Personal Issues and Struggles in Life: a Thematic Analysis of Bojack Horseman
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How Asexuality Is Represented in Popular Culture
WHEN THE INVISIBLE BECOME VISIBLE: HOW ASEXUALITY IS REPRESENTED IN POPULAR CULTURE A Thesis submitted to the faculty of s ' San Francisco State University In partial fulfillment of the requirements for H the Degree rfk? Master of Arts In Human Sexuality Studies by Darren Jacob Tokheim San Francisco, California May 2018 Copyright by Darren Jacob Tokheim 2018 WHEN THE INVISIBLE BECOME VISIBLE: HOW ASEXUALITY IS REPRESENTED IN POPULAR CULTURE Darren Jacob Tokheim San Francisco, California 2018 Asexuality is largely misunderstood in mainstream society. Part of this misunderstanding is due to how asexuality has been portrayed in popular culture. This thesis is a content analysis of representations of asexual characters in popular culture, including television, film, comics, and podcasts, and how this representation has changed over time. Specifically, this work finds that early depictions of asexual characters, from the mid- 2000’s, were subjected to common negative stereotypes surrounding asexuality, and that more recent depictions, from the mid-2010’s, have treated asexuality as a valid sexual orientation worthy of attention. However, as asexuality has become more accepted, the representations of asexuality remain few and far between. I certify that the Abstract is a correct representation of the content of this thesis. 6 |2 s | | % Y Chair, Thesis Committee Date CERTIFICATION OF APPROVAL I certify that I have read When the Invisible Become Visible: How Asexuality is Represented in Popular Culture by Darren Jacob Tokheim, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Human Sexuality Studies at San Francisco State University. -
Mr Peanutbutter and Diane Divorce
Mr Peanutbutter And Diane Divorce Matthaeus pores skeptically while disquieting Laurie daggled Christian or deletes forehanded. Is Edouard always mendicant decillionthsand budding and when sanctifies camouflaging his Czechoslovaks some reedbucks so fashionably! very bareback and provisionally? Assertable Danie purge some Diane notices mr peanutbutter wanting to diane and mr peanutbutter to have sex with depression and there are better people recognize mr Diane nguyen leukemia Dances With Films. Remind you need to mr peanutbutter has no. Did Netflix cancel BoJack? He started to diane also worked. Are rather Sorry My Bojack Horseman Season 5 blocked. Halloween for diane has all. Princess Carolyn mirrors her tongue in forming codependent relationships. But his toxic relationship with alcohol uncaps the worst parts of himself. Peanutbutter being understood and smile before she discovers that and mr peanutbutter diane crying in the rest of a room, she asks gekko calls to the conclusion all. Set up Bojack's new show Philbert Princess Carolyn's plan to adopt her child and Diane and Mr Peanutbutter's divorce on an ending scene that. Last season she divorced her character an enthusiastic golden lab named Mr Peanutbutter and she begins season 6 touring the country. Feb 04 2020 Mr SUBE Mr Diane and Mr Peanutbutter You know. Her divorce is diane through controlled monopoly and she divorced. BoJack Horseman season 5 tests the limits of self-reference. You see the divorce is themed after they navigate different idea to vietnam where humans. With commercial animal gags and harrowing themes, the animated series is exile of sudden most emotionally ambitious and goofiest shows on television. -
Animals and Social Critique in Bojack Horseman
Animals and Social Critique in BoJack Horseman Word count: 19,680 Lander De Koster Student number: 01402278 Supervisor(s): Prof. Dr. Marco Caracciolo A dissertation submitted to Ghent University in partial fulfilment of the requirements for the degree of Master of Arts in de Vergelijkende Moderne Letterkunde Academic year: 2017 – 2018 Statement of Permission For Use On Loan The author and the supervisor give permission to make this master’s dissertation available for consultation and for personal use. In the case of any other use, the copyright terms have to be respected, in particular with regard to the obligation to state expressly the source when quoting results from this master’s dissertation. The copyright with regard to the data referred to in this master’s dissertation lies with the supervisor. Copyright is limited to the manner in which the author has approached and recorded the problems of the subject. The author respects the original copyright of the individually quoted studies and any accompanying documentation, such as tables and graphs. 2 Table of Contents Introduction ....................................................................................................................................... 4 Chapter 1: Analysis of the Character BoJack Horseman .................................................................... 9 Chapter 2: Theoretical Background: Postmodernity According to Theories by Baudrillard and Simmel ............................................................................................................................................ -
Running Head: PERCEPTIONS of and ATTITUDES TOWARDS ASEXUALITY 1
Running head: PERCEPTIONS OF AND ATTITUDES TOWARDS ASEXUALITY 1 Viewer Perceptions of and Attitudes Towards Asexuality in Response to Entertainment Media Representation Charlotte I. White Faculty of Behavioural, Management and Social Sciences (BMS), Positive Psychology and Technology (PPT), University of Twente Supervisor: Drs. Nils Keesmekers and Dr. Pelin Gül PERCEPTIONS OF AND ATTITUDES TOWARDS ASEXUALITY 2 Abstract With the popularity of LGBTQIA+ representation in media rising, it is important to understand the relation to viewers’ attitudes, especially for underrepresented sexual minorities such as asexuality. A mixed method approach was employed, with 108 participants split into two conditions completing the Attitudes Towards Asexuals (ATA) Scale before and after viewing a clip from entertainment media. Open questions were also asked: how the clip made them feel, their opinion of the character, and their definition of asexuality. Thematic content analysis, and an analysis of the tone and emotions in the open responses supplemented the quantitative data. The results indicate significant differences between the attitudes of LGBT compared to non-LGBT respondents, religious groups, and those with more compared to less familiarity with asexuality. The qualitative findings underline the importance of nuanced characters with whom diverse viewers can empathise. Overall, the insight from this research can inform and guide the development of asexual characters in entertainment media so that viewer’s attitudes towards asexuality are positive. Complementary to this, future research should seek to clarify which impact different variations of an asexual representation have on viewers’ attitudes, and whether the influence on a range of demographic groups is dependent on specific features. PERCEPTIONS OF AND ATTITUDES TOWARDS ASEXUALITY 3 Introduction "I'm not gay. -
Gender Discrepancy in Asexual Identity: the Effect of Hegemonic Gender Norms on Asexual Identification
Western Washington University Western CEDAR WWU Honors Program Senior Projects WWU Graduate and Undergraduate Scholarship Spring 2018 Gender Discrepancy in Asexual Identity: The Effect of Hegemonic Gender Norms on Asexual Identification Tori Bianchi Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwu_honors Part of the Higher Education Commons Recommended Citation Bianchi, Tori, "Gender Discrepancy in Asexual Identity: The Effect of Hegemonic Gender Norms on Asexual Identification" (2018). WWU Honors Program Senior Projects. 81. https://cedar.wwu.edu/wwu_honors/81 This Project is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Honors Program Senior Projects by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Gender Discrepancy in Asexual Identity The Effect of Hegemonic Gender Norms on Asexual Identification Tori Bianchi Western Washington University Thesis Advisor Dr. Sean Bruna 2018 Table of Contents Chapter I: Introduction, Research Questions, Literature Review...................................................... 3 Introduction ....................................................................................................................................................................... 4 Identifying Asexuality ...................................................................................................................................... -
Bojack Horseman, Keith Uhlich, Netflix, the Single Take, Whiplash
Home Contact Previous Contributors NOVEMBER 13, 2014 by KEITH UHLICH The Single Take THE SINGLE TAKE BOJACK HORSEMAN, KEITH UHLICH, NETFLIX, THE SINGLE TAKE, WHIPLASH BoJack Horseman and Whiplash The Black Stallion. Dark Horse. You Mustang Be Joking. Any of those (well, maybe not that last one…yikes!) would be good alternate titles for Netflix’s, ahem, bleak beauty BoJack Horseman(now streaming). I’ve watched the first season three times through, and this 12-episode ode to fear, anxiety, and depression has gotten funnier, sadder, and more incisive with each viewing. (A second series is currently in production and it’s got a tough act to follow.) Plenty of comedies go the mortification route, though even the best of them —like Louie or Arrested Development—I can only subject myself to once. BoJack’s lash cuts as deep, yet for whatever reason I’m happy to watch an anthropomorphized horse scrape the barrel-bottom, then count the days until I can restart his abasement. “Will is to grace as the horse is to the rider,” wrote Saint Augustine, but what happens when a steed is his own straphanger? Creator Raphael Bob-Waksberg and character designer Lisa Hanawalt have conceived of a colorful (and very R-rated) universe in which men, women and beasts live side by side and fuck top to bottom. BoJack (voiced by Will Arnett) is a beer-bellied former sitcom actor living off the residuals from his hit ’90s television series Horsin’ Around, a comedy about three cute orphans adopted by a cheerful, sweater-wearing bronco. -
1 La Depresión En Los Tiempos De Netflix: El Caso De
LA DEPRESIÓN EN LOS TIEMPOS DE NETFLIX: EL CASO DE BOJACK HORSEMAN Y 13 REASONS WHY MARIA TATIANA MUTIS PARADA Trabajo de Grado para optar por el título de Comunicador Social Campo profesional Publicidad y Periodismo Director JUAN CARLOS RINCÓN ESCALANTE Bogotá, mayo 2020 1 Artículo 23, Resolución 13 de 1946: “La Universidad no se hace responsable por los conceptos emitidos por los alumnos en sus trabajos de grado, solo velará porque no se publique nada contrario al dogma y la moral católicos y porque el trabajo no contenga ataques y polémicas puramente personales, antes bien, se vean en ellas el anhelo de buscar la verdad y la justicia”. 2 Bogotá, 27 de mayo de 2020 Doctora Marisol Cano Decana Facultad de Comunicación y Lenguaje Bogotá D.C Apreciada Decana Me permito presentar mi trabajo de grado La depresión en los tiempos de Netflix, con el fin de optar al grado de comunicador(a) social con énfasis en publicidad y periodismo. En este trabajo me enfoco en el manejo responsable de contenido en los medios de comunicación, específicamente en el trato de a depresión en series de Netflix mediante la construcción de distintas matrices en las que se tomaban en cuenta la sintomatología depresiva, las recomendaciones de guías de estilo de manejo de salud mental y suicidio en medios de comunicación y los efectos de la forma de narración. Pretendo dejar herramientas para el análisis y construcción de contenido responsable sobre enfermedades mentales. Cordial saludo, Firma María Tatiana Mutis Parada 3 Decana Marisol Cano Busquets Facultad de Comunicación Pontificia Universidad Javeriana Estimada decana: Me complace presentarle la tesis titulada “La depresión en los tiempos de Netflix: el caso de BoJack Horseman y 13 Reasons Why”, presentada por la estudiante Maria Tatiana Mutis Parada para obtener el grado de Comunicadora Social. -
Estudio Comparativo De La Subtitulación Del Lenguaje Ofensivo Y Tabú En Bojack Horseman
Estudio comparativo de la subtitulación del lenguaje ofensivo y tabú en BoJack Horseman Nombre: Jose Alcorisa Domínguez Línea de investigación: Traducción audiovisual Tutor(a): Cristóbal Cabeza Cáceres Fecha: 25 de julio de 2017 Trabajo de Fin de Grado de Traducción e Interpretación Facultad de Filosofía y Letras Estudio comparativo de la subtitulación del lenguaje ofensivo y tabú en BoJack Horseman Jose Alcorisa Domínguez [email protected] RESUMEN El presente trabajo se trata del análisis del tratamiento del lenguaje ofensivo y tabú en la subtitulación de la serie de animación BoJack Horseman, emitida por la plataforma en línea Netflix. El lenguaje ofensivo y tabú es una de las cuestiones que más problemas crea a los traductores audiovisuales. Debido a la diferencia cultural entre dos lenguas, el inglés y el español en este caso, conseguir expresar la carga e intencionalidad de un elemento ofensivo, al igual que mantener el efecto que este crea en el espectador, significa una ardua tarea. Además, en el caso de la subtitulación, los traductores deben respetar unas restricciones técnicas que dificultan aún más la fidelidad al original. Mediante un marco teórico-práctico de los diferentes ámbitos, realizamos un estudio comparativo para identificar las tendencias que se han seguido a la hora de trasvasar este tipo de lenguaje. ABSTRACT “A comparative study on offensive and taboo language in BoJack Horseman’s Spanish subtitles” This project is an analysis of the offensive and taboo language processing in the Spanish subtitles of the animated series BoJack Horseman, which is broadcasted in Netflix, an online audiovisual platform. Offensive and taboo language is one of the most problematic issues in audiovisual translation. -
Bojack Goes Into Treatment"
BOJACK HORSEMAN "BoJack Goes Into Treatment" written by Raymond Santos 348 W 118th St New York, NY 10026 (786)302-3244 [email protected] FADE IN: EXT. GABRIEL’S HOME - DAY BoJack paces back and forth in front of a picnic table, looking around the outside garden of a gorgeous, suburban home. He exhales. BoJack pulls out his phone and dials a number. INT. MR. PEANUT BUTTER’S HOUSE - LIVING ROOM - SAME TIME MR PEANUT BUTTER and DIANE sit next to each other, looking down at the ground. DIANE There’s nothing left for me to do. MR. PEANUT BUTTER What do you mean? DIANE I just feel so alone and pointless now - I love you, and miss you when you’re not around, but I also miss myself. From before we got married. MR. PEANUT BUTTER You know what I think? Mr Peanut Butter puts his arm around Diane. DIANE What? The phone rings. Mr Peanut Butter’s ears perk up. MR. PEANUT BUTTER Phone! Phone! Mr. Peanut Butter runs to his cell phone. Diane groans. MR. PEANUT BUTTER (CONT’D) It’s BoJack! "BoJack Goes Into Treatment" 2. DIANE You’re going to take BoJack’s phone call in the middle of a discussion of our marriage? MR. PEANUT BUTTER Well, you always say the best marriages are founded on friendship. DIANE Yeah? MR. PEANUT BUTTER Well, BoJack’s my best friend! Mr Peanut Butter answers. MR. PEANUT BUTTER (CONT’D) BoJack! BOJACK Hey, Peanut Butter. I need to talk to somebody. Are you free right now? MR. -
Looney Tunes to Bojack Horseman in Cartoon Los Angeles
European journal of American studies 13-1 | 2018 Special Issue: Animals on American Television Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles Laurel Schmuck Electronic version URL: https://journals.openedition.org/ejas/12459 DOI: 10.4000/ejas.12459 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Laurel Schmuck, “Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles”, European journal of American studies [Online], 13-1 | 2018, Online since 26 June 2018, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/12459 ; DOI: https://doi.org/10.4000/ejas.12459 This text was automatically generated on 8 July 2021. Creative Commons License Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles 1 Wild Animation: From the Looney Tunes to Bojack Horseman in Cartoon Los Angeles Laurel Schmuck The figure for nature in language, animal, was transformed in cinema to the name for movement in technology, animation. And if animals were denied capacity for language, animals as filmic organisms were themselves turned into languages, or at least, into semiotic facilities. The medium provided an alternative to the natural environment that had been destroyed and a supplement to the discursive space that had never opened an ontology of the animal. (Lippit 196-197) 1 BoJack Horseman (Netflix, 2014–), an animated adult television show about a washed-up actor who happens to be a horse, imagines Los Angeles as home to a society of humans and animals living together as equals. Creatures such as cats, turtles, giraffes, and giant insects sport human fashions and work human jobs, but they all retain some of their most stereotypical animal attributes. -
Sydney Program Guide
Firefox http://prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Repor... SYDNEY PROGRAM GUIDE Sunday 08th November 2020 06:00 am Team Umizoomi (Rpt) G Carnival Jake calls on Team Umizoomi to find his stuff animal, bunny, which was left on one of the rides at the Carnival. 06:30 am Top Wing (Rpt) G Turtlely Awesome Adventure, A / Brody Goes Home Brody has to rescue his pals when they get caught in the Shipwreck Cove whirlpool. Brody and Team Top Wing race to the rescue when Brody's sister slips off the top of Pun Peaks. 07:00 am Blaze And The Monster Machines (Rpt) G Truck Or Treat It's Halloween in Axle City, and all of the friends are excited to "Truck or Treat". But when Crusher's plan to steal all of their candy goes wrong, the treats get sent far away from Axle City. 07:30 am Paw Patrol (Rpt) G Pups Save A Snowboard Competition / Pups Save A Chicken Of The Sea Jake and Everest are excited for the Snowboard Competition, until they see the course is buried deep under a blanket of snow. Cap'n Turbot's computer accidentally sends Chickaletta to the seafloor. 08:00 am Paw Patrol (Rpt) G Pups Save A Pizza / Pups Save Skye Alex and Mr. Porter are delivering pizza dough for a big party when the van spins out of control. Later, Skye is on her way to Jake's Mountain when she crash lands in the snow, breaking a wing. 08:30 am SpongeBob SquarePants (Rpt) G Keep Bikini Bottom Beautiful/a Pal For Gary Squidward cleans up the city of Bikini Bottom with "help" from SpongeBob. -
Bojack Horseman Season 4: Episode 9.5 "Whorse House"
BOJACK HORSEMAN SEASON 4: EPISODE 9.5 "WHORSE HOUSE" Written by Eric Yoder [email protected] FADE IN: EXT. BEACH - SUNSET An orange glow on the ocean. Two young lovers, CHLOE and ANTONIO, hold each other tenderly in their arms. CHLOE But Antonio, I never want you to leave! ANTONIO I must! I’ve killed my brother. His blood is on my hands. Antonio steps back, holds his hands up. They’re literally covered in blood. CHLOE Oh, Antonio, kiss me one last time! The two share a long, passionate kiss as the wind blows through their hair. INT. BOJACK’S HOUSE - DAY BOJACK and HOLLYHOCK sit on the sofa, BEATRICE on the armchair, all watching the soap opera on TV. Hollyhock and Beatrice look enamored, BoJack looks disgusted. BOJACK So she’s just going to make out with a murderer and not question it? HOLLYHOCK They’re in love, BoJack. It doesn’t matter who he killed. BOJACK Well, I’m glad to see these kind of shows are teaching you strong moral values. A KNOCK on the front door. BoJack heads over, as he opens the door... 2. BOJACK (CONT'D) Yes, this is the house of the incredibly famous and handsome BoJack Horseman. Autographs will cost... He notices no one is standing there. He looks down, sees a package. BOJACK (CONT'D) Oh. He takes the package inside, rips it open, takes out the papers, looks them over. Hollyhock comes over to him. HOLLYHOCK What’s that? BOJACK Your birth certificate results. HOLLYHOCK And? BoJack shakes his head “no.” HOLLYHOCK (CONT'D) Oh.