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Bethesda) Sarcophagus of Bassa Dennis Trout
AUTHOR’S COPY | AUTORENEXEMPLAR 10. Borrowed Verse and Broken Narrative: Agency, Identity, and the (Bethesda) Sarcophagus of Bassa Dennis Trout Sometime in the late fourth century, a young woman named Bassa was laid to rest in the Catacomb of Praetextatus near the Appian Way, roughly two kilometres outside Rome’s Aurelian walls. Bassa’s marble sarcophagus – ravaged and scattered in time by vandalism and landslide but reassembled in the early twentieth century (Figure 10.1) – now stands in the handbooks as an (anomalous) example of the so- called Bethesda type.1 Thirteen other representatives of this sarcophagus group are currently known and each of these thirteen, as far as can be determined, presents the same five New Testament scenes in the same order.2 In every case, as illustrated by well-preserved examples from the Vatican cemetery and the Cathedral of Tarragona (figs. 2 and 3),3 a central tableau arranged in two registers portrays (at least in its upper half) an episode from the Gospel of John in which Jesus heals a paralytic at Jerusalem’s pool of Bethesda (Jn 5.1–9). On either side of this central panel appear four other standard scenes, two on each side, and these also reference 1 On the catacomb see Spera 2004 and Spera 2006. More than thirty fragments of Bassa’s sarcophagus were collected throughout Praetextatus in the late nineteenth and early twentieth centuries. Because this catacomb was significantly disturbed by ancient depredations as well as subsequent landslides and looting, it is now impossible to determine with any certainty Bassa’s original burial spot within the complex, though the recorded find spots make regions D and F in the NW sector of the catacomb likely: for a synopsis see Mazzei 2004, 112–113. -
A Roman Frontier Post and Its People
CHAPTER IX Dress and Armour As we gather together the relics brought to light from the abandoned wells and rubbish-pits at Newstead, the figure of the Roman soldier inevitably rises before us. It is a figure rendered familiar by the great monuments which commemorate Imperial triumphs, and by the portrait-reliefs which once stood above the graves of centurions, cavalry soldiers, or standard-bearers recalling to the passers-by the likeness of the dead. It is to such memorials, and to the scanty finds of weapons and armour which have been preserved to our time, that we owe most of the knowledge we possess regarding the arms and equipment of the army of the Empire. The columns and the triumphal arches furnish us with a series of pictures of the soldier in action. The victories of Trajan over the Dacians are sculptured on the column which he had set up in Rome in A.D. 104. The triumphs of Marcus Aurelius over the Marcomanni are unfolded in the reliefs decorating the huge pillar that gives its name to the Piazza Colonna. We follow each stage in the campaigns, the army making roads, building bridges, constructing forts, attacking and attacked. Many details are given which help us to realise vividly the scenes commemorated. No doubt in such sculptures, executed, as they were, in Rome, the artists drew their inspiration to some extent from older Hellenic models, and there thus enters into the treatment a somewhat conventional element. The grave stones of the legionaries or auxiliaries, on the other hand, are probably more exact in details. -
Ancient Greek Coins
Ancient Greek Coins Notes for teachers • Dolphin shaped coins. Late 6th to 5th century BC. These coins were minted in Olbia on the Black Sea coast of Ukraine. From the 8th century BC Greek cities began establishing colonies around the coast of the Black Sea. The mixture of Greek and native currencies resulted in a curious variety of monetary forms including these bronze dolphin shaped items of currency. • Silver stater. Aegina c 485 – 480 BC This coin shows a turtle symbolising the naval strength of Aegina and a punch mark In Athens a stater was valued at a tetradrachm (4 drachms) • Silver staterAspendus c 380 BC This shows wrestlers on one side and part of a horse and star on the other. The inscription gives the name of a city in Pamphylian. • Small silver half drachm. Heracles wearing a lionskin is shown on the obverse and Zeus seated, holding eagle and sceptre on the reverse. • Silver tetradrachm. Athens 450 – 400 BC. This coin design was very poular and shows the goddess Athena in a helmet and has her sacred bird the Owl and an olive sprig on the reverse. Coin values The Greeks didn’t write a value on their coins. Value was determined by the material the coins were made of and by weight. A gold coin was worth more than a silver coin which was worth more than a bronze one. A heavy coin would buy more than a light one. 12 chalkoi = 1 Obol 6 obols = 1 drachm 100 drachma = 1 mina 60 minas = 1 talent An unskilled worker, like someone who unloaded boats or dug ditches in Athens, would be paid about two obols a day. -
Art and Royalty in Sparta of the 3Rd Century B.C
HESPERIA 75 (2006) ART AND ROYALTY Pages 203?217 IN SPARTA OF THE 3RD CENTURY B.C. ABSTRACT a The aim of this paper is to demonstrate that revival of the arts in Sparta b.c. was during the 3rd century owed mainly to royal patronage, and that it was inspired by Alexander s successors, the Seleukids and the Ptolemies in particular. The tumultuous transition from the traditional Spartan dyarchy to a and to its dominance Hellenistic-style monarchy, Sparta's attempts regain in the P?loponn?se (lost since the battle of Leuktra in 371 b.c.), are reflected in the of the hero Herakles as a role model promotion pan-Peloponnesian at for the single king the expense of the Dioskouroi, who symbolized dual a kingship and had limited, regional appeal. INTRODUCTION was Spartan influence in the P?loponn?se dramatically reduced after the battle of Leuktra in 371 b.c.1 The history of Sparta in the 3rd century b.c. to ismarked by intermittent efforts reassert Lakedaimonian hegemony.2 A as a means to tendency toward absolutism that end intensified the latent power struggle between the Agiad and Eurypontid royal houses, leading to the virtual abolition of the traditional dyarchy in the reign of the Agiad Kleomenes III (ca. 235-222 b.c.), who appointed his brother Eukleides 1. For the battle of Leuktra and its am to and Ellen Millen 2005.1 grateful Graham Shipley Paul Cartledge and see me to am consequences, Cartledge 2002, and Ellen Millender for inviting der for historical advice. I also 251-259. -
While Most Bronzes Were Found Individually, Some Specific Finds Seem to Have Narrow Dates Around the Time of Cleopatra and Augustus
51 / 140 THE COINAGE SYSTEM OF CLEOPATRA VII, MARC ANTONY AND AUGUSTUS IN CYPRUS While most bronzes were found individually, some specific finds seem to have narrow dates around the time of Cleopatra and Augustus. Deposits below later mosaics provide a glimpse of the coinage in circulation during the late Ptolemaic and Augustan times.33 34 Two of the several wells containing coins provide a similar snapshot in time, although with more of the smaller denominations. The largest finds of eighth and quarter-units are in rooms containing sixty-two and ten examples respectively. Each of these finds is listed in the endnotes.35 A chart of the Ptolemaic coins found on page 124 of “Paphos II” modified by the assertions in this book is below. Total Ptolemaic Coins struck in Cyprus found at Paphos II, The House of Dionysos36 Ptol I 3 Ptol II 8 Ptol III 2 Ptol IV 0 (110 “Arsinöe III” Æ9 reattributed from here to Cleopatra VII) Ptol V 1 (3 Thunderbolt / Eagle Æ7 reattributed to Cleopatra VII) Ptol VI-VIII 17 (Most examples included with later kings) Ptol IX 111 (same) Ptol IX to X 190 (same) Ptolemy XII 37 (aphlaston, T & Star, KY∏P obols given to Ptolemy XII) Cleopatra VII 193 33 Bust of Winter from House of Dionysos, Four Seasons mosaic. Room XVI, Four Seasons Mosaic, (sealed deposit) 0.2-0.4 m below the mosaic floor 526 Augustus, Æ18, Plautius, 1/2 AD, 4.6g, hemiobol 429 Cleopatra, Æ25, 6.1g, obol, 2 eagles, Isis headdress 430 -, Æ24, 4.7g, same 472 -, Æ15, 1.7g, hemiobol A coin of Arcadius was found above the mosaic, on the surface. -
Nicholson Museum
OF FACES POWER IMPERIAL PORTRAITURE ON ROMAN COINS NICHOLSON MUSEUM Peter Brennan, Michael Turner & Nicholas L. Wright OF FACES POWER IMPERIAL PORTRAITURE ON ROMAN COINS NICHOLSON MUSEUM Peter Brennan, Michael Turner & Nicholas L. Wright This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Enquiries should be made to the publisher. No photograph printed in this book may be reproduced without the permission of the copyright owner. Copyright for the text and images in this publication is held by the Nicholson Museum. Published by the Nicholson Museum, The University of Sydney, NSW, 2006, Australia © The Nicholson Museum, The University of Sydney, 2007 Faces of Power Imperial Portraiture on Roman Coins ISBN 1 86487 833 9 This book was produced with the generous financial support of the Alexander Cambitoglou Nicholson Museum Endowment Fund. Book design by Virginia Buckingham, Virginia Buckingham Graphic Design. Photographs by Rowan Conroy. COVER & ADJACENT IMAGES: DOMITIAN ROME MINT: 75–79 AD AUREUS OBV: CAESAR AVG F DOMITIANVS; LAUREATE, BEARDED HEAD OF DOMITIAN R.; DOTTED BORDER REV: CERES AVGVST; DRAPED CERES STANDING L. HOLDING EAR OF CORN IN R. HAND, SCEPTRE IN L.; DOTTED BORDER NM 2004.2624 (BMC 322.) CONTENTS FOREWORD 5 Michael Turner FACES OF POWER 7 Peter Brennan A QUICK GUIDE TO ROMAN COINS 9 Nicholas L. Wright Romans – The people with the three names 9 Legends & their abbreviations 10 Greek Imperial coinage 12 Glossary of descriptive terms & abbreviations 12 COIN DENOMINATIONS 14 Primary Imperial Roman denominations 27 BC – 294 AD Primary Imperial Roman denominations after 294 AD Primary civic (Greek Imperial) denominations in Eastern provinces THE COINS 15 Peter Brennan THE DYNASTIES 79 Nicholas L. -
Low-Tech Armortm
LOADOUTS:TM LOW-TECH ARMORTM Written by DAN HOWARD Edited by JASON “PK” LEVINE Illustrated by DAVID DAY, DAN HOWARD, and SHANE L. JOHNSON GURPS System Design ❚ STEVE JACKSON e23 Manager ❚ STEVEN MARSH GURPS Line Editor ❚ SEAN PUNCH Marketing Director ❚ LEONARD BALSERA Managing Editor ❚ PHILIP REED Director of Sales ❚ ROSS JEPSON Assistant GURPS Line Editor ❚ JASON “PK” LEVINE Prepress Checker ❚ NIKKI VRTIS Production Artist & Indexer ❚ NIKOLA VRTIS Page Design ❚ PHIL REED and JUSTIN DE WITT Art Direction ❚ MONICA STEPHENS GURPS FAQ Maintainer ❚ VICKY “MOLOKH” KOLENKO Lead Playtester: Douglas H. Cole Playtesters: Roger Burton West, Nathan Joy, Rob Kamm, Stephen Money, David Nichols, and Antoni Ten Monrós GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid, Loadouts, Low-Tech Armor, e23, and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Loadouts: Low-Tech Armor is copyright © 2013, 2017 by Steve Jackson Games Incorporated. Some art © 2013 JupiterImages Corporation. All rights reserved. The scanning, uploading, and distribution of this material via the Internet or via any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. STEVE JACKSON GAMES Stock #37-1581 Version 1.0.1 – June 2017 ® CONTENTS INTRODUCTION . 3 Padded Jacks . 41 Recommended Books . 3 How a Man Shall Be Armed . 42 Additional Rules . -
Kod Nazwa 337975 Smartfon Samsung A705f
KOD NAZWA 337975 SMARTFON SAMSUNG A705F Galaxy A70 Czarny 337974 SMARTFON SAMSUNG A705F Galaxy A70 Niebieski 337977 SMARTFON SAMSUNG A705F Galaxy A70 Biały 337976 SMARTFON SAMSUNG A705F Galaxy A70 Koralowy 336924 CHLODZ-ZAMR.LG GBB72PZDFN $ 322761 PRALKO-SUSZ. SAMSUNG WD80 M4A43 JW $ 338748 TV LG 55" 55UM7400 UHD, webOS Smart TV, Active HDR 337876 TV SKYMASTER 50" 50SUA2505 UHD AndroidTV 337362 TV THOMSON 40" 40FD3306 FHD 336035 TV SAMSUNG 50" UE50RU7402 UHD, Smart, HDR 341361 Laptop LENOVO IP 330-15ICH i5-8300H W10H 81FK00D1PB 339885 CHLODZ-ZAMR. RCNA406E43ZXB 339088 PRALKA EW6T4262P TV PHILIPS 65" 65PUS6804 UHD, AndroidTV, Ambilight, 338927 HDR10+ TV PHILIPS 50" 50PUS6804 UHD, SmartTV, Ambilight, 338899 HDR10+ 338403 CHLODZ-ZAMR.LG GBB72SAEFN $ 338051 CHLODZ-ZAMR SAMSUNG RB37 J502 VSA $ 337819 PIEKARNIK BOSCH HBA5370B0 Szczoteczka soniczna PHILIPS HX6511/35 Sonicare EasyClean 337465 DuoPack ^ 337011 ZMYWARKA EES47320L 336996 PIEKARNIK EOE5C71Z 336886 SMARTFON HUAWEI P30 Aurora Niebieski 336848 SMARTFON SAMSUNG A505F Galaxy A50 Czarny 336044 TV SAMSUNG 55" UE55RU7402 UHD, Smart, HDR 336043 TV SAMSUNG 65" QE65Q60RAT QLED, Smart, HDR 336041 TV SAMSUNG 55" QE55Q60RAT QLED, Smart, HDR 335474 SMARTFON SAMSUNG G975F Galaxy S10+ Prism White 335472 SMARTFON SAMSUNG G975F Galaxy S10+ Prism Black 335466 SMARTFON SAMSUNG G973F Galaxy S10 Prism Black 335263 ROBOT SPRZĄTAJĄCY ROBOJET DUEL 3^ Laptop Acer Nitro 5 A515-52-726U 15,6" i7 / 8 GB /512GB 335209 SSD / GeForce gtx1050 / W10 Laptop ASUS FX505GM-AL292T 15.6" i7-8750H / 8GB / 334952 geforce GTX1060 / 256GB SSD / W10 334086 SUSZARKA DH8634GX $ 332174 PRALKA SAMSUNG WW70 K42101 W 331226 PROSTOWNICA REMINGTON S8598 KERATIN PROTECT 331218 SUSZARKA REMINGTON AC8820 KERATIN PROTECT 328261 PIEKARNIK FLEX NV75 N5621 RB 327519 CHLODZ-ZAMR. -
The Holy Lance of Antioch
The Holy Lance of Antioch A Study on the Impact of a Perceived Relic during the First Crusade Master Thesis By Marius Kjørmo The crucified Jesus and the Roman soldier Longinus with the spear that would become the Holy Lance. Portrait by Fra Angelico from the Dominican cloister San Marco, Florence. A Master Thesis in History, Institute of Archaeology, History, Culture Studies and Religion, University of Bergen, Spring 2009. 2 Contents Preface.........................................................................................................................................5 List of Maps..................................................................................................................................6 List of Illustrations.......................................................................................................................6 Cast of Characters.......................................................................................................................7 1. Introduction.........................................................................................................................................9 1.1. Introduction...........................................................................................................................9 1.2. Lance Historiography..........................................................................................................11 1.3. Terms and Expressions.......................................................................................................13 -
A Handbook of Greek and Roman Coins
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library CJ 237.H64 A handbook of Greek and Roman coins. 3 1924 021 438 399 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021438399 f^antilioofcs of glrcfjaeologj) anU Antiquities A HANDBOOK OF GREEK AND ROMAN COINS A HANDBOOK OF GREEK AND ROMAN COINS G. F. HILL, M.A. OF THE DEPARTMENT OF COINS AND MEDALS IN' THE bRITISH MUSEUM WITH FIFTEEN COLLOTYPE PLATES Hon&on MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY l8 99 \_All rights reserved'] ©jcforb HORACE HART, PRINTER TO THE UNIVERSITY PREFACE The attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be un- readable when they contain too many references to particular coins, and unprofltably vague when such references are avoided. I cannot hope that I have passed safely between these two dangers ; indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. -
University Microfilms International
ANCIENT EUBOEA: STUDIES IN THE HISTORY OF A GREEK ISLAND FROM EARLIEST TIMES TO 404 B.C. Item Type text; Dissertation-Reproduction (electronic) Authors Vedder, Richard Glen, 1950- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 11/10/2021 05:15:39 Link to Item http://hdl.handle.net/10150/290465 INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. -
(Pelasgians/Pelasgi/Pelasti/Pelišti) – the Archaic Mythical Pelasgo/Stork-People from Macedonia
Basil Chulev • ∘ ⊕ ∘ • Pelasgi/Balasgi, Belasgians (Pelasgians/Pelasgi/Pelasti/Pelišti) – the Archaic Mythical Pelasgo/Stork-people from Macedonia 2013 Contents: Introduction ................................................................................................................... 5 Macedonians from Pella and Pelasgians from Macedon – origin of the Pelasgians ....... 16 Religion of the Pelasgians …………………..…………………………………..……… 32 Pelasgian language and script .......................................................................................... 39 Archaeological, Etymological, Mythological, and Genetic evidence of Pelasgic origin of Macedonians .................................................................................................................... 52 References ........................................................................................................................ 64 Introduction All the Macedonians are familiar with the ancient folktale of 'Silyan the Stork' (Mkd.latin: Silyan Štrkot, Cyrillic: Сиљан Штркот). It is one of the longest (25 pages) and unique Macedonian folktales. It was recorded in the 19th century, in vicinity of Prilep, Central Macedonia, a territory inhabited by the most direct Macedonian descendents of the ancient Bryges and Paionians. The notion of Bryges appear as from Erodot (Lat. Herodotus), who noted that the Bryges lived originally in Macedonia, and when they moved to Asia Minor they were called 'Phryges' (i.e. Phrygians). Who was Silyan? The story goes: Silyan was banished