A List of Recommended Recordings (Weeks 1 Through 4)

Total Page:16

File Type:pdf, Size:1020Kb

A List of Recommended Recordings (Weeks 1 Through 4) A List of Recommended Recordings (Weeks 1 Through 4) Week One: France François-Joseph Gossec Selected Symphonies Matthias Bamert conducts the London Mozart Players, on Chandos Hector Berlioz Symphonie fantastique Michael Tilson Thomas conducts the San Francisco Symphony, on RCA Victor Charles Munch conducts the Boston Symphony Orchestra, on RCA Victor Harold in Italy Charles Munch conducts the Boston Symphony Orchestra, on RCA Victor Symphonie Funèbre et Triomphale Colin Davis conducts the London Symphony, on Philips Romeo et Juliette Carlo Maria Giulini conducts the Chicago Symphony, on DGG Camille Saint-Saëns Symphony No. 3 in C Minor, Op. 78 (Organ) Christoph Eschenbach conducts the Philadelphia Orchestra, on Ondine Edo De Waart conducts the San Francisco Symphony, on Philips César Franck Symphony in D Minor Pierre Monteux conducts the Chicago Symphony, on RCA Victor Vincent d’Indy Symphony on a French Mountain Air Charles Munch conducts the Boston Symphony, on RCA Victor Symphony No. 2, Op. 57 Pierre Monteux conducts the San Francisco Symphony, on Sony Classical (Pierre Monteux Edition, available from ArkivMusic.com as a low-cost reprint CD.) Ernest Chausson Symphony in B-flat Major, Op. 20 Pierre Monteux conducts the San Francisco Symphony, on Sony Classical (Pierre Monteux Edition, available from ArkivMusic.com as a low-cost reprint CD.) Olivier Messiaen Turangalîla Symphony Riccardo Chailly conducts the Concertgebouw Orchestra, on Decca Week Two: Bohemia The Symphonies of Antonin Dvořák Istvan Kertesz conducts the London Symphony Orchestra, on Decca Witold Rowicki conducts the London Symphony Orchestra, on Decca Individual Symphonies: Symphony No. 7 in D Minor Iván Fischer conducts the Budapest Festival Orchestra, on Channel Classics Symphony No. 8 in G Major Mariss Jansons conducts the Royal Concertgebouw Orchestra, on RCO Live Rafel Kubelik conducts the Berlin Philharmonic, on DGG Symphony No. 9 in E Minor (New World) Fritz Reiner conducts the Chicago Symphony Orchestra, on RCA Victor Rafael Kubelik conducts the Berlin Philharmonic, on DGG Bohuslav Martinů Complete Symphonies Jiri Belohlavek conducts the BBC Symphony, on Harmonia Mundi Bryden Thomson conducts the Royal Scottish Symphony, on Chandos Week Three: Russia, Part 1 Anton Rubinstein Symphony No. 5 in G Minor, Op. 107 Horia Andreescu conducts the George Enescu State Philharmonic, on Naxos Nicolai Rimsky-Korsakov Symphony No. 2, Op. 9 “Antar” Ernest Ansermet conducts L’Orchestre de la Suisse Romande, on Decca Neeme Jarvi conducts the Gothenberg Symphony Orchestra, on DGG Alexander Borodin Symphony No. 2 in B Minor Gerard Schwarz conducts the Seattle Symphony, on Naxos Ernest Ansermet conducts L’Orchestre de la Suisse Romande, on Decca Peter Ilyich Tchaikovsky All symphonies Leonard Bernstein conducts the New York Philharmonic, on Sony Classical Symphony No. 4 in F Minor, Op. 36 Iván Fischer conducts the Budapest Festival Orchestra, on Channel Classics Symphony No. 5 in E Minor, Op. 64 Evgeny Mravinsky conducts the Leningrad Philharmonic, on DGG Symphony No. 6 in B Minor, Op. 74 (Pathétique) Carlo Maria Giulini conducts the Los Angeles Philharmonic, on DGG Pierre Monteux conducts the Boston Symphony Orchestra, on RCA Victor Evgeny Mravinsky conducts the Leningrad Philharmonic, on DGG Week Four: Russia, Part 2 Sergei Rachmaninoff Symphony No. 2 in E Minor, Op. 27 Mariss Jansons conducts the St. Petersburg Philharmonic, on Decca Iván Fischer conducts the Budapest Festival Orchestra, on Channel Classics Leonard Slatkin conducts the Detroit Symphony Orchestra, on Naxos Igor Stravinsky Symphony in Three Movements Igor Stravinsky conducts the Columbia Symphony Orchestra, on Sony Classical Sir Simon Rattle conducts the Berlin Philharmonic, on EMI Symphony of Psalms Igor Stravinsky conducts the CBC Symphony, on Sony Classical Sir Simon Rattle conducts the Berlin Philharmonic, on EMI Karl Ancerl conducts the Czech Philharmonic, on Supraphon Symphony in C Igor Stravinsky conducts the Columbia Symphony Orchestra, on Sony Classical Michael Tilson Thomas conducts the London Symphony Orchestra, on Sony Classical Serge Prokofiev Symphony No. 1 “Classical” Valery Gergiev conducts the London Symphony Orchestra, on Decca James Levine conducts the Chicago Symphony Orchestra, on DGG Symphony No. 5 in B-flat Major, Op. 100 James Levine conducts the Chicago Symphony Orchestra, on DGG Dmitri Shostakovich Symphony No. 1 in F Minor, Op. 10 Valery Petrenko conducts the Royal Liverpool Philharmonic, on Naxos Symphony No. 5 in D Minor, Op. 47 Christoph Eschenbach conducts the Philadelphia Orchestra, on Ondine Michael Tilson Thomas conducts the San Francisco Symphony, on SFS Media (Keeping Score Companions series) Symphony No. 7 in C Major, Op. 60 (Leningrad) Mariss Jansons conducts the Royal Concertgebouw Orchestra, on RCO Live Symphony No. 10 in E Minor, Op. 93 Valery Petrenko conducts the Royal Liverpool Philharmonic, on Naxos .
Recommended publications
  • ARSC Journal, Spring 1992 69 Sound Recording Reviews
    SOUND RECORDING REVIEWS Chicago Symphony Orchestra: The First Hundred Years CS090/12 (12 CDs: monaural, stereo; ADD)1 Available only from the Chicago Symphony Orchestra, 220 S. Michigan Ave, Chicago, IL, for $175 plus $5 shipping and handling. The Centennial Collection-Chicago Symphony Orchestra RCA-Victor Gold Seal, GD 600206 (3 CDs; monaural, stereo, ADD and DDD). (total time 3:36:3l2). A "musical trivia" question: "Which American symphony orchestra was the first to record under its own name and conductor?" You will find the answer at the beginning of the 12-CD collection, The Chicago Symphony Orchestra: The First 100 Years, issued by the Chicago Symphony Orchestra (CSO). The date was May 1, 1916, and the conductor was Frederick Stock. 3 This is part of the orchestra's celebration of the hundredth anniversary of its founding by Theodore Thomas in 1891. Thomas is represented here, not as a conductor (he died in 1904) but as the arranger of Wagner's Triiume. But all of the other conductors and music directors are represented, as well as many guests. With one exception, the 3-CD set, The Centennial Collection: Chicago Symphony Orchestra, from RCA-Victor is drawn from the recordings that the Chicago Symphony made for that company. All were released previously, in various formats-mono and stereo, 78 rpm, 45 rpm, LPs, tapes, and CDs-as the technologies evolved. Although the present digital processing varies according to source, the sound is generally clear; the Reiner material is comparable to RCA-Victor's on-going reissues on CD of the legendary recordings produced by Richard Mohr.
    [Show full text]
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Frederica Von Stade
    FREDERICA VON STADE Mezzo-soprano Described by the New York Times as "one of America's finest artists and singers," Frederica von Stade continues to be extolled as one of the music world's most beloved figures. Known to family, friends, and fans by her nickname "Flicka," the mezzo-soprano has enriched the world of classical music for three decades. Miss von Stade's career has taken her to the stages of the world's great opera houses and concert halls. She began at the top, when she received a contract from Sir Rudolf Bing during the Metropolitan Opera auditions, and since her debut in 1970 she has sung nearly all of her great roles with that company. In January 2000, the company celebrated the 30th anniversary of her debut with a new production of The Merry Widow specifically for her, and in 1995, as a celebration of her 25th anniversary, the Metropolitan Opera created for her a new production of Pelléas et Mélisande. In addition, Miss von Stade has appeared with every leading American opera company, including San Francisco Opera, Lyric Opera of Chicago, and Los Angeles Opera. Her career in Europe has been no less spectacular, with new productions mounted for her at Teatro alla Scala, Royal Opera Covent Garden, the Vienna State Opera, and the Paris Opera. She is invited regularly by the finest conductors, among them Claudio Abbado, Charles Dutoit, James Levine, Kurt Masur, Riccardo Muti, Seiji Ozawa, André Previn, Leonard Slatkin, and Michael Tilson Thomas, to appear in concert with the world's leading orchestras, including the Boston Symphony Orchestra, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, London Symphony Orchestra, Washington's National Symphony, and the Orchestra of La Scala.
    [Show full text]
  • Mahler, Petra Lang, Royal Concertgebouw
    Mahler Symphony No. 3 / Bach Suite mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Symphony No. 3 / Bach Suite Country: Europe Released: 2004 Style: Romantic, Modern MP3 version RAR size: 1829 mb FLAC version RAR size: 1389 mb WMA version RAR size: 1509 mb Rating: 4.4 Votes: 858 Other Formats: RA XM ADX MMF ASF APE VOC Tracklist Symphony No. 3 In D Minor 1-1 1. Kräftig - Entschieden 35:00 1-2 2. Tempo Di Menuetto. Sehr Mäßig 9:44 1-3 3. Comodo. Scherzando. Ohne Hast 17:25 2-1 4. Sehr Langsam. Misterioso - 'o Mensch! Gib Acht!' 10:11 5. Lustig Im Tempo Und Keck Im Ausdruck - 'bimm Bamm. .Es 2-2 10:18 Sungen Drei Engel' 2-3 6. Langsam. Ruhevoll. Empfunden 23:10 Bach Suite (Arr. Mahler) 2-4 1. Overture 6:32 2-5 2. Rondeau - Badinerie 3:45 2-6 3 Air 5:06 2-7 4. Gavottes 1. And 2. 3:37 Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Recorded At – Grote Zaal, Concertgebouw, Amsterdam Credits Arranged By – Gustav Mahler (tracks: 2-4 to 2-7) Choir – Netherlands Children's Choir (tracks: 1 to 2-3), Prague Philharmonic Choir* (tracks: 1 to 2-3) Composed By – Gustav Mahler (tracks: 1 to 2-3), Johann Sebastian Bach (tracks: 2-4 to 2-7) Conductor – Riccardo Chailly Edited By – Ian Watson , Jenni Whiteside Engineer – Andrew Hallifax (tracks: 1-1 to 2-3), Graham Meek (tracks: 2-4 to 2-7) Executive Producer – Andrew Cornall Liner Notes – Donald Mitchell Mezzo-soprano Vocals – Petra Lang (tracks: 1 to 2-3) Mixed By – Jonathan Stokes Orchestra – Royal Concertgebouw Orchestra* Notes - Recording dates: 5-9 May 2003 (Symphony No.
    [Show full text]
  • TEM Issue 16 Cover and Front Matter
    TEMPSUMMER O1950 CONTENTS • NOTES AND NEWS SERGE KOUSSEVITZKY * MUSIC FESTIVALS BRITISH FESTIVALS : SOME COMMENTS ON THEIR CUSTOMS Donald Mitchell THE NORDIC MUSIC FESTIVALS : 1888-1938 Jiirgen Balzer ITALIAN MUSIC FESTIVALS Guido M. Gatti MUSICAL LIFE IN GERMANY SINCE THE WAR Walther Harth TANGLEWOOD AFTER TEN YEARS Ralph Hawkes * PRODUCING ELEKTRA Stephen Beinl BOOK GUIDE NUMBER QUARTERLY 16TWO SHILLINGS Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.40, on 24 Sep 2021 at 10:17:38, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0040298200043369 His Masters Voice" Special lAst €€€€- The contents of the " Special List" are of great interest to the serious record buyer, for they represent the best of international recorded art that is not included in the General Record Catalogue. In many cases " Special List" recordings are the only versions available. They explore the high- ways and byways of music with fascinating results. Available from " His Master's Voice" Dealers to Special Order. Here are the latest additions:— RAVEL SCHONBERG Quartet in F Major Verklarte Nacht, Op. 4 Paganini Quartet - DB 9452-5 St. Louis Symphony Orchestra cond. by Vladimir Golschmann JANACEK DB 9280-3 Sinfonietta Czech Philharmonic Orchestra SCHUBERT conducted by Rafael Kubelik Quartet in G Major — Op. 161 C 7671-3 Hungarian String Quartet BRAHMS DB 9331-5 Concerto No. 1 in D Minor STRAVINSKY Claudia Arrau and The Rite of Spring The Philharmonia Orchestra San Francisco Symphony Orch. HIS MASTERS VOICE conducted by Basil Cameron conducted by Pierre Monteux DB 9250-55 DB 9409-12 All records in Automatic Couplings only THE GRAMOPHONE COMPANY LIMITED.
    [Show full text]
  • MUSIC DIRECTORS Fritz Reiner
    MUSIC DIRECTORS Fritz Reiner Born December 19, 1888, Budapest, Hungary. Died November 15, 1963, New York City. MUSIC DIRECTOR (1953-1962) MUSICAL ADVISOR (1962-1963) Fritz Reiner studied at the music academy in Budapest. His conducting debut was sudden-when the staff conductor at the Budapest Opera was taken ill, Reiner (then its young rehearsal coach) was thrust onto podium to direct that evening’s performance of Bizet’s Carmen. His full command of the situation subsequently led to his appointment as first conductor at the Laibach (now Ljubljana) National Opera. From 1911 to 1914, Reiner was conductor of the People’s Opera in Budapest and went on to head the renowned Dresden Opera. He achieved great success conducting the music of Richard Strauss and premiered many of the composer’s works at Dresden. Reiner came to the United States in 1922 and became conductor of the Cincinnati Symphony, where he remained until 1931; during this time he also was a frequent guest orchestral and operatic conductor in San Francisco, Philadelphia, and Chicago. In the 1934-35 season, Reiner organized the Philadelphia Opera Association and became its chief conductor. In 1938 he accepted the post of music director of the Pittsburgh Symphony, where he would remain for ten seasons until becoming principal conductor of the Metropolitan Opera. Having previously guest conducted at both Orchestra Hall and the Ravinia Festival, Fritz Reiner was no stranger to the Chicago Symphony Orchestra when he became its music director in 1953. Under his leadership, the Orchestra made several landmark recordings for RCA Records including Bartók’s Concerto for Orchestra, Strauss’s Ein Heldenleben, and Prokofiev’s Alexander Nevsky.
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • Love Triangle Broadcast Live on Nscmf.Org Institute of Music and San Francisco Moscow
    nstage/offstage Tonight’s concert is being of the faculties at the Cleveland Tchaikovsky Piano Competition in Love Triangle broadcast live on nscmf.org Institute of Music and San Francisco Moscow. Wolfram has appeared as Friday, September 11, 2O2O / 7:3O PM and presented without an Conservatory of Music. Kosower is the a soloist with many of the greatest intermission. first cellist to record the complete music orchestras of the world and has for solo cello of Alberto Ginastera, developed a special reputation as Romantic music of the Schumanns for the Naxos label. the rare concerto soloist who is also equally adept as a recitalist and Vadim Gluzman, violin and Johannes Brahms chamber musician. His benchmark artistic director recordings for the Naxos label Gluzman’s extraordinary artistry includes four CDs of Franz Liszt’s brings to life the glorious violinistic Opera Transcriptions. tradition of the 19th and 20th Robert Schumann I. Zart und mit Ausdruck Shterenberg / Wolfram centuries. Gluzman appears with Tender and with expression major orchestras around the Three Fantasy Pieces for Ilya Shterenberg, clarinet world such as the as the Berlin Principal clarinetist of the San clarinet and piano, op. 73 II. Lebhaft, leicht Philharmonic, Boston Symphony, Antonio Symphony and Principal Lively, light Chicago Symphony, Cleveland clarinetist of the ProMusica Chamber Orchestra, Israel Philharmonic, III. Rasch und mit Feuer Orchestra, Shterenberg balances a Quick and with fire Leipzig Gewandhaus, London busy career as an orchestral musician, Angela Yoffe, piano Symphony, Orchestre de Paris, chamber music performer, and a executive director Philadelphia Orchestra, and the soloist. He has been featured as a Pianist, producer, and educator, Royal Concertgebouw alongside Clara Schumann I.
    [Show full text]
  • San Francisco Symphony 2019–2020 Season Concert Calendar
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / UPDATED OCTOBER 29, 2019 SAN FRANCISCO SYMPHONY 2019–2020 SEASON CONCERT CALENDAR PLEASE NOTE: Single tickets for the San Francisco Symphony’s 2019–20 season concerts go on sale MONDAY, July 22 at 8 am at the box office and are available online & by phone at 10am. Single tickets and subscription packages for the San Francisco Symphony’s 2019–20 season will be available at https://www.sfsymphony.org/MTT25, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA IN HONOR OF MICHAEL TILSON THOMAS and JOSHUA ROBISON Wednesday, September 4, 2019 at 8:00 pm Michael Tilson Thomas conductor Susanna Phillips soprano Jennifer Johnson Cano mezzo-soprano Jonathan Tetelman tenor Ryan McKinny bass-baritone San Francisco Symphony Chorus, Ragnar Bohlin director San Francisco Symphony Luke Kritzeck lightning design GLINKA Overture to Ruslan and Ludmila COPLAND “The Dodger” from Old American Songs Gordon GETTY Shenandoah COPLAND “Golden Willow Tree” from Old American Songs BRITTEN Variations and Fugue on a Theme by Purcell, Opus 34 BEETHOVEN IV. Finale: Ode, “To Joy” from Symphony No. 9 in D minor, Opus 125 San Francisco Symphony 2019-20 Season Calendar – Page 2 of 38 ALL SAN FRANCISCO CONCERT, CONDUCTED BY MICHAEL TILSON THOMAS Thursday,
    [Show full text]
  • Chicago Symphony Orchestra
    Pittsburgh Symphony Orchestra 2015-2016 Mellon Grand Classics Season June 10 and 12, 2016 GIANCARLO GUERRERO, CONDUCTOR SERGEI PROKOFIEV Suite from Lieutenant Kijé, Opus 60 I. The Birth of Kijé II. Romance III. Kijé’s Wedding IV. Troika V. The Burial of Kijé AARON COPLAND El Salón México Intermission THE EARTH – AN HD ODYSSEY RICHARD STRAUSS Also sprach Zarathustra, Opus 30 JOHN ADAMS Short Ride in a Fast Machine June 10-12, 2016, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA SERGEI PROKOFIEV Born 23 April 1891 in Sontsovka, Russia; died 4 March 1953 in Moscow Suite from Lieutenant Kijé, Opus 60 (1933-1934) PREMIERE OF WORK: Moscow, 21 December 1934; Soviet State Radio Orchestra; Sergei Prokofiev, conductor PSO PREMIERE: 7 January 1944; Syria Mosque; Fritz Reiner, conductor APPROXIMATE DURATION: 19 minutes INSTRUMENTATION: woodwinds in pairs plus piccolo, tenor saxophone, four horns, cornet, two trumpets, three trombones, tuba, percussion, harp, celesta, piano and strings Lieutenant Kijé, directed by Alexander Feinzimmer, was a portrait of early-19th-century Russia and a satire on government bungling and militarism. Russian-born American scholar Nicholas Slonimsky described the plot: “The subject of the film is based on an anecdote about Czar Nicholas I, who misread the report of his military aid so that the last syllable of the name of a Russian officer which ended ki and the Russian expletive jé formed a non-existent name, Kijé. The obsequious courtiers, fearful of pointing out to the Czar the mistake he had made, decided to invent an officer of that name. Hence all kinds of comical adventures and fictitious occurrences.” The mythical soldier was really a blessing in disguise, since the blame for any bureaucratic bungling could be dumped on his head.
    [Show full text]
  • CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Fall 2018
    CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS Broadcast Schedule – Fall 2018 PROGRAM #: CSO 18-40 RELEASE DATE: September 28, 2018 Riccardo Muti conducts Bruckner's Fourth Symphony Rossini: Overture to William Tell Ogonek: All These Lighted Things Bruckner: Symphony No. 4 in E-flat Major, “Romantic” Prokofiev: Symphony No. 1 in D Major, Op. 25 PROGRAM #: CSO 18-41 RELEASE DATE: October 5, 2018 Riccardo Muti conducts Schubert Mass in E-flat Major Weber: Overture to Oberon Raimi: Three Lisel Mueller Settings (Elizabeth Deshong, mezzo-soprano, world premiere) Schubert: Mass No. 6 in E-flat Major, D. 950 (Chicago Symphony Chorus, Duain Wolfe, director; Amanda Forsythe, soprano; Elizabeth Deshong, mezzo- soprano; Paul Appleby, tenor; Nicholas Phan, tenor; Nahuel di Pierro, bass) Wagner: Siegfried's Rhine Journey from Götterdämmerung (Fritz Reiner, conductor) PROGRAM #: CSO 18-42 RELEASE DATE: October 12, 2018 Edo de Waart conducts Beethoven Mozart: Symphony No. 38 in D Minor, K. 504, “Prague” (Daniel Gingrich, horn) Mozart: Horn Concerto No. 3 in E-flat Major, K. 447 (Daniel Gingrich, horn) Beethoven: Symphony No. 2 in D Major, Op. 36 (Daniel Gingrich, horn) Strauss: Metamorphosen (Daniel Gingrich, horn) PROGRAM #: CSO 18-43 RELEASE DATE: October 19, 2018 Giovanni Antonini conducts Classical and Baroque Treasures Boccherini: Symphony No. 6 in D Minor, G. 506, Op. 12, No. 4, “La casa del diavolo” Vivaldi: Mandolin Concerto in C Major, RV 425 (Avi Avital, mandolin) Bach: Mandolin Concerto in D Minor, BWV 1052 (Avi Avital, mandolin) Traditional Bulgarian, arr. Avital: Bucimis (Avi Avital, mandolin) Vivaldi: Mandolin Concerto in C Major, RV 425 (Giovanni Antonini, flauntino) Haydn: Symphony No.
    [Show full text]
  • September 10, 2020 Please Review The
    September 10, 2020 Please review the following additions to the San Francisco Symphony’s roster for the upcoming 2020–21 season. This season, Mark Almond joins the San Francisco Symphony as Associate Principal Horn. He joined the San Francisco Opera Orchestra as Co-Principal Horn in 2016 and before that held the position of 3rd Horn with the Philharmonia Orchestra of London. Growing up in Bolton, England, Almond was taught to play horn primarily by Christopher Wormald, his local high school music teacher, and subsequently won principal horn positions with the National Youth Orchestra of Great Britain and the European Union Youth Orchestra. He made his professional debut playing with the London Symphony Orchestra, at age 19, and has since performed as guest principal with numerous ensembles including the Los Angeles Philharmonic, Philharmonia Orchestra, City of Birmingham Symphony Orchestra, and the Royal Philharmonic Orchestra. In addition to playing the horn, Almond is an experienced hospital physician and has a PhD in immunology and virology from Imperial College, London. He is currently researching COVID-19 as a Post-Doctoral Research Scholar at UCSF. Bryce Leafman joins the San Francisco Symphony as Assistant Principal Timpani/Section Percussion. Previously, he was Principal Percussion of the Billings Symphony Orchestra during the 2019–20 season, and he has performed with the Omaha, Berkeley, Marin, and New World symphonies; the Boston Philharmonic; and Symphony New Hampshire. In 2017 he was the first percussionist to win a solo concerto competition at the Aspen Music Festival, and he returned to the Aspen Music Festival in 2019 as the Charles Owen Memorial Percussion Fellow.
    [Show full text]