volume provides new insight into the 9782330023416 U.S. | CDN $ 24.95 early work and current endeavors of the artist. Hbk, 4 x 7.75 in. / 104 pgs / 13 color / 34 b&w. ALSO AVAILABLE Sophie Calle: The VALIZ Available / Artists’ Books Sophie Calle: Double Address Book 9789078088721 U.S. | CDN $ 45.00 Game 9780979956294 Flexi, 6.75 x 9.5 in. / 536 pgs / 800 color / 300 b&w. 9781900828284 Hbk, U.S. | CDN $29.95 May/Art Hbk, U.S. | CDN $39.95 Siglio Violette Editions

​Peter​Fischli​David​Weiss​ Multiple​Occupancy:​Eleanor​Antin’s​“Selves”​ Edited by Emily Wei Rales, Ali Nemerov. Foreword by Emily Wei Rales, Mitchell P. Rales. Edited and with text by Emily Liebert. Foreword by Deborah Cullen. Text by Huey Text by Boris Groys, Mark Godfrey. Interview by Brian O’Doherty, Hans Ulrich Obrist. Copeland, Malik Gaines, Alexandro Segade, Henry Sayre. Interview by Emily Liebert. Peter Fischli (born 1952) and David Weiss (1946–2012) collaborate to transform the stuff of From 1972 to 1991, Eleanor Antin (born 1935) created multiple personae of different ordinary life into a series of quizzical, whimsical, even disquieting encounters. Fascinated genders, races, professions, historical contexts and geographic locations. The artist with unconventional subject matter and material, Fischli and Weiss toy with the idea of called this motley group—which includes a deposed king, an exiled film director, ambi- “high art,” questioning popular narratives and movements in art and cultural history. Peter tious ballerinas and hard-working nurses—her “selves.” The selves’ manifestations were Fischli David Weiss presents an in-depth survey of the artists’ work from 1979 through as diverse as their stories: some were embodied by Antin and captured in photographs 2012, drawn exclusively from Glenstone’s collection. The volume includes rubber and clay and on video; others had paper doll surrogates; at times their existence was known only sculptures, photographic series including Equilibres (A Quiet Afternoon) and Sausage Series, through the drawings, texts and films they had ostensibly left behind. As she explored digital slides such as Airports and Flowers and Mushrooms, stills from their acclaimed video the fleeting nature of the self, Antin used fiction, fantasy and theatricality to examine The Way Things Go and the most recent iteration of their alter egos, Rat and Bear. Also re- the ways that history takes shape, scrutinizing the role that visual representation plays produced is the artists’ most ambitious polyurethane installation, The Objects for Glenstone, in that process. Multiple Occupancy: Eleanor Antin’s “Selves” is the first project to focus and Questions, a slide installation of over 400 handwritten existential queries such as “Is the exclusively on this critical body of work. Devil a cheerful person?” and “Will happiness find me?” which won the Golden Lion Prize THE MIRIAM AND IRA D. WALLACH ART GALLERY, COLUMBIA UNIVERSITY at the 2003 Venice Biennale. 9781884919305 U.S. | CDN $ 25.00 Pbk, 7.5 x 9.75 in. / 128 pgs / 59 color / 12 b&w. GLENSTONE January /Art 9780980108637 U.S. | CDN $ 65.00

Hbk, 8.25 x 11 in. / 256 pgs / 1,660 color. EXHIBITION SCHEDULE February / Art Boston, MA: Institute of Contemporary Art, 03/19/14–07/06/14

EXHIBITION SCHEDULE Potomac, MD: Glenstone, 05/13–02/15

108 artbook.com­­ artbook.com 109 pop art HIGHLIGHTS ■ ART ​Andy​Warhol:​The​American​Dream​ Edited by Achille Bonito Oliva. Introduction by Francesca Franco. The selection of Andy Warhol’s works featured in this volume chronicles the evolution of the American dream from the 1960s to the mid-1980s. In this pe- riod, American culture underwent enormous changes: commercial brands were elevated to a totemic status and the tenets of the free-market credo came to pervade every aspect of political, social and cultural life. The founder of Pop art turned his gaze on this system and through the relentless repetition of subjects—an approach borrowed directly from advertising—he transformed products into artistic icons. Commentary by noted Italian art critic Achille Bonito Oliva provides social and artistic context for Warhol’s treatment of this topic. In a stylish homage to the Warhol palette, the first 20 pages of this book are printed on silver paper, and on various subsequent pages the four-color printed process is embellished with silver.

SILVANA EDITORIALE 9788836626762 U.S. | CDN $ 50.00 Pbk, 9.5 x 11 in. / 284 pgs / 150 color. March / Art ​Robert​Indiana:​The​ ​Mel​Ramos:​New​Prints​ ​Andy​Warhol:​Unique​ Monumental​Woods​ ​Catalogue​Raisonné​of​Original​Prints​ Text by Jörg Schellmann. Edited by Krystyna Gmurzynska, Mathias Text by Claire Breukel, Jeanette Zwingenberger. Rastorfer, Mitchell Anderson. Foreword by Andy Warhol’s concept of art expressly included Mel Ramos (born 1935) rose to prominence as Krystyna Gmurzynska, Mathias Rastorfer. the reproduction, the multiple. Yet the unique an important exponent of Pop art after exhibiting Text by Evgenia Petrova Joachim Pissarro. work of art did not lose its value, even in Interviews by Richard Brown Baker, Barbaralee in shows alongside Roy Lichtenstein and Andy Diamonstein-Spielvogel, Mitchell Anderson. Warhol’s Factory. Ever since he began making Warhol in the early 1960s. Juxtaposing glam- The Monumental Woods is a career-spanning his famous portrait prints in the 1980s—most of orous bodies with the seductive but hollow arti- retrospective catalogue of wood sculptures from which were commissioned—his prints were facts of American consumerism, Ramos is American artist Robert Indiana (born 1928). This carefully limited and signed for his wealthy buy- perhaps best known for his distinctive female publication showcases five decades of work PREVIOUSLY ANNOUNCED ers. For 40 years Jörg Schellmann has been col- nudes—stylish pin-up girls bedded on fruit or from Indiana’s beginnings in the mid-century lecting multiples and editions. His portfolios of posing lasciviously with, or popping out of, New York artist community of Coenties Slip, ​Keiichi​Tanaami:​Killer​Joe’s​Early​Times​1965–73​ Warhol works are now sought-after collector’s larger-than-life consumer goods such as candy which included Indiana’s close friends Ellsworth Edited by Momoko Fukurama, Shinji Nanzuka. Text by Nils Olsen, Fredi Fischli, Yuji Yamashita. items. This publication presents the more than bars and soft drinks. Throughout his career, Kelly and Agnes Martin, to his chosen remote is- Keiichi Tanaami (born 1936) was a protagonist of Japan’s postwar avant-garde, and one of 100 trial proofs that were produced under the Ramos has explored these motifs in prints as land home off the coast of Maine, where he has the first Japanese artists to successfully blend art and commerce. Tanaami’s artwork was aegis of the Edition Schellmann und Klüser from much as in paintings. Mel Ramos: New Prints spent the past four decades. The pieces pre- appearing in advertisements and magazines as early as 1962, when American Pop art 1980 to 1987. Printed on rag paper, and as veri- surveys a range of Ramos’ print work, starting sented in this book, many reproduced for the was still in the ascendant. A trip to New York in 1968 provided a transformative encounter table individual works of art, they are particularly from his figurative departure from Abstract Ex- first time, offer a retrospective survey of Indi- with Andy Warhol, which encouraged Tanaami to pursue several paths at once, and he valuable today. Characteristic of these unique pressionism to his portraits of comic book he- ana’s sculptural oeuvre. With its handsome cop- was soon producing poster designs, happenings, prints and album covers, developing an pieces of art are the outlines hand-drawn by roes such as Wonder Woman and his satirical per-stamped cover, The Monumental Woods assured, erotic psychedelic style populated with butterfly women, chimneys and breasts Warhol, which elevate the print out of the terri- nudes lampooning brand advertising. includes exhibition shots, archival photographs (a meeting with Robert Crumb and an appreciation of American underground comics was tory of the halftone and color planes and into and detail shots of many sculptures, in addition also significant). Including collage, painting, silkscreen prints and animation, this volume the realm of “painting.” MODERNE KUNST NÜRNBERG constitutes a catalogue raisonné of Tanaami’s early work of the 60s and 70s. It includes 9783869844701 U.S. | CDN $ 42.50 to a suite of color photos of the artist’s home in HATJE CANTZ Pbk, 9.25 x 12 in. / 180 pgs / 200 color. his illustrations for the magazine Shosetsu-gendai, drawings and collages for Art Journal, Maine. The book concludes with three inter- 9783775737166 U.S. | CDN $ 60.00 February /Art album covers for the Monkees and Jefferson Airplane, stills from an animation series made Pbk, 9.75 x 11.75 in. / 172 pgs / 250 color. views of Indiana, set decades apart, in which the for the film festival at Sogetsu Art Center, anti-Vietnam War silkscreen prints and painting April /Art artist discusses the inspiration and evolution of series of Hollywood actresses. his sculptures. WALTHER KÖNIG, KÖLN GALERIE GMURZYNSKA 9783863353568 U.S. | CDN $ 75.00 9783905792171 U.S. | CDN $ 60.00 Hbk, 9.5 x 13.75 in. / 350 pgs / 250 color. Hbk, 12 x 15 in. / 124 pgs / 66 color / 28 b&w. February / Art/Asian Art and Culture January /Art

110 artbook.com­­ artbook.com 111 paintings, prints and drawings from europe HIGHLIGHTS ■ ART ​Gerhard​Richter:​Editions​1965–2013​ ​Catalogue​Raisonné​ Edited and with text by Hubertus Butin, Stefan Gronert. Gerhard Richter’s editions are attracting increasing interest around the world. Editions are all of the artist’s original works of art that have been produced in multiple. In his new catalogue raisonné Hubertus Butin pres- ents all of the prints, photography editions, artist’s books, multiples (ob- jects), and painting editions from 1965 to 2013. Informative essays and numerous illustrations demonstrate how the editions are an independent, major part of Richter’s oeuvre, offering the artist an opportunity to reach a larger audience while simultaneously exploring creative possibilities in di- verse and experimental ways. Gerhard Richter (born 1932) fled from East to West Germany in 1961 and studied in Düsseldorf. After guest professorships at various institutions, he became a professor at the Kunstakademie Düsseldorf in 1971. Richter has been represented at important exhibitions, from the Documentas V to X to the 1972 Venice Biennial, and he is also the recipient of many prominent ​Tàpies​from​Within, ​Antoni​Tàpies​ awards. To celebrate his seventieth birthday in 2002, The Museum of PREVIOUSLY ANNOUNCED 1945–2011​ ​Lo​Sguardo​dell’Artista​ Modern Art, New York devoted a retrospective to his work. Richter lives in ​Albert​Oehlen:​Painting​ Edited by Vicente Todolí. Introduction by Preface by Walter Hartsarich. Introduction Cologne. Laurence Rassel, Pepe Serra. Text by Antoni by Daniela Ferretti. Text by Toni Tapiès, Edited by Achim Hochdörfer. Foreword by Tàpies, Dawn Ades, Barry Schwabsky. Axel Vervoordt, Natascha Hébert. Karola Kraus. Interview by Daniel Richter, HATJE CANTZ Tàpies from Within presents about 100 works Antoni Tàpies (1923–2012) was a lifelong 9783775735193 U.S. | CDN $ 95.00 Rochelle Feinstein, Kerstin Stakemeier, Hal from the artist’s studio and from the Fundació Clth, 9.75 x 11.5 in. / 340 pgs / 320 color. Foster, Achim Hochdörfer. collector of both contemporary and ancient art, May / Art Four decades after he first burst onto the inter- Antoni Tàpies collection. Accompanying a major and, as the symbolism that recurs throughout national art scene in the early 1980s, Albert touring exhibition in Europe, it guides us through his paintings, drawings and sculptures attests, Tàpies’ entire career, from the first Surrealist-in- ALSO AVAILABLE ALSO AVAILABLE Oehlen (born 1954) remains among the most he constantly sought links between cultures, Gerhard Richter: Gerhard Richter: influential and controversial painters of the spired paintings of the 1940s, produced during religions and epochs. This volume, organized by Catalogue Catalogue present. Operating between figuration and his participation in the Dau al Set group, to Tàpies’ family a year after his death, juxtaposes Raisonne Vol 1 Raisonne Vol 3 abstraction with vigor and energy, Oehlen works made shortly before his death in 2011. a selection of artworks from across the breadth 9783775719780 9783775719803 Thanks to the collaboration of the Tàpies family, Slip U.S. | CDN Slip U.S. | CDN relentlessly critiques painting’s history, its of his career with paintings and prints from his $375.00 SDNR30 $375.00 SDNR30 clichés and its relationship to the imagery of Tàpies from Within offers the most intimate por- collection, by artists such as Joan Miró, Paul Hatje Cantz Hatje Cantz the advertising and pop industries—all within trait yet published of the painter’s working envi- Klee, Pablo Picasso, Max Ernst, Kazuo Shiraga, the medium itself (rather than in another art rons, reproducing for the first time works that Franz Kline, Mark Rothko, Jackson Pollock, form). Reproducing 110 works, this volume, de- had remained virtually unseen or even unknown. Louise Bourgeois and Jannis Kounellis, and ​Joseph​Beuys:​Drawings​ signed by Heimo Zobernig, takes something of As this volume makes plain, from almost the with ancient Cycladic, Indian, Asian and Edited by Heiner Bastian. Foreword by Poul Erik Tøjner, et al. Text by Heiner Bastian, Aeneas Bastian. an artist’s book approach to Oehlen’s oeuvre, outset Tàpies was committed to a materialist vi- African sculptures, textiles, calligraphy and This publication assembles a superb selection of some 200 drawings, watercolors and collages by emphasizing its methodological complexity, sion of materials and forms, which in the 1950s paintings. These juxtapositions highlight the Joseph Beuys (1921–1986) that has not been made public for more than a quarter of a century. vitality and conflicts. Alongside an interview led him to make the celebrated “matter” paint- continuity of Tàpies’ philosophical preoccupa- Beuys’ drawings have a special status within his oeuvre, and have been cited by several generations between Oehlen and fellow painter Daniel ings that earned him his international reputation. tions and the profound resonances of his of artists as decisive and influential. These works coined a new idiom in drawing, whose signature Richter, this catalogue contains conversations Rubble, mud, oil stains and graffiti all made their own art across cultures. way onto Tàpies’ canvases, which proposed features include a deliberate or apparent clumsiness, the use of unorthodox substances such as on the implications of Oehlen’s work between MER. PAPER KUNSTHALLE hare’s blood and rust that seeps deeply into the paper weave, diagrammatic imagery and the use of Rochelle Feinstein and Kerstin Stakemeier, and abstraction as a “concretion” of the world rather 9789491775079 U.S. | CDN $ 60.00 graph paper. Collage elements (felt, newspaper) further heighten the intense materiality of these between Hal Foster and Achim Hochdörfer. than a transcendence of it (his signature crosses Hbk, 9.25 x 11.25 in. / 224 pgs / 120 color. being “crossings-out” and not religious symbols): February / Art works, which is in turn offset by handwritten and typed notes on various projects—embryonic WALTHER KÖNIG, KÖLN “choosing the earth over the vagaries of the thoughts that add a provisional, processual dimension. This substantial volume documents a mile- 9783863353933 U.S. | CDN $ 48.00 stone oeuvre in twentieth-century drawing. Hbk, 9.5 x 12 in. / 160 pgs / 110 color. spirit,” as he writes in an accompanying essay Available /Art here. Full of superbly reproduced color plates, KERBER Tàpies from Within offers an important overview 9783866787070 U.S. | CDN $ 80.00 Hbk, 9 x 11.75 in. / 292 pgs / 198 color. of this major force in postwar abstraction. February / Art LA FÁBRICA/FUNDACIÓ ANTONI TÀPIES/MUSEU NACIONAL D’ART DE CATALUNYA 9788415691389 U.S. | CDN $ 55.00 Pbk, 8 x 10.5 in. / 232 pgs / illustrated throughout. January /Art

112 artbook.com­­ artbook.com 113 american and British Conceptualism HIGHLIGHTS ■ ART ​Mel​Chin​ ​Paul​Chan:​New​New​Testament​ Text by Andrei Codrescu, Lisa A. Crossman, Edited by Karen Marta. Introduction by Sven Lütticken. Eleanor Heartney, Patricia Covo Johnson, New New Testament documents Paul Chan’s monumental project Volumes, a series of more Miranda Lash, Patricia C. Phillips. than 1,000 paintings made out of dismantled book covers and the texts that complement Eschewing a trademark style, the common each painting. “I began destroying books to paint on them, on weekends,” Chan says. thread through Mel Chin’s practice is his con- “Each cover seemed to call for different things; some expressionistic, others naturalistic, still ceptual rigor, thoughtful historicism and con- others plainly monochrome. I never read the books I tore apart.” A selection of Volumes pre- cern for social justice. His land-based works miered at Documenta 13 in Kassel, Germany, in 2012, but New New Testament is the first such as “Revival Field” from the early 1990s time all the paintings have been united in a single book. Each painting evokes how books and “Operation Paydirt” (2008–ongoing) gar- and works of art now exist in our digitally interconnected world chiefly as objects of search. nered significant international press for pre- The texts that accompany each painting are composed with bewildering combinations of senting the science of soil remediation as an phrases and lexical marks that reflect how historical distinctions between art, media and art form. Challenging the traditional concept celebrity culture are rapidly dissolving. of a retrospective as a linear presentation of a single individual’s work over time, the SCHAULAGER, LAURENZ FOUNDATION/BADLANDS UNLIMITED 9783952397152 U.S. | CDN $ 252.00 publication celebrates the artist’s practice Clth, 7.75 x 10.75 in. / 1,082 pgs / 1,010 color. of constant evolution, re-examination, and col- April /Artists’ Books laboration. It includes an extensive illustrated EXHIBITION SCHEDULE chronology and an essay by the poet Andrei Basel, Switzerland: Schaulager, 04/11/14–10/19/14 Codrescu, and is published on the occasion of a major Mel Chin exhibition at the New Orleans Museum of Art.

EXHIBITION SCHEDULE HATJE CANTZ New Orleans, LA: Museum of Art: 02/21/14–05/25/14 9783775735940 U.S. | CDN $ 60.00 Pbk, 9.5 x 11.5 in. / 304 pgs / 145 color. March/ Art

​Simon​Starling:​Metamorphology​ ​Paul​Chan:​Selected​Writings​2000–2014​ Foreword by Madeleine Grynsztejn. Text by Dieter Roelstraete, Mark Godfrey, Edited by George Baker, Eric Banks with Isabel Friedli, Martina Venanzoni. Introduction by George Janine Mileaf, Simon Starling. Baker. British conceptual artist Simon Starling (born 1967) interrogates the histories of art and The work of Paul Chan (born 1973) has charted a course in contemporary art as unpredictable and science, as well as other subjects such as economic and environmental issues, through wide-ranging as the thinking that grounds his practice. Paul Chan: Selected Writings 2000–2014 col- a wide variety of media including film, installation and photography. Published for his lects the critical essays and artist’s texts that first appeared in Artforum, October, Texte zur Kunst and first survey exhibition at a major American museum, Simon Starling: Metamorphology Frieze, among other publications, as well as previously unpublished speeches and language-based highlights a fundamental principle of Starling’s practice: an almost alchemistic concep- works. From the comedy of artistic freedom in Duchamp to the contradictions that bind aesthetics tion of the transformative potential of art, or of transformation as art. The Turner Prize– and politics, Chan’s writings revel in the paradoxes that make the experience of art both vexing and winning artist’s working method constitutes recycling, both literally and figuratively: pleasurable. He lays bare the ideas and personalities that motivate his work by reflecting on artists repurposing existing materials for new, artistic aims; retelling existing stories to pro- as diverse as Henry Darger, Chris Marker, Sigmar Polke and Paul Sharits, and grapples with writers duce new historical insights; linking, looping and remaking. This catalogue accompa- and thinkers who have played decisive roles in his practice, including Theodor Adorno, Samuel nies an exhibition organized by the Museum of Contemporary Art Chicago in tandem Beckett and the Marquis de Sade. with the Arts Club of Chicago, and features essays by MCA Chicago senior curator Di- SCHAULAGER, LAURENZ FOUNDATION/BADLANDS UNLIMITED eter Roelstraete, Arts Club of Chicago executive director Janine Mileaf in collaboration 9783952397145 U.S. | CDN $ 25.95 with Simon Starling, and Tate Modern curator Mark Godfrey. Pbk, 5.75 x 8.25 in. / 390 pgs / 42 b&w. March / Art/Nonfiction & Criticism MUSEUM OF CONTEMPORARY ART CHICAGO 9781938922350 U.S. | CDN $ 35.00 EXHIBITION SCHEDULE Hbk, 8 x 10 in. / 96 pgs / 70 color. Basel, Switzerland: Schaulager, 04/11/14–10/19/2014 May / Art

EXHIBITION SCHEDULE Chicago, IL: Museum of Contemporary Art Chicago, 06/07/14–11/02/14

114 artbook.com­­ artbook.com 115 artists’ books and ephemera HIGHLIGHTS ■ ART ​Semina​1955–1964:​Art​Is​Love​Is​God​ Edited by Johan Kugelberg. Wallace Berman (1926–1976) was the quintessential artist of the Californian counterculture, connecting the disparate artistic, literary, music and film scenes of Los Angeles and San Francisco with his pioneering mail-art magazine Semina. Published between 1955 and 1964 in editions ranging from 150 to 350 copies, and hand-printed on a tabletop at Berman’s house, Semina was sent through the mail to his friends, to the contributors and to those he admired. Among its many contributors were Charles Brittin, Jean Cocteau, Walter Hopps, Cameron, Michael McClure, William Burroughs, Allen Ginsberg, John Wieners, Robert ​Ed​Ruscha:​Books Duncan and Berman himself. With its loose-leaf poetry, collages and photography, the mag- and​Paintings​ azine has become a defining document of its period (particularly since the 2006 traveling ​Carl​Andre: exhibition Semina Culture) and now sells for thousands of dollars. This volume allows its Text by Armin Zweite. entire contents to be seen for the first time, reproducing every component of every issue of The combination of pictorial motifs Quincy​ the magazine in full color. Published in collaboration with the Berman family and Berman’s In a 1973 interview, Minimalist ​Allen​Ruppersberg and words or sentences has long ​Sound​Pages:​ gallerist Michael Kohn, it also includes commentary and essays by friends, admirers and sculptor and poet Carl Andre (born been a special feature of Ed Sourcebook​ John​Cage’s​ family in a laid-in pamphlet. Ruscha’s (born 1937) paintings. 1935) proclaimed: “I am a native Edited by Allen Ruppersberg. Publications​ BOO-HOORAY As he himself commented in an son of Quincy, Massachusetts, Foreword by Kate Fowle. Introduc- 9781938265181 U.S. | CDN $ 45.00 SDNR30 proud of the town whether the tion by Constance Lewallen. Edited by Giorgio Maffei, Fabio interview in 1989: “Words are pat- Pbk, 8 x 10 in. / 200 pgs / 158 color. In 2011, Independent Curators Carboni. tern-like, and in their horizontality town is proud of me or not.” In lieu February /Art International (ICI) launched Source- The colossal influence of John they answer my investigation of an exhibition catalogue for his book, a new publication series Cage (1912–1992) was dissemi- into landscape ... they are almost 1973 solo show at the Addison with a focus on artists and their nated as much through his publi- not words—they are objects that Gallery, Andre hired a commercial practice, offering a fresh perspec- cations as through performances become words.” This attraction to photographer to document land- tive on political and cultural issues and recorded music, and countless combinations of word and image scapes from his hometown. Taken impacting and inspiring the artistic musicians, artists, writers and has naturally disposed Ruscha in the winter of that year, the re- process. Each volume is edited by thinkers have testified to the im- toward the book as an art form, sulting images of Quincy’s snow- an artist, from a selection of his or pact of reading his 1961 book Si- and as both an object and subject covered headstones and her own archive, and is comprised lence. Divided into four in his paintings. This volume monuments were composed into of images, documents, articles, sections—books, scores, records commemorates a bequest of paint- this artist’s book (the wry cover letters and newspaper clippings. and miscellaneous documents ings, photographs and books by image is of a locally quarried head- For the second Sourcebook in the such as posters—Sound Pages: Ruscha to the Museum Brandhorst stone reading “Andre”). The stark series, ICI has invited conceptual John Cage’s Publications visually in Munich, complementing their black-and-white photographs PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED artist Allen Ruppersberg to cull his documents the composer’s pub- existing works. It offers a represen- focus on the industrial, working- archives, stored between his family lished output, from limited editions ​Ed​Wood’s​Sleaze​ ​Larry​Clark​Stuff,​ ​Jon​Beacham:​ tative selection of books published class side of the city—the ship- home in Cleveland and his studio in and rarities to classics such as A by Ruscha, ranging from the leg- yard, railroad tracks, cranes and Paperbacks​ Japanese​Edition​ The​Brother​in​Elysium​ Los Angeles. Articulated around Year from Monday and his endary Twentysix Gasoline Stations granite quarries—as well as on the Edited by Michael P. Daley, Johan Kugelberg. Edited by Larry Clark, Johan Kugelberg. ​Artwork​and​Publications​2008–2013​ nine important works spanning the recorded output on CD and vinyl. Preface by Ricky Luanda. (1962) to On the Road (2009)— creeks and dirt roads of its deso- This artist’s book presents Larry Clark’s famous Foreword by Joshua Beckman. breadth of the artist’s practice from Throughout this volume, Cage’s in- This fully illustrated, comprehensive bibliography a new edition, designed and illus- late wooded outskirts. An unusual collection of skateboards and skater shirts, which Jon Beacham and his publishing imprint The 1978–2012, the publication delves sistence on graphic beauty and of cult director and author Ed Wood’s pulp fiction trated by Ruscha, of Jack Kerouac’s work within Andre’s oeuvre, this inspired him during the conceptualization and Brother in Elysium is among the hardy few rein- into the primary material that care in book-making—that an features extensive commentary on the publica- 1957 novel. artist’s book hints at the origins of production of Kids. “When I thought about mak- vigorating fine printing in twenty-first century Ruppersberg uses as his medium: equal attention be paid to all as- his sculptural aesthetic. tions and their history as well as quotations from ing films about teenagers in the 80s I wanted to America. The Brother in Elysium issues beautiful RICHTER | FEY VERLAG pects of the work, from typogra- popular culture ephemera, newspa- the books themselves. Ed Wood’s Sleaze Paper- make a film about skaters,” Clark writes in his in- 9783941263574 U.S. | CDN $ 49.95 PRIMARY INFORMATION publications that combine poetry with images of pers, magazine covers, snapshots, phy to score notation—emerges as backs is prefaced by a poetic homage to Wood Clth, 11.5 x 9 in. / 70 pgs / 21 color / 9780985136468 U.S. | CDN $ 20.00 troduction. “I thought the visually most exciting early American architecture and landscape, and home movies, educational slides, a key component of his sensibility. 12 b&w. Pbk, 8.25 x 8 in. / 48 pgs / 48 b&w. by Ricky Luanda, member of the legendary band and interesting kids were skateboarders. Before thoughtfully chosen materials. This catalogue ex- February / Art March / Artists’ Books advertising and posters. This mate- This volume is an essential publica- Chain Gang, and dedicated collector of pulp fic- skateboarding was commercialized, the images plores the model of the artist/printer/publisher as rial becomes the visual registry tion for scholars and Cage’s many tion. Limited edition of 750 copies. found on skateboard decks and t-shirts, visually an ongoing tradition in postwar American art and that is reconfigured in numerous fans. BOO-HOORAY were the best images found anywhere at the literature, and brings together collage, letterpress Ruppersberg projects. CORRAINI EDIZIONI 9781938265136 U.S. | CDN $ 40.00 FLAT40 time, everything else seemed to pale in compari- ephemera, 16mm film stills and mixed-media 9788897753032 U.S. | CDN $ 39.95 Pbk, 8 x 10 in. / 100 pgs / 97 color / 3 b&w. INDEPENDENT CURATORS son.” Limited Japanese edition of 1,000 copies. pieces. Limited edition of 500 copies. INTERNATIONAL Pbk, 5.5 x 7.75 in. / 176 pgs / Available /Art/Popular Culture 9780916365844 U.S. | CDN $ 35.00 illustrated throughout. BOO-HOORAY BOO-HOORAY Pbk, 8.5 x 11 in. / 272 pgs / illustrated February / Art/Music 9781938265150 U.S. | CDN $ 40.00 SDNR30 9781938265129 U.S. | CDN $ 40.00 SDNR30 throughout. Pbk, 6 x 9 in. / 96 pgs / 94 color / 2 b&w. Pbk, 7.5 x 9.5 in. / 52 pgs / 36 color / 5 b&w. May / Artists’ Books Available /Art/Artist Book s Available /Art

116 artbook.com­­ artbook.com 117 Collage, ephemera and multimedia HIGHLIGHTS ■ ART

PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED Reading​Piotr​ ​Paul​Laffoley:​ PREVIOUSLY ANNOUNCED ​Yang​Fudong​ Uklański:​Second ​Genesis​ PREVIOUSLY ANNOUNCED ​Hirokazu​Kosaka: Premonitions​of Edited by Philippe Pirotte, Beatrix Languages the​Bauharoque​ ​Linder:​Woman​/ P-Orridge:​G.P.O. ​Mike​Diana:​ On​the​Verandah​ Ruf. Text by Colin Chinnery, Rey ​Paul​McCarthy, ​Selected​Works​1969–1974​ Chow, Philippe Pirotte, Beatrix Edited by Donna Wingate, Marc Foreword by Sylvia Wolf. Text by Object​ versus​G.P-O​ America​ Ruf, Ho Rui An. Joseph Berg. Text by Geoffrey Damon​McCarthy: Edited by Rebecca McGrew, Glenn Luis Croquer. Edited and with foreword by ​A​Chronicle​of​Mail​Art ​Live/Die​ The art of Yang Fudong (born Batchen, Francesco Bonami, Fabrice Hergott, Veit Görner. Rebel​Dabble​ Phillips. Introduction by Rebecca Gavin Brown, Paulo Herkenhoff, For more than 40 years, the art on​Trial​ 1971) reflects the ideals and Text by Heinrich Dietz, Fabienne Edited by Ivan Mecl. Introduction McGrew. Text by Hirokazu Kosaka, Chrissie Iles, Jenelle Porter, David of Paul Laffoley (born 1940) has Dumont, Emmanuelle de l’Écotais, Edited by by Genesis P-Orridge, by Neil Gaiman, Ivan Mecl. Babble​ Glenn Phillips, Shayda Amanat. anxieties of a generation born Rimanelli, Christian Scheidemann, Foreword by Marisol Rodríguez. synthesized a broad swath of disci- Veit Görner, Fabrice Hergott, COUM. Text by Donatien Grau, Paul On the Verandah accompanies the after China’s Cultural Revolution, Adam Szymczyk, Catherine Wood. Linder, Morrissey. Mike Diana (born 1969) became McCarthy, Damon McCarthy plines—from art history, architec- G.P.O. versus G.P-O: A Chronicle of first solo survey exhibition examin- struggling to find their place amid Emerging in the mid-1990s, the Published fanzine-style on known in the early 1990s for scary, This publication presents photo- ture and classical literature to Mail Art on Trial gathers a collec- ing the early performative artwork the country’s rapid transformation. Warsaw-born, New York–based newsprint with a cloth-tape spine, childlike drawings that he pub- graphs shot during the making of science fiction and natural and oc- tion of materials from the archives of influential Los Angeles–based His dreamlike films and film-instal- artist Piotr Uklan´ski has created a in close collaboration with the artist, lished in his Boiled Angel maga- Rebel Dabble Babble, a collabora- cult sciences—offering alternative of the legendary artist and musi- Hirokazu Kosaka (born 1948). lations feature long, suspended provocative body of work that Linder: Woman/Object celebrates zine. Over the past two decades, tion between Paul McCarthy and ways to understand and rethink cian Genesis P-Orridge (born 1950) Kosaka left Japan in 1966 to study shots and multiple storylines. ranges across media, from installa- the career of a protagonist of British this body of work has grown to his son Damon McCarthy. Rebel the world that surrounds us. Laffo- relating to a unique legal battle: art at Chouinard Art Institute in Los Yang calls his protagonists “intel- tion, paper reliefs, tie-dye paint- punk. Linder’s activities over the epic proportions, as Diana refines Dabble Babble is an installation ley combines diagrams, symbols Great Britain’s General Post Of- Angeles, and participated in the lectuals”—evoking ancient China’s ings, textile-based immersive past 35 years have encompassed and expands his vision of a culture and video projection work inspired and texts to create densely layered fice’s 1975 case against P-Orridge sweeping changes that were re- literati-artists and intellectuals who sculptures and resin-based art, music, dance and fashion, de- overloaded on greed and violence. by both Nicholas Ray’s 1955 clas- paintings that take anywhere from for disseminating pornographic orienting the art world in the late avoided participation in worldly sculptures and paintings to ploying collage, photography, video This handsome box set consists of sic Hollywood film Rebel without a one to three years to paint. This postcards through the mail. These 1960s and early 1970s, as Concep- affairs. In other works Yang fo- photography, performance and a and performance. Throughout, she two volumes, Live and Die—the Cause and the rumors attending sustained and intense focus on postcards collaged imagery from tual art, performance, Land art and cuses on the sense of isolation and feature-length film, Summer Love. has pursued an uncompromising first of which compiles several the off-set relationships between both image and content has pro- hardcore pornographic magazines Postminimalism abandoned tradi- loss increasingly present in China’s Second Languages is the first book feminist critique of gender and the comic-book sequences, while the its director and his stars James duced a unique and complex body onto pictures of Queen Elizabeth II. tional notions of painting and contemporary society as commu- to offer a comprehensive look at sexual marketing of the female second gathers paintings and Dean, Nathalie Wood and Sal of work that combines theory and When the Post Office launched sculpture in favor of work steeped nities are scattered, traditional rural this iconoclastic artist. Taking the body, most famously in her collages drawings. “Art should afflict the Mineo. This densely layered opus encrypted knowledge with vision- their case against P-Orridge, he in new ideas, processes and often villages dissolved, and the fight for form of a reader, this richly illus- derived from pornography, which comfortable and disturb the com- expands beyond its references to ary representation. Paul Laffoley: seized the opportunity to turn the fleeting forms. Deeply influenced survival takes precedence. In his trated collection of 11 essays— were first published on the sleeves placent, and Mike Diana‘s work the 1955 movie to offer a medita- Premonitions of the Bauharoque case into another performance, by Buddhism, Zen archery, the most recent multichannel film in- authored by internationally of Buzzcocks records. Over the past does that in spades,” says Neil tion on the archetypes and Oedipal reproduces in facsimile a series of disseminating further mail art (in- Gutai group, Conceptual art and stallations, Yang shifts his attention renowned art historians, curators decade or so, Linder’s work has Gaiman. “He‘s been arrested for tensions that define family dynam- handwritten journal entries that cluding invitations to the trial) and the art of his peers in Southern toward a reflection on the process and critics—analyzes Uklan´ski’s emerged as a crucial precedent his art, he‘s been sentenced for his ics. In the film, McCarthy and his span Laffoley’s career, alongside recruiting the support of the inter- California, Kosaka created perform- of filmmaking. The book, edited protean output. While this book for many artists addressing the art, and a local police force was actors (including Hollywood star color reproductions of the artist’s national mail-art community. The ances and installations that consid- by Philippe Pirotte and Beatrix serves to critically situate image politics of consumerism. even charged to make 24-hour James Franco) play hybrids both of earliest mature work from 1965. case was ultimately dismissed. A ered themes of endurance, Ruf, includes a comprehensive Uklan´ski’s work in art historical This volume gathers a large random raids and spot-checks on Ray’s cinematic characters and the These journal entries, which pre- reprint of Ecart Publications’ 1976 environment and spirituality. The selection of Yang Fudong’s and theoretical contexts, it also sampling of collages from across Mike‘s living space, to make sure actors who played them. With this cede and form the basis of his edition, G.P.O. versus G.P-O col- book includes rarely seen film stills photographic and film work, as provides some unconventional, Linder’s career (many reproduced he wasn‘t committing art in secret. mind-bending series of doubles, paintings, explicate Laffoley’s rich lects ephemera, legal documents, and photographs, plus images well as essays by film scholar humorous interpretations. cosmology. as bound-in color plates), as well Now you can find out what all the binaries and inversions, Rebel correspondence and articles about from his more recent perform- Rey Chow and artists and curators HATJE CANTZ as self-portraits and various texts, fuss was about.” Dabble Babble presents perver- HENRY ART GALLERY the case and P-Orridge’s mail art ances and installations. Ho Rui An, Philippe Pirette, Beatrix 9783775737876 U.S. | CDN $55.00 | including a conversation between practice with Cosi Fanni Tutti as sions of interchangeable roles and Hbk, 6.75 x 9.5 in. / 208 pgs / 9780935558524 U.S. CDN $ 45.00 DIVUS POMONA COLLEGE MUSEUM OF ART Ruf and Colin Chinnery. Pbk, 8.5 x 11 in. / 304 pgs / 13 color / Linder and Morrissey. | fetish relationships. 100 color. COUM Transmissions. 9788086450711 U.S. CDN $ 75.00 9780985625108 U.S. | CDN $ 29.95 258 b&w. Slip, Pbk, 6.5 x 9.5 in. / 528 pgs / JRP|RINGIER February/Art/Nonfiction & Criticism WALTHER KÖNIG, KÖLN JRP|RINGIER Pbk, 8 x 10 in. / 96 pgs / 33 color / Available / Art PRIMARY INFORMATION 200 color / 400 b&w. 9783037643488 U.S. | CDN $ 55.00 U S | CDN | 60 b&w. EXHIBITION SCHEDULE 9783863353926 . . $ 35.00 9780985136444 U.S. | CDN $ 16.00 9783037643365 U.S. CDN $ 100.00 Pbk, 9.25 x 11.25 in. / 160 pgs / February / Comics & Graphic Novels January /Art/Asian Art & Culture Pbk, 8 x 11 in. / 144 pgs / 98 color / Pbk, 7.5 x 10.75 in. / 104 pgs / Hbk, 10.5 x 15.5 in. / 312 pgs / 101 color / 149 b&w. Miami, FL: Bass Museum of Art, 23 b&w. 2 color / 50 b&w. 374 color. Available / Art/Asian Art and Culture 12/05/13–03/16/14 Available / Art Available / Art Available /Art 118 artbook.com­­ artbook.com 119 multimedia painting HIGHLIGHTS ■ ART ​Ellen​Gallagher:​Don’t PREVIOUSLY ANNOUNCED Axe​Me​ ​Marcel​Dzama:​Puppets,​Pawns​ Foreword by Lisa Phillips. Text by Gary and​Prophets​ Carrion-Murayari. Text by Deborah Solomon. Over the past two decades, Ellen Gal- Marcel Dzama first gained fame with his drawings, but has lagher (born 1965) has created a body of recently expanded his practice to encompass film and three- work exploring notions of materiality, his- dimensional work, developing an immediately recognizable tory and language. In her early paintings, language that draws from a diverse range of references and Gallagher dispersed fields of repeated influences, including Dada and Marcel Duchamp. Created in close bulging lips and eyes—borrowed from collaboration with the artist, this publication includes work from the imagery of minstrel performances— his 2013 exhibition at David Zwirner in London, which featured on gridlike backgrounds of penmanship three videos inspired by the game of chess; puppets and masks paper. She continued to incorporate his- based on the characters; and drawings, collages, dioramas, torical material in subsequent works, paintings and sculptural works. Dzama utilized the architecture most famously using midcentury adver- of the gallery itself—an eighteenth-century Georgian townhouse— tisements for African-American beauty by hanging puppets from a skylight above the five-story building’s products from Ebony magazine and other central spiral staircase and placing monitors in the windows publications of the period, abstracting so videos were viewed from the street. Among the drawings in- portraits of models with yellow Plasticine, cluded is the large-scale, four-part Myth, Manifestos and Monsters, oil paint, pencil marks and incisions. For in which characters from the films line up alongside figures from the first major New York museum exhibi- the artist’s earlier repertoire. Other drawings, such as two large- tion of her work at New Museum, Gal- scale works executed on piano scroll, depict the characters in lagher produced a series of new paintings NEW MUSEUM poses that mirror their movements and dancing in the films, while that both extend her formal and thematic 9780915557004 U.S. | CDN $ 49.95 a series of new collages feature this imagery in more unexpected interests and mark a radical new develop- Hbk, 8.75 x 11.75 in. / 122 pgs / 79 color. contexts. Five small paintings depicting a lone female terrorist ment. Each of the pieces consists of ten- January / Art/African American Art & Culture seated on a bed emphasize the underlying tension between reality dril-like formations incised into layers of and fiction that characterizes all of the works gathered here. paint. This complex series is featured in this catalogue along with a booklet of her HATJE CANTZ/DAVID ZWIRNER 9783775737326 U.S. | CDN $ 50.00 work from 1993–2009. Hbk, 9 x 11 in. / 184 pgs / 154 color. Available /Art

​Kai​Althoff:​Souffleuse​der​Isolation​ PREVIOUSLY ANNOUNCED Text by Angus Cook, Antje Majewski, Patrik Scherrer. Fully illustrated and conceived by the celebrated German artist Kai Althoff (born 1966), ​William​Kentridge​&​Nalini​Malani:​The​Shadow​Play​as this substantial volume traces the evolution of his work from the early 1990s until today. Medium​of​Memory​ Through painting, collages, drawings, videos and installations, Althoff engages with topics Text by Andreas Huyssen. such as masculine identity, sensuality, the politics of violence and (notably German) history. This comparative study of contemporary artists William Kentridge (born 1955) and Nalini Malani (born 1946) Described by Elisabeth Kley (for artnet.com) as “a second-generation Neo-Expressionist focuses on their use of the shadow play as a medium of memory. Independently of each other, both artists storyteller whose works constitute what might be called a scattered surrealist symphony have deployed this centuries-old performative art form in works that are widely considered to be highpoints of of both youthful anomie and bohemian optimism,” Althoff borrows stylistically as much their respective careers—works such as Kentridge’s installation The Refusal of Time and Malani’s from fairytale illustration as from avant-garde collage; his work possesses a timeless video/shadow play In Search of Vanished Blood. Both artists belong to a generation whose experience is quality “where narratives are suggested with confessional intimacy and rendered with shaped by colonialism and decolonization; their works reflect on the long-term traces of historical trauma, par- exquisite sensitivity.” Kai Althoff: Souffleuse der Isolation includes newly commissioned tition and apartheid, always in aesthetically complex forms (rather than in documentary or agit-prop style). In texts by the artist, Angus Cook, Antje Majewski and Patrik Scherrer. creative dialogue with modernism and the historical avant-garde, they provide persuasive examples of a new JRP|RINGIER negotiation between aesthetics, ethics and politics. 9783905829280 U.S. | CDN $ 90.00 Hbk, 10 x 11 in. / 264 pgs / 154 color / 41 b&w. CHARTA February /Art 9788881588756 U.S. | CDN $ 29.95 Hbk, 6.75 x 9.5 in. / 80 pgs / 32 color. EXHIBITION SCHEDULE Available / Art San Francisco, CA: Wattis Institute, 2014 London, UK: Galerie Michael Werner, 2014

120 artbook.com­­ artbook.com 121 painting and sculpture of the 1960s and 70s HIGHLIGHTS ■ ART

​Brice​Marden:​ ​Brice​Marden: ​John​McCracken: Ru​Ware,​Marbles, Graphite​Drawings​ ​Anne​Truitt: PREVIOUSLY ANNOUNCED ​Lutz​Bacher:​Snow​ ​Palermo:​Works​on Threshold​ PREVIOUSLY ANNOUNCED Works​from​ Polke​ Text by Paul Galvez, Eileen ​Jay​DeFeo: Edited by Gregor Muir, Sophie Paper​1976–1977​ Costello. Interview by Ed Howard. Text by by Anne M. Wagner, ​Guy​de​Cointet: von Olfers, Beatrix Ruf. Text by 1963–2011​ Text by David Anfam. Anne Truitt. Chiaroscuro​ Caoimhin Mac Giolla Leith. Text by Christine Mehring, Graphite Drawings includes 25 Text by Robin Clark. Interview by Christoph Schreier. Brice Marden: Ru Ware, Marbles, Threshold is an in-depth look at a Tempo​Rubato​ Text by John Yau. From the earliest days of her ca- Anne Reeve. of Brice Marden’s seminal early Although it has been linked with Polke features the most recent pivotal decade in the career of Foreword by Patrick Charpenel. This new monograph on Jay reer in the 1970s, Bay Area artist John McCracken (1934–2011) works on paper and accompanies Text by Magalí Arriola, Jay distinct twentieth-century art paintings from this towering figure Anne Truitt (1921–2004): the DeFeo (1929–1989) focuses on Lutz Bacher has consistently occupies a singular position within the first exhibition devoted solely Sanders, Marie de Brugerolle. practices—including abstraction, in contemporary abstraction. The 1970s. An authoritative essay by her late work, the paintings of the drawn upon fragmentary informa- the recent history of American art, to this body of work. The draw- The installations, books, films Minimalism and Conceptual art— book’s title alludes to the breadth acclaimed art historian Anne M. 1980s as well as the exceptional tion from popular culture and her as his work melds the restrained ings, made between 1962 and and plays of Guy de Cointet (1934– Blinky Palermo’s (1943–1977) of Marden’s inspirations: rare Wagner delivers new insights into corpus of drawings of the 1980s own life to produce works that play formal qualities of Minimalist 1981, feature luxurious surfaces 1983) offer conceptually playful diverse body of work defies easy Chinese pottery, coarse Greek the artist and her work, while ex- and her photographic oeuvre of with the instability of identity and sculpture with a distinctly West of graphite and beeswax worked and witty treatments of codes, classification. Throughout his brief marble and the late German artist tensive excerpts from the artist’s the 1970s. It thus complements the mercuriality of images. Using Coast sensibility expressed into dense, reflective planes of ciphers and optical tensions be- and influential career, Palermo Sigmar Polke. Each of the works writings—including some previ- the book published on the occa- media ranging from artists’ books, through color, form and finish. blacks, whites and grays. Within tween language and image. Born executed paintings, objects, instal- or series in this volume stems from ously unpublished—open a new sion of her Whitney Museum retro- installation, sculpture and video to He developed his early sculptural these surfaces, Marden reveals in France and based in Los Ange- lations and works on paper that these sources: the Ru Ware Project window on Truitt’s creative process spective in 2013. DeFeo was part photography, painting and screen work while studying painting at the underlying geometries of the les from 1965 until his death, de addressed the contextual and se- (2007–2012), composed of nine and its preoccupation with percep- of a vibrant community of avant- printing, Bacher deploys images the California College of Arts rectangle and the grid, a formal Cointet was also an important mantic issues at stake in the con- small panels painted in pale blues tual experiences that hover along garde artists, poets and musicians and objects in a physical, visceral and Crafts in Oakland in the late strategy that has characterized mentor as a teacher at the Otis Art struction, exhibition and reception and greens; 15 new paintings in an invisible edge—a threshold, as in San Francisco during the 1950s manner. While always remaining 1950s and early 1960s. While his work from the 1960s to the Institute for a generation of Cali- of works of art. This publication oil on marble, which Marden Truitt often called it, or “the point and 1960s. Her circle included somehow elusive, her mixture of experimenting with increasingly present. Art historian Richard fornian artists, including Paul Mc- focuses in depth on the artist’s completed on the Greek island at which the abstract nature of Wallace Berman, Joan Brown, bodies and ideas, the popular and three-dimensional canvases, the Schiff has written of these works, Carthy and Mike Kelley. Long works on paper from 1976–1977, of Hydra in 2012; and a large oil- events becomes perceptible.” In Bruce Conner, Wally Hedrick, the personal, is particularly rele- artist began to produce objects “Marden’s black reveals its quali- esteemed by artists and critics but executed just prior to his untimely on-linen painting, “Polke Letter” the 1970s this idea was an ongo- Edward Kienholz and Michael vant to problems in art and culture made with industrial materials, ties only to those who look and little exhibited until recently, his death in February 1977. Palermo’s (2010–2011), a painterly homage ing preoccupation, which she re- McClure. Although best known today. With this publication, including plywood, sprayed can see its changes … Each work has been the subject of con- late work is characterized by its to Marden’s contemporary. peatedly attempted to define. The for her monumental painting “The Bacher has compiled her work lacquer and pigmented resin, area of blackness has its history, siderable renewed interest over the explorations of the tensions and Helping to pinpoint Marden’s plates section includes generous Rose” (1958–1966), DeFeo worked from 1975 to 2013 into a single creating the highly reflective, its experiential specificity.” past decade or so. This volume, contrasts between material and place in the flow of time is an illustrations of works from the pe- in a wide range of media and hefty volume. Lutz Bacher: Snow is smooth surfaces that he was Accompanying the illustrations published for a 2012/13 survey color, surface and depth, and signi- essay by David Anfam, along riod, including drawings, paintings produced an astoundingly diverse accompanied by a new essay by to become known for. This are an essay by Paul Galvez, a show at Fundación/Colección fication and abstraction. These with a statement written by the and the sculptures for which she and compelling body of work over Caoimhin Mac Giolla Leith. catalogue charts the evolution 1976 interview with the artist by Jumex in Mexico, includes exten- works on paper convey his under- artist, an extended meditation on four decades. Her unconventional of McCracken’s diverse oeuvre, Ed Howard (published here for has been heralded as a key figure sive documentation (playscripts, JRP|RINGIER geometry, proportion and color. standing of color as a system of in postwar American art. approach to materials and her 9783037643471 U.S. | CDN $ 45.00 encompassing both well-known the first time) and extensive photographs) of his plays Tempo signs. This fully illustrated cata- MATTHEW MARKS GALLERY intensive, physical method made Pbk, 9 x 12 in. / 352 pgs / 229 color / and lesser-seen examples of the documentation on each work MATTHEW MARKS GALLERY Rubato, IGLU and Tell Me, along- logue is the first to comprehen- 9781880146675 U.S. | CDN $ 35.00 32 b&w. 9781880146705 U.S. | CDN $ 45.00 her a unique figure in postwar artist’s production from the early featured in the exhibition. side relevant works on paper, February /Art sively address this facet of Hbk, 10.5 x 11.75 in. / 88 pgs / American art. Clth, 9 x 11 in. / 144 pgs / 65 color / archival photographs and essays 1960s up through his death in 36 color / 2 b&w. MATTHEW MARKS GALLERY 5 b&w. Palermo’s practice and includes JRP|RINGIER 2011, presenting a range of January / Art 9781880146729 U.S. | CDN $ 45.00 January / Art by Magalí Arriola, Jay Sanders and new scholarship by Christine 9783037643396 U.S. | CDN $ 45.00 sculptures, paintings and sketches. Hbk, 8 x 10 in. / 144 pgs / 90 color / Marie de Brugerolle. Mehring and Christoph Schreier. Hbk, 10 x 12.25 in. / 112 pgs / 5 b&w. RADIUS BOOKS/DAVID ZWIRNER January / Art FUNDACIÓN/COLECCIÓN JUMEX 36 color / 19 b&w. RADIUS BOOKS/DAVID ZWIRNER 9781934435755 U.S. | CDN $ 70.00 9786079584511 U.S. | CDN $ 49.95 Available /Art Hbk, 11.5 x 13 in. / 164 pgs / 9781934435748 U.S. | CDN $ 50.00 FLAT40 Hbk, 8.25 x 10.75 in. / 134 pgs / Hbk, 6.5 x 9 in. / 197 pgs / 91 color / 88 color. April / Art 104 color. 19 b&w. April / Art February / Art

122 artbook.com­­ artbook.com 123 american painting HIGHLIGHTS ■ ART

​Eric​Fischl​ Preface by Klaus Albrecht Schröder. Text by Elsy Lahner. Interview by ​Philip​Guston: Lawrence Weschler. ​Izhar​Patkin:​The Late​Works​ ​Bruce​Kurland:​ American painter, sculptor and Wandering​Veil​ Illusion​and​the PREVIOUSLY ANNOUNCED Foreword by Ellen Ginton, Ruthi Philip Guston (1913–1980) was the ​Alice​Neel:​ printmaker Eric Fischl (born 1948) PREVIOUSLY ANNOUNCED first abstract painter to return to Little​World​ ​Carroll​Dunham: is internationally known for his un- Ofek, Joseph Thompson. Text by Intimate​Relations​ ​David​Salle:​ Shimon Adaf, Shlomzion Kenan, ​Richard​Aldrich​ figuration in the postwar era and Edited with text by Lisa Jarnot. Bathers​Trees​ usual nude paintings, featuring Sefi Rachlevsky, Itamar Levy, Preface by Bera Nordal. Text by was pioneering in his mixing of Text by Victoria Munroe, Eliza Ghost​Paintings​ couples and families, which ex- Herbert Muschamp, Ellen Ginton, Text by Andersen Gulch. Jeremy Lewison. Text by Carroll Dunham, Alison high art and popular culture. He Rathbone. Gingeras. Interview by Alison Edited by Karen Marta. Foreword plore tensions between sexuality Ruthi Ofek, Agha Shahid Ali, Brooklyn-based artist Richard The art of Alice Neel (1900–1984) and text by Janine Mileaf. Mahmoud Darwish, Faiz Ahmed initially came to prominence as a Bruce Kurland is an American still- Gingeras. and power. Many of his works Aldrich (born 1975) is best known distinguished itself from that of her Interview by Hal Foster. Faiz. Interview by David Ross, first-generation Abstract Expres- life painter working since the early First recognized for his wood specifically address coming-of-age Herbert Muschamp. for his seductive yet challenging American contemporaries by the In the 1980s, American artist David sionist, alongside his close friends 1960s. Born in New York in 1938, veneer paintings in the 1980s, New moments, blossoming sexual The Wandering Veil provides a com- paintings that often push the special intimacy of its style, in Salle (born 1952) played a crucial Jackson Pollock, Willem de Koon- Kurland was initially influenced by York–based artist Carroll Dunham awareness and voyeurism—the prehensive survey of the work of boundaries of the picture plane. which her drawing practice was a role in the formulation of postmod- ing and Mark Rothko. Toward the earlier European practitioners of (born 1949) has gone on to explore paintings “Bad Boy” (1981) and the New York–based Israeli artist His multimedia works are typically decisive factor. Though somewhat ernism in art, helping to reestablish end of the 1960s, dissatisfied with the still-life genre such as Fabritius, a diverse range of subjects that “Birthday Boy” (1983) both depict Izhar Patkin (born 1955). Published created in oil and wax, also incor- less known than her paintings, painting as a dominant force. abstraction, he embarked on an in- Chardin and Morandi, whose quiet test the boundaries of representa- young boys looking at older for an exhibition which traveled porating elements such as pencil, Neel’s drawings and watercolors Often thought to use only found tense phase of drawing, which cul- reveries he inflected with a con- tional imagery and abstraction. women in provocative poses on a from the Tel Aviv Museum of Art collage, charcoal and metal. This articulate an array of influences— imagery, Salle actually derived minated in his departure from the temporary vision of mortality de- This volume serves as a compre- bed. A charged, oppressive sexual and The Open Museum, Tefen to new catalogue, published by Bor- German Expressionist and Neue much of his early work from live “purity” demanded of abstract art. rived from the visceral imagery of hensive survey of Dunham’s atmosphere often permeates his MASS MoCA, it focuses on works tolami Gallery, is part traditional Sachlichkeit painting, the Ashcan movement events that he staged Guston introduced human figures Francis Bacon. Today, his work can Bathers and Trees paintings from scenes and overshadows the rela- of the past decade, including monograph and part artist’s book. School, an early sojourn in Cuba— specifically for the paintings. For smoking, drinking and painting; be seen as part of a singular strain 2009–2012, and documents an tionships depicted. In contrast to Patkin’s series of mural-size “veil” It features a selection of 88 ab- that accompanied her through her his 1992 series Ghost Paintings, large heads, severed hairy legs, of twentieth-century North Ameri- exhibition at New York’s Gladstone the bizarre and often unsettling paintings on tulle, inspired by the stract, multimedia works made tentative beginnings in the mid- Salle took photographs of his long- clumsy shoes and domestic ob- can painting that includes artists Gallery. Mixing organic forms with content of his work is Fischl’s work of the late Kashmiri-American between 2003 and 2013, and as 1920s through to the maturity of time model Beverly Eaby, creating jects such as walls, doors and such as Walter Murch and Gregory unusual geometries, Dunham’s bright color palette, with its lurid poet Agha Shahid Ali and its such is the most comprehensive her art after the Second World graceful, improvised movements lamp bulbs were among the motifs Gillespie. Kurland infuses his paint- Trees paintings portray fallen or deep yellow and red tones. This themes of memory, loss and exile. survey of Aldrich’s work to date. War, when she found room to ac- with a bedsheet, then printing the of these new paintings. The first ings with powerful attention to, limbless trees in a style incorporat- catalogue focuses on Fischl’s Arranged thematically, this book The plates have been laid out to commodate abstraction and Pop images on linen and painting over exhibition of these works was in and a tangible affection for, nature ing elements of Pop art, Surrealism graphic work, showing a cross- contains 125 color plates and in- wrap around from one page to art. This volume, published for the them with horizontal fields of in- 1970; it caused a scandal, with “red in tooth and claw,” conjuring and Expressionism. The pale, section of his substantial print cludes examples of key works from the next, across the book’s French first European exhibition of Neel’s tense color. This new volume, with many critics accusing him of “be- “a little world with which I could faceless and grotesque nudes oeuvre. Also included is an the 1980s and 1990s. It also fea- folds, so that, literally and figura- works on paper, spans the years full-color spreads of the 16 never- traying” abstract art. This volume do anything I wanted, without los- of his Bathers series provide a interview by Lawrence Weschler. tures interviews with the artist by tively, each painting is viewed 1926 to 1982, and gathers color before-seen Ghost Paintings, re- accompanies an exhibition at the ing the illusion.” This handsome contemporary context for the David Ross and the late critic Her- with a part of the next painting in and ink-only portraits and street veals Salle’s practice of MODERNE KUNST NÜRNBERG Schirn Kunsthalle in Frankfurt, volume, with its cloth binding and traditional bather motif. bert Muschamp, plus texts by au- mind. This unusual design feature scenes, as well as her illustrations incorporating photography and 9783869844824 U.S. | CDN $ 40.00 marking the 100th anniversary of tip-on cover, includes essays by WALTHER KÖNIG, KÖLN Pbk, 8.25 x 11.5 in. / 140 pgs / thors from a range of disciplines, creates elegant and sometimes for an edition of Dostoyevsky’s The performance art into his paintings. poet Lisa Jarnot, gallerist Victoria 9783863353964 U.S. | CDN $ 50.00 100 color / 10 b&w. Guston’s birth and presenting a se- It includes the black-and-white including curators, poets, art and jarring juxtapositions that are Brothers Karamazov. FLAT40 April / Art lection of some 40 works from Munroe and Chief Curator at the architecture critics, a literary scholar, entirely unique to the book itself. Clth, 8 x 10 in. / 96 pgs / 30 color. photographs the artist took for this what was his most exciting period. THE NORDIC WATERCOLOUR Phillips Collection in Washington, a psychoanalyst and a theologian. MUSEUM January / Art series, as well as documentation of BORTOLAMI GALLERY Also gathered here are many of DC, Eliza Rathbone. 9789189477537 U.S. | CDN $ 40.00 other performances. TEL AVIV MUSEUM OF ART/THE OPEN 9781467570435 U.S. | CDN $ 35.00 Guston’s “poem-pictures,” made in Clth, 8 x 9 in. / 96 pgs / 95 color. AVOCET EDITIONS MUSEUM, TEFEN/MASS MOCA Pbk, 8.5 x 11 in. / 96 pgs / 88 color. THE ARTS CLUB OF CHICAGO | Available / Art collaboration with writers such as February / Art 9781938922428 U.S. | CDN $ 55.00 9789655390483 U.S. CDN $ 34.95 9781891925382 U.S. | CDN $ 25.00 Hbk, 9.25 x 12.25 in. / 240 pgs / Clark Coolidge, William Corbett Clth, 8.75 x 8.75 in. / 192 pgs / 83 color. Pbk, 9 x 10.75 in. / 64 pgs / 14 color / 125 color / 11 b&w. and Bill Berkson. February / Art 13 b&w. February / Art/Middle Eastern Art & Available /Art Culture WALTHER KÖNIG, KÖLN | 9783942680479 U.S. CDN $ 45.00 EXHIBITION SCHEDULE Hbk, 10 x 11 in. / 148 pgs / 170 color. North Adams, MA: MASS MoCA, January / Art 12/07/13–09/01/14

124 artbook.com­­ artbook.com 125 modernism HIGHLIGHTS ■ ART ​Pablo​Picasso:​Family​Album​ Text by José Lebrero Stals, Olivier Widmaier Picasso, Jean Clair. Throughout Pablo Picasso’s career, members of his immediate family were portrayed in a variety of works and media, becoming recurrent motifs. This publication compiles a significant group of portraits from var- ious museums and private collections. Produced between 1906 and 1971, many of the works reproduced here were inspired by the female companions with whom Picasso shared his life, such as Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot and Jacqueline Rogne, as well as by his children, Paloma, Claude and Paul. The artworks in Pablo Picasso: Family Album, which range from oil paintings and drawings to sculptures, linocuts and engravings, suggest a special harmony in Pi- casso’s life between familial and artistic realms.

FUNDACIÓN MUSEO PICASSO MÁLAGA/LEGADO PAUL, CHRISTINE Y BERNARD RUIZ-PICASSO 9788494024986 U.S. | CDN $ 65.00 Vasarely​ Hbk, 9.25 x 12.5 in. / 160 pgs / 55 color / 96 duotone. Edited by Serge Lemoine. February / Art PREVIOUSLY ANNOUNCED Foreword by Pierre Vasarely. Text ​Kupka​– Waldes​ ​Alexander​ by Domitille d’Orgeval, François ​The​Artist​and​His​Collector​ ​Giorgio​de Calder:​Trees​ Morellet, Serge Lemoine, Julio Le Parc, Marianne Le Pommeré, Vera Foreword by Jirˇi Waldes. Text by Chirico:​Myth​ ​Naming​Abstraction​ Molnar, Vincent Baby. George Waldes, Ludmila Vachtová, and​Archaelogy​ Edited by Delia Ciuha. Foreword Long before there were such terms Otto Smrcek, Jan Rous, Petr by Sam Keller, Oliver Wick. Text Meissner, Jindrich Toman, Anna Text by Renato Miracco, Franco as Op art or Kinetic art, Victor by Oliver Wick. Pachovská. Calarota, Claudio Bisogniero, Alexander Calder (1898–1976) Vasarely (1906–1997) was making Czechoslovakia’s leading twenti- Dorothy Kosinski, Francesco famously transposed modernist ​Fernando​Botero​ abstractions that dazzled the eye eth-century painter, Frantisˇek Vezzoli. with their chromatic boldness and The impact of the melancholy, visual abstraction into three-di- Edited by Mitchell Anderson, Krystyna Gmurzynska, Mathias Rastorfer. Introduction and interview by Krystyna Kupka (1871–1957) is a pioneer metaphysical art of Giorgio de mensional space, initially doing so Gmurzynska, Mathias Rastorfer. energetic geometries. His painting of modernist abstraction. As early Chirico (1888–1978) had much to in the context of European abstract This publication is comprised of more than 20 new pieces by Colombian painter, draftsman and sculptor “Zebra,” of 1930, is widely consid- as 1911, he was one of the most do with his unique ability to see artists such as Mondrian. In 1933, Fernando Botero (born 1932), probably the best-known Latin American artist working today. The book, ered the first work of Op art. The visible and widely exhibited ab- antiquity anew, and to locate its leaving Paris for his native United handsomely bound in linen with a tip-on reproduction of the painting “The Street,” revisits the most iconic Hungarian-born Vasarely settled in stract artists in the world; later, in props in mysterious, atemporal States, he settled in an old farm- subjects of the artist’s six-decade career, including examples of Botero’s bullfighters, circus performers, Paris in 1930, working as a graphic the early 1930s, he was a founding dreamscapes. De Chirico loaded house in Roxbury, Connecticut, imbibers, musicians, reclining couples and society women. In addition to his new works, the book also designer (a calling whose require- member of the Abstraction-Créa- his depictions of Greek and Roman where the forms of nature became includes archival photographs of the artist as a child, at exhibitions and in his studio, as well as an interview ment for clarity and precision per- tion group. This hefty volume— statues and architecture with a new source of inspiration for his conducted by the book’s editors. In the interview, Botero discusses his august career and turning 80: “from meated his art). From early on, the only monograph on Kupka cur- muted intimations of allegory, lock- creativity. By the summer of 1934, the point of view of my energy to work, I feel like I’m 30 . . . What makes me work like this is the curiosity of Vasarely favored biomorphic rently available—offers a massive ing away their meanings in fore- Calder was producing his first out- what my next painting will be, what I will find.” shapes, sharp edges, two-dimen- survey of his paintings, drawings, door sculptures. His monumental sional space and a limited palette, prints, posters, sculptures, corre- boding enigmas that were among GALERIE GMURZYNSKA AG but it was in the early 1950s that the earliest articulations of the Sur- standing mobile “The Tree” (1966) 9783905792188 U.S. | CDN $ 50.00 spondence and other ephemera exemplifies this new tension be- Hbk, 9.75 x 12 in. / 92 pgs / 40 color / 7 b&w. his canvases began to articulate from the collection of Jindrˇich realist project. Published for a 2013 tween abstraction and figuration. February / Art/Latin American Art & Culture the extreme rigor for which he be- Waldes, Kupka’s close friend and exhibition at the Phillips Collection This volume, published for an came famed. In the 1960s he pur- gallerist. Waldes’ collection was in Washington, DC, Giorgio de exhibition at the Fondation Beyeler, sued printmaking, in an effort to confiscated first by the Nazis, who Chirico: Myth and Archaelogy gath- tracks Calder’s evolution away make his work more democrati- deemed abstraction decadent, and ers a selection of lesser-known from geometric abstraction and ​Meret​Oppenheim:​Mirrors​of​the​Mind​ cally available. With almost noth- later by the Communists, who de- early works by de Chirico—bronze toward large-scale biomorphism Edited by Thomas Levy. Text by Simon Baur, Belinda Grace Gardner, Christian Walda, Werner Spies, ing on this Op art pioneer currently clared his work “an example of im- sculptures and drawings that ad- Lisa Wenger. via the tree motif. It includes in print, this volume offers an im- perialist ideology and dress the artist’s innovative use of Iconic as a photographic subject and influential as a creator of iconic objects, Meret Oppenheim maquettes that anticipate “The portant opportunity to rediscover cosmopolitan nihilism that is harm- myth (such as Dioscuri, the Arg- (1913–1985) was both artist and muse, and was uniquely liberated in both roles. In celebration of Tree” as well as a striking group Vasarely’s rich and radically mod- ful to the people.” Also included is onauts and Ariadne), archaeologi- the centennial of her birth, Mirrors of the Mind looks at Oppenheim’s singular position as maker and of rarely seen sculptures from the ern art. a foreword by Jirˇí Waldes, the col- cal artifacts and historical events subject of art through numerous sculptures, prints, paintings and photographs. From the iconic from the classical era. 1930s to the 1950s. SILVANA EDITORIALE lector’s son, and Ludmila Vach- “Object in Fur” to lesser-known pieces, Oppenheim’s consistently poetical and humorous work con- 9788836627059 U.S. | CDN $ 60.00 tová, one of the most SILVANA EDITORIALE HATJE CANTZ tinues to find resonance in contemporary art through its candor and economy of means. This sub- Hbk, 11.5 x 11.5 in. / 220 pgs / knowledgeable experts on the 9788836626274 U.S. | CDN $ 35.00 9783775737104 U.S. | CDN $ 45.00 stantial, handsomely designed monograph shows the artist to have been an inspirational figure in her 100 color. Pbk, 9 x 11 in. / 104 pgs / 40 color / Pbk, 9.75 x 12 in. / 72 pgs / 28 color. artist. own era—for artists such as Man Ray, Picasso and Max Ernst—as well as an important feminist artist. March / Art 15 b&w. January / Art DIVUS/MEISSNER Available / Art KERBER EXHIBITION SCHEDULE 9788086450810 U.S. | CDN $ 50.00 9783866788435 U.S. | CDN $ 60.00 Basel, Switzerland: Fondation Hbk, 10.25 x 13 in. / 445 pgs / Hbk, 11.5 x 9.5 in. / 216 pgs / 321 color / 130 b&w. Beyeler, 06/08/13–01/12/14 800 color. February / Art February /Art

126 artbook.com­­ artbook.com 127 art of the 1960s and 70s HIGHLIGHTS ■ ART

PREVIOUSLY ANNOUNCED ​Piero​Manzoni:​When​Bodies​Became​Art​ Edited by Martin Engler, Max Hollein. Text by Martin Engler, Germano Celant, Massimiliano Gioni, Francesca Pola, Dominique Laporte, Franziska Leuthäusser. Few artists have combined conceptual ingenuity with devastating critique as deftly and wittily as Piero Manzoni (1933–1963). Fifty years after his death at the tender age of 29, Manzoni remains unsurpassed as a provocateur: his Artist’s Breath and Artist’s Shit editions, which now sell for hundreds of thousands of dol- lars, are unanswerable satirical attacks on art-world economics and values, and his designations of various persons (such as Umberto Eco and Marcel Broodthaers) as “living artworks” prefigure many strains in per- formance art. This comprehensive survey is published on the occasion of what would have been his eightieth birthday. It reproduces more than 100 works from all phases of the artist’s brief but massively influential ​Paul​Thek:​From career, from his early Klein-influenced monochromes (or Achromes) and the Art Informel years to his role ​Louise​Bourgeois: as a leading member of the Zero group (alongside Mack, Piene, Tinguely, Klein, Fontana) and beyond. Cross​to​Crib​ PREVIOUSLY ANNOUNCED Alone​and​Together​ KERBER ​Gordon​ Text by Marietta Franke, Bernd ​Yves​Klein​& Edited by Janna Lund, Wendy 9783866788749 U.S. | CDN $ 55.00 Matta-Clark​ Kirtz, Franz Deckwitz, Michael Clth, 7.75 x 9.5 in. / 120 color / 63 b&w. Krajewski, Raimund Stecker, Claude​Parent: Williams, Maggie Wright. Foreword by Luise Faurschou, Available /Art Edited by Lorenzo Fusi, Marco Reinhard Voigt. Interview with The​Memorial,​ Pierini. Text by James Attlee, Edwin Klein. Jens Faurschou. Text by Zhu Qi, Jane Crawford, Louise Désy, Maya Kóvskaya. This publication documents a little- an​Architectural Lorenzo Fusi, Gwendolyn Owens, Alone and Together accompanies PREVIOUSLY ANNOUNCED Marco Pierini. known temporary artwork. In the Project​ two retrospective exhibitions on This catalogue covers the brief but winter of 1973/74, Paul Thek Text by Audrey Jeanroy, Yves Louise Bourgeois (1911–2010) cu- ​Yayoi​Kusama:​Obsesión​Infinita​ (1933–1988) was a guest of the Klein, Rotraut Klein-Moquay, groundbreaking career of the self- Edited with text by Philip Larratt-Smith, Frances Morris. Christelle Lecœr, Claude Parent, rated by her personal assistant and proclaimed “anarchitect” Gordon Lehmbruck Museum in Duisburg, Pierre Restany, Philippe Ungar. friend, Jerry Gorovoy. As the title of Obsesión Infinita accompanies the first Latin American retrospective of Yayoi Kusama (born 1929), a massive Matta-Clark (1943–1978), one of where he installed the room-filling Artist Yves Klein (1928–1962) and this publication—taken from Bour- survey of more than 100 works created between 1950 and 2013. It includes her abstract paintings of the the most influential American environment “Ark, Pyramid – architect Claude Parent (born geois’ gouache diptych of the 1950s, made just prior to her move to New York in 1957; the “soft sculptures” that followed her move, and artists of the 1970s. The immense Christmas” (“The Manger”)—a de- 1923) first worked together in same name—indicates, the artist’s her friendships with Donald Judd, Andy Warhol, Claes Oldenburg and Joseph Cornell; and the famous hap- ambition and scale of his projects, velopment of the legendary “Pyra- 1969, on Klein’s Air Architecture lifelong creative and personal tra- penings of the late 60s. It was in these years that Kusama became known as “the Polka Dot Princess,” for her and their fearless reimagining of mid” installation realized at project; subsequent collaborations jectory was determined by the obsessive use of polka dots in installations and performances. In 1973 she returned to Japan, and in 1977 the urban landscape, challenged Documenta 5 in 1972. This exhibi- included the “Pneumatic Rocket” need to, as Gorovoy puts it, “allevi- settled voluntarily in a psychiatric clinic where she has continued to make performances and installations. city-dwellers to reconsider the very tion, organized by the director of and the Fontaines de Varsovie proj- ate a core experience of abandon- Alongside color reproductions, this volume includes archival photographs of Kusama performances and por- notion of built structure and the the museum at the time, Siegfried ect. Parent and his office produced ment.” Her works take their point traits of the artist from the many periods of her career. fragility of seemingly unassailable Salzmann, was the fourth in Thek’s professional architectural designs of departure from her most mean- FUNDACIÓN EDUARDO F. COSTANTINI edifices. Matta-Clark’s first inter- large-scale projects in Europe, all EXHIBITION SCHEDULE for Klein’s concepts, clarifying their ingful relationships—parents, chil- 9789871271504 U.S. | CDN $ 55.00 ventions took place in abandoned, of which engaged with individual- Brasília, Brazil: Centro Cultural Banco do Brasil, 02/17/14–04/27/14 utopian aspirations with exquisite dren and partners—and thus focus Pbk, 9.25 x 10.75 in. / 232 pgs / 94 b&w. São Paulo, Brazil: Instituto Tomie Ohtake, 05/21/14–07/27/14 derelict structures, upon which he ized religious symbols (or what Available /Art/Asian Art & Culture delicacy. Shortly after Klein’s death on abiding themes of birth, child- Mexico City, Mexico: Museo del Palacio de Bellas Artes, performed his famous “building Harald Szeemann termed “Individ- at the age of 34, his widow, Ro- hood, family and motherhood, the 09/25/14–01/19/15 cuts” and “intersects.” First pub- ual Mythologies”). The Christmas traut Klein-Moquay, and his rejections of lovers and other aban- lished in 2008 (for a show at SMS season provided Thek with the oc- mother, Marie Raymond, asked donments. Produced over seven Contemporanea in Siena), and or- casion to present, for the first time, ​Hélio​Oiticica:​The​Great​Labyrinth​ Parent to create an architectural decades, the works in this publica- ganized thematically and chrono- a self-written theater piece in the Edited by Susanne Gaensheimer, Max Hinderer Cruz. Text by Hélio Oiticica. design for an Yves Klein Memorial, tion demonstrate Bourgeois’ broad logically, this substantial volume form of a nativity play featuring Hélio Oiticica (1937–1980) altered the Brazilian art scene, and his works broke with accepted conventions. His to be built on a small plot of land use of materials and scale: from looks at these and other bodies of children from Duisburg. This book oeuvre was of great importance to the breakthrough of Tropicália, the cultural movement that protested the above Saint-Paul de Vence in her hanging aluminum sculptures work, such as the Food restaurant, reproduces the museum’s archival repressions of the military regime. Experiment, proposition, participation and environment are the key words that southeastern France. This hand- and “cell” installations to her the performances, the “estates” materials, offering a reconstruction place Oiticica’s art firmly in the 1960s and 1970s. Coming from painting, he developed into one of the protagonists some volume chronicles Klein and iconic spider sculptures and series and the artist’s pursuit of alterna- of the exhibition. It includes an in- of a new concept of art: he actively involved the viewer in the presentations of his multimedia works, while the Parent’s relationship, with repro- of feathery gouache diptychs on tive economical housing. The cata- terview with Edwin Klein, who as- works—colorful, accessible, tangible, or wearable like a piece of clothing—filled the space. This participatory ductions of drawings, paintings paper. logue also includes a filmography sisted with Thek’s installation. and sculptures, plus archival mate- kind of eventful art is related to the democratization of the concept of art, as conceived by Joseph Beuys. Oiticica’s FAURSCHOU FOUNDATION and critical essays, plus an inter- WALTHER KÖNIG, KÖLN writings and records, collected in this in publication, comprise a fascinating document of the transition from rials and photographs. 9788791706011 U.S. | CDN $ 40.00 view done by Judith Russi Kirshner 9783863353353 U.S. | CDN $ 45.00 Hbk, 9 x 9.5 in. / 151 pgs / 70 color. modern to contemporary art. “Seja marginal, seja herói.” (“Be marginal, be a hero.”) —Hélio Oiticica ÉDITIONS DILECTA in 1978. Slip, 6.75 x 11 in. / 180 pgs / February / Art 120 b&w. 9791090490376 U.S. | CDN $ 39.95 HATJE CANTZ 9783775737296 U.S. | CDN $ 60.00 SILVANA EDITORIALE January / Art FLAT40 EXHIBITION SCHEDULE Hbk, 9.75 x 10.75 in. / 336 pgs / 71 color. 9788836611706 U.S. | CDN $ 45.00 Pbk, 7.75 x 10 in. / 126 pgs / Copenhagen, Denmark: Faurschou February /Art/Latin American Art & Culture Pbk, 8 x 9.5 in. / 248 pgs / 200 color. 80 color / 10 b&w. Foundation, 09/05/13–02/14/14 March / Art Available / Art/Architecture

128 artbook.com­­ artbook.com 129 Contemporary sculpture | yBas HIGHLIGHTS ■ ART ​Martin​Creed:​What’s​the​Point​of​It?​ Foreword by Ralph Rugoff. Text by Paul Morley, Cliff Lauson, Joachim Pissarro, Bill Bailey. Winner of the 2001 Turner Prize, Martin Creed (born 1968) has been recognized around the world for his conceptually driven art that is at once playful, thought-provoking and deeply ambiguous. Crossing all artistic media, and including musical performance and dance, his art transforms common materials and actions into surprising meditations on existence, choice, perception and the invisible structures that shape everyday experience. Martin Creed: What’s the Point of It? is a large-format, fully illustrated publication accompanying the first major survey of Creed’s work at the Hayward Gallery in London. Encompassing the full range and scale of Creed’s work, this comprehensive monograph spans its most minimal moments to extravagant room-sized installations, neon signs, video projections and performances. Outstanding in scope, design and scholarship, this essential volume features key artworks and a number of newly commissioned essays by music journalist Paul Morley, art historian Joachim Pissarro and Hayward Gallery curator ​David​Altmejd​ PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED Cliff Lauson, and a text by actor and musician Bill Bailey. Text by Trinie Dalton, Christopher ​Rachel​Harrison: ​Paola​Pivi​ ​Helen​Marten​ HAYWARD PUBLISHING Glazek, Robert Hobbs, Kevin 9781853323201 U.S. | CDN $ 45.00 Text by Massimilano Gioni, Jens Edited by Tom Eccles, Beatrix McGarry. Fake​Titel​ Hbk, 9.75 x 11.25 in. / 200 pgs / Hoffmann. Ruf, Polly Staple. Text by Michael Canadian-born, New York–based Edited by Susanne Figner, Martin illustrated throughout. EXHIBITION SCHEDULE Archer, Ed Atkins, Tom Eccles, Germann. Foreword by Veit Over the course of her two-decade artist David Altmejd (born 1974) is Kit Grover, Flint Jamison, March / Art London, England: Hayward Gallery, 01/29/14–04/27/14 Görner, Philippe Van Cauteren. career, the Italian-born, Alaska- Richard Wentworth, Beatrix Ruf, known for his intricate and highly Text by Diederich Diederichsen, based multimedia artist Paola Pivi Polly Staple. worked room-size installations and Susanne Figner, Alex Kitnick. (born 1971) has fashioned such British artist Helen Marten (born sculptures. Seamlessly moving be- Since the 1990s, Rachel Harrison unlikely objects as a mausoleum 1985) humorously explores ques- ​Gary​Hume:​The​Wonky​Wheel​ tween a variety of aesthetic (born 1966) has developed a color- made of cookies and a rotating air- tions of ownership and dishonesty Text by Graham Bader. modes—from an almost ascetic ful and delightfully grotesque plane. Many of her sculptures and in the relationship of object to In Gary Hume: The Wonky Wheel, the renowned British artist updates the genre of history painting for the minimalism in works employing sculptural idiom out of the most photographs are comical, as in her artifact and package to product. twenty-first century. With the 18 paintings and three sculptures gathered in this volume—all new and never be- plaster and mirror to works teem- contemporary detritus—styrofoam, pictures of miniaturized designer Marten’s installations, sculptures fore published—Hume unveils colorful abstractions rooted in contemporary conflict and the fragility of human ing with accumulations of crystals, plastic buckets, vacuum clean- chairs attached to bare buttocks, and videos play upon our reference life. If these most recent works are, as Hume himself stresses, a form of history painting—representations of a gold chains, thread, taxidermied ers—which she blends with slap- or a leopard walking across rows systems for things and a coding series of “pregnant moments” connected to one of the great historical dramas of our time—Hume short-circuits birds and animals, among other stick humor and art historical and of cappuccino cups. Animals are a of the visual that establishes our this notion by rendering their historical scenes all but invisible, thus apparently declaring his disinterest in any objects—Altmejd’s work offers pop cultural references. Fake Titel recurrent presence throughout, most elemental relationships to narrative whatsoever. Nonetheless, these moments form the building blocks of the work. History’s forward beautifully wrought material medi- presents sculptures and drawings whether taxidermied and rendered the material world. Marten thus progress is constant, Hume’s art proposes, but it is always wonky. tations on the cycles of life and from three recent series: The Help sculptural or alive and pho- weaves conversations between death, interiority and exteriority, (2012), the large-scale installation MATTHEW MARKS GALLERY tographed in unlikely locales (e.g. counterfeit and camouflage in sexuality and spirituality. In the Incidents of Travel in Yucatan (2011) 9781880146712 U.S. | CDN $ 35.00 her tender portrait of two zebras, which image is continually sabo- Hbk, 8.5 x 11 in. / 112 pgs / 50 color. most comprehensive consideration and the photographic suite Sunset their heads hooked around each taged by language, by a deliberate- January /Art of the artist’s work to date, this Series (2000–2012). The Help ex- other’s necks, against a backdrop ness of error that presents itself volume includes four essays by a amines the roles of the artist, the of mountain snow). This volume is with all the concrete certainty of range of writers, who, by providing muse and the “help,” mixing found published for Pivi’s 2013 exhibition cultural legitimacy. This publication different entry points to Altmejd’s objects with abstract forms; Inci- at the Galerie Perrotin in Paris, and is the first to fully document art, animate and engage the rich dents of Travel in Yucatan is a ​Jake​&​Dinos​Chapman:​The​End​of​Fun​ gathers a selection of her work Marten’s output. It accompanies a and diverse ideas that characterize mixed-media installation including Edited by Honey Luard. Text by Will Self. from the past ten years. year-long exhibition touring at the his important practice . a wall of pedestals, autonomous Working together since their graduation from the Royal College of Art in 1990, the Chapman brothers are famous for DAMIANI/PERROTIN Kunsthalle Zürich, the Chisenhale DAMIANI/ANDREA ROSEN GALLERY sculptures and video; and the their iconoclastic sculpture, prints and installations that examine contemporary politics, religion and morality with bit- 9788862083195 U.S. | CDN $ 50.00 Gallery in London and the Center 9788862083454 U.S. | CDN $ 65.00 Sunset Series comprises 31 photo- ing wit and energy. “End of Fun” leads on from the original Hell (1999) tabletop tableau that was destroyed in the Mo- Hbk, 8.25 x 10.5 in. / 192 pgs / for Curatorial Studies at Bard Clth, 9.5 x 11.75 in. / 384 pgs / graphs of a single source image, a illustrated throughout. mart fire in 2004, and the later Fucking Hell (2008). A three-dimensional collage, “End of Fun” consists of thousands illustrated throughout. College in New York. The book photograph of a sunset. In each Available / Art of plastic figurines, many dressed in Nazi regalia or enacting egregious acts of cruelty, displayed in nine glass cases or March / Art includes numerous installation photograph in the series, shot on dioramas. Combining historical, religious and mythic narratives, “End of Fun” presents an apocalyptic snapshot of the and work views. 35mm film, the artist physically twentieth century. This publication begins with a new essay by Will Self that explores both the historical interpreta- manipulates the found snapshot to JRP|RINGIER tions of hell and how the theme has featured in the Chapman brothers’ work. create a new image. 9783037643464 U.S. | CDN $ 35.00 Hbk, 8 x 10 in. / 156 pgs / 234 color. WHITE CUBE/FUEL WALTHER KÖNIG, KÖLN Available / Art 9780956896254 U.S. | CDN $ 77.00 9783863353780 U.S. | CDN $ 55.00 Clth, 7 x 9.75 in. / 176 pgs / 125 color. Pbk, 9 x 11.5 in. / 184 pgs / February /Art 240 color. Available / Art

130 artbook.com­­ artbook.com 131 Contemporary sculpture HIGHLIGHTS ■ ART

​Bernard​Langlais​ Text by Hannah W. Blunt, Diana Tuite, Vincent Katz, Leslie Umberger. Known for his monumental wall re- ​Cai​Guo-Qiang: ​George​Sugarman: ​John​Himmelfarb: A​Clan​of​Boats​ liefs and sculptures of animals ​Elad​Lassry​ ​Bettina​Hubby: ​K8​Hardy:​How​To​ Painted​Wood​ from the 1970s, American artist Trucks​ ​Carole​Feuerman:​ Edited by Karen Chen, Jannie Edited by Alessandro Rabottini. Text by Raphael Rubinstein. Bernard Langlais (1921–1977) cre- ​Recent​Works​ Swimmers​ Haagemann, Tiffany Hu, Shu-Wen Uniforms​ ​Untitled​Runway​Show​ Text by Aram Moshayedi. Inter- American sculptor George Sugar- ated a diverse oeuvre of paintings, Lin, Janna Lund, Kelly Ma, Chinyan Text by Scott Griffin, Stephen Text by John Yau, John T. Spike. view by Jörg Heiser. Text by Dave Cull. Edited by K8 Hardy, Dorothée Wong. Foreword by Luise & Jens Perret. Text by Cheryl Donegan, man (1912–1999) was discarding sculptures and environments that Luecking, Janet Farber. Realist sculptor Carole Feuerman’s Faurschou. Text by Jannie Haage- Working in photography, film, Los Angeles artist Bettina Hubby K8 Hardy, John Kelsey, Elisabeth the prevailing sculptural conven- shifted regularly and freely be- The American truck is rich in vi- human-figure sculptures express a mann, Karen Smith, Hans Ulrich (born 1968) takes a detour from sculpture, performance and instal- Sussman, Oscar Tuazon. tions of his time as early as 1959, tween abstraction and figuration— sual, cultural and economic associ- Obrist, Cai Guo-Qiang. her curatorial, community-based refreshing perspective on the mun- lation, Los Angeles–based artist How To: Untitled Runway Show is dispensing with the pedestal and a shift that reflects Langlais’ ations. Over the last decade, the Throughout his career, Chinese projects with Uniforms, an artist’s dane but intensely personal activi- Elad Lassry (born 1977) has estab- an artist’s book that presents K8 placing his work directly on the constant effort to reconcile his image of the truck has featured artist Cai Guo-Qiang (born 1957) book of paper collages as precise ties of modern life. Her powers of lished himself as one of the most Hardy’s performance Untitled floor, breaking individual sculp- rural roots (in Maine) and keen prominently in the work of artist has used the motif of the boat to and elegant as they are chaotic observation and versatility are ex- original artists of his generation, Runway Show, created for the tures into multiple related units sense of place with postwar artistic John Himmelfarb (born 1946). represent the exchange of knowl- and devious. Here, clothed bodies pressed through various materials with works that are at once visually 2012 Whitney Biennial. For this and employing a dramatic, almost movements and ideologies. Now, Trucks: Recent Works documents edge across cultures. In his latest collide, recombine and somersault that include marble, bronze, vinyl seductive and conceptually chal- work, Hardy orchestrated a live baroque use of color. “In my sculp- in celebration of a substantial be- the artist’s visual exploration of the monograph, A Clan of Boats, Guo- across the page; machines mimic and painted resins; she also incor- lenging. This book documents fashion show performance on the ture, the color is as important as quest by the artist’s widow, Helen vehicle’s intrinsic cultural signifi- Qiang gathers his use of the motif birds; jackets seem to genuflect in porates both ancient and contem- Lassry’s solo exhibition at the fourth floor of the Breuer building form and space,” he wrote. “An Friend Langlais, the Colby College cance. Utilizing a lighthearted and into a single compilation and prayer. Constructed with the porary methods in the creation of Padiglione d’Arte Contemporanea that rivaled the sort of presenta- important aspect is that the color is Museum of Art has organized a varied approach, Himmelfarb takes speaks for the first time about the muted hues and contemplative her works. In this new collection, in Milan, Italy. With an essay by tions made during a Paris or not used decoratively. It’s not used long-overdue retrospective of the isolated image of the truck in many works he has created with negative space of a Noh play, Feuerman’s treatment of the figure Aram Moshayedi (Curator at the New York fashion week. How To to be pretty or attractive. It is used Langlais’ career, which this publi- many directions, working in media boats throughout the course of his Hubby’s mash-ups reassemble the on paper is also explored for the Hammer Museum in Los Angeles) follows the apparatus of profes- to articulate the sculpture in cation accompanies. Alongside encompassing sculpture, paint- artistic career. “I am actually a ves- familiar photographic imagery of first time. In an accompanying and a conversation between the sional fashion and is organized space.” Works such as “The Shape abundant illustrations, three essays ings, lithography, etching, sel myself,” he writes in this vol- fashion, commerce and reportage essay, John Yau describes Feuer- artist and Jörg Heiser (co-editor around three sections: The Show of Change” (1964), “Yellow and trace the arc of Langlais’ career, silkscreen prints and drawings. In ume; “I left home a long time ago, into a open-ended riff on personal man’s exquisitely rendered sub- of Frieze magazine), it provides (lookbook), Backstage and The White” (1967) and “Threesome” from his early experiments in Himmelfarb’s own words, “These the centuries-old harbor city of identity and the human organism. jects as “caught in a moment of an in-depth critical examination of Campaign. For each of these sec- (1968–1969) exemplify the radical painting and his transition to wood works are not about trucks but Quanzhou. I sailed to Shanghai Complementing the work is an transition that radiates an intense Lassry’s work from the beginning tions, Hardy specifically created a spirit of Sugarman’s sculpture from sculpture in the 1960s to his return about us, our histories, skills, first, and then to Tokyo, New York, original fictional narrative by Dave eroticism.” Her figures evoke an of his career to the present. new series of images. Also in- this period. This publication offers to figuration and his exhaustive coping mechanisms, ambitions and the rest of the world, further Cull, delivered in brief installments inward life that invites our specula- MOUSSE PUBLISHING cluded are essays by five contribu- an in-depth look at Sugarman’s exploration of animal motifs. and character.” Occupying a visual and further, shuttling between dif- throughout the book. Uniforms is tion while revealing a chasm 9788867490837 U.S. | CDN $ 45.00 tors, many of whom were involved work during the 1960s—large- ferent ports, different natural CHARTA idiom between the timeworn and between the figures and the Hbk, 9 x 13 in. / 80 pgs / 60 color. published in an edition of 750 themselves in the original perform- scale wood sculptures of eccen- 9788881588817 U.S. | CDN $ 65.00 the timeless, the works collected sceneries, cultures, and histories.” February / Art viewer. Feuerman’s sculpture and copies on the occasion of Pretty ance. The variety of the writing in Hbk, 9.5 x 11.5 in. / 224 pgs / tric, proliferating forms painted in in this volume infuse the American prints provide us with a fleeting The book includes an essay written Limber, Hubby’s fall 2013 exhibi- 250 color. this book and the perspectives on brilliant hues—and accompanies truck with life and character, by art critic Karen Smith and two ALSO AVAILABLE tion at Klowden Mann Gallery. July / Art glimpse into private and isolated the piece bring a fresh understand- the most comprehensive presenta- interviews (conducted ten years Elad Lassry: On transforming it into a provocative environments—women stepping Onions THE ICE PLANT ing and richness to Hardy’s incred- tion of the artist’s work in more EXHIBITION SCHEDULE apart) by Hans Ulrich Obrist. artistic motif. out of the shower, in the rain, 9780985136413 9780982365397 U.S. | CDN $ 39.95 ible performance and than 25 years. Waterville, ME: Colby College THE ARTIST BOOK FOUNDATION or swimming—that suggest a FAURSCHOU FOUNDATION Pbk, U.S. | CDN $30.00 FLAT40 unconventional work in general. Museum of Art, 06/12/14–01/04/15 9780988855731 U.S. | CDN $ 60.00 9788791706004 U.S. | CDN $ 49.95 Primary Information Pbk, 9 x 12 in. / 80 pgs / 49 color / GARTH GREENAN GALLERY meditative bliss. Hbk, 10.5 x 11.5 in. / 124 pgs / Hbk, 8.5 x 9.5 in. / 208 pgs / Limited edition of 750 copies. DOPE PRESS 9780982974780 U.S. | CDN $ 40.00 THE ARTIST BOOK FOUNDATION January / Artists’ Books 9782953978827 U.S. | CDN $ 38.00 Hbk, 9.5 x 10 in. / 64 pgs / 32 color / 110 color. 224 color / 8 b&w. Elad Lassry: 2000 Hbk, 7.5 x 10.5 in. / 144 pgs / 5 b&w. March / Art 9780988855748 U.S. | CDN $ 75.00 February / Art/Asian Art & Culture Words 68 color. February /Art Hbk, 10 x 12 in. / 144 pgs / 80 color. 9789609931489 January / Artists’ Books EXHIBITION SCHEDULE June / Art Pbk, U.S. | CDN $22.00 Valparaiso, IN: Brauer Museum of DESTE Foundation for Art, 01/07/14–04/06/14 Contemporary Art Auburn, AL: Jule Collins Smith Mu- seum of Fine Art, 09/01/14–01/15/15 Amarillo, TX: Amarillo Museum of Art, 05/15/15–08/01/15 132 artbook.com­­ artbook.com 133 new books from the drawing Center HIGHLIGHTS ■ ART

​Deborah​Grant: ​Alexis​Rockman:​ ​Lebbeus​Woods,​ ​Rashaad​Newsome: ​Len​Lye:​ ​Ferran​Adrià: ​Scattered​Ways: ​Drawing​Time,​ Christ​You​Know​ Drawings​from Architect​ FIVE​ Motion​Sketch​ Notes​on​Creativity​ Dickinson/Walser​ Reading​Time​ It​Ain’t​Easy!!​ Life​of​Pi​ Introduction by Brett Littman. Text Text by Evan Danza. Introduction by Brett Littman. Text Text by Richard Hamilton. Inter- Foreword by Claire G ilman. Text by Text by Claire Gilman, Melissa by Joseph Becker, Jennifer Dunlop This publication accompanies the by Gregory Burke, Tyler Cann. view by Brett Littman. Josiah McElheny. Gronlund, Kate Macfarlane. Introduction by Claire Gilman. Interview by Jean-Christophe Fletcher. Text by Theresa Leininger-Miller. Castelli. presentation of Rashaad New- The career of Len Lye (1901–1980) This publication accompanies the This publication brings together This publication accompanies par- Lebbeus Woods, Architect brings For the past decade, Deborah Alexis Rockman’s watercolor some’s Five, a multimedia perform- was marked by a lifelong fascina- first major museum exhibition in Robert Walser’s microscripts and allel exhibitions at The Drawing together drawings from the past Grant has interwoven historical ac- drawings were the first stage in ance presented at The Drawing tion with movement and an aspira- the world to focus on the visualiza- Emily Dickinson’s poem manu- Center, New York, and Drawing 40 years by one of the most influ- counts and personal experiences the development of the fantastical, Center in New York, that highlights tion to compose motion; the tion and drawing practices of mas- scripts for the first time. Although Room, London, that explore the re- ential designers working in archi- with references to contemporary imaginary world of Life of Pi, the the art of voguing—which is char- movement of the drawing hand ter chef Ferran Adrià. His complex Walser, who was born shortly be- lationship between linguistic com- tecture. Beyond architects, Woods political issues in her ongoing se- 2012 feature film directed by Ang acterized by angular, linear and was an important touchstone for body of work positions the draw- fore Dickinson died, was most munication and drawing in recent (1940–2012) has been hailed by ries Random Select. Grant culls Lee. Lee sought out Rockman’s rigid body movements—as it re- works in various media. In New ing medium as both a philosophi- likely unaware of her work, both art. Throughout the twentieth cen- designers, filmmakers, writers and material from a variety of sources vision as an artist with a specific lates to drawing. New York–based York, Lye is now well known for his cal tool—used to organize and writers were obsessively private as tury, and in particular since the artists as a significant voice in re- including magazine photographs, commitment to hand drawing to vogue dancers and musicians, in- animated experimental films. In the convey knowledge, meaning and well as peculiarly attentive to the 1960s, artists have mined lan- cent history; his works resonate comic books, published texts and bring a human scale to the proj- cluding renowned opera singer 1920s, however, Lya began to signification—as well as a physical visual dimension of their texts. guage for the subject and matter across many disciplines for their art historical reference books to ect—a sense of the material and Stefanos Koroneos and distin- make what he termed “motion object—used to synthesize over Walser wrote in tiny, inscrutable of their art, incorporating the conceptual depth, imaginative create highly personal, nonlinear the fortuitous that would come, guished vogue commentator Kevin sketches”—abstract drawings that twenty years of innovation within script on narrow strips of paper mode, format and meaning of text breadth and ethical potency. narratives that investigate politics, for example, from the random Jz Prodigy perform and are con- attempted to render the movement the kitchen. Emphasizing the role using an antiquated German alpha- into their work. Together the two Woods worked cyclically, returning race and cultural identity. Grant’s bloom of watercolor pigment on ducted by Newsome. This project of his subjects, rather than their of drawing in Adrià’s quest to un- bet that was long considered inde- exhibitions present an international often to themes of architecture’s Christ You Know It Ain’t Easy!! paper. Though most artistic contri- encapsulates many of the artist’s appearance. Motion Sketch reintro- derstand creativity, the book fea- cipherable. Only recently have selection of artists spanning the ability to transform, resist and free combines painting, drawing and butions to cinema are dependent core objectives: the formation, duces Lye’s multidimensional prac- tures an interview between Ferran these scripts been shown to con- 1960s to today, including, at The the collective and the individual. collage to recount the fictional on photo-realism or cartoonlike evolution and ownership of cultural tice specifically in relation to Adrià and Brett Littman, and also sist of early drafts of the author’s Drawing Center, Carl Andre, Pavel As an architect whose work lies al- meeting between African-Ameri- illustration, Rockman’s images signifiers; the essence of historic drawing. Lye’s kinesthetic ap- includes a reprint of the artist published texts. Similarly, Dickin- Büchler, Guy de Cointet, Mirtha most solely in the realm of the pro- can folk artist Mary A. Bell and are fluid, intimate and dynamic in a art structures using modern urban proach to drawing—related to Sur- Richard Hamilton’s essay about son fitted her poetic fragments to Dermisache, Sean Landers, Allen posed and the unbuilt, his renowned modernist painter Henri way that only drawing can capture. symbols and cultural references; realist automatism and anticipating the relationship of food to contem- carefully torn pieces of envelope or Ruppersberg, Nina Papaconstanti- contributions to the field opened Matisse. Rendered through This publication accompanies and the use of technology to elicit aspects of Abstract Expression- porary art and Adrià’s participation stationery, which were discovered nou, Deb Sokolow and Molly up new avenues for exploring and graphic silhouettes, intricate line The Drawing Center’s exhibition, artistic expression. The book fea- ism—also informed his practice in in Documenta 12 that first ap- among her posthumous papers. Springfield; and at Drawing Room, inscribing space. The publication drawings and collaged elements, providing a unique opportunity to tures performance images and painting, photography, film and peared in Food for Thought: (W.G. Sebald called Walser a “clair- Pavel Büchler, Johanna Calle, centers on transformation as a re- Grant’s narrative provides an alter- explore the relationship between unique line drawings produced sculpture. Not limited to works on Thought for Food (2009). voyant of the small,” and this de- Annabel Daou, Matias Faldbakken, curring theme. The organization of nate account of the modernist visual art—specifically drawing— from that performance using mo- paper, this publication instead re- THE DRAWING CENTER scription might apply to Dickinson Karl Holmqvist, Bernardo Ortiz and the images of works is thematic legacy. and commercial filmmaking. More tion-tracking software, as well as veals how Lye’s concept of “doo- 9780942324808 U.S. | CDN $ 25.00 as well.) Rarely in literature has the Shahzia Sikander. rather than chronological. Pbk, 6 x 9 in. / 144 pgs / 100 color. than 60 color reproductions are an essay by art scholar Evan dling” underpinned his approach manner in which words are mad THE DRAWING CENTER THE DRAWING CENTER March / Art/Cooking THE DRAWING CENTER to much of his work. been so integral to the way they 9780942324785 U.S. | CDN $ 25.00 9780942324815 U.S. | CDN $ 18.00 featured, alongside an interview Danza. 9780942324846 U.S. | CDN $ 25.00 Pbk, 6 x 9 in. / 208 pgs / 100 color. Pbk, 6 x 9 in. / 64 pgs / 35 color. with the artist by Jean-Christophe THE DRAWING CENTER EXHIBITION SCHEDULE might be read. Pbk, 6 x 9 in. / 192 pgs / 140 color. THE DRAWING CENTER March /Art March / Art/African American Art & 9780942324853 U.S. | CDN $ 18.00 New York: The Drawing Center, Castelli. May / Architecture & Urban 9780942324822 U.S. | CDN $ 18.00 THE DRAWING CENTER Culture Pbk, 6 x 9 in. / 80 pgs / 50 color. 01/25/14–02/28/14 Studies/Art Pbk, 6 x 9 in. / 48 pgs / 20 color. 9780942324792 U.S. | CDN $ 20.00 EXHIBITION SCHEDULE THE DRAWING CENTER April /Art EXHIBITION SCHEDULE March / Art/African American Art & Pbk, 6 x 9 in. / 134 pgs / 80 color. New York: The Drawing Center 9780942324778 U.S. | CDN $ 18.00 EXHIBITION SCHEDULE Culture February / Poetry/Literature 11/15/13–01/12/14 New York: The Drawing Center, EXHIBITION SCHEDULE Pbk, 6 x 9 in. / 116 pgs / 62 color. New York: The Drawing Center, 01/25/14–02/28/14 New York: The Drawing Center, January / Art 04/16/14–06/15/14 04/16/14–06/15/14

134 artbook.com­­ artbook.com 135 mexican and latin american art HIGHLIGHTS ■ GROUP EXHIBITIONS ​Defying​Stability​ ​Artistic​Processes​in​Mexico​1952–1967​ Edited by Rita Eder, Álvaro Vázquez Mantecón. Proposing new perspectives on artistic production in Mexico between 1952 and 1967, Defying Stability looks at the diversity of the country’s postwar visual arts against the backdrop of its broader social and economic shifts. This period saw the formation of new educational institutions, the emergence of alternative cul- tural spaces and a cross-pollination with European, North American and Latin American avant-gardes. Among the artists represented here are Feliciano Béjar, Ursula Bernath, Luis Buñuel, Lilia Carrillo, José Luis Cuevas, Felipe Ehrenberg, Manuel Felguérez, Rubén Gámez, Gunther Gerzso, Alberto Gironella, Mathias Goeritz, Juan José Gurrola, Juan Guzmán, Kati Horna, Alexandro Jodorowsky, Fernando Luna, Bordes Mangel, Diego Matthai, Rodrigo Moya, Juan O’Gorman, Wolfgang Paalen, Lorraine Pinto, Fernando García Ponce, Armando Salas Portugal, Vicente Rojo and Eduardo Terrazas.

TURNER 9788415832393 U.S. | CDN $ 49.95 Hbk, 9 x 11.5 in. / 440 pgs / 550 color. ​Limitless​ ​Brasiliana:​Installations March / Art/Latin American Art & Culture ​Contemporary​Art​in​Mexico​City ​Street-Art​Brazil​ from​1960​to​the​Present​ 2000–2010​ Edited and with text by Carolin Köchling, Edited by Max Hollein, Martina Weinhart. Text Max Hollein. Text by Cuauhtémoc Medina, Edgar Hernández, by Cauê Alves, Monica Amor, Michael Asbury, Inbal Miller, Guillermo Santamarina. Brazil’s major cities are currently playing host to Paula Azulgaray, Fernando Cocchiarale, Rafael Surveying Mexico’s contemporary art scene be- one of the world’s most vital graffiti movements. Cardoso, Jochen Volz, Guilherme Wisnik. tween roughly 2000 and 2010, this book shows In terms of both content and aesthetic quality, Installation art emerged in Brazil in the early how artists living in Mexico City have stepped the colorful and dynamic idiom of Brazilian 1960s as artists extended abstract painting be- beyond the museum and gallery circuits and de- artists differs considerably from that of their yond the canvas and into three-dimensional ex- veloped their own contexts for the dissemina- American and European counterparts; the coun- periences. Contemporary Brazilian artists tion of their work by repurposing the city’s try’s political climate, so frequently subject to continue to pursue the sensory and mobile pos- public spaces. These artists tend to emphasize upheaval, further distinguishes its graffiti from sibilities of installation art, producing expansive relational dimensions, soliciting participation and other international styles. In 2013, 11 artists and artworks that solicit, surround and incorporate ​The​Age​of​Discrepancies​ dialogue in their audiences. Most of the works artist collectives from São Paulo and other the viewer as a participant in the work. Brasiliana ​Art​and​Visual​Culture​in​Mexico​1968–1997​ documented here are ephemeral, making this Brazilian cities were invited to exhibit their art combines the work of postwar Brazilian artists throughout the city of Frankfurt. Ranging from who emerged from the Neoconcrete movement Text by Cuauthémoc Medina, Olivier Debroise. volume an important resource for a fascinating the figurative to the abstract, the light-hearted to of the 1950s, such as Hélio Oiticica, Neville This comprehensive, 470-page survey of artistic experimentation in late twentieth-century period in Mexico’s art culture. Among the 136 the socially critical, and from oversized murals to D’Almeida, Lygia Clark, Tunga and Cildo Meire- Mexico, first published in 2007, assesses fields as diverse as painting, photography, poster artists and collectives—both Mexican and for- more modest, ephemeral works, the contribu- les, with works by younger artists such as design, installation, performance, experimental theater, Super-8 film, video, music and po- eign—who have created some 200 works in tions are documented in this volume. The 11 Ernesto Neto, Maria Nepomuceno, Henrique etry. It also reconstructs ephemeral works (with the support of the artists). The three tumul- Mexico City over the period of a decade are artists are Herbert Baglione, Gais, Rimon Oliviera and Dias & Riedweg, exploring the dis- tuous decades between 1968 and 1997 saw the end of the PRI (Institutional Revolutionary Francis Alÿs, Minerva Cuevas, Damian Ortega, Guimarães, Jana Joana & Viche, Nunca, Onesto, tinctly Brazilian idea of “Vivencia”—the “art of Party) in a violent final phase that began with the 1968 Tlatelolco massacre—which Abraham Cruzvillegas, Gabriel Kuri, Carlos Alexandre Orion, Speto, Fefe Talavera, Tinho and experience.” This fully illustrated volume in- brought a brutal end to the student movement of 1968—and ended with the crises that fol- Amorales, Teresa Margolles, Lourdes Grobet, Zezão. Each copy features unique graffiti on the cludes numerous historical photographs and lowed the 1994 Zapatista uprising in Chiapas. The Age of Discrepancies is the first visual Jimmie Durham, Fernando Ortega and Thomas cover. documents as well as photographs of the recent history to cover this exciting period, and to propose a genealogy for the work that emerged Galssford. works shown in an exhibition at the Schirn Kun- from it, which is coming under increased scholarly scrutiny. RM WALTHER KÖNIG, KÖLN sthalle in Frankfurt. 9788415118701 U.S. | CDN $ 45.00 9783863354183 U.S. | CDN $ 45.00 FLAT40 TURNER Pbk, 8.75 x 12 in. / 450 pgs / 250 color. Pbk, 9 x 12 in. / 128 pgs / 150 color. WALTHER KÖNIG, KÖLN 9788415832386 U.S. | CDN $ 49.95 January /Art/Latin American Art & Culture March / Art/Latin American Art & Culture 9783863354190 U.S. | CDN $ 40.00 Hbk, 9 x 11.5 in. / 470 pgs / 600 color. February / Art/Latin American Art & Culture Pbk, 8 x 10 in. / 160 pgs / 150 color. January /Art/Latin American Art & Culture

136 artbook.com­­ artbook.com 137 modernism HIGHLIGHTS ■ GROUP EXHIBITIONS ​Utopia​1900–1940​ ​Visions​of​a​New​World​ Text by Judit Bozsan, Gregor Langfeld, Christina Lodder, Doris Wintgens Hötte. At the beginning of the twentieth century, two avant-garde movements emerged that sought to change the world: Expressionism and Constructivism. Utopia 1900–1940 documents the two schools and the work they produced. The leaders of these movements—Franz Marc, Ernst Ludwig Kirchner, El Lissitzky, Vladimir Tatlin, Theo van Doesburg and others—believed they were standing at the threshold of a new era, and they sought to shape its reality in a radical way. Together they forged the utopian ideal of “A New Man in a New Society”—a total concept that encompassed art, design and architecture, from paintings to skyscrapers. And yet, philosophically and aesthetically, the two movements were diametrically opposed. For the Expressionists, individual ​Paul​Klee,​August​ freedom was paramount; for the Constructivists, the individual was part of Macke,​Louis​Moilliet:​ a larger whole. This amply illustrated volume explores the philosophical, The​Journey​to​Tunisia aesthetical and political currents that informed these movements, and the 1914 tensions between them. ​Divisionism​ ​Electromagnetic​ Text by Michael Baumgartner, Erich Franz, NAI010 PUBLISHERS ​Mastery​of​Color?​Effusion​of​Color!​ ​Modern​Art​in​Northern​Europe,​ Ernst-Gerhard Güse, Ursula Heiderich, Rainer 9789462081024 U.S. | CDN $ 45.00 Lawicki, Anna Schafroth. 1918–1931​ Pbk, 8 x 10 in. / 184 pgs / 230 color. Text by Francine Dawans, Christophe Flubacher, Watercolors, sketchbooks, journal entries, February / Art Cäsar Menz, Annie-Paule Quinsac, Daniel Edited by Henie Onstad Kunstsenter, Gladys photographs and other documents of the fa- Salzmann. Fabre, Tone Hansen, Gerd Elise Moerland. Fore- The representatives of Neo-Impressionism word by Tone Hansen, Anu Liivak. Introduction mous journey taken by Paul Klee, August Macke permanently liberated paint from the mixing of by Tone Hansen, Gerd Elise Moerland. Text by and Louis Moillet in 1914 are presented here Jan Torsten Ahlstrand, Gladys C. Fabre, Ingvild in celebration of the 100th anniversary of the colors on the palette, as well as from its tradi- Krogvig, Dace Lamberga, Viktoras Liutkus, tional method of application, just as it had been Liis Phalapuu. voyage, a comprehensive tribute honoring the revived through the atmospheric illusionism of Since the beginning of the twentieth century, significance to art history of the artists’ journey. the Impressionists. Beginning in France, the Scandinavian and Baltic artists have participated When Klee and his fellow painters Macke and painterly revolution of the new movement—also in numerous important transnational exhibitions Moilliet left for Tunisia in April 1914, a cornu- known as Pointillism or Divisionism—stretched and have appeared in countless Central Euro- copia of impressions awaited them in Tunis, from the banks of the Seine to the snow-cov- pean publications. Works by Viking Eggeling, St. Germain, Hammamet and Kairouan. They ered slopes of the Alps, from Georges Seurat to Henrik Olvi, Thorvald Hellesen, Otto Carlsund, departed from the anecdotal Orientalism of the the Swiss artist Giovanni Giacometti. Unmixed Franciska Clausen, Alexandra Belcova, Gustav nineteenth century, abstracting their motifs ​Kazimir​Malevich:​The​World​as​ and following the laws of optics, dots, spots Klutsis and GAN have been presented alongside and transforming them into ornamental shapes Objectlessness​ and lines of color were placed alongside each those by avant-garde artists such as Fernand and crystalline structures. Their surprising, Text by Simon Bayer, Britta Dümpelmann, Kazimir Malevich. other with great precision so that the human eye Léger, Theo van Doesburg, Amédée Ozenfant, innovative images are today a highlight of early In 1927, Kazimir Malevich (1879–1935)—the creator of the modernist icon would ultimately perform the job of blending the Le Corbusier and Juan Gris. However, these modernism. Klee went the furthest. For him, “Black Square on a White Ground”—published The World as Objectlessness, colors during the process of viewing. Featuring northern European artists generally received color became the most important creative tool; his vision of a “world of non-representation,” through the Bauhaus publish- texts by distinguished international specialists, little recognition in their native countries, and he dissolved the object in planes of color, ing arm. For a long time this book was Malevich’s only publication in a this catalogue presents a comprehensive few have been included in the narratives of the the visual construct became a pattern that he Western language, and the title then, somewhat imprecisely translated, was overview of European Neo-Impressionism. history of modernism. This pioneering publica- covered in arabesques and symbols.

Die gegenstandslose Welt (The Non-Objective World). Malevich described HATJE CANTZ tion repositions these works in relation to inter- HATJE CANTZ his theory as “the supremacy of pure feeling or perception in the pictorial 9783775735797 U.S. | CDN $ 60.00 national movements of the time, with a wealth 9783775737630 U.S. | CDN $ 45.00 arts,” and emphasized the “feeling” of a work, rather than the depiction of Pbk, 8.75 x 11 in. / 304 pgs / 130 color. of illustrations and contextual commentary. Pbk, 8.25 x 10.75 in. / 304 pgs / 240 color. March / Art May /Art objects, advancing a philosophy that was both anti-material and non-utilitar- HATJE CANTZ ian, focusing on geometric forms—lines, squares and circles—within a EXHIBITION SCHEDULE 9783775737173 U.S. | CDN $ 60.00 EXHIBITION SCHEDULE limited chromatic range. This volume offers a new translation of the artist’s Crans-Montana, Switzerland: Fondation Pierre Hbk, 9 x 11 in. / 304 pgs / 200 color. Bern: Zentrum Paul Klee, 03/15/14–06/22/14 Arnaud, 12/21/13–04/20/14 January /Art illustrated text, along with important research on the preliminary drawings made for the Bauhaus publication, which are now in the possession of the EXHIBITION SCHEDULE Kunstmuseum Basel. The intensive research on these works of art provides Tallinn, Estonia: Kumu Art Museum, 01/23/14– 05/18/14 new insights into the history of this creation: when and where were the HATJE CANTZ illustrations done, and what stage in Malevich’s artistic development do 9783775737319 U.S. | CDN $ 60.00 they reflect? Malevich’s The World as Objectlessness is a snapshot of a Clth, 9.5 x 9.75 in. / 216 pgs / 72 color. moment in a boundless artistic universe. May / Art

138 artbook.com­­ artbook.com 139 art history and collections HIGHLIGHTS ■ GROUP EXHIBITIONS

​The​Albertina​ ​Art​&​Textile​ ​Birth​of​a​World-Class​Collection​ ​Fabric​as​Material​and​Concept​in​Modern​Art​from​Klimt​to​the​Present​ Edited by Klaus A. Schröder, Christian Benedik. Text by Christian Benedik, Text by Hartmut Böhme, Markus Brüderlin, Beverly Gordon, Jean-Hubert Martin, Emmanuel Petit, Cordula Bischoff, Christoph Gnant, Sandra Hertel, Krisztina Kulcsár, Luca Uta Ruhkamp, Marie-Amélie zu Salm-Salm, Birgit Schneider, Julia Wallner, Tristan Weddigen. Leoncini, Christina Ortner, Hans Ottomeyer, Wolfgang Schmale, et al. This opulently designed volume looks at the dialogue between art and craft over the past century- The Albertina in Vienna houses one of the world’s most famous collections of plus. It compares works by Gustav Klimt, Edgar Degas, Jackson Pollock, Eva Hesse, Chiharu art. This extensive, sumptuously illustrated volume presents the museum’s Shiota, Sergei Jensen and others to historical textiles from centuries past. Interdisciplinary essays masterpieces acquired from the founders of the collection, Albert, Duke of provide extensive discussions of the materials and ideas utilized in textiles. Among the other Saxe-Teschen, and his consort, the Grand Duchess Marie Christine. The history artists featured are Magdalena Abakanowicz, Anni Albers, Joseph Beuys, Louise Bourgeois, Sonia of the couple’s mercurial, fateful lives begins in the Baroque era at the court of Delaunay, Lucio Fontana, Mona Hatoum, Josef Hoffmann, Mike Kelley, Kimsooja, Paul Klee, Peter Maria Theresa and moves through the years of revolution in America and Eu- Kogler, Piero Manzoni, Agnes Martin, William Morris, Robert Morris, Blinky Palermo, Sigmar rope to the restoration of the conservative monarchies after the Vienna Con- Polke, Gerhard Richter, Yinka Shonibare, Sophie Taeuber-Arp, Dorothea Tanning, Lenore Tawney, gress. Their sojourns in Dresden, Rome, Paris, Brussels and Vienna—centers Rosemarie Trockel, Édouard Vuillard and Pae White. of European culture and politics, as well as hotbeds of social and intellectual innovations during the Enlightenment—are elucidated, and private insights HATJE CANTZ into the feudal lifestyle of the European aristocracy are provided. Networks of 9783775736275 U.S. | CDN $ 75.00 Clth, 9.5 x 12.5 in. / 392 pgs / 400 color. collectors and art dealers are outlined, and the history of the ideas behind this February /Art/Design & Decorative Arts princely collection of prints is explained. EXHIBITION SCHEDULE HATJE CANTZ Wolfsburg, Germany: Kunstmuseum Wolfsburg, 10/12/13–03/02/14 9783775737395 U.S. | CDN $ 60.00 Hbk, 9.75 x 11.75 in. / 272 pgs / 190 color. June/ Art

ALSO AVAILABLE Bosch Brueghel Rubens Rembrandt 9783775732956 Hbk, U.S. | CDN $60.00 Hatje Cantz

​America’s​Garden​of​Art​ Introduction by David S. Hooker. Text by Joseph Antenucci Becherer, Larry Ten Harmsel. Frederik Meijer Gardens and Sculpture Park in Grand Rapids, Michigan, opened to the public in 1995, marrying an internationally acclaimed sculp- ​Gustav​Klimt:​The​Kiss​​ ​Gustav​Klimt​ ​The​Nude​from​Gauguin​ ture collection with beautiful green spaces. Today, this midwestern treas- Edited by Agnes Husslein-Arco. Text by Stefanie Edited by Agnes Husslein-Arco. Text by Stefanie to​Bonnard​ ure is one of America’s most visited cultural destinations, attracting over Penck, Alfred Weidinger. Penck, Alfred Weidinger. ​Eve,​Icon​of​Modernity?​ half a million visitors each year. America’s Garden of Art chronicles the Gustav Klimt’s “The Kiss” (or “The Lovers”) This accessible illustrated volume traces the life Edited by Véronique Serrano. Contributions by draws thousands of visitors to the Belvedere in story of Gustav Klimt (1862–1918), drawing on development and rapid growth of this innovative public garden, with Gilles Genty, Lawrence Madeline, et al. Vienna every year. Created at the height of his the latest research to evaluate his work. Alma stunning photography that captures the natural and man-made tableaux Since easel painting began, the figure of Eve “Golden Period,” this painting is without doubt Mahler, Oskar Kokoschka and Carl Moll are across all four seasons. The pictorial narrative by photographer William J. has been found in the work of painters from the masterpiece of the Jugendstil. In this fully il- among the many luminaries of the period littering Hebert, along with essays by historian Larry Harmsell and Dr. Joseph A. Masaccio to Rubens, Michelangelo, Bosch and lustrated volume, drawing on the latest research, this concise biography, which provides an ideal Becherer, Chief Curator and Vice President, Horticulture and Sculpture Brueghel. The Nude from Gauguin to Bonnard the authors review the creation, significance and introduction to the Austrian symbolist painter, Collections and Exhibitions, convey a vibrant portrait of Fred and presents nearly 70 works from Symbolists, history of this ever-popular work, as well as infor- who was one of the most prominent exponents Lena Meijer’s legacy, and illustrate the layered beauty of this uniquely Nabis, Fauves, Cubists and Surrealists, including mation about the role of women in the artist’s of the Vienna Secession. American institution. Gauguin, Bonnard, Redon, Matisse, Picasso, life and paintings, offering a visual feast and an FREDERIK MEIJER GARDENS & SCULPTURE PARK JOVISART Rousseau, Giacometti and Chagall. The historical enjoyable read for all enthusiasts of the Viennese 9783868593129 U.S. | CDN $ 19.95 9780982782422 U.S. | CDN $ 49.95 shifts in the depiction of Eve, and her continued Jugendstil and its greatest master. Pbk, 6.5 x 8.75 in. / 128 pgs / 100 color. Clth, 11 x 11 in. / 240 pgs / 220 color. relevance for art, are discussed in several essays. January / Art/Gardens April /Art JOVISART SILVANA EDITORIALE 9783868593105 U.S. | CDN $ 19.95 9788836626878 U.S. | CDN $ 40.00 Pbk, 6.5 x 8.75 in. / 128 pgs / 100 color / 3 b&w. Pbk, 9.5 x 12 in. / 172 pgs / 152 color. April /Art March /Art

140 artbook.com­­ artbook.com 141 Writings and conversations by artists HIGHLIGHTS ■ WRITINGS ​Episodes​with​Wayne​Thiebaud​ Interviews by Eve Aschheim, Chris Daubert. Now in his nineties, Wayne Thiebaud, known for his iconic paintings of cakes, pies and counter displays, is one of the last living painters of the Pop era. While staunchly maintaining his independence from that group and others, he went on to develop vertiginous cityscapes, deeply abstracted rural landscapes, and most recently, monolithic mountains. The rare interviews Thiebaud has given are general and abbreviated, but between 2009 and 2011, he granted his former students Eve Aschheim and Chris Daubert four extensive, no-holds-barred interviews in his studio. Extremely well read, articulate, humorous, self-deprecating and opinionated, Thiebaud discusses his early years in New York, where he became friends with Willem and Elaine de Kooning and hung out at the Cedar Tavern; his return to California; the many influences on his work (Krazy Kat, Persian miniatures, de Kooning, Diebenkorn, Edward Hopper, Balthus, Magritte); his working methods; and advice to young artists.

BLACK SQUARE EDITIONS 9780989810319 U.S. | CDN $ 20.00 Pbk, 6.5 x 8.5 in. / 96 pgs / 19 color. ​Writings​and​ February / Art/Nonfiction & Criticism ​Luis​Camnitzer​in ​Richard​Deacon: ​​​William​N.​Copley: Conversation​with Selected​Writings​ Conversations​by Doug​Ashford​ Reflection​on​a Alexander​Alberro​ Edited by Dieter Schwarz. Edited by Krist Gruijthuijsen. Inter- The Fundación Cisneros’ Conversa- Turner Prize–winning sculptor Past​Life​ view by Maria Lind. ciones/Conversations series pub- Richard Deacon (born 1949) began ​How​I​Became​a​Painter​ Edited by Linn Lühn. Artist, teacher and writer Doug lishes firsthand testimonies of making abstract sheet metal and ​Trevor​Winkfield​in​Conversation​with​Miles​Champion​ Originally written in 1976 for his Ashford (born 1958) is well known leading artists and intellectuals from laminated wood sculptures in ”If all art aspires toward the condition of music, as Pater wrote, Trevor Winkfield must be counted among the Paris–New York exhibition, Reflec- for his innovative work with the Latin America. German-born 1980, later incorporating vinyl and most successful artists of all time,” John Ashbery has declared. In the first of the two extended conversations tion on a Past Life is painter William New York artist collective Group Uruguayan Luis Camnitzer (born plywood.”I am a fabricator, not a that comprise How I Became a Painter, Winkfield (born 1944) reminisces about his student days in Leeds and N. Copley’s (1919–1996) humorous Material, which was founded in 1937) has been an influential artist, carver or a modeler,” he says. “In London in the 1960s, and his early activities as an artist, writer, editor and translator; the second conversation and insightful account of his many 1983 and operated until 1996. theorist, teacher and curator for this sense manufacturing or build- focuses on Winkfield’s life after he moved to New York City in 1969, including his decisive return to painting bizarre encounters with key Surre- Group Material (whose other mem- nearly five decades. He was at the ing skills are of most interest to (prompted by the notorious survey of Richard Tuttle’s work at the Whitney Museum of American Art in 1975) alists, such as Man Ray, Max Ernst, bers included Julie Ault, Patrick vanguard of 1960s Conceptualism, me. I begin by shaping stuff ... and and his various collaborations with poets of the New York School. Winkfield’s conversation partner throughout is Marcel Duchamp and René Brennan, Beth Jaker, Mundy working in printmaking, sculpture continue by developing the form.” the English-born, New York–based poet Miles Champion. Magritte. After inheriting a fortune McLaughlin, Marybeth Nelson, Tim Published in Richter’s handsome ALSO AVAILABLE installation and other media. Cam- PRESSED WAFER as a young man, Copley (often Rollins and Peter Szypula) pio- How I Wrote Certain nitzer’s work challenges our percep- series of sculptors’ writings, this 9781940396026 U.S. | CDN $ 20.00 known as “CPLY”), used his family neered forms of installation and of My Books volume gathers texts written be- Pbk, 6 x 8 in. / 112 pgs / 37 color / 19 b&w. tion of reality and the status quo 9781878972149 wealth to open The Copley Gal- curatorial approaches, and en- March / Art/Nonfiction & Criticism and is often characterized by its hu- tween 1970 and 2012, including Pbk, U.S. | CDN $15.95 leries in Beverly Hills shortly after gaged issues around participation Exact Change morous, often politically charged statements and accounts of works World War II, where he exhibited and historical representation. Since use of language to underscore is- made, walks taken, reflections on works by major Surrealist artists. that time, Ashford has gone on to sues of power and commodifica- materials, notes on public projects, Although the gallery proved to be a make paintings, write, and pro- tion. In this eighth volume from the a dialogue with curator Lynn financial flop, closing after its first duce other cross-disciplinary proj- ​Georges​Braque​&​Others:​The​Selected​Art​Writings​of Conversaciones series, Camnitzer Cooke, an interview with artist Ian year, Copley secured a place in the ects. He has also been influential continues to explore his unique ap- McKeever and essays on a variety Trevor​Winkfield​(1990–2009)​ annals of art history by bringing as a teacher, having taught design, proach to Conceptualism and art as of subjects from television and ​​​By​Trevor​Winkfield.​ Surrealism to Hollywood, as well sculpture, and theory at The pedagogy with Latin American art Japanese films to artists and writ- The painter Trevor Winkfield—born in Leeds in 1944 and residing in New York City since 1969—has been a as with his own painting. This Cooper Union, New York, since scholar Alexander Alberro. ers as diverse as Nicolas Poussin, sought-after contributor to publications such as Arts Magazine, Art in America and Modern Painters for two memoir provides a revealing and 1989. This publication—the first Jacqui Poncelet, Rainer Maria decades. Editors have long trusted his unique sensibilities and relied on his capacity to usher in fresh under- intimate look at the work and FUNDACIÓN CISNEROS/COLECCIÓN collection of his writings and con- PATRICIA PHELPS DE CISNEROS Rilke, Toni Grand, Donald Judd and standings of art. Take, for instance, Winkfield’s pure excitement and audacity at weaving the work of the proto- thought processes of Copley’s he- versations—represents one of the 9780982354490 U.S. | CDN $ 25.00 Anish Kapoor. Surrealist author Raymond Roussel into an essay on Leonardo da Vinci’s “Last Supper.” Unapologetically the roes from the frank, engaging per- Hbk, 6 x 9.25 in. / 240 pgs / 124 color. many spaces Ashford’s work occu- RICHTER | FEY writings of an artist, not a critic, in Georges Braque & Others, Winkfield engages some of the greatest names in spective of a younger colleague. May / Art/Latin American Art & Culture / pies, and attempts to encompass 9783941263659 U.S. | CDN $ 49.95 art (Vermeer, Signac, Dadd, Brancusi, Cornell, Duchamp, Johns and of course Braque, among others)—asking Nonfiction & Criticism the evolution of the artist’s thinking WALTHER KÖNIG, KÖLN Clth, 6.5 x 9 in. / 320 pgs / 80 color / questions, seeing the details and sharing the obscure facts that only an artist like Winkfield could notice and 9783863354589 U.S. | CDN $ 22.00 ALSO AVAILABLE 30 b&w. over the past 25 years. convey with such great charm. March /Nonfiction & Criticism Pbk, 5 x 7.5 in. / 96 pgs / 22 b&w. Jesus Soto in MOUSSE PUBLISHING January / Art/Nonfiction & Criticism Conversation with THE SONG CAVE 9788867490752 U.S. | CDN $ 20.00 Ariel Jimenez EXHIBITION SCHEDULE 9780988464339 U.S. | CDN $ 21.00 Pbk, 4.75 x 6.5 in. / 144 pgs / 9780982354469 London, England: Tate Britain, Pbk, 5.5 x 7.5 in. / 204 pgs. 02/05/14–04/27/14 24 b&w. Hbk, U.S. | CDN $25.00 April / Art/Nonfiction & Criticism February / Art/Nonfiction & Criticism Fundación Cisneros

142 artbook.com­­ artbook.com 143 group exhibitions HIGHLIGHTS ■ WRITINGS

​Reinventing​ ​Beauty​Reigns​ ​Outside​the​Lines​ Abstraction​ ​Memory​Marathon​ ​A​Baroque​Sensibility​in​ Edited by Valerie Cassel Oliver, Recent​Painting​ Nancy O’Connor. Text by Bill ​New​York​Painting​in​ ​Serpentine​Gallery​ Arning, Valerie Cassel Oliver, the​1980s​ Introduction by Rene Paul Baril- Edited by Jochen Volz, Lucia Dean Daderko. leaux. Text by Stephen Westfall, Text by Raphael Rubinstein. Pietroiusti. Foreword by Julia Peyton-Jones, Hans Ulrich Obrist. Lilly Wei, Rene Paul Barilleaux. Published on the occasion of the Reinventing Abstraction looks at 15 Text by Chris Fite-Wassilak, et al. Beauty Reigns: A Baroque Sensibil- Contemporary Arts Museum Hous- painters born between 1939 and In 2012, the Serpentine Gallery ity in Recent Painting assembles ton’s 65th anniversary, Outside the 1949: Carroll Dunham, Louise Fish- staged the Memory Marathon, the the work of 13 emerging and mid- Lines documents the conceptual man, Mary Heilmann, Bill Jensen, seventh Serpentine Marathon. The career abstract painters—Jose Al- framework of the institution’s ability Jonathan Lasker, Stephen Mueller, event explored memory, archaeo- varez, Kamrooz Aram, Charles to act and think outside the norm. Elizabeth Murray, Thomas logical excavation and historical Burwell, Annette Davidek, Nancy This publication, originally con- Nozkowski, David Reed, Joan Sny- recordings through interactions be- Lorenz, Ryan McGinness, Beatriz ceived as an ongoing curatorial dia- der, Pat Steir, Gary Stephan, Stan- tween artistic practice and scien- Milhazes, Jiha Moon, Paul Henry logue, features six exhibitions on ley Whitney, Jack Whitten and tific inquiry. Among the more than Ramirez, Rex Ray, Rosalyn abstract painting, focusing on the Terry Winters. Challenging official 60 participants were vocalist Schwartz and Susan Chrysler legacies and contemporary mani- accounts of the decade, which Michael Stipe; filmmakers Amos White—whose art is characterized festations of the genre. With text tend to ignore the individualistic Gitai and David Lynch; historians by high-key color, obsessive layer- and analysis by museum director abstraction exemplified by these Jay Winter and Donald Sassoon, ing of surface imagery, repeated Bill Arning, curator Dean Daderko painters in favor of more easily who explored the theme of “War Art​Basel:​Year​44 patterns, stylized motifs and a ten- and senior curator Valerie Cassel identifiable movements and styles, Memory”; neuroscientist Israel Edited by Lionel Bovier, Annette Schönholzer, Marc Spiegler. Text by Harry Bellet, Florence Derieux, Gianni sion between melancholy and the Oliver, Outside the Lines details, in Rubinstein chronicles how, around Jetzer, Arto Lindsay, Massimo Minini, Elaine Ng, Hans Ulrich Obrist, Mickalene Thomas, Philip Ursprung, three sections, Arning’s UIA (Un- Rosenfield with writer John Hull, sublime. It builds directly on Baril- 1980, a generation of New York Pauline J. Yao, et al. likely Iterations of the Abstract) and robotics expert Luc Steels and leaux’s award-winning exhibition painters embraced elements that In celebration of Art Basel’s 44th year—the first to include three exhibitions on three continents—JRP|Ringier Painting: A Love Story; Daderko’s mnemonist Ed Cooke; artists and book New Image Sculpture, had been largely excluded from joins Art Basel in publishing a new book documenting the dynamic experience of its Basel, Miami Beach and Outside the Lines and Rites of Olivier Castel and Ed Atkins; and which examined how contempo- the radical, deconstructive abstrac- Hong Kong fairs. Art Basel: Year 44, designed by Gavillet & Rust (Geneva), has an A-to-Z format that maps the Spring; as well as Cassel Oliver’s scent expert Sissel Tolaas. Other rary artists transform widely avail- tion of the late 1960s and 1970s, world of Art Basel with a comprehensive look at the shows of 2013. This elegant, hardcover publication offers Black in the Abstract: Epistrophy contributors include astronomer able, often non-art materials into which had influenced many of the widening audience of art lovers a compilation of portfolios, interviews and essays on contemporary art, and Black in the Abstract: Hard Dimitar Sasselov; writers John fanciful replications of the ordinary. them. In a long, informative essay and lists all exhibitors participating in the three exhibitions. It depicts works from the different shows’ sectors, Edges/Soft Curves. Each section Berger and Douglas Coupland; Beauty Reigns identifies a recent titled “The Lure of the Impure,” Ru- highlights events and talks, and gives art world experts, curators and collectors a platform for sharing their ex- includes texts and images for poet John Giorno; cultural historian trend towards exoticism, exuber- binstein seeks to uncover the pertise, providing an immersive art experience for the reader. Among the authors and artists featured are John the exhibitions featured, as well Marina Warner; author and ance and optimism. “street history” of painting, and re- M. Armleder, Nicholas Baume, Harry Bellet, Dara Birnbaum, Florence Derieux, Herzog & de Meuron, Gianni as information on over 90 artists technologist China Miéville; MCNAY ART MUSEUM dress past, sometimes race-based Jetzer, Tadashi Kawamata, Arto Lindsay, Malcolm McLaren, Elaine Ng, Hans Ulrich Obrist, Mickalene Thomas whose works are highlighted. artists Gilbert & George; architects 9780615864518 U.S. | CDN $ 29.95 exclusions. Although many of the Jacques Herzog, Pierre de Meuron and Adrian Wong, as well as many others whose work contributed to the exhibitions on all three continents. Hbk, 8.25 x 11.75 in. / 144 pgs / CONTEMPORARY ARTS MUSEUM artists in Reinventing Abstraction An extensive survey, a path to discovery and an indispensable piece of memorabilia, Art Basel: Year 44 will no 143 color. HOUSTON and Fumihiko Maki; and composer are well known, their collective his- doubt be a favorite addition to the library of essential art books for the expanding global art world community. June/ Art 9781933619460 U.S. | CDN $ 34.99 Gavin Bryars with poet and painter tory has not yet been addressed by Flexi, 6.5 x 9.5 in. / 288 pgs / Etel Adnan. JRP|RINGIER EXHIBITION SCHEDULE 136 color. art history. 9783037643624 U.S. | CDN $80.00 San Antonio, TX: McNay Art May / Art WALTHER KÖNIG, KÖLN Hbk, 8.5 x 12 in. / 700 pgs / 500 color. Museum, 05/11/14–08/17/14 CHEIM & READ 9783863354657 U.S. | CDN $ 55.00 April/Art EXHIBITION SCHEDULE 9780985141080 U.S. | CDN $ 50.00 Hbk, 8.25 x 11.75 in. / 352 pgs / Houston, TX: Contemporary Arts Pbk, 12 x 14 in. / 82 pgs / 15 color / illustrated throughout. Museum, 10/31/13–03/23/14 15 b&w. January / Art January / Art 144 artbook.com­­ artbook.com 145 Curatorial studies HIGHLIGHTS ■ WRITINGS

PREVIOUSLY ANNOUNCED ​Ten​Fundamental​Questions​of​Curating​ Edited by Jens Hoffmann. Foreword by Milovan Farronato. Text by Peter Eleey, Elena Filipovic, Juan A. Gaitán, Sofía Hernández Chong Cuy, Maria Lind, Chus Martínez, Jessica Morgan, Adriano Pedrosa, João Ribas, Dieter Roelstraete. It has become almost obligatory to introduce a book on curating by noting the plethora of recent pub- lications on the subject. How, in just a few short years, did we reach this point of saturation? What questions, exactly, do all these books address? Many attempt to offer an overview of the curatorial field as it exists today, or attempt to map its historical trajectory. Others propose a series of case stud- ies under a common curatorial theme. All are hoping to contribute to this relatively new discipline and its accompanying canon. Edited by Jens Hoffmann, Ten Fundamental Questions of Curating offers a real critique of existing publications and modes of thinking by explicitly asking the questions that oth- ers have missed, ignored or deemed already answered: What is a curator? What is the public? What is art? What about collecting? What is an exhibition? Why mediate art? What to do with the contempo- PREVIOUSLY ANNOUNCED rary? What about responsibility? What is the process? How about pleasure? Here, Peter Eleey, Elena ​Radical​Museology​ ​Willem​Sandberg,​ Filipovic, Juan A. Gaitán, Sofía Hernández Chong Cuy, Maria Lind, Chus Martínez, Jessica Morgan, ​Or​What’s​‘Contemporary’ Portrait​of​an ​When​Attitudes ​Exhibition​as​Social Adriano Pedrosa, João Ribas and Dieter Roelstraete each propose and then address one question. Ten in​Museums​of​Contempo- Artist​ Become​Form​ Intervention​ Fundamental Questions of Curating takes a back-to-basics approach—a return to a kind of zero-degree rary​Art? ​Bern​1969/​Venice​2013​ ​​​By​Ank​Leeuw​Marcar.​ ​‘Culture​in​Action’​1993​ state—at a time when a recalibration of what a curator is and does seems both necessary and urgent. Exhibition​Histories,​ By​Claire​Bishop.​ Available for the first time in Edited by Germano Celant. Intro- duction by Miuccia Prada. Preface MOUSSE PUBLISHING Illustrations by Dan Perjovschi. Volume​3​ English, Portrait of an Artist brings by Miuccia Prada, Patrizio Bertelli. 9788867490530 U.S. | CDN $ 27.50 Introduction by Tom Eccles, With austerity cuts to public fund- the work and philosophy of Text by Gwen L. Allen, Pierre Bal Pbk, 6 x 9.5 in. / 144 pgs. Paul O’Neill. Text by Helmut ing, many contemporary art muse- Blanc, Claire Bishop, Benjamin H.D. Willem Sandberg (1897–1962), the Draxler, Joshua Decter, Michael Available / Art/Nonfiction & Criticism Buchloh, et al. Interviews with ums have been forced to scale Kimmelman, Joe Scanlan. legendary director of Amsterdam’s Thomas Demand, Rem Koolhaas. down their budgets, staff and ac- Stedelijk Museum, to a broad Interviews with Mary Jane Jacob, In a daring act of historical recon- Mark Dion, Simon Grennan. quisitions. In Radical Museology, readership. In the wake of World struction, the curator Germano Curated by Mary Jane Jacob be- New York–based art historian War II, Sandberg transformed the Celant, in dialogue with Thomas tween 1991 and 1993, Culture in Claire Bishop argues that the in- Stedelijk into a dynamic center Demand and Rem Koolhaas, has Action rethought what an exhibi- commensurability of fiscal and cul- for modern art and culture. Collab- recreated Harald Szeemann’s tion of contemporary art might be. tural temporality—one fast, the orating closely with artists and epochal Live in Your Head: When Through eight projects by artist ​Pigeons​on​the​Grass​Alas​ other slower—points to an alterna- architects, Sandberg had strong Attitudes Become Form, held at the teams developed in collaboration ​Contemporary​Curators​Talk​about​the​Field​ tive world of values in which mu- views about heading up a museum Bern Kunsthalle in 1969, and in- with Chicago community mem- seums (and by extension, culture, for modern and contemporary Edited and with foreword by Paula Marincola, Peter Nesbett. stalled by Celant at the magnificent bers, Jacob’s intention was to en- education and democracy in gen- art, about the importance of art, This book is a unique convening of experts—unique because the “convening” only takes place within Ca’ Corner della Regina in Venice in gage diverse groups over time. eral) are not subject to the banali- dealing with artists and his work its pages. A roster of curators, affectionately dubbed “pigeons,” were invited to respond to an evolving June–November 2013. Szeemann’s Artist team-leaders included Iñigo ties of a spreadsheet, but enable as typographic designer. Based list of questions, what the editors called a “pigeonnaire,” about their approach to their work. This pi- show was a dialogue with the Bern Manglano-Ovalle, Daniel J. Mar- us to access a rich and diverse his- on interviews with Sandberg, geonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s Kunsthalle, and Celant has reprised tinez, Mark Dion, Robert Peters, tory, to question the present and to Portrait of an Artist offers firsthand responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the its spirit by placing the works in Laurie Palmer and John Ploof. Proj- realize a different future. She dis- insight into museum culture, editors then strung together the questions and answers in a continuous narrative that reads something dialogue with the Ca’ Corner della ects took the form of monuments, cusses creative solutions imple- providing a vivid picture of the like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of Regina—a very different building, in parades, candy bars and bill- mented at the Van Abbemuseum period with fascinating stories curating now. The contributing curators are Glenn Adamson, Anne Barlow, Carlos Basualdo, Mark its Venetian grandeur, to the Kun- boards, hydroponic gardens and a in Eindhoven, the Museo Nacional about artists such as Piet Mondrian, Beasley, Shana Berger, Dan Byers, Joseph del Pesco, Sean Dockray & Fiona Whitton, Christopher sthalle. This publication is divided permanent youth media program. de Reina Sofía in Madrid and Pablo Picasso and Alexander Eamon, Mai Abu El Dahab, Peter Eleey, Nicholas Frank, Eric Fredericksen, Daniel Fuller, Lance Fung, into three parts: the first reproduces The fifth volume in Afterall’s Exhibi- MSUM in Ljubljana. This book is a Calder, and architects such as Cesar Garcia, Rita Gonzalez, Jennifer Gross, Andrea Grover, Pablo Helguera, Jens Hoffmann, Stuart photo documentation of the original tion Histories series, this book doc- manifesto for the importance of a Gerrit Rietveld, Le Corbusier and Horodner, Hou Hanru, Ruba Katrib, Lisa Melandri, Helen Molesworth, Jessica Morgan, Aram exhibit, the second compiles essays uments the course of these politicized representation of the Mies van der Rohe. Moshayedi, Valerie Cassel Oliver, Jenifer Papararo, Daniela Perez, Ralph Rugoff, Ingrid Schaffner, and interviews on Celant’s project projects, with critical reappraisal in contemporary in today’s art. Paul Schimmel, Sarah Robayo Sheridan, Elizabeth Smith, Robert Storr, Astria Suparak, Claire Tancons, VALIZ/WERKPLAATS TYPOGRAFIE and the third includes the installation newly commissioned essays and Nato Thompson, Gilbert Vicario and Namita Gupta Wiggers. Pigeons on the Grass Alas includes a WALTHER KÖNIG, KÖLN 9789078088738 U.S. | CDN $ 27.50 views of the show in Venice. The interviews, together with reviews bookmark with the Gertrude Stein poem after which the book is titled. 9783863353643 U.S. | CDN $ 19.95 Pbk, 6 x 8.25 in. / 328 pgs / 60 b&w. book is completed by a “Register” Pbk, 6 x 8 in. / 88 pgs / 18 color / 18 February / Art/Nonfiction & Criticism from the period. of works included in both shows. THE PEW CENTER FOR ARTS & HERITAGE, PHILADELPHIA b&w. WALTHER KÖNIG, KÖLN 9780988710900 U.S. | CDN $ 15.00 January /Art/Nonfiction & Criticism FONDAZIONE PRADA 9783863354480 U.S. | CDN $ 27.50 Pbk, 4.5 x 7 in. / 112 pgs / 23 color. 9788887029550 U.S. | CDN $ 120.00 Pbk, 6 x 8 in. / 192 pgs / 95 color. January / Art/Nonfiction & Criticism Clth, 8.75 x 11.5 in. / 700 pgs / January / Art/Nonfiction & Criticism illustrated throughout. Available / Art

146 artbook.com­­ artbook.com 147 Cultural theory HIGHLIGHTS ■ WRITINGS ​Dread​ ​The​Dizziness​of​Freedom​ Edited and text by Juha van ’t Zelfde. Text by Timo Arnall, James Bridle, Simon Critchley, Adam Greenfield, Johan Grimonprez, Vinay Gupta, Ben Hammersley, Thomas Hirschhorn, Xander Karskens, Metahaven, China Miéville, et al. Dread: The Dizziness of Freedom reflects on possible re-articulations of the concept of dread in our times. Associated with the “dizziness of freedom” by Søren Kierkegaard, and with “the ecstasy of nihilism” by China Miéville, the expe- rience of dread is a defining characteristic of the contemporary human condition, and—according to the contributors to this volume—an essential and potentially productive emotion. However dark and fatalistic its connotations, through its dialectical coupling of caution and transgression, of paralysis and overdrive, dread allows us to imagine the world differently. Through conversations with and essays by some of today’s foremost cultural commentators, this book explores the creative agency of dread—an agency that is created by the very forces wishing to suppress or even destroy it—as well as its politics and related conceptions of fear and anxiety. VALIZ/ANTENNAE SERIES ​Change​ ​Invalid​Format:​ 9789078088813 U.S. | CDN $ 28.95 ​19​Key​Essays​on​How​Inter- An​Anthology​of ​Jeff​Derksen:​ Pbk, 5.5 x 8.25 in. / 240 pgs / 20 b&w. net​Is​Changing​our​Lives​ After​Euphoria​ February /Art/Nonfiction & Criticism Triple​Canopy​ ​Helge​Achenbach: Text by Manuel Castells, David Edited by Kathy Slade. Text by Gelernter, Juan Ignacio Vázquez, ​Volume​3​ Jeff Derksen. The​Art​Agitator​ is an archive of the Helge Achenbach (born 1952) is Evgeni Morozov, Mikko Hyppönen, Invalid Format After Euphoria collects Jeff Yochai Benkler, Federico widespread activities of Triple one of the world’s most prominent Casalegno, David Crystal, Lucien Derksen’s writings on art, architec- ​Participation​Is​Risky​ Canopy, the New York–based art consultants. He could even be Engelen, Patrik Wikström, Peter ture and globalism. Focusing ​Approaches​to​Joint​Creative​Processes​ described as the inventor of this Hirshberg, Paul DiMaggio, Edward magazine and publisher. The book on artistic practice and cultural Castronova, et al. métier. The Art Agitator recounts Edited by Liesbeth Huybrechts. Text by Liesbeth Huybrechts, Cristiano Storni, Yanki Lee, Selina Schepers, Jessica translates into print work that critique, these essays examine the Schoffelen, Katrien Dreessen. The Internet has so entirely trans- Achenbach’s experiences with originally appeared in other forms. questions, research and proposi- Equated with notions of public interaction, the term “participation” is often used very loosely, especially within the formed virtually all aspects of famous artists over the 40 years The third volume of Invalid Format tions of neoliberalism’s synthesis contexts of new media and innovation research. Among a recent generation of artists and designers working in new everyday life that it seems almost of his exciting professional life, includes artist projects and literary of economy and affect. Exploring media, there is an increasing need to work across disciplines and domains in ways that enable end users to con- impossible to assess its impact. as he moves between Siegen work published online in the third the works of Rem Koolhaas, Brian tribute content, form and structure. These artists are currently developing new parameters in creative collaboration Here, 19 esteemed scholars from and Shanghai; Berlin, Tokyo and and fourth years of Triple Canopy’s Jungen, Sam Durant, Andrea and participation in order to meet the specific working methods and processes required by new media. Participation around the world tackle the topic Teheran; and between Düsseldorf existence, as well as documenta- Geyer, Jin-me Yoon, Ken Lum, Is Risky illustrates how interesting participative practices and results are typically characterized by the “risky” con- from different angles. Manuel and New York. Achenbach— tion of public programs. In form Ron Terada, Stan Douglas, Sabine frontation between the differences of disciplines and perspectives. While their work will have no fixed form, Participa- Castells, David Gelernter, Juan whose initial training was in social and content, the book explores Bitter/Helmut Weber and Alfredo tion Is Risky proposes that artists who engage in participative practices must take the risk of abandoning their Ignacio Vázquez, Evgeni Morozov, work—talks about his gravitation how works produced for the Jaar, Derksen reveals the effects of traditional roles and evolve through participatory collaboration. Mikko Hyppönen, Yochai Benkler, to the European art world of the screen and live settings might be globalization and its influence on Federico Casalegno, David Crystal, 1970s and his subsequent encoun- VALIZ/ANTENNAE SERIES transposed to the codex in a way the production and experience of 9789078088776 U.S. | CDN $ 28.95 Lucien Engelen, Patrik Wikström, ters and relationships with Gerhard that recalls former contexts while culture. A founding member of Pbk, 5.5 x 8.25 in. / 344 pgs / 50 b&w. Peter Hirshberg, Paul DiMaggio also fully inhabiting the page. It Richter, Jörg Immendorff, Andy April/ Art/Nonfiction & Criticism Vancouver’s writer-run center, and Edward Castronova address Warhol, Andreas Gursky, Jeff includes contributions by Michael The Kootenay School of Writing, such matters as the “Internet of Koons and Keith Haring. He recalls Almereyda, Kurt Beals, Mel Derksen is a writer, poet, critic things”; the sociology of the Inter- exceptional large-scale projects ​Triple​Bound​ Bochner, Daniel Bozhkov, Paul and scholar based in Vancouver net; cybercrime and Internet secu- and describes his not-always- ​Essays​on​Art,​Architecture​and​the​Museum​ Chan, Joshua Cohen, Jordan and Vienna. His critical writing has rity; the future of work; the Internet Crandall, Simon Critchley, Moyra pleasant dealings with companies, ​By​Wouter​Davidts.​​ previously appeared in Springerin, and urban-rural sustainability; the Davey, Roe Ethridge, Ellie Ga, colleagues, collectors and banks. Offering new insights into the role of museums, Wouter Davidts (author of The Fall of the Studio) investigates the con- Archis, Open Letter, Camera “Worldstream and the Cyber- Daniel Gordon, Vivian Gornick, The Art Agitator is more than an nection between architecture, the museum as an institution, the museum program and art. A museum’s architecture Austria, C Magazine and Hunch. sphere”; gaming and society; the David Graeber, Group Theory, account of the life of an ambitious may be deployed in a variety of ways: as an autonomous icon, as a flexible space, as a PR instrument, as a memory After Euphoria is the latest title Internet’s influence on languages Joseph McElroy, Tom McCarthy, professional. In this fully illustrated machine, as a stimulus to urban renewal, as a landscape theme, as a political trump card, as a storage depot for arti- from the Documents series, critical and new economic systems; the book, Helge Achenbach opens the facts, and so on. Davidts explores these perspectives through several case studies—the Stedelijk Museum Amster- Matt Mullican, Ken Okiishi, Eve writings co-published with Les massive changes wrought by the door to the inner workings of the dam, Museum Boijmans Van Beuningen, the Centre Pompidou, Tate Modern and US institutions such as The Geffen Sussman, Lynne Tillman and presses du réel. net in the music industry; and art market. Contemporary at MOCA Los Angeles and MoMA P.S.1 in New York. McKenzie Wark, among others. other aspects of its many cultural, JRP|RINGIER HATJE CANTZ TRIPLE CANOPY 9783037641972 U.S. | CDN $ 29.95 VALIZ/ANTENNAE SERIES ALSO AVAILABLE social and political ramifications. See It Again Say It 9780984734634 U.S. | CDN $ 20.00 9783775736770 U.S. | CDN $ 45.00 9789078088493 U.S. | CDN $ 27.50 Pbk, 6 x 8.25 in. / 234 pgs. Community Art: Politics Again FLAT40 Pbk, 5.5 x 8.25 in. / 240 pgs / 10 b&w. TURNER Pbk, 6 x 9 in. / 288 pgs / illustrated February /Art/Nonfiction & Criticism of Trespassing 9789078088530 throughout. Pbk, 7.5 x 10.5 in. / 240 pgs / June/ Art/Nonfiction & Criticism 9788415832454 U.S. | CDN $ 25.00 9789078088509 Pbk, U.S. | CDN $28.95 198 color. Pbk, 7.5 x 10 in. / 478 pgs / 24 color. February / Art/Nonfiction & Criticism Pbk, U.S. | CDN $28.95 Valiz/Antennae Series January / Art/Nonfiction & Criticism February/Art/Nonfiction & Criticism Valiz/Antennae Series

148 artbook.com­­ artbook.com 149 Book arts and graphic design HIGHLIGHTS ■ DESIGN ​Jurriaan​Schrofer​1926–1990​ ​Wim​Crouwel:​New​Alphabet​ ​Graphic​Designer,​Pioneer​of​Photo​Books,​Art​Director,​Teacher,​Art​Manager, Edited by Paolo Palma. Preface by Wim Crouwel. Text by Kees Broos, Max Bruinsma, Environmental​Artist​ Piet Schrueders. By​Frederike​Huygen. Released in 1967, Wim Crouwel’s New Alphabet was a typeface inspired by the limita- tions of the data displays of the period. Since it uses only horizontal and vertical strokes, Edited by Jaap van Triest, Karel Martens. The Dutch designer and polymath Jurriaan Schrofer (1926–1990) was one of the defining figures with 45-degree corners—Crouwels wanted to adapt typography to the new technologies, in European graphic design in the 1950s–70s. Working across all genres, from public relations rather than vice versa—New Alphabet contains several characters that are impossible to brochures to interior design, and from magazines to advertising and alphabets, Schrofer is partic- decipher without contextual inference. Consequently, the typeface was widely deemed ularly regarded as a pioneer in the field of photo books and experimental typography. During the to be too extreme at the time, and Crouwel himself qualified it as largely a theoretical 1970s, he also became involved with government art policy and environmental art, and was an exercise—“over the top and never meant to be really used.” Despite its initial controversy, especially active force at the Association of Graphic Designers. The design historian Frederike which even extended to the newspapers, New Alphabet has since attained the status Huygen describes his work as “research into perception, visual effects and the optical illusion of of a design classic, being perhaps most famously used on the cover of Joy Division’s perspective: or the interplay of letterform, pattern and meaning.” This monograph tracks Schro- legendary single “Atmosphere” and the group’s compilation Substance. In this volume, fer’s career through a set of thematic chapters: his public relations brochures for various corpora- author Paolo Palma examines the history and legacy of Crouwel’s typeface. tions; the photo book designs; his work as a cultural ambassador; advertising design; interior SHS PUBLISHING design; art policy and education; typographic experiments; and his art works. This monograph 9788890759413 U.S. | CDN $ 54.99 Hbk, 10 x 13.5 in. / 144 pgs / 330 color / 100 b&w. provides a full survey of Schrofer’s career. April /Design & Decorative Arts VALIZ 9789078088707 U.S. | CDN $ 50.00 Pbk, 6.75 x 9.5 in. / 424 pgs / 1,100 color / 50 b&w. February / Design & Decorative Arts

​Alex​Wollner:​Brasil​Design​Visual​ Edited by Museum Angewandte Kunst, Klaus Klemp, Julia Koch, Matthias Wagner K. Foreword by Antonio Grassi, Marta Suplicy, Matthias Wagner K. Text by Klaus Klemp, Julia Koch, Malou von Muralt, René Spitz, André Stolarski, Alexandre Wollner. ​The​Book​on​Books​on​Artists​Books​ ​The​Book​Is​Alive!​ Alexandre Wollner (born 1928) is one of the most important and successful ​Second​Expanded​Edition​ Edited by Emmanuelle Waeckerle, Richard Sawdon Smith. Introduction graphic designers of the second half of the twentieth century. He played a by Emmanuelle Waeckerle. Foreword by Richard Sawdon Smith. Text by Edited by Arnaud Desjardin. prominent role in the artistic, cultural and economic foundation of postwar Sarah Bodman, Marco Bohr, Didier Mathieu, Sharon Kirland, et al. Arnaud Desjardin’s The Book on Books on Artists Books is a bibliography of Brazilian design and is today one of South America’s most acclaimed fig- The Book Is Alive! is a survey of current thinking and innovative practice in books, pamphlets, dealer catalogues and other printed materials on artists’ ures in graphic design. Upon returning to Brazil from his studies in Europe, contemporary publishing based on papers presented at the Booklive! inter- books that takes stock of a wide variety of publications on artists’ books together with Geraldo de Barros and others he inaugurated Form-Inform, national symposium in London in June 2012. This event brought together since the early 1970s to assess the historical documentation of distribution, the first design consultancy in the country. Despite his great influence and theorists and practitioners from the world of publishing and artists’ books to circulation and reception in the field. Together, these materials constitute a popularity in South America, Wollner remains relatively unknown abroad. examine the current transformation of the book and its ability to keep apace unique history of the overlooked ephemera produced by the exhibiting, Alex Wollner: Brasil Design Visual remedies this oversight, presenting an ex- with digital culture and the emergence of new modes of making, reading, publishing, disseminating and collecting of artists’ books during the last 40 tensive catalogue of the designer’s oeuvre. This handsome book showcases collecting and disseminating “on-the-page” work. It includes an interview years. Desjardin’s criterion for inclusion was to include only informational more than 100 works by the artist and focuses on the strong influence of with conceptual artist Joan Fontcuberta, a keynote text by Artbook | D.A.P. material on artists’ books, rather than critical writing or theoretical texts. the Ulm School of Design where Wollner studied between 1954 and 1958. President Sharon Gallagher and writings by Andrej Blatnik, Sarah Bodman, Consummately researched, with more than 600 entries, The Book on Books Marco Bohr, Daniela Cascella, Arnaud Desjardin, Annabel Frearson, Peter WASMUTH on Artists Books constitutes a groundbreaking bibliography that will prove 9783803032140 U.S. | CDN $ 75.00 FLAT40 Jaeger, Susan Johanknecht and Katharine Mignell, Sharon Kirland and Nick essential for scholars, librarians and fans of artists’ books. Hbk, 10.5 x 10.25 in. / 324 pgs / illustrated throughout. Thurston, Didier Mathieu, Paul Soulellis and Stefan Szczelkun. February /Design & Decorative Arts/Latin American Art & Culture THE EVERYDAY PRESS RGAP EXHIBITION SCHEDULE 9780956173881 U.S. | CDN $ 27.00 9780956902450 U.S. | CDN $ 29.95 Pbk, 6 x 8.75 in. / 320 pgs / 1,000 b&w. Frankfurt, Germany: Museum Angewandte Kunst, 09/21/13–02/02/14 Pbk, 6.75 x 9 in. / 206 pgs / 26 color / 54 b&w / 2 duotone. February / Artists’ Books February / Art/Nonfiction & Criticism

150 artbook.com­­ artbook.com 151 product design HIGHLIGHTS ■ DESIGN NEW EDITION ​The​Jewels​of​Trabert​& ​Paul​Smith:​You​Can​Find​Inspiration​in​ Hoeffer–Mauboussin​ Everything​ A​History​of​American​Style​and​Innovation ​And​if​You​Can’t,​Look​Again​ Text by Yvonne J. Markowitz, Nonie Gadsden, Elizabeth Irvine Bray, Elizabeth Hamilton, Frederic A. Sharf, Toni Strassler. Edited by Robert Violette. Introduction by William Gibson. Text by Paul Smith, Richard Williams, James Flint, Glen Baxter, Paul Slater, Mick Brownfield, Hans Ulrich Obrist, From the mid-1930s through the 1940s, the collaboration of the Ameri- Semir Zeki, Jim Davies, et al. can jewelry firm Trabert & Hoeffer with the Parisian house Mauboussin Paul Smith (born 1946) is a multi-award-winning designer who works in a variety of produced some of the most extraordinary high-style jewels of its time. media and is best known for his menswear collections. This book, one of his most per- Hollywood stars such as Claudette Colbert and Marlene Dietrich ap- sonal and exuberant projects, has been variously described as “A ripe blend of master peared on-screen and off flashing the firm’s historic gems mounted in craftsmanship and Monty Pythonesque lunacy” (Ink), and “A treasure trove for anyone in- diamond-studded platinum settings. Even during the Depression and terested in fashion and art” (The Bookseller). The book includes an introduction by William World War II, Trabert & Hoeffer–Mauboussin prospered and expanded Gibson (in English, French, German, Italian and Japanese) and collaborations with and/or across the country, not only by continuing to supply stylish custom writings by Richard Williams, James Flint, Glen Baxter, Paul Slater, Mick Brownfield, Hans jewelry to celebrities and socialites, but also by marketing more afford- Ulrich Obrist, Semir Zeki, Jim Davies and others. Browsing these pages is a delightful able ornaments. Its best -known invention was the Reflection line of excursion into Smith’s flair for eccentric, subversive detail; his dedication to the highest semi-custom jewelry—“Your personality in a jewel.” Crafted from inter- standards of craftsmanship and originality are everywhere in evidence. All of his passion changeable parts, it made a bold new modern look available to a wider and talent find brilliant expression in this homage to beauty and creativity. This book range of customers by allowing them to mix and match preconstructed transcends the narrow boundaries of a fashion monograph and is certainly not a mere parts with their own choice of gemstones. Drawing on historical sources catalogue of suits. Rather, imagine the author’s brain on a page: a cornucopia of cleverly that include part of the firm’s design archives, now at the Museum of original and often humorous thoughts and ideas, all perfectly executed. This new Fine Arts, Boston, this book tells a story of design and marketing innova- edition brings the classic book back into print and contains new added material from the tions, shrewd business decisions and adaptability to changing times master himself. that produced a legacy of dazzling jewels.

VIOLETTE EDITIONS MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTON 9781900828444 U.S. | CDN $ 59.95 9780878468119 U.S. | CDN $ 19.95 Pbk, 8.5 x 10 in. / 312 pgs / 1, 000 color. Hbk, 5.5 x 8.25 in. / 140 pgs / 30 color / 30 b&w. March / Fashion April / Design & Decorative Arts

​Libuše​Niklová​ Text by Tereza Bruthansova, Petr Nikl. This first monograph on one of Czechoslovakia’s most impor- tant designers, Libusˇe Niklová (1934–1981), explores the rich and delightful world of her plastic toys, featuring nearly 500 color photographs and archival reproductions. Her whistling accordion-pleated Tomcat, and inflatable Buffalo and Elephant have been treasured possessions for several generations of children in Czechoslovakia, occupying a unique position in twentieth-century product design, and many of them are firmly established icons in the Czech design canon. This fun, accessi- ble book gathers her oeuvre into three chapters: “Plastic Play- things 1954–1964,” “Accordion and Vernian Toys 1963–1967” and “Inflatable Toys 1963–1981.” Full-color reproductions of the toys are punctuated with quotes from Niklová and her col- leagues, and with sketches and archival photographs. Also in- cluded are a biography and a booklet, inserted toward the rear, listing all of her works.

ARBOR VITAE ALSO AVAILABLE The Art of Cartier Imperishable Beauty 9788026048275 U.S. | CDN $ 40.00 9788415113324 Hbk, 8.25 x 8 in. / 298 pgs / color. 9780878467341 Hbk, U.S. | CDN $85.00 March / Design & Decorative Arts Hbk, U.S. | CDN $45.00 Fundación Colección MFA Publications Thyssen-Bornemisza

152 artbook.com­­ artbook.com 153 product design HIGHLIGHTS ■ DESIGN

NEW IN PAPERBACK PREVIOUSLY ANNOUNCED ​The​Complete​Designers’​Lights​1950–1990​ ​100​Masterpieces​from​ Edited by Clémence & Didier Krzentowski. Text by Alex Coles, Pierre Doze, Didier Krzentowski, the​Vitra​Design​Museum Constance Rubini. Clémence and Didier Krzentowski—the founders and directors of the leading contemporary Collection​ design gallery Kreo, whose program includes designers such as the Bouroullec brothers, Edited and with text by Peter Dunas, Mathias Schwartz-Clauss, Alexander von Vegesack. Text Martin Szekely and Konstantin Grcic—have been collecting lights for 30 years. Focusing partic- by Mateo Kries, Petra Rohde, Christopher Wilk. ularly on Italian and French design, their collection is the most important of its kind today, The collection of the Vitra Design Museum in spanning creations from the 1950s to the 1990s with special attention to the 1950s, 1960s and Weil am Rhein, Germany, comprises numerous 1970s. It includes large groups of works by Pierre Paulin, Pierre Guariche, Achille Castiglioni objects and is one of the most significant of its and the biggest collection of works by Gino Sarfatti, who, according to the Krzentowskis, is kind. Grouped according to the main themes of “the best of his category, because he was a long-lasting researcher of forms and techniques. technology, construction, reduction, organic As soon as a new bulb was created, he was doing a new lamp that was completely minimal.” design, decoration and furniture programs, the This new expanded paperback edition of The Complete Designers’ Lights (1950–1990) provides most important collection items—spanning priceless documentation and a visual guide for those interested in light design and furniture 150 years of furniture design—are presented in history. Conceived as a catalogue raisonné of nearly 500 lights, this book also includes a dis- this volume in great detail: chairs and arm- cussion between Didier Krzentowski, the design historian and curator of the Paris Musée des chairs, chaise longues and stools, tables and Arts Décoratifs, Constance Rubini, and the journalist and design critic Pierre Doze, as well as desks, landscaped interiors and shelves. Copies an essay by the design and art critic Alex Coles focusing on the relationship between light de- of the original documents and detailed texts sign and light art, mainly through a parallel study of Gino Sarfatti’s and Dan Flavin’s works. reveal the special features of each design. 100 JRP|RINGIER Masterpieces from the Vitra Design Museum 9783037643563 U.S. | CDN $ 59.95 Collection contains a comprehensive bibliogra- Pbk, 8.25 x 9.75 in. / 400 pgs / 613 color. phy and biographies of the designers, who June / Design & Decorative Arts include Karl Friedrich Schinkel, Marcel Breuer, Eero Saarinen, Charles and Ray Eames, Frank Gehry, Alberto Meda, Philippe Starck, Richard Sapper, Josef Hoffmann, Eileen Gray, Pierre Chareau, Le Corbusier, Jean Prouvé, Gerrit Rietveld, André Bloc, Willy Guhl, Harry Bertoia, George Nelson, Poul Kjaerholm, Mies van der Rohe, Arne Jacobsen, Gio Ponti, Ron Arad, Alvar Aalto, Isamu Noguchi, Carlo Mollino, Sori Yanagi, Verner Panton, Frank Lloyd Wright, Ettore Sottsass, Robert Venturi, Andrea Branzi ​Gino​Sarfatti:​Designing​Light​ ​Office​for​Visual​Interaction:​ and many others. VITRA DESIGN MUSEUM Text by Silvana Annicchiarico, Arturo Dell’Acqua Bellavitis, Claudio De Lighting​Design​&​Process​ 9783980407038 U.S. | CDN $ 50.00 Albertis, Manolo De Giorgi, Piero Gandini, Roberto Sarfatti. The Office for Visual Interaction (OVI) has created some of the world’s most Pbk, 9.25 x 12 in. / 270 pgs / 220 color / 130 b&w. Gino Sarfatti (1912–1984) was a celebrated and beloved figure in Italian de- inventive lighting design, illuminating prominent buildings around the Available /Design & Decorative Arts sign from the 1930s on. Co-founder of the renowned interior design firm globe. The New York Times building, the United States Air Force Memorial, Arteluce with Maurizio Tempestini, Sarfatti was both a designer and an en- street lighting for the City of New York, the historic Rookery Building in trepreneur, who was at ease with every step of the production process, Chicago and the Scottish Parliament are just a few examples from the OVI from conception to retail. With a fondness for spherical forms and long, portfolio that have captivated designers and the public alike. As the name A classic collection spanning 150 years arching stems, he designed desk lamps, spotlights, chandeliers and free- implies, OVI is inspired by light’s interaction with finishes and materials, standing lamps; cubes that diffuse light in three directions; lightshades so that light and shadow become a natural extension of the architectural of furniture design evocative of a woman’s hat; he was also the first to use halogen lightbulbs. language, integrated seamlessly into the building’s structure, rather than Surveying these and other works, Gino Sarfatti: Designing Light includes applied as an additional element. Masterfully designed and illustrated with personal reminiscences of the designer and his career from Silvana Annic- more than 400 images, sketches and graphics, this book is an essential chiarico, Arturo Dell’Acqua Bellavitis, Claudio De Albertis, Manolo De companion to the art and science of lighting design, and an in-depth ALSO AVAILABLE George Nelson: Pop Art Design The Furniture of Giorgi, Piero Gandini and Roberto Sarfatti. account of one of the world’s leading architectural lighting design firms. Architect Writer 9783931936969 Charles & Ray Eames Designer Pbk, U.S. | CDN $90.00 CORRAINI EDIZIONI JOVIS 9783931936747 9783931936822 Vitra Design 9788875703660 U.S. | CDN $ 32.00 9783868592566 U.S. | CDN $ 65.00 Hbk, U.S. | CDN $65.00 Hbk, U.S. | CDN $95.00 Museum Pbk, 6 x 7.75 in. / 104 pgs / illustrated throughout. Hbk, 8.5 x 10.5 in. / 216 pgs / 280 color. FLAT 40 Vitra Design Museum February / Design & Decorative Arts April / Architecture & Urban Studies Vitra Design Museum

154 artbook.com­­ artbook.com 155 product design HIGHLIGHTS ■ DESIGN

PREVIOUSLY ANNOUNCED ​Le​Book​New​York​2013​ The 2013 edition of Le Book is a must-have for anyone involved in the fashion or advertising industries. Both a source of information and in- spiration, featuring the art of Dennis Hopper as curated by James Franco and Marc Atlan, Le Book offers a skeleton key to the creative world, providing up-to-the-minute information on more than 10,000 professionals—from the best photographers, art directors, stylists and modeling agencies to location finders, rental studios, caterers, record labels, magazines, advertising agencies, fashion designers and public relations firms. In addition, Le Book functions as a visual reference for creative people worldwide, and has become the global meeting place for those involved in the fields of visual communication. Thanks to ​New​India​ ​Made​in​Slums​ ​Martí​Guixé:​ collaborations with such esteemed cultural figures as Paul Smith, ​Gae​Aulenti:​ Stephen Sprouse, Yves Saint Laurent and Karl Lagerfeld, each volume Designscape​ ​Mathare​/​Nairobi​ Transition​Menu​ Objects,​Spaces​ is a true collector’s edition. Edited by Simona Romano. Fore- Photographs by Francesco Giusti, ​Reviewing​Creative​ LE BOOK word by Silvana Annicchiarico. Filippo Romano. Edited by Vanni Pasca. Gastronomy​ Made in Slums, which accompanies Gae Aulenti (1927–2012) was one 9782905190765 U.S. | CDN $ 250.00 New India Designscape offers an Text by Octavi Rofes, Martí Guixé, Slip, Spiral, 2 vols, 11 x 8.75 in. / 1,000 pgs / illustrated throughout. original selection of noteworthy an exhibition of the same name of the most admired architects of Stephane Carpinelli. Available /Fashion/Reference works by the most talented design- curated by Fulvio Irace, focuses on the postwar era, and certainly the In Transition Menu, the self-pro- ers at work today in India. These one of the largest slums in the most famous female Italian de- fessed “ex-designer” Martí Guixé works are characterized by a sin- world. This book is the product of signer ever. Her museum buildings (born 1964) demonstrates how gular mix of practical inventiveness a development cooperation project (among them the Museum of Cata- even food can be a design item. In and the imaginative repurposing of helmed by NGO Liveinslums to lan Art in Barcelona and the Asian this publication, Guixé presents his traditional forms, materials and design and construct a school and Art Museum in San Francisco) theories on food design by chroni- motifs. Mythical subject matter re- community agricultural repository have especially endeared her to cling the fictional character, Mar curs, often emphasizing the indi- in the slum of Mathare in Nairobi. the international art world, and her López, who, over the course of her visibility of the sacred and the Italian designer Francesco Faccin furniture designs have long been career, transitions from chef and everyday. The objects profiled was commissioned to design both collected worldwide. Aulenti juxta- restaurant owner to food designer. range from a pedal-driven washing the interior and the exterior of posed traditional materials such as The book showcases a variety of machine (an example of what has the school, which would need to metal and stone with resins and elements of the fictional food been called “barefoot design”) and be constructed using only local plastics in bold new combinations, designer including her CV, kitchen a bamboo bicycle to ornate furni- materials and manpower. To nar- emphasizing curved and spherical concepts and menu design, with ture, toys and household accou- rate the story of this project, pho- forms. This concise volume follows color photographs of each of the ​Art​and/or​Design?​ ​Art/Design​ ​Dutch​Design​ ​Franz​von​Zülow​ trements. Among the designers tographers Francesco Giusti and her design oeuvre from 1962 to food items on López’s menu. Guixé ​Crossing​Borders​ ​Transdisciplinary​Studies​ Yearbook​2013​ Edited by Christoph Thun-Hohen- included are Kavita Singh Kale, Filippo Romano made a photo- 2008 through a selection of her describes how each component Edited by Annett Zinsmeister. Text by Annett Zinsmeister. Annett Edited by Timo de Rijk, Antoine stein, Kathrin Pokorny-Nagel. Text Garima Aggarwal Roy, Geetika graphic reportage portraying the most striking works, including the transcends a conventional ap- Text by Katia Baudin, Alex Coles, Zinsmeister has developed an Achten, Joost Alferink, Hans van by Christoph Thun-Hohenstein, Alok, Aneeth Arora, Shilpa Chavan, complexity of the undertaking Sgarsul chair, the Locus Solus proach to food to become a de- Christine Hill, El Ultimo Grito, interdisciplinary teaching practice de Markt. Text by Koert van Roland Girtler, Friedrich Heller, Peter Klinger, Gerd Pichler, Kathrin Hampi, Rajiv Jassal, Shirin Johari, and documenting the community chair, the Sun King Lamp, the Ten- signer item. Each dish is presented Louise Schouwenberg, Wolfgang based on her work as an artist and Mensvoort, Henk Oosterling, et al. Pokorny-Nagel. This publication Remya Jose, Lokesh Karekar, Pad- involved. Through this sequence nis furniture series and the tempo in conjunction with a short essay Ullrich, Annett Zinsmeister. Today educator. Her studies investigating The Dutch Design Yearbook artists design furnishings and light- creative processes and perceptions surveys more than 60 of the best celebrates the art of Austrian maja Krishnan, Hanif Kureshi, Mira of photographs and informational delle vacanze installation for the that describes its modern look ing, even offering interior design of space and objects are of equal product, fashion and graphic de- painter and designer Franz von Malhotra, Ranjit Makkuni, Andrea texts, Made in Slums researches XIII Triennale di Milano (1964). and functionality. Transition Menu consulting, while designers create relevance to artists, designers signs produced in the Netherlands Zülow (1883–1963), including and explores the most unexpected expands upon Guixé’s research Noronha, Sandip Paul, Satya Ra- CORRAINI EDIZIONI functionless objects in limited and architects. This illustrated from 2012 to 2013. The yearbook works on paper from the MAK territories of the new international jpurohit, M.P. Ranjan, Mann Singh, 9788875703943 U.S. | CDN $ 32.00 on food design and includes his editions. Where is the dividing volume looks at the outcome of also attempts to predict which collection and the artist’s estate. Gajanan Upadhyay and Priyanka design scene. Pbk, 6 x 7.75 in. / 104 pgs / illustrated personal theories, thoughts and “line between the two? The essays her experimental exercises that designs will prove the most forma- Active in many genres, von Zülow throughout. designed textile patterns, carpets, Tolia. CORRAINI EDIZIONI notes regarding the subject, by in Art and/or Design? attempt to operate between the fine and ap- tive in the future. February / Design & Decorative Arts ceramics and interiors while 9788875704162 U.S. | CDN $ 32.00 which he seeks to challenge and clarify the distinction. plied arts, reactualizing the bound- CORRAINI EDIZIONI NAI010 PUBLISHERS also developing innovative graphic Pbk, 6 x 8.5 in. / 104 pgs / illustrated reappraise the parameters of aries between the discplines. 9788875703851 U.S. | CDN $ 32.00 JOVIS 9789462081000 U.S. | CDN $ 50.00 throughout. techniques. Pbk, 6 x 7.75 in. / 104 pgs / illustrated conventional culinary habits. 9783868592559 U.S. | CDN $ 39.95 FLAT40 Pbk, 9 x 10 in. / 200 pgs / February / Design & Decorative JOVIS throughout. Pbk, 6.5 x 9.5 in. / 192 pgs / 50 b&w. 250 color. February / Design & MODERNE KUNST NÜRNBERG Arts/Sustainability CORRAINI EDIZIONI 9783868592665 U.S. | CDN $ 39.95 February / Design & Decorative April /Art/Nonfiction & Criticism Pbk, 6.5 x 9.5 in. / 224 pgs / Decorative Arts 9783869844732 U.S. | CDN $ 28.00 9788875703929 U.S. | CDN $ 39.95 Arts/Asian Art & Culture 200 color. April / Art/Nonfiction & Pbk, 8.25 x 10.25 in. / 144 pgs / Pbk, 8.25 x 10.5 in. / 80 pgs / Criticism illustrated throughout. illustrated throughout. February / Design & Decorative Arts February / Art/Cooking

156 artbook.com­­ artbook.com 157 Cinema HIGHLIGHTS ■ ARCHITECTURE ​The​Western​Town​ ​A​Theory​of​Aggregation​ Edited by Alex Lehnerer. Foreword by Robert E. Somol. Text by Jayne Kelley, Alex Lehnerer, Jared Macken, Lorenzo Stieger. The Western town of roughly 1860–90 exists in an ephemeral moment in American history. Always being realized but never really there, these towns vanished entirely from the prairie by the end of the nineteenth century. Yet even today everyone has visited these towns, since they survive in their abstract and distilled form through the plot-generating sets of Western ​Gabriel​Figueroa: movies. The Western Town: A Theory of Aggregation retells the story of 22 Western towns ar- chitecturally, from the scale of the lace curtain or sun-bleached wood coffin to the vast, empty Under​the​ desert. The book includes detailed maps of towns from the following films, among others: A Mexican​Sky​ Fistful of Dollars (1964), Buchanan Rides Alone (1958), For a Few Dollars More (1965), Fort ​Art​and​Film​ Apache (1948), Hang ‘Em High (1968), High Noon (1952), High Plains Drifter (1973), Major ​Martin​Scorsese​ ​The​Writings​of ​Robby​Müller:​ Text by Claudia Monterde. Dundee (1965), McCabe and Mrs. Miller (1971), Ride the High Country (1962), Rio Bravo Edited by Kristina Jaspers, Nils The films of Gabriel Figueroa (1959), Rio Grande (1950), Stagecoach (1939), The Alamo (1960) and The Wild Bunch (1969). Warnecke, Nicoletta Pacini, Tamara George​Kuchar​ Cinematography​ (1907–1997) constitute an essen- Sillo. Text by Alberto Barbera, HATJE CANTZ Edited by Andrew Lampert. Text by Linda van Deursen, Rainer Rother, Stefano Boni. tial node in the network of ex- 9783775736596 U.S. | CDN $ 45.00 Despite being a consummate poly- Marietta Vries. Preface by Wim Hbk, 9.5 x 12.5 in. / 176 pgs / 160 color. This celebration of the prolific, changes and appropriations that Wenders. January /Architecture & Urban Studies/Film math, George Kuchar (1942–2011) formed Mexico’s cultural identity in 50-year career of Martin Scorsese Robby Müller (born 1940) is one of is best known as a pioneering un- the early and middle decades of offers a visual tour of the great the most inspiring cinematogra- derground film and video maker the twentieth century. Featuring director’s life in cinema through phers of our time. His influence with a disarming do-it-yourself aes- color images and stills, Under the an extended interview and more can be traced throughout his long- thetic and a hilariously eccentric Mexican Sky provides a compre- than 300 reproductions, including term collaborations with directors sensibility. Quirky and ingenious, hensive view of the enduring Mexi- film stills, posters, photographs by such as Wim Wenders (with whom heartfelt and campy, Kuchar’s can iconography that Figueroa Scorsese, shots from the sets of he has worked since 1969) and movies know no boundaries and crafted throughout his career as a such movies as Taxi Driver, Raging Jim Jarmusch, and his ground- are an entirely unique development cinematographer, working on more ​The​Wrong​House:​The​Architecture​of​ Bull, The Aviator and The Departed, breaking work for such films as in the history of cinema. The than 200 films and collaborating Alfred​Hitchcock​ and a wealth of related ephemera. Breaking the Waves and Dancer in artist’s characteristic instinct for with some of the world’s leading ​​​By​Steven​Jacobs.​ In the interview, Scorsese discusses the Dark by Lars von Trier. Müller kitsch, his humor and conceptual directors of the time, such as John In this imaginative and scholarly book, Steven Jacobs explores the architectural ele- how his New York childhood as not only helped to shape these brilliance, were not confined to the Ford, John Houston, Emilio Fer- ments of Alfred Hitchcock’s films and the vital role they played in providing atmosphere the son of Italian immigrants films, but his contribution also re- screen alone; they can be nández and Luis Buñuel. Figueroa and facilitating plot development. Hitchcock famously left nothing to chance, and from molded his creativity, as well as veals an adventurous and creative glimpsed in all the activities he car- trained as a painter and photogra- the Greenwich Village apartment that provided the set for Rear Window or the now- his influences and his working vision that can be seen in many ried out throughout his life. The pher before transitioning into the iconic Bates house in Psycho, every architectural entity plays a significant role both in methods. These recollections are other films, by directors such as George Kuchar Reader, edited by world of film in 1932, and these setting the scene and in advancing the suspenseful narratives of which Hitchcock was juxtaposed with accounts from Alex Cox and Barbet Schroeder. Andrew Lampert, collects a wide early studies influenced Figueroa’s master. Having worked as a set designer in the early 1920s, the director remained inti- Scorsese’s associates and with Surveying his illustrious career, this swath of previously uncollected distinctive and vivid approach to mately involved with his films’ sets throughout his entire career. With the help of recon- critical commentary assessing the publication offers visual insight and newly unearthed writings and cinematic composition. Drawing structed floor plans made specially for this book, the author explains how, for example, director’s singular vision, which into his artistic flexibility and tech- visual work, including essays, from a diverse array of influ- confined spaces reinforce vulnerable characters’ sense of being powerless, while read- has so enormously impacted the nical expertise as a cinematogra- comics, drawings, paintings, pho- ences—Renaissance perspective, ers also learn of the importance of stairs and windows at key moments in Hitchcock’s American cinematic imagination. pher, and reveals his passionate tographs, film stills, scripts, movie German Expressionist cinema, masterpieces. Also included is a complete pleasure in the nature of light in all blurbs, correspondence, letters of Goya’s prints and the landscapes filmography, from 1963’s What’s its manifestations. The book in- NAI010 PUBLISHERS recommendation for his students, of José María Velasco—Figueroa | a Nice Girl Like You Doing in a cludes a preface by Wim Wenders. 9789462080966 U.S. CDN $ 55.00 documentation of his UFO sight- Place Like This? to 2011’s Hugo. forged a lasting image of Mexico’s Pbk, 6 x 9.5 in. / 344 pgs / illustrated throughout. ings, excerpts from his dream jour- JRP|RINGIER history, landscape and people. February /Architecture & Urban Studies/Film U S | CDN SILVANA EDITORIALE nal, selections from his private 9783037643419 . . $ 49.95 9788836626748 U.S. | CDN $ 40.00 Pbk, 9.5 x 13 in. / 248 pgs / 450 color / TURNER notebooks and much more. Pbk, 9 x 11 in. / 168 pgs / 146 color. 250 b&w. 9788415832492 U.S. | CDN $ 35.00 March / Film & Video PRIMARY INFORMATION February / Film & Video Pbk, 10.75 x 7.5 in. / 208 pgs / 183 color. 9780985136475 U.S. | CDN $ 24.00 Pbk, 8.5 x 11 in. / 320 pgs / 40 color / February / Film & Video/Latin American 40 b&w. Art & Culture April / Film & Video/Nonfiction & EXHIBITION SCHEDULE Criticism Los Angeles, CA: Los Angeles County Museum of Art, 09/22/13–02/02/14

158 artbook.com­­ artbook.com 159 surveys and monographs HIGHLIGHTS ■ ARCHITECTURE ​In​the​Temple​of​the​Self​ The​Modern​House​in​Denmark ​The​Artist’s​Residence​as​a​Total Text by Michael Sheridan. Work​of​Art​ The human being was at the center of Danish modernism. Tradi- Edited by Margot Brandlhuber, Michael tional craftsmanship and a high degree of quality influenced both Buhrs. Text by James Anthony, Margot its design and its architecture. Alongside the construction of nu- Brandlhuber, Julius Bryant, Michael Buhrs, Jean-Louis Cohen, Alice Cooney, Ludger merous groundbreaking public buildings, the 1950s and 60s saw Derenthal, Michel Draguet, Hubertus the design of many single-family homes based on an aesthetic that Günther, Hans Ottomeyer, Elizabeth focused on truth to materials, honesty in construction and the re- Prettejohn, et al. duction of form. Built of wood and brick and with practical, infor- As treasure troves of creativity, the homes of mal floor plans and large glass surfaces that opened up the interior artists reflect the intellectual worlds of their of the house to nature, the best of these homes still fulfill their creators. Starting with the Villa Stuck in Mu- tasks to this day. The Modern House in Denmark is a compendium nich—the aesthetic, conceptual cosmos and of selected buildings examined in detail, including icons such as life’s work of the aristocratic artist Franz von Utzon House by Jørn Utzon, Arne Jacobsen’s Siesby House and Stuck—this unique volume integrates the the Bøgh Andersen House by Jørgen Bo and Vilhelm Wohlert. It in- artist’s house as a category into the interna- cludes new, full-color photographs that document the buildings as tional discourse and is the first to assign well as discussions on the history of each one’s design and con- these buildings the status of major works. struction. Biographies of the architects round out the volume. About 20 examples bring to life the fascina- tion that these artistic fantasies hold for art HATJE CANTZ 9783775738033 U.S. | CDN $60.00 lovers, including both existing projects and Hbk, 9.75 x 10.75 in. / 336 pgs / 491 color. some which, although they have been lost, April/Architecture/Urban Studies were of unique importance in their day and still retain their charisma. Along with paint- ings, sculptures and photographs, plans and models convey the interrelationship between art and life as well as the harmony of the arts expressed by Richard Wagner’s historical concept of the total work of art. Among the houses featured are Sir John Soane’s Mu- seum, London; William Morris’s Red House, Bexleyheath; Louis Comfort Tiffany’s Tiffany ​Et​in​Suburbia​Ego:​José​Oubrerie’s​Miller​House​ House, New York City; Mortimer Menpes’ Edited and with introduction by Todd Gannon. Text by Michael Cadwell, Melody Farris Jackson, flat, London; the Fernand Khnopff Villa, Brus- Kenneth Frampton, Douglas Graf, Jeffrey Kipnis, John McMorrough, Mark O’Bryan, José Oubrerie. sels; Jacques Majorelle’s villa and garden, Completed in 1992 in Lexington, Kentucky, the Miller House stands as architect José Oubrerie’s Marrakesh; Kurt Schwitters’ Merzbau, most notable accomplishment in the United States. Among the last members of Le Corbusier’s Hanover; and Max Ernst’s house, Arizona. Paris atelier, Oubrerie is best known for his collaborations with Le Corbusier on projects including the Venice Hospital and the church of St. Pierre de Firminy-Vert. The Miller House, with its deft synthesis of modernist elements with American vernacular construction and an array of historical sources, marks a highly original swerve from modernist orthodoxy and a landmark achievement in American architecture. Et in Suburbia Ego: José Oubrerie’s Miller House gathers new commentary and interpretation by leading voices in contemporary architecture including Jeffrey Kipnis, Kenneth Frampton and Douglas Graf alongside newly commissioned photographs and previously unpub- HATJE CANTZ lished drawings and models from Oubrerie’s archive, documenting the house at a level of detail 9783775735933 U.S. | CDN $ 75.00 rarely seen in architectural monographs. Hbk, 9.75 x 12 in. / 368 pgs / 400 color. April / Architecture & Urban Studies How artists from Sir John WEXNER CENTER FOR THE ARTS, THE OHIO STATE UNIVERSITY 9781881390527 U.S. | CDN $ 29.95 EXHIBITION SCHEDULE Pbk, 6.25 x 9.5 in. / 278 pgs / 288 color. Munich, Germany: Museum Villa Stuck, Soane to Kurt Schwitters January / Architecture & Urban Studies 11/21/13–03/02/14 have transformed their homes into artworks

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PREVIOUSLY ANNOUNCED ​Everything​Loose​Will​Land​ ​1970s​Art​and​Architecture​in​Los​Angeles​ Edited and with preface by Sylvia Lavin, Kimberli Meyer. Text by Alex Kitnick, Margo Handwerker, Peggy Phelan, Susanna Newbury, Simon Sadler. Taking its name from Frank Lloyd Wright’s quip, “Tip the world on its side and everything loose will land in Los Angeles,” this book argues that L.A.’s famous cultural “looseness” permitted exciting developments in art and architecture, with the two disciplines mingling freely and borrowing from one another. It presents drawings, photographs, sculpture, proto- types and ephemera by Peter Alexander, Eleanor Antin, Archigram, Billy Al Bengston, Larry Bell, Denise Scott Brown, Judy Chicago, Peter de Bretteville, Sheila Levrant de Bretteville, Environmental Communications, Frank Gehry, Gruppo 9999, Victor Gruen, Nancy Holt, Robert Irwin, Ray Kappe, Robert Kennard, Ed Kienholz, Alison Knowles, Leonard Koren, L.A. Fine Arts Squad, Morphosis, Ed Moses, Bruce Nauman, Ed Ruscha, SITE, Robert Smithson, ​Mobility​and ​Energy​and​Sun​ ​Green​Dream​ ​The​Future​of​ Paolo Soleri, Bernard Tschumi, Venturi & Rauch and others. Transportation​ ​Sustainable​Energy​Solu- ​How​Future​Cities​Can​ Architecture​ MODERNE KUNST NÜRNBERG tions​for​Future​Megacities​ Outsmart​Nature​ ​Solutions​for​Future​ Edited by Herman Hertzberger. 9783869844527 U.S. | CDN $ 50.00 Edited by Ludger Eltrop, Thomas Text by Winy Maas, Pirjo Haikola, Text by Herman Hertzberger, Anna Hbk, 9 x 12 in. / 344 pgs / 120 color / illustrated throughout. Megacities​ Telsnig, Ulrich Fahl. Ulf Hackauf, John Thackara. Heringer, Jean-Philippe Vassal, February / Architecture & Urban Studies/Art Edited by Wulf-Holger Arndt. Energy and Sun takes a close look Green Dream investigates what Nanne de Ru, Jan Jongert, Marijn The increasing ubiquity of megaci- Schenk, Hedwig Heinsman, et al. EXHIBITION SCHEDULE at the current possibilities of solar “green” means in practical terms New Haven, CT: Yale School of Architecture Gallery, fall 2013 ties, with their complex transport Internationally acclaimed Dutch energy, which is safe, sustainable for design, architecture and urban- networks, poses daunting chal- architect Herman Hertzberger and low in carbon emissions, and ism. Led by The Why Factory, the lenges both for city planners and (born 1932), an early proponent particularly viable for urban regions urbanist thinktank headed by Winy municipal administrators—and for and practitioner of the so-called in the Southern hemisphere. The Maas, experts in the field debate their overstrained budgets. How- school of “structuralism” (sustain- essays in this volume are grouped what is currently considered green ever, this phenomenon also offers able buildings that can evolve to into three sections: “Solar and and how the term ought to be de- ​Diane​Lewis:​Open​City​ a real-time laboratory in which ex- meet their users’ changing needs), Sustainable Energy Technologies” fined going forward, challenging ​An​Existential​Approach​ perts can attempt to identify mobil- invited colleagues and students (with discussions on photovoltaic architectural conventions and look- ity patterns that might promote to reflect on the future of architec- Edited by Diane Lewis. Text by Mack Scogin, Lebbeus Woods, Francesco Pellizzi, Peter Schubert, off-grid technologies in rural ing into the potential of new green Daniel Sherer, Anthony Vidler. energy efficiency and lower carbon ture. In the resulting book, Andhra Pradesh, energy efficiency architecture. Recognizing that Open City is an anthology of studio projects by students of the acclaimed architect Diane Lewis. emissions. In this volume, trans- Hertzberger, Anna Heringer, in irrigation, solar power plants for green buildings alone do not make The drawings and models are accompanied by essays on the city as a work of architecture and disciplinary research teams collab- Jean-Philippe Vassal and other South Africa and the Joined Bio- a green city, Green Dream also art, by international architects and artists who have participated in this work. This collection of orate with local stakeholders to contributors champion architecture gas, Charcoal and Erosion Preven- looks at broader green solutions studio work on the architecture of the city as conducted by Lewis and her studio team extends develop sustainable transportation that is low-impact and adaptable. tion Project in Hyderabad, India); for cities and how they might be the legacy of Cooper Union’s seminal Education of an Architect, volumes one and two. This concepts for five cities across the They call for structures that place “Solutions For Buildings and Set- implemented. Most importantly of compendium of 12 years of education is being published on the occasion of the Frederick and globe: Gauteng, Hefei, Ho Chi human comfort and functionality tlements” (including essays on all, the book dares to ask “Is a Lillian Kiesler Foundation’s first Young Kiesler Award to Lewis and her studio team. Minh City, Hyderabad and Tehran- above decoration and egotistical housing design in the MENA re- green city actually feasible?” and Diane Lewis received her Bachelor of Architecture from The Irwin S. Chanin School of Archi- Karaj. The teams grapple with is- statements. Recognizing the gion and the calculation of the en- attempts to answer this question tecture at The Cooper Union. Diane Lewis Architects, New York was founded in 1983, after her sues ranging from data collection necessity to change the way ergy performance of buildings and through case studies. Drawing on formative experience in design and urban planning work at the office of Richard Meier from and planning in ever-changing en- we build if we want to preserve energy efficiency in Iranian cities); 36 illustrated green projects, and 1977–78, followed by six years at I.M. Pei and Partners from 1978–83, under Jim Freed, as cur- vironments to the resistance of citi- the planet, this insightful volume and “System Analytical and Inte- with essays by John Thackara and tain wall and senior designer on 499 Park Avenue, MIT and the Jacob Javits Convention Center. zens to mammoth infrastructure challenges designers to imagine gration Approaches” (with essays Winy Maas, this volume outlines Lewis was 2006 recipient of the Gehry International Chair in Design, University of Toronto, and projects. Mobility and Transporta- new ways of practicing architec- on solar and other options to re- future goals for architectural and the 2007 Brunner Grant from the AIA New York Chapter; in 2008 she received the National De- tion is edited by Wulf-Holger ture that not only consume fewer duce greenhouse gas emissions, urban projects, and draws on re- sign Award from the Smithsonian Cooper Hewitt in recognition of the first 25 years of her inde- Arndt, head of the Mobility and construction resources but are solar energy usage in Gauteng, search by The Why Factory, pendent architectural practice. This award was coincident with the 2007 publication of the Space research unit at the Center also ecologically sound in their South Africa and photovoltaic sys- MVRDV and Delft University of monograph of architectural work, Diane Lewis: Inside-Out. Lewis lives and works in Manhattan. for Technology and Society in long-term energy use. tems for social and economic em- Technology. CHARTA Berlin and a leading authority on NAI010 PUBLISHERS powerment in peri-urban and rural NAI010 PUBLISHERS 9788881588824 U.S. | CDN $ 59.95 ALSO AVAILABLE transportation and urban planning. 9789462080829 U.S. | CDN $ 25.00 areas in South Africa). Pbk, 10.75 x 14.5 in. / 208 pgs / Diane Lewis: Inside-Out 9789056628628 U.S. | CDN $ 45.00 FLAT40 JOVIS Pbk, 6 x 8 in. / 406 pgs / 300 color. illustrated throughout. 9788881585854 JOVIS Pbk, 5.5 x 9 in. / 96 pgs / 120 color. 9783868592740 U.S. | CDN $ 39.95 April / Architecture & Urban March / Architecture & Urban Studies Pbk, U.S. | CDN $45.00 February / Architecture & Urban Pbk, 6.75 x 9.5 in. / 224 pgs / 9783868592733 U.S. | CDN $ 39.95 Charta Studies/Sustainability Studies/Nonfiction & Criticism 200 color. Pbk, 6.75 x 9.5 in. / 248 pgs / April /Architecture & Urban 248 color. Studies/Sustainability April /Architecture & Urban Studies/Sustainability

162 artbook.com­­ artbook.com 163 single buildings and monographs HIGHLIGHTS ■ ARCHITECTURE

​George​Matei​ ​Lost​Landscapes​ ​HPP​Architects​ ​Teresa​Moller​and​ Cantacuzino:​A​ ​LOLA​Landscape​ Text by Frank Maier-Solgk. This Associates:​Unveiling Hybrid​Modernist​ Architects​ volume celebrates the German the​Landscape​ architecture office HPP, founded PREVIOUSLY ANNOUNCED Text by Dan Teodorovici. One of Text by Eric-Jan Pleijster, Cees Photographs by Chloe Humphreys. in 1933. The first part of the book the twentieth century’s least- van der Veeken, Peter Veenstra. Chile’s diverse landscapes—from ​Rijksmuseum​ shares the partners’ reflections on ​Sou​Fujimoto:​ known polymaths, George Matei Rotterdam landscape architects the Atacama Desert in the north to ​Implosions/ their collaborations and collective Amsterdam​ Cantacuzino (1866–1960) was a LOLA (LOst LAndscapes), winners the Lakes Region in the south, and Serpentine​Gallery attitude, while the second part ​Restoration​and​ ​Oda​Pälmke:​ Explosions​ vital protagonist in Romania’s of the Rotterdam-Maaskant Prize from the Pacific Coast in the west discusses how social develop- Transformation​of​a​ Pavilion​2013​ ​Towards​a​Study​of​ modern architectural history. This for Young Architects 2013, study to the Andes in the East—have Facades​ ments in Germany have influenced Edited by Sophie O’Brien, Melissa Planetary​Urbanization​ first monograph on a Romanian ar- landscapes that are forgotten, served as the settings for the ma- National​Monument​ Foreword by Wim Wenders. Larner, Rebecca Lewin. Text by derelict or about to change, HPP projects. Edited and introduction by Neil chitect ever published by a major jority of Teresa Moller’s projects, Edited by Paul Meurs, Marie- Niklas Maak. Interview with Julia Text by Oda Pälmke. Brenner. Text by Neil Brenner, et al. European publishing house exam- designing conceptual as well as HATJE CANTZ surveyed in this volume. Thérèse van Thoor. Peyton-Jones, Hans Ulrich Obrist. A façade defines a building’s exte- In 1970, the influential French ines Cantacuzino’s momentous life buildable projects in the inner city. 9783775736893 U.S. | CDN $ 120.00 No building in the Netherlands has The Serpentine Gallery Pavilion rior character; it is the primary ex- HATJE CANTZ and work. Hbk, 9.75 x 11 in. / 412 pgs / Marxist philosopher and sociologist NAI010 PUBLISHERS 9783775736978 U.S. | CDN $ 135.00 had such a defining relationship to 2013 is designed by award-win- pression of its style, the overture 250 color. January / Architecture & Henri Lefebvre published a book ti- 9789462081062 U.S. | CDN $ 37.50 Clth, 11.75 x 15 in. / 256 pgs / the Dutch national identity as the ning Japanese architect Sou that ostensibly sets the tone for the WASMUTH Urban Studies FLAT40 Pbk, 4.5 x 6.75 in. / 240 pgs / 150 color. February / Architecture & tled The Urban Revolution, in which 9783803007674 U.S. | CDN $ 45.00 Rijksmuseum. This book traces the Fujimoto (born 1971)—the thir- rest of the building. In this volume, 150 color. February Architecture/ & FLAT40 Hbk, 8.25 x 10.25 in. / Urban Studies history of this architectural land- he advanced the hypothesis that teenth and, at 41, youngest archi- the German architect Oda Pälmke 240 pgs / illustrated throughout. Urban Studies “society has been completely ur- mark and artistic treasure house, tect to accept the invitation to demonstrates that the most ex- February Architecture/ & Urban Studies banized.” By this, Lefebvre meant from its opening in 1885 to the design a temporary structure for pressive sides of houses are not al- that the process of urbanization cre- present day. Considered P.J.H. the Serpentine Gallery. The Serpen- ways those that were originally ates the conditions for capitalism— Cuypers’ masterpiece, the tine’s past pavilions have included designed as façades. Pälmke has rather than urbanization being an Rijksmuseum had been added designs by Herzog & de Meuron established herself as a connois- outcome of the circulation of capi- onto and reconfigured piecemeal and Ai Weiwei (2012), Frank Gehry seur of the overlooked and the or- tal—and that the consequences of over the decades. Its recently (2008), the late Oscar Niemeyer dinary in architecture, as her this process therefore extended far completed restoration has reestab- (2003) and Zaha Hadid (2000). previous volume, the delightful beyond actual cities. Compiling lished the original master plan Inspired by organic structures Quite Good Houses, demonstrates. both classic and contemporary es- while ensuring that its overhauled such as forests, nests and caves, Here, she asks the viewer to imag- says on the “urbanization ques- infrastructure takes full advantage Fujimoto’s buildings inhabit a ine seemingly unspectacular side tion,” this book explores the various of recent developments in mu- space between nature and artifi- walls and temporary modifications ​Miguel​Fisac​&​ ​The​Golf​Courses​ ​Casanova​+​ ​Eckhard​Gerber​ theoretical, epistemological and po- seum science and modern technol- ciality. Fujimoto’s pavilion is a as the faces of buildings, locating a Alejandro​de​la​Sota: of​Javier​Arana​ Hernandez:​ Baukunst:​Buildings litical implications of Lefebvre’s ogy—including lighting and delicate, latticed structure of steel wealth of possibilities in the mar- Parallel​Views​ claim, with a series of analytical and The golf courses of Javier Arana Scale​&​Perception​ and​Projects​ advanced climate control, not to poles—lightweight and semi-trans- ginal and the incomplete. Façades This book surveys the work of (1904–1975) are ranked among the Edited by Ulrich Müller. Preface 1966–2013​ mention a state-of-the-art security includes a foreword by filmmaker cartographic interventions that parent in appearance—that Miguel Fisac and Alejandro de la best courses in Europe, and some, by Ulrich Müller. Text by Helena reach beyond the conventional bi- Edited by Fr ank Rolf Werner. system to protect its priceless con- allows it to blend, cloudlike, into Wim Wenders, who brings a cine- such as El Saler in Spain, are con- Sota (born 1913), two of the most Casanova, Jesus Hernandez, Internationally acclaimed German tents. Containing hundreds of naries of the topic (urban/rural, sidered among the best in the the landscape and against the matic perspective ideally suited to important modern Spanish archi- Claus Käpplinger. Photographs by architect Eckhard Gerber (born drawings and photographs, this city/non-city, society/nature) in world. This volume provides an classical backdrop of the Gallery’s the topic (façades often constitut- tects of the twentieth century. Christian Richters. Scale & Percep- 1938) has mounted major projects order to investigate the uneven im- overview of Arana’s life and work. handsome volume is the ultimate colonnaded East wing. It is de- ing the entirety of a building’s It includes drawings, models, pho- tion documents an exhibition of in Europe, Asia and many Arabic plosions and explosions of capitalist guide to the history, restoration signed as a flexible, multipurpose structure in movies). tographs, pictures of furniture and TURNER the work of Rotterdam-based countries. Buildings and Projects and renewal of the Netherlands’ urbanization across the globe—and objects, in an extensive tour of 9788415832423 U.S. | CDN $ 85.00 architects Casanova + Hernandez 1966–2013 encompasses buildings social space. This volume docu- JOVIS most famous museum. what Lefebvre famously termed (in both masters’ work. Clth, 9.5 x 12 in. / 304 pgs / at the Architektur Galerie Berlin, from all of his creative phases ments the project. 9783868593167 U.S. | CDN $ 19.95 150 color. February / Architecture & and includes their manifesto Hbk, 4.25 x 6 in. / 144 pgs / his book of the same name) “the LA FÁBRICA/MUSEO ICO and comments on their relevance NAI010 PUBLISHERS WALTHER KÖNIG, KÖLN Urban Studies/Sports “Scale & Perception.” U S | CDN within architectural history. | 115 color. production of space.” 9788415691501 . . $ 60.00 9789462080942 U.S. CDN $ 75.00 9783863354084 U.S. | CDN $ 45.00 April / Architecture & Urban Studies/ Pbk, 7.25 x 10.25 in. / 240 pgs / FLAT40 Pbk, 8.75 x 9.75 in. / 96 pgs / WASMUTH JOVIS JOVIS illustrated throughout. February / Photography 9783803007667 U.S. | CDN $ 45.00 Hbk, 9.5 x 12 in. / 304 pgs / 130 color / 68 color / 10 b&w. | 9783868592658 U.S. | CDN $ 80.00 9783868593174 U.S. CDN $ 49.95 Architecture & Urban Studies 280 b&w. Available / Architecture & Urban Pbk, 6.5 x 9.5 in. / 576 pgs / FLAT40 Hbk, 8.75 x 11 in. / 104 pgs / Hbk, 9.75 x 12.5 in. / 304 pgs / February Architecture/ & Urban Studies Studies 55 color / 25 b&w. 35 color / 23 b&w. February / 175 color. April / Architecture & Urban April / Architecture & Urban Studies Architecture & Urban Studies Studies

164 artbook.com­­ artbook.com 165 urbanism and architectural journals HIGHLIGHTS ■ ARCHITECTURE

​The​Acoustic​City​ ​Nove​Novos​ ​Landscapes​in​the​City​ ​Urban​Space​ ​Candide​No.​8​ ​DASH​09:​Housing ​OASE​91:​Building​ Edited by Matthew Gandy, Benny ​Emerging​Architects​from Madrid​Río:​Geography,​ Text by Klaus Theo Brenner. ​Journal​for​Architectural​ Exhibitions​ Atmosphere​ Nilsen. The Acoustic City consists Brazil​ Infrastructure​and​Public Photographs by René Wildgrube. Knowledge​ Text by Dick van Gameren, ​Material,​Detail​and​ of a series of cutting-edge essays Edited by Anna Scheuermann, Space Klaus Theo Brenner’s architectural Edited by Axel Sowa, Susanne Frederique van Andel, Lucy Atmosphere​in​ on sound and the city, and a spe- Fernando Serapião, Peter Cachola Edited by Fernando Porras-Ysla. study of the development of mod- Schindler, Andres Lepik. How is an Creagh, Sandra Wagner-Conzel- Architectural​Practice​ cially commissioned CD. The book ernism in European architecture in- PREVIOUSLY ANNOUNCED Schmal, Ricardo Ohtake. Nove Since 2008, the four-mile stretch architect’s knowledge generated, mann en Noud de Vreeze. DASH Edited by Klaske Havik, Gus is comprised of five thematic sec- cludes archival photographs Novos surveys residences, sporting alongside the Manzanares River gathered and passed on? Who are 9 focuses on the objectives and Tielens, Hans Teerds, Peter ​Design​Miami​2013 tions: sound mappings, sound cul- published as postcards in the early venues, commercial buildings and in Madrid has been converted the people, institutions and groups outcomes of housing exhibitions, Zumthor, Juhani Pallasmaa. Archi- tures, the recording of urban twentieth century, as well as con- Catalogue​ museums by the youngest genera- into a bustling green space, involved? These questions are at which have had a significant tects Peter Zumthor and Juhani sounds and acoustic ecology. temporary portraits of Milan’s ar- Design Miami is the global forum tion of Brazilian architects. In- with an urban beach, rowing and the heart of the series of essays in impact on the development of Pallasmaa have both identified chitecture from the 1920s and for twentieth- and twenty-first-cen- JOVIS cluded are projects by Arquitetos bicycle lanes and restaurants. Candide’s eighth volume. twentieth-century residential atmosphere as a core theme of 1930s taken by René Wildgrube. tury collectible design. Each fair 9783868592719 U.S. | CDN $ 39.95 Associados, Nitsche Arquitetos, With text, photos, drawings and architecture. An interview with HATJE CANTZ architecture. This publication dis- Pbk, 6.5 x 9.5 in. / 208 pgs / 100 b&w / Corsi Hirano Arquitetos, Jacobsen maps, Landscapes in the City Barry Bergdoll examines the brings together the most influential WASMUTH 9783775736541 U.S. | CDN $ 30.00 cusses the creation and manipula- Audio CD. April / Architecture & Urban collectors, gallerists, designers, cu- Arquitetura, Carla Joaçaba and looks at the urban planning and 9783803007681 U.S. | CDN $ 50.00 FLAT40 Pbk, 6.75 x 9.5 in. / sculpture garden at The Museum tion of atmosphere in their work Studies/Nonfiction & Criticism rators and critics from around the Estúdio Paralelo. design along the river. FLAT40 Hbk, 7.75 x 11.5 in. / 140 pgs / 144 pgs / 30 color. June / of Modern Art, New York. and that of their contemporaries.

illustrated throughout. February / Journals/Architecture & Urban world in celebration of design cul- JOVIS TURNER NAI010 PUBLISHERS Architecture & Urban Studies Studies Studies NAI010 PUBLISHERS ture and commerce. Occurring 9783868592436 U.S. | CDN $ 40.00 9788415832416 U.S. | CDN $ 45.00 9789462080980 U.S. | CDN $ 45.00 9789462081079 U.S. | CDN $ 35.00 alongside the Art Basel fairs in Pbk, 8.5 x 11.5 in. / 148 pgs / Pbk, 9.5 x 11 in. / 312 pgs / FLAT40 Pbk, 9 x 11 in. / 160 pgs / FLAT40 Pbk, 7 x 9 in. / 128 pgs / Miami each December and Basel, 200 color. April / Architecture & Urban 150 color. February / Architecture & 125 color / 50 b&w. February / 13 b&w. February / Journals/Architec- Switzerland each June, Design Studies/Latin American Art & Culture Urban Studies Journals/Architecture ture & Urban Studies Miami has become the premier venue for collecting, exhibiting, discussing and creating collectible design. Each show balances exclu- sive commercial opportunities with progressive cultural programing, creating exciting collaborations with designers and design institu- tions, panels and lectures with lu- minaries from the worlds of design, architecture, art and fash- ​The​Glass​Farm​ ​Ground​Floor​ ​Make_Shift​City​ ​Situational​Urbanism​ ​Built​Environment​ ​Learn​Move​Play ​Folly​ ion, and unique commissions from ​Biography​of​a​Building​ Interface​ ​Renegotiating​the​Urban ​Directing​Post-War​Urbanity​ 12-13​ Ground​ ​Interventions​in​Public​Space​ the world’s top emerging and es- tablished designers and architects. Text by Gerard Buenen, Winy ​Transitions​Between​Public Commons​ Text by Otto Paans, Ralf Pasel. ​Wiel​Arets:​Best​Graduation ​How​to​Improve​ Edited by Nikolaus Hirsch, Philipp This catalogue presents the fair’s Maas. This publication chronicles and​Private​Spheres​ Edited by Francesca Ferguson. Situational Urbanism combines Projects​ Playgrounds​through​ Misselwitz, Eui Young Chun. Text complete exhibition program, and a remarkable building in the The Wüstenrot Foundation’s re- Make_Shift City looks at urban de- urban spatial theory with a com- Edited and with introduction by Participation​ by David Adjaye, Rem Koolhaas, et includes profiles of the world’s top Dutch town Schijndel, erected in search project Ground Floor Inter- sign strategies that renegotiate and prehensive toolkit of flexible design Jos Bosman. Published for Dutch Edited by Barbara Pampe, Vittoria al. Throughout history, follies have design galleries, interviews with the market square after a disas- face examines the role of the emancipate shared spaces and re- methods for transforming mod- Design Week, this volume docu- Capresi. In 2012, 36 students gath- been used as a provocation, a friv- emerging and established talents trous bombing in 1944. In collabo- ground floor as a transitional area sources within the city, showing ernist urban areas, ranging in scale ments a selection of graduation ered in Cairo to work with profes- olous diversion or strategic place and a market index of designers. ration with photographer Frank van between public, urban and private how the increasing scarcity of re- from the individual house to the projects from the Built Environ- sors and experts from various fields of madness and satire freed from der Salm (born 1964), an image of residential space. This summary of sources and commons—particu- block to the neighborhood. ment faculty at Eindhoven Univer- to realize two new playgrounds in the constraints of societal norms. DESIGN MIAMI a typical Schijndel farmhouse is larly in Western cities—have This volume documents a series of 9781938922367 U.S. | CDN $ 25.00 their research presents an impor- JOVIS sity of Technology, in essays, public primary schools. This book printed onto the glass façade. far-reaching consequences for the eight newly commissioned follies Pbk, 6.5 x 9.25 in. / 156 pgs / tant typological study. 9783868592580 U.S. | CDN $ 45.00 models, plans and photographs. documents the process and the de- illustrated throughout. Available / everyday urban experience. Pbk, 8.5 x 9.25 in. / 240 pgs / signs, which are simple, low-cost forging links between everyday NAI010 PUBLISHERS JOVIS NAI010 PUBLISHERS Design & Decorative Arts 200 color. April / Architecture & Urban and easy to install. uses and political practice. 9789462080881 U.S. | CDN $ 39.95 9783868592696 U.S. | CDN $ 49.95 JOVIS 9789462081086 U.S. | CDN $ 19.95 Studies FLAT40 Pbk, 6 x 8 in. / 400 pgs / Hbk, 9.25 x 12 in. / 352 pgs / 9783868592238 U.S. | CDN $ 45.00 FLAT40 Pbk, 6.75 x 9.5 in. / 176 pgs / HATJE CANTZ JOVIS 400 color. February / Architecture & Pbk, 8.5 x 10.25 in. / 256 pgs / 200 color / 100 b&w. April / 300 color. February / Architecture & 9783868592245 U.S. | CDN $ 35.00 9783775735537 U.S. | CDN $ 55.00 Urban Studies Architecture & Urban Studies 250 color. April / Architecture & Urban Urban Studies Pbk, 6.5 x 9.5 in. / 144 pgs / Hbk, 6.75 x 9.5 in. / 244 pgs /

Studies 120 color. April / Architecture & Urban 119 color. March / Art Studies

166 artbook.com­­ artbook.com 167 HIGHLIGHTS ■ LIMITED EDITIONS

PREVIOUSLY ANNOUNCED ​Toilet​Paper:​I​Always​Remember​a​Face,​Especially When​I’ve​Sat​on​It​ ​A​Vinyl​Record​Compiled​by​Maurizio​Cattelan​ Provocateur and prankster Maurizio Cattelan has created some of the most unforgettable images in contemporary art. Released in tandem with his show at Fondation Beyeler in Basel, and in col- laboration with Pierpaolo Ferrari, his latest project is this limited-edition, vinyl-only picture disc—a suitably absurd and eccentric compilation that stems from the duo’s Toilet Paper magazine proj- ​Bart​Michiels:​The ​Richard​Corman: ect. It features 14 tracks by a fittingly eclectic cast including Bernard Herrmann, The Cheers, Pierre Schaeffer, Judy Garland, Coldcut, Malcolm McLaren, Gene Vincent, Les Paul and Mary PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED Course​of​History​ Madonna​NYC​83 ​Limited​Edition​ Ford, Hoosier Hot Shots, F.T. Marinetti & A. Guintini, Cornelius, and Ozzie Nelson and His Orches- ​Tom​Bianchi:​ ​Paz​de​la​Huerta: ​Limited​Edition​ tra. Toilet Paper: I Always Remember a Face, Especially When I’ve Sat on It is limited to 1,000 Madonna NYC 83 celebrates a mo- Text by Sonja Fessel, Simon copies, and is housed in a PVC sleeve. It includes exclusive artwork by Cattelan. Fire​Island​Pines​​ The​Birds​Didn’t ment in early 1980s New York that Schama. ​Polaroids​1975–1983,​ has been much reappraised in re- THE VINYL FACTORY/TOILET PAPER Die​over​the​ In his series The Course of History, Limited​Edition​ cent years for its fecund interac- 9781938922343 U.S. | CDN $ 60.00 SDNR30 Winter​ Belgian-born, New York–based Vinyl record, 12 x 12 in. / Limited edition of 1,000 copies. Edited by Ben Smales. Introduction tions between the worlds of by Edmund White. Text by Tom ​Limited​Edition​ artist Bart Michiels sought out the Available /Limited Editions fashion, art and music. This eco- Bianchi. ​Photographs​by​Alexandra most infamous and bloodstained nomically fragile period gave rise This collector’s edition of Tom Carr​ battlefields of Europe. He captures to a vital restlessness in the city, Bianchi’s Fire Island Pines is limited Photographer Alexandra Carr met these sites just as they are today— spawning adventurous personal to 67 numbered copies, and Paz de la Huerta—the actress and empty fields and pastures, ​Tacita​Dean:​c/o​Jolyon​ styles and music that merged rap, comes in a special orange cloth Boardwalk Empire star—in New beaches, rolling hills, where time Originally conceived for an exhibition in Afghanistan, Tacita Dean’s (born 1965) c/o Jolyon consists of 100 funk, punk and pop. Madonna rep- slipcase with a tipped-in cover York in 2007, shortly before Paz be- seems to have eradicated any trace original prewar postcards from Kassel, Germany, over which the artist painted contemporary views of the same resented this sensibility like no-one image. It also contains a fine art gi- came the celebrity she is today. of their violent past. As the viewer sites in gouache. The postcards were originally mailed “c/o Jolyon” to the former CEO of the Aga Khan Trust else. As this book makes amply clée print signed and numbered by They soon agreed to collaborate on reads the captions on Michiels’ for Culture in Kabul, Jolyon Leslie. The name Jolyon had a particular resonance for Dean, as it was her father’s clear, from the start she was deter- Bianchi. In 1970, fresh out of law a photo project, and began shoot- photographs, he or she begins at middle name, taken from a character in John Galsworthy’s The Forsyte Saga. The first 50 postcards of c/o mined to define a look for herself, school, Bianchi began traveling to ing in the fall of 2008, often using once to recount the sad history of Jolyon were shown as part of Documenta 13 at the Queen’s Palace, Bagh-e Babur in Kabul, Afghanistan, in and to carve out a space in the New York, and was invited to Paz’s small West Village apartment the place and the moment, reflect- 2012. Published in a limited edition of 300 copies, this book reproduces the 100 postcards in full color. public imagination. Richard Cor- spend a weekend at Fire Island as a backdrop, which was merci- ing on the heavy consequence of WALTHER KÖNIG, KÖLN man met Madonna by chance in Pines, where he encountered a fully well heated throughout that war. Published in an edition of 40 9783863354244 U.S. | CDN $ 110.00 SDNR30 1983 and created a collection of community of gay men. Using an especially cold New York winter. A copies, this special limited edition Pbk, 7.5 x 9 in. / 104 pgs / 100 color / Limited edition of 300 copies. images that constitute a multifac- January /Limited Editions/Art SX-70 Polaroid camera, Bianchi gorgeous, linen-bound volume, of The Course of History includes a eted portrait of the young singer. documented his friends’ lives in this limited edition of The Birds numbered and signed print by Bart This publication is a limited edition the Pines, amassing an image Didn’t Die over the Winter explores Michiels, and is issued in a cloth of 50 copies, and includes an origi- archive of people, parties and pri- themes of love, loneliness and the slipcase. The image of the limited nal signed and numbered print of vate moments. These images, pub- difficult transition from youth into print is titled “Verdun 1916, Le the image Cinderella, that comes in lished here for the first time, and maturity. Published in a limited edi- Mort Homme, 2001,” depicting a a separate envelope within the ​Alexander​McQueen:​Working​Process​ accompanied by Bianchi’s moving tion of 25 copies, it comes in a wide, slightly hilly meadow with slipcase. ​Limited​Edition​ memoir of the era, record the birth special linen cloth slipcase with a tall grass, behind a featureless sky. and development of a new culture. signed and numbered photograph DAMIANI ​Photographs​by​Nick​Waplington​ DAMIANI 9788862083461 U.S. | CDN $ 750.00 Edited by Alexander McQueen, Nick Waplington. Text by Susannah Frankel. Soaked in sun, sex, camaraderie by Alexandra Carr and Paz de la 9788862083577 U.S. | CDN $ 650.00 SDNR30 and reverie, Fire Island Pines con- Huerta. SDNR30 Lee Alexander McQueen’s last show before his untimely death in 2010, titled The Horn of Plenty, func- Slip, Hbk, 9.5 x 12.5 in. / 96 pgs / Slip, Clth, 12.5 x 10.5 in. / 160 pgs / tioned as a kind of personal survey in which McQueen revisited his 15-year archive of work, revitalizing jures a magical bygone era. illustrated throughout / Signed & DAMIANI illustrated throughout / Signed & numbered edition of 50 copies. it through the new collection. He invited photographer Nick Waplington to document the collection DAMIANI 9788862083164 U.S. | CDN $ 390.00 numbered edition of 40 copies. March / Limited Editions/Photography from inception to runway. “It is not just a book about a season in a fashion house,” says Waplington; “It 9788862083140 U.S. | CDN $ 750.00 SDNR30 March / Limited Editions/Photography SDNR30 Slip, Clth, 7 x 10 in. / 144 pgs / is also a personal record of Lee’s imagination, his version of himself, and a tribute to the many impor- Slip, Hbk, 8.5 x 10 in. / 212 pgs / Signed & numbered edition of tant and lasting relationships he had with all those who worked alongside him.” With over 250 photo- 25 copies illustrated throughout / Signed & graphs, Working Process allows readers an intimate glimpse into McQueen’s dynamic creative process. numbered edition of 67 copies. Available / Limited Editions/ Available / Limited Editions/ Photography This boxed limited edition of 100 copies includes an original signed and numbered print by Waplington, Photography which features McQueen behind the scenes at the fashion shoot, from page 36 of the book.

DAMIANI 9788862083560 U.S. | CDN $ 1,500.00 SDNR30 Boxed, 9 x 12 in. / 304 pgs / illustrated throughout / Signed & numbered edition of 100 copies. March / Limited Editions/Fashion

168 artbook.com­­ artbook.com 169 speCIalty Books

Kiki Kogelnik, Untitled (Self-portrait), ca. 1979, from Kiki Kogelnik, published by Kunst Nurnberg. See page 173. Mixed media with color pencil, pencil and ink on paper, 8 ½ x 11 inches. Image courtesy Andrew Rinkhy, Kiki Kogelnik Foundation Vienna/New York. Vienna/New Foundation Kogelnik Kiki Rinkhy, Andrew courtesy Image inches. 11 x ½ 8 paper, on ink and pencil pencil, color with media Mixed art of the 1960s and 70s SPECIALTY ■ ART

PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED ​Kiki​Kogelnik​ ​Georg​Baselitz:​ PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED ​Allan​Kaprow:​ ​Lawrence​Weiner: ​Anthony​McCall: Edited by Hans-Peter Wipplinger. Le​côté​sombre​ ​Thomas​Bayrle:​ ​Joëlle​Tuerlinckx: Stockroom​ The​Grace​of​a​ 1970s​Works​on​Paper​ Text by Brigitte Borchhardt-Bir- Edited by Arne Ehmann. Text by All-in-One​ Wor(l)(d)(k)​in Edited by Hubert Klocker. Text Gesture​ Edited by Sean Kelly, Thomas baumer, Alexandra Hennig, Su- Rudi Fuchs, John-Paul Stonard, Text by Thomas Bayrle, Devrim Progress?​ sanne Längle, Hans-Peter ​Gordon​Matta- by Brigitte Marschall, Sara Edited and with text by Thomas Zander. Text by Anne M. Wagner. Michael Semff. This book features Bayar, Carolyn Christov-Bakargiev, Foreword by Okwui Enwezor, Wipplinger. Kiki Kogelnik (1935– Tiefenbacher, et al. In 1962, Allan Kellein. This handsome catalogue Since the early 1970s, Anthony new, monumental sculptures by Jörg Heiser. All-in-One offers an Dirk Snauwaert, Tom Trevor. Text Clark:​Art​Cards 1997) was an Austrian painter, Kaprow (1927–2006) took the documents The Grace of a Gesture, McCall has been working with pro- German artist Georg Baselitz (born overview of the multifaceted oeu- by Julienne Lorz, et al. Utilizing Edited by Monica Rios, Carlos sculptor and printmaker associated decisive step from assemblage to Lawrence Weiner’s contribution to jected light. His “solid light” instal- 1938), in bronze and burnished vre of Thomas Bayrle (born 1937), drawing, found objects, vitrines, Labbe. Introduction by Jane with the German Pop art move- happenings with his “Stockroom” the 2013 Venice Biennale. Weiner’s lations occupy a space between black, accompanied by a radical from his early kinetic machines to newspapers, collage and sculpture, Crawford. Foreword by Gwendolyn ment. This catalogue surveys her environment, devised for the Mod- text installation was presented on line-drawing, cinema and sculp- body of paintings titled Black Paint- the recent engine installations, the Belgian artist Joëlle Tuerlinckx Owens. Afterword by Maria oeuvre, from colorful Pop paintings erna Museet Stockholm’s famous the ground floor of the Palazzo ture. 1970s Works on Paper in- ings. Le côté sombre includes un- serigraphies, sculptures, videos, (born 1958) subverts museum Berrios. From 1970 to 1978, Gor- to her sculptural vinyl “hangings,” exhibition Art in Motion. This book Bembo near the Rialto Bridgea and cludes working drawings from the published drawings, watercolors his early work as a graphic de- presentations of archival material, don Matta-Clark (1943–1978) was which are life-size paper stencils is the first to document all nine also included a multilingual text in- last 40 years, and showcases key and sketches of the sculptures. signer and publisher (with an illus- inquiring into basic knowledge in the habit of jotting down notes (hung on clothing racks) of her reprisals of the “Stockroom,” five stalled on five public boats. works such as “Landscape for trated bibliography of Bayrle’s structures. This volume explores on index cards that he carried with friends. GALERIE THADDAEUS ROPAC of which were done posthumously. Fire” and “Five-Minute Drawing.” artists’ books) and samples from her work of the past three decades. him throughout his travels, from WALTHER KÖNIG, KÖLN 9783901935503 U.S. | CDN $ 55.00 MODERNE KUNST NÜRNBERG FLAT40 Hbk, 10.75 x 14 in. / 152 pgs / his own texts. Lower Manhattan to Santiago de WALTHER KÖNIG, KÖLN 9783863353896 U.S. | CDN $ 35.00 WALTHER KÖNIG, KÖLN WALTHER KÖNIG, KÖLN U S | CDN | | 9783869844558 . . $ 50.00 81 color / 6 b&w. February / Art 9783863353667 U.S. CDN $ 40.00 FLAT40 Hbk, 9.5 x 9.75 in. / 64 pgs / 9783863353346 U.S. CDN $ 85.00 WALTHER KÖNIG, KÖLN 9783863353803 U.S. | CDN $ 69.95 Chile, from Ithaca to Paris and New FLAT40 Hbk, 8.5 x 10 in. / 194 pgs / FLAT40 Pbk, 10.75 x 11.75 in. / 36 color / 1 b&w. Available / Art FLAT40 Hbk, 8.75 x 10 in. / 304 pgs / 9783863353377 U.S. | CDN $ 55.00 FLAT40 Pbk, 8 x 10.75 in. / 344 pgs / Jersey. This book compiles these 124 color / 66 b&w. February / Art 88 pgs / 45 b&w. Available / Art 490 color. November / Art “art cards.” Combining writing and FLAT40 Hbk, 9.5 x 12.5 in. / 224 pgs / 335 b&w. Available / Art illustrated throughout. Available / Art drawing, Matta-Clark’s state- ments—some only a few words long, others a paragraph—are both manifestos and meditations on his life (“the pockets that carry you through the day”), his craft (“Pro- posal to a Wall St stock broker: to cut through a tax shelter”) and the built environment (“To the nature of materials Anarchitecture adds a notion of events”). Ranging in tone PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED from the melancholic to the cheer- ​Antony​Gormley: ​Giovanni​Anselmo​ ​Jannis​Kounellis: ​Daniel​Spoerri: ​Daniel​Spoerri:​ ful, these art cards are saturated ​Richard​Long:​ Meter​ ​Phyllida​Barlow: Spare and concise, the art of Magdeburg​ Waschbretter, Historia​Rerum​ throughout with the excitement of Prints​1970–2013​ Edited by Arne Ehmann, Rosalind Brink​ Giovanni Anselmo (born 1934) Text by Jannis Kounellis, Rudi Waschrumpeln, Rariorum​ living as an artist in 1970s New ​Catalogue​Raisonné​ Horne. Text by Martin Caiger- Edited and with text by Brigitte perfectly embodies the spirit of Fuchs, Annegret Laabs. This publi- York City. Waschrubbeln,​ Text by Michael Fuhr, Marie-Louise Smith. In Meter, British sculptor the Arte Povera movement (of Edited with text by Roland Mönig, Franzen. Working with plaster, ce- cation presents the newest work von Plessen, Ute Woltron, Feridun which he was a protagonist). The Washboard​ SANGRIA Antony Gormley (born 1950) con- ment, plastics, wood and textiles, by Greek artist Jannis Kounellis Zaimoglu. Before museums, Gerard Vermeulen. Over a period Edited by Thomas Levy. Text by 9789568681234 U.S. | CDN $ 30.00 sculptures, objects, drawings and of almost 45 years, the pioneering tinues to explore the human body British sculptor Phyllida Barlow (born 1936)—a dense installation wealthy collectors displayed eclec- FLAT40 Pbk, 4.75 x 6.5 in. / 404 pgs / photographs gathered in this Daniel Spoerri. A veteran of as- land artist Richard Long (born and its relation to space. The new (born 1944) explores simple physi- of works made from coat racks, tic assortments of artworks and 404 b&w. March / Artists’ Books volume illustrate his concern semblage art, Daniel Spoerri (born 1945) has created prints with al- minimalist works featured in this cal tensions of materials as well as built specifically for the Magde- natural objects in Wunderkammer, with the observation of natural 1930) has always been fascinated most every technique possible, catalogue reference the formal their more architectural properties. burg museum. Magdeburg also in- or cabinets of curiosities. Daniel processes and energies. by collecting. In his latest series, language of architecture and are Coming on the heels of her ac- cludes Kounellis’ monotypes from Spoerri’s Historia Rerum Rariorum from monotype, engraving and li- old washboards are made to serve documented in situ at the Galerie claimed show at the New Museum 2010–2011, as well as some older is inspired by this precedent, and thography to silk-screen and offset RICHTER | FEY VERLAG as a ground for all sorts of found Thaddaeus Ropac in Salzburg. in New York, this volume is the 9783941263581 U.S. | CDN $ 35.00 pieces. unites works from the past two printing. This is the first catalogue objects and collectibles—bones, most substantial monograph yet FLAT40 Pbk, 12 x 9 in. / 52 pgs / decades with recent pieces. raisonné of Long’s prints. GALERIE THADDAEUS ROPAC JOVISART teeth, feathers and parts of dolls published on Barlow. 35 color. February / Art 9783901935510 U.S. | CDN $ 50.00 9783868592061 U.S. | CDN $ 17.95 WALTHER KÖNIG, KÖLN and figurines. KERBER FLAT40 Hbk, 8.5 x 11.25 in. / FLAT40 Pbk, 8.5 x 11.25 in. / 36 pgs / 9783863353650 U.S. | CDN $ 55.00 WALTHER KÖNIG, KÖLN 9783866788527 U.S. | CDN $ 40.00 152 pgs / 113 color / 3 b&w. 26 b&w. April / Art KERBER FLAT40 Pbk, 8.75 x 10.75 in. / 9783863352721 U.S. | CDN $ 45.00 FLAT40 Hbk, 10.5 x 8.75 in. / 112 pgs / February / Art 9783866788381 U.S. | CDN $ 30.00 196 pgs / 150 color. Available / Art FLAT40 Pbk, 8 x 9.75 in. / 118 pgs / 65 color / 18 b&w. February / Art FLAT40 Hbk, 6.75 x 9.5 in. / 80 pgs / 100 color. Available / Art 47 color / 3 b&w. February / Art

172 artbook.com­­ artbook.com 173 Contemporary sculpture from north america and europe SPECIALTY ■ ART

​Charles​Ray:​ ​Kaz​Oshiro​ PREVIOUSLY ANNOUNCED ​Gianpietro​Carlesso​ ​Miquel​Barcelo:​ ​Ugo​Rondinone: Young​Man​ Text by Michael Duncan, Ed ​Figure​in​the​Garden: ​Monograph​and​Survey​ Terra​Ignis​ Thank​You​Silence​ This volume documents the stages Schad. The highly crafted trompe Katharina​Fritsch​ Edited by Markus Klammer. Text by This catalogue presents the most Edited and with text by Eva of work and materials used to l’oeil paintings of Japanese-born, at​The​Museum​of Giuliana Carbi, Markus Klammer, et recent ceramic work of Catalan Wittocx, Lore Van Hees. Text by ​Julian​Hoeber​ realize Charles Ray’s “Young Man” Los Angeles–based artist Kaz Modern​Art​ al. The sculpture of Gianpietro artist Miquel Barceló (born 1957). Eva Wittocx. This publication Oshiro (born 1967) depict ordinary ​Urs​Fischer:​The Text by Douglas Fogle, Jonathan (2012), a 1,500-pound sculpture Carlesso (born 1961) combines Created in Majorca in a former presents recent works by Swiss items like beaten-up amplifiers, fil- Edited and with text by Robert Making​of​Yes​ Lethem. Published on the occasion in solid stainless steel. Printed on materials such as stone, marble tilery and brickyard, Barceló’s artist Ugo Rondinone (born 1964) ing cabinets, trash dumpsters and Fleck. Interview with Katharina of his 2013 exhibition at Blum & and iron. Over the past 30 years unique terracotta objects are relating to nature and mankind, ​Photographed​by​Cassandra unbound pages, this publication suitcases so realistically that they Fritsch, Tom Otterness, Ann Poe, this is the first monograph he has produced, first, the Weiche deliberately subjected to damage including bronze sculptures of MacLeod​ shows the development of appear as ready-made objects. This Temkin. A madonna, skeleton feet, on Los Angeles–based multimedia Formen (Soft Forms), then the while the clay is still fresh. birds, stained-glass clocks, wax The Making of Yes features photo- Ray’s sculpture alongside a set a green Saint Michael slaying the volume celebrates his virtuoso Decostruzioni (Deconstructions), and earthen figures, plus a draw- graphs by Cassandra MacLeod artist Julian Hoeber (born 1974). dragon—these and other figures ACTES SUD of life-size details that can be practice. the Plant and Seed Forms and ing series and a series of poems. documenting a vast collaborative Filtering the aesthetics of Minimal- make up Katharina Fritsch’s curi- 9782330019327 U.S. | CDN $ 49.00 reconfigured into two full-scale finally the Curvatures. Although project by Urs Fischer with contri- ism, Op art and the Light and DAMIANI/PERROTIN ous cast of characters on view in FLAT40 Pbk, 9.5 x 11.75 in. / 160 pgs / JRP|RINGIER photographs of the work. 9788862083423 U.S. | CDN $ 40.00 Carlesso’s art always addresses 80 color. March / Art butions by 1,500 individuals who Space movement through a pop- 2013 at MoMA’s Sculpture Gar- 9783037643549 U.S. | CDN $ 35.00 FLAT40 Hbk, 8.25 x 10.5 in. / 144 pgs / the human being, people are never were invited to work in clay over cultural lens, Hoeber’s paintings OLYMPIC PRODUCTIONS/MATTHEW den, documented here. FLAT40 Hbk, 9.5 x 12 in. / 104 pgs / and sculptures seek irrationality MARKS GALLERY illustrated throughout. March / directly recognizable in his works. 71 color / 7 b&w. February / Art the weeks preceding the opening Art/Asian Art & Culture within rational systems, toying 9781880146682 U.S. | CDN $ 35.00 WALTHER KÖNIG, KÖLN of Fischer’s retrospective exhibition HATJE CANTZ FLAT40 Pbk, 13 x 17.75 in. / 32 pgs / 9783863353582 U.S. | CDN $ 40.00 at the Museum of Contemporary with space and perception, and 9783775736497 U.S. | CDN $ 60.00 174 color. March/ Art FLAT40 Hbk, 7.75 x 9.75 in. / 104 pgs / examining how consciousness FLAT40 Hbk, 9.5 x 11.75 in. / 256 pgs / Art in Los Angeles. All were asked 40 color / 30 b&w. Available / Art is affected under varying physical 400 color. June/ Art to join Fischer in making figures circumstances. As evidenced and animals out of clay, allowing in his paintings, sculpture and for variation within a theme so that installations, Hoeber displaces the possibilities for style, structure, distinctions between high and scale and finish would be open low, conceptual and formal, and to exploration while preserving art and craft. Beautifully illustrated the unity of the project. Filling the with 70 images of current and expansive spaces of the museum, past works, this volume includes the unfired clay forms disinte- a checklist of the exhibition, and a grated over time to create a fantas- complete bibliography, extensively tical landscape of fragmented documenting Hoeber’s past ​Will​Munro:​History, ​Geoffrey​Farmer: PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED figures. The lively photographs and current work. The book also in this volume convey the hands- includes new essays by Douglas Glamour,​Magic​ Let’s​Make​the​Water ​Mike​Nelson:​Space ​Berlinde​De​ ​Kathryn​Andrews: ​Cameron​Jamie: on sense of fun and excitement the Fogle and Jonathan Lethem Introduction by Emelie Chhangur, Turn​Black​ that​Saw,​Platform​ Bruyckere:​In​the Special​Meat​ Inner​Planets​ individual participants experienced written especially for this volume. Philip Monk. Text by Luis Jacob, Edited by Alex Farquharson, for​a​Performance​in Flesh​ Occasional​Drink​ Edited and with text by Lynn Kost. from partaking in this exuberant Emelie Chhangur, Philip Monk, Over the course of his two-decade project. BLUM & POE Heike Munder, Tobias Ostrander, Two​Parts​ Preface by Peter Pakesch. Text by Foreword by Philipp Kaiser. Text Leila Portovaf, Bruce LaBruce. career, Cameron Jamie (born 1969) 9780966350364 U.S. | CDN $ 40.00 Bettina Steinbrügge. Text by Alex This volume records an installation Katrin Bucher Trantow, K. Ludwig by Tim Griffin, Michael Ned Holte, KIITO-SAN Will Munro (1975–2010) was a has repeatedly explored the theme FLAT40 Clth, 8.5 x 10.5 in. / 112 pgs / Farquharson, Aram Moshayedi, et by British artist Mike Nelson (born Pfeiffer, Elisabeth Schlebrugge. Philipp Kaiser, Kathryn Andrews. 9780984721054 U.S. | CDN $ 25.00 multimedia visual artist, DJ and of the mask. Inner Planets is a 70 color / 1 b&w. January / Art al. Canadian artist Geoffrey Farmer 1967) in a former cabaret theatre Berlinde De Bruyckere (born 1964) Special Meat Occasional Drink FLAT40 Hbk, 7.25 x 9.75 in. / 80 pgs / community builder based in group of 43 clay masks. This publi- 60 color. Available / Art (born 1967) devises collections that in Berlin which closed around creates sculptures, installations is the first catalogue on the con- Toronto. History, Glamour, Magic cation documents the series with unite aspects of visual art, literature, 1934. Nelson’s two-part installation and drawings that use natural ma- ceptual sculpture of Californian fully documents his activities as installation shots of its presenta- music, politics and history, and that consisted of two “platforms”: the terials such as wax, animal skins artist Kathryn Andrews (born an artist with emphasis on his tion at the Palmenhaus de Alten eventually culminate in sprawling first was the main stage area, the and hair, wool and wood to ex- 1973), whose concerns include punk DIY sculpture and installation Botanischen Gartens in Zurich. theatrical installations. This publica- second led to a vertical shaft of press the vulnerability of mankind questions of authorship and the from 1998 to the end of his life. tion offers detailed insight into the light that transformed viewers into and nature. The sculptures and wa- consumption of art. WALTHER KÖNIG, KÖLN artist’s installation entitled Let’s tercolors presented here were cre- ART GALLERY OF YORK UNIVERSITY performers. WALTHER KÖNIG, KÖLN 9783863353735 U.S. | CDN $ 29.95 9780921972679 U.S. | CDN $ 40.00 Make the Water Turn Black. ated between 2001 and 2013. FLAT40 Pbk, 6 x 8.75 in. / 96 pgs / 9783863353759 U.S. | CDN $ 39.95 FLAT40 Pbk, 9.5 x 11 in. / 176 pgs / WALTHER KÖNIG, KÖLN 73 color / 2 b&w. Available / Art JRP|RINGIER FLAT40 Pbk, 8.5 x 9.75 in. / 144 pgs / 392 color. January / Art/Gay & Lesbian 9783863352929 U.S. | CDN $ 50.00 WALTHER KÖNIG, KÖLN 9783037643433 U.S. | CDN $ 49.95 69 color. Available / Art Studies FLAT40 Hbk, 6.5 x 9.5 in. / 108 pgs / 9783863353209 U.S. | CDN $ 29.95 FLAT40 Pbk, 8.5 x 11.5 in. / 104 pgs / 108 color. Available / Art FLAT40 Pbk, 6.5 x 9.75 in. / 160 pgs / 84 color / 7 b&w. February / Art 50 color. Available / Art 174 artbook.com­­ artbook.com 175 Contemporary sculpture SPECIALTY ■ ART

​Gabriel​Orozco:​ ​Jan​Fabre:​Insect ​Hans​Scheib:​ ​John​Buck​ ​Xavier​Veilhan:​Rays​ ​Elmgreen​&​Dragset: ​Michael​Craig-Martin: Natural​Motion​ Drawings​&​Insect Catalogue​Raisonné Text by Linda Tesner, Ken Wells, Edited by Lionel Bovier. Since A​Space​Called​Public​ Less​Is​Still​More​ Edited by Yilmaz Dziewior. Text by Sculptures​1975–1979​ of​Bronzes​ John Yau. Over the past ten years, 2011, French multimedia artist Text by Elmgreen & Dragset, Fulya Edited by Martin Hentschel. Text Iowa-born sculptor John Buck Xavier Veilhan (born 1963) has Yilmaz Dziewior, Pablo Soler Frost, Edited by Ferdinand Ullrich, Hans Edited by Angela Cerny. Text by Erdemci, Mika Hannula, Anna by Martin Hentschel, Michael (born 1946), known for his wood- been working on Rays, an ongoing María Minera, André Rottmann. Jürgen Schwalm. Text by Manfred Heiner Protzmann. Although Klingmann, Roland Meyer, Markus Craig-Martin. Less Is Still More is block prints, wall reliefs and three- series of works formulated as a ​Jaume​Plensa:​ Natural Motion brings together Schneckenburger, Claudia Posca. perhaps best known for his sculp- Miessen, Armin Nassehi, Sabine Michael Craig-Martin’s homage to dimensional freestanding works, tribute to Jesús Rafael Soto and à​Bordeaux​ well-known works by Gabriel This publication examines early tural work with wood, Berlin-based Nielsen, Andrea Phillips, Heinz German-American architect Mies has experimented with the addi- Fred Sandback. These immersive Orozco (born 1962), such as Dark insect drawings and sculptures by artist Hans Scheib (born 1949) Schütz, Rochelle Steiner, et al. The van der Rohe. Craig-Martin’s series Text by Florence Guionneau-Joie, tion of mechanical components to and optical environments, Didier Arnaudet. Wave (an enormous suspended and Belgian multidisciplinary artist and has also produced an impressive meaning, use and dynamic of pub- of 17 paintings depict everyday his wooden sculptures. This publi- recorded in this volume, play with decorated whale skeleton), along- playwright Jan Fabre (born 1958). oeuvre of bronze pieces, many lic space has been wholly trans- objects such as t-shirts and Over the past 25 years, the cation presents Buck’s kinetic scale and light. side examples of more recent work, From 1975–1979, Fabre developed of which are the artist’s personal formed by the ubiquity of the iPhones, which are documented renowned Spanish Catalan artist sculptures. such as carved river stones, plus a a fascination with insects and interpretations of myths. This JRP|RINGIER Internet. Here, Berlin and London– here as installed at the Museum and sculptor Jaume Plensa (born comprehensive presentation of his spiders, which would become a opulent catalogue surveys these MARQUAND BOOKS 9783037643280 U.S. | CDN $ 45.00 based artists Michael Elmgreen Haus Esters in Krefeld. 1955) has established himself as ongoing work in terracotta. FLAT40 Hbk, 9 x 12.25 in. / 64 pgs / and Ingar Dragset present a new motif throughout his oeuvre. works. 9780615864525 U.S. | CDN $ 45.00 KERBER one of the most ubiquitous expo- FLAT40 Clth, 11 x 12 in. / 200 pgs / 40 color. February / Art art project in a public space in KUNSTHAUS BREGENZ 9783866788800 U.S. | CDN $ 55.00 nents of public sculpture. À KERBER KERBER 200 color / 50 b&w. June / Art Munich that explores this topic. 9783863353308 U.S. | CDN $ 65.00 FLAT40 Hbk, 9.5 x 11.75 in. / 152 pgs / 9783866788534 U.S. | CDN $ 49.95 9783866788046 U.S. | CDN $ 55.00 Bordeaux focuses on 11 monu- FLAT40 Hbk, 8.27 x 10.51 in. / 49 color / 3 b&w. February / Art FLAT40 Clth, 5.75 x 8.25 in. / 192 pgs / FLAT40 Hbk, 9.5 x 11.75 in. / 184 pgs / WALTHER KÖNIG, KÖLN mental new sculptures by the artist 266 pgs / illustrated throughout. 115 color / 6 b&w. February / Art 345 color / 5 b&w. February / Art 9783863354398 U.S. | CDN $ 69.95 installed in Bordeaux, France, February / Art/Latin American Art & FLAT40 Clth, 8 x 10 in. / 384 pgs / Culture 125 color / 120 b&w. January / Art seven of which have never before been reproduced. These include “Paula” (2013), a cast-iron sculp- ture standing over 23 feet tall, and “Marianna & Awilda” (2013), a work in stainless steel composed of figures seated facing one an- other in a dialogue. In addition to these and other new sculptures, this publication also includes ​Volker​März:​ ​Barthélémy​Toguo: ​Emil​Cimiotti:​ ​Yasam​Sasmazer​ PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED ​Ariel​Guzik:​Cordiox​ celebrated works by Plensa in ​Sam​Lewitt:​Fluid​ ​Jeppe​Hein:​A​Smile Millennium Park, Chicago; the Laughing​Windows​ Print​Shock​ Structures​ Edited by Anna V. Bodungen. Edited and with text by Itala Burj Khalifa, Dubai; the BBC Text by Elke Liebs, Johannes Schmelz, Ariel Guzik, María Paz Edited by Juergen Krieger. In Text by Paul Ripoche, José Roca. Edited by Theo Bergenthal, Employment​ for​You​ Broadcasting Tower, London; Print Shock highlights the work of Joachim Stracke. Text by Michael Odenthal, Marc Wellmann. This Amaro, Karla Jasso, Osvaldo Laughing Windows, German artist Edited by Sam Lewitt. Text by Edited by Sara Arrhenius, Mattias Pearson International Airport, Volker März (born 1957) addresses Cameroonian painter and print- Krajewski, Christa Lichtenstern, et catalogue provides a first overview Alex Kitnick, Nathan Brown. Sam Givell, Jeppe Hein, Camilla Larsson, Sánchez. Mexican artist Ariel Guzik Toronto; Daikanyama, Tokyo; the childhoods of historical figures maker Barthélémy Toguo (born al. Over the last 60 years, German of the work of Turkish sculptor Lewitt (born 1981) investigates the Wiebke Petersen. Foreword by (born 1960) devises machines and Raoul Wallenberg Square, such as Walter Benjamin, Hannah 1967), including his large-scale sculptor Emil Cimiotti (born 1927) Yasam Sasmazer (born 1980), relations between language and Sara Arrhenius, Mattias Givell, exploring the phenomena of reso- Arendt, Friedrich Nietzsche, Adolf rubber stamps emblazoned with has produced a substantial oeuvre featuring her wooden sculptures technological products. This vol- Elisabeth Millqvist. Text by Sara nance, electricity and magnetism. Stockholm, among many other Eichmann, Pina Bausch, Nelson messages exploring the more ab- that varies from landscape to figu- from 2006–2011. These include ume documents a work that takes Arrhenius, Kirsty Bell, et al. Dan- This publication focuses on the sites worldwide. slightly larger-than-life figures sound experiment presented in his Mandela and Josef Beuys, render- surd aspects of borders and the rative, rough to detailed, represen- the form of a disposable, self-con- ish/German artist Jeppe Hein (born SILVANA EDITORIALE of children and young adults, as project, Cordiox, a monumental ing scenarios in clay pieces, photo- free movement of goods and mer- tational to abstract. Structures tained and unsustainable evapora- 1974) explores the theme of happi- 9788836626564 U.S. | CDN $ 35.00 graphs, texts and music videos. chandise. presents a retrospective take on well as the shadow figures from tion system for a magnetic fluid ness in sculptures, drawings and stringed instrument animated by FLAT40 Hbk, 9 x 11.5 in. / 98 pgs / Cimiotti’s sculptures and drawings, her Dark Twin series. used in a myriad of manufacturing installations. A Smile for You in- magnetic forces. 100 color. March / Art JOVISART SILVANA EDITORIALE including his most recent works. applications, cheap fans and indus- cludes responses to five questions 9783868592528 U.S. | CDN $ 40.00 9788836626267 U.S. | CDN $ 30.00 KERBER RM/INBAL FLAT40 Pbk, 6.5 x 8.5 in. / 216 pgs / FLAT40 Pbk, 6.5 x 8 in. / 144 pgs / KERBER 9783866788756 U.S. | CDN $ 49.95 trial magnets. on the theme posed by Hein, and 9788415118602 U.S. | CDN $ 35.00 200 color. April / Art 92 color. March / Art/African Art & FLAT40 Hbk, 9.5 x 12.5 in. / 140 pgs / essays on happiness in art. FLAT40 Pbk, 11.75 x 11 in. / 156 pgs / 9783866788213 U.S. | CDN $ 65.00 WALTHER KÖNIG, KÖLN Culture 100 color / 1 b&w. February / Art/ 174 color. March / Art/Latin American FLAT40 Hbk, 9.75 x 12.25 in. / 9783863353155 U.S. | CDN $ 29.95 WALTHER KÖNIG, KÖLN 248 pgs / 156 color / 53 b&w. Middle Eastern Art & Culture Art & Culture FLAT40 Pbk, 7.5 x 9.5 in. / 80 pgs / 9783863353834 U.S. | CDN $ 59.95 February / Art 50 color / 11 b&w. Available / Art FLAT40 Pbk, 9.5 x 12.75 in. / 216 pgs / 346 color. Available / Art 176 artbook.com­­ artbook.com 177 Contemporary sculpture and installation SPECIALTY ■ ART

PREVIOUSLY ANNOUNCED ​Vladimira​Klumpar: ​Martin​Walde​ ​Wiebke​Siem:​Works ​Julio​Le​Parc:​ ​Rosalie:​Light​Scapes​ ​Haegue​Yang​ ​Thorsten​Brinkmann: ​John​Isaacs:​The Work​in​Glass​ Edited by Hans Dünser. Text by 1983–2013​ Kinetic​Works​ Edited by Peter Weibel. Text by Edited by Julienne Lorz. Foreword La​Hütte​Royal​ Hand​that​Rocks​the Text by Oldrich Palata, William V. Severin Dünser, Verena Gamper. Edited by Melitta Kliege, Angelika Edited by Hans-Michael Herzog, Andreas Platthaus, Peter Weibel. by Okwui Enwezor. Text by Sabine Edited by Evan Mirapaul. This book Cradle​ Ganis, Vladimíra Klumpar. In 2013, Vienna-based artist Nollert. Text by Penelope Curtis, Katrin Steffen. Text by Alexander In 2013, German artist Rosalie Brantl, Julienne Lorz. Interview by provides a look inside a 1970s- Martin Walde (born 1957) trans- Alberro, Bettina Kaufmann, Julio (born 1953) realized three large- T.J. Demos. For the middle hall of Edited by Michael Haas. Foreword Interviews by Eva Heyd. Vladimira Melitta Kliege, Hanne Loreck, style house in Pittsburgh, trans- formed the Kunstraum Dornbirn Le Parc, Käthe Walser. Interview by scale, kinetic, interactive light and the Haus der Kunst in Munich, by James Putman. Interview with Klumpar (born 1954) is a contem- Angelika Nollert. This comprehen- formed by German artist Thorsten into a hallucinatory artificial para- Hans-Michael Herzog. Argentine space sculptures for the Museum South Korean artist Haegue Yang Didi Bozzini, John Isaacs. The work porary American artist of Czech sive publication surveys the oeuvre Brinkmann (born 1971). The dise. Walde’s penned-in weather der bildenden Künste in Leipzig. (born 1971) has created a complex of British-born artist John Isaacs origin who creates monumental, of Berlin-based artist Wiebke Siem artist Julio Le Parc (born 1928) house’s four stories are filled with balloons become bizarre beings This publication documents the scene of hanging blinds that play (born 1968) encompasses many abstract, cast-glass sculptures. (born 1954). Siem confronts no- makes use of mechanical light de- ready-made objects and installa- and everyday utensils are trans- works, as well as a selection of on the boundaries between inside media. This catalogue reproduces This volume surveys nearly three tions of societal norms and gender vices and reflective mobiles to cre- tions, including a boxing ring, a formed into tropical flowers. light works created between 2007 and outside, open and closed. This bronze, wax, marble and ceramic decades of work and includes an roles by transforming toys, wigs, ate a vivid interplay of light and cinema, photographic works and a and 2011. publication documents the installa- sculptures, as well as drawings, interview with Klumpar, who de- MODERNE KUNST NÜRNBERG hats and bags into abstract ob- motion. Featuring objects from the forest room. scribes the glass-casting process. jects, and creating “replicas” of Daros Latin America Collection, this tion. neon installations, various mixed- 9783869844503 U.S. | CDN $ 25.00 HATJE CANTZ HATJE CANTZ FLAT40 Pbk, 8.25 x 12.25 in. / 60 pgs / traditional furniture and costumes. publication offers a comprehensive | media installations, oil paintings KANT 9783775737463 U.S. CDN $ 75.00 WALTHER KÖNIG, KÖLN 9783775737579 U.S. | CDN $ 120.00 40 color. February / Art overview of these kinetic works. FLAT40 Clth, 9.25 x 12.75 in. / | and black-and-white photography. 9788074371042 U.S. | CDN $ 55.00 MODERNE KUNST NÜRNBERG 9783863352417 U.S. CDN $ 34.95 SDNR30 Slip, 12.5 x 12.5 in. / 16 pgs / 240 pgs / 207 color. March / Art FLAT40 Pbk, 6.75 x 8 in. / FLAT40 Slip, Pbk, 9.5 x 11 in. / 9783869844329 U.S. | CDN $ 30.00 HATJE CANTZ 13 color. April/ Art WALTHER KÖNIG, KÖLN 96 pgs / 15 color / 16 b&w. January / 228 pgs / 159 color / 40 b&w. FLAT40 Pbk, 8.5 x 11.5 in. / 122 pgs / 9783775736916 U.S. | CDN $ 60.00 9783863353537 U.S. | CDN $ 40.00 Art/Asian Art & Culture February / Art 71 color. February / Art FLAT40 Pbk, 8.25 x 10.75 in. / FLAT40 Hbk, 8.25 x 10.5 in. / 112 pgs / 254 pgs / 210 color. February / 32 color. Available / Art Art/Latin American Art & Culture

​Gerwald​ ​Sabine​Mohr:​Alchem- ​Grisha​Bruskin:​ PREVIOUSLY ANNOUNCED ​Lara​Almarcegui​ ​Kendell​Carter​ ​Simon​Denny:​ ​Thomas​Lerooy:​ Rockenschaub:​ ical​Explorations​ Archaeologist’s​ ​Ivan​Kožarić:​Freedom Edited by Octavio Zaya. Text Text by Claudine Ise, Kendra Paitz. The​Personal​Effects Bittertweet​ Natural​Selection​ ​Works​1984–2012​ Collection​ Is​a​Rare​Bird​ by Cuauhtémoc Medina, Philip California-based artist Kendell of​Kim​Dotcom​ Text by Charles-Arthur Boyer, et al. Ursprung, Ole Bouman. Spanish Carter (born 1970) draws from Edited by Ulrike Schick. German Edited by Sabine Mohr, Renate Edited by Patricia Donegan. Text Foreword by Okwui Enwezor. Edited by Matthias Michalka. Interview by Marc Donnadieu. In his artist Lara Almarcegui’s installation hip hop culture and modernist artist Gerwald Rockenschaub (born Kammer. Text by Belinda Grace by Shalva Breus, Grisha Bruskin, Text by Snjeana Pintariæ, Patrizia Text by Christian Höller, Jasmine sculptures and drawings, Thomas at the 55th Venice Biennial 2013 painting, architecture and furniture 1952) creates large works from syn- Gardner, Gunnar F. Gerlach, Boris Groys, Mikhail Jampolsky. Dander, et al. Ivan Koaric (born McNealy, Matthias Michalka. Lerooy (born 1981) conjures a revolved around a huge mountain design to create immersive instal- thetic industrial materials that utilize Wolf Jahn, Sabine Mohr, Ludwig Archaeologist’s Collection, a project 1921) is among Croatia’s most sig- Conversation with Laura Preston. fantastical world probing the flaws of cement rubble, roofing tiles and lations addressing race, gender Pop aesthetics and reflect contem- Seyfarth. German artist Sabine by Russian-American artist Grisha nificant contemporary artists; in This publication documents an in- that define man’s mental and phys- bricks smashed into gravel, sur- and consumer culture. This volume porary fashion and lifestyle. This Mohr (born 1956) creates Bruskin (born 1945), is set in a fu- the late 1940s he was a central fig- stallation by New Zealand artist ical limits. Lerooy’s drawings cele- rounded by smaller, similar is a survey of work from 2006– catalogue presents Rockenschaub’s installations, objects and works ture world in which an archaeologi- ure in Yugoslavia’s postwar avant- Simon Denny (born 1982), which brate tradition reaching back to mounds of other materials. This 2013, including the artist’s recent Color Foils, which appear as both for public spaces and the theater cal dig has unearthed Soviet garde. Although he is renowned consists of reproductions of ob- Leonardo da Vinci, but also recall volume documents the work. collaboration with Darren Hostetter. purely abstract constructions and on the theme of metamorphosis. civilization and attempts to com- and influential in Croatia, this sur- jects seized from Kim Dotcom, the vanitas paintings of the seven- familiar images or objects. Alchemical Explorations is Mohr’s prehend its mysterious remains. vey represents the first examina- TURNER UNIVERSITY GALLERIES OF ILLINOIS owner of the file-sharing platform teenth century melded with the first monograph, presenting a tion of his practice outside Croatia. 9788415832645 U.S. | CDN $ 35.00 STATE UNIVERSITY Megaupload, in 2012. The bizarre grotesque humor of James Ensor. KERBER KERBER cross-section of her work along- FLAT40 Hbk, 8.25 x 11.25 in. / 9780945558170 U.S. | CDN $ 25.00 collection includes a jet ski and a 9783866788022 U.S. | CDN $ 29.95 9783866788831 U.S. | CDN $ 45.00 WALTHER KÖNIG, KÖLN FLAT40 Pbk, 9 x 8.5 in. / 72 pgs / HATJE CANTZ side texts by art historians. 224 pgs / 200 color. February / Art large quantity of cash. FLAT40 Pbk, 9.5 x 11.75 in. / 32 pgs / FLAT40 Clth, 6.5 x 9.5 in. / 208 pgs / 9783863353957 U.S. | CDN $ 59.95 60 color. February / Art/African Ameri- 9783775736787 U.S. | CDN $ 60.00 FLAT40 Hbk, 10 x 13.75 in. / 136 pgs / 22 color. February / Art KERBER 126 color / 60 b&w. February / Art FLAT40 Hbk, 8.75 x 10.5 in. / 248 pgs / can Art & Culture WALTHER KÖNIG, KÖLN 161 color / 53 b&w. Available / Art 81 color. January / Art 9783866788497 U.S. | CDN $ 40.00 9783863354114 U.S. | CDN $ 25.00 FLAT40 Hbk, 8.25 x 9.75 in. / 132 pgs / FLAT40 Pbk, 6 x 9.5 in. / 80 pgs / 69 color / 66 b&w. February / Art 60 color. January / Art 178 artbook.com­­ artbook.com 179 Installation and multimedia art SPECIALTY ■ ART

​Jonathan​Monk:​Less​Is ​Manfred​Müller:​ ​Jonathan​Meese: ​Katharina​Grosse​ ​Tillman​Kaiser:​ ​Valentin​Ruhry:​ ​Friedrich​Kunath:​ ​Jeremy​Deller:​ More​Than​One​Hun- Objects​Are​Closer Malermeese— Edited by Katharina Grosse, Ulrich The​Truth​and​the Volumen​ In​My​Room​ All​That​Is​Solid dred​Indian​Bicycles​ Than​They​Appear​ Meesermaler​ Loock, Annika Reich. Text by Abstract​Blues​ Edited by Sandro Droschl, Chris- Text by Michael Bracewell, Ory Melts​into​Air​ Ulrich Loock. This book examines ​(With​Words​from​Rirkrit Text by Claudia Bohn-Spector, Text by Robert Eikmeyer, Harald Edited by Hans-Peter Wipplinger. tine König. Text by Aaron Bogart, Dessau, Claire Le Restif, Paul Foreword by Roger Malbert. Text the vibrant, abstract paintings and Tiravanija​and​a​Silver Howard Fox. Objects Are Closer Falckenberg, Doris Mampe, Chris- Text by Alexandra Hennig, Astrid Christian Egger, Christiane Meyer- Luckraft. The book encompasses by Jeremy Deller. Afterword by large-scale installations of German Shadow)​ Than They Appear showcases the tine Penetsdorfer, Sebastian Preuss, Mania, Abraham Orden, Hans- Stoll. Austrian artist Valentin Ruhry the last five years of German Roger Malbert. In this volume, artist Katharina Grosse (born (born 1982) uses light box installa- artist Friedrich Kunath’s (born Edited by Hans Dünser. Text by works of German-born, Los Ange- et al. Over the past 20 years, Ger- Peter Wipplinger. The Truth and the Jeremy Deller questions the effect 1961). Grosse paints on the floor, tions to create works exploring 1974) practice: complex and Stefan Tasch. This catalogue docu- les–based artist Manfred Müller man painter, sculptor, performance Abstract Blues presents the com- of the Industrial Revolution on the walls and facades of the exhibition their promotional function in adver- playful installations of paintings, ments an installation by artist (born 1950) from the past 15 years. and installation artist Jonathan plex creations of Austrian artist Till- British landscape and culture. He sites, and often introduces unex- tising. The artist’s first monograph, sculptures and videos featuring a Jonathan Monk (born 1969) in Ranging from wall and floor-bound Meese (born 1970) has explored man Kaiser (born 1972). Kaiser explores working-class musical cul- pected objects like beds or bal- this book accompanies his solo ex- cornucopia of imagery drawn from Dornbirn, Austria. Monk assembled sculptures and site-specific instal- themes of ancient myths, heroic builds geometrically abstract struc- ture, from nineteenth-century folk loons, merging painting, sculpture hibition in Graz. such diverse sources as Old Mas- a 1960s Rolls Royce, an appropri- lations to prints, drawings and epics and history (particularly that tures out of glass, cardboard, to glam and rock music in the 70s and architecture. ter paintings, slapstick cartoons, ated artwork by Rirkit Tiravanija and photography, Muüller’s work ex- of Germany). This catalogue is the wood, wallpaper and found ob- MODERNE KUNST NÜRNBERG and 80s. This publication features a anthropomorphized animals and several bicycles, which were then plores tensions between organic most comprehensive retrospective WALTHER KÖNIG, KÖLN jects, influenced by science fiction, 9783869844626 U.S. | CDN $ 30.00 vast range of historical paintings, pop iconography from the 1960s dispersed throughout the city. form and geometrical abstraction. of his provocative work. 9783863354350 U.S. | CDN $ 69.95 Cubism and Surrealism. FLAT40 Hbk, 7 x 10 in. / 164 pgs / political tracts, poems and ballads, FLAT40 Hbk, 9.5 x 12 in. / 328 pgs / 100 color / 20 b&w. February / Art and 70s. as well as new work by Deller. MODERNE KUNST NÜRNBERG MARQUAND BOOKS WALTHER KÖNIG, KÖLN 250 color. January / Art MODERNE KUNST NÜRNBERG 9780615864549 U.S. | CDN $ 40.00 9783863354435 U.S. | CDN $ 49.95 9783869844435 U.S. | CDN $ 30.00 WALTHER KÖNIG, KÖLN 9783869844640 U.S. | CDN $ 20.00 HAYWARD PUBLISHING 9783863354428 U.S. | CDN $ 55.00 FLAT40 Pbk, 8.25 x 12 in. / 60 pgs / FLAT40 Hbk, 10 x 11.25 in. / 160 pgs / FLAT40 Hbk, 9 x 11 in. / 180 pgs / FLAT40 Pbk, 8.25 x 9 in. / 128 pgs / 9781853323195 U.S. | CDN $ 20.00 FLAT40 Pbk, 8.5 x 10.5 in. / 272 pgs / 40 color. February / Art 75 color. April/ Art 100 color. January / Art 83 color / 2 b&w. February / Art FLAT40 Pbk, 6.5 x 8 in. / 80 pgs / illustrated throughout. January / Art illustrated throughout. January / Art

​Sheba​Chhachhi​ ​Zilla​Leutenegger: ​Adrián​Villar​Rojas: ​Marion​Eichmann: ​Takesada​Matsutani: ​Kimsooja:​Unfolding​ ​Nancy​Graves​Project ​Mohammed​Kazem​ Text by Kumkum Sangari, Nancy Fairlady​Z​ Today​We​Reboot​ Look​Twice​ A​Matrix​ Edited by Diana Augaitis. Text &​Special​Guests​ Text by Reem Fadda, Paula Adjania, Gayatri Sinha. The work Text by Michele Robecchi, Fritz the​Planet​ Edited by Jürgen Krieger. Text by Edited by Kate van Houten, Midori by Kathleen Bartels, Doris von Edited by Brigitte Franzen, Annette Kolczynska, Hassan Sharif, Sultan of Ethiopian artist Sheba Chhachhi Drathen, Mary Jane Jacob, David Al Qassemi, Adel Khozam. This Emslander. Foreword by Julia Peyton-Jones, Christoph Tannert. Look Twice ex- Nishizawa. Text by Kate van Lagler. Text by Walter Grasskamp, (born 1958) traverses the fields of Morgan, Trevor Smith, Selene retrospective monograph on Fairlady Z looks at recent photos, Hans Ulrich Obrist. Text by Sophie amines the drawings and installa- Houten, Sawako Inaniwa, Tsutomu Petra Lange-Berndt, Joan Simon, documentary photography, installa- Wendt. Unfolding is the first conceptual artist Mohammed drawings, installations and O’Brien, Federico Leon, Eyal tions of German artist Marion Mizusawa, Midori Nishizawa, Ming et al .Nancy Graves (1939–1995) tion and video. Chhachhi has influ- overview of South Korean artist Kazem (born 1969) showcases sculptures by Swiss artist Zilla Weizman. The first thing seen Eichmann (born 1974). Eichmann Tiampo. Japanese painter and per- was known in the late 60s for her enced an emerging generation of Kimsooja’s (born 1957) most multimedia installations and photo- Leutenegger (born 1968), on upon entering the new Serpentine begins her creative process by former Takesada Matsutani (born life-size sculptures of camels and visual artists in India, particularly significant sculptures, perform- graphs produced for his Walking the theme of self-portraiture, the Sackler Gallery is a life-size clay drawing, then elaborating by color- 1937) was a key member of the dromedaries made of wax, fiber- through her politically charged ances and interventions. A on Water exhibition at the United symbolism of the letter Z and elephant, pitching itself toward ful collage, and finally by assem- Gutai Art Association (1954–1972), glass, jute and animal skins. This installation art. This publication central element of her work is Arabic Emirates pavilion at the the memories associated with a brick wall. This work is part of bling installations made of paper, Japan’s innovative art collective of publication presents the artist’s examines the artist’s projects in the bottari, a traditionally hand- Venice Biennale, as well as works particular garments. an installation by Argentine artist cardboard, wood and found ob- the postwar era. This comprehen- multifaceted oeuvre and examines post-colonial India. jects. sive monograph gathers together sewn silk bedcover that also serves its relationship to the work of her from the 1970s to the present. MODERNE KUNST NÜRNBERG Adrián Villar Rojas (born 1980), rare archival photographs and an as a travel bag. contemporaries and role models. CHARTA 9783869844596 U.S. | CDN $ 40.00 documented in this catalogue. JOVISART DAMIANI interview with the artist. 9788862083379 U.S. | CDN $ 40.00 9788881588664 U.S. | CDN $ 65.00 FLAT40 Pbk, 6.75 x 9.5 in. / 96 pgs / 9783868592573 U.S. | CDN $ 40.00 HATJE CANTZ HATJE CANTZ WALTHER KÖNIG, KÖLN Pbk, 8.5 x 11 in. / 324 pgs / FLAT40 Hbk, 9.5 x 11.25 in. / 224 pgs / 81 color. February / Art FLAT40 Hbk, 7.5 x 10.75 in. / 96 pgs / 9783775732345 U.S. | CDN $ 55.00 | 9783863354305 U.S. | CDN $ 35.00 JRP|RINGIER 9783775736954 U.S. CDN $ 60.00 90 color / 60 b&w. March / Art/African 80 color. April / Art FLAT40 Hbk, 9.75 x 12 in. / 184 pgs / illustrated throughout. March / FLAT40 Clth, 7 x 10 in. / 122 pgs / 9783037643372 U.S. | CDN $ 59.95 FLAT40 Clth, 8.25 x 10.5 in. / 304 pgs / Art & Culture 166 color. January / Art/Asian Art & Art/Middle Eastern Art & Culture 73 color. January / Art/Latin American FLAT40 Hbk, 8.25 x 11 in. / 208 pgs / 400 color. February Art/ Culture Art & Culture 61 color / 49 b&w. February / Art/Asian

Art & Culture

180 artbook.com­­ artbook.com 181 Film, video and sound art SPECIALTY ■ ART

​Peter​Greenaway: ​Peter​Greenaway:​ ​Peter​Greenaway:​ ​Harun​Farocki:​ Pierre​Huyghe:​ ​Zbyněk​Baladrán​& ​Mungo​Thomson​& ​Christian​Marclay​ Eisenstein​in​ The​Food​of​Love​ The​OK​Doll​ Ein​Neues​Produkt​ On​Site​ Jiří​Kovanda:​The Michael​Webster: ​Series​ZagZig​ Guanajuato​ Edited by Daniele Riviere. Text by Edited by Daniele Riviere. Text by ​Neue​Arbeitswelten​ Edited and with interview by Nervous​System​ Crickets​ In 2012, Christian Marclay (born Edited by Daniele Riviere. Text by Peter Greenaway. Inspired by Peter Greenaway. Austrian painter Edited by Nina Möntmann. Text by Marie-France Rafael. The films, in- Edited by Katia Anguelova, Text by Mungo Thomson, 1955) was invited to participate in Peter Greenaway. This script by Shakespeare’s famous words, “If Oskar Kokoschka’s love for Alma Dirk Baecker, Jochen Becker, stallations and public events of Juan Pablo Macías, Alessandra Michael Webster. Crickets is a Mixed Bathing World, an interna- British director Peter Greenaway music be the food of love, play Mahler was so great that he had a Diedrich Diederichsen, Mark Parisian artist Pierre Huyghe (born Poggianti, Andrea Wiarda. This collaboration between Californian tional contemporary arts festival in (born 1942) follows Russian direc- on,” The Food of Love, by British life-sized model of her made. The Fisher, Anthony Iles, et al. Harun 1962) range from small-town pa- publication consists of a conversa- artist Mungo Thomson (born 1969) the port town of Beppu, Japan. tor Eisenstein to Guanajuato, Mex- director Peter Greenaway (born OK Doll, by Peter Greenaway (born Farocki’s (born 1944) latest film Ein rades to expeditions in Antarctica. tion between Czech artists Zbyneˇk and composer Michael Webster Along the length of the pier jutting ico, in 1930, where he worked for 1942), is a story of amorous obses- 1942), is the script for an unreal- Neues Produkt looks at the struc- In this publication, Marie-France Baladrán (born 1973) and Jirˇí (born 1966), for which field record- out into Beppu’s harbor, Marclay ten days on a never-completed film sion set in Venice and London. ized film about the doll that ture of workplaces from architec- Rafael interviews Huyghe on both Kovanda (born 1953), in which ings of crickets from around the installed 100 banners to which 100 Kokoschka lived with for three his early and recent works, as well differently tuned bells were at- called Que Viva Mexico. DIS VOIR tural, social and economic they discuss everything from world were transcribed into a years. perspectives, documenting a year as on the format of the exhibition. the fifteenth-century Voynich musical score, including parts tached. The sound of their collec- DIS VOIR 9782914563697 U.S. | CDN $ 27.50 FLAT40 Pbk, 8.25 x 7 in. / 64 pgs. in the life of a consulting firm. This Manuscript to ornithology, zoology for violin, flute, clarinet and percus- tive resonance is documented on a 9782914563710 U.S. | CDN $ 27.50 DIS VOIR WALTHER KÖNIG, KÖLN January /Film & Video CD in this volume, which also in- FLAT40 Pbk, 8.25 x 7 in. / 83 pgs. 9782914563703 U.S. | CDN $ 27.50 accompanying volume includes six 9783863354497 U.S. | CDN $ 14.95 and the films of Fellini. sion. This publication documents FLAT40 Pbk, 8.25 x 7 in. / 72 pgs. essays and an interview. FLAT40 Pbk, 4 x 6.5 in. / 64 pgs / their project. cludes color reproductions of the January/Film & Video JRP|RINGIER January / Film & Video illustrated throughout. January / installation and commentary. WALTHER KÖNIG, KÖLN 9783037643426 U.S. | CDN $ 29.95 JRP|RINGIER Art/Nonfiction & Criticism FLAT40 Pbk, 6 x 8 in. / 194 pgs / DIS VOIR 9783863353506 U.S. | CDN $ 45.00 9783037643341 U.S. | CDN $ 34.95 FLAT40 Slip, 6 x 8.5 in. / 208 pgs / 8 color / 46 b&w. February / Art FLAT40 Pbk, 9 x 12 in. / 100 pgs / 9782914563734 U.S. | CDN $ 40.00 45 color / 70 b&w. January / Film & 50 b&w. April/ Art FLAT40 Pbk, 6.5 x 8.5 in. / 64 pgs / Video 60 color / Audio CD. May / Art

​Jordan​Wolfson:​Ecce ​Christian​Jankowski: ​Marcel​Odenbach: ​Natacha​Nisic:​Echo​ ​Brent​Green:​Gravity ​Gianni​Motti​ PREVIOUSLY ANNOUNCED ​Noa​Eshkol​ Homo​/​Le​Poseur​ Heavy​Weight​History​ Tranquil​Motions​ Text by Philippe-Alain Michaud, Was​Everywhere Text by Elisabeth Lebovici, ​Andrea​Fraser:​Texts, Noa Eshkol (1924–2007) was an Is- Edited by Aram Moshayedi. Text by Sergio Edelsztein, Jennifer Text by Parveen Adams, Matthias Florent Perrier, Beck Jee-Sook. Back​Then​ Françoise Ninghetto, Marc-Olivier Scripts,​Transcripts​ raeli artist and choreographer who Interview by Marta Gili. This first Wahler, Jade Lindgaard, Fabrice co-developed a system of notation Introduction by Martin Germann, Fulton, Ewa Gorzadek, Veit Loers, Mühling, Vanessa Joan Müller. In- Edited by Argeo Ascani. This film Edited by Carla Cugini. Text by monograph of the work of French Stroun, Anaïd Demir, et al. Italian for dance. During the Yom Kippur Aram Moshayedi. Text by Philippe Nora Moschuering, Rein Wolfs. terviews by Vanessa Joan Müller, presents a live performance of Gregg Bordowitz, Helmut Draxler, artist Natacha Nisic (born 1967) artist Gianni Motti (born 1958) War, Eshkol began creating tapes- Van Cauteren, Linda Norden. Con- In his latest piece, Heavy Weight Matthias Mühling. Marcel Oden- Brent Green’s Gravity Was Every- Barbara Engelbach, Andrea Fraser. chronicles several video installa- creatively feigns responsibility for tries made of found or donated versation with Aram Moshayedi. History, Berlin-based artist Christian bach (born 1953 in Cologne) is one where Back Then, which tells the Afterword by Philipp Kaiser, et al. tions produced since 1995. The natural or accidental phenomena fabric. This publication focuses on Ecce Homo / Le Poseur is the first Jankowski (born 1968) asked of Germany’s preeminent video true story of a man attempting to Over the past ten years, Los Ange- piece f, for Fukushima, created that far exceed the possible actions these tapestries, highlighting a major monograph on New York– members of the Polish national artists, and a keen interrogator of cure his wife’s illness, with Green les–based artist Andrea Fraser for the exhibition, observes of a human being—an earthquake, unique instance of the relationship based artist Jordan Wolfson (born weightlifting team to “lift” selected political visual rhetoric. This cata- and his band—Brendan Canty (born 1965) has built a practice Fukushima’s landscapes, villages or the explosion of the Challenger between modern art and dance. 1980), providing a critical frame- memorials in Warsaw. This publica- logue examines his videos, installa- (Fugazi), Todd Chandler, Drew around critiques of art-world eco- and inhabitants who suffered shuttle in 1986, for example. work for the artist’s videos, films tion is the most comprehensive ret- tions and works on paper from the Henkels (Drew and the Medicinal nomics, which she has presented HATJE CANTZ the effects of the tsunami and the This publication documents and installations, including rospective to date of Jankowski’s last three years. Pen), Donna K, Mike McGinley in essays, performances and 9783775737517 U.S. | CDN $ 40.00 Con Leche (2009), Animation work from 1992–2013. nuclear reactor disaster. these provocative and manipula- FLAT40 Hbk, 9.5 x 11 in. / 128 pgs / HATJE CANTZ and Alan Scalpone—plus footage videos. This book brings together (2011) and Raspberry Poser (2012). tive performances. for the first time a selection of 85 color. February / Art/Middle Eastern WALTHER KÖNIG, KÖLN 9783775736794 U.S. | CDN $ 60.00 JEU DE PAUME/ACTES SUD by Jem Cohen. Art & Culture FLAT40 Hbk, 7.5 x 10 in. / 224 pgs / 9782330023799 U.S. | CDN $ 40.00 DAMIANI/PERROTIN Fraser’s recent texts. WALTHER KÖNIG, KÖLN 9783863354466 U.S. | CDN $ 69.95 EMPAC FLAT40 Hbk, 9 x 12 in. / 320 pgs / 384 color. January / Art/Film & Video FLAT40 Hbk, 6.75 x 9.5 in. / 208 pgs / 9788862083614 U.S. | CDN $ 50.00 9783863354145 U.S. | CDN $ 55.00 9781614681625 U.S. | CDN $ 40.00 WALTHER KÖNIG, KÖLN 700 color. January / Art/Film & Video 154 color. March / Art/Film & Video FLAT40 Hbk, 8.25 x 10.5 in. / 240 pgs / FLAT40 Hbk, 9 x 13 in. / 136 pgs / FLAT40 Hbk, 6 x 7.25 in. / 34 pgs / 9783863353742 U.S. | CDN $ 39.95 illustrated throughout. February / Art 90 color. January / Art/Film & Video 14 color / 2 DVDs (NTSC). January / FLAT40 Pbk, 6.75 x 8.75 in. / 320 pgs /

Art/Film & Video 24 color / 7 b&w. Available / Art 182 artbook.com­­ artbook.com 183 multimedia, artists’ books and painting SPECIALTY ■ ART

​Ursula​Mayer:​ ​Nadim​Vardag:​ ​Die​Damen​ ​Raqs​Media​ ​Nicola​Tyson:​ ​Adel​Abdessemed: PREVIOUSLY ANNOUNCED ​Wade​Guyton:​ But​We​Loved​Her​ Fade​and​Repeat​ Preface by Alexandra Schantl. Collective:​Casebook​ Dead​Letter​Men​ L’Age​D’Or​ ​Elaine​Sturtevant:​ Zeichnungen​ Edited by Agnes Husslein-Arco, Edited by Nadim Vardag. Text by Text by Brigitte Huck, et al. The Introduction by Philip Monk. Text Text by Nicola Tyson. Dead Letter Introduction by Abdellah Karroum. Finite​Infinite​ für​Lange​Bilder​ artists of Die Damen (founded in Bettina Steinbrügge. Preface by Hanne Loreck, Hans-Christian by Raqs Media Collective, et al. Men is a new book by British artist Text by Pierluigi Tazzi, Angela Flipbook​ In his yellow-tiled studio kitchen, 1987)—Ona B., Evelyne Egerer, Agnes Husslein, Ursula Blickle. Lotz. German video and installation This book documents 80 artworks Nicola Tyson (1960), composed of Mengoni, Abdellah Taia. Interview Edited by Kathryn Rattee. New York–based artist Wade Birgit Jürgenssen, Ingeborg Strobl, Text by Bettina Steinbrügge, artist Nadim Vardag’s (born 1980) and projects by New Delhi–based a series of letters to dead artists— by Hans Ulrich Obrist. L’Age D’Or Foreword by Julia Peyton-Jones, Guyton (born 1972) photographed Lawrence Weiner—stage socially Diedrich Diederichsen, et al. Fade and Repeat gathers a selec- Raqs Media Collective (Jeebesh Picasso, Bacon, Manet, Gainsbor- is the new work of Algerian artist Hans Ulrich Obrist. Text by Daniel magazine pages overprinted with critical, feminist performances, Through films and installations, tion of works relating to cinematic Bagchi, Monica Narula and Shud- ough, Ensor and Beckmann. Adel Abdessemed (born 1971). Birnbaum. This flipbook reprises geometric shapes and reproduced events and parodies. This cata- Ursula Mayer (born 1970) explores illusionism and representation. The dhabrata Sengupta) from 2002– Tyson’s satirical, occasionally rant- This gold-cloth-covered box set one of Sturtevant’s more recent these on the same yellow tile in logue presents the first compre- questions of individualism and work ranges from sculpture and 2012. The collective executes a ing missives, address art, sexual contains three volumes: one vol- works, Finite Infinite (2010)—a the exhibition, connecting the two hensive study of the numerous consumerism. This monograph ready-made objects to film ex- wide spectrum of projects, ranging politics and her own life story. ume of drawings, a photography large-scale projection that features spaces. This publication docu- documents her films Gonda (2012) cerpts and handwritten signs. projects realized by these pioneers from full-scale curatorial works to volume and an essays volume with SADIE COLES HQ & PETZEL GALLERY a dog running in an endless loop ments his installation. and Pheres (2013), and a 16-mm of performance. discrete objects such as prints. four texts in English and Arabic. MODERNE KUNST NÜRNBERG 9783863353063 U.S. | CDN $ 43.00 across an expanse of grass. installation referencing Michael WALTHER KÖNIG, KÖLN | MODERNE KUNST NÜRNBERG FLAT40 Pbk, 8 x 11 in. / 68 pgs / Themes of repetition in Sturte- 9783869844541 U.S. CDN $ 30.00 ART GALLERY OF YORK UNIVERSITY SILVANA EDITORIALE 9783863354237 U.S. | CDN $ 40.00 Snow’s Two Sides to Every Story. U.S. | CDN 6 color. January / Artists’ Books FLAT40 Pbk, 7.25 x 10.75 in. / 9783869844466 $ 40.00 9780921972686 U.S. | CDN $ 30.00 9788836627202 U.S. | CDN $ 400.00 vant’s art are explicated in an FLAT40 Pbk, 7 x 10 in. / 128 pgs / 128 pgs / 66 color / 108 b&w. FLAT40 Pbk, 8.25 x 10.25 in. / MODERNE KUNST NÜRNBERG FLAT40 Pbk, 6 x 9.5 in. / 300 pgs / SDNR30 Boxed, Clth, 11 x 17 in. / essay by Daniel Birnbaum. 612 color. September / Artists’ Books February / Art/Film & Video 256 pgs / 200 color / 100 b&w. 120 color. January / Art/Asian Art & 224 pgs / 120 color / 60 duotone / 9783869844794 U.S. | CDN $ 45.00 February / Art WALTHER KÖNIG, KÖLN FLAT40 Pbk, 7.75 x 9.5 in. / 196 pgs / Culture Limited edition of 1,000 copies. April / 9783863354039 U.S. | CDN $ 14.95 200 color / 20 b&w. February / Art/Film Art/Limited Editions FLAT40 Pbk, 5.5 x 12.5 in. / 144 pgs / & Video 72 color. Available / Art

​Carey​Young:​Subject ​Kerstin​Cmelka​ ​Heike​Baranowsky: ​Nin​Brudermann​ ​Carlos​Amorales: ​Gert​&​Uwe​Tobias​ ​Niina​Lehtonen ​Szilard​Huszank:​ to​Contract​ Edited by Sandro Droschl, Isabelle Time​Traps​ Text by Anthony Haden-Guest, Germinal​ Text by Nicole Fritz. Romanian Braun:​Mother​Said​ Fiction​Landscape​ Edited by Raphael Gygax, Heike Busch, Franziska Solte. Text by Lars Preface by Stella Rollig, Ellen Mieke Bal, Adam Kleinmann. Edited by José Kuri, Mónica artists Gert & Uwe Tobias (born Edited by Niina Lehtonen Braun, ​Selected​Works​2010–2013​ Gustaf Andersson, Isabelle Busch, Interview by Arfus Greenwood. 1973) are renowned for their large- Munder. Text by Martha Buskirk, Seifermann. Text by Christoph Manzutto. Text by Carlos Amorales, Christina Kral. Text by Sonja Edited by Sibylle Seeling. Text by Franziska Solte, Kerstin Cmelka, This publication presents New scale, colorful woodcut prints and Raphael Gygax, Carey Young, Cox, Joanna Lowry, Daniel Michel Blancsubé, Magnolia de la Commentz. Over five years, Finnish Hans-Peter Miksch, Barbara Leicht. Sandro Droschl, Hanno Millesi. York–based performance and in- unconventional typewriter draw- Tirdad Zolghadr. Subject to Con- Schreiber, Jan Verwoert. German Garza, et al. Germinal brings to- video and installation artist Niina Fiction Landscape compiles Hun- This monograph on Austrian artist stallation artist Nin Brudermann’s ings. The duo assembles everyday tract offers the first overview of artist Heike Baranowsky (born gether a series by Mexican multi- Lehtonen Braun (born 1975) col- garian artist Szilard Huszank’s Kerstin Cmelka (born 1974) moves (born 1970) series of images cap- patterns, motifs derived from London-based artist Carey Young’s 1966) works with film, video and media artist Carlos Amorales (born lected motherly advice, ranging (born 1980) paintings of the past from her early experimental films tured by weather balloons around Dutch still life and abstract geome- (born 1970) works from 2003 to photography to create works that 1970) that stem from an alphabet from loving and concerned to cold three years, including the series through photographic reworkings the world. Realized as a film pro- tries from Russian Suprematism in 2010. Many of Young’s pieces in- manipulate the conventions of invented by the artist. Ranging and cynical, for her project Mother Landscape Collages and Imaginary of film stills to her live perform- jection, the work expresses a collagelike prints. vestigate how language is trans- documentary and mainstream from posters, books and newspa- Said. This publication presents the Landscapes. Huszank’s landscapes ances and live videos, or “micro- transnational utopianism. Letters, formed by culture, and span a cinema. This volume surveys her pers to sculpture and video, these KERBER artist’s multimedia collages relating portray a natural world rich in hid- dramas,” in which she recreates playing cards and business cards variety of media including video, oeuvre to date. works occupy a midzone between 9783866788336 U.S. | CDN $ 40.00 to this maternal guidance. den scenes and layers of imagery. performance, text and installation. episodes from classic plays. are inserted at random between image and sign. FLAT40 Hbk, 8.25 x 10.25 in. / MODERNE KUNST NÜRNBERG KERBER the pages. 64 pgs / 37 color. February / Art KERBER MODERNE KUNST NÜRNBERG 9783869844411 U.S. | CDN $ 40.00 9783866788466 U.S. | CDN $ 35.00 JRP|RINGIER JRP|RINGIER 9783866788152 U.S. | CDN $ 47.50 9783869844428 U.S. | CDN $ 40.00 9783037643358 U.S. | CDN $ 59.95 FLAT40 Hbk, 8.25 x 10.75 in. / MODERNE KUNST NÜRNBERG 9783037643389 U.S. | CDN $ 59.95 FLAT40 Pbk, 6.5 x 9 in. / 112 pgs / FLAT40 Hbk, 8.25 x 11 in. / 160 pgs / FLAT40 Pbk, 8.25 x 11 in. / 184 pgs / FLAT40 Pbk, 6.75 x 9.5 in. / 304 pgs / 148 pgs / 110 color / 26 b&w. 9783869841175 U.S. | CDN $ 45.00 FLAT40 Pbk, 8.5 x 11 in. / 384 pgs / 110 color. February / Art 177 color / 1 b&w. February / Art 79 color / 5 b&w. February / Art 139 color / 96 b&w. February / Art/Film February / Art/Film & Video FLAT40 Hbk, 6.75 x 9.5 in. / 144 pgs / 176 b&w. February / Art/Latin & Video 150 color / 20 b&w. February / Art American Art & Culture

184 artbook.com­­ artbook.com 185 painting and drawing SPECIALTY ■ ART

​Jorinde​Voigt:​ ​Jonas​Wood:​A​ ​Petr​Nikl:​The​ ​Emilia​Azcárate ​Claude​Rutault​ ​Fernando​García​ ​Goran​Djurovic: ​Richard​Müller​&​ Ludwig​van History​of​The​Met: Game​of​Time​ Edited by Cecilia Fajardo-Hill. Foreword by Claude Rutault. Inter- Correa:​Procurada Prime​Time​ Mel​Ramos:​Beauty Beethoven Volume​I​ Introduction by Radek Wohlmuth, Text by Chus Martínez, Pablo León view by Hans Ulrich Obrist. French Corrupción​ Text by Eric Rinckhout, Bernard and​the​Beast​ de la Barra, Cecilia Fajardo-Hill. artist Claude Rutault (born 1941) Sonata​1–32​ ​Second​Edition​ Jirˇí Prˇibánˇ. Text by PetrˇNikl. This Text by Víctor Palacios, Miguel Dewulf. Prime Time offers a com- Edited by Thomas Levy, Hans book features the painting and This publication introduces the blurs the boundaries of painting pelling introduction to the work of This volume features drawings by This collection of drawings by Ángel Ramos Sánchez, María Werner Schmidt. Text by Belinda printmaking work of Czech artist recent work of Venezuelan artist and sculpture, and/or painting and Serbian-born, Berlin-based artist German artist Jorinde Voigt (born Los Angeles–based artist Jonas Minera, Fernando García Correa. Grace-Gardner, et al. Beauty and Petr Nikl (born 1964) from the last Emilia Azcárate (born 1964)—a architecture. The work reproduced Goran Djurovic (born 1952), whose 1977) from the 32-part series, Lud- Wood (born 1977) was inspired Mexican artist Fernando García the Beast offers a provocative juxta- 30 years, including a series on the series of postcards with drawings here consists of monochrome grim and enigmatic paintings place wig van Beethoven, Sonatas 1–32, by his visits to The Metropolitan Correa (born 1958) produces ab- position of California-based Pop subject of hatching, embryos and made on a typewriter. Some are painted canvases that are hung on human figures in absurd theatrical in which the artist attempts to ex- Museum of Art, New York. This stract monotypes with lines and artist Mel Ramos (born 1935) and the mythology of origins. Writing individual works, others fit to- a wall of the exact same color. situations or show them perform- tract the emotional range inscribed is the second edition of the book, shapes often resembling calibrated German graphic artist Richard by the artist accompanies his vi- gether to form a whole; all contain ing seemingly pointless actions, in in Beethoven’s renowned music by which was originally printed in DAMIANI/PERROTIN readings from lie detectors or seis- Müller (1874–1954). Ramos fa- sual works. references to Azcárate’s Buddhist the idiom of Edward Hopper or inventing her own notation. 2010. 9788862083218 U.S. | CDN $ 50.00 mic monitors. Procurada Corrup- mously juxtaposes immaculate, philosophy. FLAT40 Hbk, 8.25 x 10.5 in. / 238 pgs / Michaël Borremans. ARBOR VITAE ción covers García Correa’s works self-assured women with con- HATJE CANTZ JONAS WOOD & ANTON KERN illustrated throughout. February / Art 9788074670411 U.S. | CDN $ 60.00 TURNER of the last 12 years. LUDION sumer goods, while Müller portrays 9783775737036 U.S. | CDN $ 70.00 GALLERY FLAT40 Hbk, 9.25 x 10.75 in. / 9788415832430 U.S. | CDN $ 20.00 unreserved, naturalistic nudes. FLAT40 Hbk, 15 x 11 in. / 96 pgs / 9780983362265 U.S. | CDN $ 36.00 RM/MUSEO DE ARTE MODERNO 9789461301208 U.S. | CDN $ 45.00 328 pgs / 240 color. March / Art FLAT40 Pbk, 6.75 x 9.5 in. / 96 pgs / 32 color. June/ Art FLAT40 Hbk, 7.25 x 9.25 in. / 24 pgs / DE MÉXICO FLAT40 Hbk, 9.5 x 11.5 in. / 192 pgs / 80 color. February / Art/Latin American KERBER 15 b&w. Available / Art U.S. | CDN 120 color. February / Art 9788415118596 $ 45.00 9783866788596 U.S. | CDN $ 55.00 Art & Culture FLAT40 Clth, 8.25 x 10 in. / 373 pgs / FLAT40 Hbk, 9.5 x 11.75 in. / 176 pgs / 392 color. March / Art/Latin American 119 color / 7 b&w. February / Art Art & Culture

​Stefan​Kürten:​Here ​Asim​Abu​Shaqra​ ​Pablo​Bronstein:​ ​Hans​Purrmann:​ ​Franco​Viola​ ​José​María​Sicilia: ​Djordje​Ozbolt​ ​Florian​Thomas:​ Comes​the​Night​ Text by Tal Ben-Zvi, Kamal A​Is​Building,​B​Is​ Catalogue​Raisonné Text by Roger M. Buergel. Franco Fukushima,​Winter Edited by Lionel Bovier. Text by I​Didn’t​Know​ ​Works​on​Paper​2009–2013​ Boullata, W.J.T. Mitchell, Anton Architecture​ of​the​Drawings Viola (born 1953) paints intensely Flowers​ Caoimhin Mac Giolla Leith, Gregor What​Time​It​Was​ Shammas, Nira Itzhaki. Israeli- colorful landscapes based on Muir. The paintings of Belgrade- Edited by Oliver Zybok. Text by Text by Sam Jacob, Catherine 1895–1966​ In Fukushima, Winter Flowers, Edited by Jürgen Krieger. Text by Palestinian painter Asim Abu sketches he produces during tours born artist Djordje Ozbolt (born Stephan Berg, Oliver Zybok. Wood, Andrea Bellini. The architec- Text by Felix Billeter, Pia Dornacher. Spanish artist José María Sicilia Daniel Schreiber, Heike Endter. The Shaqra (1961–1990) painted in the mountains and along the 1967) vary greatly in subject, span- Interview by Lawrence R. Rinder. tural interventions of London- Working in the tradition of Matisse (born 1954) addresses the 2011 pictorial world of German painter different forms of local cacti, coast near his hometown of Gaeta, ning religion, human relationships, German artist Stefan Kürten (born based artist Pablo Bronstein (born and Cézanne, Hans Purrmann tsunami in Japan. The artist con- Florian Thomas (born 1966) is always depicting the sabra outside Italy. This book offers a portrait of colonial exoticism (especially in 1963) paints architectural scenes, 1977) explore the relationship be- (1880–1966) was a leading Ger- verts different sounds and images sourced mostly from a collection its natural setting and contained his daily painting routine. Africa), to travel experiences and landscapes and gardens; the de- tween classical architecture and man artist in the first half of the of the tsunami, like birdsong and of his own and other, old and new, in a flowerpot. This book provides cultural stereotypes. This publica- tached, single-family home with its contemporary urbanism. A Is twentieth century. This catalogue HATJE CANTZ recordings of warning messages, found or already printed photos new interpretations on Asim tion is the first monograph to cele- manicured environment of hedges Building, B is Architecture presents raisonné of his drawings includes 9783775735728 U.S. | CDN $ 70.00 into two- and three-dimensional and postcards by amateurs and Abu Shaqra’s sabra paintings. brate Ozbolt’s collagelike paintings. and flowers often plays a central a retrospective of Bronstein’s work more than 1,200 works in pencil, FLAT40 Hbk, 10.75 x 12.25 in. / paintings. professionals. I Didn’t Know What 240 pgs / 120 color. April / Art role in his paintings. Here Comes CHARTA as well as the first survey of his ar- ink, chalk and charcoal. JRP|RINGIER Time It Was surveys his works. TURNER the Night presents the artist’s 9788881588763 U.S. | CDN $ 65.00 chitectural drawings. 9783037643457 U.S. | CDN $ 35.00 9788415832706 U.S. | CDN $ 45.00 JOVISART works of the past two years. FLAT40 Hbk, 9.5 x 11.5 in. / 200 pgs / HATJE CANTZ FLAT40 Hbk, 8 x 11.25 in. / 64 pgs / FLAT40 Pbk, 7.5 x 10.5 in. / 238 pgs / 9783868592450 U.S. | CDN $ 50.00 115 color. February / Art/Middle WALTHER KÖNIG, KÖLN 9783775736800 U.S. | CDN $ 150.00 45 color. April / Art 80 color. February / Art FLAT40 Pbk, 9.5 x 11.25 in. / 160 pgs / HATJE CANTZ Eastern Art & Culture 9783863354251 U.S. | CDN $ 45.00 FLAT40 Clth, 9.5 x 12.25 in. / 480 pgs / 100 color. April / Art 9783775737357 U.S. | CDN $ 45.00 FLAT40 Pbk, 9.5 x 10.5 in. / 160 pgs / 1,330 color. June / Art FLAT40 Hbk, 9.5 x 12.5 in. / 128 pgs / 72 color / 30 b&w. January / Art 156 color. January / Art

186 artbook.com­­ artbook.com 187 painting and drawing SPECIALTY ■ ART

​Kinki​Texas:​ ​Justine​Otto:​ ​Fritz​Köthe​ 1000​Pawnees​Are Half​Board​ Edited by Thomas Levy. Text by Not​Enough​ Edited and with text by Jean- Belinda Grace Gardner. This publi- cation offers a retrospective Edited by Holger Meier. Text by Christophe Ammann, Anna Wesle. overview of German painter and ​Kristin​Baker:​ Uwe Goldenstein, Detlef Stein. The metallic gleam that suffuses collagist Fritz Köthe (1916–2005), Illume-Mine​ 1000 Pawnees Are Not Enough in- Justine Otto’s (born 1974) pictorial whose pop décollage works por- PREVIOUSLY ANNOUNCED ​Richard​Prince: Edited by Nikki Columbus. Text by troduces the intergalactic world of world transforms its protago- ​Keziah​Jones​& ​Bob​Dylan:​ tray and satirize the hyperproduc- Suzanne Hudson. Illume-Mine German painter Kinki Texas (born nists—girls, women, animals—into White​Paintings​ tion of postwar consumer culture. ​Karl​Wirsum​ Native​Maqari: Face​Value​ presents the newest paintings by 1969)—a cosmos of wild disjunc- eerie, emotionally suspended crea- Celebrated for his appropriation of Interviews by KAWS, Erik Parker, Captain​Rugged​ Introduction by John Elderfield. artist Kristin Baker (born 1975), tions populated by cartoonlike im- tures carrying out enigmatic tasks. KERBER advertising images and photo- Jeff Koons, Mark Pascale, Robert Captain Rugged is a multimedia With over 500 songs, 46 albums agery of zombie cowboys, clones 9783866788343 U.S. | CDN $ 40.00 from 2011–2013. Baker’s composi- KERBER Cozzolino, Peter Saul, et al. graphs during the early 1970s, tions often involve the distortion of and cannibals. This publication in- FLAT40 Hbk, 6.5 x 9.5 in. / 120 pgs / graphic-novel collaboration be- and an astonishing 110 million 9783866788084 U.S. | CDN $ 45.00 American artist Karl Wirsum (born Richard Prince (born 1949) began light and color: rectangles float like cludes numerous illustrations and FLAT40 Hbk, 9.5 x 11 in. / 80 pgs / 112 color / 5 b&w / DVD (PAL). tween Nigerian musicians and record sales to his name, Bob February / Art 1939) was a member of the leg- in the 1980s to explore the rela- prisms through which red turns to an interview with the artist. 46 color. February / Art artists Keziah Jones (born 1968) Dylan (born 1941), now in his early endary Chicago artist community tionship between image and lan- purple, white fans out and tanger- and Native Maqari (born 1980) that seventies, is turning increasingly to KERBER guage, pairing jokes from books ine comes in and out of focus. At The Hairy Who (whose other mem- 9783866788565 U.S. | CDN $ 39.95 describes Nigeria’s oil boom of the another mode of artistic expres- bers included Art Green, Gladys and magazines with referential and the core of her work, which has FLAT40 Hbk, 8.25 x 10.25 in. / 1970s. The hero, Captain Rugged, sion; one that has occupied him developed over the course of a Nilsson, Jim Nutt and Suellen non-referential imagery. In the 112 pgs / 54 color. February / Art was conceived by Jones as an em- throughout his life, but for which decade, is an exploration of the Rocca). Best known as a painter, 1990s, his Joke paintings trans- bodiment of the Nigerians who he is much less well known. Al- boundaries and expectations of the he has also worked in printmaking, formed from rigidly composed flooded the city of Lagos in hopes though Dylan has sketched and painted medium. The abstract sculpture, digital art and mari- works into freefloating combina- works in this catalogue extend this of making a living, inadvertently drawn since childhood and painted onettes. Pristine, cartoonish, flatly tions of jokes and stripped-down investigation. In these new paint- bringing about an extreme popula- since the late 1960s, only relatively graphic and brightly chromatic, his layered imagery. The White Paint- ings, visual and process-oriented tion explosion and a soaring crime recently has he begun to exhibit paintings portray solitary, hallucina- ings are raw and energetic in allusions to photography, print- rate. It also led to a bizarre jumble his artworks. The 12 works col- tory, often somewhat demonic comparison to his earlier work. making and other two-dimensional of architectural styles and uncom- lected in this beautifully produced characters, depicted against spare Here, handwritten and printed media combine to reveal a diverse pleted buildings around the city. volume represent his latest foray acrylic idiom. Illume-Mine is also backdrops. This catalogue com- jokes mingle with gestural marks, From Captain Rugged’s birthplace into portraiture. In an illuminating the first publication to feature memorates Wirsum’s fall 2013 ex- silkscreened imagery and graphic in Makoko—an illegal water settle- essay and a rare Q&A with Dylan, Baker’s Minums—small paintings hibition at Derek Eller gallery in fragments, all strewn across a whose scale reflects the size ment on stilts within the Lagos la- curator and art historian John El- ​Peter​Angermann: ​Andro​Wekua: ​Yury​Kharchenko: New York. It presents 25 new white-pigmented backdrop. of notebook paper but displays goon—through the hectic bus derfield explores the story behind paintings and drawings accompa- Prince’s hand is present in these the same dramatic effects as the Light​on​the​Horizon​ Dreaming​Dreaming​ Worlds​Within​ stations of Obalende, this publica- these works. For Elderfield, Dylan’s nied by questions to the artist (and works, with their painterly white large-scale works. This monograph Editor Martin Hentschel. Text Edited by Daniel Feinberg, Augusta Edited by Harald Frisch. Text by tion chronicles the hero’s adven- paintings, like his songs, are “prod- his answers) from an all-star roster texture, spirited whorls and was edited by Nikki Columbus and Martin Hentschel, Julian Spalding. Joyce. Text by Mark von Schlegell. Harald Frisch, Kay Heymer. Russ- tures through the city. This ucts of the same extraordinary, in- Drawing on genres such as fantasy, ian painter Yury Kharchenko’s of curators and artists, including handwritten elements. In this includes an essay by Suzanne Interview by Matthias Egersdörfer. publication includes a special card ventive imagination, the same Hudson. Light on the Horizon surveys the sci-fi and horror, Andro Wekua (born 1986) paintings oscillate Gary Panter, Carter E. Foster, Chris series, he uses appropriation in a containing the url to download the mind and eye, by the same story- output of German painter Peter (born 1977) creates fantastical, tonally between vibrancy and Ware, KAWS, Erik Parker, Jeff new way, as he pays homage to THE SUZANNE GEISS COMPANY tracks of Jones’ accompanying telling artist, for whom showing Angermann (born 1945). Anger- macabre tableaux that explore gloom, as he combines abstract great American abstract painters 9780615767895 U.S. | CDN $ 35.00 Koons, Mark Pascale, Robert Storr, mann’s unique, cartoonlike paint- personal, collective and fictional expanses of color with alienated, new album. and telling … are not easily sepa- FLAT40 Hbk, 8.75 x 11.25 in. / 68 pgs / Robert Cozzolino and Peter Saul. such as Cy Twombly and Robert rated.” 45 color. January / Art ings are playful and absurdist, at memory. This book includes works more figurative elements. Worlds DAMIANI Rauschenberg. This volume repro- DEREK ELLER GALLERY times featuring bears or skeletons from the artist’s 2012 exhibition at Within documents the young 9788862083409 U.S. | CDN $ 45.00 NATIONAL PORTRAIT GALLERY duces a selection from this series. 9781939799142 U.S. | CDN $ 19.95 FLAT40 Hbk, 6.5 x 9 in. / 120 pgs / in everyday situations. He is also Gladstone Gallery—large colorful artist’s oeuvre from over the last 9781855144804 U.S. | CDN $ 45.00 FLAT40 Pbk, 7.5 x 11 in. / 64 pgs / known for his skill as a plein air abstractions—as well as Wekua’s eight years. illustrated throughout. March / Comic FLAT40 Hbk, 8.75 x 12 in. / 64 pgs / SKARSTEDT GALLERY 38 color. Available / Art landscape painter. signature collages and portraits. & Graphic Novels/African Art & Cul- 12 color. February / Art 9780988930001 U.S. | CDN $ 30.00 KERBER ture FLAT40 Pbk, 8.5 x 12 in. / 55 pgs / MODERNE KUNST NÜRNBERG JRP|RINGIER 9783866788510 U.S. | CDN $ 30.00 EXHIBITION SCHEDULE 27 color / 1 b&w. January / Art 9783869844398 U.S. | CDN $ 45.00 9783037643099 U.S. | CDN $ 20.00 FLAT40 Hbk, 8.25 x 11 in. / 48 pgs / London, England: National Portrait FLAT40 Hbk, 9.25 x 11.25 in. / FLAT40 Pbk, 8.5 x 11 in. / 28 pgs / 43 color. February / Art Gallery, 08/24/13–01/05/14 240 pgs / 156 color / 9 b&w. February / 13 color. February / Art Art

188 artbook.com­­ artbook.com 189 Contemporary painting, Chinese art and modernism SPECIALTY ■ ART

​Helmut​Federle:​ ​André​Butzer​ ​Jürgen​Messensee​ ​Wang​Xingwei​ ​Duchamp​and/or/in ​Condition​Report​ ​Of​Bridges​&​Borders ​Bauhaus:​The​Art​ The​Ferner​Paintings​ Text by Philipp Schwalb. Interview Text by Ingried Brugger, Florian Edited by Philip Tinari. Text by China​ ​Symposium​on​Building​Art Vol.​II​ of​the​Students​ Text by Erich Franz. This publica- by Daniel Mendel-Black. German Steininger. Jürgen Messensee Zhang Li, Nataline Colonnello, Edited by Laura Tucker, Paula Tsai. Institutions​in​Africa​ Edited by Sigismond de Vajay. ​Works​from​the​Stifting tion details the most recent series painter André Butzer (born 1973) is (born 1936) occupies an important Raphael Gygax. This catalogue ac- Foreword by Philip Tinari. Text by Edited by Koyo Kouoh. Text by Text by Marc Augé, Jenny Holzer, Bauhaus​Dessau​Collection​ known for his roughly executed position in the fields of painting companies the 2013 retrospective by Swiss painter Helmut Federle John Tancock, Francis Naumann. Abdellah Karroum, Koyo Kouoh, Lawrence Weiner, Ricardo Menén- Text by Oliver Zybok, et al. Despite figure paintings in a style he once and drawing in Austria. In recent exhibition of Chinese painter Wang (born 1944), titled The Ferner Paint- Duchamp and/or/in China investi- Simon Njami, Oumar Sall, et al. dez Salmón, Saskia Sassen, et al. the famous pedagogical philoso- labeled “sci-fi expressionism.” This years Messensee has been Xingwei (born 1969), reproducing ings, each depicting dark circles. gates the impact of Duchamp on Condition Report is a collection of Anthropologists, writers, philoso- phy and teachers of the Bauhaus, book highlights his recent black- supplementing his drawings about a third of his total output The circles are not painted but contemporary Chinese art. It in- essays resulting from a symposium phers, artists, sociologists and ar- the school’s students have never and-white color-field paintings and paintings with the jet print, since 1991. Wang’s famously stained, the result of carefully ap- cludes a pull-out section of his best- held in Dakar in 2012. They address chitects from around the world received their due recognition. that explore two anti-geometrical greatly enlarging his own drawings amusing yet subversive works are plied vegetable oil. known works. Among the artists the changing role of art institutions gather in this second Of Bridges This historic publication includes rectangles and their balancing and then painting them. In this organized into three sections, ac- included here are Ai Weiwei, Cai and initiatives in Africa, where & Borders volume to voice their PETER BLUM EDITION, NEW YORK works by Theo Balden, Eugen Batz, act between motion and stasis. process, the artist is interested cording to the positioning of the Yuan + Xi Jian Jun, Huang Yong government-led art programs and views of the challenges facing 9780615860428 U.S. | CDN $ 50.00 Max Bill, Marianne Brandt, Werner in shifting and manipulating subject (frontal, rear, profile). FLAT40 Hbk, 7.5 x 10.25 in. / 112 pgs / HOLZWARTH PUBLICATIONS Ping, Zhao Zhao and Zheng Guogu. infrastructure predominate. These society today. The content ranges Drewes, Werner Gilles, Werner perception. initiatives draw a new cartography from anecdotes to complex re- 23 color / 12 b&w. January / Art 9783935567664 U.S. | CDN $ 50.00 UCCA/HINABOOK/WORLD ULLENS CENTER FOR CONTEMPORARY Graeff, Carl Marx, Erich Mende, FLAT40 Hbk, 13.25 x 12.5 in. / HATJE CANTZ PUBLISHING COMPANY, BEIJING ART/HINABOOK/WORLD PUBLISHING of artistic activity in Africa. search projects. Karl Peter Röhl, Wera Meyer- 64 pgs / 29 color / 2 b&w. February / 9787510061219 U.S. | CDN $ 25.00 COMPANY, BEIJING 9783775736381 U.S. | CDN $ 45.00 HATJE CANTZ JRP|RINGIER Waldeck and Fritz Winter. Art FLAT40 Hbk, 9.5 x 11.75 in. / FLAT40 Pbk, 8 x 10.5 in. / 96 pgs / 9787510060137 U.S. | CDN $ 25.00 9783775737494 U.S. | CDN $ 30.00 9783037642634 U.S. | CDN $ 35.00 109 color / 22 b&w. February / Art/ FLAT40 Flexi, 6 x 9 in. / 427 pgs / HATJE CANTZ 136 pgs / 95 color. January / Art FLAT40 Pbk, 5.75 x 8.25 in. / 296 pgs / FLAT40 Hbk, 6.75 x 9.5 in. / 384 pgs / Asian Art & Culture 120 color / 93 b&w. February / 9783775736008 U.S. | CDN $ 55.00 January / Art/African Art & 60 b&w. April/ Art/Nonfiction & Art/Asian Art & Culture 26 color. FLAT40 Hbk, 8.75 x 11 in. / 192 pgs / Culture Criticism 179 color. February / Art

​Yan​Pei-Ming:​Help!​ ​Zheng​Chongbin:​ ​As​Seen​2​ ​On​|​Off​ ​Marcel​Duchamp: ​Café​Dolly:​Picabia, ​Nicolas​de​Staël​ ​Piet​Mondrian,​ Edited by Alessandra Bellavita, Impulse,​Matter, ​Notable​Artworks​by​ ​China’s​Young​Artists​in Pharmacie​ Schnabel,​Willumsen​​ Foreward by David Nash. Text by Barnett​Newman,​ Matthieu Lelièvre. Text by Henri Form​ Chinese​Artists​ Concept​and​Practice​ Text by Stefan Banz. Made by Hybrid​Painting Michael Peppiatt. Nicolas de Staël Dan​Flavin​ Loyrette, Robert Fleck. Chinese- (1914–1955) was one of the most Text by Britta Erickson. This publi- Text by Karen Smith. Foreword by Philip Tinari. Texts Duchamp in 1914, “Pharmacie” is Text by Margrit Brehm, Claus H. Text by Simon Baier, Bernhard born, French-based painter Yan a cheap reproduction of a winter celebrated European painters of cation is part of a series of mono- This catalogue includes works by Bao Dong, et al. Chinese artists Carstensen, Anne Gregersen, et al. Mendes Bürgi, Gregor Stemmrich. Pei-Ming (born 1961) transforms landscape with two drops of color the postwar period. His career graphs from the Beijing-based from 36 artists, from avant-garde born after 1975 have grown up Bringing Danish artist J.F. Willum- Although Piet Mondrian, Barnett contemporary media imagery and and the artist’s signature added to was brief but intense; in the span gallery Ink Studio, featuring signifi- pioneers Gu Dexin, Geng Jianyi, negotiating the extremes of an sen (1863–1958) and French artist Newman and Dan Flavin belonged events into large-scale oil paintings it. With this work, Duchamp cre- of about 15 years he became cant contemporary artists who Chen Zhen and Xu Bing, to those increasingly globalized but still Francis Picabia (1879–1951) to- to different generations, all de- and watercolors. This volume is ated his first “rectified ready- a leading figure of what is now work with Chinese brush and ink. at the forefront of the younger censorious culture. On / Off gether with director and artist Ju- voted themselves to abstract art in published on the occasion of his made.” Here, Stefan Banz called the School of Paris. This Impulse, Matter, Form presents generation like Liu Wei, Yang features the work of 50 Chinese lian Schnabel (born 1951), Café groundbreaking ways, using pure first solo exhibition at Galerie Thad- investigates the meaning of the catalogue documents his most Chinese artist Zheng Chongbin Fudong, Li Songsong, Cao Fei and artists who together offer a collec- Dolly discusses the transhistorical color and concrete forms. This daeus Ropac. term “rectified readymade” and prolific decade, the 1950s. (born 1961), whose work synthe- Wang Du. tive portrait of this generation— and postmodern sympathies be- volume presents the three artists GALERIE THADDAEUS ROPAC sizes Chinese and Western explo- among them Birdhead, Cheng discusses the philosophical dimen- tween their painting strategies, also MITCHELL-INNES & NASH in chronological order, juxtaposing ULLENS CENTER FOR CONTEMPORARY 9782910055578 U.S. | CDN $ 45.00 Ran, Jin Shan and Lee Fuchun. sions of this cryptic piece. 9780988618824 U.S. | CDN $ 20.00 rations in calligraphy and gesture. ART/HINABOOK/WORLD PUBLISHING reflecting on the reception history masterpieces with seldom-seen FLAT40 Hbk, 12 x 11.25 in. / 120 pgs / FLAT40 Pbk, 10.5 x 9.25 in. / 40 pgs / COMPANY, BEIJING ULLENS CENTER FOR CONTEMPORARY MODERNE KUNST NÜRNBERG of their respective works. works. 29 color. February / Art/Asian Art & INK STUDIO 13 color / 4 b&w. February / Art 9787510058332 U.S. | CDN $ 25.00 ART/HINABOOK/ WORLD PUBLISHING 9783869844657 U.S. | CDN $ 25.00 Culture 9780615864532 U.S. | CDN $ 45.00 HATJE CANTZ HATJE CANTZ FLAT40 Pbk, 7 x 9.5 in. / 219 pgs / COMPANY, BEIJING FLAT40 Clth, 4.25 x 5.5 in. / 204 pgs / FLAT40 Hbk, 9 x 10.5 in. / 192 pgs / 9783775737180 U.S. | CDN $ 60.00 9783775736855 U.S. | CDN $ 60.00 9 b&w / 152 duotone. February / 9787510056192 U.S. | CDN $ 55.00 38 color. February / Art/Nonfiction & 175 color. May/ Art/Asian Art & Culture FLAT40 Hbk, 10.75 x 12.25 in. / FLAT40 Hbk, 9.5 x 11.75 in. / 152 pgs / Art/Asian Art & Culture FLAT40 Hbk, 9.75 x 13.75 in. / Criticism 240 pgs / 350 color. January / Art 65 color. January / Art 352 pgs / 386 color / 52 b&w. February / Art 190 artbook.com­­ artbook.com 191

Collections and surveys SPECIALTY ■ ART

​Great​Meadows​ ​The​System​of​Objects​ ​Aliens​and​Herons​ PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED PREVIOUSLY ANNOUNCED ​Place​Is​the​Space​ ​The​Making​of​Here​ ​The​Dakis​Joannou​ Text by Pavel Karous, Tomásˇ ​Besser​Scheitern, ​Kino​der​Kunst​ ​Moments​ ​A​Building,​A​Decade,​An​ Edited by Julien Robson. Text by Collection​Reloaded​ Pospiszyl. This book examines Film​&​Video​ Edited by Heinz Peter Schwerfel. Edited by Sigrid Gareis, Georg Exhibition​ ​The​House​of​the Glenn Adamson, Petah Coyne, Edited by Andreas Angelidakis, the abundance of public sculpture Edited by Hubertus Gassner, Text by Walter Grasskamp, et al. Schöllhammer, Peter Weibel. Text Introduction by Brad Cloepfil. Seven​Gables​ Maya Lin, Peter Morrin, Julien Maria Cristina Didero. The System created during Czechoslovakia’s Brigitte Kölle. Text by Jonas Beyer, Interview with Hans Ulrich Obrist, by Sven-Olov Wallenstein, et al. Foreword by Lisa Melandri. Text by Robson, Ursula von Rydingsvard, of Objects examines pieces in the “Normalisation” years (1968– Wilhelm Genazino, Brigitte Kölle, David Lynch. Visual artists fre- Moments documents the recre- Dominic Molon, et al. Place Is the Text by Kendra Paitz, Corinne Al Shands, Alyson Shotz, et al. Dakis Joannou Collection within 1999), when factories, schools Merle Radtke. Taking its title from quently work with the raw material ation of milestone works in per- Space features new site-specific May Botz, Justine S. Murison, Great Meadows explores the home the framework created by French and hospitals were flooded with Samuel Beckett, Besser Scheitern of cinema, shooting with movie formance art by Marina projects at CAM St. Louis, by Christopher Atkins. The House of of Episcopal priest and contempo- philosopher Jean Baudrillard in his sculptural and relief ornamentation (“fail better”) looks at the theme of stars, professional technology and Abramovic´, Graciela Carnevale, Si- artists Carla Arocha and Stephane the Seven Gables is inspired by rary art collector Al Shands, de- book of the same name. Each and public spaces were filled special effects, and telling lavish mone Forti, Anna Halprin, Channa Schraenen, Jill Downen, Iñigo Nathaniel Hawthorne’s 1851 novel. failure in the work of 17 perform- signed by architect David Morton piece is examined within one of with memorials and monuments. stories in single- and multi-channel Horwitz, Sanja Ivekovic, Adrian Manglano-Ovalle, Virginia Overton Serving as a repository of memory ance and video artists, including and completed in 1988. The spec- Baudrillard’s categories of con- works. Are art museums the cine- Piper and Yvonne Rainer, at the and Dominique Petitgand. These and atonement, the titular mansion ARBOR VITAE Marina Abramovic´, Bas Jan Ader, tacular collection includes site-spe- sumption—function, exchange, mas of the future? This volume ex- ZKM in Karlsruhe. were commissioned by CAM archi- itself functions as a portrait of the 9788074670398 U.S. | CDN $ 70.00 Tacita Dean, Tracey Emin, Fischli & cific commissions by Petah Coyne, symbol, sign. FLAT40 Clth, 6.5 x 9.5 in. / 512 pgs / plores this topic with around 60 tect Brad Cloepfil and CAM Chief family’s collective trauma. This Weiss, Bruce Nauman and Gillian WALTHER KÖNIG, KÖLN Sol LeWitt, Maya Lin, Stephen 550 color. March / Art Wearing. descriptions of new artists’ films Curator Dominic Molon. publication features 27 works by DESTE FOUNDATION 9783863352899 U.S. | CDN $ 70.00 Vitiello and Betty Woodman. and essays. FLAT40 Pbk, 6.75 x 9.5 in. / 500 pgs / 22 contemporary artists who ex- 9786185039028 U.S. | CDN $ 24.95 WALTHER KÖNIG, KÖLN CONTEMPORARY ART MUSEUM 320 color. Available / Art plore themes of haunting, portrai- HATJE CANTZ FLAT40 Pbk, 6.5 x 9.5 in. / 232 pgs / 9783863353902 U.S. | CDN $ 39.95 WALTHER KÖNIG, KÖLN ST. LOUIS 9780988997011 U.S. | CDN $ 25.00 ture and the architectural uncanny. 9783775737753 U.S. | CDN $ 375.00 illustrated throughout. February / Art FLAT40 Hbk, 8 x 5.5 in. / 104 pgs / 9783863353490 U.S. | CDN $ 29.95 FLAT40 Pbk, 8.5 x 10 in. / 72 pgs / In acknowledgement of its direct SDNR30 Hbk, 11.5 x 10.5 in. / 36 color / 20 b&w. Available / Art FLAT40 Pbk, 7.5 x 9.5 in. / 200 pgs / 95 color / 5 b&w. Available / Art 55 color / 17 b&w. February / Art relationship to an existing book, 308 pgs / 250 color. June/Art The House of the Seven Gables’ de- sign references the layout of the first edition of Hawthorne’s novel, and features essays by exhibition curator, Kendra Paitz, as well as Justine S. Murison, Christopher Atkin, and Corinne May Botz. Artists include: Sue de Beer, Anne Collier, Dario Roberto, Anya Gallac- cio, Katy Grannan, Rachel Khedo- ori, Jacco Olivier, Robert Overby ​Contemporary​ ​Proyedo​Líquido:​Fear​ ​Living​with​Pop​ ​Painting​Forever!​ ​Why​Painting​Now?​ ​Placed​ ​The​Doubled​Image​ and Gregor Schneider. Languages​from​ Proyedo Líquido: Fear addresses ​A​Reproduction​of​ Text by Thomas Köhler, Rainer Text by Eva Maria Stadler, Bettina ​Sculptures​from​the Text by Andreas Fiedler, Daniel UNIVERSITY GALLERIES OF ILLINOIS Centro​América​ the theme of everyday fear and Capitalist​Realism​ Metzger, Eva Sharrer, Anna-Catha- Leidl, Achim Hochdörfer, Carol Wemhöner​Collection​ Morgenthaler, Viola Vahrson, STATE UNIVERSITY terror in Mexico today, looking Edited by Gregor Jansen, Elodie rina Gebbers, Raimar Stange, et al. Armstrong. Published to accom- Edited by Philipp Bollmann. Text Christoph Vögele, Isabel Zürcher, 9780945558255 U.S. | CDN $ 30.00 Edited by Luisa Fuentes Guaza. at works by a huge range of This four-part publication, bound pany a group of exhibitions in Walter Zuberbühler. This volume FLAT40 Hbk, 7 x 9 in. / 108 pgs / Text by Adán Vallecillo, et al. Con- Evers, Magdalena Holzhey. Text by by Ulrike Münter. Placed is the artists, including Galia Eibenschutz, into a single volume with binding Vienna, Why Painting Now? looks looks at examples of quoting, 36 color. March/ Art temporary Languages from Centro Eckart Gillen, et al. Gerhard Richter, third volume on the collection of Julián Herbert, Maricela Guerrero, screws, catalogues a four-part ex- at the relation of painting to infor- copying and overpainting in the América offers a detailed cartogra- Konrad Lueg, Sigmar Polke and Heiner Wemhöner, and includes Meiro Kaizumi, Kenneth Anger hibition at the Berlinische Galerie, mation and communication media works of Ian Anüll, Philip Akker- phy of the famously vibrant con- Manfred Kuttner coined the term works by Horst Antes, Enrique and others. Deutsche Bank KunstHalle, KW In- and other issues of contemporane- man, Francis Baudevin, Svenja temporary art scene in Central “Capitalist Realism” in Düsseldorf Asensi, Stephan Balkenhol, stitute for Contemporary Art and ity. Curators such as Ei Arakawa, Deininger, Klodin Erb, Pia Fries, America, reproducing artworks by TURNER in 1963. This publication is the first Roberto Barni, Reinhard Buxel, Neue Nationalgalerie in Berlin. It Yve-Alain Bois, Tyler Coburn, Markus Gadient, Michael van known and unknown artists along- 9788415832362 U.S. | CDN $ 35.00 dedicated to the phenomenon. The Chen Guangwu, Sandro Chia, Giro- includes work by Martin Eder, Antony Hudek, Franklin Melendez, Ofen, Giacomo Santiago Rogado, side interviews. This richly illus- FLAT40 Hbk, 8.5 x 11 in. / 192 pgs / movement’s principal exhibitions lama Ciulla, Tony Cragg, Michael Anselm Reyle, Thomas Scheibitz, Christiane Meyer-Stoll, Martin Thomas Scheibitz, Uwe Wittwer trated volume focuses particularly 150 color. February / Art/Latin Ameri- and works are documented in Croissant, Frank Dornseif and Diet- can Art & Culture Franz Ackermann, Jeanne Mam- Prinzhorn, Gerwald Rockenschaub, and Robert Zandvliet. on Costa Rica, Nicaragua, reproductions of works and rich Klinge, among many others. men and many others. Caroline Smulders and Jan Verwo- Guatemala and El Salvador. documents, plus critical essays. RICHTER | FEY VERLAG ert contribute. KERBER VERLAG KETTLER 9783941263611 U.S. | CDN $ 50.00 TURNER WALTHER KÖNIG, KÖLN 9783866788701 U.S. | CDN $ 65.00 9783862062850 U.S. | CDN $ 59.00 MODERNE KUNST NÜRNBERG FLAT40 Clth, 9.5 x 11 in. / 200 pgs / FLAT40 Pbk, 8.75 x 11.5 in. / 192 pgs 9788415832638 U.S. | CDN $ 35.00 9783863353339 U.S. | CDN $ 45.00 FLAT40 Pbk, 9 x 12 in. / 384 pgs / | / 108 color. February / Art FLAT40 Pbk, 6.75 x 8.5 in. / 530 pgs / FLAT40 Pbk, 6.75 x 9 in. / 314 pgs / 9783869844725 U.S. CDN $ 30.00 19 color / 55 b&w. February / Art illustrated throughout. February / Art 250 color. February / Art/Latin Ameri- 180 color. January / Art FLAT40 Pbk, 6.75 x 9.25 in. / 206 pgs / can Art & Culture 120 color. February/Art

192 artbook.com­­ artbook.com 193 surveys, fairs and biennials SPECIALTY ■ ART

​Future​Perfect​ ​Engadin​Art​Talks​ ​AR—Artistic​Research​ ​Deep​Feelings​ ​BMW​Art​Cars​ ​Industrial​Revelations: Unlimited​Art​Basel​ ​PrixdeRome.NL​2013​ ​Contemporary​Art​from Edited by Cristina Bechler, Hans Edited and with introduction ​From​Antiquity​to​Now​ Edited by Thomas Girst. Text by 40​Years​of​the​Arts/ 19–22​June​2014 Text by Hans den Hartog Jager, Germany​ Ulrich Obrist, Beatrix Ruf. Text by by Ute Meta Bauer, Thomas D. Edited by Hans-Peter Wipplinger. Domingo Rivero Arencibia, et al. Industry​Residency Art Basel presents the 14th edition Stefan Kuiper, Roos van der Lint. Text by Jennifer Allen, Dirk Vito Acconci, Doug Aitken, et al. Trummer. Text by Nicholas Text by Francesco Bonami, et al. Alexander Calder’s BMW 3.0 CSL Program​ of Art Unlimited. Its concept of a PrixdeRome 2013 profiles the four Baecker, John Beeson, Patrizia This volume compiles ideas and Ashford, Ute Meta Bauer, Florian Deep Feelings looks at the persist- from 1975 was the first in a series large-scale, museum-quality exhi- talented individuals nominated for Text by Ruth DeYoung Kohler, Ezra Dander, Hans-Jürgen Hafner, et al. projects from well-known artists, Dombois, Faivovich & Goldberg, ence of Aby Warburg’s “pathos of BMW Art Cars brought to life by bition presented within the frame- this year’s prestigious Dutch prize Shales, Glen Brown. Founded in architects, designers, filmmakers Laurent Grasso, Stefan Helmreich, formula” (visually associating Hervé Poulain, art lover and auto work of an art fair is unique and for visual artists under 40. Selected Future Perfect collects German 1974 as a one-month experiment, and researchers on mountainous et al. AR–Artistic Research ad- diverse portrayals of certain racing enthusiast, in collaboration popular among collectors and visi- by a jury of experts and scouts, the artists who explore ideas of futu- Arts/Industry organizes annual resi- regions not only in Switzerland, dresses the legendary scholar and emotions) in works by Hans-Peter with BMW’s Jochen Neerpasch. tors alike. nominees are Christian Friedrich, rity. Participating artists include dencies for artists to create new Nairy Baghramian, Kerstin Brätsch but worldwide. It includes writings artist György Kepes’ advocacy of Feldmann, Damien Hirst, Jeff Wall, This volume presents 17 artists Falke Pisano, Remco Torenbosch bodies of work at the John Michael HATJE CANTZ & Adele Röder, Mariana Castillo by Vito Acconci, Doug Aitken, artistic intervention on a civic scale Urs Fischer, Douglas Gordon, Sarah who have designed BMWs, includ- and Ola Vasiljeva. Kohler Arts Center and the Kohler 9783775737951 U.S. | CDN $40.00 Ron Arad, Nairy Baghramian and and in the urban environment. Lucas, Berlinde De Bruyckere, ing Sandro Chia, David Hockney, Deball, Cyprien Gaillard, Dani Company’s pottery, iron and brass FLAT40 Pbk, 6.5 x 8.25 in. / 186 pgs / NAI010 PUBLISHERS Jan von Brevern, as well as a This publication renews Kepes’ Titian, Philippe Parreno, Sharon Jenny Holzer, Michael Jagamara, Gal, Annette Kelm, Jutta Koether, foundries and enamel shop. This 96 color. July/Art 9789462081055 U.S. | CDN $ 25.00 discussion on architect Bruno insistence that artistic research Lockhart, William Kentridge, A.R. Penck, Robert Rauschenberg, Armin Linke, Henrik Olesen, volume documents the program. FLAT40 Pbk, 8 x 10.5 in. / 96 pgs / Yorgos Sapountzis, Nora Schultz, Taut’s “Crystal Chain Letters.” be placed on the same level as Maurizio Cattelan and others. Frank Stella and Andy Warhol. 70 color. February / Art scientific research. JOHN MICHAEL KOHLER ARTS Nasan Tur and Danh Vo. JRP|RINGIER HATJE CANTZ MODERNE KUNST NÜRNBERG CENTER 9783037643501 U.S. | CDN $ 29.95 WALTHER KÖNIG, KÖLN 9783775733458 U.S. | CDN $ 45.00 MODERNE KUNST NÜRNBERG 9783869844275 U.S. | CDN $ 35.00 9780985380038 U.S. | CDN $ 65.00 FLAT40 Pbk, 6 x 8.25 in. / 264 pgs / 9783863353872 U.S. | CDN $ 45.00 FLAT40 Hbk, 9.75 x 11 in. / 192 pgs / 9783869844534 U.S. | CDN $ 45.00 FLAT40 Pbk, 8.25 x 10.25 in. / FLAT40 Hbk, 10 x 12 in. / 304 pgs / 43 b&w. February / Art/Nonfiction & 160 color. June / Art FLAT40 Pbk, 9 x 11 in. / 244 pgs / FLAT40 Clth, 8.5 x 11 in. / 132 pgs / 192 pgs / 129 color / 11 b&w. 300 color. June/ Art Criticism 170 color. February / Art 90 b&w. January / Art February / Art

​Function​Dysfunction​ ​Pictures​of​Czech ​Re.act.feminism​No.2​ ​The​Swiss​Institute ​Hot​Spot​Istanbul​ ​Frieze​New​York​2014 ​Ars​Viva​13,​14:​ ​German​Art​in​São ​Contemporary​Art​from Postmodernism​ ​A​Performing​Archive​ Experience​ Edited by Christoph Doswald, Catalogue​ Truth​/​Reality​ Paulo​ Glasgow​ Text by Jirˇí Prˇibánˇ. Interview by Edited by Bettina Knaup, Beatrice Edited by Gianni Jetzer. Text by Dorothea Strauss. Text by Yasemin Edited by Sam Phillips. An ​Björn​Braun,​John​Skoog, ​German​Art​at​the​Biennial Since the 1990s, Glasgow has Ivan Mecˇl. This illustrated volume Ellen Stammer. Text by Kathrin John Armleder, Michael Bracewell, Bay, Christoph Doswald, Hans essential guide to international Adrian​Williams​ 1951–2012​ Irrek, Beral Madra, et al. Hot Spot developed a thriving art culture. narrates the story of postmod- Becker, et al. re.act.feminism #2 is Florence Derieux, Dan Graham, et contemporary art, the Frieze New Text by Ulrike Bestgen, Nicole Edited by Ulrike Groos, Sebastian Istanbul surveys a new generation This publication presents six site- ernism in Czech art, looking at an international, multi-annual per- al. This anthology summarizes York 2014 Catalogue profiles over Brenez, Peter Gorschlüter, Anna Preuss. Text by Ulrike Groos, Ana of Turkish artists, among them Can specific installations by Glasgow- works by Tomásˇ Císarˇovsk´y, formance and exhibition project seven years of exhibitions at the 170 acclaimed artists, including Musini, Mark Nash, Bernd Reiß, Magalhães, Jan Maruhn, Jan May, Altay, Adnan Coker, Nejat Melih based artists Martin Boyce, Claire Stanislav Divisˇ, Jirˇí David, Petr traveling through Europe since Swiss Institute in New York. Con- in-depth interviews about the Christiane Rekade. The theme of et al. Germany has supported the Devrim, Burhan Dogançay, Serhat Barclay, Mary Redmond, Nick Nikl, Petr Pisarˇík, Jan Merta, 2011. The core archive contains tributors include John Armleder, site-specific Frieze Projects. This the 2013 Ars Viva Prize is Truth/Re- São Paulo Biennial since the global Kiraz, Renée Levi, Ahmet Oktem, Evans, Ciara Phillips and Nicolas Jirˇí Suru°vka and Antonín Strˇízˇek— more than 250 videos, photo- Andrew Blake, Michael Bracewell, comprehensive, fully illustrated ality. This publication celebrates art exhibition’s foundation in 1951. Ahmet Orhan, Mübin Orhon, Ab- Party, who collectively represent artists who emerged on the Czech graphs and other documentation Tom Burr, Antoine Catala, Florence directory helps navigate every the works of three prizewinners— This richly illustrated volume docu- durrahman Oztoprak, Seckin Pirim, the generational span and art scene in the late 1980s. of gender-oriented, feminist and Derieux, Dan Graham, Harmony gallery at Frieze New York 2014. German installation artist Björn ments all of the German contribu- gender equality characteristic of queer performance art, from the Korine, Piper Marshall, Malcolm Sarkis, Nejat Sati, Arslan Sükan, KANT FRIEZE PUBLISHING Braun (born 1979), Swedish film tions to all 30 biennials, and Glasgow’s art scene. 1960s to the early 1980s. McLaren, John Miller, Bob Nickas, Erdem Tasdelen and Canan Tolon. 9788074370892 U.S. | CDN $ 25.00 9780957249653 U.S. | CDN $ 39.95 artist John Skoog (born 1985) and examines them in the context of Walter Pfeiffer, Haim Steinbach MODERNE KUNST NÜRNBERG FLAT40 Hbk, 5.5 x 7 in. / 148 pgs / MODERNE KUNST NÜRNBERG/LIVE JRP|RINGIER FLAT40 Pbk, 9 x 11 in. / 530 pgs / American installation artist Adrian postwar history and cultural politics. 50 color. February / Art ART DEVELOPMENT AGENCY, LONDON and Lawrence Weiner. 9783037643518 U.S. | CDN $ 59.95 500 color. May / Art Williams (born 1979). 9783869844817 U.S. | CDN $ 39.95 HATJE CANTZ FLAT40 Pbk, 9 x 11.5 in. / 160 pgs / 9783869844602 U.S. | CDN $ 45.00 FLAT40 Pbk, 9 x 11.75 in. / 214 pgs / JRP|RINGIER 9783775736947 U.S. | CDN $ 55.00 FLAT40 Pbk, 8.75 x 9.5 in. / 300 pgs / 96 color / 29 b&w. February / Art/ EXHIBITION SCHEDULE HATJE CANTZ 80 color. February / Art 9783037643525 U.S. | CDN $ 59.95 FLAT40 Hbk, 9.5 x 11.5 in. / 336 pgs / illustrated throughout. February / Art Middle Eastern Art & Culture Frieze New York 2014, Randall’s 9783775737500 U.S. | CDN $ 45.00 FLAT40 Hbk, 9.5 x 13 in. / 428 pgs / 404 color. January / Art Island, NY: 05/09/14–05/12/14 SDNR30 Pbk, 8.25 x 11 in. / 134 pgs / 25 color / 273 b&w. January / Art 166 color. January / Art 194 artbook.com­­ artbook.com 195 art photography and portraiture SPECIALTY ■ PHOTOGRAPHY

​Walead​Beshty:​ ​Jules​Spinatsch: ​Daan​van​Golden: ​Oliver​Mark:​Instant ​Christine​Turnauer: ​Giuseppe​Pino:​ Natural​Histories​ Snow​Management Photo​Book(s)​ Statements​No.1​ Presence​ The​Way​They​Were​ Edited by Walead Beshty. Text Complex Edited by Emiliano Battista, Daan Edited by Achim Heine. Text by Text by Frank Horvat, Christine ​Portraits​&​Stories​from​the PREVIOUSLY ANNOUNCED by Nicolas Bourriaud, Suzanne Edited by Markus Bosshard, Lionel van Golden. Text by Emiliano Bat- Ingeborg Harms. German photog- Turnauer. Austrian photographer 20th​Century​ ​Elfie​Semotan​ Hudson, Bob Nickas. This new ex- Bovier, Jürg Trösch. Text by Tobia tista. Although better known for rapher Oliver Mark (born 1963) has Christine Turnauer (born 1945) Milanese photographer Giuseppe ​New​York​Is​...​ panded edition gives a ten-year Bezzola, Walter Keller. Here, Swiss his painting, Dutch artist Daan van photographed countless artists, depicts significant encounters Pino (born 1940) is known as a re- Edited by Hans-Peter Wipplinger. Photographs by Nadine Ottawa. overview of Los Angeles –based artist Jules Spinatsch (born 1964) Golden (born 1936) is also a skilled actors, politicians and celebrities between two or more people, fined portraitist and an extraordinary Text by Monika Faber, Stephanie Text by Nuria Furrer. artist Walead Beshty (born 1976), presents his photo series docu- photographer. This book gathers such as Madeleine Albright, Dustin photographed against neutral, pre- observer of the jazz universe. He Damianitsch, Hans-Peter People arrive in the Big Apple and elucidates his approach to menting Alpine ski slopes being his photography, reproducing the Hoffman, Yoko Ono and Pope existing backgrounds. Presence captured jazz icons such as Miles Wipplinger. This volume compiles every day, hoping to make some- photographic and sculptural repre- prepared at night. Under the photo pages of his earlier books, as Benedict XVI. This publication highlights these respectful, moving Davis, Bill Evans, Dizzy Gillespie and works in fashion, nudes and por- sentation. Most recently, Beshty’s glare of cold floodlights, machines well as two little-known photo es- features Mark’s portraits using portraits in black and white. Ella Fitzgerald. This book contains thing of themselves. How many of traiture by the internationally es- work has concentrated on themes noisily turn nature into a tourist says, in their entirety. the new black-and-white Polaroid timeless faces that have marked the them succeed? And how do the teemed Austrian photographer HATJE CANTZ of production, making use of mun- experience with snow cannons at film made by the Impossible past century, including Vladimir people already living there, who Elfie Semotan (born 1941). WALTHER KÖNIG, KÖLN 9783775737487 U.S. | CDN $ 75.00 dane procedures like air travel or full blast and bulldozers flattening Project Company. Nabokov, Andy Warhol, Frank Throughout her career, Semotan 9783863354213 U.S. | CDN $ 85.00 FLAT40 Hbk, 11.5 x 13.75 in. / have perhaps already failed or suc- mailing a package. the slopes. 172 pgs / 90 duotone. June/ Zappa, Giorgio Armani and more. has maintained a close dialogue FLAT40 Pbk, 8 x 9 in. / 412 pgs / HATJE CANTZ ceeded, feel about the city? In 223 color / 101 b&w. January / Photography with artists, approaching photogra- JRP|RINGIER JRP|RINGIER 9783775737562 U.S. | CDN $ 30.00 New York Is…, German photogra- Photography DAMIANI U.S. | CDN FLAT40 Pbk, 11.75 x 15.25 in. / phy with a painterly eye. “I envy 9783037643532 $ 55.00 9783037643556 U.S. | CDN $ 75.00 9788862083416 U.S. | CDN $ 70.00 pher Nadine Ottawa (born 1979) FLAT40 Pbk, 9.25 x 11.25 in. / 30 pgs / 31 color. January / painters for their ability to create FLAT40 Hbk, 9.75 x 13.5 in. / FLAT40 Hbk, 12 x 12 in. / 300 pgs / and Swiss journalist Nuria Furrer 192 pgs / 107 color / 107 b&w. April / 180 pgs / 250 color. February / Photography illustrated throughout. March / their reality,” she says. “It has al- (born 1982) explored these issues, Photography Photography ways fascinated me to try to trans- Photography approaching people on the streets late this into photography, where of New York and asking them to you have to very deliberately aim complete the sentence “New York at achieving these kinds of ‘snap- shots of utter perfection.’” This vol- is ….” This catalogue presents ume includes her New York street their answers, next to Otawa’s scenes, fashion shoots for Helmut color portraits. Among those an- Lang and various fashion maga- swers: “A pot of gold.” “Madness.” zines, the French Girl in New York “Nightlife and daylife.” “Full of series, her collaboration with laws.” “The world’s best play- Vanessa Beecroft and portraits of ground.” “Paul Auster.” “The best artists such as Louise Bourgeois, ​Werner​Bischof ​Henrik​Spohler:​ ​Noémie​Goudal:​The ​Georges​Rousse: ​Cerise​Doucède​ ​Michael​Somoroff: thing that ever happened to me.” Martin Kippenberger, Jonathan Text by Angela Madesani. Interview Geometrical​Determi- The​Third​Day​ Mediterraneo​ ​HSBC​Photography​Prize Two​Crowns​of​the “Love.” “A city that I would never, Meese, Jack Whitten, Raymond with Angela Madesani, Marco Winner​2013​ nation​of​the​Sunrise​ Foreword by Christiane Stahl. ​The​Sea​in​the​Middle​of Egg​ ever leave.” Pettibon, Jason Rhoades, Joan Bischof. This monograph com- Introduction by Emmanuelle de Text by Friedemann Scholl. Land​ Introduction by Emmanuelle de Text by Donald Kuspit, Giannina Semmel and Christopher Wool. memorates German photojournalist KERBER l’Ecotais. This monograph cele- German photographer Henrik Introduction by Anne-Marie Garat. l’Ecotais. French photographer Braschi. Two Crowns of the Egg is 9783866788886 U.S. | CDN $ 25.00 WALTHER KÖNIG, KÖLN Werner Bischof (1916–1954), Spohler (born 1965) inquires into Cerise Doucède (born 1987), brates the work of French photog- French photographer, painter and an ode by the world-famous pho- FLAT40 Pbk, 6.75 x 8.75 in. / 160 pgs / 9783863353988 U.S. | CDN $ 45.00 who reported on devastation in the conditions of food production rapher Noémie Goudal (born sculptor Georges Rousse (born a 2013 HSBC Photography tographer Michael Somoroff to his 68 color. February / Photography FLAT40 Pbk, 8.5 x 9.75 in. / 200 pgs / Germany, France and the Nether- 1984), a 2013 HSBC Photography and the landscapes that it creates 1947) celebrates the sensuality and Foundation prizewinner, creates wife Irina Somoroff. A collabora- 200 color. Available / Photography lands after World War II. Featuring Foundation award winner. Goudal in the process. This volume pres- primordial power of the earth. This installations of ordinary objects tive work of art, the book offers a over 100 black-and-white photo- uses photographs printed on fabric ents his portraits of contemporary catalogue presents a series of pho- suspended in space. This mono- psychological and spiritual journey. graphs, this collection of Bischof’s to create installations that trans- agriculture, outdoors or under tographs taken in Rome, Cannes, graph presents images of intimate images conveys his sense of empa- DAMIANI form caves, factories and forests glass or plastic, in Spain, Holland, Sicily, Athens, Cyprus, Jerusalem moments—teacups surround a 9788862083539 U.S. | CDN $ 60.00 thy and humanity. Germany and the United States. couple eating breakfast in bed; ap- into enchanting theatrical settings. and Alexandria. FLAT40 Pbk, 11.75 x 13.75 in. / SILVANA EDITORIALE ples float over a woman preparing ACTES SUD/HSBC HATJE CANTZ ACTES SUD 110 pgs / illustrated throughout. | a pie in the kitchen. 9788836626922 U.S. CDN $ 38.00 9783775736107 U.S. | CDN $ 60.00 March / Photography 9782330019068 U.S. | CDN $ 25.00 9782330022570 U.S. | CDN $ 39.95 FLAT40 , 9 x 11 in. / 144 pgs / FLAT40 Hbk, 8.75 x 11.25 in. / FLAT40 Hbk, 12 x 9.75 in. / 96 pgs / FLAT40 Hbk, 8.75 x 11.25 in. / ACTES SUD/HSBC 105 color. March / Photography 55 color. February / Photography 104 pgs / 40 color. March / 96 pgs / 59 color. March / Art 9782330019051 U.S. | CDN $ 25.00

Photography FLAT40 Hbk, 8.75 x 11.25 in. / 104 pgs / 43 color. March / Photography 196 artbook.com­­ artbook.com 197 Czech photography and political photography SPECIALTY ■ PHOTOGRAPHY

​Viktor​Kolář:​Canada​ ​The​Intimate​Circle​ ​Jiří​Hanke:​Views ​Ana​Casas​Broda: ​Robert​Dodge:​ ​Christian​Höhn: ​Luca​Faccio:​ ​1968–1973​ in​Contemporary from​the​Window​of Kinderwunsch​ Vietnam​40​Years China​Megacity​ Common​Grounds Text by Marek Pokorny´. Interview Czech​Photography​ My​Flat​ Text by Ana Casas Broda, Susan Later​ ​Photographs​ Text by Andrea Bertolini, Rainer by Karel Hvízˇdˇala. This volume Edited by Vladimír Birgus. Edited by Tomáš Pospech. Text Bright. In this moving photo essay, Foreword by Andrew Lam. Nar- Edited by Yan Xu-Lackner, Dormels, Lucas Gehrmann, ​Jan​Ságl:​Plastic​ gathers Viktor Kolárˇ’s photographs Mexican photographer Ana Casas Alexandra Grimmer, Peter Moser, Exploring themes of introspection Tomáš Pospech, František Stavi- rated through the colorful photo- Matthias Murko. Preface by Yan People​Primitives from his five-year Canadian exile Broda (born 1965) explores the Eva Schlegel, Hannes Swoboda, in portraiture, the 50 Czech pho- noha, et al. Jirˇí Hanke (1924–2006) graphs of Washington, DC–based Xu-Lackner. Text by Dan Kraus, (1968–1973). For Kolárˇ, the relative complexity of motherhood and et al. Common Grounds, by Italian Group​ tographers gathered in this volume worked as a clerk in a savings bank photographer Robert Dodge, this Matthias Murko, et al. The photo- freedom of Vancouver, Toronto and her relationship with her two sons, photo artist Luca Faccio (born ​Dancing​on​the​Double​Ice​ include Ivan Pinkava, Jirˇí David, in Kladno, Czechoslovakia, where publication explores Vietnam four graphs of Christian Höhn (born Montreal challenged him to define his office looked out onto the city as their respective selves emerge decades after the end of the war. 1968) show both the diversity and 1969), examines Korea’s violent di- Edited and with text by Jan Pavel Banˇka, Milena Dopitová and his style. “To capture the ‘new square. Between 1981 and 2006 he or are reconstructed. Dodge’s images from throughout uniformity of cities around the vision into North and South, with Ságl. Preface by Lenka Bucˇilová. Dita Pepe, as well as younger, world’ without self-censorship— photographed the public events Vietnam reveal a country at a world. This publication displays portraits of people, cities and land- Interviews by Petr Volf. In mid- lesser-known emerging talents. LA FÁBRICA/FUNDACIÓN that was my sole task.” that took place there, producing TELEVISA/FONCA/CONACULTA/BMIUK crossroads with serious Höhn’s images of Chinese megaci- scapes on both sides of the divide. 1960s Czechoslovakia, prior to the Each photographer supplies a the now-celebrated series pre- 9788415691433 U.S. | CDN $ 60.00 economic and political challenges. ties, including Beijing, Shanghai, Soviet invasion, the hippie ethos KANT short commentary on their work. MODERNE KUNST NÜRNBERG FLAT40 Hbk, 11.75 x 8.75 in. / 9788074371035 U.S. | CDN $ 45.00 sented in this volume. Chongqing, Hong Kong, Shenzhen 9783869844749 U.S. | CDN $ 48.00 reigned supreme. Photographer 316 pgs / illustrated throughout. DAMIANI FLAT40 Hbk, 9.5 x 8.5 in. / 120 pgs / KANT and Qingdao. FLAT40 Pbk, 10.25 x 11.75 in. / Jan Ságl (born 1942), now well KANT February /Photography/Latin American 9788862083256 U.S. | CDN $ 65.00 81 duotone. February / Photography 9788074370991 U.S. | CDN $ 45.00 240 pgs / 150 color. February / known for his photographs of FLAT40 Pbk, 9.5 x 11 in. / 192 pgs / 9788074371103 U.S. | CDN $ 55.00 Art & Culture FLAT40 Hbk, 12 x 9.75 in. / 110 pgs / MODERNE KUNST NÜRNBERG illustrated throughout. March / Photography/Asian Art & Culture Paris, was on hand to document 203 color. February / Photography FLAT40 Hbk, 9 x 6.5 in. / 192 pgs / 9783869844367 U.S. | CDN $ 40.00 Photography/Asian Art & Culture the communes, bands and per- 124 duotone. February / Photography FLAT40 Clth, 12 x 9.25 in. / 104 pgs / formances of the time. He pho- 48 color / 12 b&w. February / Photog- raphy/Asian Art & Culture tographed the scenes around the artist Zorka Ságlová, the art theo- rist Vera Jirousová and bands such as the Primitives Group, the Plastic People of the Universe, DG 307, Aktual and others. In the spring of 1976, while Ságl and his wife were holidaying at their weekend cot- tage, the police cracked down on the circle around these bands, searching homes, interrogating “suspects” and making arrests. ​Ivo​Loos:​Photogra- ​Patrick​Faigenbaum​ ​Loredana​Nemes: ​Carlos​Spottorno: ​Antoine​Wagner: ​Mathias​Braschler​ ​Josef​Dabernig: Ságl returned home just in time to pher​1966–1975​ Foreword by Kathleen S. Bartels. Beautiful​ The​Pigs​ Wagner​in​der &​Monika​Fischer: Panorama​ hide his photographs, which would Text by Antonín Dufek. Ivo Loos Introduction by Jeff Wall. Text by ​Sibiu​2002–2013​ Text by Carlos Spottorno, Alec Schweiz​ The​Swiss​ Edited and with text by Peter otherwise have led to many further (1934–2009) documented the Jean François Chevrier, Éric de Soth. The acronym “PIGS” is a Pakesch, Katrin Bucher Trantow. arrests. They remained hidden, Text by Loredana Nemes. Beautiful Text by Michael Birkett, Andy In The Swiss, the photographer Czech dictatorship of the 1970s Chassey. Since receiving interna- media-coined term referring to the German photographer Josef and were eventually thought lost, explores the beauty of the Roman- Sommer, Antoine Wagner, Robert team Monika Fischer (born 1971) in several widely acclaimed photo tional acclaim in the mid-1980s for European Union’s economically Dabernig (born 1956) investigates until 2012, when Ságl unearthed ian photographer Loredana Nemes’ Wilson. These new photographs by and Mathias Braschler (born 1969) series. This book presents a his portraits of Italian aristocratic weakest countries—Portugal, the landscapes of sports fields. the images—compiling them (born 1972) hometown of Sibiu. In- photographer and filmmaker An- highlight a host of characters selection from his series Faces, families, Parisian photographer Italy, Greece and Spain. Carlos These often emotionally charged in this astonishing, massive timate writings by the artist accom- toine Wagner (born 1982) celebrate from their homeland, including a The Czechs, The Hot Dog Eaters, Patrick Faigenbaum (born 1954) Spottorno’s The Pigs is a tragi- venues are similar in form and panorama of an otherwise undocu- pany images of barefooted children the artist’s world-famous ances- cottage caretaker, a fishing family, Journeys, Fairs and Cemeteries. has continued to explore the ex- comic vision of these countries’ size all over the world, and this mented Czech counterculture. in the street, of her mother’s home, tor—the great German composer cattle farmers and a private ski pressive power of portraiture. This stereotypes, utilizing the format publication displays panoramas KANT an old rug or a pot of burned milk. Richard Wagner. The images afford instructor. KANT survey of his work features 30 of the influential magazine The taken in countries such as Brazil, 9788074371059 U.S. | CDN $ 45.00 us a glimpse of how the remark- 9788074370915 U.S. | CDN $ 55.00 black-and-white and 21 color pho- HATJE CANTZ HATJE CANTZ FLAT40 Hbk, 9 x 8.5 in. / 108 pgs / Economist. able landscape of the Swiss Alps Ukraine, Egypt and Italy. FLAT40 Hbk, 9 x 9 in. / 540 pgs / tographs. 9783775736534 U.S. | CDN $ 75.00 9783775736251 U.S. | CDN $ 45.00 96 duotone. February / Photography influenced the composer’s operas. 553 b&w. February / Photography FLAT40 Clth, 10.75 x 9.5 in. / RM/PHREE FLAT40 Hbk, 9.75 x 11.75 in. / KERBER

WALTHER KÖNIG, KÖLN 9788415118626 U.S. | CDN $ 15.00 9783866788268 U.S. | CDN $ 35.00 136 pgs / 81 color. February / MODERNE KUNST NÜRNBERG 152 pgs / 66 color. February / 9783863354626 U.S. | CDN $ 40.00 Photography FLAT40 Pbk, 7.75 x 10.75 in. / Photography FLAT40 Pbk, 6.5 x 9 in. / 144 pgs / 9783869844572 U.S. | CDN $ 45.00 FLAT40 Hbk, 9 x 11 in. / 80 pgs / 112 pgs / 80 color. March / 394 color / 63 b&w. February / FLAT40 Hbk, 11.75 x 9.5 in. / 21 color / 30 b&w. January / Photography Photography 124 pgs / 73 color / 45 b&w. February Photography / Photography

198 artbook.com­­ artbook.com 199 spanish photography and surveys PHOTOGRAPHY BACKLIST HIGHLIGHTS

Andrew­Moore:­Detroit Bill­Brandt:­Shadow­and Cindy­Sherman Diane­Arbus:­An­Aperture Enrico­Natali:­Detroit­1968 ​Javier​Porto:​The​ ​José​Cendón:​ ​Luis​de​las​Alas:​ ​Dictionary​of​Spanish Disassembled Light Hbk, U.S. | CDN $60.00 Monograph Hbk, U.S. | CDN $49.95 Hbk, U.S. | CDN $50.00 Hbk, U.S. | CDN $55.00 9780870708121 Pbk, U.S. | CDN $39.95 9780983587040 Living​Years​ PHotoBolsillo​ PHotoBolsillo​ Photographers​ 9788862081184 9780870708459 The Museum of Modern Art, 9781597111751 Foggy Notion Books Text by Julio Pérez Manzanares. Text by Isaac Rosa. José Cendón Text by Juan Manuel Bellver. With impressive comprehensive- Damiani/Akron Art Museum The Museum of Modern Art, New York Aperture New York This publication by Spanish pho- (1974) is one of the most awarded Madrid-based photographer Luis ness, this book documents more tographer Javier González Porto Spanish young photojournalists. In de las Alas has worked across all than 600 Spanish photographers (born 1960) consists of two proj- 2007 he won first prize in World genres of photography in the working in genres and idioms from ects: the first, a passionate chroni- Press Photo; in 2010 his report on course of his 30-year career, with classical to contemporary photog- cle of post-Franco Spain, and the Somalia, published in the maga- subjects from beach landscapes raphy, reportage to fashion and ad- freedom enjoyed after decades of zine La Vanguardia, was awarded and gastronomy to celebrity por- vertising, press, architecture, dictatorship. The second is a New the Spanish Ortega y Gasset Prize traiture and fashion. The PHotoBol- landscape and portraiture. York photo-shoot featuring Grace for Photography. This volume intro- sillo volume introduces his work. LA FÁBRICA Jones, Keith Haring and Robert duces his work. LA FÁBRICA 9788415691280 U.S. | CDN $ 95.00 Mapplethorpe. LA FÁBRICA 9788415691150 U.S. | CDN $ 20.00 FLAT40 Hbk, 8.25 x 11.25 in. / FLAT40 Pbk, 5.25 x 7 in. / 96 pgs / 672 pgs / illustrated throughout. LA FÁBRICA/LA TÉRMICA MÁLAGA 9788415691396 U.S. | CDN $ 20.00 The­Family­of­Man Imogen­Cunningham Jacques­Henri­Lartigue: James­Mollison:­ Lee­Friedlander:­The­Nudes illustrated throughout. February / February / Photography 9788415691242 U.S. | CDN $ 30.00 FLAT40 Pbk, 5.25 x 7 in. / 96 pgs / Pbk, U.S. | CDN $24.95 Hbk, U.S. | CDN $65.00 A­Sporting­Life Where­Children­Sleep Hbk, U.S. | CDN $49.95 Photography SDNR30 Slip, 6.75 x 9.5 in. / 80 pgs / illustrated throughout. February / 9780870703416 9781938922060 Hbk, U.S. | CDN $75.00 Hbk, U.S. | CDN $30.00 9781938922008 illustrated throughout. February / Photography/African Art & Culture The Museum of Modern Art, TF Editores/D.A.P. 9782330016111 9781905712168 D.A.P./Distributed Art Publish- Photography New York Actes Sud/Hermès Chris Boot ers, Inc.

The­New­York­Times Photographs­Not­Taken Photography­Changes Rinko­Kawauchi: This­Is­Mars Magazine­Photographs Pbk, U.S. | CDN $14.95 Everything Illuminance Hbk, U.S. | CDN $100.00 ​The​Maya​in ​Photoquai​2013​ ​Vos​rêves​nous ​ECAL​Photography​ Hbk, U.S. | CDN $75.00 9780983231615 Pbk, U.S. | CDN $39.95 Hbk, U.S. | CDN $60.00 9781597112581 9781597111461 Daylight Books 9781597111997 9781597111447 Aperture Campeche​ ​Fourth​Biennial​of​the​ dérangent​ Edited by Alexis Georgacopoulos. Aperture Aperture Aperture ​New​End​Stone​ Images​of​the​World​ Photographs by Dulce Pinzon, Text by Nathalie Herschdorfer, Milo Keller. This book features the Foreword by Fernando E. Ortega Edited by Frank Kalero. Created in Mikhael Subotzky, Achinto Bhadra. works of photography students Bernés, et al. Text by Mario Hum- 2007 by the Quai Branly Museum, From images of Mexican “super- from one of the world’s most pres- berto Ruz, et al. Through photo- the Photoquai biennial is dedicated heroes” working in New York to tigious art colleges—ECAL in graphs and population data, this to contemporary photography young escapees from the slave Switzerland, which trains graphic publication provides an anthropo- from South America and Latin trade in India, this publication artists, designers, typographers, logical view of the Mayan habi- America, North America, Asia, surveys the work of three young filmmakers and photographers. It tants of the Campeche region in Oceania, Africa, and the Near and documentary photographers— includes interviews with visiting southeastern Mexico. It includes Middle East. The 2013 selection, Dulce Pinzon, Mikhael Subotzky professors, including Oliver essays on the social organization Look at Me, highlights work relat- and Achinto Bhadra—exploring Broomberg, Jason Evans, Paolo of the communities, and their lin- ing to the human figure. themes of migration, marginality and citizenship. Roversi and Joachim Schmid. Tim­Hetherington:­Infidel Tom­Bianchi:­Fire­Island Walker­Evans:­American William­Christenberry William­Eggleston’s­Guide guistic diversity. MUSÉE DU QUAI BRANLY/ACTES SUD Pbk, U.S. | CDN $35.00 Pines Photographs Hbk, U.S. | CDN $65.00 Hbk, U.S. | CDN $39.95 9782330018412 U.S. | CDN $ 35.00 PARC DE LA VILLETTE/ACTES SUD HATJE CANTZ TURNER 9781905712182 Hbk, U.S. | CDN $50.00 Hbk, U.S. | CDN $35.00 9781938922275 9780870703782 | FLAT40 Hbk, 17 x 24 in. / 216 pgs / U S | CDN 9783775737258 U.S. CDN $ 75.00 9788415832379 U.S. | CDN $ 60.00 9782330022204 . . $ 25.00 Chris Boot 9788862082709 9780870708350 TF Editores/Fundación The Museum of Modern Art, SDNR30 Hbk, 9.5 x 12.5 in. / 296 pgs / FLAT40 Clth, 11.5 x 13 in. / 264 pgs / 200 color. March / Photography FLAT40 Hbk, 15 x 20.5 in. / 80 pgs / Damiani The Museum of Modern Art, Mapfre/D.A.P. New York 385 color. March / Photography 200 color. February / Photography/ 35 color. March / Photography New York

Latin American Art & Culture

200 artbook.com­­ artbook.com 201 ART BACKLIST HIGHLIGHTS

Adolf­Wolfli:­Creator­of­the American­Modern:­Hopper Barry­McGee­ Beautiful­Losers Brandon­Graham:­Walrus Kiki­Smith:­Prints,­Books Leonora­Carrington Lorna­Simpson:­Works­ Magritte:­The­Mystery­of Marcel­Duchamp:­The Universe to­O’Keeffe Hbk, U.S. | CDN $49.95 Pbk, U.S. | CDN $39.95 Pbk, U.S. | CDN $19.95 and­Things Hbk, U.S. | CDN $55.00 on­Paper the­Ordinary­ Afternoon­Interviews Hbk, U.S. | CDN $55.00 Hbk, U.S. | CDN $45.00 9781935202851 9781933045306 9780985159597 Hbk, U.S. | CDN $45.00 9781938922206 Hbk, U.S. | CDN $65.00 Hbk, U.S. | CDN $65.00 Pbk, U.S. | CDN $16.00 9788087164952 9780870708527 D.A.P./University of California, D.A.P. PictureBox 9780870705830 Irish Museum Of Modern 9780934324632 9780870708657 9781936440399 Arbor Vitae The Museum of Modern Art, Berkeley Art Museum and Pa- The Museum of Modern Art, Art/D.A.P. Aspen Art Press The Museum of Modern Art, Badlands Unlimited New York cific Film Archive New York New York

Charles­Dellschau Christopher­Wool De­Kooning:­A­Retrospective Do­It:­The­Compendium Edward­Hopper Marina­Abramović:­The Mark­Ryden:­The­Tree­Show Marlene­Dumas:­Measuring Otto­Dix­and­the­New Painting­People Hbk, U.S. | CDN $55.00 Hbk, U.S. | CDN $55.00 Hbk, U.S. | CDN $75.00 Pbk, U.S. | CDN $35.00 Hbk, U.S. | CDN $65.00 Artist­Is­Present Hbk, U.S. | CDN $40.00 Your­Own­Grave Objectivity Pbk, U.S. | CDN $29.95 9781935202905 9780892074983 9780870707971 9781938922015 9781935202875 Hbk, U.S. | CDN $50.00 9781931955089 Hbk, U.S. | CDN $55.00 Hbk, U.S. | CDN $60.00 9781933045832 Marquand Books/D.A.P. Guggenheim Museum The Museum of Modern Art, Independent Curators Interna- D.A.P./Réunion des Musées 9780870707476 Porterhouse Fine Art Editions 9781933751085 9783775734912 D.A.P./Distributed Art Publish- New York tional/D.A.P. Nationaux-Grand Palais The Museum of Modern Art, D.A.P./Museum of Contempo- Hatje Cantz ers Inc. New York rary Art, Los Angeles

Edward­Hopper Electrical­Banana:­ Fernando­Botero:­ Gerhard­Richter:­Panorama Gerhard­Richter:­Patterns Paul­Klee:­Bauhaus­Master Paul­Klee:­Life­and­Work Piero­della­Francesca Robert­Motherwell:­Early Tantra­Song Hbk, U.S. | CDN $65.00 Masters­of­Psychedelic­Art A­Celebration Hbk, U.S. | CDN $65.00 Hbk, U.S. | CDN $45.00 Hbk, U.S. | CDN $55.00 Hbk, U.S. | CDN $75.00 Hbk, U.S. | CDN $60.00 Collages Hbk, U.S. | CDN $39.95 9780878467129 Pbk, U.S. | CDN $39.95 Pbk, U.S. | CDN $50.00 9781935202714 9781935202981 9788415691266 9783775730075 9788836624638 Hbk, U.S. | CDN $45.00 9780979956270 MFA Publications 9788862082044 9788415303947 D.A.P./Tate D.A.P./Distributed Art Publish- La Fábrica/Fundación Juan Hatje Cantz Silvana Editoriale 9780892074976 Siglio Damiani La Fábrica/Museo de Bellas ers Inc. March Guggenheim Museum Artes de Bilbao

Hilma­af­Klint:­A­Pioneer­ Isa­Genzken:­Retrospective James­Turrell John­Singer­Sargent: Kara­Walker:­Dust­Jackets Thinking­Contemporary Titian Vermeer:­The­Complete What­Is­Contemporary­Art? Yayoi­Kusama of­Abstraction Hbk, U.S. | CDN $75.00 Hbk, U.S. | CDN $50.00 Watercolors for­the­Niggerati Curating Hbk, U.S. | CDN $60.00 Works A­Guide­for­Kids Hbk, U.S. | CDN $49.95 Pbk, U.S. | CDN $60.00 9780870708862 9780892074884 Hbk, U.S. | CDN $60.00 Hbk, U.S. | CDN $45.00 Pbk, U.S. | CDN $19.95 9788836625864 Hbk, U.S. | CDN $49.95 Hbk, U.S. | CDN $19.95 9781935202813 9783775734899 The Museum of Modern Art, Guggenheim Museum 9780878467914 9780982681367 9780916365868 Silvana Editoriale 9788836624911 9780870708091 D.A.P./Tate Hatje Cantz New York MFA Publications/Brooklyn Gregory R. Miller & Co. Independent Curators Interna- Silvana Editoriale The Museum of Modern Art, Museum tional (ICI) New York

202 artbook.com­­ artbook.com 203 ARCHITECTURE & DESIGN BACKLIST HIGHLIGHTS GIFT & POPULAR CULTURE BACKLIST HIGHLIGHTS MUSIC, FILM & FASHION BACKLIST HIGHLIGHTS

Apple­Design The­Bike­Owner’s­Handbook Century­of­the­Child A­Country­of­Cities Design­Revolution:­100 5­Year­Diary:­Black­Cover California­Surfing­and Alexander­McQueen: Enjoy­the­Experience Gainsbourg:­The­Biography Hbk, U.S. | CDN $60.00 Pbk, U.S. | CDN $14.95 Hbk, U.S. | CDN $60.00 Hbk, U.S. | CDN $29.95 Products­That­Empower Hbk, U.S. | CDN $24.95 Climbing­in­the­Fifties Working­Process Hbk, U.S. | CDN $65.00 FLAT40 Pbk, U.S. | CDN $24.95 9783775730112 9780956205384 9780870708268 9781935202172 People 9780977648139 Hbk, U.S. | CDN $39.95 Hbk, U.S. | CDN $60.00 9781938265044 9780966234671 Hatje Cantz Cicada Books The Museum of Modern Art, Metropolis Books Pbk, U.S. | CDN $34.95 The Ice Plant 9781938922268 9788862082952 Sinecure Books TamTam Books New York 9781933045955 T. Adler Books Damiani Metropolis Books

Diller,­Scofidio­+­Renfro: Draw­Me­a­House Formica­Forever Graphic­Design:­Now­in Grand­Hotel:­Redesigning Chewed Martin­Parr:­Life’s­a­Beach­ Grey­Gardens Hans­Feurer Hippie­Chic Lincoln­Center­Inside­Out Pbk, U.S. | CDN $20.00 Pbk, U.S. | CDN $39.95 Production Modern­Life Hbk, U.S. | CDN $24.95 Hbk, U.S. | CDN $25.00 Hbk, U.S. | CDN $45.00 Hbk, U.S. | CDN $65.00 Hbk, U.S. | CDN $35.00 Hbk, U.S. | CDN $85.00 9780956205377 9781938922152 Pbk, U.S. | CDN $40.00 Hbk, U.S. | CDN $60.00 9780972211178 9781597112130 9780977652365 9788862082921 9780878467952 9788862082440 Cicada Books Metropolis Books/Formica Cor- 9780935640984 9783775734837 Ideal World Books Aperture Free News Projects Damiani MFA Publications Damiani poration Walker Art Center Hatje Cantz

Henri­Labrouste:­Structure How­to­Make­a­Japanese Le­Corbusier:­An­Atlas­of Louis­Kahn:­The­Power­of Marian­Bantjes:­Pretty Minieco:­A­Mixtape­of­Craft The­Set­Table­ Punk­45 Richard­Corman:­Madonna Richard­Kern:­Contact­High Brought­to­Light House Modern­Landscapes Architecture Pictures Projects Hbk, U.S. | CDN $27.50 Flexi, U.S. | CDN $39.95 NYC­83 Pbk, U.S. | CDN $29.95 Hbk, U.S. | CDN $55.00 Pbk, U.S. | CDN $55.00 Hbk, U.S. | CDN $75.00 Hbk, U.S. | CDN $100.00 Hbk, U.S. | CDN $75.00 Pbk, U.S. | CDN $24.95 9781908714046 9780957260009 Hbk, U.S. | CDN $49.95 9781939799043 9780870708398 9789056628505 9780870708510 9783931936921 9781938922220 9781908714091 Cicada Books Soul Jazz Records Publishing 9788862082884 PictureBox The Museum of Modern Art, nai010 publishers The Museum of Modern Art, Vitra Design Museum Metropolis Books Cicada Books Damiani New York New York

Never­Built­Los­Angeles The­Postcard­Age Robert­Venturi:­Complexity Speed,­Style,­and­Beauty Thanks­for­the­View,­Mr. Thomas­Campbell:­Slide Wedding­Cakes A­Scene­in­Between­ Tim­Burton Where’d­You­Get­Those? Hbk, U.S. | CDN $55.00 Hbk, U.S. | CDN $45.00 and­Contradiction­in Hbk, U.S. | CDN $60.00 Mies Your­Brains­Out Hbk, U.S. | CDN $34.95 Hbk, U.S. | CDN $24.95 Pbk, U.S. | CDN $19.95 10th­Anniversary­Edition 9781935202967 9780878467815 Architecture 9780878466856 Pbk, U.S. | CDN $29.95 Hbk, U.S. | CDN $39.95 9781908714084 9781908714060 9780870707605 Hbk, U.S. | CDN $40.00 Metropolis Books MFA Publications Pbk, U.S. | CDN $19.95 MFA Publications 9781935202929 9780985361105 Cicada Books Cicada Books The Museum of Modern Art, 9780972592086 9780870702822 Metropolis Books UM YEAH PRESS New York Testify Books The Museum of Modern Art, New York

204 artbook.com­­ artbook.com 205 INDEX WRITINGS BACKLIST HIGHLIGHTS

IMAGE CREDITS PAGE 2: (From top) Courtesy Documenta Archiv, Kassel, 100 Masterpieces from the Vitra BMW Art Cars 195 DASH 09 167 Fischer, Urs 175 Houston Rap 66 Ryszard Kasiewicz / © Documenta Archiv. © Estate of Mike Kelley. All rights Design Museum Collection 155 Book Is Alive!, The 150 Davidts, Wouter 148 Fischl, Eric 125 Houston Rap Tapes 66 reserved. Courtesy Mike Kelley Foundation for the Arts and Museum of 1968: Radical Italian Furniture 50 Book on Books on Day Dream, Night Thoughts 24 Fischli, Peter 108 How I Became a Painter 142 Modern Art, Vienna (MUMOK). Courtesy Liam Gillick, Moderna Museet 21st-Century Portraits 17 Artists Books, The 150 De Bruyckere, Berlinde 175 Flametti 78 HPP Architects 165 and Casey Kaplan Gallery, New York, and courtesy Sylvie Fleury and the Borremans, Michaël 19 de Chirico, Giorgio 127 Flavin, Dan 191 Hubby, Bettina 132 Moderna Museet. PAGE 3: Courtesy inSITE. © Rosângela Rennó, photo Eduardo Zepeda. PAGE 4: Sigmar Polke, “In Search of Bohr-mann/Brasil abdessemed, Adel 185 Botero, Fernando 126 de Cointet, Guy 122 Folly 167 Hujar, Peter 39 and Its Consequences,” 1975/1976. 16mm film transferred to video (color, Abu Shaqra, Asim 186 Bourgeois, Louise 128 de La Huerta, Paz 168 Foster, Hal 27, 57, 113, 125 Hume, Gary 131 sound), 38 min. Private Collection. PAGE 5: (Top) Sigmar Polke, “The Achenbach, Helge 149 Boxed 51 de la Sota, Alejandro 165 Fox Drum Bebop 79 Huszank, Szilard 185 5 1 Illusionist,” 2007. Acrylic on fabric, 86 ⁄8 x 118 ⁄8 in. Jennifer and John Acoustic City, The 166 Braschler, Mathias 199 de las Alas, Luis 200 Fraser, Andrea 183 Huyghe, Pierre 183 Eagle and the Rachofsky Collection © 2013 Estate of Sigmar Polke/ Artists Adria, Ferran 135 Brasiliana 137 De Middel, Cristina 102 Frieze New York 2014 195 Hyers, Martin 104 Rights Society (ARS), New York/VG Bild-Kunst, Bonn. (Bottom) Sigmar Adult Magazine 84 Brinkmann, Thorsten 179 de Staël, Nicolas 191 Fritsch, Katharina 174 Air­Guitar An­Attempt­at­Exhausting­a Curiosity­and­Method:­ Polke, “Raster Drawing (Portrait of Lee Harvey Oswald),” 1963. Poster paint Age of Discrepancies, The 136 Bronstein, Pablo 186 Deacon, Richard 143 Fudong, Yang 119 les, Chrissie 119 5 I and pencil on paper, 37 ⁄16 x 27 ½ in. Private Collection. Photograph by Pbk, U.S. | CDN $19.95 Place­in­Paris Ten­Years­of­Cabinet Albertina, The 140 Brudermann, Nin 184 Dean, Tacita 169 Fujimoto, Sou 164 Illustrated Cooking Journal, The 83 Wolfgang Morell © 2013 Estate of Sigmar Polke/Artists Rights Society 9780963726452 Pbk, U.S. | CDN $12.95 Hbk, U.S. | CDN $49.95 (ARS), New York/VG Bild-Kunst, Bonn. PAGE 6: Andrew Wyeth, “Off at Aldrich, Richard 125 Bruskin, Grisha 178 Deep Feelings 194 Function Dysfunction 194 Illustrated Gardening Art Issues Press 9780984115525 9781932698565 Sea,” 1972, tempera, Private Collection, © Andrew Wyeth. PAGE 7: Aliens and Herons 192 Brzezinksi, Emilie 30 DeFeo, Jay 123 Future of Architecture, The 163 Journal, The 83 Wakefield Press Cabinet Books Andrew Wyeth, “Weatherside,” 1965, tempera, Private Collection, © Allen, Mariette Pathy 104 Buck, John 176 Defying Stability 136 Future Perfect 194 Illustrated Nature Journal, The 83 Andrew Wyeth. PAGE 16: Top: David Bailey, “Mick Jagger,” 1964 © David Almarcegui, Patricia 179 Built Environment 12–13 167 Deller, Jeremy 181 Implosions/Explosions 164 Bailey. PAGE 17: (From Top, Clockwise) Steven Klein, “David Bowie,” 2003. Althoff, Kai 121 Bull City Summer 104 Denny, Simon 179 gaillard, Cyprien 86 In the Temple of the Self 160 C-type color print © Steven Klein. Gillian Wearing, “Shami Chakrabarti,” Altmejd, David 130 Butzer, Andre 190 Derksen, Jeff 149 Galella, Ron 11 Indiana, Robert 111 2011. Gelatin silver print © National Portrait Gallery, London; commissioned American Illustration 32 82 Design Miami 2013 Catalogue 167 Gallagher, Ellen 120 Industrial Revelations 195 by the National Portrait Gallery with the support of J.P. Morgan through the American Photography 29 82 abinet 87 Diana, Mike 118 Gallagher, James 85 Intimate Circle in Contemporary Fund for New Commissions. Tim Noble; Sue Webster, “Isabella Blow,” C 2002. Wood, fake moss, light projector and installation template. America’s Garden of Art 140 Café Dolly: Picabia, Dickinson, Emily 135 García Correa, Fernando 187 Czech Photography, The 198 Photograph by Andy Keate © National Portrait Gallery, London; sculpture Amorales, Carlos 185 Schnabel, Willumsen 191 diCorcia, Philip-Lorca 38 Garden Book, The 79 Invalid Format 149 © Tim Noble and Sue Webster. Michael Craig-Martin, “Dame Zaha An Anthology of Concrete Cage, John 116 Dictionary of Spanish Photogra- Gauguin, Paul 57 Isaacs, John 178 Mohammad Hadid,” 2008. Wall-mounted LCD screen with integrated Poetry 34 Calder, Alexander 127 phers 200 Gearon, Tierney 95 Ishiuchi, Miyako 55 software © National Portrait Gallery, London; commissioned by the National Andre, Carl 116 Calle, Sophie 108 Die Damen 184 Gego 31 Italian Futurism, 1909–1944 25 Portrait Gallery with the support of J.P. Morgan through the Fund for New Andrews, Kathryn 175 Callis, Jo Ann 93 Diederichsen, Diedrich 182, 184 Georges Braque & Others 142 Commissions. PAGE 18: Peter Doig, “Figures in Red Boat,” 2005–2007. Oil Angermann, Peter 188 Camnitzer, Luis 143 Divisionism 139 German Art in São Paulo 195 Jacobs, Steven 159 on linen, 98 ½ x 78 ¾ in. Private Collection, Courtesy Michael Werner Another Happy Day 103 Candide No. 8 167 Djurovic, Goran 187 Gielen, Christoph 101 Jamie, Cameron 175 Gallery, New York and London. PAGE 20: Photograph by Lydia Foam­of­the­Daze Georges­Perec­and­The Joe­Brainard:­I­Remember Delectorskaya, © 2013 Succession H. Matisse. PAGE 21: Vasily Kandinsky, Anselmo, Giovanni 173 Cape Cod Modern 9 Dodge, Robert 199 Gioni, Massimilano 3, 25, 129, 130 Jankowski, Christian 182 Pbk, U.S. | CDN $18.00 Oulipo:­Winter­Journeys Pbk, U.S. | CDN $14.95 “Circles within a Circle,” 1923. PAGE 27: Richard Serra, Installation view, Antin, Eleanor 109 Captain Rugged 189 Doig, Peter 18 Glass Farm, The 166 Jewels of Trabert & Hoeffer- 9780966234633 Hbk, U.S. | CDN $34.00 9781887123488 Richard Serra: Skulpturen, Neon-Objekte, Galerie Ricke, Cologne, 1968. Aperture Magazine 88 Carlesso, Gianpietro 175 Don’t Tell Sybil 76 Goldin, Nan 38 Mauboussin, The 153 TamTam Books 9781900565646 Granary Books Photograph by Wolfgang Prange; photograph courtesy of Akademie der Apology Magazine 85 Carter, Kendall 179 Doubled Image, The 193 Golf Courses of Javier Johnson, Ray 34, 35 Atlas Press Künste Archiv Bildende Kunst, Berlin. PAGE 28: Lygia Clark, “Caminhando.” AR—Artistic Research 194 Casanova + Hernandez 165 Doucède, Cerise 197 Arana, The 165 Jones, Keziah 189 15 1963. Thread, paper, scissors. 3 ⁄16 x 5 in. © Courtesy of World of Lygia Ars Viva 13, 14: Truth / Reality 195 Casas Broda, Ana 199 Drawing Time, Reading Time 135 Gonnord, Pierre 106 Journey to Tunisia 1914, The 139 Clark Cultural Association. Photograph © Courtesy of World of Lygia Clark Art & Textile 141 Castro, Brian 79 Dread 148 Gormley, Antony 172 Cultural Association. PAGE 29: Ana Mendieta, “Untitled (Body Tracks),” Art and/or Design? 157 Cattelan, Maurizio 50, 72, 86, 169 Duchamp, Marcel 77, 191 Goudal, Noemie 196 ahlo, Frida 55 1974 © The Estate of Ana Mendieta Collection, L.L.C. Courtesy Galerie k Lelong, New York and Paris and Alison Jacques Gallery, London. PAGE 31: Art Basel: Year 44 145 Celant, Germano 129, 147 Dunham, Carroll 124 Grant, Deborah 134 Kaiser, Tillman 181 Gego, “Reticulárea,” installation view. Museo de Bellas Artes, Caracas, Art/Design 157 Cendón, José 200 Dutch Design Yearbook 2013 157 Graves, Nancy 181 Kandinsky, Vasily 23 1969. Photograph by Paolo Gasparini © Fundación Gego. PAGE 35: (Top) As Seen 2 190 Champion, Miles 142 Dylan, Bob 189 Grcic, Konstantin 48 Kaprow, Allan 172 Ray Johnson © Ray Johnson Estate, courtesy Richard L. Feigen & Co. Ashford, Doug 143 Chan, Paul 115 Dzama, Marcel 121 Great Meadows 192 Kawauchi, Rinko 92 Bottom: Aram Saroyan. Photograph by Gailyn Saroyan. PAGE 36: Robert Auerbach, Tauba 86 Change 149 Dzine 51 Greek Rhapsody 65 Kazem, Mohammed 181 Heinecken, “Periodical #5,” 1971. Offset lithography on found magazine, 12 Aulenti, Gae 156 Chapman, Jake & Dinos 131 Green Dream 163 Kentridge, William 120 ¼ × 9 in. Collection Philip Aarons, New York. © 2013 The Robert Heinecken Aurora and Cardinal Point 77 Chesser, Adrain 105 eCAL Photography 200 Green, Brent 183 Kenzine 86 Trust. PAGE 37: Raymond Pettibon, “No Title (You killed–murdered–),” Azcárate, Emilia 186 Chhachhi, Sheba 180 Eckhard Gerber Architects 165 Greenaway, Peter 182 Kharchenko, Yury 188 2007. Pen, ink and gouache on paper, 30 x 22 ½ in. Courtesy David Zwirner, New York/London and Regen Projects, Los Angeles. PAGE 38: (Top) Philip- Chin, Mel 114 Eichmann, Marion 180 Grosse, Katharina 180 Killip, Chris 96 Lorca diCorcia, “Eddie Anderson,” 1990–92. PAGE 43: (Top) Rebecca Norris Bacher, Lutz 123 Chongbin, Zheng 190 Electromagnetic 139 Ground Floor Interface 166 Kimsooja 181 Bailey, David 16 Christov-Bakargiev, Carolyn 3, 173 Eleey, Peter 146 Grynsztejn, Madeleine 114 Kino der Kunst 193 Karen­Green:­Bough­Down Living­Well­is­the­Best Maldoror­&­the­Complete Webb, “South Wedge.” PAGE 45: Photograph by Susan Meiselas. PAGE 49: Jeff Zimmerman, Rain Drop illuminated sculptures in hand-blown silver Baker, Kristin 188 Cianni, Vincent 104 Elmgreen & Dragset 177 Guardans, Xavier 99 Kjartansson, Ragnar 86 Hbk, U.S. | CDN $36.00 Revenge Works mirrorized glass, 2011. Photograph by Sherry Griffin. Page 57: (From left) Baladran, Zbynek 183 Cimiotti, Emil 176 Energy and Sun 163 Guixé, Martí 156 Klee, Paul 139 9781938221019 Pbk, U.S. | CDN $14.95 Pbk, U.S. | CDN $17.95 Paul Gauguin, “Tahitian Woman with Evil Spirit,” verso. c. 1900. Graphite Baldaev, Danzig 52 Clark, Larry 117 Engadin Art Talks 194 Guo-Qiang, Cai 132 Klein, Yves 128 Siglio 9780870708978 9781878972125 1 13 and blue pencil, sheet 22 ⁄16 x 17 ⁄16 in. Private Collection. Paul Gauguin, Ball, Hugo 78 Clark, Lygia 28 Ensor, James 56 Guston, Philip 124 Klimt, Gustav 141 The Museum of Modern Art, Exact Change “Tahitian Woman with Evil Spirit,” recto. c. 1900. Oil transfer drawing, sheet 1 13 Baranowsky, Heike 184 Cmelka, Kerstin 184 Eshkol, Noa 183 Guyton, Wade 185 Klumpar, Valdimira 178 New York 22 ⁄16 x 17 ⁄16 in. Private Collection. PAGE 60: Henri de Toulouse-Lautrec, 7 Barcelo, Miquel 175 Cohen, Mark 99 Esquire, Buddy 64 Guzik, Ariel 177 Kogelnik, Kiki 173 “Queen of Pleasure (Reine de Joie).” 1892. Lithograph. Composition: 53 ⁄8 3 x 36 ¾ in.; sheet: 59 ½ x 39 ⁄8 in. MoMA, New York. Gift of Mr. and Mrs. Barker, Simon 68 Complete Designers’ Everything Loose Will Land 162 Kolar, Viktor 198 Richard Rodgers. PAGE 81: Roy Lichtenstein, “Little Aloha,” 1962. Barlow, Phyllida 172 Lights 1950–1990, The 154 Exhibition as Social Halbreich, Kathy 5 Kosaka, Hirokazu 119 Sonnabend Collection. © Estate of Roy Lichtenstein. Giovanni Anselmo, Baselitz, Georg 173 Complete Minimal Poems 35 Intervention 147 Hanke, Jirí 198 Köthe, Fritz 188 “Senza titolo (Struttura che mangia),” 1968. PAGE 114: Mel Chin, “Safe Bauhaus: The Art of Condition Report 191 Hardy, K8 132 Kounellis, Jannis 173 House,” Saint Roch neighborhood, New Orleans, a facet of “Operation the Students 191 Conjunctions 87 Fabre, Jan 176 Harrison, Rachel 130 Kovanda, Jiri 183 Paydirt,” 2008–2010. Painted wood, metal hardware, 12 x 16 feet. Courtesy Bayrle, Thomas 173 Contemporary Languages from Facades 164 Hauptman, Jodi 20, 58 Kozaric, Ivan 178 of the artist. PAGE 119: (Left) Paul Laffoley, “The Sexuality of Robots,” Beacham, Jon 117 Centro América 192 Faccio, Luca 199 Hein, Jeppe 177 Kuchar, George 158 2009–2010. PAGE 121: Marcel Dzama, “Shall We Venture Outside,” 2013. Ink, gouache and graphite on paper, 17 x 14 in. Courtesy David Zwirner, Beauty Reigns 144 Copley, William 143 Faigenbaum, Patrick 198 Heinecken, Robert 36 Kunath, Friedrich 181 New York/London. PAGE 138: Kazimir Malevich, “Composition of Bergdoll, Barry 162 Corman, Richard 168 Farmer, Geoffrey 174 Hesse, Eva 31 Kupka, Frantisek 127 Suprematist Elements (Feeling of Flight),” Graphite pencil, 1927, Berman, Wallace 117 Craig-Martin, Michael 177 Farocki, Harun 182 Himmelfarb, John 133 Kurland, Bruce 124 Kunstmuseum Basel, Basel, Switzerland. Acquisition confirmed in 2011 by Beshty, Walead 196 Creed, Martin 131 Federle, Helmut 190 Hoeber, Julian 174 Kürten, Stefan 186 agreement with the heirs of Kazimir Malevich. PAGE 139: (Third from left) Besser Scheitern, Film & Video 193 Crouwel, Wim 151 Fer, Briony 28 Höfer, Candida 100 Kusama, Yayoi 129 Rolling­the­R’s Sargent’s­Daughters The­Hearing­Trumpet Paul Klee, St. Germain near Tunis (inland), 1914, watercolor on paper on Beuys, Joseph 112 Cumming, Donigan 96 Ferrari, Pierpaolo 50, 72, 86, 169 Hoffmann, Jens 3, 130, 146, 147 Pbk, U.S. | CDN $14.95 Hbk, U.S. | CDN $29.95 Pbk, U.S. | CDN $15.95 cardboard, 8 ½ x 12 in. Centre Pompidou, Paris, Musée national d’art Bianchi, Tom 168 Feuerman, Carole 133 Höhn, Christian 199 laffoley, Paul 118 moderne/Centre de création industrielle, Vermächtnis Nina Kandinsky, 1981 9781885030030 9780878467426 9781878972194 Billingham, Richard 96 dabernig, Josef 199 Figueroa, Gabriel 158 Holland on Paper 63 Landscapes in the City 166 Kaya/Muae MFA Publications Exact Change © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais. PAGE 145: Photograph of Monique Burger by Gabriele Heidecker. PAGE 160: Sir John Bischof, Werner 196 Dailey, Brian 107 Fink, Larry 44 Homma, Takashi 92 Langlais, Bernard 133 Soane’s Museum, cupola © Derry Moore. Page 183: (Second row, third Bishop, Claire 147 Danto, Arthur 46 Fisac, Miguel 165 Hot Spot Istanbul 195 Lassry, Elad 132 from left) Noa Eshkol, “Kirschblüte,” 1979 © Noa Eshkol Foundation for Blind Spot 89 Dark Galleries, The 75 Fischer, Monika 199 House of the Seven Gables, The 192 Le Book New York 2013 157 Movement Notation, Holon, Israel. Courtesy neugerriemschneider, Berlin. Photograph by Jens Ziehe, Berlin.

206 artbook.com­­ artbook.com 207 Lehtonen Braun, Niina 185 Mondrian, Piet 191 Pirate Nightmare Vice Explosion 73 Sicilia, Jose Maria 187 Voigt, Jorinde 186 Le Parc, Julio 179 Monk, Jonathan 180 Pissarro, Camille 59 Sick Rose, The 53 Von Vegesack, Alexander 155 Learn Move Play Ground 167 Motti, Gianni 183 Pissarro, Joachim 59 Siem, Wiebke 178 von Zülow, Franz 157 Leeuw Marcar, Ank 147 Müller, Manfred 180 Pivi, Paola 130 Sieverding, Katharina 101 Vos rêves nous dérangent 200 Lehtonen Braun, Niina 185 Müller, Richard 187 Place Is the Space 193 Singh, Dayanita 99 Leiris, Michel 77 Müller, Robby 158 Placed 193 Situational Urbanism 166 Wagner, Antoine 199 Lempert, Jochen 100 Munch, Edvard 56 Plensa, Jaume 177 Slack, Mike 102 Walde, Martin 178 Lerooy, Thomas 179 Munro, Will 174 Plorutti, Giuliano 106 Smith, Paul 152 Walser, Robert 135 Leuteneger, Zilla 180 Plossu, Bernard 97 Somoroff, Michael 197 Warhol, Andy 33, 110, 111 Levi Strauss, David 45 native Maqari 189 Polke, Sigmar 5 Sonnabend, Ileana 81 Wasser, Julian 71 Lewis, Diane 162 Neel, Alice 124 P-Orridge, Genesis 118 Sound Pages 116 Webb, Alex 43, 44 Lewitt, Sam 177 Nelson, Mike 174 Porto, Javier 200 Sounds of Two Eyes Opening 67 Webb, Rebecca Norris 43, 44 Limitless 137 Nemes, Loredana 198 Posada, José 54 Soviets 52 Weiner, Lawrence 172 Linder 118 New India Designscape 156 Prickett, Sarah Nicole 84 Spinatsch, Jules 196 Weiss, David 108 Lippard, Lucy 31, 99 New Spirits: Images of a Prince, Richard 189 Spirit of 76 68 Wekua, Andro 188 Lissitzky, El 26 Revolution 65 PrixdeRome.NL 2013 195 Spoerri, Daniel 173 Western Town, The 159 Living with Pop 192 New York Is ... 197 Probst, Barbara 100 Spohler, Henrik 196 When Attitudes Become Form 147 LOLA Landscape Architects 165 Newman, Barnett 191 Proyedo Líquido 192 Spottorno, Carlos 199 Why Painting Now? 193 Long, Richard 172 Newsome, Rashaad 134 Purrmann, Hans 186 Starling, Simon 114 Willem Sandberg, Portrait Looking East 61 Nikl, Petr 186 Pybrac 78 Stephenson, Luke 94 of an Artist 147 Loos, Ivo 198 Niklová, Libuse 152 Stern, Aaron 94 Willumsen, J.F. 191 Louÿs, Pierre 78 Nisic, Natacha 182 Quay, The Brothers 74 Storr, Robert 32 Winkfield, Trevor 142 Lower, Seth 102 Not Nothing 35 Quilts and Color 62 Street-Art Brazil 137 Wirsum, Karl 189 Lubomirski, Alexi 70 Nove Novos 166 Strindberg, August 98 Wolfson, Jordan 182 Lye, Len 135 Nude from Gauguin to rabinowitz, Cay Sophie 89 Strömholm, Christer 98 Wollner, Alex 151 Lynch, David 75 Bonnard, The 141 Radical Museology 147 Sturtevant, Elaine 185 Wood, Beatrice 77 Lyon, Danny 10 Ramos, Mel 111, 187 Sugarman, George 133 Wood, Ed 117 oASE 91 167 Raqs Media Collective 184 Surrealism and the Dream 24 Wood, Jonas 186 maas, Winy 163, 166 Obrist, Hans Ulrich 3, 108, 132, Ray, Charles 174 Suzuki, Sarah 60 Woodman, Francesca 41 Macke, August 139 144, 145, 164, 180, 184, Re.act.feminism No.2 194 Swiss Institute Experience 194 Woods, Lebbeus 134 Made in Slums 156 185, 193, 194 Redon, Odilon 58 System of Objects, The 192 Words Not Spent Today Buy Make_Shift City 166 Odenbach, Marcel 182 Reinhardt, Ad 32 Szenasy, Susan 47 Smaller Images Tomorrow 45 Malani, Nalini 120 Oehlen, Albert 113 Reinventing Abstraction 144 Wrong House, The 159 Malevich, Kazimir 21, 138 Of Bridges & Borders Vol. II 191 Renaldi, Richard 15 tanaami, Keiichi 110 Wyeth, Andrew 7 Mann, Sally 40 Office for Visual Interaction 154 Richter, Gerhard 112 Tàpies, Antoni 113 Manzoni, Piero 129 Ohrem-Leclef, Marc 106 Ridgers, Derek 69 Temkin, Ann 80, 174 Xingwei, Wang 190 Marclay, Christian 183 Oishi, Gene 79 Rijksmuseum Amsterdam 164 Ten Fundamental Questions Marden, Brice 122 Oiticica, Helio 129 Roché, Henri-Pierre 77 of Curating 146 yang, Haegue 179 Mark, Oliver 197 On | Off 190 Rockenschaub, Gerwald 178 Texas, Kinki 188 Yau, John 123, 133, 176, 192 Marten, Helen 130 Opéra, Volume II, The 86 Rockman, Alexis 134 Thek, Paul 128 Yoshida, Barbara 99 März, Volker 176 Oppenheim, Meret 126 Rondinone, Ugo 175 Thiebaud, Wayne 142 Young, Carey 184 Matei Cantacuzino, George 165 Orff, Kate 42 Rosalie 179 Thomas, Florian 187 Matisse, Henri 20 Orozco, Gabriel 176 Rousse, Georges 197 Thomson, Mungo 183 Zimmerman, Jeff 49 Matsutani, Takesada 181 Osborne, Mike 105 Ruff, Thomas 100 Three New York Dadas Matta-Clark, Gordon 128, 172 Oshiro, Kaz 174 Ruhry, Valentin 181 and The Blind Man 77 Maya in Campeche, The 200 Osmos Magazine 89 Ruppersberg, Allen 116 Tobias, Gert & Uwe 185 Mayer, Ursula 184 Otto, Justine 188 Ruscha, Ed 116 Toguo, Barthelemy 176 McCall, Anthony 172 Oubrerie, Jose 161 Russian Avant-Garde 22 Toilet Paper 50, 72, 86, 169 McCarthy, Damon 119 Outside the Lines 144 Rutault, Claude 187 Toilet Paper: Diamond McCarthy, Paul 119 Ozbolt, Djordje 187 Collection 72 McCracken, John 123 ságl, Jan 198 Tomatsu, Shomei 13 McQueen, Alexander 169 painting Forever! 193 Salle, David 125 Toulouse-Lautrec, Henri de 60 Mebane, Will 104 Palermo, Blinky 123 Salvans, Txema 106 Towell, Larry 97 Medina, Cuauhtémoc137, 179, 184 Pälmke, Oda 164 Sandberg, Willem 147 Traub, Charles 102 Meese, Jonathan 180 Parent, Claude 128 Sarfatti, Gino 154 Triple Bound 148 Melly, George 76 Parkett 86 Saroyan, Aram 35 Truitt, Anne 122 Memory Marathon 144 Parr, Martin 96 Saruk, Jonathan 105 Tuerlinckx, Joelle 173 Mendieta, Ana 29 Participation Is Risky 148 Sasmazer, Yasam 176 Turnauer, Christine 197 Mesens, E.L.T. 76 Patkin, Izhar 125 Savage, Jon 68 Tyson, Nicola 185 Messensee, Jürgen 190 Pearson, Jesse 85 Scattered Ways 135 Michiels, Bart 168 Pei-Ming, Yan 190 Scheib, Hans 176 uklanski, Piotr 119 Mira Cuba: The Cuban Petersen, Anders 12, 98 Schmidt, Bastienne 101 Ulay 109 Poster Art from 1959 64 Pettibon, Raymond 37 Schnabel, Julian 191 Ulrich, Brian 103 Misrach, Richard 42 Peyton-Jones, Schrofer, Jurriaan 150 Unlimited Art Basel 195 Mobility and Transportation 163 Julia 144, 164, 180, 185 Schumann, Daniel 105 Urban Space 166 Modern House in Photographer’s Playbook, The 14 Scorsese, Martin 158 Utopia 1900–1940 138 Denmark, The 161 Photoquai 2013 200 Secret Behavior 85 Mohr, Sabine 178 Picabia, Francis 191 Seiland, Alfred 101 van Golden, Daan 196 Moilliet, Louis 139 Picasso, Pablo 126 Semina 1955–1964 117 Vardag, Nadim 184 Moller, Teresa 165 Pictures of Czech Semotan, Elfie 196 Vasarely, Victor 127 MoMA Artist Series Postmodernism 194 Serra, Richard 27 Veilhan, Xavier 177 Boxed Set, I & II 80 Pigeons on the Grass Alas 146 Shahbazi, Shirana 86 Villar Rojas, Adrián 180 Moments 193 Pino, Giuseppe 197 Show Time 3 Viola, Franco 187

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