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Baldi-Mini-Book-Classic.Pdf
Firenze 1867 CLASSIC COLLECTIONS 2 3 BALDI HOME JEWELS THE GUESTS WERE CHattinG IN THE FLICKERING LIGHT OF THE CANDELABRAS. THEY LAUGHED ALL NIGHT UNTIL SUNRISE, WHEN YOU LEFT THE GLASS AND YOUR FeatHER MASK ON THE AMETHYST CONSOLLE AND THEY TOOK LEAVE. THE BRIGHT MORNING LIGHTENS UP THE GOLD AND THE CRYstal COLUMNS, YOU LEAN ON THE CHISELLED BRONZE LEAVES ON THE staiRS AND LOOK BACK: IT IS YOUR WORLD. THE ALLURE OF THE HOME JEWELS IS PERVADING THE atMOSPHERE. THE JEWEL IS THE CENTRE OF THE attention, IT RADiates EMOTIONS, IT IS THE MOST VALUABLE, HYPNOTIZING DESIRABLE OBJECT. AS THE UltiMate STEP OF BALDI PRODUCT EVOLUTION, IT COMPRISES ONE AND A HALF CENTURY OF CRAFTSMANSHIP, CReatiVITY AND PRECIOUSNESS, IT IS A Detail CAPABLE OF GIVING LIFE TO THE WHOLE INTERIORS - IT CANNOT JUST BE BOUGHT, YOU MUST FALL IN LOVE WITH IT. 4 5 CRYSTAL - GOLD CRYSTAL - SILVER FURNITURE 8 110 AMBER 154 CLEAR 108 TABLES, CONSOLLES AND SIGNATURE PIECES 116 AMBER/BLUE 160 FUME’ 122 CLEAR 166 CLEAR/TURQUOISE CONTENTS 128 AQUAMARINE 170 PINK 132 GREEN 174 VIOLET LIGHTINGS 48 136 RED 180 BLACK 5048 CANDLESTICKS/CANDELABRAS 138 PINK 184 CLEARCLEAR/BLACK / BLACK 60 TABLE LAMPS 142 LILAC 62 TORCHERES 146 VIOLET 150 BLACK DECORATIVE & FURNISHING ACCESSORIES 66 CLOCKS TRAYS - MINIATURES 186 BALDI’S FRAGRANCES 68 CLOCKS 102 TRAYS CORPORATE 188 106 MINIATURES 188 FIRENZE 1867, HISTORY OF TRADITION 190 BALDI ETHOS SEMI PRECIOUS STONES/MARBLES 76 MALACHITE 192 BALDI, THE artistic CRAFTSMANSHIP IN THE 21ST century 84 ROCK CRYSTAL 194 COLOURS, DESIGNS AND materials 88 -
£75,000 Awarded to Browne's Folly Site
Foll- The e-Bulletin of The Folly Fellowship The Folly Fellowship is a Registered Charity No. 1002646 and a Company Limited by Guarantee No. 2600672 Issue 34: £75,000 awarded to January 2011 Browne’s Folly site Upcoming events: 06 March—Annual General Meeting starting at 2.30pm at athford Hill (Wiltshire) is a leased the manor at Monkton Far- East Haddon Village Hall, B haven for some of our rar- leigh in 1842 and used the folly as Northamptonshire. Details est flora and fauna, including the a project for providing employment were enclosed with the Journal White Heleborine and Twayblade during the agricultural depression. and are available from the F/F website www.follies.org.uk Orchid, and for Greater Horseshoe He also improved the condition of and Bechstein‟s Bats. Part of it is the parish roads and built a school 18-19 March—Welsh Week- owned by the Avon Wildlife Trust in the centre of the village where end with visits to Paxton‟s who received this month a grant of he personally taught the girls. Tower, the Cilwendeg Shell House, and the gardens and £75,000 to spend on infrastructure After his death on 2 August grotto at Dolfor. Details from and community projects such as 1851, the manor was leased to a [email protected] the provision of waymark trails and succession of tenants and eventu- information boards telling visitors ally sold to Sir Charles Hobhouse about the site and about its folly. in 1873: his descendants still own The money was awarded from the estate. -
Our Partners
• Leopold Museum • Liliputbahn miniature railway, Our partners Donauparkbahn miniature railway, • Albertina Prater train • Apple Strudel Show • Madame Tussauds • Bank Austria Kunstforum • MAK- Austrian Museum of Applied • Austrian National Library with Arts / Contemporary Art & MAK State Hall, Papyrus Museum, Branch Geymüllerschlössel Globe and Esperanto Museum, • Mozarthaus Vienna Literature Museum • mumok- Museum of Modern Art • Bank Austria Kunstforum Ludwig Foundation • Beethoven Pasqualati House • Museum at the Abbey of the Scots • Beethoven Museum Heiligenstadt • Museum of Military History • Belvedere (Upper and Lower • Museum of Natural History Belvedere, Belvedere 21) • Otto Wagner’s Court Pavilion • City Cruise (Hietzing) • Collection of Anatomical Pathology • Otto Wagner Pavilion Karlsplatz in the Madhouse Tower • Porcelain Museum at Augarten • Danube Tower • Prater Museum • Desert Experience House • Remise – Wiener Linien’s Schönbrunn Transport Museum • Dom Museum Wien • Roman City Carnuntum • Esterházy Palace • Schloss Hof Estate • Forchtenstein Castle • Schloss Niederweiden • Liechtenstein Castle • Schlumberger Cellars • Guided Tour of the UN • Schönbrunn Panorama Train Headquarters • Schönbrunn Palace (Grand Tour) • Haydn House incl. Gloriette, Maze, Privy Garden, • Hofburg- Imperial Apartments, Sisi Children’s Museum at Schönbrunn Museum, Imperial Silver Collection Palace, Orangery Garden • Hofmobiliendepot - Imperial • Schönbrunn Zoo Furniture Collection • Sigmund Freud Museum • House of Music • Schubert’s Birthplace • -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
From Epic to Romance: the Paralysis of the Hero in the Prise D'orange
Minnette Grunmann-Gaudet From Epic to Romance: The Paralysis of the Hero in the Prise d'Orange N HIS Essai de poétique médiévale, Paul Zumthor attempts to establish a basic structural model for the Old French epic, (Schema I I).1 He bases his schema upon a typological classification of the principal characters of the chanson de geste proposed by Pasqualino in 1970. On the primary horizontal axis we find an opposition between good and bad characters, or in socio-religious terms, between Christians and pagans. This axis is broken by secondary diagonal axes which gauge whether individuals change, becoming good by repentance or conversion to Christianity, or bad by political treason or renouncements of the Christian faith. This model clearly illustrates the moral polarities inherent in works such as the Oxford Roland and the Chanson de Guillaume, but does not account for a great number of gestes in which the conflict is between lord and vassal, uncle and nephew, husband and wife, or even two friends. Schema I 'Paul Zumthor, Essai de poétique médiévale (Paris: Éditions du Seuil, 1972),p. 326. 22 Grunmann-Gaudet / Paralysis in the Prise d'Orange 23 In a more recent endeavor to define the structure of the Old French epic, P. Van Nuffel develops a similar but more elaborate schema, based upon the Greimasian model for determining deep structures (Schema II).2 Schéma II defense of Christianity defense of Muhammedanism betrayal of Muhammedanism betrayal of Christianity Here the horizontal axes represent the axes of contraries (defense of Christianity vs. defense of Muhammedanism; betrayal of Muhammed- anism vs. -
WRW Issue 14 Jan 12.Indb
Writing for a Real World A multidisciplinary anthology by USF students PUBLISHED BY THE UNIVERSITY OF SAN FRANCISCO DEPARTMENT OF RHETORIC AND LANGUAGE www.usfca.edu/wrw Writing for a Real World (WRW) is published annually by the Department of Rhetoric and Language, College of Arts and Sciences, University of San Francisco. WRW is governed by the Rhetoric and Language Publication Committee, chaired by David Holler. Members are: Brian Komei Dempster, Philip Hanson, David Holler, Michelle LaVigne, Ana Rojas, Michael Rozendal, and David Ryan. Writing for a Real World: 14th edition © 2017 The opinions stated herein are those of the authors. Authors retain copyright for their individual work. Essays include bibliographical references. The format and practice of documenting sources are determined by each writer. Writers are responsible for validating and citing their research. Cover image: Veil II (2015, digital pigment print, 36"x24") © Jamil Hellu http://JamilHellu.net Reproduction courtesy of Jamil Hellu Thanks to Kristen Sandifer for the photo of Tracy Seeley Reproduction courtesy of University of Nebraska Press Printer: BR Printing, San Jose, California Thanks to James Barrios and Lori Shimizu Norr To get involved as a referee, serve on the publication committee, obtain back print issues, or to learn about submitting to WRW, please contact David Holler <[email protected]>. Back issues are now available online via Gleeson Library’s Digital Collections. <www.usfca.edu/library/dc/wrw> For all other inquiries: Writing for a Real World University of San Francisco Kalmanovitz Hall, Rm. 202 2130 Fulton Street San Francisco, CA 94117 Fair Use Statement: Writing for a Real World is an educational journal whose mission is to showcase the best undergraduate writing at the University of San Francisco. -
Visitor Attractions
Visitor Attractions As a former imperial city, Vienna has a vast cultural imperial apartments and over two dozen collections heritage spanning medieval times to the present day. – the legacy of the collecting passion of the Habsburg Top attractions include the Gothic St. Stephen’s Cathe- dynasty. Viennese art nouveau (Jugendstil) has also dral, baroque imperial palaces and mansions and brought forth unique places of interest such as the Se- the magnificent Ring Boulevard with the State Opera, cession with its gilded leaf cupola. Contemporary archi- Burgtheater (National Theater), Votive Church, City Hall, tecture is to be found in the shape of the Haas-Haus, Parliament and the Museums of Fine Arts and Natural whose glass front reflects St. Stephen’s Cathedral, and History. The former imperial residences Hofburg and the Gasometers, former gas storage facilities which Schönbrunn also offer the opportunity to follow in have been converted into a residential and commercial imperial footsteps. Schönbrunn zoo and park shine complex. This mix of old and new, tradition and moder- in baroque splendor, while Hofburg Palace boasts nity, is what gives Vienna its extra special flair. © WienTourismus/Karl Thomas Thomas WienTourismus/Karl © Osmark WienTourismus/Robert © Osmark WienTourismus/Robert © Anker Clock TIP This gilded masterpiece of art nouveau was created in 1911 by the Danube Tower painter and sculptor Franz von Matsch. Every day at noon, twelve An unforgettable panorama of Vienna’s Danube scenery, the old historical Viennese figures parade across the clock to musical ac- city and the Vienna Woods is afforded at 170m in the Danube Tow- companiment. Christmas carols can be heard at 17:00 and 18:00 er. -
A Few Typographical Errors Have Been Corrected. They Are Shown in the Text with Mouse-Hover Popups
A few typographical errors have been corrected. They are shown in the text with mouse-hover popups. Preface, Itineraries and List of Maps (separate file) Paris to Marseilles (separate file) The Riviera: Itineraries The Riviera: Maps The Riviera: Text Italy and the Alps and General Index (separate file) ITINERARY (pages 107–280) THE RIVIERA. The Riviera. Hotels, productions, climate 107 Marseilles. Hotels, trams, sights, excursions 111 MARSEILLES to MENTON. The French Riviera 122 Marseilles to Toulon, passing several pretty little towns, of which the most important is La Seyne (p. 123). From Toulon omnibuses and diligences run to the neighbouring villages and to the more distant towns in the interior. The most start from the Place d’Italie (pp. 124 and 129). Toulon to Dardenne from the “Place” to the W. of the Place Puget (p. 128), to Hyères from the Place Puget (pp. 124, 133), Cap Brun and Ste. Marguerite from the Place d’Italie (p. 128), to Le Pradet from the Place d’Italie (p. 128). Toulon to Meounes and Brignoles by Belgentier, by diligence. As far as Meounes the road traverses a picturesque country (p. 129), to Collobrières by La Crau and Pierrefeu (p. 130). Steamer to La Seyne (pp. 124, 127), to St. Mandrier (p. 127), to the Iles d’Hyères or d’Or (pp. 124, 131). The Iles d’Or. Porquerolles, Port-Cros, Ile du Levant 131 Toulon to Hyères 132 Hyères. Hotels, cabs, drives, stage-coaches, excursions, productions, climate 133 Hyères to Les Salins, La Plage and the peninsula of Giens (p. 140); to Carqueyranne by Pomponiana (p. -
Pdfperiurban Parks Fact Sheets
BARCELONA ESPAGNE Parc de Collserola Parc Serralada Litoral Surface : 8 070 hectares Population : 3 millions residents Cerdanyola Region : Catalunya Parc Natural del Garraf Organisme gestionnaire: Consorci del Parc de Collserola Adress : Carretera de l'Església, 92 E 08017 Barcelona Mataró Tel. +34 93 280 06 72 BARCELONA Fax. +34 93 280 60 74 Aeroport del Prat e-mail : [email protected] web : http://parccollserola.amb.es La Sierra de Collserola is part of the coastal cordillera, a mountainous, 300 km-long landscape along the Mediterranean Ocean. The park's northern boundary is the Besòs river and Vallès depression, and it is bordered by the Llobregat river and city of Barcelona in the south. In 1987, a special management and environmental protection plan was established for Collserola. It is based on the principle of protecting and strengthening ecosystems. At the same time, infrastructure construction has allowed the public to use this space rationally, without endangering the park's precious natural and landscape resources. The site, managed by the Collserola park Consortium, is a diversified spectrum of natural Mediterranean environments, where forest areas predominate. There are also a few agricultural areas. The park's highest point is on the Tibidabo mountain (512 m). It has a typically Mediterranean climate. The average temperature is 14°C, with pluviometry of 620 mm/year, although microclimates due to diverse hilly terrain must also be considered. Natural heritage. The park is home to a wealth of plant and animal species characteristic of Mediterranean ecosystems. Thus, endemic Iberian Peninsula species are found among the arthropods, some of which have been observed exclusively on the Collserola site. -
Schönbrunn Palace Gardens
Schönbrunn Palace Schönbrunn Palace is a former imperial summer residence in Vienna, Austria. The name Schönbrunn means beautiful spring. The Palace is Vienna´s most popular tourist attraction. It had 2, 6 million visitors in 2010. The whole Schönbrunn complex together with Tiergarten Schönbrunn (Schönbrunn Zoo), Palmenhaus (Palm House), Wüstenhaus (Desert House) and the Wagenburg (Carriage Museum), accounted for more than 5 million tourists! Many tourists visit Schönbrunn for classical music concerts in the Orangerie with musical pieces by Mozart and Strauss. Gardens The sculpted garden between the palace and the Sun Fountain is called the Great Parterre, which is lined with 32 sculptures. It contains a maze. The gardens around Schönbrunn also contain a zoo, an Orangerie, and old Palm House and many statues and sculptures. The Great Parterre at Schönbrunn Schönbrunn text created by Maria Koprolin and Emma Stinson, based on wikipedia.org and based upon Schönbrunn by Dolby Jaretz. Gloriette The Gloriette is on top of a 60 m high hill. Empress Maria Theresia decided that the Gloriette should be built to glorify the power of the Habsburgs. The Gloriette today houses a café. Roman Ruin The Roman Ruin was erected in 1778. It was designed as a garden feature in the style of buildings built in Roman times. The Roman Ruin consists of a rectangular pool enclosed by a massive arch. In the pool in front of the ruin is an arrangement of store fragments which symbolizes the rivers Danube and Enns. Schönbrunn text created by Maria Koprolin and Emma Stinson, based on wikipedia.org and based upon Schönbrunn by Dolby Jaretz. -
Imagines-Number-2-2018-August
Imagines è pubblicata a Firenze dalle Gallerie degli Uffizi Direttore responsabile Eike D. Schmidt Redazione Dipartimento Informatica e Strategie Digitali Coordinatore Gianluca Ciccardi Coordinatore delle iniziative scientifiche delle Gallerie degli Uffizi Fabrizio Paolucci Hanno lavorato a questo numero Andrea Biotti, Patrizia Naldini, Marianna Petricelli Traduzioni: Eurotrad con la supervisione di Giovanna Pecorilla ISSN n. 2533-2015 2 august 2018 index n. 2 (2018, August) 6 EIKE SCHMIDT Digital reflexions 10 SILVIA MASCALCHI School/Work programmes at the Uffizi Galleries. Diary of an experience in progress 20 SIMONE ROVIDA When Art Takes Centre Stage. Uffizi Live and live performance arts as a means to capitalise on museum resources 38 ELVIRA ALTIERO, FEDERICA CAPPELLI, LUCIA LO STIMOLO, GIANLUCA MATARRELLI An online database for the conservation and study of the Uffizi ancient sculptures 52 ALESSANDRO MUSCILLO The forgotten Grand Duke. The series of Medici-Lorraine busts and their commendation in the so-called Antiricetto of the Gallery of Statues and Paintings 84 ADELINA MODESTI Maestra Elisabetta Sirani, “Virtuosa del Pennello” 98 CARLA BASAGNI PABLO LÓPEZ MARCOS Traces of the “Museo Firenze com’era in the Uffizi: the archive of Piero Aranguren (Prato 1911- Florence 1988), donated to the Library catalog 107 FABRIZIO PAOLUCCI ROMAN ART II SEC. D. C., Sleepimg Ariadne 118 VINCENZO SALADINO ROMAN ART, Apoxyomenos (athlete with a Scraper) 123 DANIELA PARENTI Spinello Aretino, Christ Blessing Niccolò di Pietro Gerini, Crocifixion 132 ELVIRA ALTIERO Niccolò di Buonaccorso, Presentation of the Virgin in the Temple n.2 | august 2018 Eike Schmidt DIGITAL REFLEXIONS 6 n Abbas Kiarostami’s film Shirin (2008), sing questions of guilt and responsibility for an hour and a half we see women – would have been superimposed upon Iin a theatre in Iran watching a fictio- its famous first half, the action-packed nal movie based on the tragic and twi- Nibelungenlied (Song of the Nibelungs). -
Landscape Architecture and Art
LANDSCAPE ARCHITECTURE AND ART SCIENTIFIC JOURNAL OF LATVIA UNIVERSITY OF AGRICULTURE VOLUME 5 NUMBER 5 ISSN 2255-8632 print Scientific Journal of Latvia University of Agriculture Landscape Architecture and Art, Volume 5, Number 5 ISSN 2255-8640 online SCIENTIFIC JOURNAL OF LATVIA UNIVERSITY OF AGRICULTURE LANDSCAPE ARCHITECTURE AND ART VOLUME 5 NUMBER 5 JELGAVA1 2014 Scientific Journal of Latvia University of Agriculture Landscape Architecture and Art, Volume 5, Number 5 EDITOR IN CHIEF Aija Ziemeļniece, Dr. arch., Professor, Latvia University of Agriculture, Jelgava, Latvia EDITORIAL BOARD Uģis Bratuškins, Dr. arch., Professor, Riga Technical University, Riga, Latvia Maria Ignatieva, Dr. phil., Professor, Swedish University of Agricultural Sciences, Uppsala, Sweden Karsten Jorgensen, Dr. scient., Professor, Norwegian University of Life Sciences, Oslo, Norway Jānis Krastiņš, Dr. habil. arch., Professor, Riga Technical University, Riga, Latvia Juhan Maiste, Dr. art., Professor, University of Tartu, Tartu, Estonia Eglė Navickienė, Dr. arch., Assoc. Professor, Vilnius Gediminas Technical University, Vilnius, Lithuania Valeriy Nefedov, Dr. arch., Professor, St. Petersburg State University of Architecture and Civil Engineering, St. Petersburg, Russia Thomas Oyen, Professor, Neubrandenburg University of Applied Sciences, Neubrandenburg, Germany Gintaras Stauskis, PhD arch., Assoc. Professor, Vilnius Gediminas Technical University, Vilnius, Lithuania Ivars Strautmanis, Dr. habil. arch., Professor, Riga Technical University, Riga, Latvia Ojārs