Boston Symphony Orchestra Concert Programs, Season 116, 1996
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The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Me Tabolis Ts House S Under Cons Truction
Metabolists houses under construction ESSAYS PREVI: The Metabolists’ First, Last and Only Project BY EUI-SUNG YI With the special assistance by Bridget Ackeifi Cities in the sky, superhighways over the seas, floating layers of techno-villages. These utopic proposals for Japan were generated by a passionate and extraordinary group of young Japa- nese architects fueled by the futuristic vision to rebuild their nation. Parallel to their idealism, was the path of Peter Land, an Englishman by way of Yale and South America, tasked to plan housing for the poor. Incredibly, their idealism would cross and the Metabolists’ first and only project would be for a United Nations social housing development in a place very far from Japan: Peru. Eui-Sung Yi sat down with the group’s last living member, Fumihiko Maki, and the organizer of the project, Peter Land, to discuss this project and its place in modern urban design (read the interviews in pg. 65 and 68, respectively). Nearly 50 years ago, architect Peter Land initiated an The competition was an immense undertaking. In the end, architectural competition for the Peruvian capital of Lima. there were 86 different designs, 467 built homes housing 50 - 2014/1 The humble British architect did not devise a competition over 2.800 occupants, a school and a nursery, all within meant for the design of an avant-garde form for a museum 12,3 hectares of property, located only 7 km west of Lima’s or civic monument. Instead, Land, with the support of center. Land asked a total of 26 architectural firms to submit 1 2 his friend and President Fernando Belaúnde Terry and designs: 13 international teams and 13 Peruvian groups both docomomo prestigious members of the Peruvian academia, asked the composed of emerging and progressive architects. -
Ear and There Monday, February 8, 2010
Earplay San Francisco Season Concerts 2010 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 p.m. Earplay 25: Ear and there Monday, February 8, 2010 Bruce Christian Bennett , Sam Nichols, Kaija Saariaho Carlos Sanchez-Gutiérrez, Seymour Shifrin Earplay 25: Ear and There Earplay 25: Outside In Monday, March 22, 2010 February 8, 2010 Lori Dobbins, Michael Finnissy, Chris Trebue Moore Arnold Schoenberg, Judith Weir Earplay 25: Ports and Portals Monday, May 24, 2010 as part of the San Francisco International Arts Festival Jorge Liderman Hyo-shin NaWayne Peterson Tolga Yayalar earplay commission/world premiere Earplay commission West-Coast Premiere 2009 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 25th San Francisco season. Our mission is to nurture new chamber music — W composition, performance, and audience —all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-five years, Earplay has made an enormous contribution to the bay area music community with new works commissioned each season. The Earplay ensemble has performed hundreds of works by more than two hundred Earplay 2010 composers including presenting more than one hundred world Donald Aird premieres. This season the ensemble continues exploring by performing works by composers new to Earplay. Memorial The 2010 season highlights the tremendous amount Composers Competition of innovation that happens here in the Bay Area. The season is a nexus of composers and performers adventuring into new Downloadable application at: musical realms. Most of the composers this season have strong www.earplay.org/competitions ties to the Bay Area — as home, a place of study or a place they create. -
Alumnews2007
C o l l e g e o f L e t t e r s & S c i e n c e U n i v e r s i t y D EPARTMENT o f o f C a l i f o r n i a B e r k e l e y MUSIC IN THIS ISSUE Alumni Newsletter S e p t e m b e r 2 0 0 7 1–2 Special Occasions Special Occasions CELEBRATIONS 2–4 Events, Visitors, Alumni n November 8, 2006, the department honored emeritus professor Andrew Imbrie in the year of his 85th birthday 4 Faculty Awards Owith a noon concert in Hertz Hall. Alumna Rae Imamura and world-famous Japanese pianist Aki Takahashi performed pieces by Imbrie, including the world premiere of a solo piano piece that 5–6 Faculty Update he wrote for his son, as well as compositions by former Imbrie Aki Takahashi performss in Hertz Hall student, alumna Hi Kyung Kim (professor of music at UC Santa to honor Andrew Imbrie. 7 Striggio Mass of 1567 Cruz), and composers Toru Takemitsu and Michio Mamiya, with whom Imbrie connected in “his Japan years.” The concert was followed by a lunch in Imbrie’s honor in Hertz Hall’s Green Room. 7–8 Retirements Andrew Imbrie was a distinguished and award-winning member of the Berkeley faculty from 1949 until his retirement in 1991. His works include five string quartets, three symphonies, numerous concerti, many works for chamber ensembles, solo instruments, piano, and chorus. His opera Angle of 8–9 In Memoriam Repose, based on Wallace Stegner’s book, was premeiered by the San Francisco Opera in 1976. -
University of California Santa Cruz
UNIVERSITY OF CALIFORNIA SANTA CRUZ EXTENDED FROM WHAT?: TRACING THE CONSTRUCTION, FLEXIBLE MEANING, AND CULTURAL DISCOURSES OF “EXTENDED VOCAL TECHNIQUES” A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by Charissa Noble March 2019 The Dissertation of Charissa Noble is approved: Professor Leta Miller, chair Professor Amy C. Beal Professor Larry Polansky Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Charissa Noble 2019 TABLE OF CONTENTS List of Figures v Abstract vi Acknowledgements and Dedications viii Introduction to Extended Vocal Techniques: Concepts and Practices 1 Chapter One: Reading the Trace-History of “Extended Vocal Techniques” Introduction 13 The State of EVT 16 Before EVT: A Brief Note 18 History of a Construct: In Search of EVT 20 Ted Szántó (1977): EVT in the Experimental Tradition 21 István Anhalt’s Alternative Voices (1984): Collecting and Codifying EVT 28evt in Vocal Taxonomies: EVT Diversification 32 EVT in Journalism: From the Musical Fringe to the Mainstream 42 EVT and the Classical Music Framework 51 Chapter Two: Vocal Virtuosity and Score-Based EVT Composition: Cathy Berberian, Bethany Beardslee, and EVT in the Conservatory-Oriented Prestige Economy Introduction: EVT and the “Voice-as-Instrument” Concept 53 Formalism, Voice-as-Instrument, and Prestige: Understanding EVT in Avant- Garde Music 58 Cathy Berberian and Luciano Berio 62 Bethany Beardslee and Milton Babbitt 81 Conclusion: The Plight of EVT Singers in the Avant-Garde -
Conductor Zubin Mehta Leads the Israel Philharmonic Orchestra in Opening Concert of the 2015/16 Orchestras Series at Symphony Center
For Immediate Release: Press Contacts: October 28, 2015 Eileen Chambers, 312-294-3092 Rachelle Roe, 312-294-3090 Photos Available By Request [email protected] CONDUCTOR ZUBIN MEHTA LEADS THE ISRAEL PHILHARMONIC ORCHESTRA IN OPENING CONCERT OF THE 2015/16 ORCHESTRAS SERIES AT SYMPHONY CENTER Program Includes Beethoven’s Eroica Symphony, Ravel’s La valse and a work by Josef Bardanashvili Sunday, November 15, at 7 p.m. CHICAGO—The first concert of the 2015/16 Symphony Center Presents (SCP) PowerShares QQQ Orchestras series features the Israel Philharmonic Orchestra (IPO) led by conductor Zubin Mehta, who is the orchestra’s Music Director for Life. The IPO, which is Israel’s premiere cultural ambassador, celebrates its 80th anniversary in the 2015/16 season. Mehta leads a diverse program of works by Beethoven, Ravel and contemporary Israeli composer Josef Bardanashvili on Sunday, November 15, at 7 p.m. at Symphony Center. The concert marks the IPO’s fifth Symphony Center appearance since 1996 with their most recent appearance led by Mehta taking place in 2014. Mehta, an acclaimed Beethoven interpreter, leads the IPO in the composer’s monumental Symphony No. 3 (Eroica) as the program’s centerpiece. The sweeping work opens with an intense and powerful first movement that leads to a brooding funeral march, which hints at Beethoven’s struggle with his increasing deafness, before it reaches a brilliant finale. The IPO program opens with the symphonic poem A Journey to the End of the Millennium based on the critically acclaimed opera of the same name by Georgian-born, Israeli composer Josef Bardanashvili (b. -
Newsletter.05
College of L e t t e r s & S c i e n c e U n i v e r s i t y D EPARTMENT o f of California B e r k e l e y MUSIC IN THIS ISSUE Alumni Newsletter S e p t e m b e r 2 0 0 5 September 2005 D EAR A LUMNI AND F RIENDS , Note from the Chair reetings to all from the PEOPLE 1–3Update on the last 4 years GUniversity of California, ince the last newsletter, Wye Allanbrook Berkeley, Department of Music, Scompleted her term as department chair, Centenary Celebration this year celebrating our 100th having contributed enormous effort on 100 years of music at Cal birthday! (See article below.) behalf of the new Hargrove Music Library 1, 8–9 This newsletter has always Bonnie Wade building. For the past two years, she has Faculty News Creative accomplishments, been intended as an occasional publication been a Fellow at the National Humanities honors & awards, new to bring to you news of the department. Center in North Carolina. She returns to 4arrivals– Melford6 & Midiyanto For comprehensive details and regular teaching in the 2005–06 academic year. updates please visit our websites: http:// In fall 2003, Allanbrook was succeeded music.berkeley.edu (department); www. by Anthony Newcomb, who served as Gifts to the Department lib.berkeley.edu/MUSI (music library); and department chair for two years. After a 6 www.cnmat.berkeley.edu (Center for New long and distinguished career as teacher Music and Audio Technologies, CNMAT). -
MUSICA ELETTRONICA VIVA MEV 40 (1967–2007) 80675-2 (4Cds)
MUSICA ELETTRONICA VIVA MEV 40 (1967–2007) 80675-2 (4CDs) DISC 1 1. SpaceCraft 30:49 Akademie der Kunste, Berlin, October 5, 1967 Allan Bryant, homemade synthesizer made from electronic organ parts Alvin Curran, mbira thumb piano mounted on a ten-litre AGIP motor oil can, contact microphones, amplified trumpet, and voice Carol Plantamura, voice Frederic Rzewski, amplified glass plate with attached springs, and contact microphones, etc. Richard Teitelbaum, modular Moog synthesizer, contact microphones, voice Ivan Vandor, tenor saxophone 2. Stop the War 44:39 WBAI, New York, December 31, 1972 Frederic Rzewski, piano Alvin Curran, VCS3-Putney synthesizer, piccolo trumpet, mbira thumb piano, etc. Garrett List, trombone Gregory Reeve, percussion Richard Teitelbaum, modular Moog synthesizer Karl Berger, marimbaphone DISC 2 1. Stedelijk Museum, Amsterdam, Pt. 1 43:07 April 1982 Steve Lacy, soprano saxophone Garrett List, trombone Alvin Curran, Serge modular synthesizer, piccolo trumpet, voice Richard Teitelbaum, PolyMoog and MicroMoog synthesizers with SYM 1 microcomputer Frederic Rzewski, piano, electronically-processed prepared piano 2. Kunstmuseum, Bern 24:37 November 16, 1990 Garrett List, trombone Alvin Curran, Akai 6000 sampler and Midi keyboard Richard Teitelbaum, Prophet 2002 sampler, DX 7 keyboard, Macintosh computer Frederic Rzewski, piano DISC 3 1. Stedelijk Museum, Amsterdam, Pt. 2 44:05 April 1982 Steve Lacy, soprano saxophone Garrett List, trombone Alvin Curran, Serge modular synthesizer-processing for piano and sax, piccolo trumpet, voice Richard Teitelbaum, Polymoog and MicroMoog synthesizers with SYM 1 microcomputer Frederic Rzewski, piano, electronically processed prepared piano 2. New Music America Festival 30:51 The Knitting Factory, New York, November 15, 1989 Steve Lacy, soprano saxophone Garrett List, trombone Richard Teitelbaum, Yamaha DX 7, Prophet sampler, computer with MAX/MSP, Crackle Box Alvin Curran, Akai 5000 Sampler, MIDI keyboard, flugelhorn Frederic Rzewski, piano DISC 4 1. -
View Complete C.V
MARK POPENEY 20 Butler St. (617) 228-2219 (office) [email protected] www.markpopeney.com Medford, MA 02155 (310) 895-8775 (cell) [email protected] EDUCATION University of Southern California, Doctor of Musical Arts, Composition, 2012 Minors: Theory and Analysis, Music Technology, Instrumental Conducting Pi Kappa Lambda National Music Honor Society University of California, Los Angeles, Master of Arts, Music Composition and Theory, 2007 University of California, Berkeley, Bachelor of Arts, Music, Political Science (double), 2004 COLLEGE AND UNIVERSITY TEACHING EXPERIENCE Bunker Hill Community College, Boston, MA (2015 – present) Associate Professor (2018-present), Assistant Professor (2015-2018), department chair • Music Theory and Aural Skills I/II • Introduction to Music Technology • Music Fundamentals (including • Advanced Music Production online and OER) • Popular Music Ensemble • Applied Music: Composition • additional history and general • Songwriting education music courses Cypress College, Cypress, CA (2013 – 2015) Adjunct Faculty • Theory II-IV, Musicianship II-IV • additional general education courses California State University, Los Angeles, Los Angeles, CA (2013) Lecturer • Contemporary Techniques • Musicianship V-VI University of Southern California, Los Angeles, CA (2011 – 2013) Adjunct Instructor (2012-2013) Teaching Assistant (2011-2012) • Theory (various), Orchestration • Aural Skills I,II University of California, Los Angeles, Los Angeles, CA (2006 – 2009) Teaching Associate • Music Theory I-VI SELECTED CONFERENCE AND -
Re-Channelings of a Percussive Education a Dissertation
UNIVERSITY OF CALIFORNIA, SAN DIEGO Conducting, Teaching, Curating: Re-channelings of a Percussive Education A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Musical Arts in Contemporary Music Performance by Jonathan David Hepfer Committee in charge: Professor Steven Schick, Chair Professor Anthony Burr Professor William Arctander O’Brien Professor Jann Pasler Professor Kim Rubinstein 2016 © Jonathan David Hepfer, 2016 All rights reserved. This Dissertation of Jonathan David Hepfer is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ Chair University of California, San Diego 2016 iii DEDICATION TO: Will and Cindy for three decades of selflessness, and for saying “yes” at some crucial moments when I was really expecting to hear “no.” ! My grandfather for showing me the wisdom that nine decades of curiosity can produce. ! Anthony Miranda, Jan Williams, Gordon Gottlieb, Michael Rosen, Steven Schick, Bernhard Wulff, Lewis Nielson, Brian Alegant, Tim Weiss, and William Arctander O’Brien for watering me. THANK YOU ! Anthony Burr, Jann Pasler, Kim Rubinstein, Aleck Karis, Phil Larson, Ed Harkins, Susan Narucki, Jacob Greenberg, Olivia -
Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002, Subscription, Volume 02
ZOOI-2002 SEASON - BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST ONDUCTOR Bring your Steinway: W/f/i floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill LONGYEAH a/ C^isJier jffiff BROOKLINE DwiqSCOMPANY Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 1-800-DAVIDCO 617-969-3434 FAX www.davidandcompany.com Always purchasing diamonds andfinejewelryfrom thz public. Every car has its moment. This one has thousands per second. -«.. ^ |§§?Jr 4 .• ..-;. :.;. : ..,.-;.. The new 3 Series. Pure drive, The New BMW 3 Series From $27,745* v»^r% Test drive The Ultimate Driving Machine" bmwusa.com The Ultimate Machine' at your authorized BMW center 1-800-334-4BMW Driving Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SELJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Deborah Davis Berman, Vice-Chairman Vincent M. O'Reilly, Treasurer Julian Cohen, Vice-Chairman Ray Stata, Vice-Chairman Nina L. -
Grifes Arquitetônicas No Século XXI: Características De Formação E Atuação Profissional
ISSN: 1984-8781 - Anais XVIII ENANPUR 2019. Código verificador: IHowzB0g7qUd verificar autenticidade em: http://anpur.org.br/xviiienanpur/anais Grifes arquitetônicas no século XXI: características de formação e atuação profissional Autores: Lorena Petrovich Pereira de Carvalho - UFRN - [email protected] Resumo: Em meados do século XX, a arquitetura e o urbanismo assistiram a mudanças de cenário que refletiram na prática profissional. As críticas ao modernismo despertaram o repensar sobre o racionalismo e o funcionalismo excessivos e o distanciamento das artes. Também, a reconfiguração econômica global estimulou a transposição do planejamento estratégico corporativo para a cidade. Nova gestão e nova centralidade para os ícones urbanos e arquitetônicos. Ambas as conjunturas são consideradas influentes na consolidação da arquitetura contemporânea de grife. Apesar das bibliografias estarem em constante renovação, persiste a lacuna sobre os responsáveis por essa produção; a formação e atuação desses profissionais, sobre as quais, questiona-se: que elementos comuns se destacam na formação e nas estratégias de atuação de profissionais responsáveis pela espetacularização da arquitetura que tenham contribuído para elevar suas obras à condição de grifes arquitetônicas? O principal objetivo deste estudo é, portanto, verificar a existência de pontos coincidentes nas trajetórias de arquitetos do star system contemporâneo, que possam indicar um padrão entre eles. GRIFES ARQUITETÔNICAS NO SÉCULO XXI Características de formação e atuação profissional INTRODUÇÃO A arquitetura contemporânea de grife – também tratada sob os termos “espetacular” e “icônica” – carrega consigo muitos significados e expectativas. Caracterizada por uma estética surpreendente, ela sempre deseja passar uma mensagem positiva sobre o que representa e, com isso, ser capaz de elevar o número de negócios realizados; pretende ser uma espécie de catalisador arquitetônico para o sucesso econômico de cidades e corporações no espaço econômico dos fluxos.