The Cities and Cemeteries of Etruria
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Etruscans in the Context of European Identity
Phasis 15-16, 2012-2013 Ekaterine Kobakhidze (Tbilisi) Etruscans in the Context of European Identity The so-called cultural factor has a decisive role in European identity. It is common knowledge that the legacy of Antiquity made a significant contribution to shape it. Numerous fundamental studies have been devoted to the role of the ancient civilisation in the formation of European culture. However, the importance of the cultures, which made their contributions to the process of shaping European identity by making an impact on the ancient Greek and Roman world directly or via Graeca or via Roma, have not been given sufficient attention. In this regard, the Etruscan legacy is one of the most noteworthy. Pierre Grimal wrote in this connection that the Etruscan civilisation “played the same role ... in the history of Italy as the Cretan civilisation played in shaping the Greek world.“1 At the same time, the Etruscan civilisation proper emerged based on the archaic roots of Mediterranean cultures and, becoming, like the Greek civilisation, the direct heritor of the so-called Mediterranean substratum, which it elevated to new heights thanks to its own innovations and interpretations, it fulfilled an important function of a cultural mediator in the history of the nations of the new world. This is precisely what Franz Altheim meant, noting that “the importance of the Etruscan civilisation lies first and foremost in its cultural mediation.”2 As noted above, in addition, Etruscans introduced a lot of innovations and it is noteworthy that they were made in numerous important spheres, which we are going to discuss in detail below. -
The Cities and Cemeteries of Etruria
Universitäts- und Landesbibliothek Tirol The cities and cemeteries of Etruria Dennis, George 1883 Chapter XV Bombarzo urn:nbn:at:at-ubi:2-12107 CHAPTER XV. BOHABZO. Miremur periisse homines ?—monnmenta fatiscunt, Mors etiam saxis nominibusque venit .—Ausonius. Ecce libet-pisces Tyrrhenaque monstra Dicere. Ovid. About twelve miles east of Viterbo, on the same slope of the Ciminian, is the village of Bomarzo, in the immediate neighbour¬ hood of an Etruscan town where extensive excavations have been made. The direct road to it runs along the base of the mountain, but the excursion may be made more interesting by a detour to Fdrento, which must be donfe in the saddle, the road being quite impracticable for vehicles. From Ferento the path leads across a deep ravine, past the village of Le Grotte di Santo Stefano, whose name marks the existence of caves in its neighbourhood,1 and over the open heath towards Bomarzo. But before reaching that place, a wooded ravine, Fosso della Vezza, which forms a natural fosse to the Ciminian, has to be crossed, and here the proverb —Chi va piano va sano —must be borne in mind. A more steep, slippery, and dangerous tract I do not remember to have traversed in Italy. Stiff miry clay, in which the steeds will anchor fast ; rocks shelving and smooth-faced, like inclined planes of ice, are the alternatives. Let the traveller take warning, and not pursue this track after heavy rains. It would be advisable, especially if ladies are of the party, to return from Ferento to Viterbo, and to take the direct road thence to Bomarzo. -
Echiatti Tesid.Pdf
20 05 2 Chi antepone ad ogni altro piacere quello d’un pranzo al “Café de Paris” ed una passeggiata sul “boulevard”, non dovrebbe viaggiare mai. Su tutto avrebbe da ridire. Ovunque andasse, nemmeno in cambio di pochi spiccioli, potrebbe assicurarsi migliori piacevolezze e sentirsi al sicuro da ogni inconveniente. […] è l’ignoranza di questa stessa verità che fa scontenti tanti viaggiatori che mandano volentieri al diavolo il capriccio che li ha stimolati, ad esempio, a venire in Italia. […] I viaggiatori […] vengono da Roma a Corneto per cercare delle attestazioni d’arte che al tempo dei Tarquini avrebbero potuto avere valore archeologico se fin da allora fossero state conosciute. Stendhal 3 RINGRAZIAMENTI Ringrazio quanti mi sono stati d’aiuto fornendomi, insieme alla loro disponibilità, indicazioni utili a reperire il materiale necessario alle mie ricerche: il personale degli archivi e delle biblioteche comunali del viterbese, della Biblioteca Nazionale Centrale di Roma, della Biblioteca di Arte e Archeologia a Roma, dell’Archivio di Stato di Viterbo e tutti coloro che si sono resi disponibili a fornire materiale utile alla ricerca; un ricordo e un grazie particolare al professor Domenico Mantovani che gentilmente mi ha reso partecipe delle sue memorie e della sua personale esperienza letteraria circa la vita e l’opera di George Dennis e della sua traduzione italiana. Ringrazio inoltre il prof. Valerio Viviani per avermi assistito, con scrupolo, attenzione e competenza, durante la preparazione e la stesura di questo lavoro; il prof. Gaetano Platania che per me è stato un esempio e una guida durante questa mia esperienza nel mondo dell’odeporica. -
Ancient Rome
A History of Knowledge Oldest Knowledge What the Jews knew What the Sumerians knew What the Christians knew What the Babylonians knew Tang & Sung China What the Hittites knew What the Japanese knew What the Persians knew What the Muslims knew What the Egyptians knew The Middle Ages What the Indians knew Ming & Manchu China What the Chinese knew The Renaissance What the Greeks knew The Industrial Age What the Phoenicians knew The Victorian Age What the Romans knew The Modern World What the Barbarians knew 1 What the Romans knew Piero Scaruffi 2004 "We declare, proclaim and define that subjection to the Roman authority is absolutely necessary for the salvation of every human creature" (Pope Boniface, 1302) 2 What the Romans knew • Bibliography – Henri Sierlin: The Roman Empire (2002 – David Abulafia: The Mediterranean in History (2003) – Duby & Perrot: A History of Women in the West vol 1 (1992) – John Norwich: A short history of Byzantium (1995) – Kevin Butcher: Roman Syria (2003) – Tomlinson: Greek And Roman Architecture (1995) – Giovanni Becatti: The Art of Ancient Greece and Rome (1968) – Marvin Tameanko: Monumental Coins (1999) – Will Durant: Caesar and Christ (1944) 3 The Villanovans • 1000 BC: Iron civilization lives in northern Italy, probably not Indo-European • Cremation of the dead, and urns for ashes • 1000 BC: Indo-Europeans invade northern Italy 4 The Etruscans • 850 BC: Middle-eastern people (Villanovans?) settle inTuscany • 750 BC: first Etruscan inscriptions • Only one manuscript survives • Not Indo-European • Confederation -
SPEECH in DEFENCE of TITUS ANNIUS MILO Marcus Tullius Cicero
52 BC SPEECH IN DEFENCE OF TITUS ANNIUS MILO Marcus Tullius Cicero translated by Charles Duke Yonge, A.B. Cicero, Marcus Tullius (106-43 BC) - Rome’s greatest orator, philosopher, and rhetorician, he developed a style of speaking that was emulated for centuries thereafter. Cicero was influential in the development of Latin as more than just a utilitarian language. Speech in Defence of Titus Annius Milo (52 BC) - Milo, a candidate for consulship, and Clodius, a candidate for the praetorship, were in- volved in a streetfight in which Clodius was slain. Milo was tried for his murder. THE ARGUMENT Titus Annius Milo, often in the following speech called only Titus Annius, stood for the consulship while Clodius was a candidate for the praetorship, and daily quarrels took place in the streets between their armed retainers and gladiators. Milo, who was dictator of Lanuvium, his native place, was forced to go thither to appoint some priests, etc.; and Clodius, who had been to Africa, met him on his road. Milo was in his carriage with his wife, and was accompanied by a numerous retinue, among whom were some gladiators. Clodius was on horseback, with about thirty armed men. The followers of each began to fight, and when the tumult had become general, Clodius was slain, probably by Milo himself. The disturbances at Rome became so formidable that Pompey was created sole consul; and soon after he entered on his office, A.U.C. 702, Milo was brought to trial. This speech, however, though composed by Cicero, was not spoken, for he was so much alarmed by the violence of Clodius’s friends, that he did not dare to use the plain language he had proposed. -
Crossing Boundaries: a Gendered Reinterpretation of Etruscan Demons
Crossing Boundaries: A Gendered Reinterpretation of Etruscan Demons Although epigraphic evidence attests to the existence of the winged death-goddess, Vanth, as early as the seventh century B.C.E., figurative depictions of other Etruscan demons were not common until the fourth century. Thereafter, demons played a variety of different roles in the Etruscan funerary record. Their portrayal as chthonic beings is seen when they are integrated into Greek mythological narratives in tomb paintings, funerary statuary and cinerary urns. Demons also performed a psychopomp role in tomb paintings and on sarcophagi, where they are often shown alongside Etruscan elites, as on the long front panel of the Sarcophagus of Arnth Tetnies and Ramtha Vishnai, c. 450-400. Standing in the center, Tetnies is present leaning on a walking stick. Standing to his left is his wife, Ramtha Vishnai (Rowland 2008). On the left short side of this same sarcophagus, Vishnai is shown again riding in a horse led cart as she is being greeted by a female demon. Presumably, one can imagine how Tetnies and Vishnai became reunited due to the intervention of the demon herself. Finally, demons functioned as guardians of the tomb space as seen in statuary from the grave complex, Greppe Sant’Angelo in Cerveteri, as well as multiple painted depictions in tombs at Tarquinia. The sexuality and gender of male and female demons are equally complex issues. Both male and female demons are often depicted in a manner that at once emphasizes their physical sex characteristics but destabilizes the social construction of the gendered body. For example, the figure of Vanth is often portrayed with bare breasts or with genitalia exposed. -
Map 44 Latium-Campania Compiled by N
Map 44 Latium-Campania Compiled by N. Purcell, 1997 Introduction The landscape of central Italy has not been intrinsically stable. The steep slopes of the mountains have been deforested–several times in many cases–with consequent erosion; frane or avalanches remove large tracts of regolith, and doubly obliterate the archaeological record. In the valley-bottoms active streams have deposited and eroded successive layers of fill, sealing and destroying the evidence of settlement in many relatively favored niches. The more extensive lowlands have also seen substantial depositions of alluvial and colluvial material; the coasts have been exposed to erosion, aggradation and occasional tectonic deformation, or–spectacularly in the Bay of Naples– alternating collapse and re-elevation (“bradyseism”) at a staggeringly rapid pace. Earthquakes everywhere have accelerated the rate of change; vulcanicity in Campania has several times transformed substantial tracts of landscape beyond recognition–and reconstruction (thus no attempt is made here to re-create the contours of any of the sometimes very different forerunners of today’s Mt. Vesuvius). To this instability must be added the effect of intensive and continuous intervention by humanity. Episodes of depopulation in the Italian peninsula have arguably been neither prolonged nor pronounced within the timespan of the map and beyond. Even so, over the centuries the settlement pattern has been more than usually mutable, which has tended to obscure or damage the archaeological record. More archaeological evidence has emerged as modern urbanization spreads; but even more has been destroyed. What is available to the historical cartographer varies in quality from area to area in surprising ways. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
Discovering a Roman Resort-Coat: the Litus Laurentinum and The
DISCOVERING A ROMAN RESORT-COAST: THE LITUS LAURENTINUM AND THE ARCHAEOLOGY OF 1 OTIUM* Nicholas Purcell St John's College, Oxford I. Introductory Otium - the concept of leisure, the elaborate social and cultural definer of the Roman elite away from its business of political and military power - is famous. We can see in Roman literary texts how the practice of otium patterned everyday experience, and how it was expressed in physical terms in the arrangement, on a large and on a small scale, of all aspects of Roman space. The texts likewise show that much of what we would regard as social life, and nearly all of what we think of as economic, belonged in the domain of otium. The complexities and ambiguities of this material have been much studied.2 Roman archaeology equally needs to be an archaeology of otium, but there has been little attempt to think systematically about what that might entail. Investigating the relationship between a social concept such as otium and the material culture that is the primary focus of archaeology must in the first place involve describing Roman culture in very broad terms. The density of explicit or implicit symbolic meaning, the organisation of space and time, degrees of hierarchy of value or prestige: it is at that level of generalisation that the archaeologist and the cultural historian will find the common denominators that enable them to share in the construction of explanations of Roman social phenomena. In this account, which is based on research into a particular locality, we shall have to limit ourselves to one of these possibilities. -
An Integrated Analytical Approach to Define the Compositional And
minerals Article An Integrated Analytical Approach to Define the Compositional and Textural Features of Mortars Used in the Underwater Archaeological Site of Castrum Novum (Santa Marinella, Rome, Italy) Luciana Randazzo 1 , Michela Ricca 1 , Silvestro Ruffolo 1, Marco Aquino 2, Barbara Davidde Petriaggi 3, Flavio Enei 4 and Mauro F. La Russa 1,5,* 1 Department of Biology, Ecology and Earth Sciences (DiBEST), University of Calabria, 87036 Arcavacata di Rende, Cosenza, Italy; [email protected] (L.R.); [email protected] (M.R.); silvio.ruff[email protected] (S.R.) 2 Department of Environmental and Chemical Engineering (DIATIC), University of Calabria, 87036 Arcavacata di Rende, Cosenza, Italy; [email protected] 3 Ministero dei Beni e delle Attività Culturali e del Turismo—Istituto Superiore per la Conservazione e il Restauro, 00153 Rome, Italy; [email protected] 4 Museo del Mare e della Navigazione Antica, Castello di Santa Severa, 00058 S. Severa, Rome, Italy; [email protected] 5 Institute of Atmospheric Sciences and Climate, National Research Council, Via Gobetti 101, 40129 Bologna, Italy * Correspondence: [email protected] Received: 19 March 2019; Accepted: 29 April 2019; Published: 30 April 2019 Abstract: This paper aims to carry out an archaeometric characterization of mortar samples taken from an underwater environment. The fishpond of the archaeological site of Castrum Novum (Santa Marinella, Rome, Italy) was chosen as a pilot site for experimentation. The masonry structures reached the maximum thickness at the apex of the fishpond (4.70 m) and consisted of a concrete conglomerate composed of slightly rough stones of medium size bound with non-hydraulic mortar. -
Ovid at Falerii
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2014 The Poet in an Artificial Landscape: Ovid at Falerii Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation (OVERRIDE) Farrell, Joseph. (2014). “The Poet in an Artificial Landscape: Ovid at alerii.F ” In D. P. Nelis and Manuel Royo (Eds.), Lire la Ville: fragments d’une archéologie littéraire de Rome antique (pp. 215–236). Bordeaux: Éditions Ausonius. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/128 For more information, please contact [email protected]. The Poet in an Artificial Landscape: Ovid at Falerii Abstract For Ovid, erotic elegy is a quintessentially urban genre. In the Amores, excursions outside the city are infrequent. Distance from the city generally equals distance from the beloved, and so from the life of the lover. This is peculiarly true of Amores, 3.13, a poem that seems to signal the end of Ovid’s career as a literary lover and to predict his future as a poet of rituals and antiquities. For a student of poetry, it is tempting to read the landscape of such a poem as purely symbolic; and I will begin by sketching such a reading. But, as we will see, testing this reading against what can be known about the actual landscape in which the poem is set forces a revision of the results. And this revision is twofold. In the first instance, taking into account certain specific eaturf es of the landscape makes possible the correction of the particular, somewhat limited interpretive hypothesis that a purely literary reading would most probably recommend, and this is valuable in itself. -
Full Article –
INTERNATIONAL JOURNAL OF CONSERVATION SCIENCE ISSN: 2067-533X Volume 11, Special Issue 1, 2020: 305-318 www.ijcs.uaic.ro NEW DATA ON THE EXPLOITATION OF OBSIDIAN IN THE MEDITERRANEAN BASIN: THE HARBOUR OF PYRGI AND THE TRADE IN NEOLITHIC AGE Luciana RANDAZZO1,*, Michela Ricca1, Donatella BARCA1, Flavio ENEI2, Barbara DAVIDDE PETRIAGGI3, Mauro Francesco LA RUSSA1 1 Department of Biology, Ecology and Earth Sciences (DiBEST), University of Calabria, 87036 Arcavacata di Rende (Cosenza– Italy) 2 Museo del Mare e della Navigazione Antica, Castello di Santa Severa, 00058 S. Severa (Rome – Italy) 3 Ministero dei Beni e delle Attività Culturali e del Turismo - Istituto Superiore per la Conservazione e il Restauro (Rome – Italy) Abstract The contribution shows the first results of ongoing research on the origins and prehistoric assumptions of the well-known Etruscan and Roman harbour of Pyrgi, an ancient Ceretan harbour in southern Etruria. In the light of recent land and submarine investigations, traces of ancient frequentations and contacts dating back to the Neolithic era are emerging when the coastal morphology and environmental characteristics of the site were very different from the current ones. The Etruscan port of Pyrgi, which continues its historical history in Roman and Medieval times, appears as the heir of one or more landing points frequented perhaps already in the Middle Neolithic. As part of this contribution, around 60 obsidian finds (waste resulting from the manufacture of arrowheads) were analyzed using the LA-ICP-MS technique (Laser Ablation Inductively Coupled Plasma Mass Spectrometry). The comparison between the data obtained on the archaeological finds and the bibliographic data relating to the geological obsidians of the peri-Tyrrhenian area allowed the identification of the provenance of the finds.