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A Roman Frontier Post and Its People
CHAPTER IX Dress and Armour As we gather together the relics brought to light from the abandoned wells and rubbish-pits at Newstead, the figure of the Roman soldier inevitably rises before us. It is a figure rendered familiar by the great monuments which commemorate Imperial triumphs, and by the portrait-reliefs which once stood above the graves of centurions, cavalry soldiers, or standard-bearers recalling to the passers-by the likeness of the dead. It is to such memorials, and to the scanty finds of weapons and armour which have been preserved to our time, that we owe most of the knowledge we possess regarding the arms and equipment of the army of the Empire. The columns and the triumphal arches furnish us with a series of pictures of the soldier in action. The victories of Trajan over the Dacians are sculptured on the column which he had set up in Rome in A.D. 104. The triumphs of Marcus Aurelius over the Marcomanni are unfolded in the reliefs decorating the huge pillar that gives its name to the Piazza Colonna. We follow each stage in the campaigns, the army making roads, building bridges, constructing forts, attacking and attacked. Many details are given which help us to realise vividly the scenes commemorated. No doubt in such sculptures, executed, as they were, in Rome, the artists drew their inspiration to some extent from older Hellenic models, and there thus enters into the treatment a somewhat conventional element. The grave stones of the legionaries or auxiliaries, on the other hand, are probably more exact in details. -
KREATIVE GRAFIK Xargs • GRAFIK-TOOLS Logo-Design Mit Inkscape S
Qubes OS: Mehr Sicherheit COMMUNITY-EDITIONXargs: Praktischer Helfer durch Xen-Virtualisierung S. 6 für Befehlsverkettungen S. 92 Frei kopieren und beliebig weiter verteilen ! 02.2015 02.2015 Malen, zeichnen, animieren: Die besten Programme für Pixel- und Vektorgrafik TOOLS GRAFIK- • KREATIVE GRAFIK Xargs • GRAFIK-TOOLS Logo-Design mit Inkscape S. 30 Pixart-Künstler mtPaint S. 27 • Swiss File Knife Illustrationen mit Draw, SSD-Tuning Screencasts mit SSR S. 18, 22 Grafiktabletts optimal konfigurieren S. 36 • Qubes OS Semplice Dreimal Fedora 21: Fit fürs nächste Jahrzehnt S. 14 Spezialisierte Versionen für jeden Einsatzzweck, neue Tools, optionales Wayland, mehr Systemd: Wie sich Red Hats Community-Distribution für die Zukunft rüstet Gimp-Plugins Hollywoodreifer Schnitt S. 70 SSDs voll ausreizen S. 84 So zaubert Lightworks 12 beeindruckende Wie Sie den letzten Rest Leistung Effekte und Übergänge in Ihre Videoclips aus dem Flash-Speicher quetschen • Fedora 21 • • Fedora Top-Distris E-Books • auf zwei Heft-DVDs FEDORA 21 • LIGHTWORKS • SLAP • SYSTEMBACK • XARGS • • XARGS • SYSTEMBACK • LIGHTWORKSSLAP • 21 FEDORA EUR 8,50 EUR 9,35 sfr 17,00 EUR 10,85 EUR 11,05 EUR 11,05 2 DVD-10 02 www.linux-user.de Deutschland Österreich Schweiz Benelux Spanien Italien 4 196067 008502 02 001-001_titel_LU_02.indd 1 22.12.14 12:59 Editorial Zahlenspiele Sehr geehrte Leserinnen und Leser, mit schöner Regelmäßigkeit überschlu sammenstellungen überlebt also lang gen sich in den vergangenen Jahren vor fristig. Trotzdem stehen heute gut allem USComputermedien darin, zu Jah 260 Distributionen zur Auswahl, da resbeginn das „Jahr des LinuxDesktops“ von 166 explizit für den Desktop. auszurufen. 2015 allerdings sucht man Anders, als man denken könnte, han entsprechende Schlagzeilen vergeblich, delt es sich bei Ubuntu und Co. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
White Rabbit Education 2012
White rabbit education 2012 Published on Nov 21, Check out the website: For the Newsletter: email. Independent education in law, banking, and other interesting stuff. * whiterabbiteducation@ * Facebook Groups "White Rabbit Trust" (For Law and. Si Spaniard from the White Rabbit Education group returns to Lawful Rebellion is here, the Controllers are here, and finally, is here. White Rabbit Workshop. Saturday 28th April 10am – 6pm. The Music Café, 23a New Park Street, LE3 5NH. The truth is we live in a very complicated. have culture too.” The focus of education at the. White Rabbit Gallery has been shaped by the vision of Judith. Neilson, the owner of the White. Rabbit Collection. Posts: Joined: Mon Dec 03, pm White Rabbit Education, also known as ' the Spaniard', has quite a few videos on this site. Posts: Joined: Mon May 14, pm: Location: Sarrrrf London The White rabbit has gone underground for a while to try something important. could be a dedicated website with tailored educational 'program. Click the WhiteRabbit The time has come. To seek that which is just, fair and reasoned. The time is now. Recognise the gift. Dwell not “in” the past and fear not. Collection of Holes in Rules, Eindhoven Classification Model. FOR QUOTATION USE (APA). Tiggelen, K. B. van (). Following the white rabbit: Rule users'. July 9th, by Bernadette. June. This month, my lovely friend Matt Feerick joined me, doing acts of kindness every day whilst on holiday in Toronto. He also. unDisclosed discovery trail Education Kit Card. Jeffrey Smart: Master of White Rabbit – Contemporary Chinese Art Collection Education Resource. -
La Trayectoria De Cambio De Los Sistemas Operativos De Conectar
STS, Simposio Argentino sobre Tecnología y Sociedad La trayectoria de cambio de los sistemas operativos de Conectar Igualdad (2010 - 2015) Por María del Valle Nuñez (a)y Ariel Vercelli (b) (a) UNRN / Ciclos de Licenciatura en Educación / Sede Atlántica mvnunez@unrn .edu.ar Av. Don Bosco y Leloir - Viedma (R8500AEC) - Río Negro y (b) CONICET / IESCT-UNQ [email protected] Roque Sáenz Peña 352, Bernal, Buenos Aires Resumen. Esta ponencia presenta la investigación de tesis de Maestría en Ciencia Tecnología y Sociedad “Los sistemas operativos de Conectar Igualdad: Análisis socio- técnico sobre las tensiones por el carácter del software (2010-2015). En el año 2010 se lanzó el Programa Conectar Igualdad, una política pública socio-educativa de alcance federal. Su meta fue recuperar y valorizar la escuela pública y reducir las brechas digitales, educativas y sociales en Argentina, mediante la incorporación de computadoras portátiles en los procesos de enseñanza. Conectar Igualdad distribuyó alrededor de 5 millones de netbooks entre los años 2010 y 2015 con un modelo 1 a 1 (una computadora por alumno y docente de las escuelas secundarias, de educación especial y de los institutos de formación docente del ámbito de la educación pública). Esta incorporación masiva de netbooks provocó tensiones políticas, tecnológicas, económicas, educativas, pedagógicas, legales y filosóficas, entre otras. Una de estas tensiones, una de las más complejas, giró en torno a los sistemas operativos se usarían en las computadoras de Conectar Igualdad. A las escuelas no arribaron tecnologías digitales neutras, instrumentales, naturalizadas, deshistorizadas y apolíticas. Entre los años 2010 y 2015 las netbooks ofrecieron siete sistemas operativos. -
Ted Sarandos Chief Content Officer Netflix One of Time Magazine's 100
Ted Sarandos Chief Content Officer Netflix One of Time Magazine's 100 Most influential People of 2013, Ted Sarandos has led content acquisition for Netflix since 2000. With more than 20 years’ experience in the home entertainment business, Ted is recognized as a key innovator in the acquisition and distribution of films and television programs. From its roots as a U.S. DVD subscription rental company, Netflix is now the world’s leading Internet television network with more than 50 million members in nearly 50 countries. With the 2013 releases of "House of Cards," "Hemlock Grove," "Arrested Development," "Orange is the New Black," “Turbo F.A.S.T.,” “Derek,” and “Lilyhammer,” Ted has led the transformation of Netflix into an original content powerhouse that is changing the rules of how serialized television is produced, released and distributed globally. In its first two years of releasing original series, documentary films and comedy specials, Netflix has been recognized by the film and TV industries with 45 Emmy nominations and 10 Emmy wins; an Oscar nomination; 6 Golden Globe nominations and a win; 2 Peabody Awards; 2 AFI Awards and recognition from all of the major guilds. Ted has also been producer or executive producer of several award winning and critically acclaimed documentaries and independent films, including the Emmy nominated "Outrage," and "Tony Bennett: The Music Never Ends." He is a Henry Crown Fellow at the Aspen Institute and serves on the board of Exploring The Arts, a nonprofit focused on arts in schools. He also serves on the Film Advisory Board for Tribeca and Los Angeles Film Festival, is an American Cinematheque board member and is an Executive Committee Member of the Academy of Television Arts & Sciences. -
PDF Catalogue
1 GAUL, Massalia, c. 200-120 BCE, AR obol. 0.60g, 9mm. Obv: Bare head of Apollo left Rev: M A within wheel of four spokes. Depeyrot, Marseille 31 From the JB (Edmonton) collection. Obverse off-centre, but high grade, superb style, perfect metal, and spectacular toning. Estimate: 100 Starting price: 50 CAD 2 CIMMERIAN BOSPORUS, Pantikapaion, c. 310-303BC, AE 22. 7.61g, 21.5mm Obv: Bearded head of Satyr (or Pan), right Rev: P-A-N, forepart of griffin left, sturgeon left below Anokhin 1023; MacDonald 69; HGC 7, 113 Ex Lodge Antiquities Estimate: 100 Starting price: 50 CAD 3 CIMMERIAN BOSPOROS, Pantikapaion, c. 325-310 BCE, AE17. 3.91g, 17mm. Obv: Head of satyr left Rev: ΠΑΝ; Head of bull left. MacDonald 67; Anokhin 1046 From the JB (Edmonton) collection. Starting price: 30 CAD 4 THESSALY, Atrax, 3rd c. BCE, AE trichalkon. 6.03g, 18mm. Obv: Laureate head of Apollo right Rev: ATP-A-Γ-IΩN, horseman, raising right hand, advancing right. Rogers 169-71; BCD Thessaly II 59.6-10 Starting price: 30 CAD 5 THESSALY, Krannon, circa 350-300 BCE, AE chalkous. 2.41g, 15.4mm. Obv: Thessalian warrior on horse rearing right. Rev: KPAN, bull butting right; above, trident right. BCD Thessaly II 118.5; HGC 4, 391 From the zumbly collection; ex BCD Collection, with his handwritten tag stating, “V. Ex Thess., Apr. 94, DM 35” Starting price: 30 CAD 6 THESSALY, Phalanna, c. 350 BCE, AE 18 (dichalkon or trichalkon). 6.53g, 17.5mm. Obv: Head of Ares right, A to left . -
1 April 22Nd, 2013 Dear Fellow Shareholders, in Q1, We Added
April 22nd, 2013 Dear Fellow Shareholders, In Q1, we added over 3 million streaming members, bringing us to more than 36 million, who collectively enjoyed on Netflix over 4 billion hours of films and TV shows. Our summary results for Q1 2013 follow: (in millions except per share data) Q1 '12 Q2 '12 Q3 '12 Q4 '12 Q1 '13 Domestic Streaming: Net Additions 1.74 0.53 1.16 2.05 2.03 Total Members 23.41 23.94 25.10 27.15 29.17 Paid Members 22.02 22.69 23.80 25.47 27.91 Revenue $ 507 $ 533 $ 556 $ 589 $ 639 Contribution Profit* $ 72 $ 87 $ 96 $ 113 $ 131 Contribution Margin* 14.3% 16.4% 17.2% 19.2% 20.6% International Streaming: Net Additions 1.21 0.56 0.69 1.81 1.02 Total Members 3.07 3.62 4.31 6.12 7.14 Paid Members 2.41 3.02 3.69 4.89 6.33 Revenue $ 43 $ 65 $ 78 $ 101 $ 142 Contribution Profit (Loss) $ (103) $ (89) $ (92) $ (105) $ (77) Domestic DVD: Total Members 10.09 9.24 8.61 8.22 7.98 Revenue $ 320 $ 291 $ 271 $ 254 $ 243 Contribution Profit $ 146 $ 134 $ 131 $ 128 $ 113 Global: Revenue $ 870 $ 889 $ 905 $ 945 $ 1,024 Operating Income (Loss) $ (2) $ 16 $ 16 $ 20 $ 32 Net Income (Loss)** $ (5) $ 6 $ 8 $ 8 $ 3 Net Income Excluding Debt Extinguishment Loss $ - $ - $ - $ - $ 19 EPS** $ (0.08) $ 0.11 $ 0.13 $ 0.13 $ 0.05 EPS Excluding Debt Extinguishment Loss $ - $ - $ - $ - $ 0.31 Free Cash Flow $ 2 $ 11 $ (20) $ (51) $ (42) Shares (FD) 55.5 58.8 58.7 59.1 60.1 *Contribution profit & margin for prior periods reflect reclassification of marketing overhead costs to G&A **Net Income/EPS includes a $25m loss on extinguishment of debt ($16m net of tax) 1 Domestic Streaming Our U.S. -
Low-Tech Armortm
LOADOUTS:TM LOW-TECH ARMORTM Written by DAN HOWARD Edited by JASON “PK” LEVINE Illustrated by DAVID DAY, DAN HOWARD, and SHANE L. JOHNSON GURPS System Design ❚ STEVE JACKSON e23 Manager ❚ STEVEN MARSH GURPS Line Editor ❚ SEAN PUNCH Marketing Director ❚ LEONARD BALSERA Managing Editor ❚ PHILIP REED Director of Sales ❚ ROSS JEPSON Assistant GURPS Line Editor ❚ JASON “PK” LEVINE Prepress Checker ❚ NIKKI VRTIS Production Artist & Indexer ❚ NIKOLA VRTIS Page Design ❚ PHIL REED and JUSTIN DE WITT Art Direction ❚ MONICA STEPHENS GURPS FAQ Maintainer ❚ VICKY “MOLOKH” KOLENKO Lead Playtester: Douglas H. Cole Playtesters: Roger Burton West, Nathan Joy, Rob Kamm, Stephen Money, David Nichols, and Antoni Ten Monrós GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid, Loadouts, Low-Tech Armor, e23, and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Loadouts: Low-Tech Armor is copyright © 2013, 2017 by Steve Jackson Games Incorporated. Some art © 2013 JupiterImages Corporation. All rights reserved. The scanning, uploading, and distribution of this material via the Internet or via any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. STEVE JACKSON GAMES Stock #37-1581 Version 1.0.1 – June 2017 ® CONTENTS INTRODUCTION . 3 Padded Jacks . 41 Recommended Books . 3 How a Man Shall Be Armed . 42 Additional Rules . -
THE ARMOURER and HIS CRAFT from the Xith to the Xvith CENTURY by CHARLES FFOULKES, B.Litt.Oxon
GQ>0<J> 1911 CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Ubrary NK6606 .F43 1912 The armourer and his craft from the xith C Date iSIORAGE 3 1924 030 681 278 Overs olin a^(Mr;= :3fff=iqfPfr.g^h- r^ n .^ I aAri.^ ^ Cornell University Library XI The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924030681278 THE ARMOURER AND HIS CRAFT UNIFORM WITH THIS VOLUME PASTE By A. Beresford Ryley < 'A w <1-1 K 2; < > o 2 o 2; H ffi Q 2; < w K o w u > w o o w K H H P W THE ARMOURER AND HIS CRAFT FROM THE XIth TO THE XVIth CENTURY By CHARLES FFOULKES, B.Litt.Oxon. WITH SIXTY-NINE DIAGRAMS IN THE TEXT AND THIRTY-TWO PLATES METHUEN & CO. LTD. 36 ESSEX STREET W.G. LONDON Kc tf , First Published in igi2 TO THE RIGHT HONOURABLE THE VISCOUNT DILLON, Hon. M.A. Oxon. V.P.S.A., Etc. Etc. CURATOR OF THE TOWER ARMOURIES PREFACE DO not propose, in this work, to consider the history or develop- ment of defensive armour, for this has been more or less fully I discussed in v^orks which deal with the subject from the historical side of the question. I have rather endeavoured to compile a work which will, in some measure, fill up a gap in the subject, by collecting all the records and references, especially in English documents, which relate to the actual making of armour and the regulations which con- trolled the Armourer and his Craft. -
Lhcb Prepares for RICH Physics
I n t e r n at I o n a l J o u r n a l o f H I g H - e n e r g y P H y s I c s CERN COURIERV o l u m e 47 n u m b e r 6 J u ly/a u g u s t 2 0 07 LHCb prepares for RICH physics NEUTRINOS LHC FOCUS InSIDE STORY Borexino starts On the trail of At the far side to take data p8 heavy flavour p30 of the world p58 CCJulAugCover1.indd 1 11/7/07 13:50:51 Project1 10/7/07 13:56 Page 1 CONTENTS Covering current developments in high- energy physics and related fields worldwide CERN Courier is distributed to member-state governments, institutes and laboratories affiliated with CERN, and to their personnel. It is published monthly, except for January and August. The views expressed are not necessarily those of the CERN management. Editor Christine Sutton CERN CERN, 1211 Geneva 23, Switzerland E-mail [email protected] Fax +41 (0) 22 785 0247 Web cerncourier.com Advisory board James Gillies, Rolf Landua and Maximilian Metzger Laboratory correspondents: COURIERo l u m e u m b e r u ly u g u s t V 47 N 6 J /A 20 07 Argonne National Laboratory (US) Cosmas Zachos Brookhaven National Laboratory (US) P Yamin Cornell University (US) D G Cassel DESY Laboratory (Germany) Ilka Flegel, Ute Wilhelmsen EMFCSC (Italy) Anna Cavallini Enrico Fermi Centre (Italy) Guido Piragino Fermi National Accelerator Laboratory (US) Judy Jackson Forschungszentrum Jülich (Germany) Markus Buescher GSI Darmstadt (Germany) I Peter IHEP, Beijing (China) Tongzhou Xu IHEP, Serpukhov (Russia) Yu Ryabov INFN (Italy) Barbara Gallavotti Jefferson Laboratory (US) Steven Corneliussen JINR -
Evaluating Kismet and Netstumbler As Network Security Tools & Solutions
Master Thesis MEE10:59 Evaluating Kismet and NetStumbler as Network Security Tools & Solutions Ekhator Stephen Aimuanmwosa This thesis is presented as part requirement for the award of Master of Science Degree in Electrical Engineering Blekinge Institute of Technology January 2010 © Ekhator Stephen Aimuanmwosa, 2010 Blekinge Institute of Technology (BTH) School of Engineering Department of Telecommunication & Signal Processing Supervisor: Fredrik Erlandsson (universitetsadjunkt) Examiner: Fredrik Erlandsson (universitetsadjunkt i Evaluating Kismet and NetStumbler as Network Security Tools & Solutions “Even the knowledge of my own fallibility cannot keep me from making mistakes. Only when I fall do I get up again”. - Vincent van Gogh © Ekhator Stephen Aimuanmwosa, (BTH) Karlskrona January, 2010 Email: [email protected] ii Evaluating Kismet and NetStumbler as Network Security Tools & Solutions ABSTRACT Despite advancement in computer firewalls and intrusion detection systems, wired and wireless networks are experiencing increasing threat to data theft and violations through personal and corporate computers and networks. The ubiquitous WiFi technology which makes it possible for an intruder to scan for data in the air, the use of crypto-analytic software and brute force application to lay bare encrypted messages has not made computers security and networks security safe more so any much easier for network security administrators to handle. In fact the security problems and solution of information systems are becoming more and more complex and complicated as new exploit security tools like Kismet and Netsh (a NetStumbler alternative) are developed. This thesis work tried to look at the passive detection of wireless network capability of kismet and how it function and comparing it with the default windows network shell ability to also detect networks wirelessly and how vulnerable they make secured and non-secured wireless network.