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California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
The European Garden I :
The European Garden I : ............................................ I ............................................ Progetto editoriale: Angelo Pontecorboli Tutti i diritti riservati Angelo Pontecorboli Editore, Firenze www.pontecorboli.com – [email protected] ISBN 978-88-00000-00-0 2 Mariella Zoppi e European Garden ANGELO PONTECORBOLI EDITORE FIRENZE 3 4 C 5 Introduction As with all written histories of the garden, this one begins with the most ancient civilizations and thus dedicates much attention to the Roman Empire. is way, the ordinary has little that is ritual or can be foreseen and one can witness the true origins of gardens which arrived from western culture. ese origins were not lost in the centuries which passed by each other, but were a constant source of inspiration for the civilizations which came and went in the Mediterranean Basin. e Mediterranean, for an extremely long period stretching from 2000 BC to the late fourteenth century, was almost exclusively the scenery of western culture. Diverse peoples acquired economic and political hegemony, they imposed laws, customs and artistic models which merged with pre-existing backgrounds and styles which then expanded throughout Northern European and African countries. Ideas from the East, such as science, religion and artistic models, fil- tered throughout the Mediterranean. Nomadic populations reached Mediterranean shores and so cultures and customs were brought to- gether for several centuries in a relatively small circle. It was on the edges of the Mediterranean where the two fundamental ideas of gar- den design, the formal and the informal, were created and confronted each other. Here, the garden became the idealization of a perfect and immutable world, the mimesis of nature. -
The New World Mythology in Italian Epic Poetry: 1492-1650
THE NEW WORLD MYTHOLOGY IN ITALIAN EPIC POETRY: 1492-1650 by CARLA ALOÈ A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Italian Studies School of Languages, Cultures, Art History and Music College of Arts and Law University of Birmingham September 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT My thesis explores the construction of the New World mythology as it appears in early modern Italian epic poems. It focuses on how Italian writers engage with and contribute to this process of myth-creation; how the newly created mythology relates to the political, social and cultural context of the time; and investigates extent to which it was affected by the personal agendas of the poets. By analysing three New World myths (Brazilian Amazons, Patagonian giants and Canadian pygmies), it provides insights into the perception that Italians had of the newly discovered lands in the Sixteenth and Seventeenth Centuries, as well as providing a greater understanding of the role that early modern Italy had in the ‘invention’ of the Americas. -
The Concept of the Garden in Selected Spanish Works of the Medieval and Golden Age
THE CONCEPT OF THE GARDEN IN SELECTED SPANISH WORKS OF THE MEDIEVAL AND GOLDEN AGE by LUCIA HOESS B.A. Simon Eraser University, 1980 M.A. Simon Fraser University, 1985 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES Department of Hispanic and Italian Studies We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 1994 ® Lucia Hoess, 1994 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholariy purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. (Signature) of Hispanic and Italian Studies Department The University of British Columbia Vancouver, Canada Date October 17, 1994 DE.6 (2/88) ABSTRACT The vision of a beautiful garden has been a constant in man's imagination. Within the Judeo-Christian tradition, that vision was manifest as a longing for a return to the primeval paradise. Throughout the ages, this longing has found expression in art and literature and very often, the image of the garden has become associated, and even synonymous, with Heaven itself. In the Spanish literature of the late Middle Ages, the Renaissance, and the Baroque, the image of the garden as "hortus conclusus" enjoyed wide popularity. -
More on Dioscorides' Etruscan Herbs the Capitoline Museum and The
VOLUME: 6SUMMER, 2006 Moreon The Capitoline Museumand Dioscorides’ the Castellani Collection Etruscan by AntonellaMagagnini CuratoreArcheologo,Musei Capitolini Herbs OnDecember 23, 2005, theCapitoline Museums,after along effort coordinated by by JohnScarborough AnnaMuraSommella, Director of theMusei University of Wisconsin Capitolini,andagreat financialcommitment, wereenriched by anew wing,focused on a Inhis “AnEtruscanHerbal?” ( Etruscan largelight-filled, glassed-in hall in the spaces News,5[Winter, 2006]),KyleP. Johnson previously occupied by theRomanGardenof makes someinteresting points regarding the thePalazzodeiConservatori. Theoriginal manuscript traditions that include alternative bronzeequestrian statueof Marcus Aurelius names for theplants andherbs in Dioscorides’ has finally foundits worthy homein this piaz- Materiamedica. 1 It was beyond the scopeof za-like space, along with thelargebronzes Johnson’s briefintroductory note, however, donated by Sixtus IVto theRomanpeoplein andhence it is thegoalof this article, to sug- Pimpernel,from the ViennaDioscurides 1472. From this hall onecanmarvelat the gest how and why these synonyms,not (WikimediaCommons) enormous,imposing remains of thefounda- included by Dioscorides in his original work, 2 5 tions of theTempleof Jupiter Capitoline enter themanuscript history,andmoreimpor- inal work. revealed by recent archaeologicalexcava- tantly, why thesenames might indicateapar- Inestablishing his Greek text of the tions. ticularly Etruscanherbalism. Materiamedica,Max Wellmann pulled most In thegalleries -
An Inquiry Into Surrealism in The
LANDSCAPES OF REVELATION: AN INQUIRY INTO SURREALISM IN THE LANDSCAPE by MICAH S. LIPSCOMB (Under the Direction of Judith Wasserman) ABSTRACT This thesis explores landscapes in which visitors can become emotionally and perceptually disoriented and imagine they are in a dream-like space. The surreal landscapes discussed range from an Italian Renaissance garden, to contemporary landscapes designed by professionals, to environments created by visionary artists. These diverse landscapes share elements of the art and literary movement of surrealism, especially their goal of eliciting revelations. The purpose of this thesis is three-fold: first, to analyze the techniques and forms that help create a surreal landscape; second, to elucidate the relationship between surrealism and landscape architecture; and third, to demonstrate the relevance of some of the ideas of surrealism to contemporary landscape architecture. INDEX WORDS: Surrealism, Landscape Architecture, Visionary Art Environments, Labyrinths, Grottoes, Walled Gardens, Andre Breton, Martha Schwartz, Geoffrey Jellicoe LANDSCAPES OF REVELATION: AN INQUIRY INTO SURREALISM IN THE LANDSCAPE by MICAH S. LIPSCOMB B.A., Eckerd College, 1997 A Thesis Submitted to The University of Georgia Graduate Faculty in Partial Fulfillment of the Requirements for the Degree MASTERS OF LANDSCAPE ARCHITECTURE ATHENS, GEORGIA 2003 ©2003 Micah S. Lipscomb All Rights Reserved LANDSCAPES OF REVELATION: AN INQUIRY INTO SURREALISM IN THE LANDSCAPE by MICAH S. LIPSCOMB B.A., Eckerd College, 1997 Major Professor: Judith Wasserman Committee: Ian Firth Henry Parker Art Rosenbaum Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2003 DEDICATION To my wife, Suzannah, for her love and unwavering support during my education. -