DOCSLIB.ORG

£75,000 Awarded to Browne's Folly Site

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
£75,000 Awarded to Browne's Folly Site Foll- The e-Bulletin of The Folly Fellowship The Folly Fellowship is a Registered Charity No. 1002646 and a Company Limited by Guarantee No. 2600672 Issue 34: £75,000 awarded to January 2011 Browne’s Folly site Upcoming events: 06 March—Annual General Meeting starting at 2.30pm at athford Hill (Wiltshire) is a leased the manor at Monkton Far- East Haddon Village Hall, B haven for some of our rar- leigh in 1842 and used the folly as Northamptonshire. Details est flora and fauna, including the a project for providing employment were enclosed with the Journal White Heleborine and Twayblade during the agricultural depression. and are available from the F/F website www.follies.org.uk Orchid, and for Greater Horseshoe He also improved the condition of and Bechstein‟s Bats. Part of it is the parish roads and built a school 18-19 March—Welsh Week- owned by the Avon Wildlife Trust in the centre of the village where end with visits to Paxton‟s who received this month a grant of he personally taught the girls. Tower, the Cilwendeg Shell House, and the gardens and £75,000 to spend on infrastructure After his death on 2 August grotto at Dolfor. Details from and community projects such as 1851, the manor was leased to a [email protected] the provision of waymark trails and succession of tenants and eventu- information boards telling visitors ally sold to Sir Charles Hobhouse about the site and about its folly. in 1873: his descendants still own The money was awarded from the estate. He was the author of the Biffaward Fund, the Ibstock Monkton Farleigh (an early history Cory Environmental Trust, the Big of the parish) published in 1882, Lottery Fund and donations from and earned money mining stone members. At a time when so many grants are being cut or withdrawn Wade Browne’s Folly From: A postcard c.1910 altogether, the award is good news and we add our congratulations to the Trust on its success. The Fellowship bought Wade Browne‟s folly from the Trust in 1998 and Paxton’s Tower, Carmarthen quickly restored its roof. Photo: Akoliasnikoff (Wikipedia) Since then vandals have broken through a range of locks and other secu- rity measures, and slowly damaged the interior. As a result, we are currently looking at the possibility of removing the metal door and blocking up the opening to prevent ac- cess until a full restora- tion can be made. The Folly Fellowship The tower was built in Articles, pictures, comments and feed- 1848 as a replacement back for the e-Bulletin should be sent for a Semaphore Tower to [email protected]. All other that originally stood on correspondence should be sent to [email protected]. the site. It was put up by Col. Wade Browne who from the quarries on his estate. In 1907 he altered the tower so he could use it as a hunting stand. Not far from Monkton Farleigh, Thomas Wheeler built an almost identical tower in 1850 as an ex- tension to Budbury Castle. It stood on the Winsley Road in Bradford on Avon until it was demolished in the early 1960s to make way for two houses. It is possible that this was a copy of Browne‟s tower and might show us how Browne‟s folly looked before Hobhouse made his alterations. Brown or Browne? A plaque in Monkton Farleigh Church and the Will of Squire Wade Browne the elder (held in Birming- ham), both spell the name with a ‘e’. Budbury Castle, c. 1900 From: www.freshford.com/folly.htm trains depart within minutes of one another. A further misunderstand- ing between signalmen saw two of those trains collide inside the tun- Oh, Mr Porter! nel and causing them to de-rail. As survivors tried to escape from the wreckage, their plight was made avid Porter lives in a which the trains could pass. worse by hot coals and scalding D unique home astride the The tunnel was completed in water exploding from the tenders main London to Brighton railway at 1841 at a cost of £90,000, taking and raining down on them in the Hassocks (East Sussex). Not sur- 6,000 men a total of three years to darkness. Many of the injured prisingly, it is a bit of a celebrity dig the mile and a quarter long were trapped for several hours and featured in this month‟s edi- route. Early passengers travelling before help arrived and they could tion of Sussex Living magazine. in open carriages of the day were be rescued. 23 people died at the In the 1830s, when the London terrified by the long, dark tunnel, scene and were eventually taken to Brighton Railway Company was so the railway company sought to back to Brighton Station where planning the route of its main line, make the journey more comfort- they were laid out for identification the local farmer insisted that if the able by installing ceiling-mounted on boards and trestles. railway was to be taken across his gas lights. Unfortunately, these Four years after the accident land, the front of the tunnel should were snuffed out by passing trains occurred, Charles Dickens used it be given a pleasing appearance. It so it became necessary to engage as the basis for his ghost story was a challenge that was met by a tunnel keeper to relight them. The Signal Man. He supported it David Mocatta as a diversion from In an attempt to provide the with details from another accident his usual work of designing railway tunnel keeper with a place to live, at Staplehurst in which he was stations. His solution was a mock the railway company appointed J. involved personally. So trauma- medieval facade in Caen Stone, U. Rastrick to design a cottage tised was he by the incident that with a giant Gothic arch through which he placed centrally between he is said to have lost his voice the octagonal tur- and could never again cope with rets. Building work rail or hansom cab journeys. Not was completed in surprisingly, the incident fuelled 1850, and is now stories about ghosts, with some David Porter‟s people claiming that they can still home. hear the screams of the injured. In 1861 the tun- When Network Rail renovated nel was the scene the cottage and sought a tenant, it of a major accident was marketed as “an ideal home that left 200 people for a trainspotting insomniac.” In either injured or the Sussex Living article David dead. It originated tells us that he had to „fight off from a signal fail- hordes of keen trainspotters to ure at Brighton secure the cottage and admits he which let three has become very attached to it.‟ 2 Jigsaw News Wanstead Stripped wenty-five years ago the ince it was T Benevolent Confraternity of S excavated in Dissectologists was launched by a the early 1990s, the group of experts. Far from being a grotto at Wanstead society for surgeons, the BCD is a Park has been cov- club for people who share a pas- ered by a blanket of sion for jigsaw puzzles, especially ivy. Now, under the the early wooden ones. Having a direction of archae- family connection with the society, ologists from the I had hoped that it would help me Museum of London, find a collection of jigsaws pictur- a group of volun- ing follies but my search has been teers have cut away in vain. The Grotto before clearance of the Ivy the ivy to reveal the stonework Some progress was made this Photo: Brian Gotts—www.geograph.org.uk beneath. month when Paul Brooker told me The grotto was built in 1761 as Wanstead House was demol- of a website (www.jigzone.com) where you can upload your own part of the gardens at Wanstead ished in 1824, but the grotto sur- picture and complete the puzzle House. It has been attributed to vived both this and a further plan on screen. It includes a sample William Kent, but „only on the to remove it in 1835. In 1884 the puzzle showing a gloriette (puzzle grounds that he decorated the grotto was completely destroyed in 73055D549864), and a chance to ceiling of the Great Hall there in a fire, two years after the park had embed your chosen picture puzzle 1721‟ (H+M Follies). It originally been opened to the public. Only on the website. Another gloriette served as a boathouse and had a the lake facade survived, and it is appears on a puzzle of a tranquil first floor room that was said to this which has been revealed in all scene produced by Kerrison Toys. have been decorated with feldspar of its naked glory. Considering how picturesque and coloured glass, and with floors they are, it is surprising that follies that had been laid out in geometric An excellent account of the grotto and its do not feature among the list of patterns using pebbles. Candles in history has been written by Mike Cousins castles, cathedrals, locomotives, mirror-lined alcoves illuminated it and is published in Follies 68; 6-11 rose-framed cottages and other all together with small openings in (Autumn 2007) and on the Wanstead landmarks used by jigsaw makers. the end walls overlooking the lake Parklands Community Project website at I‟ll keep looking. and glazed with coloured glass. www.wansteadpark.org.uk English Heritage, is a former pupil of Kimbolton School and recalls Landmark Appeal looking at the folly on a daily ba- sis.
Load more

Recommended publications
  • Trsteno Arboretum, Croatia (This Is an Edited Version of a Previously Published Article by Jadranka Beresford-Peirse)
    ancient Pterocarya stenoptera (champion), Thuyopsis dolobrata and Phyllocladus alpinus ‘Silver Blades’. We just had time to admire Michelia doltsopa in flower before having to leave this interesting garden. Our final visit was to Fonmom Castle, the home of Sir Brooke Boothby who had very kindly invited us all to lunch. We sat at a long table in a room orig- inally built in 1180, and remodelled in Georgian times with beautiful plaster- work and furnishings. After lunch we had a tour of the garden which is on shallow limestone soil, and at times windswept. We admired a large Fagus syl- vatica f. purpurea planted on the edge of the escarpment in 1818, that had been given buttress walls to hold the soil and roots. There was a small Sorbus domes- tica growing in the lawn and we learnt that this tree is a native in the country nearby. We walked through the closely planted ornamental walled garden into the large productive walled vegetable garden. This final visit was a splen- did ending to our tour, and having thanked our host for his warm hospitality, we said goodbye to fellow members and departed after a memorable four days, so rich in plant content and well organised by our leader Rose Clay. ARBORETUM NEWS Trsteno Arboretum, Croatia (This is an edited version of a previously published article by Jadranka Beresford-Peirse) Vicinis laudor sed aquis et sospite celo Plus placeo et cultu splendidioris heri Haec tibi sunt hominum vestigia certa viator Ars ubi naturam perficit apta rudem. (Trsteno, 1502) The inscription above, with its reference to “the visual traces of the human race” is carved onto a stone in a pergola at the Trsteno Arboretum, Croatia, a place of beauty arising like a phoenix from the ashes of wanton destruction and natural disasters.
    [Show full text]
  • Curses by Graham Nelson
    Curses by Graham Nelson Meldrew Estate Attic, 1993 Out on the Spire adamantine hand Potting Aunt Old Storage Room (1) (6) Room Jemima's Winery Battlements Bell Tower yellow rubber Lair demijohn, nasty-looking red steel wrench, gloves battery, tourist map wishbone D U End Game: Servant's Priest's Airing Room (7) (10) West Side Parish East Side Missed the Attic Hole (3) Roof Cupboard classical Chapel Church Chapel Point iron gothic-looking key, ancient prayer book, old sooty stick dictionary, scarf D D U D U Old Inside End Game: Stone Missed the Furniture Chimney Cupboard cupboard, medicine bottle, painting, skylight, Cross Point gift-wrapped parcel, bird whistle gas mask Dark East Hollow (2) Room Over the Annexe U Public D sepia photograph, East Wing Footpath cupboard nuts cord, flash Library Disused Dead End Storage Observatory Beside the romantic novel, book of Drive Twenties poetry glass ball canvas rucksack Souvenirs Alison's Writing Room (12) Room (11) projector window, mirror Tiny Balcony Curses by Graham Nelson Mildrew Hall Cellars, 1993 Infinity Symbol Cellars (1) Cellar (5) Wine West (3) Cellars (4) robot mouse, vent Hellish Place Hole in Cellars Wall South Curses by Graham Nelson Meldrew Estate Hole in Wall of Cellars South (Mouse Maze), 1993 small brass key Cellars South Curses by Graham Nelson Meldrew Estate Grounds, 1993 Up the Plane To Maze Tree D U Mosaic (2) (17) (23) (29) Garage (35) (38) (39) (40) (41) Behind Heavenly Family Tree Lawn (42) (43) (48) (54) Clearing Summer Place (8) Ornaments big motorised garden roller,
    [Show full text]
  • Our Partners
    • Leopold Museum • Liliputbahn miniature railway, Our partners Donauparkbahn miniature railway, • Albertina Prater train • Apple Strudel Show • Madame Tussauds • Bank Austria Kunstforum • MAK- Austrian Museum of Applied • Austrian National Library with Arts / Contemporary Art & MAK State Hall, Papyrus Museum, Branch Geymüllerschlössel Globe and Esperanto Museum, • Mozarthaus Vienna Literature Museum • mumok- Museum of Modern Art • Bank Austria Kunstforum Ludwig Foundation • Beethoven Pasqualati House • Museum at the Abbey of the Scots • Beethoven Museum Heiligenstadt • Museum of Military History • Belvedere (Upper and Lower • Museum of Natural History Belvedere, Belvedere 21) • Otto Wagner’s Court Pavilion • City Cruise (Hietzing) • Collection of Anatomical Pathology • Otto Wagner Pavilion Karlsplatz in the Madhouse Tower • Porcelain Museum at Augarten • Danube Tower • Prater Museum • Desert Experience House • Remise – Wiener Linien’s Schönbrunn Transport Museum • Dom Museum Wien • Roman City Carnuntum • Esterházy Palace • Schloss Hof Estate • Forchtenstein Castle • Schloss Niederweiden • Liechtenstein Castle • Schlumberger Cellars • Guided Tour of the UN • Schönbrunn Panorama Train Headquarters • Schönbrunn Palace (Grand Tour) • Haydn House incl. Gloriette, Maze, Privy Garden, • Hofburg- Imperial Apartments, Sisi Children’s Museum at Schönbrunn Museum, Imperial Silver Collection Palace, Orangery Garden • Hofmobiliendepot - Imperial • Schönbrunn Zoo Furniture Collection • Sigmund Freud Museum • House of Music • Schubert’s Birthplace •
    [Show full text]
  • From Epic to Romance: the Paralysis of the Hero in the Prise D'orange
    Minnette Grunmann-Gaudet From Epic to Romance: The Paralysis of the Hero in the Prise d'Orange N HIS Essai de poétique médiévale, Paul Zumthor attempts to establish a basic structural model for the Old French epic, (Schema I I).1 He bases his schema upon a typological classification of the principal characters of the chanson de geste proposed by Pasqualino in 1970. On the primary horizontal axis we find an opposition between good and bad characters, or in socio-religious terms, between Christians and pagans. This axis is broken by secondary diagonal axes which gauge whether individuals change, becoming good by repentance or conversion to Christianity, or bad by political treason or renouncements of the Christian faith. This model clearly illustrates the moral polarities inherent in works such as the Oxford Roland and the Chanson de Guillaume, but does not account for a great number of gestes in which the conflict is between lord and vassal, uncle and nephew, husband and wife, or even two friends. Schema I 'Paul Zumthor, Essai de poétique médiévale (Paris: Éditions du Seuil, 1972),p. 326. 22 Grunmann-Gaudet / Paralysis in the Prise d'Orange 23 In a more recent endeavor to define the structure of the Old French epic, P. Van Nuffel develops a similar but more elaborate schema, based upon the Greimasian model for determining deep structures (Schema II).2 Schéma II defense of Christianity defense of Muhammedanism betrayal of Muhammedanism betrayal of Christianity Here the horizontal axes represent the axes of contraries (defense of Christianity vs. defense of Muhammedanism; betrayal of Muhammed- anism vs.
    [Show full text]
  • Garden and Park Structures Listing Selection Guide Summary
    Garden and Park Structures Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide looks at buildings and other structures found in gardens, parks and indeed designed landscapes of all types from the Middle Ages to the twentieth century.
    [Show full text]
  • The European Garden I :
    The European Garden I : ............................................ I ............................................ Progetto editoriale: Angelo Pontecorboli Tutti i diritti riservati Angelo Pontecorboli Editore, Firenze www.pontecorboli.com – [email protected] ISBN 978-88-00000-00-0 2 Mariella Zoppi e European Garden ANGELO PONTECORBOLI EDITORE FIRENZE 3 4 C 5 Introduction As with all written histories of the garden, this one begins with the most ancient civilizations and thus dedicates much attention to the Roman Empire. is way, the ordinary has little that is ritual or can be foreseen and one can witness the true origins of gardens which arrived from western culture. ese origins were not lost in the centuries which passed by each other, but were a constant source of inspiration for the civilizations which came and went in the Mediterranean Basin. e Mediterranean, for an extremely long period stretching from 2000 BC to the late fourteenth century, was almost exclusively the scenery of western culture. Diverse peoples acquired economic and political hegemony, they imposed laws, customs and artistic models which merged with pre-existing backgrounds and styles which then expanded throughout Northern European and African countries. Ideas from the East, such as science, religion and artistic models, fil- tered throughout the Mediterranean. Nomadic populations reached Mediterranean shores and so cultures and customs were brought to- gether for several centuries in a relatively small circle. It was on the edges of the Mediterranean where the two fundamental ideas of gar- den design, the formal and the informal, were created and confronted each other. Here, the garden became the idealization of a perfect and immutable world, the mimesis of nature.
    [Show full text]
  • Visitor Attractions
    Visitor Attractions As a former imperial city, Vienna has a vast cultural imperial apartments and over two dozen collections heritage spanning medieval times to the present day. – the legacy of the collecting passion of the Habsburg Top attractions include the Gothic St. Stephen’s Cathe- dynasty. Viennese art nouveau (Jugendstil) has also dral, baroque imperial palaces and mansions and brought forth unique places of interest such as the Se- the magnificent Ring Boulevard with the State Opera, cession with its gilded leaf cupola. Contemporary archi- Burgtheater (National Theater), Votive Church, City Hall, tecture is to be found in the shape of the Haas-Haus, Parliament and the Museums of Fine Arts and Natural whose glass front reflects St. Stephen’s Cathedral, and History. The former imperial residences Hofburg and the Gasometers, former gas storage facilities which Schönbrunn also offer the opportunity to follow in have been converted into a residential and commercial imperial footsteps. Schönbrunn zoo and park shine complex. This mix of old and new, tradition and moder- in baroque splendor, while Hofburg Palace boasts nity, is what gives Vienna its extra special flair. © WienTourismus/Karl Thomas Thomas WienTourismus/Karl © Osmark WienTourismus/Robert © Osmark WienTourismus/Robert © Anker Clock TIP This gilded masterpiece of art nouveau was created in 1911 by the Danube Tower painter and sculptor Franz von Matsch. Every day at noon, twelve An unforgettable panorama of Vienna’s Danube scenery, the old historical Viennese figures parade across the clock to musical ac- city and the Vienna Woods is afforded at 170m in the Danube Tow- companiment. Christmas carols can be heard at 17:00 and 18:00 er.
    [Show full text]
  • The Idea of the Labyrinth
    ·THE IDEA OF · THE LABYRINTH · THE IDEA OF · THE LABYRINTH from Classical Antiquity through the Middle Ages Penelope Reed Doob CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1990 by Cornell University First printing, Cornell Paperbacks, 1992 Second paperback printing 2019 All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-2393-2 (cloth: alk. paper) ISBN 978-1-5017-3845-6 (pbk.: alk. paper) ISBN 978-1-5017-3846-3 (pdf) ISBN 978-1-5017-3847-0 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress An open access (OA) ebook edition of this title is available under the following Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/ by- nc-nd/4.0/. For more information about Cornell University Press’s OA program or to download our OA titles, visit cornellopen.org. Jacket illustration: Photograph courtesy of the Soprintendenza Archeologica, Milan. For GrahamEric Parker worthy companion in multiplicitous mazes and in memory of JudsonBoyce Allen and Constantin Patsalas Contents List of Plates lX Acknowledgments: Four Labyrinths xi Abbreviations XVll Introduction: Charting the Maze 1 The Cretan Labyrinth Myth 11 PART ONE THE LABYRINTH IN THE CLASSICAL AND EARLY CHRISTIAN PERIODS 1.
    [Show full text]
  • GULLEY GREENHOUSE 2021 YOUNG PLANT ALSTROEMERIA ‘Initicancha Moon’ Hilverdaflorist
    GULLEY GREENHOUSE 2021 YOUNG PLANT ALSTROEMERIA ‘Initicancha Moon’ HilverdaFlorist ANTIRRHINUM ‘Drew’s Folly’ Plant Select LAVENDER ‘New Madrid® Purple Star’ GreenFuse Botanicals AQUILEGIA ‘Early Bird Purple Blue’ LUPINUS ‘Staircase Red/White’ GERANIUM pratense ‘Dark Leaf Purple’ PanAm Seed GreenFuse Botanicals ECHINACEA ‘SunSeekers Rainbow’ Innoflora 2021 NEW VARIETIES 2021 NEW VARIETIES GULLEY GREENHOUSE 2020-21 Young Plant Assortment LUPINUS ‘Westcountry Towering Inferno’ Must Have Perennials 2021 CONTENTS HELLO! GENERAL INFORMATION Welcome to the 2020-2021 Gulley Greenhouse Prices, Discounts, Shipping, Young Plant Catalog Minimums, Claims..................2 At Gulley Greenhouse we specialize in custom growing plugs Tray Sizes....................................3 and liners of perennials, herbs, ornamental grasses, and Broker Listing...............................4 specialty annuals. Our passion is to provide finished growers with a wide selection of high quality young plants to choose from. Having been established FEATURED AFFILIATIONS as a family business for over 40 years, we’re proud to consider Featured Programs......................5 (Featured breeders and suppliers whose ourselves connected to the industry. We do our best to stay at the premium plants are included in our program) forefront of the new technology and variety advancements that are being made every year (and every day!) FAIRY FLOWERS® THANK YOU Fairy Flower® Introduction.......... 8 Thanks to all of our customers for your continued support! We Fairy Flower® Varieties............... 8 sincerely appreciate your orders and the confidence you’ve shown (By Common name, including sizes, in our products and company. As always, we strive to produce descriptions & lead times) quality plants perfectly suited for easy production and successful sales to the end consumer. SPECIALTY ANNUALS Annual Introduction......................12 We’re looking forward to another great season, with lots of new varieties to offer and the same quality you’ve come to expect.
    [Show full text]
  • Frogs of the Feywild
    Table of Contents Adventure Outline...................................................................................................... 1 Introduction........................................................................................................... 1 Background............................................................................................................ 1 Overview................................................................................................................ 1 Adventure Hooks...................................................................................................2 Chapter 1 — The Chaotic Maze..................................................................................3 G1. Garden Gate................................................................................................3 G2. Hedge Maze................................................................................................4 G3. Garden Party...............................................................................................5 Development......................................................................................................... 5 Chapter 2 — Time of the Seasons..............................................................................6 G4. Pond............................................................................................................ 6 G5. Summer Terrace..........................................................................................6 G6. Winter Terrace............................................................................................7
    [Show full text]
  • Arbor, Trellis, Or Pergola—What's in Your Garden?
    ENH1171 Arbor, Trellis, or Pergola—What’s in Your Garden? A Mini-Dictionary of Garden Structures and Plant Forms1 Gail Hansen2 ANY OF THE garden features and planting Victorian era (mid-nineteenth century) included herbaceous forms in use today come from the long and rich borders, carpet bedding, greenswards, and strombrellas. M horticultural histories of countries around the world. The use of garden structures and intentional plant Although many early garden structures and plant forms forms originated in the gardens of ancient Mesopotamia, have changed little over time and are still popular today, Egypt, Persia, and China (ca. 2000–500 BC). The earliest they are not always easy to identify. Structures have been gardens were a utilitarian mix of flowering and fruiting misidentified and names have varied over time and by trees and shrubs with some herbaceous medicinal plants. region. Read below to find out more about what might be in Arbors and pergolas were used for vining plants, and your garden. Persian gardens often included reflecting pools and water features. Ancient Romans (ca. 100) were perhaps the first to Garden Structures for People plant primarily for ornamentation, with courtyard gardens that included trompe l’oeil, topiary, and small reflecting Arbor: A recessed or somewhat enclosed area shaded by pools. trees or shrubs that serves as a resting place in a wooded area. In a more formal garden, an arbor is a small structure The early medieval gardens of twelfth-century Europe with vines trained over latticework on a frame, providing returned to a more utilitarian role, with culinary and a shady place.
    [Show full text]
  • Pdfperiurban Parks Fact Sheets
    BARCELONA ESPAGNE Parc de Collserola Parc Serralada Litoral Surface : 8 070 hectares Population : 3 millions residents Cerdanyola Region : Catalunya Parc Natural del Garraf Organisme gestionnaire: Consorci del Parc de Collserola Adress : Carretera de l'Església, 92 E 08017 Barcelona Mataró Tel. +34 93 280 06 72 BARCELONA Fax. +34 93 280 60 74 Aeroport del Prat e-mail : [email protected] web : http://parccollserola.amb.es La Sierra de Collserola is part of the coastal cordillera, a mountainous, 300 km-long landscape along the Mediterranean Ocean. The park's northern boundary is the Besòs river and Vallès depression, and it is bordered by the Llobregat river and city of Barcelona in the south. In 1987, a special management and environmental protection plan was established for Collserola. It is based on the principle of protecting and strengthening ecosystems. At the same time, infrastructure construction has allowed the public to use this space rationally, without endangering the park's precious natural and landscape resources. The site, managed by the Collserola park Consortium, is a diversified spectrum of natural Mediterranean environments, where forest areas predominate. There are also a few agricultural areas. The park's highest point is on the Tibidabo mountain (512 m). It has a typically Mediterranean climate. The average temperature is 14°C, with pluviometry of 620 mm/year, although microclimates due to diverse hilly terrain must also be considered. Natural heritage. The park is home to a wealth of plant and animal species characteristic of Mediterranean ecosystems. Thus, endemic Iberian Peninsula species are found among the arthropods, some of which have been observed exclusively on the Collserola site.
    [Show full text]