Ear and There Monday, February 8, 2010

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Ear and There Monday, February 8, 2010 Earplay San Francisco Season Concerts 2010 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 p.m. Earplay 25: Ear and there Monday, February 8, 2010 Bruce Christian Bennett , Sam Nichols, Kaija Saariaho Carlos Sanchez-Gutiérrez, Seymour Shifrin Earplay 25: Ear and There Earplay 25: Outside In Monday, March 22, 2010 February 8, 2010 Lori Dobbins, Michael Finnissy, Chris Trebue Moore Arnold Schoenberg, Judith Weir Earplay 25: Ports and Portals Monday, May 24, 2010 as part of the San Francisco International Arts Festival Jorge Liderman Hyo-shin NaWayne Peterson Tolga Yayalar earplay commission/world premiere Earplay commission West-Coast Premiere 2009 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 25th San Francisco season. Our mission is to nurture new chamber music — W composition, performance, and audience —all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-five years, Earplay has made an enormous contribution to the bay area music community with new works commissioned each season. The Earplay ensemble has performed hundreds of works by more than two hundred Earplay 2010 composers including presenting more than one hundred world Donald Aird premieres. This season the ensemble continues exploring by performing works by composers new to Earplay. Memorial The 2010 season highlights the tremendous amount Composers Competition of innovation that happens here in the Bay Area. The season is a nexus of composers and performers adventuring into new Downloadable application at: musical realms. Most of the composers this season have strong www.earplay.org/competitions ties to the Bay Area — as home, a place of study or a place they create. Deadline: March 31, 2010 These are difficult financial times and especially so for an organization like Earplay that is at the forefront of bringing new works to the concert hall. We appreciate your support and look forward to seeing you at all our concerts. Stephen Ness President, Board of Directors Special Thanks To: Earplay Earplay Staff Board of Directors Bruce Bennett Jennifer Burke, Industry Advisory Board Peter Josheff Stephen Ness, president Aislinn Scofield Scott Koué executive director Richard Felciano May Luke, secretary Steve Ness Bruce Bennett, treasurer Scott Koué MIchael Seth Orland William Kraft technical director/stage manager Chris Placencia Kent Nagano Terrie Baune Karen Rosenak Terrie Baune, musician representative scheduling coordinator Wayne Peterson School of Creative Arts, Mary Chun Diane Hie San Francisco State University Chen Yi Christopher Wendell Jones bookkeeping services Crystal Chun Wong SAN FRANCISCO WAR MEMORIAL AND PERFORMING ARTS CENTER HERBST THEATRE Monday Evening, February 8 at 7:30 p.m. The Herbst Theatre Owned and operated by the City and County of San Francisco through the Board of Trustees of the War Memorial of San Francisco The Honorable Gavin Newsom, Mayor EARPLAY 25: TRUSTEES Nancy H. Bechtle, President Ear and There Charlotte Mailliard Shultz, Vice President Wilkes Bashford Belva Davis Bella Farrow Mary Chun, conductor Thomas E. Horn Claude M. Jarman, Jr. Mrs. George R. Moscone Tod Brody, flutes Terrie Baune, violin MajGen J. Michael Myatt, USMC (Ret.) Peter Josheff, clarinets Ellen Ruth Rose, viola Paul Pelosi Karen Rosenak, piano Thalia Moore, cello Elizabeth Murray, Managing Director Jennifer E. Norris, Assistant Managing Director Guest Artists Michael Seth Orland, piano Chris Froh, percussion Pre-concert talk 6:45 p.m. A conversation moderated by Chris Jones with Bruce Bennett and Sam Nichols Earplay’s season is made possible with funding from the Aaron Copland Foundation, the Alice M. Ditson Fund of Columbia University, the Amphion Foundation, the Ann and Gordon Getty Foundation, the Bernard Osher Foundation, the LEF Foundation, the San Francisco Arts Commission, the San Francisco Foundation, the San Francisco Grants for the Arts, the William and Flora Hewlett Foundation, the Community Arts Committee of the Zellerbach Family Fund and Generous Donors. Program Donors (since March 2009) $10,000 + $200 + $50 + Carlos Sanchez-Gutiérrez and of course Henry the Horse (2006) The San Francisco Mark Applebaum William Beckerman West Coast Premiere Grants For the Arts Mel and Yen Bachmeier Herbert W. Bielawa The William and Flora Bruce Bennett David Cole and Linda I. Genghis? after Rodney Brooks II. Mandala Tequila after Iván Puig Hewlett Foundation Raymond Chun Bouchard II. Machine with Artichoke after Arthur Ganson IV. Things that Go after John Chowning Fischli and Weiss Hilary and Christopher $5,000 + Costin Lori Dobbins Mary Chun, Peter Josheff, Terrie The Aaron Copland Margaret Dorfman Janet Elliott Baune Karen Rosenak and Foundation Patti Noel Dueter Guillermo Galindo Ann and Gordon Getty Ellinor Hagedorn Arnold Go Michael Seth Orland Foundation Dan Kelly and Penny John and Lee Hause The National Endowment Sneed Peggy Merrifield for the Arts Sally and Philip Kipper Patricia Moy Samuel Nichols Unnamed, Jr. (2010) Ruth Knier Sam Nichols & Laurie Earplay Commission/World Premiere $3,000 + Warren and Nancy San Martin The Amphion Foundation Krause Peter Josheff, Ellen Ruth Rose Wendy Niles The Bernard Osher Thalia Moore Allen Shearer & Claudia and Karen Rosenak Foundation Wayne Peterson Stevens The Community Arts Wayne and Winnie Wong Donald and Phyllis Kaija Saariaho Je sens un deuxième coeur (2003) Committee of the Sutherland The Zellerbach $100 + 1. Je dévoile ma peau (I reveal my skin) 2. Ouvre-moi, vite! (Open up, Family Foundation Karen Breslin Other Friends fast!) 3. Dans le rêve, elle l’attendait (In the dream, she waited) Thomas White and Leslie Tod Brody Frances L. Bennion Scalapino 4. Il faut que j’entre (I must come in) 5. Je sens un deuxième coeur qui William Beck & Yu-Hui Katherine Brody Chang Kenneth Bruchmeier bat tout près du mien (I feel a second heart beating close to mine) $1,000 + James & April Carlson Anne Callaway Alice M. Ditson Fund of John & Mary Caris Ernestine S. Cohn Ellen Ruth Rose, Thalia Moore and Columbia University Chen Yi and Zhou Long Alice Berg Cronin Terrie Baune Chris Concolino Barbara and Sanford Michael Seth Orland Jane Bernstein and Alena Cowan Dornbusch Robert Ellis Pablo Furman Donald & Stephanie Mary Chun intermission Gary Eskelson Friedman Pamela George Gamaliel Galindo Louise Haiman The LEF Foundation Douglas Gong Louis Karchin May Luke Martha Callison Horst Seymour Shifrin The Modern Temper(1959) Bari & Stephen Ness Kenneth Johnson Karen Rosenak Joy Kent Aislinn Scofield Susan Kwock Karen Rosenak and Arthur Rose Michael Seth Orland $300 + William Schottstaedt Barbara Imbrie Mike Sharp Christopher Wendell Richard & Patricia Taylor Bruce Christian Bennett From the Ashes (2005) Jones Lee Earplay/Fromm Music Foundation Yoshiko Kakudo Amy Miller Levine Commission Antoinette Kuhry & Alexandra Morgan Mary Chun, Tod Brody, Peter Thomas A. Haeuser Nora Norden Kevin Neuhoff Elizabeth O’Malley Josheff, Terrie Baune, Ellen Ruth Larry Russo David Periera Rose, Thalia Moore, Karen Dan Scharlin Rosenak and Chris Froh Regina Sneed Olly & Louise Wilson EARPLAY COMPOSERS: TWENTY-FIVE YEARS Notes on the Program Eliane Aberdam John Felder Anne LeBaron Salvatore Sciarrino Sarah Aderholdt Morton Feldman Yinam Leef David Schiff CARLOS SANCHEZ-GUTIÉRREZ pays homage to, and is a commentary Thomas Adès Richard Festinger Fred Lerdahl David Schober Donald Aird Irving Fine Peter Scott Lewis Philippe Schoeller on a work of contemporary art. Eleanor Alberga Michael Finnissy Jorge Liderman Arnold Schoenberg Richard Aldag Tom Flaherty Peter Lieberson ...and of course Henry the Roger Sessions (2006) “Genghis is a wobbly, six-legged robot Alexis Alrich Andrew Frank György Ligeti Horse... Allen Anderson David Froom Liza Lim Allen Shearer clarinets, violin and four-hand piano built in 1989 by Rodney Brooks Mark Applebaum Pablo Furman Mei-Fang Lin Seymour Shifrin Robert Basart Beat Fürrer Scott Lindroth Sheila Silver (Director of the MIT Artificial Ross Bauer Guillermo Galindo David Liptak Reynold Simpson Michael Gandolfi Zhou Long Intelligence Lab), which, upon being Bruce Christian Bennett Paul Siskind Arthur Berger Guy Garnett Jing Jing Luo ... and of course Henry the horse... was Ronald Bruce Smith switched on, doesn’t vacuum one’s Jonathan Berger Stacy Garrop Witold Lutoslawski commissioned by Continuum with Luciano Berio John Gibson Drake Mabry David Soley floors or build the newest Chevrolet. Christophe Bertrand James Giroudonv John MacDonald Harvey Sollberger funds from the New York State Herb Bielawa Glenn Glasow Steven Mackey Claudio Spies Instead, it simply ‘does what is in its Susan Blaustein Daniel Godfrey Katherine Malyi Jeff Stadelman Council on the Arts. The composer Stephen Blumberg Alexander Goehr Ursula Mamlock Kurt Stallman nature.’ Donald Martino writes: Linda Bouchard Perry Goldstein Dorrance Stalvey Pierre Boulez Michelle Green David Meckstroth “Mandala Tequila was inspired by the Eitan Steinberg Martin Boykan Mark Grey Marjorie Merryman “The source of the title for this Frank Stemper installation piece Mandalas para la Carolyn Bremer Stephen Michael Gryc Olivier Messiaen collection of short pieces should be Benjamin Britten Susan Harding Donal Michalsky Mark Stickman vida moderna (Mandalas for Modern Christopher Burns Lou Harrison Darius Milhaud Igor Stravinsky obvious to any Beatles fan. ‘Being Ann Callaway Ellen Ruth Harrison Eric Moe Kotoka Suzuki Life) by Mexican
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