DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer Tanglewqpd SEIJI OZAWA HALL Wednesday, July 10, at 8:30 Florence Gould Auditorium, Seiji Ozawa Hall CHANTICLEER Texts and Translations I. GUILLAUME DUFAY (c. 1400-1 474) Gloria ad modum tubae Gloria ad modum tubae Trumpet Gloria Gloria in excelsis Deo. Glory to God in the highest. Et in terra pax hominibus bonae And on earth, peace to men of good will. voluntatis. Laudamus te, benedicimus te, We praise You, we bless You, adoramus te, glorificamus te. we worship You, we glorify You. Gratias agimus tibi propter magnam We give You thanks for Your great glory. gloriam tuam. Domine Deus, Rex caelestis, Lord God, Heavenly King, Deus Pater omnipotens. God the Father Almighty. Domine Fili unigenite Jesu Christe. Lord the only begotten Son, Jesus Christ. Domine Deus, Agnus Dei, Filius Patris. Lord God, Lamb of God, Son of the Father. Qui tollis peccata mundi, You who take away the sins of the world, miserere nobis. have mercy on us. Qui tollis peccata mundi, You who take away the sins of the world, suscipe deprecationem nostram. receive our prayer. Qui sedes ad dexteram patris, You who sit at the right hand of the Father, miserere nobis. have mercy on us. Quoniam tu solus sanctus, tu solus For You alone are holy, You alone are the Dominus, Lord, tu solus altissimus, Jesu Christe. You alone are most high, Jesus Christ. Cum Sancto Spiritu in gloria Dei Patris. With the Holy Spirit in the glory of God the Father. Amen. Amen. Please turn the page quietly. Design Team for Seiji Ozawa Hall: William Rawn Associates, Architect Lawrence Kirkegaard & Associates, Acousticians Theatre Projects Consultants, Inc., Theatrical Consultant Week 2 mm II. JOHN DUNSTABLE (c.1370-1453) Quam pulchra es TOMAS LUIS DE VICTORIA (c.1549-1611) Ne timeas Maria Quam pulchra es How beautiful you are Quam pulchra es et quam decora, How beautiful you are and how graceful, carissima in deliciis. dearest one, in your delights! Statura tua assimilata est palme, In stature you are like a palm tree, et ubera tua botris. your breasts are like clusters of its fruit. Caput tuum ut Carmelus, Your head crowns you like Mount Carmel, collum tuum sicut turis eburnea. and your neck is like a tower of ivory. Veni, dilecte mi, egrediamur in agrum, Come, my love, let us go to the field et videamus si flores fructus parturiunt, and see if the flowers are bringing forth fruit, si floruerunt mala punica. if the pomegranates are blossoming. Ibi dabo tibi ubera mea. There I will give you my breasts. Alleluia. Alleluia. Ne timeas Maria Do not be afraid, Mary Ne timeas Maria: Do not be afraid, Mary, invenisti enim gratiam apud Dominum: for you have found favor with the Lord. ecce concipies in utero et paries filium; Behold, you will conceive and give birth to a son, et vocabitur Altissimi filius. and He shall be called Son of the Most High. III. LUCAMARENZIO (1553-1599) Super flumina Babylonis Superflumina Babylonis By the streams of Babylon Super flumina Babylonis By the streams of Babylon illic sedimus et flevimus: we sat down and wept cum recordaremur tui Sion. with remembrance of you, O Zion. In salicibus in medio eius Among the willows on its banks suspendimus organa nostra. we hung our harps. Quia illic interrogaverunt nos, For there they demanded of us, qui captivos duxerunt nos, verba who had taken us captive, the words of cantionum; our songs; et qui abduxerunt nos: and they who had tormented us said, Hymnum cantate nobis de canticis Sion. "Sing us a hymn from the songs of Zion." Quomodo cantabimus canticum Domini How shall we sing the Lord's song in terra aliena? in this foreign land? Si oblitus fuero tui Jerusalem, If I blot out your memory, O Jerusalem, oblivioni detur dextera mea. let my right hand wither away. Ad haereat lingua mea faucibus meis, Let my tongue cleave to the roof of my mouth si non meminero tui: if I do not remember you; Si non proposuero Jerusalem, if I do not set Jerusalem in principio laetitiae meae. before my greatest joy! Memor esto, Domine, filiorum Edom, Remember, O Lord, the children of Edom, in die Jerusalem. in the day ofJerusalem. IV. GIOVANNI PIERLUIGI DA PALESTRINA Gaude, Barbara (c.1525-1594) Gaude, Barbara Rejoice, Barbara Gaude, Barbara beata, Rejoice, blessed Barbara, summe pollens in doctrina who reached the summit of learning angeli mysterio; by the mystery of an angel. gaude, virgo Deo grata, Rejoice, virgin dear to God, quae Baptistam imitata who took the Baptist for your model es in vitae stadio; in life's arena. gaude, cum te visitavit Rejoice, for you were visited Christus vita, et curavit by Christ, the Life, who healed plagas actu proprio. your wounds with His touch. Gaude, quia meruisti Rejoice, you who were worthy impetrare quod petisti to obtain what you asked dante Dei Filio; from the hand of God's Son. gaude, namque elevata Rejoice, you who are raised aloft es in caelo, et velata in heaven, and robed nobili martyrio. in noble martyrdom. Te laudantem familiam We, your family, sing your praise: trahe post te ad gloriam draw us after you to glory finito exilio. when our exile is ended. O Barbara, tarn decora, O Barbara, so beautiful, pro nobis Christum exora. entreat Christ for us. V MANUEL DE ZUMAYA (c.1768-1755) Hieremiae Prophetae Lamentationes Hieremiae Prophetae Lamentationes The Lamentations of the ProphetJeremiah De Lamentatione Jeremiae Prophetae. From the lamentation ofJeremiah the prophet. HETH. Heth. Misericordie Domini quia non sumus It is by the Lord's favor that we are consumpti: not extinguished, quia non defecerunt miserationes ejus. that his mercies have not run out. HETH. Heth. Novi diluculo, We are renewed every morning, multa est fides tua. so great is your faithfulness. HETH. Heth. Pars mea Dominus, dixit anima mea: My portion is the Lord, said my soul; propterea expectabo eum. therefore will I wait for him. TETH. Teth. Bonus est Dominus sperantibus in eum, The Lord is good to those who trust in him, anime quaerenti ilium. to the soul that seeks him. TETH. Teth. Bonum est prestolari cum silentio It is good to wait in silence salutare Dei. for God's saving help. TETH. Teth. Bonum est viro, It is well for the man Please turn the page quietly. Week 2 ii cum portaverit jugum ab adolescentia sua. who has borne the yoke from his youth. JOD. Jod. Sedebit solitarius, et tacebit: He will sit alone, and in silence, quia levavit super se. because he took it upon himself. JOD. Jod. Ponet in pulvere os suum, He will touch his mouth to the dust, si forte sit spes. if so there may be hope. JOD. Jod. Dabit percutienti se maxillam, He will give his cheek to be struck, saturabitur opprobriis. he will be loaded down with reproaches. Jerusalem, Jerusalem, convertere ad Jerusalem, Jerusalem, Dominum Deum tuum. be converted to the Lord, your God. —Translation by Clarence Zaar VI. ANDREA GABRIELI (1533-1585) Magnificat a 12 Magnificat a 12 Magnificatfor 12 voices Magnificat anima mea Dominum. My soul magnifies the Lord. Et exultavit spiritus meus in Deo And my spirit has rejoiced in God my salutari meo. savior. Quia respexit humilitatem ancillae suae: For He has regarded the low estate of His handmaiden: ecce enim ex hoc for behold, henceforth beatam me dicent omnes generationes. all generations shall call me blessed. Quia fecit mihi magna qui potens est: For He who is mighty has done great things to me; et sanctum nomen ejus. and holy is His name. Et misericordia ejus a progenie And His mercy is on them who fear in progenies timentibus eum. Him from generation to generation. Fecit potentiam in bracchio suo: He has shown great strength with His arm; dispersit superbos mente cordis sui. He has scattered the proud, even the arrogant of heart. Deposuit potentes de sede, He has deposed the mighty from their seats; et exaltavit humiles. and exalted the humble. Esurientes implevit bonis The hungry He has filled with good things, et divites dimisit inanes. and the rich He has sent empty away. Suscepit Israel puerum suum, He has helped His servant Israel recordatus misericordiae suae. in remembrance of His mercy. Sicut locutus est ad patres nostros, As it was spoken to our fathers, Abraham et semini ejus in saecula. to Abraham and His seed forever. Gloria Patri, et Filio, et Spiritui Sancto. Glory be to the Father and to the Son, Sicut erat in principio, et nunc, et semper and to the Holy Spirit. As it was in the et in saecula saeculorum, beginning, is now, and ever shall be, world without end, Amen. Amen. INTERMISSION — VII. AUGUSTA READ THOMAS (b.1964) Alleluia: "midsummer blaze" THOMAS Amen (world premiere) BERNARD RANDS (b.1934) from Canti d'Amor THOMAS The Rub of Love Canti d'Amor James Joyce Well-a-day! Winds of May Well-a-day! Winds of May, that dance on the sea, Dancing a ring-around in glee From furrow to furrow, while overhead The foam flies up to be garlanded, In silvery arches spanning the air, Saw you my true love anywhere? Well-a-day! Well-a-day! For the winds of May! Love is unhappy when love is away! Silently she's combing her long hair Silently she's combing, Combing her long hair, Silently and graciously, With many a pretty air. The sun is in the willow leaves And on the dappled grass, And still she's combing her long hair Before the looking-glass. I pray you, cease to comb out, Comb out your long hair, For I have heard of witchery Under a pretty air, That makes as one thing to the lover Staying and going hence, All fair, with many a pretty air And many a negligence.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 116, 1996
    The security of a trust, Fidelity service and expertise. A CLcuwLc Composition A conductor and his orchestra — together, they perform masterpieces. Fidelity Now Fidelity Personal Trust Services Pergonal can help you achieve the same harmony for your trust portfolio of Trudt $400,000 or more. Serviced You'll receive superior trust services through a dedicated trust officer, with the added benefit of Fidelity s renowned money management expertise. And because Fidelity is the largest privately owned financial services firm in the nation, you can rest assured that we will be there for the long term. Call Fidelity Personal Trust Serviced at 1-800-854-2829. You'll applaud our efforts. Trust Services offered by Fidelity Management Trust Company For more information, visit a Fidelity Investor Center near you: Boston - Back Bay • Boston - Financial District • Braintree, MA • Burlington, MA Fidelity Investments 17598.001 This should not be considered an offer to provide trust services in every state. Trust services vary by state. To determine whether Fidelity may provide trust services in your state, please call Fidelity at 1-800-854-2829. Investor Centers are branches of Fidelity Brokerage Services, Inc. Member NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Sixteenth Season, 1996-97 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke. Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. Edith L. Dabney, Vice-Chairman Ray Stata, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Harlan E. Anderson William M. Crozier, Jr. Julian T.
    [Show full text]
  • Assenet Inlays Cycle Ring Wagner OE
    OE Wagner Ring Cycle Booklet 10-8-7:Layout 2 13/8/07 11:07 Page 1 An Introduction to... OPERAEXPLAINED WAGNER The Ring of the Nibelung Written and read by Stephen Johnson 2 CDs 8.558184–85 OE Wagner Ring Cycle Booklet 10-8-7:Layout 2 13/8/07 11:07 Page 2 An Introduction to... WAGNER The Ring of the Nibelung Written and read by Stephen Johnson CD 1 1 Introduction 1:11 2 The Stuff of Legends 6:29 3 Dark Power? 4:38 4 Revolution in Music 2:57 5 A New Kind of Song 6:45 6 The Role of the Orchestra 7:11 7 The Leitmotif 5:12 Das Rheingold 8 Prelude 4:29 9 Scene 1 4:43 10 Scene 2 6:20 11 Scene 3 4:09 12 Scene 4 8:42 2 OE Wagner Ring Cycle Booklet 10-8-7:Layout 2 13/8/07 11:07 Page 3 Die Walküre 13 Background 0:58 14 Act I 10:54 15 Act II 4:48 TT 79:34 CD 2 1 Act II cont. 3:37 2 Act III 3:53 3 The Final Scene: Wotan and Brünnhilde 6:51 Siegfried 4 Act I 9:05 5 Act II 7:25 6 Act III 12:16 Götterdämmerung 7 Background 2:05 8 Prologue 8:04 9 Act I 5:39 10 Act II 4:58 11 Act III 4:27 12 The Final Scene: The End of Everything? 11:09 TT 79:35 3 OE Wagner Ring Cycle Booklet 10-8-7:Layout 2 13/8/07 11:07 Page 4 Music taken from: Das Rheingold – 8.660170–71 Wotan ...............................................................Wolfgang Probst Froh...............................................................Bernhard Schneider Donner ....................................................................Motti Kastón Loge........................................................................Robert Künzli Fricka...............................................................Michaela
    [Show full text]
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]
  • The Pulitzer Prizes 2020 Winne
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • Lifetime Learning Is a Non-Sectarian Campus - a 10 Minute Walk
    Andover Newton Theological School ARRIVING BY CAR: From points west: Take the Massachusetts From points south: From I-95 (also known as Turnpike heading East. Take Exit 17 (Newton/ 210 Herrick Rd Newton Centre, MA 02459 Route 128), take exit 20A (Route 9) east toward Watertown). Stay in the right lane and turn right (617) 964-1100 LIFETIME Boston. Proceed 2.1 miles on Route 9 to the at Centre Street. After you have turned onto Newton Centre/West Roxbury right hand exit. Centre, the Eliot Church will be on your left in Turn left (north) onto Parker Street at the end of less than a block. Proceed 1.8 miles on Centre LEARNING the exit ramp and proceed for .6 mile. Turn right Street, past the Commonwealth Avenue intersec- onto Braeland Avenue. Then take the first right tion, to the Newton Centre business district. onto Herrick Road and follow the signs up the Go left at the light at Beacon Street and take an 6 Monday Mornings hill to the campus. immediate right onto Union Street. Take your first right onto Herrick Road. Continue straight September 16, 23, 30; From points north: From I-95 (Route 128), up the hill to the campus. take exit 21A. Turn right onto Route 16 East at October 7, (no class October 14), 21, 28 end of exit ramp, proceed .3 mile. At light turn ARRIVING BY RAPID TRANSIT (MBTA): right onto Beacon St.; follow for 3 miles to New- Take the Green Line, Riverside Branch (D Sponsored by Newton Community Education ton Centre.
    [Show full text]
  • OTHER WORLDS 2019/20 Concert Season at Southbank Centre’S Royal Festival Hall Highlights 2019/20
    OTHER WORLDS 2019/20 Concert season at Southbank Centre’s Royal Festival Hall Highlights 2019/20 November Acclaimed soprano Diana Damrau is renowned for her interpretations of the music of Richard Strauss, and this November she sings a selection of her favourite Strauss songs. Page 12 September October Principal Conductor and Mark Elder conducts Artistic Advisor Vladimir Elgar’s oratorio Jurowski is joined by The Apostles, arguably Julia Fischer to launch his greatest creative the second part of Isle achievement, which of Noises with Britten’s will be brought to life elegiac Violin Concerto on this occasion with alongside Tchaikovsky’s a stellar cast of soloists Sixth Symphony. and vast choral forces. Page 03 Page 07 December Legendary British pianist Peter Donohoe plays his compatriot John Foulds’s rarely performed Dynamic Triptych – a unique jazz-filled, exotic masterpiece Page 13 February March January Vladimir Jurowski leads We welcome back violinist After winning rave reviews the first concert in our Anne-Sophie Mutter for at its premiere in 2017, 2020 Vision festival, two exceptional concerts we offer another chance presenting the music in which she performs to experience Sukanya, of three remarkable Beethoven’s groundbreaking Ravi Shankar’s works composed Triple Concerto and extraordinary operatic three centuries apart, a selection of chamber fusion of western and by Beethoven, Scriabin works alongside LPO traditional Indian styles. and Eötvös. Principal musicians. A love story brought to Page 19 Pages 26–27 life through myth, music
    [Show full text]
  • À¸£À¸ΜวÀ¸À¸´À¸Šà¸´ À
    รีวà¸à​ ¸´à¸Šà¸´ ซะà¸à​ ¸°à¹‚มะโตะ à¸​‐ ัลบั้ม รายà¸à​ ¸²à¸£ (รายชื่à¸​‐ จานเสียง & ระยะเวลา) Thousand Knives https://th.listvote.com/lists/music/albums/thousand-knives-11405209/songs Neo Geo https://th.listvote.com/lists/music/albums/neo-geo-3338075/songs BTTB https://th.listvote.com/lists/music/albums/bttb-595614/songs Futurista https://th.listvote.com/lists/music/albums/futurista-11519577/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Heartbeat https://th.listvote.com/lists/music/albums/heartbeat-3129038/songs Sweet Revenge https://th.listvote.com/lists/music/albums/sweet-revenge-11311201/songs The Sheltering Sky https://th.listvote.com/lists/music/albums/the-sheltering-sky-7763767/songs Discord https://th.listvote.com/lists/music/albums/discord-3030144/songs CM/TV https://th.listvote.com/lists/music/albums/cm%2Ftv-11193441/songs /05 https://th.listvote.com/lists/music/albums/%2F05-941663/songs Bricolages https://th.listvote.com/lists/music/albums/bricolages-2925132/songs Illustrated Musical Encyclopedia https://th.listvote.com/lists/music/albums/illustrated-musical-encyclopedia-3148759/songs Esperanto https://th.listvote.com/lists/music/albums/esperanto-11290111/songs Media Bahn Live https://th.listvote.com/lists/music/albums/media-bahn-live-11343838/songs /04 https://th.listvote.com/lists/music/albums/%2F04-2806449/songs Left Handed Dream https://th.listvote.com/lists/music/albums/left-handed-dream-11479657/songs US
    [Show full text]
  • Joel Phillip Friedman
    ADDRESS 3131 CONNECTICUT AVENUE NW, APT. 2105 WASHINGTON, DC 20008-5001 TEL 202-450-2173 CELL 347-731-3471 EMAIL [email protected] WEB WWW.JOELFRIEDMAN.COM GREY BIRD MUSIC JOEL PHILLIP FRIEDMAN EDUCATION Columbia University 1998 DMA in Composition (Mellon Foundation President’s Fellow) Dissertation: Extreme Measures (piano trio with analytical paper) - Jonathan Kramer, advisor Boston University 1988 MM in Composition (Malloy Miller Award) Thesis: Concerto (In the Form of Variations) for Viola and Orchestra - Joyce Mekeel, Bernard Rands, advisors BM in Composition 1982 TEACHING American University 2014-present Adjunct Professorial Lecturer Levine School Of Music 2013-present Faculty Lecturer Stanford University 2008-2013 Continuing Studies Program Lecturer (Revolution: The Music of The Beatles, The Anatomy Of A Musical, We Will Rock You) Notre Dame de Namur University 2008-2013 FacultyTheory/Composition/History/Analysis Santa Clara University 2006-2013 Quarterly Part-Time InstructorTheory/Composition/Popular Music History/Orchestration The Osher Lifelong Learning Institute at Santa Clara University: Anatomy Of A Musical , Revolution: The Music of The Beatles Swarthmore College 2002-2006 Visiting Assistant Professor (Theory/Musicianship/Popular /Music History) Seton Hall University 1996-2002 Assistant Professor, tenure track (1997-2002) (Theory/Composition/Music History/Popular Music) Columbia University 1993-1996 Instructor Music Humanities (1995-96), Advanced Ear Training (1993-94) •• See addendum for additional employment and
    [Show full text]
  • Wagner: Das Rheingold
    as Rhe ai Pu W i D ol til a n ik m in g n aR , , Y ge iin s n g e eR Rg s t e P l i k e R a a e Y P o V P V h o é a R l n n C e R h D R ü e s g t a R m a e R 2 Das RheingolD Mariinsky Richard WAGNER / Рихард ВагнеР 3 iii. Nehmt euch in acht! / Beware! p19 7’41” (1813–1883) 4 iv. Vergeh, frevelender gauch! – Was sagt der? / enough, blasphemous fool! – What did he say? p21 4’48” 5 v. Ohe! Ohe! Ha-ha-ha! Schreckliche Schlange / Oh! Oh! Ha ha ha! terrible serpent p21 6’00” DAs RhEingolD Vierte szene – scene Four (ThE Rhine GolD / Золото Рейна) 6 i. Da, Vetter, sitze du fest! / Sit tight there, kinsman! p22 4’45” 7 ii. Gezahlt hab’ ich; nun last mich zieh’n / I have paid: now let me depart p23 5’53” GoDs / Боги 8 iii. Bin ich nun frei? Wirklich frei? / am I free now? truly free? p24 3’45” Wotan / Вотан..........................................................................................................................................................................René PaPe / Рене ПАПЕ 9 iv. Fasolt und Fafner nahen von fern / From afar Fasolt and Fafner are approaching p24 5’06” Donner / Доннер.............................................................................................................................................alexei MaRKOV / Алексей Марков 10 v. Gepflanzt sind die Pfähle / These poles we’ve planted p25 6’10” Froh / Фро................................................................................................................................................Sergei SeMISHKUR / Сергей СемишкуР loge / логе..................................................................................................................................................Stephan RügaMeR / Стефан РюгАМЕР 11 vi. Weiche, Wotan, weiche! / Yield, Wotan, yield! p26 5’39” Fricka / Фрикка............................................................................................................................ekaterina gUBaNOVa / Екатерина губАновА 12 vii.
    [Show full text]
  • Richard Wagner
    RICHARD WAGNER OVERTURES & PRELUDES FRANKFURT RADIO SYMPHONY ANDRÉS OROZCO-ESTRADA RICHARD WAGNER 1 DER FLIEGENDE HOLLÄNDER 1813–1883 WWV 63: Overture / Ouvertüre 10:13 OVERTURES & PRELUDES 2 LOHENGRIN OUVERTÜREN & VORSPIELE WWV 75: Prelude to Act I / Vorspiel zum 1. Akt 9:03 3 & 4 TRISTAN UND ISOLDE FRANKFURT RADIO SYMPHONY WWV 90: Prelude / Vorspiel 11:57 hr-Sinfonieorchester Liebestod 7:55 ANDRÉS OROZCO-ESTRADA 5 PARSIFAL Music Director / Chefdirigent WWV 111: Prelude / Vorspiel 14:52 6 TANNHÄUSER WWV 70: Overture / Ouvertüre 15:02 7 RIENZI, DER LETZTE DER TRIBUNEN WWV 49: Overture / Ouvertüre 12:03 Total time / Gesamtspielzeit 81:35 Live Recording: August 22nd, 2014 (3&4); June 26th, 2015 (5&6); June 25th, 2017 (1&2) · Recording Location: Basilika, Kloster Eberbach, Germany · Recording producers: Christoph Claßen (3&4) & Philipp Knop (1-2 & 5-6) Recording engineers: Thomas Eschler (3-6), Andreas Heynold (1&2) · Executive Producer: Michael Traub · Photo Andrés Orozco-Estrada: © hr/Martin Sigmund · Photo Frankfurt Radio Symphony: © hr/Ben Knabe · Artwork: [ec:ko] communications Co-production with Hessischer Rundfunk · P & C 2019 Sony Music Entertainment Germany GmbH of the nineteenth century. This was the first time that Wagner – who, as always, wrote his RICHARD WAGNER own libretto – found the motifs and themes that he was to make quintessentially his own: OVERTURES & PRELUDES the longing for death, a woman’s willingness to sacrifice her own life out of compassion, the hero as restless outsider, death resulting from love and the idea of redemption. In his essay “On the Overture”, which he first published in French in January 1841, the then The Overture dates from November 1841 and was the last part of the score to be written twenty-seven-year-old Wagner summed up his ideas on what an operatic overture should – in this regard Wagner adopted contemporary practice rather than the approach that he ideally be like.
    [Show full text]
  • 11-03-2018 Carmen Eve.Indd
    GEORGES BIZET carmen conductor Opera in four acts Omer Meir Wellber Libretto by Henri Meilhac and production Sir Richard Eyre Ludovic Halévy, based on the novella by Prosper Mérimée set and costume designer Rob Howell Saturday, November 3, 2018 lighting designer 1:00–4:25 PM Peter Mumford choreographer Christopher Wheeldon revival stage director Paula Williams The production of Carmen was made possible by a generous gift from Mrs. Paul Desmarais Sr. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The 1,012th Metropolitan Opera performance of GEORGES BIZET’S carmen conductor Omer Meir Wellber in order of vocal appearance mor alès le dancaïre Adrian Timpau** Javier Arrey micaël a le remendado Guanqun Yu Scott Scully don josé Yonghoon Lee solo dancers Maria Kowroski zuniga Martin Harvey Richard Bernstein carmen Clémentine Margaine fr asquita Sydney Mancasola mercédès Sarah Mesko escamillo Kyle Ketelsen Saturday, November 3, 2018, 1:00–4:25PM MARTY SOHL / MET OPERA Clémentine Margaine Chorus Master Donald Palumbo in the title role of Musical Preparation Derrick Inouye, Liora Maurer, and Bizet’s Carmen Bénédicte Jourdois* Fight Director J. Allen Suddeth Assistant Stage Directors Sara Erde and Jonathon Loy Stage Band Conductor Jeffrey Goldberg Met Titles Sonya Friedman Children’s Chorus Director Anthony Piccolo Movement Coach Sara Erde Associate Costume Designer Irene Bohan Scenery, properties, and electrical props constructed and painted by Metropolitan Opera Shops Costumes executed by Art for Art Theater Service GmbH, Vienna; Justo Algaba S.L., Madrid; Carelli Costumes, New York, and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department This production uses gunshot effects.
    [Show full text]
  • American Composers Orchestra Presents Next Composer to Composer Talks in January
    FOR IMMEDIATE RELEASE Press Contact: Christina Jensen, Jensen Artists 646.536.7864 x1 [email protected] American Composers Orchestra Presents Next Composer to Composer Talks in January William Bolcom & Gabriela Lena Frank Wednesday, January 13, 2021 at 5pm ET – Online Registration & Information: http://bit.ly/ComposerToComposerBolcom John Corigliano & Mason Bates Wednesday, January 27, 2021 at 5pm ET – Online Registration & Information: http://bit.ly/ComposerToComposerCorigliano Free, registration recommended. New York, NY – American Composers Orchestra (ACO) presents its next Composer to Composer Talks online in January, with composers William Bolcom and Gabriela Lena Frank on Wednesday, January 13, 2021 at 5pm ET, and John Corigliano and Mason Bates on Wednesday, January 27, 2021 at 5pm ET. The talks will be live-streamed and available for on-demand viewing for seven days. Tickets are free; registration is highly encouraged. Registrants will receive links to recordings of featured works in advance of the event. ACO’s Composer to Composer series features major American composers in conversation with each other about their work and leading a creative life. The intergenerational discussions begin by exploring a single orchestral piece, with one composer interviewing the other. Attendees will gain insight into the work’s genesis, sound, influence on the American orchestral canon, and will be invited to ask questions of the artists. On January 13, Gabriela Lena Frank talks with William Bolcom about his Symphony No. 9, from 2012, of which Bolcom writes, “Today our greatest enemy is our inability to listen to each other, which seems to worsen with time. All we hear now is shouting, and nobody is listening because the din is so great.
    [Show full text]