Arbor, Trellis, Or Pergola—What's in Your Garden?
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Reconnecting Rural Native Hawaiian Families to Food Through Aquaponics
genealogy Article Reconnecting Rural Native Hawaiian Families to Food through Aquaponics Jazmine Kaleihua Beebe 1, Yvette Amshoff 1, Ilima Ho-Lastimosa 2,3,4, Ghazaleh Moayedi 1 , Asha L.C. Bradley 1, Inji N. Kim 1, Napua Casson 1, Robert Protzman 1, Danielle Espiritu 5, Michael S. Spencer 6 and Jane J. Chung-Do 1,2,3,* 1 Office of Public Health Studies, University of Hawai‘i at Manoa,¯ Honolulu, HI 96822, USA; [email protected] (J.K.B.); yamshoff@hawaii.edu (Y.A.); [email protected] (G.M.); [email protected] (A.L.C.B.); [email protected] (I.N.K.); [email protected] (N.C.); [email protected] (R.P.) 2 God’s Country Waimanalo,¯ Waimanalo,¯ HI 96795, USA; [email protected] 3 Ke Kula Nui O Waimanalo,¯ Waimanalo,¯ HI 96795, USA 4 College of Tropical Agriculture & Human Resources, University of Hawai’i at Manoa,¯ Waimanalo¯ Learning Center, Waimanalo,¯ HI 96795, USA 5 College of Education, University of Hawai’i at Manoa,¯ Honolulu, HI 96822, USA; [email protected] 6 School of Social Work, University of Washington, Indigenous Wellness Research Institute, Seattle, WA 98105, USA; [email protected] * Correspondence: [email protected] Received: 30 November 2019; Accepted: 9 January 2020; Published: 15 January 2020 Abstract: Food insecurity is a pressing issue in Hawai‘i as the vast majority of available and accessible foods are imported. To address this issue, a backyard aquaponics program was implemented from 2010 to 2016 to offer additional avenues to food sovereignty in a rural predominantly Native Hawaiian community. Aquaponics provides a contained and sustainable food production system that models Native Hawaiian principles of land and water stewardship. -
Horticulture Hints Winter Spring 2021 Northeast Region
Horticulture Hints for Northeast Louisiana. Spring 2021 Horticulture Hints for NORTHEAST Louisiana Spring 2021 two viable eyes. Some sources recommend letting the Irish Potatoes cut ends of the pieces cure or dry for a few days before planting. Some sources also recommend coating the cut “I have yet to eat a bad arsh ‘tater!” edges with agricultural sulfur or other powdered fungicide, I once heard someone back home make that observation but this is not necessary if your soil has good drainage. and thought, “Gosh, that’s true!” Irish potatoes are hard Plant Irish potatoes in rows that are spaced 4 to 6 feet to screw up, even to the culinarily and horticulturally apart in soil that is acidic and friable, or easily dug. Each challenged. The prevailing thought is that potatoes should section of seed potato should be planted 3 to 4 inches be planted by Valentine’s Day. This depends on what deep at 12-inch intervals. As the plants grow, hilling soil up Mother Nature has planned, and in northern Louisiana around them periodically will be necessary to create more that could be most anything! In fact, if you didn’t get Irish underground space for tuber formation and to completely potatoes planted in February, you have plenty of time in cover tubers that have already been formed. For this March. reason, growing Irish potatoes in the ground is preferable to growing them in a raised bed or container situation. If you’re new to vegetable gardening, you’ll want to grow your own Irish potatoes for two reasons. -
English Turf Labyrinths Jeff Saward
English Turf Labyrinths Jeff Saward Turf labyrinths, or ‘turf mazes’ as they are popularly known in Britain, were once found throughout the British Isles (including a few examples in Wales, Scotland and Ireland), the old Germanic Empire (including modern Poland and the Czech Republic), Denmark (if the frequently encountered Trojaborg place-names are a reliable indicator) and southern Sweden. They are formed by cutting away the ground surface to leave turf ridges and shallow trenches, the convoluted pattern of which produces a single pathway, which leads to the centre of the design. Most were between 30 and 60 feet (9-18 metres) in diameter and usually circular, although square and other polygonal examples are known. The designs employed are a curious mixture of ancient classical types, found throughout the region, and the medieval types, found principally in England. Folklore and the scant contemporary records that survive suggest that they were once a popular feature of village fairs and other festivities. Many are found on village greens or commons, often near churches, but sometimes they are sited on hilltops and at other remote locations. By nature of their living medium, they soon become overgrown and lost if regular repair and re-cutting is not carried out, and in many towns and villages this was performed at regular intervals, often in connection with fairs or religious festivals. 50 or so examples are documented, and several hundred sites have been postulated from place-name evidence, but only eleven historic examples survive – eight in England and three in Germany – although recent replicas of former examples, at nearby locations, have been created at Kaufbeuren in Germany (2002) and Comberton in England (2007) for example. -
Perspective and Geometry in the Roman Painted Gardens
ISSN: 2687-8402 DOI: 10.33552/OAJAA.2019.02.000527 Open Access Journal of Archaeology and Anthropology Review Article Copyright © All rights are reserved by Manuela Piscitelli Perspective and Geometry in the Roman Painted Gardens Manuela Piscitelli* Università degli Studi della Campania Luigi Vanvitelli, Department of Architecture and Industrial Design, Italy *Corresponding author: Manuela Piscitelli, Università degli Studi della Campania Received Date: November 18, 2019 Luigi Vanvitelli, Department of Architecture and Industrial Design, Via San Lorenzo ad Septimum, Aversa (CE), Italy. Published Date: November 25, 2019 Abstract Garden painting is a very precise genre that is distinct from landscape painting. Present in Roman villas but also in tombs of the same period, wall to obtain an illusory effect of expansion of space, responds to precise geometric characteristics. The article relates the structure, also geometric, it responds to some specific compositional rules. The structure of the representation, realized for the most part with the intent to break through the by the point of view under which the garden (real or imaginary) must be observed, and in both cases, there is a will to bend nature within rigidly of the Roman gardens with their pictorial representation, which derives from it its justification. In both cases, in fact, the composition is guided betweengeometric the and parts. symmetrical schemas. The sense of perspective recreated in the painted gardens offers at first glance a feeling of naturalness into the garden, which -
The American Lawn: Culture, Nature, Design and Sustainability
THE AMERICAN LAWN: CULTURE, NATURE, DESIGN AND SUSTAINABILITY _______________________________________________________________________________ A Thesis Presented to the Graduate School of Clemson University _______________________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Landscape Architecture _______________________________________________________________________________ by Maria Decker Ghys May 2013 _______________________________________________________________________________ Accepted by: Dr. Matthew Powers, Committee Chair Dr. Ellen A. Vincent, Committee Co-Chair Professor Dan Ford Professor David Pearson ABSTRACT This was an exploratory study examining the processes and underlying concepts of design nature, and culture necessary to discussing sustainable design solutions for the American lawn. A review of the literature identifies historical perceptions of the lawn and contemporary research that links lawns to sustainability. Research data was collected by conducting personal interviews with green industry professionals and administering a survey instrument to administrators and residents of planned urban development communi- ties. Recommended guidelines for the sustainable American lawn are identified and include native plant usage to increase habitat and biodiversity, permeable paving and ground cover as an alternative to lawn and hierarchical maintenance zones depending on levels of importance or use. These design recommendations form a foundation -
Dear Friends, the Newport Flower Show Is Pleased to Celebrate Its
Dear Friends, The Newport Flower Show is pleased to celebrate its 18th year as America’s premier summer flower show, held on the historic grounds of Rosecliff. This year’s theme, Jade-Eastern Obsessions, will take visitors on an exotic tour of Far Eastern traditions and beauty. Jade, the imperial gemstone (valued as highly as gold and available in a rainbow of colors), is the perfect symbol for the 2013 Newport Flower Show. Exhibits will immerse you into cultures as varied and beautiful as the liquid forms of carved jade. It’s easy to understand why so many elements from these storied lands became Eastern Obsessions ! Joining us will be the inspirational floral designer Hitomi Gilliam who will share her masterful skills of the latest techniques and designs. As always, our Horticultural Division aspires to engage gardeners at all levels with opportunities to share their obsessions. East will meet west when notable American Landscape Architect, Harriet Henderson, shares her expertise and experiences throughout the Far East and explains how Western gardens have been influenced. Our Photography Division will provoke visitors with mysterious and haunting images from amateur photographers around the world. The Children’s Division will transport the youngest gardeners and designers to the exotic East where they too, can revel in Eastern Obsessions. The expansive front lawn of Rosecliff will lure visitors through an iconic Moon Gate into gardens filled with “Zen-full” inspirations. As always, shopping at the Oceanside Boutiques and the Gardener’s Marketplace are a much anticipated Newport tradition. The Opening Night Party will launch the summer season in Newport with a cocktail buffet, live music, a seaside supper and other surprises. -
The Elements Are Simple
THE ELEMENTS ARE SIMPLE Rigid, lightweight panels are 48 inches wide and 6 ft, 8 ft, 10 ft, 12 ft, 14 ft long and can be installed either vertically, horizontally, wall mounted or freestanding. In addition to the standard panel, the greenscreen® system of green facade wall products includes the Column Trellis, customized Crimp-to-Curve shapes, panel trims and a complete selection of engineered attachment solutions. Customiziation and adaptation to unique project specifications can easily become a part of your greenscreen® project. The panels are made from recycled content, galvanized steel wire and finished with a baked on powder coat for durability. National Wildlife Federation Headquarters - Reston, VA basic elements greenscreen® is a three-dimensional, welded wire green facade wall system. The distinctive modular trellis panel is the building block of greenscreen.® Modular Panels Planter Options Custom Use for covering walls, Planter options are available for a Using our basic panel as the building freestanding fences, screens variety of applications and panel block, we are always available to and enclosures. heights. Standard 4 ft. wide fiberglass discuss creative options. Panels planter units support up to 6' tall can be notched, cut to create a Standard Sizes: screens, and Column planters work taper, mitered and are available in width: 48” wide with our standard diameter Column crimped-to-curve combinations. length: 6’, 8’, 10’, 12’, 14’ Trellis. Our Hedge-A-Matic family of thickness: 3" standard planters use rectangle, curved and Custom dimensions available in 2" Colors square shapes with shorter screens, increments, length and width. for venues like patios, restaurants, Our standard powder coated colors See our Accessory Items, Mounting entries and decks. -
£75,000 Awarded to Browne's Folly Site
Foll- The e-Bulletin of The Folly Fellowship The Folly Fellowship is a Registered Charity No. 1002646 and a Company Limited by Guarantee No. 2600672 Issue 34: £75,000 awarded to January 2011 Browne’s Folly site Upcoming events: 06 March—Annual General Meeting starting at 2.30pm at athford Hill (Wiltshire) is a leased the manor at Monkton Far- East Haddon Village Hall, B haven for some of our rar- leigh in 1842 and used the folly as Northamptonshire. Details est flora and fauna, including the a project for providing employment were enclosed with the Journal White Heleborine and Twayblade during the agricultural depression. and are available from the F/F website www.follies.org.uk Orchid, and for Greater Horseshoe He also improved the condition of and Bechstein‟s Bats. Part of it is the parish roads and built a school 18-19 March—Welsh Week- owned by the Avon Wildlife Trust in the centre of the village where end with visits to Paxton‟s who received this month a grant of he personally taught the girls. Tower, the Cilwendeg Shell House, and the gardens and £75,000 to spend on infrastructure After his death on 2 August grotto at Dolfor. Details from and community projects such as 1851, the manor was leased to a [email protected] the provision of waymark trails and succession of tenants and eventu- information boards telling visitors ally sold to Sir Charles Hobhouse about the site and about its folly. in 1873: his descendants still own The money was awarded from the estate. -
Trsteno Arboretum, Croatia (This Is an Edited Version of a Previously Published Article by Jadranka Beresford-Peirse)
ancient Pterocarya stenoptera (champion), Thuyopsis dolobrata and Phyllocladus alpinus ‘Silver Blades’. We just had time to admire Michelia doltsopa in flower before having to leave this interesting garden. Our final visit was to Fonmom Castle, the home of Sir Brooke Boothby who had very kindly invited us all to lunch. We sat at a long table in a room orig- inally built in 1180, and remodelled in Georgian times with beautiful plaster- work and furnishings. After lunch we had a tour of the garden which is on shallow limestone soil, and at times windswept. We admired a large Fagus syl- vatica f. purpurea planted on the edge of the escarpment in 1818, that had been given buttress walls to hold the soil and roots. There was a small Sorbus domes- tica growing in the lawn and we learnt that this tree is a native in the country nearby. We walked through the closely planted ornamental walled garden into the large productive walled vegetable garden. This final visit was a splen- did ending to our tour, and having thanked our host for his warm hospitality, we said goodbye to fellow members and departed after a memorable four days, so rich in plant content and well organised by our leader Rose Clay. ARBORETUM NEWS Trsteno Arboretum, Croatia (This is an edited version of a previously published article by Jadranka Beresford-Peirse) Vicinis laudor sed aquis et sospite celo Plus placeo et cultu splendidioris heri Haec tibi sunt hominum vestigia certa viator Ars ubi naturam perficit apta rudem. (Trsteno, 1502) The inscription above, with its reference to “the visual traces of the human race” is carved onto a stone in a pergola at the Trsteno Arboretum, Croatia, a place of beauty arising like a phoenix from the ashes of wanton destruction and natural disasters. -
Curses by Graham Nelson
Curses by Graham Nelson Meldrew Estate Attic, 1993 Out on the Spire adamantine hand Potting Aunt Old Storage Room (1) (6) Room Jemima's Winery Battlements Bell Tower yellow rubber Lair demijohn, nasty-looking red steel wrench, gloves battery, tourist map wishbone D U End Game: Servant's Priest's Airing Room (7) (10) West Side Parish East Side Missed the Attic Hole (3) Roof Cupboard classical Chapel Church Chapel Point iron gothic-looking key, ancient prayer book, old sooty stick dictionary, scarf D D U D U Old Inside End Game: Stone Missed the Furniture Chimney Cupboard cupboard, medicine bottle, painting, skylight, Cross Point gift-wrapped parcel, bird whistle gas mask Dark East Hollow (2) Room Over the Annexe U Public D sepia photograph, East Wing Footpath cupboard nuts cord, flash Library Disused Dead End Storage Observatory Beside the romantic novel, book of Drive Twenties poetry glass ball canvas rucksack Souvenirs Alison's Writing Room (12) Room (11) projector window, mirror Tiny Balcony Curses by Graham Nelson Mildrew Hall Cellars, 1993 Infinity Symbol Cellars (1) Cellar (5) Wine West (3) Cellars (4) robot mouse, vent Hellish Place Hole in Cellars Wall South Curses by Graham Nelson Meldrew Estate Hole in Wall of Cellars South (Mouse Maze), 1993 small brass key Cellars South Curses by Graham Nelson Meldrew Estate Grounds, 1993 Up the Plane To Maze Tree D U Mosaic (2) (17) (23) (29) Garage (35) (38) (39) (40) (41) Behind Heavenly Family Tree Lawn (42) (43) (48) (54) Clearing Summer Place (8) Ornaments big motorised garden roller, -
Designing Parterres on the Main City Squares
https://doi.org/10.24867/GRID-2020-p66 Professional paper DESIGNING PARTERRES ON THE MAIN CITY SQUARES Milena Lakićević , Ivona Simić , Radenka Kolarov University of Novi Sad, Faculty of Agriculture, Horticulture and Landscape Architecture, Novi Sad, Serbia Abstract: A “parterre” is a word originating from the French, with the meaning interpreted as “on the ground”. Nowadays, this term is widely used in landscape architecture terminology and depicts a ground- level space covered by ornamental plant material. The designing parterres are generally limited to the central city zones and entrances to the valuable architectonic objects, such as government buildings, courts, museums, castles, villas, etc. There are several main types of parterres set up in France, during the period of baroque, and the most famous one is the parterre type “broderie” with the most advanced styling pattern. Nowadays, French baroque parterres are adapted and communicate with contemporary landscape design styles, but some traits and characteristics of originals are still easily recognizable. In this paper, apart from presenting a short overview of designing parterres in general, the main focus is based on designing a new parterre on the main city square in the city of Bijeljina in the Republic of Srpska. The design concept relies on principles known in the history of landscape art but is, at the same time, adjusted to local conditions and space purposes. The paper presents the current design of the selected zone – parterre on the main city square in Bijeljina and proposes a new design strongly influenced by the “broderie” type of parterre. For creating a new design proposal we have used the following software AutoCad (for 2D drawings) and Realtime Landscaping Architect (for more advanced presentations and 3D previews). -
Astley Castle Knot Gardens
ASTLEY CASTLE KNOT GARDENS All about Tudor knot gardens Knot garden designs Knot gardens have been fashionable since the Tudor times. The Tudors found the inspiration for their gardens from the gardens in Italy, where architects began building houses and gardens that followed a strict geometric pattern. The shapes and the sizes that featured in the design of the house were repeated in the layout of the garden. The Tudors built many grand homes and liked the idea of geometry and proportion. Knot gardens are still popular with designers today. Not only were Tudor knot gardens designed to look good, but they were often a symbol or even a puzzle. For example, this popular design shown on the right was called The True Lovers Knot. It often featured in the gardens of newly married couples. These images below are drawings of knot garden designs that appeared in books during the Tudor times. The designs for knot gardens were similar to those found on fabric, in windows, jewellery and furniture. These designs are interlacing - this means they weave in and out. They fit into a square and they are symmetrical. During the Tudor times there weren’t many plants that flowered in the autumn and the winter. Materials such as crushed bricks and sand were used to create colour and pattern all year round. Scented herbs were used such as marjoram, thyme, southernwood, lemon balm, hyssop, lavender, rue and myrtle. Box hedging which is often used to create knot gardens today wasn’t very popular in the Tudor times. They thought the plant had an evil smell! ASTLEY CASTLE KNOT GARDENS Knot gardens in use This is a bird’s eye view drawing of a typical mid 16th century Tudor Garden with a ‘knot pattern’ as the centre piece to the square design.