Faculty Bios 2012

VACI Visual Arts at Chautauqua Institution Strohl Art Center, Chautauqua School of Art, Logan Galleries, Visual Arts Lecture Series ARTISTIC DIRECTOR Don Kimes/MANAGING DIRECTOR Lois Jubeck/GALLERY DIRECTOR Judy Barie ADVISORY COUNCIL TO THE ARTISTIC DIRECTOR: Michael Gitlitz, Director Marlborough Gallery, NYC - Judy Glantzman, Artist – Louis Grachos, Director Albright-Knox Gallery of Art - Donald Kuspit, Distinguished University Professor, SUNY Barbara Rose, Art Critic & Historian - Robert Storr, Dean, Yale School of Art Stephen Westfall, Artist & Critic Art In America - Julian Zugazoitia, Director Nelson Adkins Museum FACULTY AND VISITING ARTISTS (*partial listing – 3 additional faculty to be announced) Resident faculty (rf) teach from 2 to 7 weeks during the summer at Chautauqua. Visiting lecturers and faculty (vl, vf) are at Chautauqua for periods ranging from 1 to 3 days. PAINTING/SCULPTURE and PRINTMAKING TERRY ADKINS: Faculty, University of Pennsylvania Sculptor Terry Adkins teaches undergraduate and graduate sculpture. His work can be found I the collections of the Museum of Modern Art in NYC, the Hirshhorn Museum and Sculpture Garden in Washington, DC, the Metropolitan Museum of Art in NYC, the Hood Museum at Dartmouth College, the Studio Museum in Harlem and many others. He has also taught at SUNY, New Paltz; Adkins has been the recipient of grants from the National Endowment for the Arts, the Joseph H. Hazen Rome Prize and was a USA James Baldwin Fellow, as well as the recipient of an Artist Exchange Fellowship, BINZ 39 Zurich and a residency at PS 1. Among many solo exhibitions of his work have been shows at Dartmouth College, Hanover, NH; Eastern State Penitentiary, Philadelphia, PA; Arthur Ross Gallery of the University of Pennsylvania, the Harn Museum of Art, the Cheekwood Museum of Art in Nashville, TN, John Brown House in Akron, Ohio, ICA in Philadelphia, PPOW Gallery, NY, the Whitney Museum at Philip Morris, NY, the Chrysler Museum in Norfolk, Anderson Gallery at VCU, Galerie Emmerich-Baumann in Zurich. Lone Wolf Recital Corps performances have taken place at P.S.1, MoMa, ICA, London; Rote Fabrik, Zurich; and Arti et Amicitiae, Amsterdam. Adkins received his B.S. degree from Fisk University, M.S., Illinois State University and his M.F.A. from the University of Kentucky. (rf) OLIVE AYHENS, Painter, represented by Frederieke Taylor Gallery, NYC 2006 Guggenheim Fellow Olive Ayhens writes “My work is much involved with my love of the paint itself — with layering it, with building textures, etc. all this is striving for a sensual visual beauty. Color is my first language... My work is heavily influenced thematically by my environment, both physical and spiritual. I work in connected series of paintings. Past series have reflected a year I spent in Montana, as well as aspects of California urban/tensions. My move to NYC for the Marie Walsh Studio space inspired a series, I refer to as “The Aesthetics of Pollution.” This theme deals with confrontation of nature versus the urban assault, gridlock in streams and skyscrapers instead of cliffs on the sides, with extinct and endangered indigenous animals, with bison up against skyscrapers, etc., etc. I was a recipient of the World Views residency (studio space at the former World Trade Center)…The experience of observing NYC from a highly elevated viewpoint is similar to studying an organism under a microscope. My painting following my LMCC residency were involved with superimposing volcanic activity in the Hudson. This was a result of being from California and using volcanoes as a metaphor for the competitiveness of the Manhattan area. After 9/11 I put those paintings aside and focused on the luminosity of night light, movement of bridges, complicated spooky images under expressways and geysers on the roads. This brings up to my most recent work, which is involved with the themes of “Extreme Interiors.” I visited a computer lab and was excited by the complexity of overlapping wires, equipment, robots… I felt this is like my cityscapes a total living system. Shortly after the lab inspiration I attended an artist residency in Spain. From this experience I was influenced by the masterpieces of Moorish architecture as well as Gaudi’s innovative work. Also, my piece “Lamb” was influenced by Francisco de Zurbaran. My painting depicts the good life, a lavish Manhattan rooftop scene (incorporating Moorish architecture) in juxtaposition to coffins of war dead and a sacrificial lamb on a couch. The painting suggests the pleasure of our lives in contrast to the suffering which always persists somewhere on our planet. In my painting “Coliseum of Chaos” the source is several coliseums. I was listening to NPR news while working (car bombs, people killed here & there on & on) & thinking how wonderful that we humans can design such great structures but how tragic we can’t stop killing & torturing each other. I included that imagery within the Coliseum painting.” (rf) ROBERLEY BELL: Sculpture Faculty, Rochester Institute of Technology Among the public collections including the work of sculptor/installation artist Roberley Bell are the Museum of Modern Art (NYC), the National Gallery of Canada and The National Museum of Women’s Art (Washington, DC), among others. She has been the recipient of awards including Pollock Krasner, New York Foundation for the Arts, Mid-Atlantic Arts Foundation, Sculpture Space (Utica NY), a Fulbright to the Netherlands, Artpark (Lewiston, NY), Public Art Network, A.I.R. Gallery (NYC), Artists Space NYC), Roanoke Museum of Fine Arts, the Ford Foundation and many others. Her work has been presented in exhibitions at Hallwalls Contemporary Art Center (Buffalo), Black and White Gallery (Brooklyn), Paul Petro Gallery (Toronto), Rockefeller Art Center (Fredonia, NY), Toledo Museum of Art, Stratton Gallery (Detroit), Pyramid Art Center (Rochester, NY), Burchfield Art Center (Buffalo), Southeastern Center for Contemporary Art (Winston Salem), Miami Art Fair, Curator’s Office (Washington, DC), Neuberger Museum of Art (Purchase, NY), International Print Center (NYC), Dieu Donne Papermill (NYC), Aldrich Museum (Connecticut), Virginia Museum of Fine Arts (Richmond), Everson Museum of Art (Syracuse), Albright Knox Museum, Art in General (NYC), and many others. Bell has produced public and site specific pieces at Grant Park in Chicago, Point Park in Pittsburgh, George Eastman House Museum (Rochester), Roger Williams Park (Providence), Southeastern Center for Contemporary Art (Winston Salem), Johns Hopkins University (Baltimore) and many others. She has also produced sets for a number of public productions including Cornell Theater (Buffalo), Lancaster Opera House and the Albright Knox Museum. Bell has participated in collaborative projects with Newark Central Schools, Virginia Tech and the Museum of Western Virginia among others. In addition to her current position at RIT she has previously taught at Hochshule Anhalt (Dessau, Germany), Vermont College, and Virginia Tech, as well as having been a visiting artist at Kadir Has University and Sabanci University (both Istanbul), Anderson Ranch (Colorado), Cooper Hewitt Museum (NYC), Pratt Institute, La Salle College of Art (Singapore), Virginia Museum of Fine Arts, Albright Knox, and many others. (rf) JUDY GLANTZMAN, Faculty Rhode Island School of Design, NY Studio School Judy Glantzman is an artist living and working in New York City, represented by the Betty Cuningham Gallery, New York City. She graduated Rhode Island School of Design in 1978. She first exhibited in the East Village in the 1980’s, and has exhibited widely since then. Judy is a recipient of the John Simon Guggenheim Foundation, Anonymous is a Woman, and the New York Foundation for the Arts. Her work is included in the collections of the Tampa Museum, the Phoenix Museum of Art, and the Frye Museum in Seattle, as well as in many public and private collections. Judy is currently a member of the faculty at the Rhode Island School of Design and the New York Studio School. GLENN GOLDBERG: Faculty, Cooper Union, Queens College of CUNY Represented by Jason McCoy in New York, Glenn Goldberg’s work is included in the permanent collections of the Brooklyn Museum, High Museum of Art (Atlanta), Metropolitan Museum of Art (NYC), Museum of Contemporary Art (Los Angeles), National Gallery of Art (Washington, DC), Nelson Atkins Museum of Art, Kansas City, MO, Rose Art Museum, (Waltham, MA) and the National Academy of Arts and Letters. Among more than 30 solo exhibitions are shows at McCoy, Knoedler, David Beitzel, and Willard Galleries (all NYC), Barbara Krakow (Boston), Dart Gallery (Chicago), Addison Ripley (Washington, DC), and Gallery Albrecht (Munich) as well as group shows at Pace Editions, Rosa Esman, Lang & O’Hara, Augustine & Hodes, Jim Kempner, MALCA New York, AC Project Room, Robert Morrison, Germans Van Eyck, (all NYC), Museum of Contemporary Art (Los Angeles), Bellas Art (Santa Fe), Galerie Theuretzbacher, (Vienna), Wetterling Gallery, Stockholm and many others. His work has been written about in The New York Times, Art in America, Cover, Chicago Tribune, Arts Magazine, Los Angeles Times, and many others. Goldberg has been the recipient of the Guggenheim Foundation Fellowship, grants from the National Endowment for the Arts and the Edward Albee Foundation, among others. In addition to his current position on the faculties of Queens College and Cooper Union, Goldberg has taught previously at American University, Brandeis University, The NY Studio School, Washington

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