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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Open Source Architecture, Began in Much the Same Way As the Domus Article
About the Authors Carlo Ratti is an architect and engineer by training. He practices in Italy and teaches at the Massachusetts Institute of Technology, where he directs the Senseable City Lab. His work has been exhibited at the Venice Biennale and MoMA in New York. Two of his projects were hailed by Time Magazine as ‘Best Invention of the Year’. He has been included in Blueprint Magazine’s ‘25 People who will Change the World of Design’ and Wired’s ‘Smart List 2012: 50 people who will change the world’. Matthew Claudel is a researcher at MIT’s Senseable City Lab. He studied architecture at Yale University, where he was awarded the 2013 Sudler Prize, Yale’s highest award for the arts. He has taught at MIT, is on the curatorial board of the Media Architecture Biennale, is an active protagonist of Hans Ulrich Obrist’s 89plus, and has presented widely as a critic, speaker, and artist in-residence. Adjunct Editors The authorship of this book was a collective endeavor. The text was developed by a team of contributing editors from the worlds of art, architecture, literature, and theory. Assaf Biderman Michele Bonino Ricky Burdett Pierre-Alain Croset Keller Easterling Giuliano da Empoli Joseph Grima N. John Habraken Alex Haw Hans Ulrich Obrist Alastair Parvin Ethel Baraona Pohl Tamar Shafrir Other titles of interest published by Thames & Hudson include: The Elements of Modern Architecture The New Autonomous House World Architecture: The Masterworks Mediterranean Modern See our websites www.thamesandhudson.com www.thamesandhudsonusa.com Contents -
Boston Symphony Orchestra Concert Programs, Season 116, 1996
The security of a trust, Fidelity service and expertise. A CLcuwLc Composition A conductor and his orchestra — together, they perform masterpieces. Fidelity Now Fidelity Personal Trust Services Pergonal can help you achieve the same harmony for your trust portfolio of Trudt $400,000 or more. Serviced You'll receive superior trust services through a dedicated trust officer, with the added benefit of Fidelity s renowned money management expertise. And because Fidelity is the largest privately owned financial services firm in the nation, you can rest assured that we will be there for the long term. Call Fidelity Personal Trust Serviced at 1-800-854-2829. You'll applaud our efforts. Trust Services offered by Fidelity Management Trust Company For more information, visit a Fidelity Investor Center near you: Boston - Back Bay • Boston - Financial District • Braintree, MA • Burlington, MA Fidelity Investments 17598.001 This should not be considered an offer to provide trust services in every state. Trust services vary by state. To determine whether Fidelity may provide trust services in your state, please call Fidelity at 1-800-854-2829. Investor Centers are branches of Fidelity Brokerage Services, Inc. Member NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Sixteenth Season, 1996-97 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke. Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. Edith L. Dabney, Vice-Chairman Ray Stata, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Harlan E. Anderson William M. Crozier, Jr. Julian T. -
PDF Download Palladios Children : Essays on Everyday Environment
PALLADIOS CHILDREN : ESSAYS ON EVERYDAY ENVIRONMENT AND THE ARCHITECT PDF, EPUB, EBOOK N.J. Habraken | 224 pages | 30 Dec 2005 | Taylor & Francis Ltd | 9780415357913 | English | London, United Kingdom Palladios Children : Essays on Everyday Environment and the Architect PDF Book Her area of expertise is the development of civic spaces serving communities whose needs reside at the intersection of architecture, urbanism, and performance. He lectures in architecture and is a former American Institute of Architects bureaucrat. B25 He is the author of seven books, the subject of two recent ones and his recent publication of The Structure of the Ordinary MIT was widely reviewed internationally. He bellowed something about poodles sawing wood and women drawing - no woman, he said, could possibly be an architect. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. There is an entirely new chapter on the Danish architect Jorn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. She had the keenest eye, a gift like her brother's, for the design of space. They are able to measure the amount of order that is necessary for understanding and fascination to prevail even when chaotic actions take place and random objects appear on stage. Habraken studied architecture at Delft Technical University, the Netherlands from This must lead to a reassessment of architects' identities, values and education, and the contribution of the architect in the shaping of the built environment. O69 Radhika Khurana reading aloud to 20 odd year olds in the initial section, and some absorbed older students and teachers reading silently in a subsequent, better-daylit section. -
The Pritzker Architecture Prize1998[1]. RENZO PIANO 2
Photo by M. Denancé Reconstruction of the Atelier Brancusi, Paris, France — 1997 Photo by C. Richters Photo by M. Denancé The Beyeler Foundation Museum Basel, Switzerland 1997 Ushibuka Bridge linking three islands of the Amakusa Archipelago, Japan — 1997 Photo by Paul Hester The Menil Collection Museum Houston, Texas — 1987 Photo by Paul Hester Drawing illustrating the roof system of “leaves” for adjusting the amount of light admitted to the galleries. Photo by Hickey Robertson The Cy Twombly Gallery at the Menil Collection Museum Houston, Texas — 1995 Photo by Hickey Robertson THE ARCHITECTURE OF RENZO PIANO — A T RIUMPH OF CONTINUING CREATIVITY BY COLIN AMERY AUTHOR AND ARCHITECTURAL CRITIC, THE FINANCIAL TIMES SPECIAL ADVISOR TO THE WORLD MONUMENTS FUND It was modern architecture itself that was honored at the White House in Washington, D.C. on June 17, 1998. The twentieth anniversary of the Pritzker Prize and the presentation of the prestigious award to Renzo Piano made for an extraordinary event. Piano’s quiet character and almost solemn, bearded appearance brought an atmosphere of serious, contemporary creativity to the glamorous event. The great gardens and the classical salons of the White House were filled with the flower of the world’s architectural talent including the majority of the laureates of the previous twenty years. But perhaps the most significant aspect of the splendid event was the opportunity it gave for an overview of the recent past of architecture at the very heart of the capital of the world’s most powerful country. It was rather as though King Louis XIV had invited all the greatest creative architects of the day to a grand dinner at Versailles. -
Introducing Tokyo Page 10 Panorama Views
Introducing Tokyo page 10 Panorama views: Tokyo from above 10 A Wonderful Catastrophe Ulf Meyer 34 The Informational World City Botond Bognar 42 Bunkyo-ku page 50 001 Saint Mary's Cathedral Kenzo Tange 002 Memorial Park for the Tokyo War Dead Takefumi Aida 003 Century Tower Norman Foster 004 Tokyo Dome Nikken Sekkei/Takenaka Corporation 005 Headquarters Building of the University of Tokyo Kenzo Tange 006 Technica House Takenaka Corporation 007 Tokyo Dome Hotel Kenzo Tange Chiyoda-ku page 56 008 DN Tower 21 Kevin Roche/John Dinkebo 009 Grand Prince Hotel Akasaka Kenzo Tange 010 Metro Tour/Edoken Office Building Atsushi Kitagawara 011 Athénée Français Takamasa Yoshizaka 012 National Theatre Hiroyuki Iwamoto 013 Imperial Theatre Yoshiro Taniguchi/Mitsubishi Architectural Office 014 National Showa Memorial Museum/Showa-kan Kiyonori Kikutake 015 Tokyo Marine and Fire Insurance Company Building Kunio Maekawa 016 Wacoal Building Kisho Kurokawa 017 Pacific Century Place Nikken Sekkei 018 National Museum for Modern Art Yoshiro Taniguchi 019 National Diet Library and Annex Kunio Maekawa 020 Mizuho Corporate Bank Building Togo Murano 021 AKS Building Takenaka Corporation 022 Nippon Budokan Mamoru Yamada 023 Nikken Sekkei Tokyo Building Nikken Sekkei 024 Koizumi Building Peter Eisenman/Kojiro Kitayama 025 Supreme Court Shinichi Okada 026 Iidabashi Subway Station Makoto Sei Watanabe 027 Mizuho Bank Head Office Building Yoshinobu Ashihara 028 Tokyo Sankei Building Takenaka Corporation 029 Palace Side Building Nikken Sekkei 030 Nissei Theatre and Administration Building for the Nihon Seimei-Insurance Co. Murano & Mori 031 55 Building, Hosei University Hiroshi Oe 032 Kasumigaseki Building Yamashita Sekkei 033 Mitsui Marine and Fire Insurance Building Nikken Sekkei 034 Tajima Building Michael Graves Bibliografische Informationen digitalisiert durch http://d-nb.info/1010431374 Chuo-ku page 74 035 Louis Vuitton Ginza Namiki Store Jun Aoki 036 Gucci Ginza James Carpenter 037 Daigaku Megane Building Atsushi Kitagawara 038 Yaesu Bookshop Kajima Design 039 The Japan P.E.N. -
The Tragedy of the Megastructure
105 Megastructures 3 | 2018 | 1 The Tragedy of the Megastructure Valentin Bourdon PhD Candidate École Polytechnique Fédérale de Lausanne [email protected] Valentin Bourdon is a PhD student at the Laboratory of Construction and Conservation (LCC) EPFL since 2017. His research explores the architectural challenges of the common space. In support of significant historical experiences, and contemporary subjects, such a project aims to help overcome the delay taken by architecture comparing to other disciplines in the appropriation of the notion of ‘common’. ABSTRACT Relating the megastructure to the issue of the commons is a useful exercise to understand the success and the disappearance of what Peter Reyner Banham called the “dinosaurs of the Modern Movement”. All these large-scale constructions suffered the same fate: a conflict between the promise of a large shared space and the temptation of its fragmentation. This quantitative quandary is also raised in another field by Garrett Hardin in 1968 as the ‘enclosure dilemma’. The publication of his article “The Tragedy of the Commons” sparked a broad controversy coinciding with the megastructure’s momentum. By assessing a number of theoretical correspondences, the article reexamines the impact of megastructures on the interdisciplinary debates of the time. It also considers the relationship between architecture and property as one of the possible–and tragically coincident–reasons for their success and dissolution. https://doi.org/10.6092/issn.2611-0075/8523 ISSN 2611-0075 Copyright © 2018 Valentin Bourdon 4.0 KEYWORDS Megastructure; Commons; Ownership; Enclosure; Anti-enclosure. Valentin Bourdon The Tragedy of the Megastructure 106 When the American ecologist Garrett Hardin publishes his famous article entitled “The Tragedy of the Commons”1 in Science, the architectural 1. -
Conductor Zubin Mehta Leads the Israel Philharmonic Orchestra in Opening Concert of the 2015/16 Orchestras Series at Symphony Center
For Immediate Release: Press Contacts: October 28, 2015 Eileen Chambers, 312-294-3092 Rachelle Roe, 312-294-3090 Photos Available By Request [email protected] CONDUCTOR ZUBIN MEHTA LEADS THE ISRAEL PHILHARMONIC ORCHESTRA IN OPENING CONCERT OF THE 2015/16 ORCHESTRAS SERIES AT SYMPHONY CENTER Program Includes Beethoven’s Eroica Symphony, Ravel’s La valse and a work by Josef Bardanashvili Sunday, November 15, at 7 p.m. CHICAGO—The first concert of the 2015/16 Symphony Center Presents (SCP) PowerShares QQQ Orchestras series features the Israel Philharmonic Orchestra (IPO) led by conductor Zubin Mehta, who is the orchestra’s Music Director for Life. The IPO, which is Israel’s premiere cultural ambassador, celebrates its 80th anniversary in the 2015/16 season. Mehta leads a diverse program of works by Beethoven, Ravel and contemporary Israeli composer Josef Bardanashvili on Sunday, November 15, at 7 p.m. at Symphony Center. The concert marks the IPO’s fifth Symphony Center appearance since 1996 with their most recent appearance led by Mehta taking place in 2014. Mehta, an acclaimed Beethoven interpreter, leads the IPO in the composer’s monumental Symphony No. 3 (Eroica) as the program’s centerpiece. The sweeping work opens with an intense and powerful first movement that leads to a brooding funeral march, which hints at Beethoven’s struggle with his increasing deafness, before it reaches a brilliant finale. The IPO program opens with the symphonic poem A Journey to the End of the Millennium based on the critically acclaimed opera of the same name by Georgian-born, Israeli composer Josef Bardanashvili (b. -
A Fresh Urban Model by Jean-Louis Cohen
NEW YORK 99 A fresh urban model by Jean-Louis Cohen In the late 20th century, New York could, in more than one regard, The Liberty Tower that was planned to stand atop the ascending be considered a metropolis of the past, in which innovation had spiral was gradually reduced to a glass obelisk, a poor substitute dried up, and where commercial architecture reigned supreme. for the prisms of Minoru Yamasaki, and the ingenious façades Invention, which had been one of the city’s industries, whether and structures of the original Twin Towers. Meanwhile, Santiago of a technological variety – Fulton’s steamboats, Otis elevators, Calatrava’s transport centre ends up being of marginal importance Edison’s electric lighting – or in the sphere of urbanism – the 1811 compared to the main logistical platforms located downtown. grid plan, Central Park and the 1916 zoning regulation – seemed to have become a forgotten skill. The hegemony of commercial If we want to find real novelty in New York in the first decade of the companies, the mediocrity of public commissions, and the absence 21st century we should look elsewhere. No one expected Democrat of any vision for urban planning combined to give New York an defector, Michael Bloomberg, to jump-start the biggest urban image of conservatism, cynicism and boredom, while excitement transformation project since John Lindsay was mayor (1966-1973). seemed to be centred on younger cities, apparently less hidebound With his close-knit team, he encouraged the process of gentrification by regulations, like Los Angeles, Houston and even Atlanta. Twenty that had started in the 1970s, and took advantage of the drop in years after his magisterial Delirious New York, Rem Koolhaas was crime levels resulting from the policies of his hard-line predecessor, to focus for a time on the Georgian metropolis, happy to see the Rudolph Giuliani. -
8Npvysfq 10Stories-Mov-En.Pdf
Title 10 STORIES OF COLLECTIVE HOUSING Subtitle A graphical analysis of inspiring masterpieces by a+t research group ISBN 978-84-616-4136-9 Authors a+t research group: Aurora Fernández Per Javier Mozas Alex S. Ollero Layout and production: Aurora Fernández Per Alex S. Ollero Delia Argote Coordination: Idoia Esteban Communication and Press: Patricia García Editor English language version: Ken Mortimer Printing: Gráficas Dosbi SL VI 366-2013 Vitoria-Gasteiz, 2013 Published by: a+t architecture publishers General Álava 15, 2ºA. E-01005. Vitoria-Gasteiz. Spain www.aplust.net © Edition: a+t architecture publishers © Texts and drawings: a+t research group © Photos: their authors No part of this publication, including the cover, may be reproduced or transmitted without the express authorization in writing of the publisher. CONTENTS TIMELINE 08 01 THE STREET IN THE AIR JUSTUS VAN EFFEN COMPLEX. Michiel Brinkman. Rotterdam,1919-1922 12 02 THE SINKING OF THE SOCIAL CONDENSER NARKOMFIN DOM-KOMMUNA. Moisei Ginzburg, Ignaty Milinis. Moscow,1928-1930-1932 66 03 CHEAPER, FASTER, LIGHTER AND TALLER CITÉ DE LA MUETTE. Beaudouin, Lods, Mopin, Bodiansky. Paris, 1931-1934 116 04 THE ELEGANCE OF THE DISSIDENT HOUSING FOR BORSALINO EMPLOYEES. Ignazio Gardella. Alessandria,1948-1952 150 05 THE PROJECT AS SCRIPT MULTI-PURPOSE COMPLEX IN CORSO ITALIA. Luigi Moretti. Milan,1949-1956 176 06 AN EXQUISITE GHETTO BARBICAN. Peter Chamberlin, Geoffry Powell, Christof Bon, Arup. London, 1956-1976 216 07 CRISTAL LIQUIDE RÉSIDENCE DU POINT DU JOUR. Fernand Pouillon. Paris,1957-1963 278 08 SLOW CITY HILLSIDE TERRACE. Fumihiko Maki. Tokyo, 1967-1998 322 09 BUILDING MOODS BYKER REGENERATION. -
Fumihiko Maki 1993 Laureate Essay
Fumihiko Maki 1993 Laureate Essay Thoughts On Fumihiko Maki By Kenneth Frampton Ware Professor of Architecture The Graduate School of Architecture Planning and Preservation Columbia University, New York Profoundly influenced by Jose Lluis Sert and hence steeped in the ameliorative rationalism of the early modern movement, Fumihiko Maki enjoys the reputation of consistently creating an architecture that aside from responding to society’s needs, also comprises a constructional fabric which is durable and aesthetically vibrant. In this regard his practice may be fairly compared to that of Norman Foster, Gunter Benisch and Renzo Piano, all of whom, while expressively different, have displayed a similar penchant for efficient, lucid, lightweight form. Lightness, both in fact and in metaphor, has been an emerging theme in Maki’s architecture for some time and today his work invariably manifests a spatiality that derives in large measure from the immateriality of modern material. Like much of today’s production his work places a particular emphasis on the membrane irrespective of whether this is an atectonic layering of planes or a taut skin drawn over a vaulted superstructure. Either way Maki gravitates towards an architecture that is both present and absent at the same time, like the transitory illusions of the cinema screen for which he retains a particular passion. This last came to the fore in 1990, when he entered the competition for the Palazzo del Cinema in Venice. Of this he wrote: ”Our proposal for the Palazzo del Cinema attempts to express the spirit of Venice, both external and temporal, in one striking entity: a glass palace on the water, Changing from day to night; its solid mass is gradually transformed and dissolved into a glowing festive illusion. -
Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002, Subscription, Volume 02
ZOOI-2002 SEASON - BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST ONDUCTOR Bring your Steinway: W/f/i floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill LONGYEAH a/ C^isJier jffiff BROOKLINE DwiqSCOMPANY Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 1-800-DAVIDCO 617-969-3434 FAX www.davidandcompany.com Always purchasing diamonds andfinejewelryfrom thz public. Every car has its moment. This one has thousands per second. -«.. ^ |§§?Jr 4 .• ..-;. :.;. : ..,.-;.. The new 3 Series. Pure drive, The New BMW 3 Series From $27,745* v»^r% Test drive The Ultimate Driving Machine" bmwusa.com The Ultimate Machine' at your authorized BMW center 1-800-334-4BMW Driving Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SELJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Deborah Davis Berman, Vice-Chairman Vincent M. O'Reilly, Treasurer Julian Cohen, Vice-Chairman Ray Stata, Vice-Chairman Nina L.