RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
香港知識產權公報hong Kong Intellectual Property
香港知識產權公報 Hong Kong Intellectual Property Journal 2009年9月18日 18 September 2009 公報編號 Journal No.: 337 公布日期 Publication Date: 18-09-2009 分項名稱 Section Name: 目錄 Contents 目錄 Contents 根據專利條例第 20 條發表的指定專利申請記錄請求 Requests to Record Designated Patent Applications published under section 20 of the Patents Ordinance 1. 按國際專利分類排列 Arranged by International Patent Classification 2. 按發表編號排列 Arranged by Publication Number 3. 按申請編號排列 Arranged by Application Number 4. 按申請人姓名/名稱排列 Arranged by Name of Applicant 根據專利條例第 27 條發表批予標準專利 Granted Standard Patents published under section 27 of the Patents Ordinance 1. 按國際專利分類排列 Arranged by International Patent Classification 2. 按發表編號排列 Arranged by Publication Number 3. 按申請編號排列 Arranged by Application Number 4. 按專利所有人姓名/名稱排列 Arranged by Name of Proprietor 1/341 公報編號 Journal No.: 337 公布日期 Publication Date: 18-09-2009 分項名稱 Section Name: 目錄 Contents 根據專利條例第 118 條發表批予短期專利 Granted Short-term Patents published under section 118 of the Patents Ordinance 1. 按國際專利分類排列 Arranged by International Patent Classification 2. 按發表編號排列 Arranged by Publication Number 3. 按申請編號排列 Arranged by Application Number 4. 按專利所有人姓名/名稱排列 Arranged by Name of Proprietor 根據專利條例(第 514 章)公布的其他公告 Other Notices Published under the Patents Ordinance (Cap. 514) 根據專利條例第 20 條發表後撤回,當作已予撤回或被拒的申請 Applications Withdrawn, Deemed to have been Withdrawn, or Refused, after Publication under section 20 of the Patents Ordinance 根據專利條例第 39 條,標準專利因未繳續期費而停止有效 Standard Patents Ceased through Non-payment of Renewal Fees under section 39 of the Patents Ordinance 根據專利條例第 39(1)(b)條,標準專利 -
Underserved Communities
National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. -
F E S T I V a L S P O N S O
Festival Sponsoru İSTANBUL ISTANBUL KÜLTÜR SANAT VAKFI FOUNDATION FOR CULTURE AND ARTS —İKSV— İstanbul Kültür Sanat Vakfı (İKSV), Istanbul Foundation for Culture and Arts 47. İSTANBUL kâr amacı gütmeyen ve kamu yararına (IKSV) is a non-profit cultural institution. MÜZİK FESTİVALİ çalışan bir kültür kurumu. 1973 yılından Since 1973, the Foundation continues its efforts 47TH ISTANBUL bu yana İstanbul’un kültür sanat yaşamını to enrich Istanbul’s cultural and artistic life. MUSIC FESTIVAL zenginleştiren çalışmalar yürütüyor. İKSV regularly organises the Istanbul Festivals Düzenli olarak İstanbul Müzik, Film, of Music, Film, Theatre and Jazz, the Istanbul 11-30 HAZİRAN/JUNE Tiyatro ve Caz festivalleri, İstanbul Bienali, Biennial, the Istanbul Design Biennial, 2019 İstanbul Tasarım Bienali, Leyla Gencer Şan Leyla Gencer Voice Competition, autumn Yarışması ve Filmekimi’ni düzenleyen, film week Filmekimi and realises one-off yıl boyunca özel etkinlikler gerçekleştiren events throughout the year. The Foundation vakıf, Nejat Eczacıbaşı Binası’nda yer alan hosts cultural and artistic events from various Salon İKSV’de de farklı disiplinlerdeki disciplines at its performance venue Salon, VAR OLMANIN etkinliklere ev sahipliği yapıyor. Venedik located at the Nejat Eczacıbaşı Building. Bienali’nde dönüşümlü olarak Uluslararası İKSV also organises the Pavilion of Turkey KARANLIĞI, Mimarlık ve Sanat Sergilerindeki Türkiye at the International Art and Architecture VAR OLMANIN Pavyonu’nun organizasyonunu üstlenen İKSV, Exhibitions of la Biennale di Venezia. -
Information Translation JSC Inter RAO 2014 Annual Report
1 Information translation JSC Inter RAO 2014 Annual Report Preliminarily approved by the Board of Directors of JSC Inter RAO on April 07, 2015 (Minutes No. 138 of the meeting of the Board of Directors dated April 09, 2015). Management Board Boris Kovalchuk Chairman Chief Accountant Alla Vaynilavichute 2 Table of content 1 Report overview ........................................................................................................................ 4 2 General information on Inter RAO Group .................................................................................. 8 2.1 About Inter RAO Group ..................................................................................................... 8 2.2 Group's key performance indicators ................................................................................. 14 2.3 Inter RAO Group on the energy market ........................................................................... 15 2.4 Associations and partnerships ......................................................................................... 15 3 Statement for JSC Inter RAO shareholders and other stakeholders ........................................ 18 4 Development strategy of Inter RAO Group and its implementation ......................................... 21 4.1 Strategy of the Company ................................................................................................. 21 4.2 Business model .............................................................................................................. -
2004 IEEE 15Th INTERNATIONAL SYMPOSIUM on PERSONAL, INDOOR and MOBILE RADIO COMMUNICATIONS
2004 IEEE 15th INTERNATIONAL SYMPOSIUM ON PERSONAL, INDOOR AND MOBILE RADIO COMMUNICATIONS PIMRC 2004 BARCELONA, Spain 5-8, September 2004 Hotel Princesa Sofia Proceedings Volume 3 of 4 TIB/UB Hannover 89 126 450 447 Table of Contents Volume III j Conference Co-chairs' Message xix ! Organizing Comitee xxi • Technical Program Comitee xxii i Reviewing Comitee xxiv Tuesday, September 7th, 2004 SESSION TuePmOR7: Mobile Internet (2) FAST-HANDOFF SCHEMES FOR APPLICATION LAYER MOBILITY MANAGEMENT 1527 Ashutosh Dutta, Sunil Madhani, Wai Chen, Telcordia Technologies, USA; Onur Altintas, Toyota InfoTechnology Center, USA; and Henning Schulzrinne, Columbia University, USA PERFORMANCE ANALYSIS OF IP PAGING AND POWER SAVE MODE IN IP-BASED MOBILE NETWORKS 1533 Yun Won Chung, Jee Hyeon Na, Yeong Jin Kim, Electronics and Telecommunications Research Institute, Korea; and Ho-Shin Cho, Kyungpook National University, Korea MODELING USER MOBILITY FOR RELIABLE PACKET DELIVERY IN MOBILE IP NETWORKS 1538 Jiunn Ru Lai and Wanjiun Liao, National Taiwan University, Taiwan CROSS-LAYER ANALYSIS OF WIRELESS TCP/ARQ SYSTEMS OVER CORRELATED CHANNELS 1542 Yi Wu, Zhisheng Niu and Junli Zheng, Department of Electronic Engineering, Tsinghua University,, China A COST-AWARE CONTROL SCHEME FOR EFFICIENT AUTHENTICATION IN WIRELESS NETWORKS . 1548 Wei Liang, NC State University, United States; and Wenye Wang, IEEE Member, United States SESSION TuePmOR8: Wireless Propagation (1) MULTI-ENVIRONMENT RADIO PREDICTIONS INVOLVING AN IN-BUILDING WLAN NETWORK AND OUTDOOR UMTS BASE STATIONS -
The Musical Partnership of Sergei Prokofiev And
THE MUSICAL PARTNERSHIP OF SERGEI PROKOFIEV AND MSTISLAV ROSTROPOVICH A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT FOR THE DEGREE MASTER OF MUSIC IN PERFORMANCE BY JIHYE KIM DR. PETER OPIE - ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2011 Among twentieth-century composers, Sergei Prokofiev is widely considered to be one of the most popular and important figures. He wrote in a variety of genres, including opera, ballet, symphonies, concertos, solo piano, and chamber music. In his cello works, of which three are the most important, his partnership with the great Russian cellist Mstislav Rostropovich was crucial. To understand their partnership, it is necessary to know their background information, including biographies, and to understand the political environment in which they lived. Sergei Prokofiev was born in Sontovka, (Ukraine) on April 23, 1891, and grew up in comfortable conditions. His father organized his general education in the natural sciences, and his mother gave him his early education in the arts. When he was four years old, his mother provided his first piano lessons and he began composition study as well. He studied theory, composition, instrumentation, and piano with Reinhold Glière, who was also a composer and pianist. Glière asked Prokofiev to compose short pieces made into the structure of a series.1 According to Glière’s suggestion, Prokofiev wrote a lot of short piano pieces, including five series each of 12 pieces (1902-1906). He also composed a symphony in G major for Glière. When he was twelve years old, he met Glazunov, who was a professor at the St. -
FOR IMMEDIATE RELEASE… Russian Folk
Oconomowoc Area School District FOR IMMEDIATE RELEASE… FOR MORE INFORMATION, CONTACT: Michael Duncan – Arts Center Manager 641 East Forest Street Oconomowoc, WI 53066 262. 560.2130 [email protected] Russian Folk Cabaret Café Series February 22 and 23 6:30 PM Dining 7:00 PM Show Oconomowoc, WI – The Oconomowoc Arts Center (OAC) is pleased to present Russian Folk, Feb. 22 and 23 at 7:00 PM. The performances are part of the popular Cabaret Café Series. The trio is headed by accordion virtuoso, Stas Venglevski, a nationally known player recognized for his use of the “bayan,” a Russian accordion that has a different tone and bass with a much fuller sound. Other members of the band include, Anna Kryukovskaya, a vocalist and Misha Latvin, a master mandolinist and domra player. The trio will be performing traditional Russian folk favorites, many in their native language, with some original compositions that hail brilliant artistry and melody. Venglevski is a native of the Republic of Moldova, part of the former Soviet Union. He is a graduate of the Russian Academy of Music in Moscow where he received his Masters Degree in music under the famed Russian Bayanist, Fredrich Lips. In 1992, he immigrated to the US. Venglevski has performed all over the United States, Canada and Europe. He is a regular with the Milwaukee Symphony Orchestra and has performed with the Chicago Symphony Orchestra and the Tacoma Symphony Orchestra. He has also done performances with Doc Severinsen, Steve Allen and with Garrison Keillor on the Prairie Home Companion Show. -
There's Even More to Explore!
Background artwork: SPECIAL COLLECTIONS UCHICAGO LIBRARY Kaplan and Fridkin, Agit No. 2 MUSIC THEATER ART MUSIC THEATER LECTURE / CLASS MUSIC MUSIC MUSIC / FILM LECTURE / CLASS MUSIC University of Chicago Presents University Theater/Theater and Performance Studies The University of Chicago Library Symphony Center Presents Goodman Theatre University of Chicago Presents Roosevelt University Rockefeller Chapel University of Chicago Presents TOKYO STRING QUARTET THEATER 24 PLAY SERIES: GULAG ART Orchestra Series CHEKHOv’S THE SEAGULL LECTURE / DEmoNSTRATioN PAciFicA QUARTET: 19TH ANNUAL SILENT FiLM LECTURE / DEmoNSTRATioN BY MARiiNskY ORCHESTRA FRIDAY, OCTOBER 1, 2010 A CLOUD WITH TROUSERS THROUGH DECEMBER 2010 OCTOber 16 – NOVEMBER 14, 2010 BY PACIFICA QUARTET SHOSTAKOVICH CYCLE WITH ORGAN AccomPANimENT: MAsumi RosTAD, VioLA, AND (FORMERLY KIROV ORCHESTRA) Mandel Hall, 1131 East 57th Street SATURDAY, OCTOBER 2, 2010, 8 PM The Joseph Regenstein Library, 170 North Dearborn Street SATURDAY, OCTOBER 16, 2 PM SUNDAY OCTOBER 17, 2010, 2 AND 7 PM AELITA: QUEEN OF MARS AMY BRIGGS, PIANO th nd chicagopresents.uchicago.edu, 773.702.8068 First Floor Theater, Reynolds Club, 1100 East 57 Street, 2 Floor Reading Room Valery Gergiev, conductor Goodmantheatre.org, 312.443.3800 Fulton Recital Hall, 1010 East 59th Street SUNDAY OCTOBER 31, 2010, 2 AND 7 PM Jay Warren, organ SATURDAY, OCTOBER 30, 2 PM 5706 South University Avenue Lib.uchicago.edu Denis Matsuev, piano Chicagopresents.uchicago.edu, 773.702.8068 FRIDAY, OCTOBER 29, 2010, 8 PM Fulton Recital Hall, 1010 East 59th Street Mozart: Quartet in C Major, K. 575 As imperialist Russia was falling apart, playwright Anton SUNDAY JANUARY 30, 2011, 2 AND 7 PM ut.uchicago.edu TUESDAY, OCTOBER 12, 2010, 8 PM Rockefeller Chapel, 5850 South Woodlawn Avenue Chicagopresents.uchicago.edu, 773.702.8068 Lera Auerbach: Quartet No. -
State Composers and the Red Courtiers: Music, Ideology, and Politics in the Soviet 1930S
JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄN YLIOPISTO JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston Villa Ranan Blomstedtin salissa marraskuun 24. päivänä 2007 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Building Villa Rana, Blomstedt Hall, on November 24, 2007 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s JYVÄSKYLÄ STUDIES IN HUMANITIES 78 Simo Mikkonen State Composers and the Red Courtiers Music, Ideology, and Politics in the Soviet 1930s UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2007 Editors Seppo Zetterberg Department of History and Ethnology, University of Jyväskylä Irene Ylönen, Marja-Leena Tynkkynen Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Matti Rahkonen, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Minna-Riitta Luukka, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä URN:ISBN:9789513930158 ISBN 978-951-39-3015-8 (PDF) ISBN 978-951-39-2990-9 (nid.) ISSN 1459-4331 Copyright ©2007 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2007 ABSTRACT Mikkonen, Simo State composers and the red courtiers. -
A. Mosolov Complete Works for Solo Piano
A. MOSOLOV COMPLETE WORKS FOR SOLO PIANO OLGA ANDRYUSHCHENKO 1 ALEXANDER MOSOLOV (1900-1973) COMPLETE WORKS FOR SOLO PIANO OLGA ANDRYUSHCHENKO, piano Catalogue number: GP703-04 Recording Dates: 19-22 February 2015 Recording Venue: CMS Studio, Moscow, Russia (CD1) Sovetskij Kompositor, Moscow (1 and 5), Universal Edition, Wien (2) Triton, Leningrad (1928) (3-4) (CD2) Sovetskij Kompositor, Moscow (1 and 3) Universal Edition, Wien (2) Producer and Editor: Galina Katunina Mastering Engineer: Slava Poprugin Engineer: Sergey Solodovnikov Piano Technician: Artjom Deev Piano: Steinway D Booklet Notes: Anthony Short German translation by Cris Posslac Artist photograph: Nicola Christov Composer portrait: Inna Barsova Cover Art: Tony Price: Moissac Abstract Study 4 www.tonyprice.org 2 CD 1 1 PIANO SONATA NO. 1 IN C MINOR, OP. 3 (1924) 10:55 2 NOCTURNES, OP. 15 (1925-26) 06:56 2 No. 1 Elegiaco, poco stentato 03:28 3 No. 2 Adagio 03:28 3 SMALL PIECES, OP. 23A (1927) 02:25 4 No. 1 00:55 5 No. 2 00:47 6 No. 3 00:43 2 DANCES, OP. 23B (1927) 04:17 7 No. 1 Allegro molto, sempre marcato 02:02 8 No. 2 Allegretto 02:15 PIANO SONATA NO. 2 IN B MINOR, OP. 4 “FROM OLD NOTEBOOKS” (1923-24) 23:35 9 I. Sonata 10:28 0 II. Adagio 06:38 ! III. Final 06:29 TOTAL TIME: 48:06 3 CD 2 1 PIANO SONATA NO. 4, OP. 11 (1925) 11:46 TURKMENIAN NIGHTS – PHANTASY FOR PIANO (1929) 11:41 2 I. Andante con moto 04:07 3 II. Lento 05:15 4 III.