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Louis-Marie Fardet - Artist Bio and CV
Louis-Marie Fardet - Artist Bio and CV Born in Rochefort, France and then Parisian since the 90’s to attend a special unique high-school (Lycée Racine) for pre-professional level musicians (1990-93), Louis-Marie got accepted at the prestigious Paris Conservatory in 1992 in Philippe Muller’s Studio and graduated in 1996. L-M studied the following 2 years with Michel Strauss in “Perfectionnement” cello class. Louis-Marie continued his studies pursuing a Master for 2 years at Rice University (1999-2001) Then he came back to France in 2001 and became a tenured member of the prestigious Paris Opera Orchestra in 2002, 6 months only after winning the audition on a 10/10 Commitee vote. After a 5 years tenure in Opéra de Paris, Louis-Marie moved back in late 2006 to Houston, Texas and served as Assistant Principal Cellist for the Houston Grand Opera and Ballet until 2015, year he won the 4th chair position with the Houston Symphony. As part of his contract L-M has been acting principal cellist for the Houston Symphony Orchestra a couple weeks a year Teaching Experience: Louis-Marie is now an Aeyons faculty since May 2020. Louis-Marie has held a small private studio at home and helped numerous students from Middle school and High School to help them through all their school orchestra repertoire and All State & Region orchestra auditions. L-M has given numerous cello & ensemble lessons & Masterclasses at Sam Houston State University during the last 14 years he’s established in Texas. L-M is also a core cello faculty at the annual Texas summer String Camp. -
F E S T I V a L S P O N S O
Festival Sponsoru İSTANBUL ISTANBUL KÜLTÜR SANAT VAKFI FOUNDATION FOR CULTURE AND ARTS —İKSV— İstanbul Kültür Sanat Vakfı (İKSV), Istanbul Foundation for Culture and Arts 47. İSTANBUL kâr amacı gütmeyen ve kamu yararına (IKSV) is a non-profit cultural institution. MÜZİK FESTİVALİ çalışan bir kültür kurumu. 1973 yılından Since 1973, the Foundation continues its efforts 47TH ISTANBUL bu yana İstanbul’un kültür sanat yaşamını to enrich Istanbul’s cultural and artistic life. MUSIC FESTIVAL zenginleştiren çalışmalar yürütüyor. İKSV regularly organises the Istanbul Festivals Düzenli olarak İstanbul Müzik, Film, of Music, Film, Theatre and Jazz, the Istanbul 11-30 HAZİRAN/JUNE Tiyatro ve Caz festivalleri, İstanbul Bienali, Biennial, the Istanbul Design Biennial, 2019 İstanbul Tasarım Bienali, Leyla Gencer Şan Leyla Gencer Voice Competition, autumn Yarışması ve Filmekimi’ni düzenleyen, film week Filmekimi and realises one-off yıl boyunca özel etkinlikler gerçekleştiren events throughout the year. The Foundation vakıf, Nejat Eczacıbaşı Binası’nda yer alan hosts cultural and artistic events from various Salon İKSV’de de farklı disiplinlerdeki disciplines at its performance venue Salon, VAR OLMANIN etkinliklere ev sahipliği yapıyor. Venedik located at the Nejat Eczacıbaşı Building. Bienali’nde dönüşümlü olarak Uluslararası İKSV also organises the Pavilion of Turkey KARANLIĞI, Mimarlık ve Sanat Sergilerindeki Türkiye at the International Art and Architecture VAR OLMANIN Pavyonu’nun organizasyonunu üstlenen İKSV, Exhibitions of la Biennale di Venezia. -
Folleto VRS 2139
Il Clarinetto Piccolo all’Opera Música italiana del siglo XIX para clarinete piccolo y piano Davide Bandieri clarinete piccolo Duncan Gifford piano Javier Balaguer Doménech clarinete en sib Il Clarinetto Piccolo all’Opera 1 Giacomo Panizza 1803-1860 / Ernesto Cavallini 1807-1874 Passo a due eseguito nel ballo “I figli di Eduardo IV” del sig. Cortesi [10:45] 2 Ernesto Cavallini Il Carnevale di Venezia [7:18] Ai miei genitori, 3 Giuseppe Cappelli SIGLO XIX Ruy Blas di F. Marchetti - Fantasia [5:40] Roberto e Lidia. 4 Ernesto Cavallini Grazie Canzone napolitana con tarantella [8:08] 5 Giuseppe Cappelli Piccolo mosaico sull’Opera “Faust” di C. Gounod [5:56] 6 Giacomo Panizza Ballabile con Variazioni nel Ballo “Ettore Fieramosca” [6:21] 7 Luigi bassi 1833-1871 Gran duetto concertato sopra motivi dell’Opera “La Sonnambula” [14:16] (para clarinete piccolo, clarinete en Sib y piano) ESPAÑOL ESPAÑOL IL CLARINETTO PICCOLO ALL’OPERA Crussel (1775-1838), Johann Simon Hernstedt comienzan a integrarse en las formaciones intérprete, sino también como compositor; ade - Música italiana del siglo XIX (1778-1846) y Heinrich Baermann (1784- orquestales y a ser empleados como instru - más de sus famosas composiciones para clari - para clarinete piccolo y piano 1847), cuyos conciertos para clarinete y fan - mentos solistas. En los conservatorios es habi - nete, Adagio y tarantella , Adagio sentimental , tasías operísticas llegaron a ser imprescindi - tual que también se estudie la técnica de estos fantasías, y sus treinta caprichos, Cavallini El mundo operístico en general, y el italiano en bles en los programas para clarinete durante instrumentos, y por tanto surge la necesidad de también compuso obras para clarinete requin - particular, ha sido fuente inagotable de inspi - la primera mitad del XIX. -
Balys DVARIONAS (1904-1972) Complete Works for Violin and Piano Sonata-Ballade • Pezzo Elegiaco • Three Pieces
Balys DVARIONAS (1904-1972) Complete Works for Violin and Piano Sonata-Ballade • Pezzo elegiaco • Three Pieces Justina Auškelytė, Violin • Cesare Pezzi, Piano Balys Dvarionas (1904-1972) Complete Works for Violin and Piano Balys Dvarionas was one of the most prominent figures in Igor Stravinsky and Sergey Prokofiev, among others. The pianist, and his son, the violinist. There can be little doubt Sonata was meant to be a one-movement composition the field of Lithuanian (and indeed Baltic) musical culture. last time Dvarionas appeared on stage was on May 12, as to why Dvarionas’ instrumental chamber works are with the main theme reprised in the recapitulation. During A polymath, he excelled as a pianist, conductor, 1972 at the Lithuanian National Philharmonic in Vilnius, said to possess an especially personal quality. In the creative process each musical idea inspired the next, composer and pedagogue. Dvarionas was born in the where together with the Lithuanian Chamber Orchestra composing music for his children, the composer and so the work can be viewed as one constantly evolving Latvian harbour city of Liepaja. His father was a Roman he played Mozart’s Piano Concerto No. 1 in D major, inadvertently developed a particularly original chamber beautiful episodic sequence. A colleague of the composer Catholic church organist, and as a result the young K.107 and conducted Schubert’s Mass No. 2 in G major music idiom, where the interplay between parts relies on once described the work in the following terms: “…when Dvarionas received his first music lessons at home. He D.167. an uninhibited bond between performers. -
Dvarionas Vadim Gluzman Residentie Orkest Den Haag Neeme Järvi
Erich Wolfgang Korngold © Korngold Family Estate KORNGOLD · DVARIONAS VADIM GLUZMAN RESIDENTIE ORKEST DEN HAAG NEEME JÄRVI Balys Dvarionas Photo kindly provided by the Lithuanian Music Information and Publishing Centre BIS-CD-1822 BIS-CD-1822_f-b.indd 1 10-05-17 10.55.23 KORNGOLD, Erich Wolfgang (1897–1957) Concerto in D major for Violin and Orchestra 24'59 Op. 35 (1945) (Schott) 1 I. Moderato nobile 9'08 2 II. Romance. Andante 8'39 3 III. Finale. Allegro assai vivace 6'59 DVARIONAS, Balys (1904–72) · 4 Pezzo elegiaco ‘Prie ežerelio’ (‘By the lake’) 5'18 (1946–47) for violin and orchestra (Karthause-Schmülling) Concerto in B minor for Violin and Orchestra 29'44 (1948) (Karthause-Schmülling) 5 I. Andante semplice – Allegro strepitoso 15'31 6 II. Andante molto sostenuto 8'36 7 III. Vivo 5'23 TT: 60'55 Vadim Gluzman violin Residentie Orkest Den Haag Neeme Järvi conductor 2 his programme features three works for violin and orchestra composed in the three years following the end of World War II, by two composers whose Tfates were very different. One is world-famous, at least for his film music – the other known, outside his native land, only to a few cognoscen ti; one was an exile from his homeland – the other an ‘internal exile’ within his homeland, his music celebrating his people’s national aspirations under a suc ces sion of over bear - ing foreign powers. But the two are united in their music’s heartfelt and unabashed romanticism. Erich Wolfgang Korngold’s early career resembles that of Mozart, with whom he shared one of his forenames. -
Landsbergis, Vytautas
LIETUVOS NACIONALINĖ MARTYNO MAŽVYDO BIBLIOTEKA VADOVYBĖS INFORMACIJOS SKYRIUS Tel. 239 8558 0BVYTAUTO LANDSBERGIO KNYGŲ BIBLIOGRAFIJA 1963 – 2012 m. Landsbergis, Vytautas. Kaip muzika atspindi gamtą / Vytautas Landsbergis. - Vilnius : [s.n.], 1963. - 24 p. - Antr. p. viršuje: Lietuvos TSR polit. ir moksl. žinių skleidimo draugija ir Lietuvos TSR kompozitorių s-ga. - Rankraščio teisėmis. Landsbergis, Vytautas. Muzika ir literatūra : (medžiaga lektoriui) / Vytautas Landsbergis. - Vilnius : [s.n.], 1964. - 2 t. - Antr. p. viršuje: Lietuvos TSR "Žinijos draugija. Lietuvos TSR Kompozitorių sąjunga. Meno mokslo-metodinė taryba. Landsbergis, Vytautas. M.K. Čiurlionis ir jo muzikos kūriniai = М.К. Чюрленис и его музыкальные произведения = M.K. Čiurlionis and his musical work : [M.K. Čiurlionio 90-jų gimimo metinėms skirtas leidinys] / [V. Landsbergis ; apipavidalino dail. Arūnas Tarabilda]. - Vilnius : [s.n.], 1965. - 23, [1] p., įsk. virš. : iliustr., nat. - Aut. nurodytas str. gale. - Virš. antr.: M.K. Čiurlionis. Landsbergis, Vytautas. Pavasario sonata / Vytautas Landsbergis. - Vilnius : Vaga, 1965 (Kaunas : Valst. K. Poželos sp.). - 351, [1] p., [10] iliustr. lap. : nat., iliustr. - Vertimai: Соната весны. Ленинград : Музыка, 1971. Čiurlionis, Mikalojus Konstantinas. Zodiako ženklai : [reprodukcijos] / M.K. Čiurlionis. - Vilnius : Vaga, 1967. - 1 apl. (19 p., 12 iliustr. lap.). - Santr. rus., angl., pranc., vok. Kn. taip pat: Įž. str. / V. Landsbergis. Landsbergis, Vytautas. Соната весны : творчество М.К. Чюрлeниса / В. Ландсбергис. - Ленинград : Музыка, 1971 (Вильнюс : Вайздас). - 327 p., [19] iliustr., portr., nat. lap. : faks., iliustr., nat. - Versta iš: Pavasario sonata. Vilnius : Vaga, 1965. Čiurlionis, Mikalojus Konstantinas. Pasaulio sutvėrimas [Grafika] : [reprodukcijos] / M.K. Čiurlionis. - Vilnius : Vaga, 1972 (Kaunas : K. Poželos sp.). - 1 apl. (13 atvirukų) : spalv. - Gretut. tekstas liet., angl., rus. Leid. taip pat: Pasaulio sutvėrimas / V. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Sirba-Tantz-Ang-Eng-2017-Site.Pdf
S I R B A O C T E T Tantz ! Sirba Octet www.sirbaoctet.com © © Bernard Martine “Tantz! has its roots in the Eastern IT IS A PORTRAIT OF LIFE ITSELF! Europe of my grandparents before they emigrated nearly 100 years “It is a portrait of life itself – a lifetime T A N ago. I wanted to rediscover this of love that no longer exists to which intrinsic element of my cultural song is the only possible testimony we orientation by revisiting this music as the classical musician I am can have in the end. It encapsulates a TZ today.” whole era which used to exist and isn’t there any more but which will live on in Inspired by the migration both of the souls of those who value it and we people and of their music, the must all value it because it comes ! show forms a kind of bridge directly from the heart. between Romania, Moldova, Russia and Hungary and their That is what it is. rich, interwoven treasuries of traditional folk music. Each We must thank these wonderful carefully selected piece retains the musicians who have come together to identity and authenticity which we share and sustain this symbol of love, must protect and pass on, like Ariadne’s thread, thereby continuing the musical heritage reanimating a forgotten time that is that is an ode to life – moving, joyful and tinged with humour. ever present. Richard Schmoucler, artistic Thank you!” director (translated from original French) Ivry Gitlis, Paris, September 30th 2014 (translated from the original French) AN ENERGETIC AND HEARTFELT MUSICAL JOURNEY Tantz! means dance in Yiddish and this title eludes to the emotion, elegance and vigour of the show itself. -
Kosten Los 1-Mal KOSTENLOS Für Summerwinds-Gäste! Ganz Nah ! Rufen Sie Einfach an (Tel.: 02 51.41 32-213) Oder Senden Sie Eine Mail an [email protected]
Kosten los 1-mal KOSTENLOS für Summerwinds-Gäste! ganz nah ! Rufen Sie einfach an (Tel.: 02 51.41 32-213) oder senden Sie eine Mail an [email protected] Der Westfalenspiegel wünscht hülsta woodwinds TALENT IST WIE EIN JUNGER BAUM – MIT HINGABE GEPFLEGT, Ihnen schöne Hörerlebnisse! International Woodwind Competition ÜBERRASCHT ES UNS DURCH SEINE EINZIGARTIGKEIT. „hülsta woodwinds“-Preisträger beim Internationalen Holzbläser Festival „summerwinds“: 27.07.2012 | 20:00 Uhr | Bartek Dus´ , Saxofon | Lüdinghausen | Burg Vischering 25.08.2012 | 18:00 Uhr | Zeynep Köylüoglu, Fagott | Rheine | Kloster Bentlage www.huelsta.de IRGENDWANN MUSS ES HÜLSTA SEIN. 12-ardey-2-anzeige-summerwinds.indd 1 17.04.12 11:00 Liebe Musik- und Kulturfreundinnen und -freunde, Wind und Atem, Hauch und Geist sind schon seit biblischen Zeiten Ich danke allen Förderpartnern und Sponsoren und all unseren en- verbunden im hebräischen „ruach“, im griechischen „pneuma“ und gagierten Kooperationspartnern vor Ort für die unkomplizierte und nach dem großen Erfolg der Erstausgabe von „summerwinds“ vor zwei Jahren im lateinischen „spiritus“. Im Wind ist Jahwe, ist der christliche Gott. beglückende Zusammenarbeit. freuen wir uns auf ein Wiederaufleben der Winde in diesem Sommer, einen Atem ist Metapher für Seele und Leben, für ein Unsichtbares, das un- tiefblauen Himmel mit leuchtenden Stars und hell aufgehenden Sternen, die greifbar und unbegreiflich bleibt. So auch bei SUMMER SINGS, Ihnen, liebe Gäste von nah und fern, wünsche ich, auch im Namen mitnehmen auf inspirierende Reisen durch die Zeiten und die Welten „zwi- dem offenen Singen für alle. Und bei INSPIRIERT geht‘s wort- aller unserer Partner, einen zweiten wunderwindigen Sommer. schen dem Garten Eden und dem Himmlischen Jerusalem“. -
Astearte Musikalak 2017 /2018 Denboraldia
noviembre 2017 diciembre 2017 enero 2018 marzo 2018 Día 7 Mikhailova´s Stars Chamber Orchestra Día 5 Amparo Lacruz y Andreu Riera Día 9 Udasoinu Barroco Día 6 Bay Trío Orquesta Misco, 9 componentes Amparo Lacruz, violonchelo 250 años del fallecimiento de G. Ph. Telemann Catalín Bucataru, violín Elena Mikhailova, directora y violín solista Andreu Riera, piano Alberto Itoiz, flauta travesera Joanna Garwacka, trompa Victoria MIkhailova, piano solista Obras de: Bridge, Röntgen y Franck Pilar Azagra, violín María José BaranDíarán, piano Nikola Takov, violín Obras de: Guinovart y Brahms Obras de: Bach, Tchaikovsky, Massenet, Bazzini Carlos Seco, viola y Sarasate Nuria Nieto, violonchelo Día 13 Dúo Guliei - Lavrynenko Elena Muñoz, contrabajo Olena Guliei, violonchelo Astearte Día 14 Jianing Kong, piano Pedro Rodríguez, clavecín Volodymir Lavrynenko, piano Concurso Internacional de Piano de Santander Obras de: Telemann y Bach Obras de: Beethoven, Britten y Paloma O´Shea Musikalak Brahms Obras de: Beethoven y Chopin Día 16 Jorge Nava, piano Obras de: Beethoven y Scarlatti Día 20 Alumnos del Conservatorio de Música Día 12 Cuarteto Ibérico ‘Jesús Guridi’ Día 23 Ensemble Zaïre Beatriz Gutiérrez, violín Artistas y obras serán dados a conocer oportunamente Saaya Ikenoya, violín Oleg Sort, violín Sergio Suárez, violín Díana Ognevskaya, viola Día 27 Le Muse Italiane 2017/18 Natalia Duarte, viola Svetlana Tovstukha, violonchelo Las ocho estaciones, de Vivaldi a Piazzolla 2017ko azaroak 7 / 2018ko martxoak 27 Alessandra Giovannoli, Le Muse Italiane, orquesta Obras de: Arriaga, Mozart, Beethoven, Dvořák y Granados violonchelo Joaquín Páll Palomares, violín solista Joan Serinyá, bajo Joaquín Palomares, violín solista Obras de: Vivaldi, Bach y Mozart Obras de: Vivaldi y Piazzolla. -
Chamber Music & Music for Piano Solo
VIVIERCHAMBER MUSIC & MUSIC FOR PIANO SOLO Alessandro Soccorsi piano Thies Roorda flute Joseph Puglia violin Sietse-Jan Weijenberg cello Niels Meliefste percussion Pepe Garcia percussion Claude Vivier 1948-1983 Immediately after his birth, Claude Vivier (Montreal, 14 April 1948 – Paris, 7 March Chamber Music & Music for Piano Solo 1983) was taken to an orphanage. His mother abandoned the young boy simply because at the time, in Roman Catholic Quebec, society would not accept illegitimate 1. Shiraz for piano solo (1977) 14’44 4. Pianoforte for piano solo children. When Armand and Jeanne Vivier visited the orphanage in December 1950, Salabert, Paris (1975) 8’03 they were initially in search of a girl. They decided to adopt the little Claude instead. 1985, Les Éditions YPPAN, These events would mark his further life and art. 2. Pulau Dewata Saint-Nicolas, Canada From his 13th birthday onwards, he attended a few schools with the aim of for variable ensemble (1977) 13’03 becoming a Catholic frère. Some five years later, the seminary advised him to Arr. for piano and percussion 5. Paramirabo for flute, violin, withdraw. “Community life with rules: he wasn’t cut out for that.” His search for by A. Soccorsi cello and piano (1978) 14’23 “life,” as he himself wrote, “in the most creative and universal sense of the term,” 1988, Les Éditions YPPAN, as well as his emerging homosexuality, may have been decisive reasons. His true 3. Pièce for cello and piano Saint-Nicolas, Canada vocation turned out to be music. He enrolled at the Conservatoire de musique in (1975) 6’52 Montreal in 1967. -
Mei 2019 Eerste Communie Derde Zondag in De Paastijd
Elke week Muziek in Sint-Paulus 1 01/5 - Koorhappening: uitgesteld 2 05/5 - Eerste Communie 3 12/5 - Solistenmis 4 19/5 - Gregoriaanse koormis 12 26/5 - Orgelmis 14 26/5 - Concert: Un viaggio particolare 15 30/5 - Solistenmis O.L.H. Hemelvaart 16 De Sint-Paulusparochie viert haar pastoor 18 Utopia Festivaldag 2019 20 Steunfonds Artistieke Werking 24 Muziek in Sint-Paulus Elke week muziek in de Antwerpse Sint-Pauluskerk Raadpleeg onze nieuwe jaarkalender indien u op de hoogte wenst te blijven van de muzikale invulling van de vieringen in Sint-Paulus. U vindt een exemplaar bij het verlaten van de kerk, op de tafel aan de uitgang Sint-Paulusstraat of aan de balie bij de uitgang Veemarkt. U merkt dat we niet enkel de traditie van de orkestmissen hoog houden maar dat er elke week een boeiend muzikaal-liturgisch gebeuren is in Sint-Paulus. Naast de 9 orkestmissen zijn er ook 12 solistenmissen met vooraanstaande musici, mooi verdeeld in 6 vocale en 6 instrumentale missen. Er zijn ook 5 Gregoriaanse missen, diverse koormissen en natuurlijk de orgelmissen die door onze titularis-organist virtuoos worden ingevuld. Elke maand wacht er bovendien een nieuwe brochure op u waarin u het aanbod gedetailleerd voorgesteld vindt. Alle informatie vindt u ook op onze website: www.muziekinsintpaulus.be Of raadpleeg en like onze facebookpagina: Muziek in Sint-Paulus (www.facebook.com/MuziekInSintPaulus) I KOORHAPPENING De koorhappening van 1 mei – kennismaking met de Messe Brève nr 7 van Charles Gounod – werd UITGESTELD wegens onvoorziene omstandigheden uitgesteld naar latere datum. Meer nieuws daarover in onze juni editie.