The Architectural Representation of Islam Tural This Book Is a Study of Dutch Mosque Designs, Objects of Heated Public Debate
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
KIVUNIM Comes to Morocco 2018 Final
KIVUNIM Comes to Morocco March 15-28, 2018 (arriving from Spain and Portugal) PT 1 Charles Landelle-“Juive de Tanger” Unlike our astronauts who travel to "outer space," going to Morocco is a journey into "inner space." For Morocco reveals under every tree and shrub a spiritual reality that is unlike anything we have experienced before, particularly as Jewish travelers. We enter an Islamic world that we have been conditioned to expect as hostile. Instead we find a warmth and welcome that both captivates and inspires. We immediately feel at home and respected as we enter a unique multi-cultural society whose own 2011 constitution states: "Its unity...is built on the convergence of its Arab-Islamic, Amazigh and Saharan-Hassani components, is nurtured and enriched by African, Andalusian, Hebraic and Mediterranean constituents." A journey with KIVUNIM through Morocco is to glimpse the possibilities of the future, of a different future. At our alumni conference in December, 2015, King Mohammed VI of Morocco honored us with the following historic and challenge-containing words: “…these (KIVUNIM) students, who are members of the American Jewish community, will be different people in their community tomorrow. Not just different, but also valuable, because they have made the effort to see the world in a different light, to better understand our intertwined and unified traditions, paving the way for a different future, for a new, shared destiny full of the promises of history, which, as they have realized in Morocco, is far from being relegated to the past.” The following words of Rabbi Abraham Joshua Heschel remind us of the purpose of our travels this year. -
Casablanca ENG.Indd
2 3 Casablanca SPAIN MEDITERRANEAN SEA Saïdia Rabat ATLANTIC OCEAN 5 Editorial Zagora 6 A city with the ocean on its doorstep 8 A city of the future ALGERIA CANARY ISLANDS 10 The Hassan II Mosque 12 Casablanca, a happening city 16 Experiencing the city 18 Activities in the city 20 Casablanca, seaside resort 22 The Casablanca region 26 Information and useful addresses MAURITANIA 4 5 Editorial Casablanca, an exhilarating megalopolis The sun is scarcely above the horizon and Casablanca is already waking up. Little red taxis play dodgems at the feet of the white city’s ultra-modern buildings. There is no escaping the allure of its grandeur, its pure energy, and all of a sudden we ourselves are imbued with the same heady dynamism. Casablanca, economic heart of the Kingdom, lives at a frenetic pace. Business and art go side by side here, often intermingling. It is here, above all, that tones and trends are set. Why is it that so many artists have found their inspiration in Casablanca? Perhaps the contrasting curves of its Art Deco buildings are enough to cast a spell over them. The richness of the city’s architectural heritage is sufficient in itself to call forth the image of a city where time has no hold. Charged with In Casablanca, modern history yet resolutely turned towards the future, this most cosmopolitan of cities, buildings stand side where every nationality is represented, parades its modernity for all to see. by side with Arab-An- dalusian architecture and Art Deco creations Morocco’s economic nerve centre and keeper of a unique historical heritage, from the 1920s Casablanca reveals all of its many faces to us. -
Architecture and Urbanism in the Middle East
Viewpoints Special Edition Architecture and Urbanism in the Middle East The Middle East Institute Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints is another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org Cover photos, clockwise from the top left hand corner: Abu Dhabi, United Arab Emirates (Imre Solt; © GFDL); Tripoli, Libya (Patrick André Perron © GFDL); Burj al Arab Hotel in Dubai, United Arab Emirates; Al Faisaliyah Tower in Riyadh, Saudi Arabia; Doha, Qatar skyline (Abdulrahman photo); Selimiye Mosque, Edirne, Turkey (Murdjo photo); Registan, Samarkand, Uzbekistan (Steve Evans photo). -
Thesis Final Copy V11
“VIENS A LA MAISON" MOROCCAN HOSPITALITY, A CONTEMPORARY VIEW by Anita Schwartz A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts & Letters in Partial Fulfillment of the Requirements for the Degree of Master of Art in Teaching Art Florida Atlantic University Boca Raton, Florida May 2011 "VIENS A LA MAlSO " MOROCCAN HOSPITALITY, A CONTEMPORARY VIEW by Anita Schwartz This thesis was prepared under the direction of the candidate's thesis advisor, Angela Dieosola, Department of Visual Arts and Art History, and has been approved by the members of her supervisory committee. It was submitted to the faculty ofthc Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree ofMaster ofArts in Teaching Art. SUPERVISORY COMMIITEE: • ~~ Angela Dicosola, M.F.A. Thesis Advisor 13nw..Le~ Bonnie Seeman, M.F.A. !lu.oa.twJ4..,;" ffi.wrv Susannah Louise Brown, Ph.D. Linda Johnson, M.F.A. Chair, Department of Visual Arts and Art History .-dJh; -ZLQ_~ Manjunath Pendakur, Ph.D. Dean, Dorothy F. Schmidt College ofArts & Letters 4"jz.v" 'ZP// Date Dean. Graduate Collcj;Ze ii ACKNOWLEDGEMENTS I would like to thank the members of my committee, Professor John McCoy, Dr. Susannah Louise Brown, Professor Bonnie Seeman, and a special thanks to my committee chair, Professor Angela Dicosola. Your tireless support and wise counsel was invaluable in the realization of this thesis documentation. Thank you for your guidance, inspiration, motivation, support, and friendship throughout this process. To Karen Feller, Dr. Stephen E. Thompson, Helena Levine and my colleagues at Donna Klein Jewish Academy High School for providing support, encouragement and for always inspiring me to be the best art teacher I could be. -
Religions of the World
Religions of the World This encyclopedia series provides comprehensive coverage of “world reli- gions.” Cohesive and objective in its treatment, the series covers a wide spectrum of academic disciplines and religious traditions. It lays bare similar- ities and differences that naturally emerge within and across disciplines and religions today. The series includes the academic field of multidisciplinary, secular study of religious beliefs, behaviors, and institutions. It offers descrip- tions, comparisons, interpretations, and explanations on religions in many different regions of the world. The series emphasizes systematic, historically based, and cross-cultural perspectives. Each volume offers a “state of play” perspective regarding the specific area of the world being considered, looking both at the current situation and at likely further developments within that area. More information about this series at https://www.springer.com/series/15065 Henri Gooren Editor Encyclopedia of Latin American Religions With 19 Figures and 17 Tables Editor Henri Gooren Sociology, Anthropology, Social Work and Criminal Justice Oakland University Rochester, MI, USA ISBN 978-3-319-27077-7 ISBN 978-3-319-27078-4 (eBook) ISBN 978-3-319-28571-9 (print and electronic bundle) https://doi.org/10.1007/978-3-319-27078-4 Library of Congress Control Number: 2019933396 © Springer Nature Switzerland AG 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
Studying Religious Diversity in Suriname and Trinidad: Review and Research Design
Academic Journal of Suriname 2011, 2, 139 – 143 Social Sciences Concepts and comments Studying Religious Diversity in Suriname and Trinidad: Review and Research Design Mirella P. Nankoe 1*, Soulamy A. Laurens 1, Rayah Bhattacharji 1 1Institute for Graduate Studies and Research, Anton de Kom Universiteit van Suriname, Paramaribo, Suriname Abstract This article reviews the research design of the master thesis “Religious Diversity in Suriname and Trinidad: An Exploration of the Institutional Development of Christianity, Hinduism and Islam” (Algoe 2011). We identified a few limitations in the existing design, concerning: (1) the number, the comparability and the definition of the social spheres, (2) the criteria for selecting the media as a case, (3) the definition of politics and (4) the relationship between religion and ethnicity. Unlike Algoe’s thesis that focused on the institutional development of religions and on interreligious relations, we propose an alternative design with a focus on the sphere of national decision-making in general, and the interaction between the state and religious institutions as part of development in particular. The key questions and concepts of the alternative design would include (a) the vision of colonial and post-colonial government, and Christian and Hindu institutions on religiously diverse societies and the nation, (b) the policy of colonial and post-colonial governments regarding religious diversity, and (c) Christian and Hindu institutions’ interaction with and participation in national decision making processes. The proposed design would be a comparative study between Suriname and Trinidad & Tobago, using a quantitative and qualitative research strategy and mixed methods such as secondary analysis of quantitative data, qualitative content analysis, and interviews. -
The Mosque As a Bridge Into Society?
Graduate School of Social Sciences MSc Sociology: Migration and Ethnic Studies The mosque as a bridge into society? A qualitative case study on the immigrants’ perspective on the role of the mosque in integration Carmen Roebersen, 11779543 Supervisor: Dr. Adeola Enigbokan Second reader: Dr. Pamela Prickett Date: June 25, 2018 Words: 23.998 Abstract Previous studies on immigrant integration were predominantly based on statistical integration. The present research aims to a further understanding of immigrant integration through the immigrants’ perspective. By using qualitative research methods, observations and interviews, these perspectives have been examined. This empirical study of first and second generation migrants in the Ulu mosque in Lombok shows how placemaking activities help by creating a sense of community, a sense of belonging and access to markers and means. It details three salient components, namely, place existence and aesthetics, interior place design, and place activities, and also how these helped to form and sustain the Muslim community. This study argues that the Ulu mosque is beneficial and indispensable in the integration process and bridges the gap between native Dutch and Muslims. The results are presented as means for future research and policy implications. 2 Table of contents Abstract ................................................................................................................................................... 2 1 A case study about a unique mosque .......................................................................................... -
Expat Guide to Casablanca
EXPAT GUIDE TO CASABLANCA SEPTEMBER 2020 SUMMARY INTRODUCTION TO THE KINGDOM OF MOROCCO 7 ENTRY, STAY AND RESIDENCE IN MOROCCO 13 LIVING IN CASABLANCA 19 CASABLANCA NEIGHBOURHOODS 20 RENTING YOUR PLACE 24 GENERAL SERVICES 25 PUBLIC TRANSPORTATION 26 STUDYING IN CASABLANCA 28 EXPAT COMMUNITIES 30 GROCERIES AND FOOD SUPPLIES 31 SHOPPING IN CASABLANCA 32 LEISURE AND WELL-BEING 34 AMUSEMENT PARKS 36 SPORT IN CASABLANCA 37 BEAUTY SALONS AND SPA 38 NIGHT LIFE, RESTAURANTS AND CAFÉS 39 ART, CINEMAS AND THATERS 40 MEDICAL TREATMENT 45 GENERAL MEDICAL NEEDS 46 MEDICAL EMERGENCY 46 PHARMACIES 46 DRIVING IN CASABLANCA 48 DRIVING LICENSE 48 CAR YOU BROUGHT FROM ABROAD 50 DRIVING LAW HIGHLIGHTS 51 CASABLANCA FINANCE CITY 53 WORKING IN CASABLANCA 59 LOCAL BANK ACCOUNTS 65 MOVING TO/WITHIN CASABLANCA 69 TRAVEL WITHIN MOROCCO 75 6 7 INTRODUCTION TO THE KINGDOM OF MOROCCO INTRODUCTION TO THE KINGDOM OF MOROCCO TO INTRODUCTION 8 9 THE KINGDOM MOROCCO Morocco is one of the oldest states in the world, dating back to the 8th RELIGION AND LANGUAGE century; The Arabs called Morocco Al-Maghreb because of its location in the Islam is the religion of the State with more than far west of the Arab world, in Africa; Al-Maghreb Al-Akssa means the Farthest 99% being Muslims. There are also Christian and west. Jewish minorities who are well integrated. Under The word “Morocco” derives from the Berber “Amerruk/Amurakuc” which is its constitution, Morocco guarantees freedom of the original name of “Marrakech”. Amerruk or Amurakuc means the land of relegion. God or sacred land in Berber. -
A Design Research Journal of the Moorish Influence of Art and Design in Andalusia Written and Designed by Breanna Vick
FOLD UN - A design research journal of the Moorish influence of art and design in Andalusia written and designed by Breanna Vick. This project is developed as a narrative report describing personal interactions with design in southern Spain while integrating formal academic research and its analysis. Migration of Moorish Design and Its Cultural Influences in Andalusia Migration of Moorish Design and Its Cultural Influences in Andalusia UROP Project - Breanna Vick Cover and internal design by Breanna Vick. Internal photos by Breanna Vick or Creative Commons photo libraries. All rights reserved, No part of this book may be reproduced in any form except in case of citation or with permission in written form from author. Printed and bound in the United States of America. Author Bio Breanna Vick is a Graphic Designer based in Minneapolis, Minnesota. She is interested in developing a deeper understanding of different methods of design research. On a site visit to Morocco and Spain in May through June of 2017, Breanna tested her knowledge of design research by observing Moorish design integrated in Andalusia. By developing a research paper, establishing sketchbooks, collecting photographs, and keeping journal entries, she was able to write, design and construct this narrative book. With Breanna’s skill-set in creating in-depth research, she has a deep understanding of the topics that she studies. With this knowledge, she is able to integrate new design aesthetics into her own work. Project Objective My undergraduate research project objective is to advance my understanding of how Moorish design appears in cities located throughout the southern territory of Spain. -
Islamic Art As a Means of Cultural Exchange
ISLAMIC ART AS A MEANS OF CULTURAL EXCHANGE IMPORTANT NOTICE: Author: H.R.H. Princess Wijdan Ali Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Production: Savas Konur accessing these web pages, you agree that you may only download the content for your own personal non-commercial Release Date: November 2006 use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Publication ID: 619 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Limited. Copyright: © FSTC Limited, 2006 Material may not be copied, reproduced, republished, downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
Naser Hassan AI-Rifaei
The Principle of Movement in Moroccan Design; as a source of inspiration for contemporary artistic applications Practice-based research in Art and Design Naser Hassan AI-Rifaei A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy March 2009 University of Brighton Abstract This project focuses on utilizing the principle of movement contained in traditional Moroccan design (PMMD) for the production of new and inventive artworks. The PMMD is one of the main concepts that rules the creation and construction of design elements; it consists of a group of advanced technical procedures applied to achieve the highest levels of unity, harmony, variation and rhythm between lines and shapes. Great consideration in the PMMD is given to the viewer's perception, as all parts are formed to be equally interesting and to work harmoniously together suggesting ways for the viewer's eye to interact with and move in and throughout the composition. The purpose of this research is to examine viable methods for stimulating new ideas by taking the aesthetic and technical significances of the PMMD as a source of creative inspiration. The work involved analyzing the relationship between form, method and perception in traditional compositions by exploring the role of PMMD in 1) the process of creating and shaping design elements separately, 2) methods of relating the lines and shapes of different design components. Data on PMMD was collected from recent literature on Islamic art and Moroccan design, from interviews with master-craftsmen, and from my personal analyses and observations. -
Andalusian Roots and Abbasid Homage in the Qubbat Al-Barudiyyin 133
andalusian roots and abbasid homage in the qubbat al-barudiyyin 133 YASSER TABBAA ANDALUSIAN ROOTS AND ABBASID HOMAGE IN THE QUBBAT AL-BARUDIYYIN IN MARRAKECH Without any question, I was attracted to the fi eld of Andalusian artisans are known to have resettled in Islamic architecture and archaeology through Oleg Morocco—it seems anachronistic in dealing with peri- Grabar’s famous article on the Dome of the Rock, ods when Andalusia itself was ruled by dynasties from which I fi rst read in 1972 in Riyadh, while contemplat- Morocco, in particular the Almoravids (1061–1147) ing what to do with the rest of my life.1 More specifi cally and the Almohads (1130–1260). More specifi cally, to the article made me think about domes as the ultimate view Almoravid architecture from an exclusively Cor- aesthetic statements of many architectural traditions doban perspective goes counter to the political and and as repositories of iconography and cosmology, cultural associations of the Almoravids, who, in addi- concepts that both Grabar and I have explored in different ways in the past few decades. This article, on a small and fragile dome in Marrakech, continues the conversation I began with Oleg long before he knew who I was. The Qubbat al-Barudiyyin in Marrakech is an enig- matic and little-studied monument that stands at the juncture of historical, cultural, and architectural trans- formations (fi g. 1). Although often illustrated, and even featured on the dust jacket of an important sur- vey of Islamic architecture,2 this monument is in fact very little known to the English-speaking scholarly world, a situation that refl ects its relatively recent dis- covery and its location in a country long infl uenced by French culture.