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Meet the Habimah Teaching Artist! 2019
Meet the Habimah Teaching Artist! 2019 Samantha Bramm holds a Bachelor of Science in Music Education with a concentration in vocal/general music from Towson University. She recently finished her second school year as the choral/general music teacher at Mount View Middle School in the Howard County Public School System. She is thrilled to be back at Habimah for her third summer in a row to create happiness through vocal music! Sam teaches Voice. Lisa Shifren is a portrait, events, and landscape photographer in the Baltimore area and has been taking photographs for over 25 years. Lisa majored in Imaging and Digital Art at the University of Maryland, and has also studied photography at the Maryland Institute College of Art. In addition to being a photographer and digital artist, Lisa works as a Jewish communal professional at Jewish Community Services in Baltimore Maryland with Holocaust survivors, who are the subjects of her body of work titled Grace. Dignity. Humility. Compassion. Photographic Portraits: The Holocaust Survivors of Baltimore. Lisa has been invited to exhibit her work at The Pennsylvania State University in Harrisburg, Clarion University, The Rosenberg Gallery at Goucher College, The Baltimore City Yom Hashoah (Holocaust Remembrance Day) Commemoration, Gallery 788, The Social Security Administration, The Reeves Gallery, Roland Park Country School, The Norman and Sara Brown Art Gallery, The Maryland Institute College of Art, Amalie Rothschild Gallery, Creative Alliance Main Gallery, Load of Fun Studios, Herring Run Artists’ Network, School 33’s Open Studio Tour, Borrowed Blue Studios, Gallery 229, and The Center for Art and Visual Culture in Baltimore, MD. -
Dove L'uomo È Fascina E La Donna È L'alare
Dove l’uomo è fascina e la donna è l’alare: the Quiet Defiance of Puccini’s La Bohème Parkorn Wangpaiboonkit Oberlin College In stark contrast to the remainder of the standard operatic repertoire, instead of babies thrown into fires, sons in love with their mother-in-law, mystical rings of fire, head-cutting, suicide, self-sacrifice, or spontaneous expiration through excess of emotion, Puccini’s La Bohème presents us with an opera where a sick girl gets sicker and dies. “No one is evil; it is the opera of innocence… - as if there were no responsibility, as if nothing happened other than this great cold, freezing them all, which one of them, a woman, cannot withstand” (Clément 83). More simply put, Bohème ’s plot is “boy meets girl, girl dies” (Berger 109). While this lack of momentous action might make Bohème seem an unlikely candidate for an operatic innovation, I argue that the opera’s quiet insurrection against its genre and tradition becomes apparent when its heroine, Mimi, is closely examined. In constructing Mimi, Puccini has deviated from the expectations of genre, gender, and disease narrative typically found in nineteenth century Italian operas, creating an operatic heroine that escapes the typical dramatic formulations of her predecessors: “She does not do anything. She waters her flowers at the window, she embroiders silk and satin for other people, that is all” (Clément 84). By highlighting these subtle but radical uniqueness in the way Mimi as a heroine is treated by other characters in the opera and by us as an audience, I offer a new reading of Bohème that recognizes the work as an innovative text, “the first Italian opera in which the artificialities of the medium is so little felt” (Budden 180). -
The Gruffalo Latin Edition Pdf Free Download
THE GRUFFALO LATIN EDITION Author: Julia Donaldson Number of Pages: 32 pages Published Date: 02 Aug 2012 Publisher: Pan MacMillan Publication Country: London, United Kingdom Language: English ISBN: 9780230759329 DOWNLOAD: THE GRUFFALO LATIN EDITION The Gruffalo Latin Edition PDF Book "What this power is I cannot say; all I know is that it exists. The Science of Being Great https: tsw. airline accidents from 1991-2000 in which the National Transportation Safety Board (NTSB) found crew error to be a causal factor. Park " " Shockingly fun. Sheep farming involves the housing, feeding, and guarding of the sheep, all detailed in the book. No previous background on ROS is required, as this book takes you from the ground up. " Abused as a child, Marisa Russo feared commitment and fell into a lifestyle of poor choices and negativity. This is a huge setback toward financial security and a massive drain on our economy. He was drowning in debt and completely fed up. The 20 contributions reflect the breadth and the depth of the work of Bernhard Thalheim in conceptual modeling and database theory during his scientific career spanning more than 35 years of active research. forgottenbooks. It clearly explains the principles of good practice in this area and provides training tools to help practitioners develop their knowledge and skills and embed these principles into their setting. In a time when tens of millions of people provide care for family members, older adults, and people with special needs, we should all be experts at it. His line grew into the container giant Sea-Land Services, and Cudahy charts its dramatic evolution into Maersk Sealand, the largest container line in the world. -
Allied Campaign Blasts Military Installations
Cyan EDITION: XXXX Yellow Magenta Black K EXTRA NEXT UPDATES will be available in vending boxes at noon and 4:30 p.m. TheVindicator Monday, October 8, 2001 www.vindy.com 35 cents AMERICA FIGHTS War on Afghan terrorism begins Allied campaign blasts military installations “Initially, the terrorists may burrow deeper into The war aims to eradicate caves and other entrenched hiding places,” he said. “Our military action is also designed to clear the way for sustained, comprehensive and relentless opera- terrorist networks. tions to drive them out and bring them to justice.” COMBINED DISPATCHES Osama bin Laden, the mastermind behind the Sept. Anti-terror fight Britain promises Taped message 11 attacks on America, vowed new terror in a state- ment videotaped from his hiding place, presumably in American and British forces struck Afghanistan, and released Sunday. has just begun, to fight beside has purpose: Bin Laden was not specifically a target in Sunday’s at- Afghanistan with a massive military bar- tacks, according to Defense Secretary Donald Rums- Bush declares U.S. forces motivation rage Sunday, unleashing the first pun- feld. He said the war on terror aims at much bigger ishing assault in a war to destroy the ter- targets than bin Laden alone: the eradication of ter- rorist networks. The Taliban had a chance to British submarines have joined Bin Laden insists that the mili- rorists who attacked the United States Food air-dropped: In addition, some 35,000 rations tary assault is a war on Islam. on Sept. 11 and the radical Islamic of food and medical supplies were air-dropped for the meet demands, Bush said. -
Current Professional Affiliations Are Listed Below Each Player's Name
Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle -
Orfeo Euridice
ORFEO EURIDICE NOVEMBER 14,17,20,22(M), 2OO9 Opera Guide - 1 - TABLE OF CONTENTS What to Expect at the Opera ..............................................................................................................3 Cast of Characters / Synopsis ..............................................................................................................4 Meet the Composer .............................................................................................................................6 Gluck’s Opera Reform ..........................................................................................................................7 Meet the Conductor .............................................................................................................................9 Meet the Director .................................................................................................................................9 Meet the Cast .......................................................................................................................................10 The Myth of Orpheus and Eurydice ....................................................................................................12 OPERA: Then and Now ........................................................................................................................13 Operatic Voices .....................................................................................................................................17 Suggested Classroom Activities -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
2019-2020 Master Class-Members of the Eroica Trio
Master Class Erika Nickrenz and Sara Parkins of the Eroica Trio Friday, February 28, 2020 2019-2020 Season Master Class: Members of the Eroica Trio Friday, February 28, 12:00 p.m. Amarnick-Goldstein Concert Hall Program Quintet in A major, Op.81 for two violns, viola, cello and piano Antonín Dvořák Allegro, ma non tanto (1841-1904) David Brill and Askar Salimdjanov, violin Thomas Wong, viola Georgiy Khokhlov, cello Feruza Dadabaeva, piano Sonata for Violin and Piano in A major César Franck Allegro (1822-1890) Zulfiya Bashirova, violin and Guzal Isametdinova, piano Artist Biographies Erika Nickrenz, pianist, is a native of New York, where she made her concerto debut in Town Hall at age eleven. Ms. Nickrenz began her studies with German Diez and received her B.M. and M.M. degrees from the Juilliard School as a pupil of Abbey Simon; she is an active solo and chamber musician with more than eighty concerts this season. She appeared as soloist with the Jupiter Symphony in Lincoln Center’s Alice Tully Hall and has toured with Music from Marlboro; as a member of Chamber Soloists USA she toured Tasmania and Australia, resulting in performances at the Sydney Opera House. In 2007 she toured the East Coast with “Charles Wadsworth and Friends” and will join them again in 2008 in concerts that will include a World Premiere of a Piano Quartet by Kenji Bunch. Erika Nickrenz has appeared in many festivals, including Marlboro, the Spoleto Festival of Two Worlds, La Musica and Tanglewood, where she received the prestigious Rockefeller Award. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
General - Entertainment” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
The original documents are located in Box 48, folder “General - Entertainment” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. I NI'\ldS - S 3:;)N\ffid - V u-e.:rr - £# N'\ld'\li' - C: ~-1 ·~21 s~aNNIQ ari a~IHM t; OJ.ON. I HS V M 3SOOH 3.llHM 3HJ_ L THE WHITE HOUSE WASHINGTON WHITE HOUSE ENTERTAINMENT - PRESIDENT FORD DATE FUNCTION ENTERTA INMENT 8/16/74 STATE DINNER HONORING H<Ji7ARD DEVRON AND KING HUSSEIN (JORDAN) HIS ORCHESTRA STATE DINNER HONORING EUGENE FODOR, VIOLINIST PRIME MINISTER RABIN NORMAN SCRIBNER, (ISRAEL) ACCOMPANIST 9/25/74 STATE DINNER HONORING THE NEW ENGLAND THE PRESIDENT OF THE CONSERVATORY RAGTIME ITALIAN REPUBLIC ENSEMBLE AND MRS. LEONE 10/5/74 DIPLOMATIC CORPS MEYER DAVIS ORCHESTRA RECEPTION 10/8/74 STATE BINNER HONORING CLAUDE KIPNIS MIME HIS EXCELLENCY EDWARD GIEREK THEATRE FIRST SECRETARY OF THE CENTRAL COMMITTEE OF THE POLISH UNITED WORKER"S PARTY AND MRS. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Roberto Sierra's Missa Latina: Musical Analysis and Historical Perpectives Jose Rivera
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Roberto Sierra's Missa Latina: Musical Analysis and Historical Perpectives Jose Rivera Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ROBERTO SIERRA’S MISSA LATINA: MUSICAL ANALYSIS AND HISTORICAL PERPECTIVES By JOSE RIVERA A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 Copyright © 2006 Jose Rivera All Rights Reserved To my lovely wife Mabel, and children Carla and Cristian for their unconditional love and support. ii ACKNOWLEDGEMENTS This work has been possible with the collaboration, inspiration and encouragement of many individuals. The author wishes to thank advisors Dr. Timothy Hoekman and Dr. Kevin Fenton for their guidance and encouragement throughout my graduate education and in the writing of this document. Dr. Judy Bowers, has shepherd me throughout my graduate degrees. She is a Master Teacher whom I deeply admire and respect. Thank you for sharing your passion for teaching music. Dr. Andre Thomas been a constant source of inspiration and light throughout my college music education. Thank you for always reminding your students to aim for musical excellence from their mind, heart, and soul. It is with deepest gratitude that the author wishes to acknowledge David Murray, Subito Music Publishing, and composer Roberto Sierra for granting permission to reprint choral music excerpts discussed in this document. I would also like to thank Leonard Slatkin, Norman Scribner, Joseph Holt, and the staff of the Choral Arts Society of Washington for allowing me to attend their rehearsals.