Kasbah Taourirt in Ouarzazate, Morocco.

ome to a rich tradition of buildings constructed in earth, Southern Morocco is an important center of Berber culture—the indigenous people of North HAfrica whose culture dates back to 3000 BC—and of earthen architecture, with over three thousand historic urban settlements known as ksour and four hun- dred historic buildings known as kasbahs. These magnificent earthen fortifications and villages are a testament to the region’s rich culture and history, and have drawn explorers, researchers, and tourists to the area for centuries. While some important sites have been protected and preserved, many other earthen fortifications and vil- lages are deteriorating and the vast majority are threatened by obsolescence and abandonment, which leads to gradual deterioration and, ultimately, collapse. These issues are due in part to changes in the economic and social structure that supported them, as well as uncontrolled urban development. The Getty Conservation Conserving Institute (GCI) is working with CERKAS (Centre de Conservation et de Réhabilation du Patrimoine Architectural des zones atlasiques et subatlasiques) to preserve one of the the most important sites in the region—the fortified Kasbah Taourirt. “The methodology developed in collaboration with the GCI to preserve this site will also be used by our personnel in the future to restore similar sites in the region,” Kasbah said Mohamed Boussalh, director of CERKAS. The oasis village of Taourirt (a ksar), dating from the twelfth century, was stra- tegically located at the intersection of major trans-Saharan trade routes that once

Team members carrying out documentation of the wall paintings at Kasbah Taourirt. 21 brought spices, gold, and other goods The project team also includes across the Sahara from Timbuktu to experts in the conservation of wall the rich imperial cities of Morocco. It paintings who are working within an is now embedded within the modern important sector of the Kasbah known city of Ouarzazate. Located in the city’s as the Residence of the Caïd, which has core, the Kasbah Taourirt, a registered suffered from abandonment since the national monument, was originally one 1950s. These rooms feature traditional of the residences of the Glaoua Caïd, a Berber patterns and motifs that are powerful family that ruled the region incised and painted onto plaster. Bat during the late nineteenth and early infestation and the failure of the roof twentieth centuries. This impressive have contributed to the deterioration complex of buildings features castle- of the decorated surfaces. Over the past like defensive walls and rich traditional several field campaigns, GCI conserva- Berber designs, including carved plas- tors working with CERKAS staff have terwork, decorative ceilings, and mural documented the condition of the wall paintings. paintings. During the most recent field The GCI has been collaborating with campaign, which took place earlier this CERKAS since 2011 to develop a conser- year, conservators demonstrated tech- vation and rehabilitation plan (CRP) for niques to stabilize and protect the wall the site. The CRP takes into consider- paintings prior to the implementation ation the whole ensemble and each of its of structural interventions on the resi- sectors, its connection with the adjacent dence walls and roofs. Once structural historic community (the ksar), their repairs have been completed, a compre- original natural setting, and the urban hensive wall paintings interventions context. The objective of the CRP is to plan will be carried out for the conserva- establish a conservation process that tion of the decorated surfaces. respects the original building fabric, As part of the dissemination strategy, preserves technical know-how, demon- CIMS is working with CERKAS on the strates appropriate re-use of such sites, development of a website as a repository develops a participatory process, and of information related to the Kasbah of builds local capacity in these areas. Taourirt which can be used by CERKAS Training and capacity building are and researchers to develop similar reha- important components of all phases bilitation projects for earthen sites in of this project, including documenta- the region. tion, rehabilitation planning, analysis Most importantly, conserving the of earthen materials, and practical Kasbah demands a multidisciplinary conservation approaches. Staff and approach that addresses economic, graduate students from Carleton social, cultural, and technical chal- University at Carleton Immersive lenges. “An important component of Media Studio (CIMS) in Canada have the project is to facilitate discussions trained CERKAS personnel in surveying between CERKAS, the municipality of techniques while developing an archi- Ouarzazate, and community groups tectural survey of the entire site. about issues and opportunities pre- “Recording of heritage places should sented by the site, with the objective of be directly related to the needs, skills, arriving at a common vision for Kasbah Above left: GCI conservators and and the technology that are available Taourirt’s future use,” said Claudia CERKAS staff stabilize the wall to the end users—CERKAS staff in Cancino, senior project specialist at the painting.

this case—who are responsible for the GCI, who is managing this project. Top right: A selection of locally management and care of these sites. available earthen materials have The project has chosen techniques that The Conservation and Rehabilitation been gathered for analysis. CERKAS staff can easily use on other Plan for the Kasbah of Taourirt is a project of Right: Project consultant and the GCI’s Earthen Architecture Initiative. CERKAS staff carrying out sites,” said Mario Santana Quintero, fac- architectural survey using a ulty member at CIMS. total station.

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