Boston Symphony Orchestra Concert Programs, Season 103, 1983-1984, Subscription
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Tracing the Development of Extended Vocal Techniques in Twentieth-Century America
CRUMP, MELANIE AUSTIN. D.M.A. When Words Are Not Enough: Tracing the Development of Extended Vocal Techniques in Twentieth-Century America. (2008) Directed by Mr. David Holley, 93 pp. Although multiple books and articles expound upon the musical culture and progress of American classical, popular and folk music in the United States, there are no publications that investigate the development of extended vocal techniques (EVTs) throughout twentieth-century American music. Scholarly interest in the contemporary music scene of the United States abounds, but few sources provide information on the exploitation of the human voice for its unique sonic capabilities. This document seeks to establish links and connections between musical trends, major artistic movements, and the global politics that shaped Western art music, with those composers utilizing EVTs in the United States, for the purpose of generating a clearer musicological picture of EVTs as a practice of twentieth-century vocal music. As demonstrated in the connecting of musicological dots found in primary and secondary historical documents, composer and performer studies, and musical scores, the study explores the history of extended vocal techniques and the culture in which they flourished. WHEN WORDS ARE NOT ENOUGH: TRACING THE DEVELOPMENT OF EXTENDED VOCAL TECHNIQUES IN TWENTIETH-CENTURY AMERICA by Melanie Austin Crump A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2008 Approved by ___________________________________ Committee Chair To Dr. Robert Wells, Mr. Randall Outland and my husband, Scott Watson Crump ii APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The School of Music at The University of North Carolina at Greensboro. -
Candidate Brief
Candidate Brief Brief for the position of Chief Executive Officer, PGA European Tour February 2015 Candidate Brief, February 2015 2 Chief Executive Officer, PGA European Tour Contents Welcome from the Chairman ................................................................................................................. 3 Summary......................................................................................................................................................... 4 The PGA European Tour........................................................................................................................... 5 Constitution and governance ............................................................................................................... 11 Role profile .................................................................................................................................................. 12 Selection criteria ....................................................................................................................................... 16 Principal challenges ................................................................................................................................. 17 Remuneration ............................................................................................................................................. 17 Search process ........................................................................................................................................... -
Artist Series – Gilbert Kalish Program Notes
ARTIST SERIES – GILBERT KALISH PROGRAM GEORGE CRUMB (b. 1929) Three Early Songs for Voice and Piano (1947) Night Let It Be Forgotten Wind Elegy Tony Arnold, soprano • Gilbert Kalish, piano FRANZ SCHUBERT (1797-1828) “Der Hirt auf dem Felsen” for Soprano, Clarinet, and Piano, D. 965, Op. 129 (1828) Lisette Oropesa, soprano • David Shifrin, clarinet • Gilbert Kalish, piano JOHANNES BRAHMS (1833-1897) Quartet No. 3 in C minor for Piano, Violin, Viola, and Cello, Op. 60 (1855-56, 1874) Allegro non troppo Scherzo: Allegro Andante Finale: Allegro comodo Gilbert Kalish, piano • Nicolas Dautricourt, violin • Paul Neubauer, viola • Torleif Thedéen, cello NOTES ON THE PROGRAM Three Early Songs for Voice and Piano (1947) George Crumb (b. CHarleston, WV, 1929) Crumb wrote these songs in 1947, the year he graduated high school and entered Mason College in his native Charleston, West Virginia. His now-wife of 70 years, Elizabeth May Brown, was the first to sing them and they are dedicated to her. They are wholly unlike the works that Crumb eventually became famous for—their sound is more early 20th century art song than the unique and otherworldly sound palette he would later develop. Crumb explained that in West Virginia at that time, Debussy was “almost an ultra-modern.” These songs, with delightful melodies and floating harmonies, show that young Crumb, even before finding his mature style, still had a gift for music that is understated yet emotionally powerful. Crumb suppressed the vast majority of his student compositions but he’s allowed performance of these songs. “Most of the music I wrote before the early sixties (when I finally found my own voice) now Chamber Music Society of Lincoln Center causes me intense discomfort,” he writes, “although I make an exception for a few songs which I composed when I was 17 or 18.… these little pieces stayed in my memory and when, some years ago, Jan DeGaetani expressed an interest in seeing them (with a view to possible performance if she liked them), I made a few slight revisions and even decided to have them published. -
PLAYERS GUIDE — Shinnecock Hills Golf Club | Southampton, N.Y
. OP U.S EN SHINNECOCK HILLS TH 118TH U.S. OPEN PLAYERS GUIDE — Shinnecock Hills Golf Club | Southampton, N.Y. — June 14-17, 2018 conducted by the 2018 U.S. OPEN PLAYERS' GUIDE — 1 Exemption List SHOTA AKIYOSHI Here are the golfers who are currently exempt from qualifying for the 118th U.S. Open Championship, with their exemption categories Shota Akiyoshi is 183 in this week’s Official World Golf Ranking listed. Birth Date: July 22, 1990 Player Exemption Category Player Exemption Category Birthplace: Kumamoto, Japan Kiradech Aphibarnrat 13 Marc Leishman 12, 13 Age: 27 Ht.: 5’7 Wt.: 190 Daniel Berger 12, 13 Alexander Levy 13 Home: Kumamoto, Japan Rafael Cabrera Bello 13 Hao Tong Li 13 Patrick Cantlay 12, 13 Luke List 13 Turned Professional: 2009 Paul Casey 12, 13 Hideki Matsuyama 11, 12, 13 Japan Tour Victories: 1 -2018 Gateway to The Open Mizuno Kevin Chappell 12, 13 Graeme McDowell 1 Open. Jason Day 7, 8, 12, 13 Rory McIlroy 1, 6, 7, 13 Bryson DeChambeau 13 Phil Mickelson 6, 13 Player Notes: ELIGIBILITY: He shot 134 at Japan Memorial Golf Jason Dufner 7, 12, 13 Francesco Molinari 9, 13 Harry Ellis (a) 3 Trey Mullinax 11 Club in Hyogo Prefecture, Japan, to earn one of three spots. Ernie Els 15 Alex Noren 13 Shota Akiyoshi started playing golf at the age of 10 years old. Tony Finau 12, 13 Louis Oosthuizen 13 Turned professional in January, 2009. Ross Fisher 13 Matt Parziale (a) 2 Matthew Fitzpatrick 13 Pat Perez 12, 13 Just secured his first Japan Golf Tour win with a one-shot victory Tommy Fleetwood 11, 13 Kenny Perry 10 at the 2018 Gateway to The Open Mizuno Open. -
Boston Symphony Orchestra Concert Programs, Summer, 1982, Tanglewood
BOSTON SWPHONY ORCHESTRA SEIJI OZAWA. Musk: Director - -t- " I Yes, if you're lucky! When you plan a Berkshire vacation, you're apt to neai^Sorry we're booked" m<|re than once. Simply because tourists value our country cnafm blended with cosmopolitan culture. We at Foxhollow hate the thought of your missing out on the Berkshire experience, so we're delighted to introduce our time-shared vacation home concept which provides you with superb accommodations at a fraction of their normal cost All yours ... a contemporary resort dwelling built on a renowned 280 acre country estate with stables, swimming, tennis, sailing, skiing and more. Savor authentic New England cuisine in our elegant dining room. Then enjoy a nightcap and entertainment in our Hunt's End Lounge. Breathe deeply . our air holds that special Berkshire magic. Imaginary voices of yesterday's literary giants mingle with the melodic strains of today's performers. Don't risk missing a Berkshire summer. Stop by and let us explain how you can share the Foxhollow experience. Same time next year? Guaranteed! The Ponds at Foxhollow . come share it with us. Route 7, Lenox, Massachusetts 01240 Tel. (413) 637-2706 1-800-292-6631 (in Massachusetts), 1-800-628-5990 (out of state) Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. -
Sporting Legends: Seve Ballesteros
SPORTING LEGENDS: SEVE BALLESTEROS SPORT: GOLF COMPETITIVE ERA: 1974 - 2008 Severiano "Seve" Ballesteros (born 9 April 1957 in Pedreña, Spain) is a Spanish golfer who was one of the sport's leading figures in the 1980s and 1990s. Ballesteros turned professional in March 1974 at the age of 16. In 1976, he burst onto the international scene with a second-place finish in The Open Championship; he went on to win the European Tour Order of Merit (money title) that year, and repeated his Order of Merit win the following two years. He would go on to win the Order of Merit six times, a record at that time (since surpassed by Colin Montgomerie). Ballesteros went on to win five major championships: The Masters: 1980, 1983 His 1980 win was the first at Augusta by a European player. The Open Championship: 1979, 1984, 1988. He was also a great at match play; he won the World Match Play Championship five times, and was a mainstay of the European Ryder Cup team for much of the 1980s and 1990s. He scored 20 points out of 37 matches against the United States; his partnership with José María Olazábal was one of the most successful in the history of the competition, with 11 wins and two halved matches out of 15 pairs matches. While Ballesteros was a member of European sides that won the Ryder Cup in 1985, retained the Cup in 1987 and 1989, and regained the Cup in 1995, the pinnacle of his career in the competition came in 1997, when he captained the winning European side at Valderrama Golf Club in Sotogrande, Spain. -
Prospective Encounters
FOUR INNOVATIVE EVENTS IN GREENWICH VILLAGE presented by the NEW YORK PHILHARMONIC PIERRE BOULEZ, Music Director EISNER AND LUBIN AUDITORIUM, LOEB STUDENT CENTER, NEW YORK UNIVERSITY Friday Evening, February 18, 1972, at 7:30 p.m. PROSPECTIVE ENCOUNTER IV PIERRE BOULEZ, Conductor STANLEY SILVERMAN PLANH Stanley Silverman, Guitar Violin Flute, Alto Flute Percussion Kenneth Gordon Paige Brook Richard Fitz Viola Clarinet, Gordon Gottlieb Sol Greitzer Bass Clarinet Mandolin Cello Stephen Freeman Jacob Glick Bernardo Altmann GEORGE CRUMB "Ancient Voices of Children" A Cycle of Songs on Texts by Garcia Lorca I "El niho busca su voz" ("The Little Boy Was Looking for his Voice") "Dances of the Ancient Earth" II "Me he perdido muchas veces por el mar" ("I Have Lost Myself in the Sea Many Times") III "6De d6nde vienes, amor, mi nino?" ("From Where Do You Come, My Love, My Child?") ("Dance of the Sacred Life-Cycle") IV "Todas ]as tardes en Granada, todas las tardes se muere un nino" ("Each After- noon in Granada, a Child Dies Each Afternoon") "Ghost Dance" V "Se ha Ilenado de luces mi coraz6n de seda" ("My Heart of Silk Is Filled with Lights") Jan DeGaetani, Mezzo-soprano Joseph Lampke, Boy soprano Oboe Harp Percussion Harold Gomberg Myor Rosen Raymond DesRoches Mandolin Piano Richard Fitz Jacob Glick PaulJacobs Gordon Gottlieb Orchestra Personnel Manager, James Chambers ERIC SALZMAN with QUOG ECOLOG QUOG Josh Bauman Imogen Howe Jon Miller Tina Chancey Garrett List Barbara Oka Tony Elitcher Jim Mandel Walter Wantman Laura Greenberg Bill Matthews -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Boston Symphony Orchestra Concert Programs, Season 115, 1995-1996
BOSTON • s, •<».^: SYMPHONY ORCHESTRA v SEIJIOZAWA MUSIC DIRECTOR 9 6 S E O N The security of a trust, Fidelity investment expertise. A Classic Composition '****? \*&T~~ Fidelity Just as a Beethoven score is at its JdfeJ^-best when performed by a world- ** Pergonal \* class symphony — so, too, should your trust assets be managed by Tru<tt *g£ a financial company recognized Servicer globally for its investment expertise. Fidelity Investments. Xhat's why Fidelity now offers a managed trust or personalized >»^~~i»vestment management account 5*foryour portfolio of $400,000 or more. For more "information, visit , a Fidelity Investor Center or call Fidelity Pergonal Triut Service** at ' 1-800-854-2829. Visit a Fidelity Investor Center Near You: Boston - Back Bay • Boston - Financial District Braintree, MA • Burlington, MA Fidelity investments" SERVICES OFFERED ONLY THROUGH AUTHORIZED TRUST COMPANIES. TRUST SERVICES VARY BY STATE. FIDELITY BROKERAGE SERVICES, INC., MEMBER NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Fifteenth Season, 1995-96 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice- Chairman Harvey Chet Krentzman, Vice-Chairman Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Edna S. Kalman Mrs. Robert B. Newman James F. Cleary Deborah B. Davis Allen Z. Kluchman Robert P. O'Block John E. Cogan, Jr. Nina L. Doggett George Krupp Peter C. Read Julian Cohen Avram J. Goldberg R. Willis Leith, Jr. -
Pgasrs2.Chp:Corel VENTURA
Senior PGA Championship RecordBernhard Langer BERNHARD LANGER Year Place Score To Par 1st 2nd 3rd 4th Money 2008 2 288 +8 71 71 70 76 $216,000.00 ELIGIBILITY CODE: 3, 8, 10, 20 2009 T-17 284 +4 68 70 73 73 $24,000.00 Totals: Strokes Avg To Par 1st 2nd 3rd 4th Money ê Birth Date: Aug. 27, 1957 572 71.50 +12 69.5 70.5 71.5 74.5 $240,000.00 ê Birthplace: Anhausen, Germany êLanger has participated in two championships, playing eight rounds of golf. He has finished in the Top-3 one time, the Top-5 one time, the ê Age: 52 Ht.: 5’ 9" Wt.: 155 Top-10 one time, and the Top-25 two times, making two cuts. Rounds ê Home: Boca Raton, Fla. in 60s: one; Rounds under par: one; Rounds at par: two; Rounds over par: five. ê Turned Professional: 1972 êLowest Championship Score: 68 Highest Championship Score: 76 ê Joined PGA Tour: 1984 ê PGA Tour Playoff Record: 1-2 ê Joined Champions Tour: 2007 2010 Champions Tour RecordBernhard Langer ê Champions Tour Playoff Record: 2-0 Tournament Place To Par Score 1st 2nd 3rd Money ê Mitsubishi Elec. T-9 -12 204 68 68 68 $58,500.00 Joined PGA European Tour: 1976 ACE Group Classic T-4 -8 208 73 66 69 $86,400.00 PGA European Tour Playoff Record:8-6-2 Allianz Champ. Win -17 199 67 65 67 $255,000.00 Playoff: Beat John Cook with a eagle on first extra hole PGA Tour Victories: 3 - 1985 Sea Pines Heritage Classic, Masters, Toshiba Classic T-17 -6 207 70 72 65 $22,057.50 1993 Masters Cap Cana Champ. -
Jan De Gaetani Collection (Music Library)
JAN DEGAETANI COLLECTION (MUSIC LIBRARY) EASTMAN SCHOOL OF MUSIC ARCHIVES RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Laura Mayes Schweibacher Fall 2004–Winter 2005 Revised by Gail E. Lowther May 2021 Sydney Hodkinson and Jan DeGaetani in rehearsal, Kilbourn Hall, Eastman School of Music. Photograph from ESPA 30-90 (8x10). 2 TABLE OF CONTENTS Description of Collection 4 Organization of Collection 7 INVENTORY SUB-GROUP 1: LIBRARY 11 Series 1: Oratorios, Masses, and Cantatas 11 Series 2: Symphonies and Ballets 17 Series 3: Operas 18 Series 4: Songs and Song Collections, Pre-1960 22 Sub-series A: Solo Songs 22 Sub-series B: Multi-voice Works 55 Sub-series C: Vocalises 56 Series 5: Late 20th Century Songs, 1960s-1980s 57 Sub-series A: Works in English 57 Sub-series B: Works in Other Languages 68 Series 6: Performance Copies as Filed 70 Series 7: Chamber and Symphonic Scores 82 Series 8: Instrumental Works 87 Series 9: Oversized Scores 88 SUB-GROUP 2: PAPERS 93 3 DESCRIPTION OF COLLECTION Shelf location: A3B 1,1–1,6; 2,3 Extent: 24 linear feet Biographical Sketch Jan DeGaetani rehearsing in Kilbourn Hall (1980s). Photograph from ESPA 30-93 (8x10). Although her repertoire encompassed works from the entire historical spectrum of Western classical music, Jan DeGaetani (1933–1989) achieved worldwide prominence as an interpreter of twentieth-century vocal music. She earned a bachelor’s degree from the Juilliard School, where she was a scholarship student of Sergius Kagen. Over the course of her career, DeGaetani appeared as soloist with such ensembles as the New York Philharmonic, San Francisco Symphony, London Symphonietta, New York Pro Musica, the Waverly consort, the 4 Fine Arts Quartet, the American and New York Brass Quintet, and the Aspen Festival orchestra.