A Moroccan Journey an 11-Day Travel Program, March 12-22, 2020
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Casablanca ENG.Indd
2 3 Casablanca SPAIN MEDITERRANEAN SEA Saïdia Rabat ATLANTIC OCEAN 5 Editorial Zagora 6 A city with the ocean on its doorstep 8 A city of the future ALGERIA CANARY ISLANDS 10 The Hassan II Mosque 12 Casablanca, a happening city 16 Experiencing the city 18 Activities in the city 20 Casablanca, seaside resort 22 The Casablanca region 26 Information and useful addresses MAURITANIA 4 5 Editorial Casablanca, an exhilarating megalopolis The sun is scarcely above the horizon and Casablanca is already waking up. Little red taxis play dodgems at the feet of the white city’s ultra-modern buildings. There is no escaping the allure of its grandeur, its pure energy, and all of a sudden we ourselves are imbued with the same heady dynamism. Casablanca, economic heart of the Kingdom, lives at a frenetic pace. Business and art go side by side here, often intermingling. It is here, above all, that tones and trends are set. Why is it that so many artists have found their inspiration in Casablanca? Perhaps the contrasting curves of its Art Deco buildings are enough to cast a spell over them. The richness of the city’s architectural heritage is sufficient in itself to call forth the image of a city where time has no hold. Charged with In Casablanca, modern history yet resolutely turned towards the future, this most cosmopolitan of cities, buildings stand side where every nationality is represented, parades its modernity for all to see. by side with Arab-An- dalusian architecture and Art Deco creations Morocco’s economic nerve centre and keeper of a unique historical heritage, from the 1920s Casablanca reveals all of its many faces to us. -
Marrakech: Gardens, Art and Cuisine April 5 - 14, 2018
Marrakech: Gardens, Art and Cuisine April 5 - 14, 2018 In support of the University of California Botanical Garden Escorted by Katherine Greenberg Come with us to the exotic city of Marrakech and explore its fascinating medina, palm groves, and Berber villages in the High Atlas Mountains. Once the capitol of Morocco, the Imperial City of Marrakech is an exotic oasis with a fascinating culture. We have special invitations to visit private homes and gardens as well as palaces and monuments dating from the 12th century. The traditional arts of Morocco include weaving and ceramics, wood working, metal work, and jewelry. We will visit artisan workshops and see outstanding examples of traditional and contemporary Moroccan art and design in private homes, museums, and galleries. The allure of Marrakech has long attracted artists, designers, writers, and collectors. Moroccan cuisine is also a feature of this special tour. Meals at Jnane Tamsna are a fusion of Moroccan and European, using organic fruits and vegetables sourced from the estate’s gardens and orchards. We will also enjoy some of Morocco’s award-winning wines. Gary Martin, ethno-botanist and Director of the Global Diversity Foundation, and his wife Meryanne Loum-Martin, a talented designer, will be our hosts. Jnane Tamsna, the private estate created by Gary and Meryanne in the palm groves of Marrakech, will be our home for this tour. The property features elegant architecture, extensive gardens, and gracious hospitality in a tranquil setting. Jnane Tamsna is featured in Gardens of Marrakech by Angelica Gray. Thursday, April 5: USA to Marrakech, Morocco Friday, April 6: Arrival in Marrakech (D) Independent arrivals and transfers to Jnane Tamsna. -
Marrakech Architecture Guide 2020
WHAT Architect WHERE Notes Completed in 2008, the terminal extension of the Marrakech Menara Airport in Morocco—designed by Swiss Architects E2A Architecture— uses a gorgeous facade that has become a hallmark of the airport. Light filters into the space by arabesques made up of 24 rhombuses and three triangles. Clad in white aluminum panels and featuring Marrakesh Menara stylized Islamic ornamental designs, the structure gives the terminal Airport ***** Menara Airport E2A Architecture a brightness that changes according to the time of day. It’s also an ال دول ي ال م نارة excellent example of how a contemporary building can incorporate مراك ش مطار traditional cultural motifs. It features an exterior made of 24 concrete rhombuses with glass printed ancient Islamic ornamental motives. The roof is constructed by a steel structure that continues outward, forming a 24 m canopy providing shade. Inside, the rhombuses are covered in white aluminum. ***** Zone 1: Medina Open both to hotel guests and visitors, the Delano is the perfect place to get away from the hustle and bustle of the Medina, and escape to your very own oasis. With a rooftop restaurant serving ،Av. Echouhada et from lunch into the evening, it is the ideal spot to take in the ** The Pearl Marrakech Rue du Temple magnificent sights over the Red City and the Medina, as well as the شارع دو معبد imperial ramparts and Atlas mountains further afield. By night, the daybeds and circular pool provide the perfect setting to take in the multicolour hues of twilight, as dusk sets in. Facing the Atlas Mountains, this 5 star hotel is probably one of the top spots in the city that you shouldn’t miss. -
Architecture and Urbanism in the Middle East
Viewpoints Special Edition Architecture and Urbanism in the Middle East The Middle East Institute Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints is another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org Cover photos, clockwise from the top left hand corner: Abu Dhabi, United Arab Emirates (Imre Solt; © GFDL); Tripoli, Libya (Patrick André Perron © GFDL); Burj al Arab Hotel in Dubai, United Arab Emirates; Al Faisaliyah Tower in Riyadh, Saudi Arabia; Doha, Qatar skyline (Abdulrahman photo); Selimiye Mosque, Edirne, Turkey (Murdjo photo); Registan, Samarkand, Uzbekistan (Steve Evans photo). -
In Morocco's Imperial City of Fez, Magic Fills The
24 October 22, 2017 Travel www.thearabweekly.com Agenda Erfoud: Through October 31 The Moroccan Erfoud region is famous for its date palms. Every year after harvest, local tribes- men come together for a festival during which they play tradi- tional music, perform Berber dances and exhibit local cuisine. There is also horse racing. London: Through November 5 The Nour Festival of Arts high- lights contemporary Middle Eastern and North African arts and culture in venues across Kensington and Chelsea in Lon- don. The festival features ex- Bab Bou Jeloud in the Moroccan city of Fez. (Saad Guerraoui) hibitions, music, cinema, food, talks and dance performances. Beirut: Through December 28 In Morocco’s imperial city Events associated with Sursock Museum Late Nights take place noon-9pm each Thursday at the Sursock Museum. The events include exhibitions, collection of Fez, magic fills the air displays, late-night talks, perfor- mances and screenings. Saad Guerraoui Dubai: Through December 31 Fez “La Perle” features 65 artists performing amazing stunts and he Moroccan imperial city aerial antics above an on-stage of Fez is a treasure trove pool filled with 2.7 million litres of history, culture and sci- of water in a state-of-the-art, ence. custom-built theatre. The show As soon as visitors view takes place at Al Habtoor City. Tthe towering Bab Bou Jeloud — “The Blue Gate of Fez” — they feel capti- Dubai: vated by the medieval city’s magical November 1-April 7 past. The smoke of freshly barbe- cued meat fills the air and golden Global Village is a large seasonal samosas made with almond draw cultural event that offers visitors tourists to taste authentic Moroc- an array of festivals, shopping can pastries, which can be savoured and entertainment in an open- with a freshly brewed mint tea. -
Tradition and Sustainability in Vernacular Architecture of Southeast Morocco
sustainability Article Tradition and Sustainability in Vernacular Architecture of Southeast Morocco Teresa Gil-Piqueras * and Pablo Rodríguez-Navarro Centro de Investigación en Arquitectura, Patrimonio y Gestión para el Desarrollo Sostenible–PEGASO, Universitat Politècnica de València, Cno. de Vera, s/n, 46022 Valencia, Spain; [email protected] * Correspondence: [email protected] Abstract: This article is presented after ten years of research on the earthen architecture of southeast- ern Morocco, more specifically that of the natural axis connecting the cities of Midelt and Er-Rachidia, located North and South of the Moroccan northern High Atlas. The typology studied is called ksar (ksour, pl.). Throughout various research projects, we have been able to explore this territory, documenting in field sheets the characteristics of a total of 30 ksour in the Outat valley, 20 in the mountain range and 53 in the Mdagra oasis. The objective of the present work is to analyze, through qualitative and quantitative data, the main characteristics of this vernacular architecture as a perfect example of an environmentally respectful habitat, obtaining concrete data on its traditional character and its sustainability. The methodology followed is based on case studies and, as a result, we have obtained a typological classification of the ksour of this region and their relationship with the territory, as well as the social, functional, defensive, productive, and building characteristics that define them. Knowing and puttin in value this vernacular heritage is the first step towards protecting it and to show our commitment to future generations. Keywords: ksar; vernacular architecture; rammed earth; Morocco; typologies; oasis; High Atlas; sustainable traditional architecture Citation: Gil-Piqueras, T.; Rodríguez-Navarro, P. -
Architecture and Urbanism in the Middle East
Viewpoints Special Edition Architecture and Urbanism in the Middle East The Middle East Institute Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints is another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org Cover photos, clockwise from the top left hand corner: Abu Dhabi, United Arab Emirates (Imre Solt; © GFDL); Tripoli, Libya (Patrick André Perron © GFDL); Burj al Arab Hotel in Dubai, United Arab Emirates; Al Faisaliyah Tower in Riyadh, Saudi Arabia; Doha, Qatar skyline (Abdulrahman photo); Selimiye Mosque, Edirne, Turkey (Murdjo photo); Registan, Samarkand, Uzbekistan (Steve Evans photo). -
Developing a Geographical Information System for the Oudayas Kasbah of Rabat
Developing a Geographical Information System for the Oudayas Kasbah of Rabat An Interactive Qualifying Project (IQP) Proposal submitted to the faculty of Worcester Polytechnic Institute (WPI) In partial fulfillment of the requirements for the Degree of Bachelors of Science in cooperation with The Prefecture of Rabat Submitted by: Project Advisors: Tyler Beaupre Professor Ingrid Shockey Dominic Cupo Professor Gbetonmasse Somasse Lauren Fraser Hayley Poskus Submitted to: Mr. Hammadi Houra, Sponsor Liaison Submitted on October 12th, 2016 ABSTRACT An accurate map of a city is essential for supplementing tourist traffic and management by the local government. The city of Rabat was lacking such a map for the Kasbah of the Oudayas. With the assistance of the Prefecture of Rabat, we created a Geographical Information System (GIS) for that section of the medina using QGIS software. Within this GIS, we mapped the area, added historical landmarks and tourist attractions, and created a walking tour of the Oudayas Kasbah. This prototype remains expandable, allowing the prefecture to extend the system to all the city of Rabat. i EXECUTIVE SUMMARY Introduction In 2012, the city of Rabat, Morocco was awarded the status of a United Nations Educational, Scientific and Cultural Organization (UNESCO) world heritage site for integrating both Western Modernism and Arabo-Muslim history, creating a unique juxtaposition of cultures (UNESCO, 2016). The Kasbah of the Oudayas, a twelfth century fortress in the city, exemplifies this connection. A view of the Bab Oudaya is shown below in Figure 1. It is a popular tourist attraction and has assisted Rabat in bringing in an average of 500,000 tourists per year (World Bank, 2016). -
Thesis Final Copy V11
“VIENS A LA MAISON" MOROCCAN HOSPITALITY, A CONTEMPORARY VIEW by Anita Schwartz A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts & Letters in Partial Fulfillment of the Requirements for the Degree of Master of Art in Teaching Art Florida Atlantic University Boca Raton, Florida May 2011 "VIENS A LA MAlSO " MOROCCAN HOSPITALITY, A CONTEMPORARY VIEW by Anita Schwartz This thesis was prepared under the direction of the candidate's thesis advisor, Angela Dieosola, Department of Visual Arts and Art History, and has been approved by the members of her supervisory committee. It was submitted to the faculty ofthc Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree ofMaster ofArts in Teaching Art. SUPERVISORY COMMIITEE: • ~~ Angela Dicosola, M.F.A. Thesis Advisor 13nw..Le~ Bonnie Seeman, M.F.A. !lu.oa.twJ4..,;" ffi.wrv Susannah Louise Brown, Ph.D. Linda Johnson, M.F.A. Chair, Department of Visual Arts and Art History .-dJh; -ZLQ_~ Manjunath Pendakur, Ph.D. Dean, Dorothy F. Schmidt College ofArts & Letters 4"jz.v" 'ZP// Date Dean. Graduate Collcj;Ze ii ACKNOWLEDGEMENTS I would like to thank the members of my committee, Professor John McCoy, Dr. Susannah Louise Brown, Professor Bonnie Seeman, and a special thanks to my committee chair, Professor Angela Dicosola. Your tireless support and wise counsel was invaluable in the realization of this thesis documentation. Thank you for your guidance, inspiration, motivation, support, and friendship throughout this process. To Karen Feller, Dr. Stephen E. Thompson, Helena Levine and my colleagues at Donna Klein Jewish Academy High School for providing support, encouragement and for always inspiring me to be the best art teacher I could be. -
The Foreign Service Journal, September 1936
g/,< AMERICAN FOREIGN SERVICE * * JOURNAL * * Manhattan's Biggest Hotel The Hotel New Yorker is big even for the city of skyscrapers, but the service you get is warmly personal and attentive. Our guests are kind enough to tell us that we’ve learned well the art of making folks feel at home. There are 2,500 rooms . each with tub and shower bath, radio, Servidor, circulating ice water . luxuriously furnished and equipped with beds designed for deep, restful slumber. The four air conditioned restaurants are noted for the excellence of food and drink and for reasonable prices. Right in the heart of mid-town Manhattan, we are near the leading theatres and department stores; with our own private tunnel to the Pennsylvania Station and subway. Nowhere else will you find such values as the New Yorker offers you; with a large number of rooms for as little as $3.00. For good business, for good living, for good times, come stay with us at the Hotel New Yorker. 25% reduction to diplomatic and consular service NOTE: The special rate reduction applies only to rooms on which rate is $4 a day or more. HOTEL NEW YORKER 34th Street at Eighth Avenue New York City Directed by Ralph Hitz, President Private Tunnel from Pennsylvania Station The nearest fine hotel to all New York piers Other Hotels Under Direction of National Hotel management Co., Inc., Ralph Hitz, President NETHERLAND PLAZA. CINCINNATI : BOOK-CADILLAC, DETROIT : CONGRESS HOTEL, CHICAGO HOTEL VAN CLEVE, DAYTON : HOTEL ADOLPHUS, DALLAS ! HOTEL NICOLLET, MINNEAPOLIS THE AMERICAN pOREIGN gERVICE JOURNAL CONTENTS (SEPTEMBER, 1936) COVER PICTURE GRACE LINE Camel Rider, Algiers (See also page 534) "SANTA" SHIPS SERVE PAGE THE NATIONAL ARCHIVES NEW YORK By Elizabeth M. -
Natural Landscapes & Gardens of Morocco 2022
Natural Landscapes & Gardens of Morocco 2022 22 MAR – 12 APR 2022 Code: 22206 Tour Leaders Paul Urquhart Physical Ratings Explore Morocco’s rich culture in gardening and landscape design, art, architecture & craft in medieval cities with old palaces and souqs, on high mountain ranges and in pre- Saharan desert fortresses. Overview This tour, led by garden and travel writer Paul Urquhart, is a feast of splendid gardens, great monuments and natural landscapes of Morocco. In Tangier, with the assistance of François Gilles, the UK’s most respected importer of Moroccan carpets, spend two days visiting private gardens and learn about the world of Moroccan interiors. While based in the charming Dar al Hossoun in Taroudant for 5 days, view the work of French landscape designers Arnaud Maurières and Éric Ossart, exploring their garden projects designed for a dry climate. View Rohuna, the stunning garden of Umberto Pasti, a well-known Italian novelist and horticulturalist, which preserves the botanical richness of the Tangier region. Visit the gardens of the late Christopher Gibbs, a British antique dealer and collector who was also an influential figure in men’s fashion and interior design in 1960s London. His gorgeous cliff-side compound is set in 14 acres of plush gardens in Tangier. In Marrakesh, visit Yves Saint Laurent Museum, Jardin Majorelle, the Jardin Secret, the palmeraie Jnane Tamsna, André Heller’s Anima and take afternoon tea in the gardens of La Mamounia – one of the most famous hotels in the world. Explore the work of American landscape architect, Madison Cox: visit Yves Saint Laurent and Pierre Bergé’s private gardens of the Villa Oasis and the gardens of the Yves Saint Laurent Museum in Marrakesh. -
Ambiguous Agreement in a Wastewater Reuse Project in Morocco
www.water-alternatives.org Volume 13 | Issue 2 Ennabih, A. and Mayaux, P.-L. 2020. Depoliticising poor water quality: Ambiguous agreement in a wastewater reuse project in Morocco. Water Alternatives 13(2): 266-285 Depoliticising Poor Water Quality: Ambiguous Agreement in a Wastewater Reuse Project in Morocco Amal Ennabih Sciences-po Lyon, UMR Triangle, Lyon, France; [email protected] Pierre-Louis Mayaux CIRAD, UMR G-EAU, Univ Montpellier, Montpellier, France; [email protected] ABSTRACT: How are depoliticising discourses on water issues produced and rendered effective? Research on discursive depoliticisation has focused on the ability of different types of policy networks to generate powerful and reasonably coherent depoliticised narratives. In the paper, by tracing the depoliticisation of poor water quality in a wastewater reuse project in Marrakesh, Morocco, we suggest that depoliticised discourses can also be produced in a much more dispersed, less coordinated way. In the case analysed here, depoliticisation occurred through an 'ambiguous agreement' around a highly polysemic idea, that of innovation. All the key actors understood that the project was innovative but that water quality was not a significant part of the innovation. This encouraged each actor to frame poor water quality as a strictly private matter that the golf courses needed to tackle on their own; however, each actor also had their own, idiosyncratic interpretation of exactly what this innovation was about and why poor water quality was in the end not that important. Showing how depoliticisation can be the product of mechanisms with varying degrees of coordination helps account for the ubiquity of the phenomenon.