D11444 2016 年第52 期憲報第4 號特別副刊s. S. No. 4 to Gazette
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Changing Political Economy of the Hong Kong Media
China Perspectives 2018/3 | 2018 Twenty Years After: Hong Kong's Changes and Challenges under China's Rule Changing Political Economy of the Hong Kong Media Francis L. F. Lee Electronic version URL: https://journals.openedition.org/chinaperspectives/8009 DOI: 10.4000/chinaperspectives.8009 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 September 2018 Number of pages: 9-18 ISSN: 2070-3449 Electronic reference Francis L. F. Lee, “Changing Political Economy of the Hong Kong Media”, China Perspectives [Online], 2018/3 | 2018, Online since 01 September 2018, connection on 21 September 2021. URL: http:// journals.openedition.org/chinaperspectives/8009 ; DOI: https://doi.org/10.4000/chinaperspectives. 8009 © All rights reserved Special feature China perspectives Changing Political Economy of the Hong Kong Media FRANCIS L. F. LEE ABSTRACT: Most observers argued that press freedom in Hong Kong has been declining continually over the past 15 years. This article examines the problem of press freedom from the perspective of the political economy of the media. According to conventional understanding, the Chinese government has exerted indirect influence over the Hong Kong media through co-opting media owners, most of whom were entrepreneurs with ample business interests in the mainland. At the same time, there were internal tensions within the political economic system. The latter opened up a space of resistance for media practitioners and thus helped the media system as a whole to maintain a degree of relative autonomy from the power centre. However, into the 2010s, the media landscape has undergone several significant changes, especially the worsening media business environment and the growth of digital media technologies. -
(Chen Qiulin), 25F a Cheng, 94F a Xian, 276 a Zhen, 142F Abso
Index Note: “f ” with a page number indicates a figure. Anti–Spiritual Pollution Campaign, 81, 101, 102, 132, 271 Apartment (gongyu), 270 “......” (Chen Qiulin), 25f Apartment art, 7–10, 18, 269–271, 284, 305, 358 ending of, 276, 308 A Cheng, 94f internationalization of, 308 A Xian, 276 legacy of the guannian artists in, 29 A Zhen, 142f named by Gao Minglu, 7, 269–270 Absolute Principle (Shu Qun), 171, 172f, 197 in 1980s, 4–5, 271, 273 Absolution Series (Lei Hong), 349f privacy and, 7, 276, 308 Abstract art (chouxiang yishu), 10, 20–21, 81, 271, 311 space of, 305 Abstract expressionism, 22 temporary nature of, 305 “Academic Exchange Exhibition for Nationwide Young women’s art and, 24 Artists,” 145, 146f Apolitical art, 10, 66, 79–81, 90 Academicism, 78–84, 122, 202. See also New academicism Appearance of Cross Series (Ding Yi), 317f Academic realism, 54, 66–67 Apple and thinker metaphor, 175–176, 178, 180–182 Academic socialist realism, 54, 55 April Fifth Tian’anmen Demonstration (Li Xiaobin), 76f Adagio in the Opening of Second Movement, Symphony No. 5 April Photo Society, 75–76 (Wang Qiang), 108f exhibition, 74f, 75 Adam and Eve (Meng Luding), 28 Architectural models, 20 Aestheticism, 2, 6, 10–11, 37, 42, 80, 122, 200 Architectural preservation, 21 opposition to, 202, 204 Architectural sites, ritualized space in, 11–12, 14 Aesthetic principles, Chinese, 311 Art and Language group, 199 Aesthetic theory, traditional, 201–202 Art education system, 78–79, 85, 102, 105, 380n24 After Calamity (Yang Yushu), 91f Art field (yishuchang), 125 Agree -
The Globalization of Chinese Food ANTHROPOLOGY of ASIA SERIES Series Editor: Grant Evans, University Ofhong Kong
The Globalization of Chinese Food ANTHROPOLOGY OF ASIA SERIES Series Editor: Grant Evans, University ofHong Kong Asia today is one ofthe most dynamic regions ofthe world. The previously predominant image of 'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs. Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representa tions, arts and performance. The complexities of urban Asia, its elites, its political rituals, and its families will also be explored. Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Folk Art Potters ofJapan Beyond an Anthropology of Aesthetics Brian Moeran Hong Kong The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam Anthropology and Colonialism in Asia and Oceania Jan van Bremen and Akitoshi Shimizu Japanese Bosses, Chinese Workers Power and Control in a Hong Kong Megastore WOng Heung wah The Legend ofthe Golden Boat Regulation, Trade and Traders in the Borderlands of Laos, Thailand, China and Burma Andrew walker Cultural Crisis and Social Memory Politics of the Past in the Thai World Edited by Shigeharu Tanabe and Charles R Keyes The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung UNIVERSITY OF HAWAI'I PRESS HONOLULU Editorial Matter © 2002 David Y. -
Changing Political Economy of the Hong Kong Media
Special feature China perspectives Changing Political Economy of the Hong Kong Media FRANCIS L. F. LEE ABSTRACT: Most observers argued that press freedom in Hong Kong has been declining continually over the past 15 years. This article examines the problem of press freedom from the perspective of the political economy of the media. According to conventional understanding, the Chinese government has exerted indirect influence over the Hong Kong media through co-opting media owners, most of whom were entrepreneurs with ample business interests in the mainland. At the same time, there were internal tensions within the political economic system. The latter opened up a space of resistance for media practitioners and thus helped the media system as a whole to maintain a degree of relative autonomy from the power centre. However, into the 2010s, the media landscape has undergone several significant changes, especially the worsening media business environment and the growth of digital media technologies. These changes have affected the cost-benefit calculations of media ownership and led to the entrance of Chinese capital into the Hong Kong media scene. The digital media arena is also facing the challenge of intrusion by the state. KEYWORDS: press freedom, political economy, self-censorship, digital media, media business, Hong Kong. wo decades after the handover, many observers, academics, and jour- part follows past scholarship to outline the ownership structure of the Hong nalists would agree that press freedom in Hong Kong has declined over Kong media system, while noting how several counteracting forces have Ttime. The titles of the annual reports by the Hong Kong Journalists As- prevented the media from succumbing totally to political power. -
Signed Lower Left
1* Aime Nicolas Morot 1850-1913 (French) Head of woman marble sculpture 42 x 40 x 15 cm (16 x 16 x 6 in.) signed lower left Other Notes: Location: Israel. For estimated delivery time please contact us. €1,500-1,800 2* Louis Hayet 1864-1940 (French) Iris, 1884-85 watercolor on paper 23 x 14 cm (9 x 5 in.) stamped with signature stamp lower left Other Notes: Location: Israel. For estimated delivery time please contact us. €150-180 3* Pierre Gaston Rigaud 1874-1939 (French) Apple tree in bloom oil on panel 38 x 46 cm (15 x 18 in.) signed lower right Other Notes: Location: Europe. For estimated delivery time please contact us. €800-1,200 4* French Impressionist School 20th century Woman reading oil on canvasboard 33 x 23 cm (13 x 9 in.) initialled lower left Other Notes: Location: Israel. For estimated delivery time please contact us. €1,500-1,800 5* Katherine MacCausland 1 1859-1930 (British) Irises in the vase oil on canvas 61 x 50 cm (24 x 20 in.) signed on the reverse Other Notes: Location: Israel. For estimated delivery time please contact us. €3,500-3,800 6* Jean Misceslas Peske 1880-1949 (Ukrainian) Posing for the artist oil on canvas 68 x 59 cm (27 x 23 in.) Other Notes: Location: Europe. For estimated delivery time please contact us. €4,500-5,000 7* Emile Ancelet 1865-1951 Alice Ancelet au chapeau, 1918 oil on canvas 27 x 22 cm (11 x 9 in.) signed and dated lower right Other Notes: Location: Europe. -
Catalogue Fair for Art Vienna 2018
6. bis 14. OKTOBER 2018 AULA DER WISSENSCHAFTEN DIE HERBSTMESSE 1 2 FAIR FOR ART VIENNA WIR ROLLEN AULA DER WISSENSCHAFTEN DER KUNST Wollzeile 27A, A 1010 Wien 6. bis 14. Oktober 2018 DEN ROTEN 6. bis 13.10.: 11 - 19 Uhr | 14.10.: 11 - 18 Uhr TEPPICH AUS Am 6. Oktober startet in Wien die zweite Ausgabe der FAIR FOR ART Vienna. Nach ihrem erfolgreichen De- büt mit mehr als 12.000 Besuchern steht die WIKAM- Herbstmesse auch heuer wieder im Zeichen von ho- her Qualität und spannender Vielfalt, veranstaltet die PräsentiertWIENS werden Werke international anerkannter 2 WIKAM doch seit über 40 Jahren die Top-Messen am Künstler wie Heinrich Bobst, Helmut Ditsch, Richard Wiener Kunstmarkt. An dieser innovativen Kunstmes- Erdman,KUNSTMESSE Sam Francis, Xenia Hausner, Gottfried Heln- se nehmen an die 50 Aussteller – die Renommiertes- wein, Paul Jenkins, Heinz Mack, Hermann Nitsch, Hans ten des österreichischen Kunsthandels, zukunftswei- Staudacher,IM Max HERBST Weiler, Tom Wesselmann und Erwin sende Galerien und internationale Fachexperten aus Wurm sowie Arbeiten junger europäischer Künstler als Deutschland und der Schweiz – teil. Investition in die Zukunft. Lucas Suppin © Galerie Szaal Contemporary Die FAIR FOR ART Vienna ist die Nachfolgemesse der 4 WIKAM im Wiener Künstlerhaus, die in diesem „Haus JESUITENSAAL – 2. OBERGESCHOSS FINE ART & ANTIQUES 3 für Künstler“ 20 Jahre vom Verband Österreichischer MODERN & CONTEMPORARY ART Antiquitäten- und Kunsthändler durchgeführt wurde. Der große Jesuitensaal ist in zwei Bereiche aufgeteilt. Da das Künstlerhaus seit dem letzten Jahr aufgrund Zum einen findet der Besucher hier Exponate höchs- von Umbauarbeiten nicht mehr zur Verfügung steht, 4 ter Handwerkskunst. -
Perspectives Chinoises, 2018-3
Perspectives chinoises 2018-3 | 2018 Vingt ans après : transformations et défis de Hong Kong sous le régime chinois Édition électronique URL : http://journals.openedition.org/perspectiveschinoises/8408 ISSN : 1996-4609 Éditeur Centre d'étude français sur la Chine contemporaine Édition imprimée Date de publication : 1 septembre 2018 ISSN : 1021-9013 Référence électronique Perspectives chinoises, 2018-3 | 2018, « Vingt ans après : transformations et défis de Hong Kong sous le régime chinois » [En ligne], mis en ligne le 01 septembre 2019, consulté le 01 avril 2020. URL : http:// journals.openedition.org/perspectiveschinoises/8408 Ce document a été généré automatiquement le 1 avril 2020. © Tous droits réservés 1 SOMMAIRE Dossier Vingt ans après la rétrocession : des transformations économiques et politiques de Hong Kong et de son avenir sous le régime chinois Éditorial Jean-Pierre Cabestan et Éric Florence Évolution de l’économie politique des médias hongkongais Francis L. F. Lee Le « localisme » à Hong Kong depuis la rétrocession Une approche évènementielle Samson Yuen et Sanho Chung Boom immobilier et essor du localisme à Hong Kong Témoignage de l’élection du Conseil législatif en 2016 Stan Hok-Wui Wong et Kin Man Wan Désarticulation entre les valeurs civiques et le nationalisme Cartographie du nationalisme d’État chinois après la rétrocession de Hong Kong Chi Kit Chan et Anthony Ying Him Fung Les demandeurs d’asile, symboles de la non-sinité de Hong Kong Le cas d’une enquête dans Chungking Mansions Gordon Mathews Articles Jeunes militantes -
Bleiburg Pliberk
Kultur lust Bleiburg Pliberk www. bleiburg .at Inhalt vsebina contenuto contents Bleiburg hat Kultur .................................... 4 Pliberk ima kulturo Bleiburg e la cultura Bleiburg has culture Aus der Geschichte ....................................8 Iz zgodovine Dalla storia About history stadtgeflüster ........................................12 Mestno šepetanje Mormorio della città City whisperings Feste feiern ............................................ 14 Praznujmo Facciamo festa Celebrating festivals landschaft schafft Bekanntschaft ...............18 Pokrajina ustvarja poznanstva Il paese crea nuove amicizie Countryside makes friendships Im Wald und auf der Heide ......................... 22 V gozdu in na resavi Nel bosco e nei pascoli In the woods and on heath sommer erleben ...................................... 24 Doživeti poletje L'esperienza estiva Experience summer Winter erleben ........................................ 26 Doživeti zimo L'esperienza invernale Experience winter nE pREzRITE našIh 12 namigov Pliberk ponuja še veliko več! TEn toda teh 12 najboljših točk bi vsekakor Each E B nSER morali doživeti, slišati oz. videti. SIE U pps noTaTE I noSTRI 2Ti h 12 suggerimenti 1 at noc burg h en! Blei u biet Bleiburg ha ancora molto da offrire! ehr z 2, viel m top 1 Ma questi top 12, si devono in ogni caso diese n Fall vivere, ascoltare e rispettivamente vedere. Aber f jede an au ollte m ehört s lebt, g en. er n hab oBSERvE oUR esehe 12 tips oder g Bleiburg has much more to offer! these 12 tips, however, should be observed -
Untitled 布上油画 / Oil on Canvas 300×200 Cm 2015
2 2016艺术北京博览会 / Art Beijing 2016 2016艺术北京博览会 2016年4月30日-5月3日 / April 30 – May 3, 2016 首席生活方式类合作媒体: 智族GQ 北京 · 全国农业展览馆 / National Agriculture Exhibition Center, Beijing Lead Lifestyle Media Partner: GQ 战略合作媒体:《芭莎艺术》、《艺术新闻/中文版》、雅昌艺术网、《Hi艺术》 Strategic Media Partners: BAZAAR Art, The Art Newspaper China, ARTRON.NET, Hi Art 主办 / Organizer: 北京艾特菲尔文化有限公司 / Beijing ArtFair Culture Co., Ltd. 承办 / Host: 北京艾特菲尔文化有限公司 / Beijing ArtFair Culture Co., Ltd. 官方合作媒体:《IDEAT理想家》、《周末画报》、《目标》、Let's 新城记、北京城市漫步 协办 / Co-organizer: 北京翌术互动文化传播有限责任公司 / Beijing Art Interaction Culture & Communication Co., Ltd. Ofcial Media Partners: IDEAT China, ModernWeely, TARGET, Let's, That's Beijing 学术支持 / Academic Support: 中国现当代美术文献研究中心 / Chinese Modern & Contemporary Art Documentation 深度新媒体合作: 今日头条、每日环球展览、墙艺术、畅读艺术、艺术云图 指导单位 / Government Support: 北京市文化局 / Beijing Municipal Bureau of Culture In-Depth New Media Partners: TOUTIAO, iDaily Museum, Wallart, VIVA ART, YUNTOO 支持单位 / Cultural Partner: 北京画廊协会 / Art Gallery Association Beijing 海外合作媒体: BlouinArtinfo, Art In Culture, ARTSY, artprice International Media Partners: BlouinArtinfo, Art In Culture, ARTSY, artprice 特别媒体支持: 、 、 、 、 、 、 、99 特别合作伙伴: 官方酒店合作伙伴: 当代艺术新闻 典藏投资 好奇心日报 美术文献 艺术当代 艺术客 艺术商业 艺术网 Special Media Supports: Chinese Contemporary Art News, Art Investment, Qdaily, Fine Arts Literature, Special Partner: Ofcial Hotel Partner: Art China, Scope Art, Art Trade Journal, 99ART 设计馆深度合作媒体: ARTING365、INTERNI 、 、 市场营销及拓展合作伙伴: Art Park特别合作伙伴: 设计时代 太平洋家居网 意外艺术 Design Pavilion In-Depth Media Partners: ARTING365、INTERNI、PChouse、 Activation -
Pre-HK Art Gallery Week Charity Luncheon
DAY-BY-DAY EVENTS 25 NOVEMBER 2014 (TUESDAY) 12:30pm-2pm: Pre-HK Art Gallery Week Charity Luncheon Initiated by Sin Sin Man, The Reach for HeART program for Art in Hospital is a charitable project where a portion of proceeds from this annual luncheon goes towards providing free workshops& art activities exclusively for elderly patients in public hospitals. Price: $650 for full set menu; Beverages extra. THE CHINA CLUB 13/F, The Old Bank of China Building, Bank St., Central RSVP: [email protected] ; T: 2858 5072 26 NOVEMBER 2014 (WEDNESDAY) 12pm-1:30pm: Artist Lunchtime Talk with Konstantin Bessmertny 君士坦丁 10 CHANCERY LANE GALLERY G/F, 10 Chancery Lane, Soho | T: 2810 – 0065 “Stir Fry” (Konstantin Bessmertny) 炒 (君士坦丁) RSVP: [email protected] ; T: 2810 0065 6pm-9pm: Opening Reception GALERIE PERROTIN 贝浩登画廊 17/F, 50 Connaught Rd. Central | T: 3758 – 2180 “Exhibition by Sophie Calle & Makoto Aida” (Sophie Calle & Makoto Aida) 6:30pm-9:30pm: The Joyful Dance of the Dakini – Meditation, Talk, Dance SIN SIN FINE ART 53-54 Sai St., Sheung Wan | T: 2858 – 5072 Meditation & Talk by Khandro Thrinlay Chodon, followed by a sacred feminine Vajra dance shared by Lianne Hunt. 7pm-10pm: Opening Party for Hong Kong Art Gallery Week HONG KONG ART GALLERY ASSOCIATION PMQ, Hollywood Gardens, 35 Aberdeen St., Soho Central By Invitation Only. 7:30pm: Curator’s Talk THE CAT STREET GALLERY 222 Hollywood Rd., Sheung Wan | T: 2291 – 0006 “K-POP!” (Debbie Han, Koh Sang Woo, Chong Il Woo) RSVP: [email protected] 1 27 NOVEMBER 2014 (THURSDAY) 9:30am-6:30pm: Pop-up Jewelry Exhibition (Proceeds to help Reach for HeART) SIN SIN FINE ART 53-54 Sai St., Sheung Wan | T: 2858 – 5072 2:30pm-7pm: Private Tour of select Artist studios SELECT ARTIST STUDIOS in Fotan & Shatin Private Tour. -
And Straightforward
Next Media Limited Annual Report 2003/04 and straightforward OPENNext Media Limited Annual Report 2003/04 Company Profile Next Media Limited (the “Company” or “Next Media”, together with its subsidiaries, the “Group”) is Hong Kong’s largest and most influential Chinese language print media conglomerate. Since the launch of Next Magazine in 1990, the Company has built up an enviable bond of trust with its readers as a result of its unwavering commitment to removing all fiction and artificiality from its editorial content. With one hugely popular daily newspaper and four widely read weekly magazines and its burgeoning Internet business, Next Media remains a Hong Kong market leader in terms of readership, circulation and sustainable advertising revenue. Always conscious of its pledge to add value for its shareholders, the Company will not rest on these impressive laurels. Building upon its achievements in Hong Kong, Next Media began to expand its operations into the lucrative Taiwan market in 2001. To ensure its long term success, the Company has allocated much resources into the construction of production facilities and the setting up of expert operation teams. The Group strongly believes that its titles cater to the needs and preferences of its Taiwanese readers, in terms of both information and entertainment value. The fruits of this groundwork was harvested when Taiwan Next Magazine broke even on schedule in mid-2003. Taking its successful Hong Kong sister publication as an example, and carefully tailoring its content to match the local mass market readership profile, the title is now a major force in the Taiwan weekly magazine market. -
Chinese Almanac
The Book of Ancient Wisdom and Fortune Telling 通 Peter So Man-Fung, one of the most renowned and hippest contemporary Chinese Feng Shui and Astrology 勝 2017 masters. Over the past years, he has released a video tape CHINESE on Feng Shui and over 10 all-time bestsellers on Feng Shui, Face Reading and Palmistry. Many of them have been translated into English chalking up impressive 通通 勝勝 reviews from all over the world. This has made him a truly CHINESE ALMANAC ALMANAC recognized international author in the field of Chinese metaphysics. Peter So is the founder of Master So Consultancy which provides not only professional services like Feng Shui consultation, Destiny analysis, Date Selection, Naming, etc., but also training courses for the study of classical Feng Shui and other Chinese metaphysics subjects. This book, 2017 Chinese Almanac – The Book of Ancient Wisdom and Fortune Telling, is perfect for any people or families, with all useful information at your fingertips. Highlights include general forecast based on your Peter So Horoscope, Flying Star Charts for every direction, naming basics, face and palm reading, Feng Shui, and suitable and unsuitable activities for each day of the year. HK$118.00 Published in Hong Kong 2017 Peter So 2017 Chinese Almanac Author Peter So Editor Jeffrey Wu Designer Nora Chung Photographer Polestar Studio Illustrator Human Ip Published by Forms Publications- an imprint of Wan Li Book Co., Ltd Rm 1305, Eastern Centre, 1065 King's Road, Quarry Bay, Hong Kong Tel: 852-2564 7511 Fax: 852-2565 5539 E-mail: [email protected] http://www.formspub.com http://www.facebook.com/formspub Sole Agency SUP Publishing Logistics (HK) Limited 3/F., C & C Building, 36 Ting Lai Road, Tai Po, N.T., Hong Kong Tel: 852-2150 2100 Fax: 852-2407 3062 E-mail: [email protected] Printed by C & C Offset Printing Co.