Boston Symphony Orchestra Concert Programs, Summer, 1990

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Summer, 1990 Tanglewqpd 19 9 They dissolve the stresses and strains of everyday living. The Berkshires' most successful 4-seasons hideaway, a gated private enclave with 14 -mile lake frontage, golf and olympic pool, tennis, Fitness Center, lake lodge — all on the lake. Carefree 3 -and 4- Your bedroom country condominiums with luxury amenities and great skylights, fireplaces, decks. Minutes from Jiminy Peak, Brodie Berkshire Mountain, Tanglewood, Jacob's Pillow, Canyon Ranch. In the $200s. escape SEE FURNISHED MODELS, SALES CENTER TODAY. (413) 499-0900 or Tollfree (800) 937-0404 Dir: Rte. 7 to Lake Pontoosuc. Turn left at Lakecrest sign . „_ poxrrnosUC 7 ^^^^^ ON on Hancock Rd. /10 -mile to Ridge Ave. Right turn to Lakecrest gated entry. Offering by Prospectus only. Seiji Ozawa (TMC '60), Music Director Carl St. Clair (TMC '85) and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 •2"< Trustees of the Boston Symphony Orchestra, Inc. Darling, Chairman Emeritus Nelson J. Jr., J. P. Barger, Chairman George H. Kidder, President Mrs. I^ewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Treasurer Mrs. John H . Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and David B.Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J . Goldberg Mrs. Robert B. Newman James K Cleary Mrs. John L. Grandin Peter C. Read John K Cogan.Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. BelaT Kalman Ray Stata William M. Crazier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K.Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager ofTanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Evans Mirageas, Artistic Administrator Caroline Smedvig, Director of Public Relations and Marketing Josiah Stevenson, Director of Development Robert Bell, Manager of Information Systems Michelle R. Leonard, Media and Production Peter N. Cerundolo, Director of Manager, Boston Symphony Orchestra Corporate Development Marc Mandel, Publications Coordinator Madelyne Cuddeback, Director of John C. Marksbury, Director of Corporate Sponsorships Foundation and Government Support Patricia E HaNigan, Personnel Administrator Julie-Anne Miner, Manager ofFund Reporting Sarah J. Harrington, Budget Manager James J. Mooney, Coordinator ofAudience Margaret A. Hillyard Director of Volunteers Services, Tanglewood Russell M. Hodsdon, Manager ofBox Office Richard Ortner, Administrator of Bernadette M. Horgan, Public Relations Tanglewood Music Center Coordinator Scott Schillin, Assistant Manager, Craig R. Kaplan, Controller Pops and Youth Activities Nancy A. Kay, Director of Sales &f Joyce M. Serwitz, Director ofMajor Gifts/ Marketing Manager Assistant Director ofDevelopment John M. Keenum, Director of Cheryl L. Silvia, Function Manager Tanglewood Music Center Development Susan E. Tomlin, Director ofAnnual Giving James E Kiley, Facilities Manager, Tanglewood James E. Whitaker, Chief Coordinator, Patricia Krol, Coordinator of Youth Activities Tanglewood Music Center Steven Ledbetter, Musicologist &f Program Annotator Programs copyright ©1990 Boston Symphony Orchestra, Inc. Cover design byjaycole Advertising, Inc. Cover photos by Perry Bonanni, Roger Farrington, Walter H. Scott, and Steve f. Sherman Board of Overseers of the Boston Symphony Orchestra, Inc. John E Cogan, Jr., Chairman R. Willis Leith, Jr., Vice-Chairman Mrs. Ray A. Goldberg, Vice-Chairman Mrs. R. Douglas Hall III, Secretary Mrs. David Bakalar Haskell R. Gordon E.James Morton Bruce A. Beal Steven Grossman David G. Mugar Mrs. Leo L. Beranek Joe M. Henson David Nelson Lynda Schubert Bodman Susan M. Hilles Robert P. O' Block Donald C. Bowersock, Jr. Glen H. Hiner Walter H. Palmer William M. Bulger Mrs. Marilyn Brachman Hoffman Andrall E. Pearson Mrs. Levin H. Campbell Ronald A. Homer John A. Perkins Earle M. Chiles Julian T Houston Daphne Brooks Prout Mrs. C. Thomas Clagett, Jr. Lolajaffe Millard H. Pryor,Jr. James F. Cleary Anna Faith Jones Robert E. Rem is William H. Congleton H. Eugene Jones John Ex Rodgers William F. Connell Susan B. Kaplan Mrs. William H. Ryan Walter J. Connolly, Jr. Mrs. S. Charles Kasdon Keizo Saji Albert C. Cornelio Richard L. Kaye Roger A. Saunders Mrs. Eugene B. Doggett Robert D. King Mrs. Raymond H. Schneider Phyllis Dohanian Mrs. Gordon E Kingsley Mark L. Selkowitz Hugh Downs Mrs. Carl Koch Mrs. Donald B. Sinclair Goetz B. Eaton Robert K. Kraft W. Davies Sohier, Jr. Harriett M. Eckstein George Krupp Ralph Z. Sorenson Edward Eskandarian Mrs. Hart D. Leavitt Ira Stepanian Katherine Fanning Stephen R. Levy Mrs. Arthur I. Strang John A. Fibiger Frederick H. Lovejoy, Jr. Mark Tishler, Jr. Peter M. Flanigan Mrs. Charles P. Lyman Luise Vosgerchian Henry L. Foster C. Charles Marran Roger D. Wellington Dean Freed Nathan R. Miller Robert A. Wells Peter H.B. Frelinghuysen Hanae Mori Mrs. Thomas H. P. Whitney Mrs. James Garivaltis Mrs. Thomas S. Morse Mrs. John J. Wilson Jordan L. Golding Richard P. Morse Brunetta R. Wolfman Mark R. Goldweitz Overseers Emeriti Mrs. Weston W. Adams Mrs. Louis I. Kane Mrs. Peter van S. Rice Mrs. Frank G. Allen Leonard Kaplan Mrs. Jerome Rosenfeld Mrs. Richard Bennink Benjamin H. Lacy Mrs. William C. Rosseau Mary Louise Cabot Mrs. James E Lawrence Francis P. Sears, Jr. Johns Congdon Mrs. Stephen V.C. Morris Mrs. Richard H. Thompson Mrs. Thomas J. Galligan Stephen Paine, Sr. Mrs. Donald B. Wilson Mrs. Richard D. Hill David R. Pokross Business and Professional Leadership Association Board of Directors Harvey Chet Krentzman, Chairman James F. Cleary, BPLA President Members J. P. Barger Thelma Goldberg Malcolm L. Sherman Leo Beranek Joe Henson Ray Stata William E Connell George H. Kidder Stephen J. Sweeney Wellington Walter J. Connolly Vincent M. O'Reilly Roger Nelson J. Darling Officers of the Boston Symphony Association of Volunteers Susan D. Hall, President Thelma Goldberg, Executive Vice-President I Joan Erhard, Secretary Patricia A. Maddox, Treasurer Betty Sweitzer, Nominating Chairman Vice-Presidents Helen Doyle, Hall Services Kathy Massimiano, Tanglewood Goetz B. Eaton, Fundraising Patricia A. Newton, Regions Charles W. Jack, Adult Education Carol Scheifele-Holmes, Public Relations Pat Jensen, Membership F. Preston Wilson, Development Marilyn Larkin, Tanglewood Pat Woolley, Youth Activities Chairmen of Regions Krista Kamborian Baldini Helen Lahage Beverly J. Pieper Judy Clark Paula Murphy Patricia L. Tambone Joan Erhard Pamela S. Nugent Arline Ziner Bettina Harrison References furnished on request Armenta Adams David Korevaar American Ballet Theater Garah Landes Michael Barrett Michael Lankester Leonard Bernstein Marion McPartland William Bolcom John Nauman Jorge Bolet Seiji Ozawa Boston Pops Orchestra Luciano Pavarotti Boston Symphony Alexander Peskanov Chamber Players Andre Previn Boston Symphony Steve Reich Orchestra Santiago Rodriguez Boston University School Kathryn Selby of Music George Shearing Boys Choir of Harlem Bright Sheng Brooklyn Philharmonic Leonard Shure Dave Brubeck Abbey Simon Aaron Copland Stephen Sondheim John Corigliano Herbert Stessin Phyllis Curtin Tanglewood Music Rian de Waal Center Michael Feinstein Nelita True Lukas Foss Craig Urquhart Philip Glass Earl Wild Karl Haas John Williams John F. Kennedy Center Yehudi Wyner for Performing Arts and 200 others M Baldwin r Seiji Ozawa and the Boston Symphony Orchestra Join us for the BSO's 110th season A 3? Jh * * 'if A Shi. VV Ns ^^J ^ ..— \~"~ L 1 ^^ | lA/ith performances that refle ct a proud tradition Y 1 of artistic excellence, Musi c Director Seiji Ozawa and the Boston Symphony Orchestra offer 21 different series options at Symphony Hall <md a three-concert Subscribe series at Carnegie Hall. Subscribe ! now and enjoy an outstanding season of magnificen t performances. now for Write for complete ticket and pro gram information for 1990-91! the BSO's Boston and New York s eries: Boston Symphony Orchestra, Symphony Hall, Bostoia, MA 02115, or call Symphony HaU, (617)266-1492. TANGLEWOOD crowd so far assembled under a tent for the first Tanglewood concert, an all- The Tanglewood Festival Beethoven program. In August 1934 a group of music- At the all-Wagner concert which loving summer residents of the opened the 1937 festival's second Berkshires organized a series of three weekend, rain and thunder twice inter- outdoor concerts at Interlaken, to be rupted the performance of the Rienzi given by members of the New York Overture and necessitated the omission Philharmonic under the direction of altogether of the Siegfried "Forest Henry Hadley. The venture was so Murmurs," music too delicate to be successful that the promoters incorpo- heard through the downpour. At the rated the Berkshire Symphonic Festival intermission, Miss Gertrude Robinson and repeated the experiment during the Smith, one of the festival's founders, next summer. made a fundraising appeal for the build- The Festival Committee then invited ing of a permanent
Recommended publications
  • Seattle Symphony February 2018 Encore Arts Seattle
    FEBRUARY 2018 LUDOVIC MORLOT, MUSIC DIRECTOR LISA FISCHER & G R A N D BATON CELEBRATE ASIA IT TAKES AN ORCHESTRA COMMISSIONS &PREMIERES CONTENTS EAP full-page template.indd 1 12/22/17 1:03 PM CONTENTS FEBRUARY 2018 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / IT TAKES AN ORCHESTRA 14 / THE ESSENTIALS OF LIFE CONCERTS 15 / February 1–3 RACHMANINOV SYMPHONY NO. 3 18 / February 2 JOSHUA BELL IN RECITAL 20 / February 8 & 10 MORLOT CONDUCTS STRAUSS 24 / February 11 CELEBRATE ASIA 28 / February 13 & 14 LA LA LAND IN CONCERT WITH THE SEATTLE SYMPHONY 30 / February 16–18 JUST A KISS AWAY! LISA FISCHER & GRAND BATON WITH THE SEATTLE SYMPHONY 15 / VILDE FRANG 33 / February 23 & 24 Photo courtesyPhoto of the artist VIVALDI GLORIA 46 / GUIDE TO THE SEATTLE SYMPHONY 47 / THE LIS(Z)T 24 / NISHAT KHAN 28 / LA LA LAND Photo: Dale Robinette Dale Photo: Photo courtesyPhoto of the artist ON THE COVER: Lisa Fischer (p. 30) by Djeneba Aduayom COVER DESIGN: Jadzia Parker EDITOR: Heidi Staub © 2018 Seattle Symphony. All rights reserved. No portion of this work may be reproduced in any form or by any electronic or mechanical means without written permission from the Seattle Symphony. All programs and artists are subject to change. encoremediagroup.com/programs 3 ON THE DIAL: Tune in to February Classical KING FM 98.1 every & March Wednesday at 8pm for a Seattle Symphony spotlight and CALENDAR the first Friday of every month at 9pm for concert broadcasts. SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY ■ FEBRUARY 12pm Rachmaninov 8pm Symphony No.
    [Show full text]
  • EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
    EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos.
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • American Composers Orchestra Presents Next Composer to Composer Talks in January
    FOR IMMEDIATE RELEASE Press Contact: Christina Jensen, Jensen Artists 646.536.7864 x1 [email protected] American Composers Orchestra Presents Next Composer to Composer Talks in January William Bolcom & Gabriela Lena Frank Wednesday, January 13, 2021 at 5pm ET – Online Registration & Information: http://bit.ly/ComposerToComposerBolcom John Corigliano & Mason Bates Wednesday, January 27, 2021 at 5pm ET – Online Registration & Information: http://bit.ly/ComposerToComposerCorigliano Free, registration recommended. New York, NY – American Composers Orchestra (ACO) presents its next Composer to Composer Talks online in January, with composers William Bolcom and Gabriela Lena Frank on Wednesday, January 13, 2021 at 5pm ET, and John Corigliano and Mason Bates on Wednesday, January 27, 2021 at 5pm ET. The talks will be live-streamed and available for on-demand viewing for seven days. Tickets are free; registration is highly encouraged. Registrants will receive links to recordings of featured works in advance of the event. ACO’s Composer to Composer series features major American composers in conversation with each other about their work and leading a creative life. The intergenerational discussions begin by exploring a single orchestral piece, with one composer interviewing the other. Attendees will gain insight into the work’s genesis, sound, influence on the American orchestral canon, and will be invited to ask questions of the artists. On January 13, Gabriela Lena Frank talks with William Bolcom about his Symphony No. 9, from 2012, of which Bolcom writes, “Today our greatest enemy is our inability to listen to each other, which seems to worsen with time. All we hear now is shouting, and nobody is listening because the din is so great.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
    BOSTON • s, •<».^: SYMPHONY ORCHESTRA v SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A Classic Composition '****? \*&T~~ Fidelity Just as a Beethoven score is at its JdfeJ^-best when performed by a world- ** Pergonal \* class symphony — so, too, should your trust assets be managed by Tru<tt *g£ a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a managed trust or personalized >»^~~i»vestment management account 5*foryour portfolio of $400,000 or more. For more "information, visit , a Fidelity Investor Center or call Fidelity Pergonal Triut Service** at ' 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr.
    [Show full text]
  • Steven Isserlis
    Editor’s Lunch: STEVEN ISSERLIS For the Amati Magazine’s inaugural Editor’s Lunch, who better to entertain than the man who is arguably Britain’s greatest living cellist? Steven Isserlis joins Jessica Duchen for a Baltic feast by Jessica Duchen, 23 January 2015 Steven Isserlis and I have come to Southwark to find his roots. Culinary ones, at least: for Baltic , London’s leading Polish-plus restaurant in the shadow of the Shard, is rather nearer than Krakow. The founding father of the sizeable Isserlis dynasty was Moses Isserlis , a great Talmudic scholar whose 16 th -century synagogue is among the historic Polish city’s most fascinating destinations. “Along the way the family included Mendelssohn, Karl Marx, Helena Rubinstein and a few others,” Isserlis remarks, “and on my mother’s side we’re related to the composer Louis Lewandowski [the 19 th -century composer of synagogue music in Berlin]. There’s been music pouring through the family tree.” His sisters are both musicians: Rachel a violinist, Annette a violist and a vital member of the Orchestra of the Age of Enlightenment. They have all collaborated in producing a CD for Hyperion devoted to the music of their grandfather, the pianist and composer Julius Isserlis , performed by Sam Haywood. Baltic’s menu explores the broad cuisine of its eponymous region, enhanced by the skylit airiness of the atmosphere. The list of different vodkas has to be seen to be believed – more than 60 varieties, with many flavours home-made – and the possible eats even include potato latkes. Isserlis, post-festive season, has nevertheless specified that he’d like a healthy lunch (which wasn’t altogether what I had in mind) and when he bounces into Baltic, his silver curls unmistakable at the entrance, his will power is firmly in place.
    [Show full text]
  • Northwestern University Bienen School of Music Fanfare Fall 2018
    HENRY AND LEIGH BIENEN SCHOOL OF MUSIC FALL 2018 152461.indd 1 9/17/18 2:54 PM first chair A MESSAGE FROM THE DEAN In spring 2008 Northwestern’s School Fellowships, research prizes, publication awards, major com- of Music was named in honor of retiring missions, teaching honors, and significant grants. Alumni have University president Henry S. Bienen secured positions as performers, administrators, and educa- and his wife, Leigh. We continue to be tors in leading arts and educational institutions throughout profoundly grateful for the privilege of the world. representing the excellence of Henry This past spring, the school achieved a new milestone— Bienen’s leadership. our first-ever Asia tour. From March 23 through April 1, the During the intervening decade, Northwestern University Symphony Orchestra gave concerts in the Bienen School’s many impressive Beijing, Shanghai, and Hong Kong, thrilling Chinese audiences achievements have included the unveiling of a strategic plan, and Northwestern alumni and friends with its professional cal- the establishment of the Institute for New Music as a hub for iber. For the 87 student musicians, the tour was an immensely study and performance of 20th- and 21st-century music, and valuable experience—participants have described it as the inauguration of the Skyline Piano Artists Series and the “life-changing” and “unforgettable”—with incalculable long- Robert M. and Maya L. Tichio Vocal Master Class Series. We term benefits for their professional careers. Throughout the have celebrated the 20th season of our Winter Chamber Music tour, the students were excellent representatives of Festival and the 25th season of the Segovia Classical Guitar Northwestern.
    [Show full text]
  • Program Notes | All Tchaikovsky
    23 Season 2018-2019 Thursday, January 31, at 7:30 The Philadelphia Orchestra Friday, February 1, at 2:00 Saturday, February 2, at 8:00 Kensho Watanabe Conductor Edgar Moreau Cello Tchaikovsky Capriccio italien, Op. 45 Tchaikovsky Variations on a Rococo Theme, Op. 33, for cello and orchestra Intermission Tchaikovsky Symphony No. 1 in G minor, Op. 13 (“Winter Daydreams”) I. Allegro tranquillo (Dreams of a Winter Journey) II. Adagio cantabile ma non tanto (Land of Desolation, Land of Mists) III. Scherzo: Allegro scherzando giocoso IV. Finale: Andante lugubre—Allegro moderato—Allegro maestoso—Andante lugubre—Allegro vivo This program runs approximately 1 hour, 50 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The January 31 concert is sponsored by Jack and Ramona Vosbikian. The February 2 concert is sponsored by Ms. Elaine Woo Camarda. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 24 ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection. » Download the Philadelphia Orchestra app from the Apple App Store or Google Play Store. » Once downloaded open the Philadelphia Orchestra app. » Tap “OPEN” on the Philadelphia Orchestra concert you are attending. » Tap the “LIVE” red circle. The app will now automatically advance slides as the live concert progresses.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 103, 1983-1984, Subscription
    Boston Symphony Orchestra SEIJI OZAWA, Music Director f BOSTON \ (SYMPHONY | I ORCHESTRA | v SEIJI OZAWA A N ,jfj Mum Director _fT - 103rd Season lit, ^iVv A . 1983-84 Savor the sense of Remy. RtMY N &&mtf^m i Imported by Remy Martin Amerique, Inc., N.Y. VS.O.P COGNAC. SINCE Sole U.S.A. Distributor, Premiere Wine Merchants Inc., N.Y. 80 Proof. REMY MARTINI Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. David B. Arnold, Jr. Mrs. John H. Fitzpatrick William J. Poorvu J.R Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley E. James Morton Mrs. George R. Rowland Mrs. Norman L. Cahners David G. Mugar Mrs. George Lee Sargent George H.A. Clowes, Jr. Albert L. Nickerson William A. Selke Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward M. Kennedy Paul C. Reardon Richard P Chapman Edward G. Murray John L. Thorndike John T. Noonan Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris - General Manager William Bernell - Artistic Administrator Daniel R. Gustin - Assistant Manager B.J.
    [Show full text]
  • Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0
    Paliy, Olga (2017) Taneyev’s Influence on Practice and Performance Strate- gies in Early 20th Century Russian Polyphonic Music. Doctoral thesis (PhD), awarded for a Collaborative Programme of Research at the Royal Northern College of Music by the Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/626473/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk TANEYEV’S INFLUENCE ON PRACTICE AND PERFORMANCE STRATEGIES IN EARLY 20th CENTURY RUSSIAN POLYPHONIC MUSIC OLGA PALIY This thesis submitted in partial fulfillment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy Awarded for a Collaborative Programme of Research at the Royal Northern College of Music by the Manchester Metropolitan University ROYAL NORTHERN COLLEGE OF MUSIC AND THE MANCHESTER METROPOLITAN UNIVERSITY January 2017 TABLE OF CONTENTS Abstract …………………………………………………………………………………………………………….. 5 Acknowledgments …….………………………………………………………….............................. 7 INTRODUCTION …………………………………………………………………………………………………. 8 CHAPTER ONE Taneyev’s contribution to Russian musical culture 1. Taneyev in the Moscow Conservatory: ……………………………….… 14 1.1. Founder of counterpoint class …………………………….…………. 15 2. Taneyev’s study of counterpoint: 2.1. Convertible Counterpoint in the Strict Style …………………….. 16 2.2. The Study of Canon ………………………………………………………… 18 3. Taneyev – pianist …………………………………………………………………. 19 CHAPTER TWO Interrelation of the fugue with other genres 1. Fugue as a model of generic counterpoint from Glinka to Taneyev …... 23 2. Fugue in Taneyev’s piano works: ……………………………………………………... 29 2.1. Fugue in D minor (unpublished) ……………….………………………..… 29 2.2. Prelude and Fugue in G sharp minor Op.29 ….……..………….……. 32 3. Implementation of the fugue in piano and chamber works of Taneyev, his students and successors: ………………………………………….………..…….… 41 3.1.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    Tanglewqpd SEIJI OZAWA HALL Wednesday, July 10, at 8:30 Florence Gould Auditorium, Seiji Ozawa Hall CHANTICLEER Texts and Translations I. GUILLAUME DUFAY (c. 1400-1 474) Gloria ad modum tubae Gloria ad modum tubae Trumpet Gloria Gloria in excelsis Deo. Glory to God in the highest. Et in terra pax hominibus bonae And on earth, peace to men of good will. voluntatis. Laudamus te, benedicimus te, We praise You, we bless You, adoramus te, glorificamus te. we worship You, we glorify You. Gratias agimus tibi propter magnam We give You thanks for Your great glory. gloriam tuam. Domine Deus, Rex caelestis, Lord God, Heavenly King, Deus Pater omnipotens. God the Father Almighty. Domine Fili unigenite Jesu Christe. Lord the only begotten Son, Jesus Christ. Domine Deus, Agnus Dei, Filius Patris. Lord God, Lamb of God, Son of the Father. Qui tollis peccata mundi, You who take away the sins of the world, miserere nobis. have mercy on us. Qui tollis peccata mundi, You who take away the sins of the world, suscipe deprecationem nostram. receive our prayer. Qui sedes ad dexteram patris, You who sit at the right hand of the Father, miserere nobis. have mercy on us. Quoniam tu solus sanctus, tu solus For You alone are holy, You alone are the Dominus, Lord, tu solus altissimus, Jesu Christe. You alone are most high, Jesus Christ. Cum Sancto Spiritu in gloria Dei Patris. With the Holy Spirit in the glory of God the Father. Amen. Amen. Please turn the page quietly. Design Team for Seiji Ozawa Hall: William Rawn Associates, Architect Lawrence Kirkegaard & Associates, Acousticians Theatre Projects Consultants, Inc., Theatrical Consultant Week 2 mm II.
    [Show full text]