10-15-11 Frederick Moyer Prog
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I Cannot Tell You More of This Arcadia Than That It Is at Present
This concert marked the the conclusion of our yearly Master class which offers to talented young musicians a week’s course performing on historic keyboard instruments in Tuscany, under the expert guidance of Professor Ella Sevskaya. The Master class began as a collaboration with the P. I. Tchaikovsky State Conservatory of Moscow, to facilitate the studies of Russian students who rarely have the opportunity of playing on historic instruments in their own country. In recent years we have extended the Masterclass to participants from other countries; this year we have one student from Japan, as well as five from Russia, who all have their origins in the Department of Historical and Contemporary Performance of the Moscow State Conservatory. Anastasia Akinfina, Sophia Gandilyan, Sergei Lukaschuk and Yulia Uspenskaya come to us directly from the Department, while Alexandra Nepomnyashchaya is a graduate ; she subsequently acquired a Master in harpsichord and in fortepiano at the Conservatory of Amsterdam, and is now undertaking a specialization in early keyboard at the Hochschule für Musik, Munich. Hanano Muratsubaki begins her study at the Music Department of the University of Augsburg this fall. The participants of our Masterclass worked this week in the Laboratorio di Restauro del Fortepiano of Florence, which kindly made available the fine fortepiano made in Vienna by Johann Schantz ca.1810-1815 which we hear in this evening’s recital. We are also grateful to the Accademia Bartolomeo Cristofori: amici del fortepiano, which kindly gave us access to their extraordinary collection of historic instruments. Ella Sevskaya was born in the Ukraine in 1961. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Classic Choices April 6 - 12
CLASSIC CHOICES APRIL 6 - 12 PLAY DATE : Sun, 04/12/2020 6:07 AM Antonio Vivaldi Violin Concerto No. 3 6:15 AM Georg Christoph Wagenseil Concerto for Harp, Two Violins and Cello 6:31 AM Guillaume de Machaut De toutes flours (Of all flowers) 6:39 AM Jean-Philippe Rameau Gavotte and 6 Doubles 6:47 AM Ludwig Van Beethoven Consecration of the House Overture 7:07 AM Louis-Nicolas Clerambault Trio Sonata 7:18 AM Wolfgang Amadeus Mozart Divertimento for Winds 7:31 AM John Hebden Concerto No. 2 7:40 AM Jan Vaclav Vorisek Sonata quasi una fantasia 8:07 AM Alessandro Marcello Oboe Concerto 8:19 AM Franz Joseph Haydn Symphony No. 70 8:38 AM Darius Milhaud Carnaval D'Aix Op 83b 9:11 AM Richard Strauss Der Rosenkavalier: Concert Suite 9:34 AM Max Reger Flute Serenade 9:55 AM Harold Arlen Last Night When We Were Young 10:08 AM Wolfgang Amadeus Mozart Exsultate, Jubilate (Motet) 10:25 AM Wolfgang Amadeus Mozart Symphony No. 3 10:35 AM Wolfgang Amadeus Mozart Piano Concerto No. 10 (for two pianos) 11:02 AM Johannes Brahms Symphony No. 4 11:47 AM William Lawes Fantasia Suite No. 2 12:08 PM John Ireland Rhapsody 12:17 PM Heitor Villa-Lobos Amazonas (Symphonic Poem) 12:30 PM Allen Vizzutti Celebration 12:41 PM Johann Strauss, Jr. Traumbild I, symphonic poem 12:55 PM Nino Rota Romeo & Juliet and La Strada Love 12:59 PM Max Bruch Symphony No. 1 1:29 PM Pr. Louis Ferdinand of Prussia Octet 2:08 PM Muzio Clementi Symphony No. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON • s, •<».^: SYMPHONY ORCHESTRA v SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A Classic Composition '****? \*&T~~ Fidelity Just as a Beethoven score is at its JdfeJ^-best when performed by a world- ** Pergonal \* class symphony — so, too, should your trust assets be managed by Tru<tt *g£ a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a managed trust or personalized >»^~~i»vestment management account 5*foryour portfolio of $400,000 or more. For more "information, visit , a Fidelity Investor Center or call Fidelity Pergonal Triut Service** at ' 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. -
Bavouzet Plays Sonatas by CLEMENTI DUSSEK HUMMEL WÖLFL
Jean-Efflam Bavouzet plays Sonatas by CLEMENTI DUSSEK HUMMEL WÖLFL Muzio Clementi Muzio Engraving by H. Cook after portrait by James Lonsdale (1777 – 1839) / AKG Images / Universal Images Group / Universal History Archive Joseph Wölfl (1773 – 1812) Sonata, Op. 33 No. 3 (1805) 14:56 in E major • in E-Dur • en mi majeur 1 Allegro 8:04 2 Andante. Cantabile 2:29 3 Rondo. Allegretto – Minore – Maggiore 4:24 Muzio Clementi (1752 – 1832) Sonata, Op. 50 No. 1 (1804 – 21) 21:50 in A major • in A-Dur • en la majeur Dedicated to Luigi Cherubini 4 Allegro maestoso e con sentimento 8:34 5 Adagio sostenuto e patetico – Andante con moto. Canone – Adagio. Tempo I – 5:28 6 Allegro vivace 7:47 3 Johann Nepomuk Hummel (1778 – 1837) Sonata No. 3, Op. 20 (c. 1807) 21:02 in F minor • in f-Moll • en fa mineur Magdalene von Kurzbeck gewidmet 7 Allegro moderato – Adagio – Allegro agitato 9:23 8 Adagio maestoso – 7:02 9 Finale. Presto – Ancor più presto 4:35 Jan Ladislav Dussek (1760 – 1812) Sonata, Op. 61, C 211 ‘Élégie harmonique sur la mort de son Altesse Royale le prince Louis-Ferdinand de Prusse’ (1806 – 07) 16:55 in F sharp minor • in fis-Moll • en fa dièse mineur Dédiée à Son Altesse le Prince de Lobkowitz, duc de Raudnitz 10 Lento patetico – Tempo agitato 11:34 11 Tempo vivace e con fuoco quasi presto 5:20 4 12 Musical illustrations 7:49 Illustration 1 Clementi: Movement 1 (chromatic scales) Hummel: Movement 1 (chromatic scales) Dussek: Movement 1 (chromatic scales) Illustration 2 Hummel: Adagio Beethoven: Sonata, Op. -
Boston Symphony Orchestra Concert Programs, Season 103, 1983-1984, Subscription
Boston Symphony Orchestra SEIJI OZAWA, Music Director f BOSTON \ (SYMPHONY | I ORCHESTRA | v SEIJI OZAWA A N ,jfj Mum Director _fT - 103rd Season lit, ^iVv A . 1983-84 Savor the sense of Remy. RtMY N &&mtf^m i Imported by Remy Martin Amerique, Inc., N.Y. VS.O.P COGNAC. SINCE Sole U.S.A. Distributor, Premiere Wine Merchants Inc., N.Y. 80 Proof. REMY MARTINI Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. David B. Arnold, Jr. Mrs. John H. Fitzpatrick William J. Poorvu J.R Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley E. James Morton Mrs. George R. Rowland Mrs. Norman L. Cahners David G. Mugar Mrs. George Lee Sargent George H.A. Clowes, Jr. Albert L. Nickerson William A. Selke Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward M. Kennedy Paul C. Reardon Richard P Chapman Edward G. Murray John L. Thorndike John T. Noonan Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris - General Manager William Bernell - Artistic Administrator Daniel R. Gustin - Assistant Manager B.J. -
Boston Symphony Orchestra Concert Programs, Season 103, 1983-1984, Subscription
OSTON SYMPHONY SEIJI OZAWA, Music Director " ' BOSTON % { SYMPHONY \ I ORCHESTRA/ \ SEIJI OZAWA / V 103rd Season 1983-84 Savor the sense of Remy remy nm s^imwJM^ Imported by Remy Martin Amerique, Inc., N.Y. 17 Sole U.S.A. Distributor, Premiere Wine Merchants Inc., N.Y 80 Proof. REMY MARTIN 1 VS.O.P COGNAC. SINCE. Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. David B. Arnold, Jr. Mrs. John H. Fitzpatrick William J. Poorvu J.P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley E. James Morton Mrs. George R. Rowland Mrs. Norman L. Cahners David G. Mugar Mrs. George Lee Sargent George H.A. Clowes, Jr. Albert L. Nickerson William A. Selke Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward M. Kennedy Paul C. Reardon Richard P. Chapman Edward G. Murray John L. Thorndike John T. Noonan Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris - General Manager William Bernell - Artistic Administrator Daniel R. Gustin - Assistant Manager B.J. Krintzman - Director ofPlanning Anne H. Parsons - Orchestra Manager Caroline Smedvig - Director ofPromotion Josiah Stevenson - Director ofDevelopment Theodore A. -
Fred Moyer Jazz Trio Torrent Download Fred Moyer Jazz Trio Torrent Download
fred moyer jazz trio torrent download Fred moyer jazz trio torrent download. The American pianist, Fredrick Moyer, was born into an artistic family. His grandparents were all accomplished artists. On his mother's side, his grandmother was a poet; his grandfather Paul Green a Pulitzer-prize-winning playwright. On his father's side his grandmother was a singer and his grandfather David Earl Moyer (1895-1987), a professor of piano at Oberlin College and student of Ferruccio Busoni and Ernst von Dohnanyi. Moyer's father, a trombonist, was a member of the Boston Symphony Orchestra for 35 years, and his mother an accomplished pianist, harpsichordist and singer. Moyer began playing the piano with his mother at the age of 7. Musically eclectic from the start, his youthful obsessions moved from the Tijuana Brass to Oscar Peterson to Sergei Rachmaninov. In junior high and high school, he studied jazz intensively and was for a time determined to become a jazz pianist. While still in high school, Moyer received a full scholarship to attend the Curtis Institute in Philadelphia while in high school. He later attended and garduated from the Indiana University. His major teachers were his mother, Theodore Lettvin, Eleanor Sokoloff and Menahem Pressler. Fredrick Moyer first appeared with the Boston Symphony Orchestra at age 14, performed with Boston Pops Orchestra as a teenager. Shortly after graduation, a highly acclaimed New York debut at Carnegie Recital Hall in 1982 launched him on a career that has flourished ever since, bringing him to 41 countries, and to such venues as Suntory Hall in Tokyo, the Ambassador Auditorium in Pasadena, Sydney Opera House, Windsor Castle and the Kennedy Center. -
Boston Symphony Orchestra Concert Programs, Season 100, 1980
HR'oBls^^V-SfcSU^ tawmimm* 4 * Hundredth Season . MIST SOFTENS EVERYTHING rr touches. What a pleasant way to feel the soft touch of Irish Mist. in "Liquid Sunshine" Start with a tall glass of ice. add 1 part Irish Mist and 3 parts orange juice. Irish Mist, the centuries old liqueur sweetened with a hint of heather honey, will blend with almost anything. Pour the soft touch of Irish Mist anytime. anywhere. You'll like the way it feels. IRISH MIST THE LEGENDARY SPIRIT Imported Irish Mist® Liqueur. 70 Proof. ©1980 Heublein, Inc., Hartford, Conn. U.S.A. ^^^^^-#f#^ i^OSTON\ I SYMPHONY IokchestraI| \SEIJI OZAWA / uL Jk-i Music DirectorffW gP^^U^ Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundredth Season, 1980-81 The Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Mrs. Harris Fahnestock, Vice-President Leo L. Beranek, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Mrs. Norman L. Cahners » George H. Kidder David Rockefeller, Jr. George H.A. Clowes, Jr. David G. Mugar Mrs. George Lee Sargent Archie C. Epps III Albert L. Nickerson William A. Selke Mrs. John L. Grandin Thomas D. Perry, Jr. John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board E meritus Allen G. Barry Edward G. Murray Mrs. James H. -
Romantic Revolution
Jan Ladislav Dussek (1760-1812) SOMMCD 0634 Piano Sonatas, Op.35 Nos.1, 2 & 3 Romantic Fryderyk Chopin (1810-49) Revolution Nocturne, Op.15 No.2 & Ballade, Op.23 Michael Dussek piano Jan Ladislav DUSSEK: Piano Sonata Op.35 No.1 in B-flat major (No.11) [19:05] Dussek 1 I Allegro moderato e maestoso 10:03 2 II Finale – Allegro non troppo ma con spirito 9:01 DUSSEK: Piano Sonata Op.35 No.3 in G major (No.12) [14:54] Piano Sonatas 3 I Allegro 8:06 4 II Rondo – Molto allegro, con espressione 6:48 Op.35 Nos.1-3 DUSSEK: Piano Sonata Op.35 No.3 in C minor (No.13) [17:42] 5 I Allegro agitato assai 6:45 6 II Adagio patetico et espressivo 6:15 7 III Intermezzo (Presto) – Finale (Allegro molto) 4:41 8 CHOPIN: Nocturne in F-sharp major, Op.15 No.2 3:21 Fryderyk 9 CHOPIN: Ballade No.1 in G minor, Op.23 9:08 Total duration: 64:12 Chopin Recorded at The Menuhin Hall, Stoke d’Abernon, Surrey, on July 17-18, 2020 Nocturne, Op.15 No. 2 Piano: Steinway Model ‘D’ Recording Producer: Siva Oke Recording Engineer: Paul Arden-Taylor Front cover: The Mouth of an Estuary, George Lambert (1700-65). Alamy Images Ballade, No.1 in G minor Design: Andrew Giles Booklet Editor: Michael Quinn Visit www.somm-recordings.com for further information Michael Dussek piano DDD © & 2021 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND · Made in EU Nocturnes, and Chopin’s friend Vincenzo Bellini, whose operatic bel canto Jan Ladislav Dussek influence is heard in the long cantabile melodies. -
John Field's Piano Concerto No. 1.Pdf (6.285Mb)
JOHN FIELD’S PIANO CONCERTO NO. 1 A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Mary Ermel Walker In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department: Music September 2014 Fargo, North Dakota North Dakota State University Graduate School Title John Field’s Piano Concerto No. 1 By Mary Ermel Walker The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Andrew Froelich Chair Robert Groves Virginia Sublett John Helgeland Approved: 11/16/15 John Miller Date Department Chair ABSTRACT While there are recordings of all seven of John Field’s piano concertos, there are no two- piano versions published that include the transcribed orchestra in the second piano part, with the exception of the second concerto. This paper reviews the life and music of John Field with particular attention on his first concerto and on the creation of an orchestral reduction for performance on two pianos. iii ACKNOWLEDGEMENTS I would like to thank my professors at North Dakota State University for their patience and support throughout my coursework and the writing of this paper, especially Dr. Andrew Froelich for his invaluable input on the orchestra reduction, Dr. Robert Groves for his help with the composition of this paper, and Dr. Virginia Sublett for her support and encouragement along the way. The orchestra reduction is based on a publication provided courtesy of the Edwin A Fleisher Collection of Orchestral Music at the Free Library of Philadelphia.