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Remembering World War Ii in the Late 1990S
REMEMBERING WORLD WAR II IN THE LATE 1990S: A CASE OF PROSTHETIC MEMORY By JONATHAN MONROE BULLINGER A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Communication, Information, and Library Studies Written under the direction of Dr. Susan Keith and approved by Dr. Melissa Aronczyk ________________________________________ Dr. Jack Bratich _____________________________________________ Dr. Susan Keith ______________________________________________ Dr. Yael Zerubavel ___________________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Remembering World War II in the Late 1990s: A Case of Prosthetic Memory JONATHAN MONROE BULLINGER Dissertation Director: Dr. Susan Keith This dissertation analyzes the late 1990s US remembrance of World War II utilizing Alison Landsberg’s (2004) concept of prosthetic memory. Building upon previous scholarship regarding World War II and memory (Beidler, 1998; Wood, 2006; Bodnar, 2010; Ramsay, 2015), this dissertation analyzes key works including Saving Private Ryan (1998), The Greatest Generation (1998), The Thin Red Line (1998), Medal of Honor (1999), Band of Brothers (2001), Call of Duty (2003), and The Pacific (2010) in order to better understand the version of World War II promulgated by Stephen E. Ambrose, Tom Brokaw, Steven Spielberg, and Tom Hanks. Arguing that this time period and its World War II representations -
Katalogherbst/Winter 2 0
NEU im Herbst 2017 eschichte bilingual eschichte das modulare 27 deutsch 27 medienkonzept für den unterrichtinteraktiv interaktiv eschichte interaktiv 11 Gottholddas modulare Ephraim Lessing (1729-1781) interaktiv medienkonzept für den unterricht 1 DVD / 115 Min. / mit didaktischem Begleitmaterial als Download das modulare Schule Sek. I + II deutsch medienkonzept für den unterricht interaktiv Gotthold Ephraim Lessing ist der bis heute Im Interview sprechen die Literaturwissenschaft- deutsch bekannteste Schriftsteller der Aufklärung. Er ler Alexander Kosenina, Ute Pott, Peter Heßelmann interaktiv Erster Weltkrieg III ist Journalist, Theaterkritiker, Bibliothekar und und Mirjam Springer über den Autor und sein Werk. das modulare 12 medienkonzept für den unterricht The Treaty of Versailles and its Übersetzer – und der einzige Dramatiker seiner der Städte und zeigen Methoden unddas Grenzen modulare Zeit, der bis heute ununterbrochen im Theater Der Hauptfi lm informiert über Lessings Lebens- DVD / 122 Min. / Mit didaktischem Begleitmaterial der damaligen Medizin, die über Jahremedienkonzept mit den für27 den unterricht gespielt wird. welt. Drei Module stellen seine bekanntesten Dramen in den Mittelpunkt, ein viertes beschäf- steht Schrecken der Pest konfrontiert ist. eschichte 12 Schule Sek. I + II Hauptfi lm Ur- und Frühgeschichte In „Minna von Barnhelm“ beschäftigt er sich mit tigt sich mit der Entwicklung des deutschen den Folgen des Siebenjährigen Krieges – in Theaters im 18. Jahrhundert. Regisseure und Besondere Einblicke in das Mittelalter bieten die interaktiv Der dritte Teil unserer Mittelalter-Reihe befasst Form eines Lustspiels. Mit „Nathan der Weise“ Schauspieler erläutern ihre Inszenierungen von 28 Fragstatt in Regensburg, in der FoltergeräteDVD / 122 Min. von / Mit didaktischem Begleitmaterial sich mit dem Spätmittelalter: Im verfasst Lessing ein Stück über das Miteinander Lessings Stücken. -
Video List Phil Campbell Campus TITLE NUMBER Tess ( Part 1)
James A. Glasgow Library - Video List Phil Campbell Campus TITLE NUMBER Tess ( Part 1) 435 Tess ( Part 2) 436 1984 198 1984 Revisited 61 1987 the Unforgettable Year 281 1996 NISOD Excellence Awards Celebration 627 2001: A Space Odyssey 437 25 Foot Power Caddy 3 48 Hours: Return to Crack Street 464 Abdomen Assessment 863 Abnormal Behavior: Origins 889 Abnormal Behavior: Overview 886 Academic Edge 480 Access to the Workplace: ADA 742 Accounting Principles Part 10 756 Accounting Principles Part 11 757 Accounting Principles Part 12 758 Accounting Principles Part 13 759 Accounting Principles Part 14 760 Accounting Principles Part 15 761 Accounting Principles Part 16 762 Accounting Principles Part 17 763 Accounting Principles Part 18 764 Accounting Principles Part 19 765 Accounting Principles Part 2 748 Accounting Principles Part 20 766 Accounting Principles Part 21 767 Accounting Principles Part 22 768 Accounting Principles Part 23 769 Accounting Principles Part 24 770 Accounting Principles Part 25 771 Accounting Principles Part 26 772 Accounting Principles Part 27 773 Accounting Principles Part 28 774 Accounting Principles Part 3 749 Accounting Principles Part 4 750 Accounting Principles Part 5 751 Accounting Principles Part 6 752 Accounting Principles Part 7 753 Accounting Principles Part 8 754 Accounting Principles Part 9 755 Accounting Principles: Part 1 747 Acid/Base Balance 404 Page 1 TITLE NUMBER Acute Neurological Care Head Injuries 234 Acute Neurological Care: Head Injury 441 Acute Neurological Care: Intracranial Hypertension 507 -
DCP – Film Distribution 09/2018
DCP – Film distribution 09/2018 Friedrich-Wilhelm-Murnau-Stiftung Murnaustraße 6 65189 Wiesbaden Film distribution Patricia Heckert phone.: +49 (0) 611 / 9 77 08 - 45 Fax: +49 (0) 611 / 9 77 08 - 19 [email protected] Friedrich-Wilhelm-Murnau-Stiftung Film distribution (DCP) 09/2018 Film title / Year Silent film / Music Type Credits Languages / Length Subtitles Abschied sound film directed by: Robert Siodmak german 77'25" DE 1930 cast: Brigitte Horney, Aribert Mog, Emilie alternate ending on DCP Unda Akrobat Schö-ö-ö-n sound film directed by: Wolfgang Staudte german 84'06'' DE 1943 cast: Charlie Rivell, Clara Tabody, Karl Schönböck, Fritz Kampers Als ich tot war music: Aljoscha Zimmermann silent film directed by: Ernst Lubitsch german intertitles 37'43" DE 1915 arrangement: Sabrina Hausmann cast: Ernst Lubitsch, Helene Voß tinted ensemble: Sabrina Hausmann, Mark Pogolski Amphitryon sound film directed by: Reinhold Schünzel german 103'11" DE 1935 cast: Willy Fritsch, Paul Kemp, Lilian Harvey Anna Boleyn music: Javier Pérez de Azpeitia silent film directed by: Ernst Lubitsch german intertitles 123'47" DE 1920 cast: Emil Jannings, Henny Porten, tinted Paul Hartmann restoration 1998 Apachen von Paris, Die without music silent film director: Nikolai Malikoff german intertitles 108'08'' DE 1927 cast: Jaque Catelain, Lia Eibenschütz, Olga Limburg Asphalt music: Karl-Ernst Sasse without mus directed by: Joe May german intertitles 94'14'' DE 1929 recording: Brandenburgische Philharmonie cast: Betty Amann, Gustav Fröhlich, Albert restoration -
DVD 68 Achtung Verkehr! 1928–1976. Bewegte Vergangenheit Filme Aus Dem Staatsarchiv Basel-Stadt, 3 Sprache: Deutsch Gesamtlaufzeit: Ca
Filme {G} Geschenk DVD 68 Achtung Verkehr! 1928–1976. Bewegte Vergangenheit Filme aus dem Staatsarchiv Basel-Stadt, 3 Sprache: Deutsch Gesamtlaufzeit: ca. 153 Min. – 1 DVD + 1 Booklet. – 32 S., Abb. {G} DVD 70 Alltag einer Grenzstadt 1931–1941. Bewegte Vergangenheit Filme aus dem Staatsarchiv Basel-Stadt, 4 Sprache: Deutsch Gesamtlaufzeit: ca. 172 Min. – 1 DVD + 1 Booklet. – 36 S., Abb. {G} DVD 60 Un Barrage contre le Pacifique Nach Un Barrage contre le Pacifique von Marguerite Duras, 1950 Regie: Rithy Panh Darsteller: Isabelle Huppert, Gaspard Ulliel, Astrid Berges-Frisbey Sprachen: Französisch, Khmer Untertitel: Deutsch Gesamtlaufzeit: ca. 110 Min. – 1 DVD + 1 Beil. DVD 1 Die Bekenntnisse des Hochstaplers Felix Krull Nach Die Bekenntnisse des Hochstaplers Felix Krull von Thomas Mann, 1954 Regie: Kurt Hoffmann Drehbuch: Robert Thoren, Erika Mann Darsteller: Horst Buchholz, Lieselotte Pulver Sprache: Deutsch Gesamtlaufzeit: ca. 105 Min. – 1 DVD. DVD 58 Ingrid Bergman Nach der Biographie Notorious, 1997, über Ingrid Bergman von Donald Spoto; ins Deutsche übersetzt von Hans Peter Ruegsegger – 1 E-Book. – 625 S., farb. + s/w Abb. Erinnerungen an eine bezaubernde Frau Gesamtlaufzeit: ca. 146 Min. – 2 DVDs. {G} DVD 117 Berlin Stettin Regie: Volker Koepp Sprachen: Deutsch, Polnisch Untertitel: Deutsch, Englisch Gesamtlaufzeit: ca. 110 Min. – 1 DVD. - 1 - DVD 67 Bewegte Vergangenheit 1: Vom Alpenflug zum Pop-Art-Fest, 1933–1968 2: Vom Basler Rheinhafen zur Nordsee, 1945–1961 Filme aus dem Staatsarchiv Basel-Stadt, 1+2 Sprache: Deutsch Gesamtlaufzeit: je ca. 110 Min. – 2 DVDs + 1 Booklet. – 62 S., farb. + s/w Abb. {G} DVD 64 Bilder der Erinnerung Geschichte und Geschichten der Grenzregion Basel 1933–1945 Filme von Alex Hagmann, Erik Petry von der Universität Basel Sprachen: Schweizerdeutsch, Deutsch, Französisch Untertitel: Deutsch Gesamtlaufzeit: ca. -
Ell 1E5 570 ' CS 20 5 4,96;
. MC0111117 VESUI17 Ell 1E5 570 ' CS 20 5 4,96; AUTHOR McLean, Ardrew M. TITLE . ,A,Shakespeare: Annotated BibliographiesendAeaiaGuide 1 47 for Teachers. .. INSTIT.UTION. NIttional Council of T.eachers of English, Urbana, ..Ill. .PUB DATE- 80 , NOTE. 282p. AVAILABLe FROM Nationkl Coun dil of Teachers,of Englishc 1111 anyon pa., Urbana, II 61.801 (Stock No. 43776, $8.50 member, . , $9.50 nor-memberl' , EDRS PRICE i MF011PC12 Plus Postage. DESCRIPTORS Annotated Biblioal7aphies: *Audiovisual Aids;'*Dramt; +English Irstruction: Higher Education; 4 *InstrUctioiral Materials: Literary Criticism; Literature: SecondaryPd uc a t i on . IDENTIFIERS *Shakespeare (Williaml 1 ABSTRACT The purpose of this annotated b'iblibigraphy,is to identify. resou'rces fjor the variety of approaches tliat teachers of courses in Shakespeare might use. Entries in the first part of the book lear with teaching Shakespeare. in secondary schools and in college, teaching Shakespeare as- ..nerf crmance,- and teaching , Shakespeare with other authora. Entries in the second part deal with criticism of Shakespearear films. Discussions of the filming of Shakespeare and of teachi1g Shakespeare on, film are followed by discu'ssions 'of 26 fgature films and the,n by entries dealing with Shakespearean perforrances on televiqion: The third 'pax't of the book constituAsa glade to avAilable media resources for tlip classroom. Ittries are arranged in three categories: Shakespeare's life'and' iimes, Shakespeare's theater, and Shakespeare 's plam. Each category, lists film strips, films, audi o-ca ssette tapes, and transparencies. The.geteral format of these entries gives the title, .number of parts, .grade level, number of frames .nr running time; whether color or bie ack and white, producer, year' of .prOduction, distributor, ut,itles of parts',4brief description of cOntent, and reviews.A direCtory of producers, distributors, ard rental sources is .alst provided in the 10 book.(FL)- 4 to P . -
Iraq War Documentaries in the Online Public Sphere
Embedded Online: Iraq War Documentaries in the Online Public Sphere Eileen Culloty, MA This thesis is submitted to Dublin City University for the award of PhD in the Faculty of Humanities and Social Sciences. Dublin City University School of Communications Supervisor: Dr. Pat Brereton September 2014 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Doctor of Philosophy is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________ ID No.: ___________ Date: _________ ii DEDICATION This work is dedicated to the memory of Martin Culloty. … I go back beyond the old man Mind and body broken To find the unbroken man. It is the moment before the dance begins. Your lips are enjoying themselves Whistling an air. Whatever happens or cannot happen In the time I have to spare I see you dancing father Brendan Kennelly (1990) ‘I See You Dancing Father’ iii TABLE OF CONTENTS ABSTRACT ............................................................................................................................ vii LIST OF FIGURES ................................................................................................................ viii ABBREVIATIONS ................................................................................................................... -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Annual Report 2015 Key Figures I 06
Annual Report 2015 Key figures I 06 2015 + / – 2014 2013 2012 1 2011 previous Figures in EUR million year Results Gross written premium 17,068.7 +18.8% 14,361.8 13,963.4 13,774.2 12,096.1 Net premium earned 14,593.0 +17.5% 12,423.1 12,226.7 12,279.2 10,751.5 Net underwriting result 93.8 (23.6) (83.0) (96.9) (535.8) Net investment income 1,665.1 +13.1% 1,471.8 1,411.8 1,655.7 1,384.0 Operating profit (EBIT) 1,755.2 +19.7% 1,466.4 1,229.1 1,393.9 841.4 Group net income 1,150.7 +16.7% 985.6 895.5 849.6 606.0 Balance sheet Policyholders´ surplus 10,267.3 +0.3% 10,239.5 8,767.9 8,947.2 7,338.2 Equity attributable to shareholders of Hannover Rück SE 8,068.3 +6.9% 7,550.8 5,888.4 6,032.5 4,970.6 Non-controlling interests 709.1 +1.0% 702.2 641.6 681.7 636.0 Hybrid capital 1,489.9 -25.0% 1,986.5 2,237.8 2,233.0 1,731.6 Investments (excl. funds with- held by ceding companies) 39,346.9 +8.6% 36,228.0 31,875.2 31,874.4 28,341.2 Total assets 63,214.9 +4.6% 60,457.6 53,915.5 54,811.7 49,867.0 Share Earnings per share (basic and diluted) in EUR 9.54 +16.7% 8.17 7.43 7.04 5.02 Book value per share in EUR 66.90 +6.9% 62.61 48.83 50.02 41.22 Dividend 572.8 2 +11.8% 512.5 361.8 361.8 253.3 Dividend per share in EUR 3.25 + 1.50 2, 3 +11.8% 3.00 + 1.25 3 3.00 2.60 + 0.40 3 2.10 Share price at year-end in EUR 105.65 +40.9% 74.97 62.38 58.96 38.325 Market capitalisation at year- end 12,741.1 +40.9% 9,041.2 7,522.8 7,110.4 4,621.9 Ratios Combined ratio (property and casualty reinsurance) 4 94.4% 94.7% 94.9% 95.8% 104.3% Large losses as percentage of net premium earned (proper- ty and casualty reinsurance) 5 7.1% 6.1% 8.4% 7.0% 16.5% Retention 87.0% 87.6% 89.0% 89.8% 91.2% Return on investment (excl. -
Filmklassiker Bel Ami (1939)
Filmklassiker Bel Ami (1939)...........................................................................................................................2 Der blaue Engel (1930)...............................................................................................................2 Ein blonder Traum (1932)...........................................................................................................3 Bomben auf Monte Carlo (1931).................................................................................................4 Die Brücke (1960) ......................................................................................................................4 Des Teufels General (1955) ........................................................................................................5 Das doppelte Lottchen (1950) .....................................................................................................6 3 Männer im Schnee (1956) ........................................................................................................6 Die Drei von der Tankstelle (1956) .............................................................................................7 Emil und die Detektive (1931) ....................................................................................................8 Die Feuerzangenbowle (1944).....................................................................................................8 Frauenarzt Dr. Prätorius (1950)...................................................................................................9 -
Violence. Nationalism, Racism, Xenophobia
Dieckmann, Bernhard [Hrsg.]; Wulf, Christoph [Hrsg.]; Wimmer, Michael [Hrsg.] Violence. Racism, nationalism, xenophobia Münster; New York; München; Berlin : Waxmann 1997, 331 S. - (European Studies in Education; 5) Quellenangabe/ Citation: Dieckmann, Bernhard [Hrsg.]; Wulf, Christoph [Hrsg.]; Wimmer, Michael [Hrsg.]: Violence. Racism, nationalism, xenophobia. Münster; New York; München; Berlin : Waxmann 1997, 331 S. - (European Studies in Education; 5) - URN: urn:nbn:de:0111-opus-15679 - DOI: 10.25656/01:1567 http://nbn-resolving.org/urn:nbn:de:0111-opus-15679 http://dx.doi.org/10.25656/01:1567 Nutzungsbedingungen Terms of use Gewährt wird ein nicht exklusives, nicht übertragbares, persönliches und We grant a non-exclusive, non-transferable, individual and limited right to beschränktes Recht auf Nutzung dieses Dokuments. Dieses Dokument ist using this document. ausschließlich für den persönlichen, nicht-kommerziellen Gebrauch This document is solely intended for your personal, non-commercial use. Use bestimmt. Die Nutzung stellt keine Übertragung des Eigentumsrechts an of this document does not include any transfer of property rights and it is diesem Dokument dar und gilt vorbehaltlich der folgenden Einschränkungen: conditional to the following limitations: All of the copies of this documents must Auf sämtlichen Kopien dieses Dokuments müssen alle retain all copyright information and other information regarding legal Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen Schutz protection. You are not allowed to alter this document in any way, to copy it for beibehalten werden. Sie dürfen dieses Dokument nicht in irgendeiner Weise public or commercial purposes, to exhibit the document in public, to perform, abändern, noch dürfen Sie dieses Dokument für öffentliche oder distribute or otherwise use the document in public. -
"Stereotypisch Deutsch": an Examination of Stereotypes of Germans and the Effects in the Business Environment Alicia Marvinetz
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2017 "Stereotypisch Deutsch": An Examination of Stereotypes of Germans and the Effects in the Business Environment Alicia Marvinetz Follow this and additional works at: http://commons.emich.edu/honors Part of the German Linguistics Commons, and the International Business Commons Recommended Citation Marvinetz, Alicia, ""Stereotypisch Deutsch": An Examination of Stereotypes of Germans and the Effects in the Business Environment" (2017). Senior Honors Theses. 525. http://commons.emich.edu/honors/525 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. "Stereotypisch Deutsch": An Examination of Stereotypes of Germans and the Effects in the Business Environment Abstract Stereotypes can be seen as a tool to understand why a person or group of people behave the way they do. These stereotypes adapt over time as culture and cultural perceptions change. The purpose of this research is to analyze what stereotypes Americans have held of Germans over the years, starting in 1940, a couple years before the United States entered World War II, then the Cold War Era between 1947 and 1990, through today. The purpose of these time frames is to see how Americans viewed Germans just prior to entering the war, how the war may have changed those views, what happened to those views after the war was over, and what has become of those views since the fall of the Berlin Wall leading to today.