DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 103, 1983-1984, Subscription

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 103, 1983-1984, Subscription OSTON SYMPHONY SEIJI OZAWA, Music Director " ' BOSTON % { SYMPHONY \ I ORCHESTRA/ \ SEIJI OZAWA / V 103rd Season 1983-84 Savor the sense of Remy remy nm s^imwJM^ Imported by Remy Martin Amerique, Inc., N.Y. 17 Sole U.S.A. Distributor, Premiere Wine Merchants Inc., N.Y 80 Proof. REMY MARTIN 1 VS.O.P COGNAC. SINCE. Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. David B. Arnold, Jr. Mrs. John H. Fitzpatrick William J. Poorvu J.P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley E. James Morton Mrs. George R. Rowland Mrs. Norman L. Cahners David G. Mugar Mrs. George Lee Sargent George H.A. Clowes, Jr. Albert L. Nickerson William A. Selke Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward M. Kennedy Paul C. Reardon Richard P. Chapman Edward G. Murray John L. Thorndike John T. Noonan Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris - General Manager William Bernell - Artistic Administrator Daniel R. Gustin - Assistant Manager B.J. Krintzman - Director ofPlanning Anne H. Parsons - Orchestra Manager Caroline Smedvig - Director ofPromotion Josiah Stevenson - Director ofDevelopment Theodore A. Vlahos - Director ofBusiness Affairs Arlene Germain - Financial Analyst Richard Ortner - Administrator of Charles Gilroy - ChiefAccountant Berkshire Music Center Vera Gold - Promotion Coordinator Charles Rawson - Manager ofBox Office Patricia Halligan - Personnel Administrator Eric Sanders - Director ofCorporate Development Nancy A. Kay - Director ofSales Joyce M. Serwitz - Assistant Director ofDevelopment Nancy Knutsen - Production Assistant Cheryl L. Silvia - Symphony Hall Function Manager Anita R. Kurland - Administrator of James E. Whitaker - Hall Manager, Symphony Hall Youth Activities Katherine Whitty - Coordinator ofBoston Council Steven Ledbetter Marc Mandel Jean Miller MacKenzie Director ofPublications Editorial Coordinator Print Production Coordinator Programs copyright ©1983 Boston Symphony Orchestra, Inc. Cover photo by Walter H. Scott Board of Overseers of the Boston Symphony Orchestra, Inc. William J. Poorvu Chairman William M. Crozier, Jr. Harvey C. Krentzman Vice-Chairman Vice-Chairman Mrs. Gordon F. Kingsley Secretary John Q. Adams Avram J. Goldberg Mrs. Thomas Spurr Morse Mrs. Weston W Adams Mrs. Ray A. Goldberg Mrs. Robert B. Newman Martin Allen Haskell R. Gordon Mrs. Hiroshi Nishino Hazen H. Ayer Mrs. R. Douglas Hall III Vincent M. O'Reilly Bruce A. Beal Mrs. Richard E. Hartwell Stephen Paine, Sr. Mrs. Richard Bennink Francis W Hatch, Jr. John A. Perkins Mrs. Edward J. Bertozzi, Jr. Mrs. Richard D. Hill David R. Pokross Peter A. Brooke Ms. Susan M. Hilles Mrs. Curtis Prout William M. Bulger Mrs. Marilyn Brachman Hoffman Ms. Eleanor Radin Mary Louise Cabot Mrs. Bela T. Kalman Peter C. Read Julian Cohen Mrs. S. Charles Kasdon Mrs. Peter van S. Rice Mrs. Nat King Cole Richard L. Kaye David Rockefeller, Jr. Arthur P. Contas Mrs. F. Corning Kenly, Jr. Mrs. Jerome Rosenfeld Mrs. A. Werk Cook John Kittredge Mrs. William C. Rousseau Phyllis Curtin Mrs. Carl Koch Mark L. Seikowitz Victoria L. Danberg Robert K. Kraft Malcolm L. Sherman A.V. d'Arbeloff Mrs. E. Anthony Kutten Donald B. Sinclair D.V. d'Arbeloff John P. LaWare Richard A. Smith Mrs. Michael H. Davis Mrs. James F. Lawrence Ralph Z. Sorenson William S. Edgerly Laurence Lesser Peter J. Sprague Mrs. Alexander Ellis, Jr. Mrs. Charles P. Lyman Ray Stata Frank L. Farwell Mrs. Harry L. Marks Mrs. Arthur I. Strang John A. Fibiger C. Charles Marran Mrs. Richard H. Thompson Kenneth G. Fisher Mrs. August R. Meyer Mark Tishler, Jr. Gerhard M. Freche J. William Middendorf II Ms. Luise Vosgerchian Peter H.B. Frelinghuysen Paul M. Montrone Roger D. Wellington Mrs. Thomas J. Galligan, Jr. Mrs. Hanae Mori Mrs. Donald B. Wilson Mrs. Thomas Gardiner Mrs. Stephen V.C. Morris John J. Wilson Mrs. James G. Garivaltis Richard P. Morse Nicholas T. Zervas Overseers Emeriti Mrs. Frank G. Allen Paul Fromm David W Bernstein Carlton P. Fuller Leonard Kaplan Giving is an art in itsele When you make financial contributions to the arts or to any other non-profit organi- zation, Bank of New England can bring important benefits to your philanthropy. Bank of New England is an expert at financial planning for people who make substantial gifts to charity. We will show you how you can make con- tributions, save on taxes, and at the same time, continue to provide yourself with income from those gifts. There's an art to making the most of your contri- butions, for yourself as well as for your favorite charity. So when you want expert financial guid- ance in making charitable gifts, look to the light. Investment Services i BANKOF NEW ENGLAND' 28 State Street, Boston, MA 02109, (617) 973-1872 © Bank of New England Corporation, 1983 ^^ ^^^ m» Over 100 companycomnanv sponsorssnonsors will join John Williams and the Boston Pops on June 12, 1984 for "Presidents at Pops" - a festive, exciting benefit saluting New POPS England businesses. A very special program book is planned to commemorate the performance It will provide the opportunity for businesses to place an advertisement which will have high visibility among the business leaders present. Reserve space now for your business; an effective way Busifl^SS to advertise and to help support the Boston Symphony. t +/>c5 flipBSOSaW^ Contact Eric Sanders, BSO Director of Corporate * nc Development (617-266-1492); Lew Dabney, Yankee Publishing Krentzman, 19 1984 (542-8321); Chet Advanced June ^' Management Associates (332-3141); Vin O'Reilly, Coopers& Lybrand (574-5000) ; or Mai Sherman, Zayre Stores (620-5000). 1984 "Presidents at Pops" Sponsors ABD Securities Corp. Filene's O'Donnell-Usen ADCO Publishing, Inc First Boston Corp. Fisheries Corp. Affiliated Publications Framingham Trust Co. Packaging Industries Analog Devices Frank B. Hall & Co. Parlex Corp. Augat, Inc. Gadsby& Hannah Peat-Marwick-Mitchell Bank of Boston General Cinema Corp. Plymouth Rubber Co. Bank of New England General Eastern Pneumo Corp. Barry Wright Corp. Instrument Corp. Prime Computer BayBanks, Inc. Gillette Company Printed Circuit Corp. Bell Manufacturing Co. GTE Products Corp. Rath & Strong Bentley College Guzovsky Electrical Corp. Raytheon Company Blyth-Eastman-Paine-Webber Haemonetics Corp. Shawm ut Bank of Boston Bolt, Beranekand Newman HCW Oil & Gas Signal Technology Corp. Boston Consulting Group Helix Technology Corp. Signal Companies Boston Edison Co. Heritage Travel Simplex Time Recorder Co. Boston Park Plaza Herrick& Smith Sonesta International Hotels Buckley & Scott Hill& Knowlton Spencer Companies Burgess & Leith Honeywell Corp. State Street Bank Cameron & Colby Houghton Mifflin Co. Stop & Shop Co. Charles River Breeding Labs Howard Johnson Co. Stride Rite Corp. Citicorp (USA) IBM Corp. Systems Engineering Clark-Franklin-Kingston Press John Hancock Mutual TAD Technical Services Computer Partners Life Insurance Towle Manufacturing Coopers & Lybrand Johnson, O'Hare Co. Touche Ross & Co. Country Curtains Jones & Vining Trans Lease Group Creative Gourmets, Ltd. Kenyon & Ecknardt Trans National Group Services Cullinet Software, Inc. Knapp King Size Trina, Inc Daniels Printing Co. Label Art, Inc. Tucker, Anthony, & R. L. Day Data Packaging Leach & Garner Co. Wang Laboratories Digital Equipment Corp. Lee Shops WBZ-TV Dunkin' Donuts Liberty Mutual Insurance Co. WCIB-FM Dynatech Corp. Mercury International WNEV-TV E.F. Hutton& Co. Narragansett Capital Corp. Westin Hotel Eastern Gas & Fuel New England Business Service Woodstock Corp. Econocorp New England Mutual Yankee Oil & Gas Epsilon Data Life Insurance Zayre Corporation Ernst & Whinney New England Telephone Farrell, Healer & Co. Newsome & Company BSO "Behind the Scenes" Luncheon at Symphony Hall Recently appointed BSO Director of Development Josiah Stevenson is the featured speaker at the next "Behind the Scenes" luncheon, to be held on Friday, 13 April in the Cohen Annex of Symphony Hall. This is the last of a four-luncheon series sponsored by the Council of the Boston Symphony Orchestra. You may purchase drinks at the bar when the doors open at 11:45 a.m.; the buffet lunch and talk begin at 12:15 p.m. A limited number of single tickets are available at $14.50; please phone the Friends' Office at 266-1348 for reservations or further information. "The Orchestra Book" Answers Your Questions What BSO member is a former NASA research chemist? What current members played under Serge Koussevitzky? Who joined his father as an orchestra member this season? "The Orchestra Book," newly published by the Council of the Boston Symphony Orchestra, has the answers to these questions, as well as hundreds of interesting facts about all 101 members of the orchestra and a photograph of each. A convenient stage- seating diagram with the names of the players and their chair positions is also included. "The Orchestra Book" is available for purchase during concerts at the Junior Council Mint Counter, at the Subscription Office, or at the Friends' Office, all located in the Massachusetts Avenue corridor of Symphony Hall. To order by mail, please send $6 per book, plus $2 postage and handling (for one or two books; $3 for three or more books) to The Council Office, Boston Symphony Orchestra, Symphony Hall, Boston, MA 02115. Make your check payable to "Boston Symphony Orchestra," and act now to receive your copy of this attractive, 72-page limited edition while the supply lasts! WGBH Intermission Features on the Air WGBH radio personality Ron Delia Chiesa conducts interviews with Boston Symphony staff and orchestra members throughout the 1983-84 season.
Load more

Recommended publications
  • ARSC Journal, Spring 1992 69 Sound Recording Reviews
    SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    m^^^^j^^fjSjmggU ^^If0jisdii^ Accompanist to Boston Symphony Orchestra Berkshire Festival • Berkshire Music Center and to these Tanglewood 1971 artists Leonard Bernstein • Arthur Fiedler • Byron Janis • Ruth Laredo Seiji Ozawa • Gunther SchuIIer • Michael Tilson Thomas • Earl Wild BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 TANGLEWOOD 1971 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-FOURTH BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ABRAM T. COLLIER HENRY A. LAUGHLIN PHILIP K. ALLEN Vice-President MRS HARRIS FAHNESTOCK EDWARD G. MURRAY ROBERT H. GARDINER Vice-President THEODORE P. FERRIS JOHN T. NOONAN JOHN L. THORNDIKE Treasurer FRANCIS W. HATCH MRS JAMES H. PERKINS ALLEN G. BARRY HAROLD D. HODGKINSON IRVING W. RABB RICHARD P. CHAPMAN E. MORTON JENNINGS JR SIDNEY STONEMAN EDWARD M. KENNEDY TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ERWIN D. CANHAM Chairman HENRY B. DEWEY LAWRENCE K. MILLER VERNON ALDEN Vice-Chairman RICHARD A. EHRLICH FRANK E. MORRIS LEONARD KAPLAN Secretary/ BYRON K. ELLIOTT MRS STEPHEN V. C. MORRIS HAZEN H. AYER ARCHIE C. EPPS III JOHN T. G. NICHOLS MRS FRANK G. ALLEN PAUL FROMM LOUVILLE NILES ROBERT C. ALSOP CARLTON P. FULLER DAVID R. POKROSS LEO L. BERANEK MRS ALBERT GOODHUE MRS BROOKS POTTER DAVID W. BERNSTEIN MRS JOHN L. GRANDIN HERBERT W. PRATT MRS CURTIS B. BROOKS STEPHEN W. GRANT MRS FAIRFIELD E. RAYMOND J. CARTER BROWN SAMUEL A. GROVES PAUL C. REARDON MRS LOUIS W.
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1961-1962
    Music Shed — Tanglewood Lenox, Massachusetts Thursday, August 2, 1962, at 8:00 For the Benefit of the Berkshire Music Center THE BOSTON POPS ARTHUR FIEDLER, Conductor Soloist EARL WILD, Piano PROGRAM *The Stars and Stripes Forever Sousa *Suite from "Le Cid" Massenet Castiliane — Aragonaise — Aubade — Navarraise #Mein Lebenslauf ist Lieb' und Lust, Waltzes Josef Strauss Pines of Rome Respighi I. The Pines of the Villa Borghese II. The Pines near a Catacomb III. The Pines of the Janiculum IV. The Pines of the Appian Way Intermission *Concerto in F for Piano and Orchestra Gershwin I. Allegro II. Adagio; Andante con moto III. Allegro agitato Soloist: Earl Wild *Selection from "West Side Story" Bernstein I Feel Pretty — Maria — Something's Coming — Tonight — One Hand, One Heart — Cool — A-mer-i-ca Mr. Wild plays the Baldwin Piano Baldwin Piano *RCA Victor Recording Special Event at Tanglewood Thursday, August 23 A GALA EVENING of Performances by the Students For the Benefit of the Berkshire Music Center ORDER OF EVENTS 4 :00 Chamber Music in the Theatre 5 :00 Music by Tanglewood Composers in the Chamber Music Hall 6:00 Picnic Hour 7 :00 Tanglewood Choir on the Main House Porch 8 :00 The Berkshire Music Center Orchestra Concert in the Shed In Mahler's Third Symphony, with the Festival Chorus and Florence Kopleff, Contralto Conductor—Richard Burgin Admission tickets . (All seats unreserved except boxes) $2.50 — Box Seats $5.00 Grounds open for admission at 3 :00 p.m. REMAINING FESTIVAL CONCERTS (The final concerts of Charles Munch as Music Director of the Boston Symphony Orchestra) EVENINGS — 8 :00 P.M.
    [Show full text]
  • A Sampling of Twenty-First-Century American Baroque Flute Pedagogy" (2018)
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Music, School of Performance - School of Music 4-2018 State of the Art: A Sampling of Twenty-First- Century American Baroque Flute Pedagogy Tamara Tanner University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Pedagogy Commons, and the Music Performance Commons Tanner, Tamara, "State of the Art: A Sampling of Twenty-First-Century American Baroque Flute Pedagogy" (2018). Student Research, Creative Activity, and Performance - School of Music. 115. https://digitalcommons.unl.edu/musicstudent/115 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. STATE OF THE ART: A SAMPLING OF TWENTY-FIRST-CENTURY AMERICAN BAROQUE FLUTE PEDAGOGY by Tamara J. Tanner A Doctoral Document Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Flute Performance Under the Supervision of Professor John R. Bailey Lincoln, Nebraska April, 2018 STATE OF THE ART: A SAMPLING OF TWENTY-FIRST-CENTURY AMERICAN BAROQUE FLUTE PEDAGOGY Tamara J. Tanner, D.M.A. University of Nebraska, 2018 Advisor: John R. Bailey During the Baroque flute revival in 1970s Europe, American modern flute instructors who were interested in studying Baroque flute traveled to Europe to work with professional instructors.
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • Candidate Brief
    Candidate Brief Brief for the position of Chief Executive Officer, PGA European Tour February 2015 Candidate Brief, February 2015 2 Chief Executive Officer, PGA European Tour Contents Welcome from the Chairman ................................................................................................................. 3 Summary......................................................................................................................................................... 4 The PGA European Tour........................................................................................................................... 5 Constitution and governance ............................................................................................................... 11 Role profile .................................................................................................................................................. 12 Selection criteria ....................................................................................................................................... 16 Principal challenges ................................................................................................................................. 17 Remuneration ............................................................................................................................................. 17 Search process ...........................................................................................................................................
    [Show full text]
  • ARSC Journal
    LEONARD BERNSTEIN, A COMPOSER DISCOGRAPHY" Compiled by J. F. Weber Sonata for clarinet and piano (1941-42; first performed 4-21-42) David Oppenheim, Leonard Bernstein (recorded 1945) (78: Hargail set MW 501, 3ss.) Herbert Tichman, Ruth Budnevich (rec. c.1953} Concert Hall Limited Editions H 18 William Willett, James Staples (timing, 9:35) Mark MRS 32638 (released 12-70, Schwann) Stanley Drucker, Leonid Hambro (rec. 4-70) (10:54) Odyssey Y 30492 (rel. 5-71) (7) Anniversaries (for piano) (1942-43) (2,5,7) Leonard Bernstein (o.v.) (rec. 1945) (78: Hargail set MW 501, ls.) (1,2,3) Leonard Bernstein (rec. c.1949) (4:57) (78: RCA Victor 12 0683 in set DM 1278, ls.) Camden CAL 214 (rel. 5-55, del. 2-58) (4,5) Leonard Bernstein (rec. c.1949) (3:32) (78: RCA Victor 12 0228 in set DM 1209, ls.) (vinyl 78: RCA Victor 18 0114 in set DV 15, ls.) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 (6,7) Leonard Bernstein (rec. c.1949) (2:18) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 Jeremiah symphony (1941-44; f.p. 1-28-44) Nan Merriman, St. Louis SO--Leonard Bernstein (rec. 12-1-45) ( 23: 30) (78: RCA Victor 11 8971-3 in set DM 1026, 6ss.) Camden CAL 196 (rel. 2-55, del. 6-60) "Single songs from tpe Broadway shows and arrangements for band, piano, etc., are omitted. Thanks to Jane Friedmann, CBS; Peter Dellheim, RCA; Paul de Rueck, Amberson Productions; George Sponhaltz, Capitol; James Smart, Library of Congress; Richard Warren, Jr., Yael Historical Sound Recordings; Derek Lewis, BBC.
    [Show full text]
  • PLAYERS GUIDE — Shinnecock Hills Golf Club | Southampton, N.Y
    . OP U.S EN SHINNECOCK HILLS TH 118TH U.S. OPEN PLAYERS GUIDE — Shinnecock Hills Golf Club | Southampton, N.Y. — June 14-17, 2018 conducted by the 2018 U.S. OPEN PLAYERS' GUIDE — 1 Exemption List SHOTA AKIYOSHI Here are the golfers who are currently exempt from qualifying for the 118th U.S. Open Championship, with their exemption categories Shota Akiyoshi is 183 in this week’s Official World Golf Ranking listed. Birth Date: July 22, 1990 Player Exemption Category Player Exemption Category Birthplace: Kumamoto, Japan Kiradech Aphibarnrat 13 Marc Leishman 12, 13 Age: 27 Ht.: 5’7 Wt.: 190 Daniel Berger 12, 13 Alexander Levy 13 Home: Kumamoto, Japan Rafael Cabrera Bello 13 Hao Tong Li 13 Patrick Cantlay 12, 13 Luke List 13 Turned Professional: 2009 Paul Casey 12, 13 Hideki Matsuyama 11, 12, 13 Japan Tour Victories: 1 -2018 Gateway to The Open Mizuno Kevin Chappell 12, 13 Graeme McDowell 1 Open. Jason Day 7, 8, 12, 13 Rory McIlroy 1, 6, 7, 13 Bryson DeChambeau 13 Phil Mickelson 6, 13 Player Notes: ELIGIBILITY: He shot 134 at Japan Memorial Golf Jason Dufner 7, 12, 13 Francesco Molinari 9, 13 Harry Ellis (a) 3 Trey Mullinax 11 Club in Hyogo Prefecture, Japan, to earn one of three spots. Ernie Els 15 Alex Noren 13 Shota Akiyoshi started playing golf at the age of 10 years old. Tony Finau 12, 13 Louis Oosthuizen 13 Turned professional in January, 2009. Ross Fisher 13 Matt Parziale (a) 2 Matthew Fitzpatrick 13 Pat Perez 12, 13 Just secured his first Japan Golf Tour win with a one-shot victory Tommy Fleetwood 11, 13 Kenny Perry 10 at the 2018 Gateway to The Open Mizuno Open.
    [Show full text]
  • TONI PASSMORE ANDERSON 209 Lincoln Lane Lagrange, GA 30240 (706) 880-8264 [email protected]
    TONI PASSMORE ANDERSON 209 Lincoln Lane LaGrange, GA 30240 (706) 880-8264 [email protected] EDUCATION: Georgia State University, Atlanta, Georgia Ph.D. in Higher Education, 1997 Dissertation Title: “The Fisk Jubilee Singers: Performing Ambassadors for the Survival of an American Treasure, 1871-1878" Courses in Music: Aesthetics of Music, Music Technology, Multicultural Music Education, Reference Materials and Research Methodology in Music New England Conservatory of Music, Boston, Massachusetts M.M. in Vocal Performance, May 1982 Voice with Susan Fisher Clickner; Opera with John Moriarty Lamar University, Beaumont, Texas B.M. in Music Education, May 1979 K-12 Certificate in State of Texas Other: Voice study with Susan Fisher Clickner, Irene Harrower, and Herald Stark; Coaching with Terry Decima, Maestro Rudolf Fellner, John Moriarty, James Gardner, Boris Goldovsky, Douglas Hines, John Douglas, Walter Huff. Vocal Master Classes with Eleanor Steber, Janice Harsanyi, Beverly Wolff. Four years of dance training (ballet, folk, movement for singers, jazz); eight years of private piano study. TEACHING AND ADMINISTRATIVE EXPERIENCE: LaGrange College, LaGrange, Georgia Fall 1999 - Present, Tenured Professor Chair, Music Program Co-Chair, Musical Theatre Program Musical Director/Conductor Courses Taught: Applied Voice; Diction for Singers; Opera Experience; Opera Survey; Music Survey; Interim Term travel experiences Morris Brown College, Atlanta, Georgia 1985-1999, Assistant Professor of Music Program Coordinator/Chair 1991; 1993-96 Tenured
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1982, Tanglewood
    BOSTON SWPHONY ORCHESTRA SEIJI OZAWA. Musk: Director - -t- " I Yes, if you're lucky! When you plan a Berkshire vacation, you're apt to neai^Sorry we're booked" m<|re than once. Simply because tourists value our country cnafm blended with cosmopolitan culture. We at Foxhollow hate the thought of your missing out on the Berkshire experience, so we're delighted to introduce our time-shared vacation home concept which provides you with superb accommodations at a fraction of their normal cost All yours ... a contemporary resort dwelling built on a renowned 280 acre country estate with stables, swimming, tennis, sailing, skiing and more. Savor authentic New England cuisine in our elegant dining room. Then enjoy a nightcap and entertainment in our Hunt's End Lounge. Breathe deeply . our air holds that special Berkshire magic. Imaginary voices of yesterday's literary giants mingle with the melodic strains of today's performers. Don't risk missing a Berkshire summer. Stop by and let us explain how you can share the Foxhollow experience. Same time next year? Guaranteed! The Ponds at Foxhollow . come share it with us. Route 7, Lenox, Massachusetts 01240 Tel. (413) 637-2706 1-800-292-6631 (in Massachusetts), 1-800-628-5990 (out of state) Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M.
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 5-20-1966 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1966). The George-Anne. 471. https://digitalcommons.georgiasouthern.edu/george-anne/471 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ^^H pg^g^gg^fl^HHI See SOUTHERN THE BELLE CONTEST George -Anne Page 9 PUBLISHED BY STUDENTS OF GEORGIA SOUTHERN COLLEGE VOLUME 43 STATESBORO, GEORGIA, FRIDAY' MAY 20, 1966 NUMBER 9 One-Act Plays Set for Tuesday olff To Appear in Concert In Auditorium Campus Enrichment Committee A series of four one-act plays will be presented Tuesday night at 8:15 in McCroan Auditorium To Sponsor Monday Attraction by Robert Overstreet's direct- Miss Beverly Wolff, the final 1965-66 attraction of the Campus ing class. Masquers will spons- Life Enrichment Committee, will appear in concert Monday at or the series. 8:15 p.m. in McCroan Auditorium. The four directors are Lib- Her career as a New York church singing, sales clerking by Brannon, Ralph Jones, City Opera vocalist began in and baby sitting. Pam Theus and Parker Cook. 1963 when she sang the role The one-act play is presented of Cherubino in Mozart's Following her 1952 first place in partial fulfillment for the "Marriage of Figaro." This in the Youth Auditions of the completion of the directing debut was the result of a Philadelphia Orchestra she course.
    [Show full text]