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Revolution, Reform and Regionalism in Southeast Asia
Revolution, Reform and Regionalism in Southeast Asia Geographically, Cambodia, Laos and Vietnam are situated in the fastest growing region in the world, positioned alongside the dynamic economies of neighboring China and Thailand. Revolution, Reform and Regionalism in Southeast Asia compares the postwar political economies of these three countries in the context of their individual and collective impact on recent efforts at regional integration. Based on research carried out over three decades, Ronald Bruce St John highlights the different paths to reform taken by these countries and the effect this has had on regional plans for economic development. Through its comparative analysis of the reforms implemented by Cam- bodia, Laos and Vietnam over the last 30 years, the book draws attention to parallel themes of continuity and change. St John discusses how these countries have demonstrated related characteristics whilst at the same time making different modifications in order to exploit the strengths of their individual cultures. The book contributes to the contemporary debate over the role of democratic reform in promoting economic devel- opment and provides academics with a unique insight into the political economies of three countries at the heart of Southeast Asia. Ronald Bruce St John earned a Ph.D. in International Relations at the University of Denver before serving as a military intelligence officer in Vietnam. He is now an independent scholar and has published more than 300 books, articles and reviews with a focus on Southeast Asia, -
“What Are Marines For?” the United States Marine Corps
“WHAT ARE MARINES FOR?” THE UNITED STATES MARINE CORPS IN THE CIVIL WAR ERA A Dissertation by MICHAEL EDWARD KRIVDO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: History “What Are Marines For?” The United States Marine Corps in the Civil War Era Copyright 2011 Michael Edward Krivdo “WHAT ARE MARINES FOR?” THE UNITED STATES MARINE CORPS IN THE CIVIL WAR ERA A Dissertation by MICHAEL EDWARD KRIVDO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Joseph G. Dawson, III Committee Members, R. J. Q. Adams James C. Bradford Peter J. Hugill David Vaught Head of Department, Walter L. Buenger May 2011 Major Subject: History iii ABSTRACT “What Are Marines For?” The United States Marine Corps in the Civil War Era. (May 2011) Michael E. Krivdo, B.A., Texas A&M University; M.A., Texas A&M University Chair of Advisory Committee: Dr. Joseph G. Dawson, III This dissertation provides analysis on several areas of study related to the history of the United States Marine Corps in the Civil War Era. One element scrutinizes the efforts of Commandant Archibald Henderson to transform the Corps into a more nimble and professional organization. Henderson's initiatives are placed within the framework of the several fundamental changes that the U.S. Navy was undergoing as it worked to experiment with, acquire, and incorporate new naval technologies into its own operational concept. -
Maritime Reporter and Engineering News
MARITIME REPORTER AND ENGINEERING NEWS SiEST COAST SHIPYARDS The Maritime Prepositioning lip, Pfc Eugene A. Obregon, Built By Notional Steel & Shipbuilding U.S. Navy Ship Overhaul Market JULY 16, 1985 - An Update - (SEE PAGE 4) INTRODUCING THE EPOCH MARK D SERIES A new era in product oil carrier design. Hitachi Zosen has developed the EPOCH MARK n series which has a unique structure not found on conventional ship designs. Revolutionary in concept, the MARKII incorporates a unidirectional girder system combined with a complete double hull structure. While a ship's hull is customarily designed with a grillage of longitudinal and transverse members for strength, this system uses only longitudinal members in a double hull to provide sufficient strength. This unidirectional girder system results in unprecedented structural simplicity and completely flush surfaced cargo tank interior. MARKII product oil carriers provide unrivaled advantages in performances over more conventional designs. The EPOCH MARK n series is available in 40, 60 and 80 thousands dwt designs. And has won the approval of leading classification societies (ABS, BV, LR, NK, NV). At present The Superior Performance of the EPOCH MARK n Series: many worldwide patents are under application. Conventional EPOCH MARK Hitachi Zosen is also expanding this new structural system for the development of combination cargo carriers such as PROBO or Tank configuration OBO carriers other than oil tankers. Cargo/ballast segregation * kkk unloading time * •kkk Unloading efficiency stripping * kkk cleaning time * kkk Cargo tank cleaning completeness • kkk f" s:3 cargo tank * kkk Gas free 6 ballast tank ** ** 11 - Cargo tank heating * kkk Cargo purity * kkk cargo tank coating k kkk Maintenance ballast tank coating ** kk hull construction * kkk crack free ** kkk Safety stranding & collision * *** Excellent ** Good * Normal We build industries Hitachi Zosen HITACHI ZOSEN CORPORATION HITACHI ZOSEN INTERNATIONAL, S.A.: London: Winchester House, 77 London Wall. -
Playwright and Minister
PLAYWRIGHT AND MAN OF GOD: RELIGION AND CONVENTION IN THE COMIC PLAYS OF JOHN MARSTON by Blagomir Georgiev Blagoev A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Blagomir Georgiev Blagoev (2010) PLAYWRIGHT AND MAN OF GOD: RELIGION AND CONVENTION IN THE COMIC PLAYS OF JOHN MARSTON Blagomir Georgiev Blagoev Doctor of Philosophy Graduate Department of English University of Toronto 2010 ABSTRACT John Marston’s literary legacy has inevitably existed in the larger-than-life shadows of his great contemporaries William Shakespeare and Ben Jonson. In the last two centuries, his works were hardly taken on their own terms but were perceived instead in overt or implicit comparison to Shakespeare’s or Jonson’s. As a result, Marston’s plays acquired the lasting but unfair image of haphazard concoctions whose cheap sensationalism and personal satire often got them in trouble with the authorities. This was the case until recently, especially with Marston’s comic drama. Following revisionist trends, this study sets out to restore some perspective: it offers a fresh reading of Marston’s comic plays and collaborations—Antonio and Mellida, What You Will, Jack Drum’s Entertainment, The Dutch Courtesan, The Malcontent, Parasitaster, Eastward Ho, and Histrio-Mastix—by pursuing a more nuanced contextualization with regard to religious context and archival evidence. The first central contention here is that instead of undermining political and religious authority, Marston’s comic drama can demonstrate consistent conformist and conservative affinities, which imply a seriously considered agenda. This study’s second main point is that the perceived failures of Marston’s comic plays—such as tragic ii elements, basic characterization, and sudden final reversals—can be plausibly read as deliberate effects, designed with this agenda in mind. -
MARSTON (HENRY and FAMILY) PAPERS Mss
See also UPA Microfilm: MF 5735, Series B, Reel 13 MF 6061, Series B, Part 2, Reel 14 MARSTON (HENRY AND FAMILY) PAPERS Mss. 624 Inventory Compiled by Tara Zachary 1997 Louisiana and Lower Mississippi Valley Collections Special Collections, Hill Memorial Library Louisiana State University Libraries Baton Rouge, Louisiana Revised 2009, 2020 MARSTON (HENRY AND FAMILY) PAPERS Mss. 624 1818-1938 LSU LIBRARIES SPECIAL COLLECTIONS CONTENTS OF INVENTORY SUMMARY .................................................................................................................................... 3 BIOGRAPHICAL/HISTORICAL NOTE ...................................................................................... 4 SCOPE AND CONTENT NOTE ................................................................................................... 6 BOX DESCRIPTIONS ................................................................................................................... 8 DIARY DESCRIPTIONS ............................................................................................................. 11 INDEX TERMS ............................................................................................................................ 12 CONTAINER LIST ...................................................................................................................... 14 Use of Manuscript Materials. If you wish to examine items in the manuscript group, please place a request via the Special Collections Request System. Consult the Container List for -
Spring 2008 Gustavus Quarterly
01 Spring 08 masters.3:Winter 03-04 MASTERS.1 2/12/08 9:57 AM Page 1 THE GustavusGustavus Adolphus College Spring 2008 QUARTERLY THE GUSTAVUS SYMPHONY ORCHESTRA IN CHINA ■ “Building Bridges” Diversity Conference ■ Alumni Fund Report ■ Sports Camps 01 Spring 08 masters.3:Winter 03-04 MASTERS.1 2/12/08 12:56 PM Page 2 G THE GUSTAVUS QUARTERLY Spring 2008 • Vol. LXIV, No. 2 Managing Editor Steven L. Waldhauser ’70 [email protected] Alumni Editors Randall M. Stuckey ’83 [email protected] Barbara Larson Taylor ’93 [email protected] Design Sharon Stevenson [email protected] Contributing Writers Kari Clark ’91, Laurie Dietrich’80, Bruce Gray ’61, Tim Kennedy ’82, Barb Larson Taylor ’93, Donald Myers ’83, Tony Pasiak, Sharon Stevenson, Matt Thomas ’00 Contributing Photographers Anders Björling ’58, Brian Fowler, Sharon Stevenson, Stacia Vogel, Stan Waldhauser ’71 Articles and opinions presented in this magazine do not necessarily reflect the views of the editors or official policies of the College or its board of trustees. The Gustavus Quarterly (USPS 227-580) is published four times annually, in February, May, August, and November, by Gustavus Adolphus College, St. Peter, Minn. Periodicals postage is paid at St. Peter, MN 56082, and additional mailing offices. It is mailed free of charge to alumni and friends of the College. Circulation is approximately 35,000. Postmaster: Send address changes to The Gustavus Quarterly, Office of Alumni Relations, Gustavus Adolphus College, 800 W. College Ave., St. Peter, MN 56082-1498. St. Peter, Minnesota 507-933-8000 ■ gustavus.edu Chair, Board of Trustees James H. -
University of Massachusetts Boston Coininenceinent 1 9 9 8
University of Massachusetts Boston Coininenceinent 1 9 9 8 Saturday, May 30 at 11:00 am After the Main Ceremony Diploma presentation ceremonies for individual UMass Boston colleges will be held after the main ceremony. Some graduates will leave the main hall and move to other locations in the Expo Center, followed by their families and friends. Other graduates, families, and friends will remain where they are. To make the Commencement experience as pleasant as possible for everyone involved, we ask all graduates and their guests to follow the instructions below. Information for Graduating Students College of Arts and Sciences graduates, including recipients of graduate degrees, should remain seated after the main ceremony. Graduates of the McCormack Institute should also remain seated. The diploma presentation ceremony for these graduates will be held in the main hall. All other graduates, including recipients of graduate degrees, will be asked to leave in groups, college by college. Graduates should wait until their college is announced. They should then march down the main aisle, following color coded banners for their colleges, to the locations of their ceremonies. The color codes are: College of Management Dark blue College of Public and Community Service Red Graduate College of Education Light blue College of Nursing and Human Performance Peach and Fitness Program Information for Guests As courtesy to the graduating students, we ask family members and friends to remain in their seats until all the graduates have been escorted to their indi vidual college ceremony locations. Guests of College of Arts and Sciences graduates, including recipients of graduate degrees, should remain seated after the main ceremony. -
THE UNITED STATES MARINES Tn
MARINECORPS HISTORICAT REFERENCE PAMPHLET THEUNITED STATES MARINES tN |CELAND,tg4t -t942 @ HtsToRtcALDtvtstoN HEADQUARTERS,U.S. MARINE CORPS WASHINGTON,D.C. t970 .t .c J o o B tr lr : J1 \o c) c) OE c. p2 qJ9 r, c r-.1 o -ed uo s Z:J o0) TIIE UNITED STATES MARINES ]N ICEI]AND,].941-1942 Lieutenant Col-onel Kenneth ,f. Clifford. USMCR JloaEor Historical Division Headquarters, U. S. Marine Corps Washington, D. c" 20380 197 0 DEPARTITlENTOF THE NAVY HEAOOUARTERSUNITED STATES MAR]'!E CORPS WASHTNGTON,D. C 20340 PREFACE The material in tlris pamphl et has been extracted from chapter 4 of Pearl Harbor to Guadalcanal---Historv of the United States Marine corps Operations in World War If, Volume I by Lieutenant Colonel Frank O. Hough, USMCR, Major Verle E, Ludwig, USMCand Mr. Henry I. Stiaw. .Tr. In addition, a bibliography and appendix has been added. Ttii s pamphlet supersedes Marine Corps Historical Reference Series pamphlet number 34. The United states Marines Ln Iceland, L94L-1942, published and l-ast reviewed in 1962t by the Historical Branch, G-3 Division. Headquarters, U. s. Marine corps. The Marine defense of lcel,and is one of the many actions categorized by Admiral sanuel Eliot Morison as rrshort of war operations." It is an important story and this pamphlet is published for the information of tttose interested in this h:r+i^,r'lrr ar2 ih ^!rr lic+^.".- --rY. nrr, Q/ z i'{//42" 't'Yt" w. J. v4N RYZrN ' LjeuLenani Ceneral, U.S. Morine CoLps Chjef oF SLaff, HeadcLu€rEe!s, Marine Corps Reviewed and Approved: 29 J arLrrary 1970 aaa TABI,E OF CONTENTS Extracts fron Chapter 4' volune 1, Pearl Harbor to cuaalal-canal"---Historv of U. -
The Making of the Modern Marine Corps Through Public Relations, 1898-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aquila Digital Community The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-1-2018 Esprit De Marine Corps: The Making of the Modern Marine Corps through Public Relations, 1898-1945 Colin Colbourn University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Mass Communication Commons, Military History Commons, Public Relations and Advertising Commons, and the United States History Commons Recommended Citation Colbourn, Colin, "Esprit De Marine Corps: The Making of the Modern Marine Corps through Public Relations, 1898-1945" (2018). Dissertations. 1593. https://aquila.usm.edu/dissertations/1593 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. ESPRIT DE MARINE CORPS: THE MAKING OF THE MODERN MARINE CORPS THROUGH PUBLIC RELATIONS, 1898-1945 by Colin M. Colbourn A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Humanities at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. Andrew Wiest, Committee Chair Dr. David Davies Dr. Kyle Zelner Dr. Andrew Haley Dr. Heather Stur ____________________ ____________________ ____________________ Dr. Andrew Wiest Dr. Luis Iglesias Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School December 2018 COPYRIGHT BY Colin M. -
Library Company of Philadelphia Mca MSS 025 Mcallister
Library Company of Philadelphia McA MSS 025 McALLISTER MISCELLANEOUS MANUSCRIPTS 1683‐1872 5.75 linear feet, 10 boxes April 2007 McA MSS 025 2 Descriptive Summary Repository Library Company of Philadelphia 1314 Locust Street, Philadelphia, PA 19107‐5698 Call Number McA MSS 025 Creator McAllister, John A. (John Allister), 1822‐1896. Title McAllister Miscellaneous Manuscripts Inclusive Dates 1683‐1872 Quantity 5.75 linear feet (10 boxes) Language of Materials Materials are in English, French, Italian, and Spanish. Abstract A collection of miscellaneous and individual papers including personal and business correspondence, and government, legal and financial documents, etc., most of which bear no relation to each other. They were assembled by the antiquarian collector John A. McAllister. Administrative Information Restrictions to Access The collection is open to researchers. It is on deposit at the Historical Society of Pennsylvania, and should be accessed through the Society’s reading room at 1300 Locust Street, Philadelphia, PA. Visit their website, http://www.hsp.org/, for reading room hours. Acquisition Information Gift of John A. McAllister; forms part of the McAllister Collection. Processing Information The McAllister Miscellaneous Manuscripts were rehoused and described 2006 under grants from the National Endowment for the Humanities and the William Penn Foundation. The collection was processed by Sandra Markham. Any views, findings, conclusions or recommendations expressed in this finding aid do not necessarily represent those of the National Endowment for the Humanities. Preferred Citation This collection should be cited as: [indicate specific item or series here], McAllister Miscellaneous Manuscripts (McA MSS 025), McAllister Collection, The Library Company of Philadelphia. For permission to publish materials or images in this collection, contact the Coordinator of Rights and Reproductions, Library Company of Philadelphia, 1314 Locust St., Philadelphia, PA 19107‐5698. -
• F/B/IF/IB Cover.Qx
COLORADO COLLEGE AUNIQUE INTELLECTUAL ADVENTURE Colorado College 2010–11 Catalog of Courses The Colorado College Catalog of Courses contains information that changes periodically. For the most up to date information, please refer to the online catalog at www.coloradocollege.edu/academics/catalog/ Catalog of Courses 2010 –11 COLORADO COLLEGE AUNIQUE INTELLECTUAL ADVENTURE Catalog of Courses 2010–11 This catalog generally describes the programs, policies, and activities of Colorado College. Although every effort is made to provide accurate and current information, the college reserves the right to correct, or to change without notice, any statement concerning its rules, fees, educational offerings, or other policy or operational matters. The Colorado College welcomes members of all minority groups and reaffirms its commitment not to discriminate on the basis of race, color, age, religion, sex, national origin, sexual orientation, or disability in its educational programs, activities, or employment policies. The Colorado College does not permit the use of the college name or insignia, nor official reference to the college, its students, or a Colorado College campus organization whether or not officially recognized, without express or written authorization to do so. Cover photo of the Cutler Hall cupola by Stephen Weaver COLORADO COLLEGE AUNIQUE INTELLECTUAL ADVENTURE Catalog of Courses 2010 –11 The Colorado College Catalog of Courses contains information that changes periodically. For the most up to date information, please refer to the -
A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia
A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia A Thesis submitted in partial fulfillment of the requirements for the Degree of PhD in Religious Studies at the University of Canterbury by Elizabeth Guthrie University of Canterbury, Christchurch, New Zealand 2004 A Study of the History and Cult of the Buddhist Earth Deity in Mainland Southeast Asia Volume 1 Text Acknowledgements Far-ranging research projects like this inevitably depend on the generosity and assistance of many people. Among those who helped me find the earth deity in image and texts, or helped with translations, were: Ang Choulean, K. Aphaivong. Bandol Samnang, Olivier de Bernon, Didier Bertrand, Fran(,{ois Bizot, Robert L. Brown, Kaye Carter, Chuch Phoeun, Shayne Clarke, John Crocker, Denison University Art Gallery, Robert Didham, Wichai Eungpinichpong, Wilai Eungpinichpong, John Marston, Long Tbol, Des Sothy, Anthony Diller, Jacqueline Filliozat, Rolf Giebel, Hang Chan Sophea, Louis Gabaude, Pam Gutman, Anne Hansen, Huberta Hellendoorn, Hor Lath, Khy Sophal, Khyaw Tha Nyunt, Kuy Lath, Fran(,{ois Lagirarde, Lan Sunnary, Leng Kok An, Lim Yii Hang, Long Tbol, Meng Prang, Metropolitan Museum of Art, Mey Poeun, Museum flir Indische Kunst, Neou Chamrong, Norton Simon Museum, Ouk Ry, Anatole Peltier, Phaitun Dokbukaeo, Phon Sin, Phoung Soueng, Sommai Premchit, Thonevath Pou, Saveros Pou, Craig Reynolds, Waldemar Sailer, Sao Hso Hom, Peter Skilling, Frank Smith, Ven. Suthep Surapong, Donald Swearer, Thein Tun U, Serge Thion, Ashley Thompson, Vijinthanasarn Panya, U Aung Kyaing, U Myint Aung, RE. Vann Molyvann, John Weeks, Hiram W.Woodward, Jr. I received funding from the NZFUW, NZASIA and the University of Canterbury.