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Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
Ted Sarandos Chief Content Officer Netflix One of Time Magazine's 100
Ted Sarandos Chief Content Officer Netflix One of Time Magazine's 100 Most influential People of 2013, Ted Sarandos has led content acquisition for Netflix since 2000. With more than 20 years’ experience in the home entertainment business, Ted is recognized as a key innovator in the acquisition and distribution of films and television programs. From its roots as a U.S. DVD subscription rental company, Netflix is now the world’s leading Internet television network with more than 50 million members in nearly 50 countries. With the 2013 releases of "House of Cards," "Hemlock Grove," "Arrested Development," "Orange is the New Black," “Turbo F.A.S.T.,” “Derek,” and “Lilyhammer,” Ted has led the transformation of Netflix into an original content powerhouse that is changing the rules of how serialized television is produced, released and distributed globally. In its first two years of releasing original series, documentary films and comedy specials, Netflix has been recognized by the film and TV industries with 45 Emmy nominations and 10 Emmy wins; an Oscar nomination; 6 Golden Globe nominations and a win; 2 Peabody Awards; 2 AFI Awards and recognition from all of the major guilds. Ted has also been producer or executive producer of several award winning and critically acclaimed documentaries and independent films, including the Emmy nominated "Outrage," and "Tony Bennett: The Music Never Ends." He is a Henry Crown Fellow at the Aspen Institute and serves on the board of Exploring The Arts, a nonprofit focused on arts in schools. He also serves on the Film Advisory Board for Tribeca and Los Angeles Film Festival, is an American Cinematheque board member and is an Executive Committee Member of the Academy of Television Arts & Sciences. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 44Th ANNUAL DAYTIME EMMY® AWARDS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, April 30th Daytime Creative Arts Emmy® Awards Gala on Friday, April 28th New York – March 22nd, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 44th Annual Daytime Emmy® Awards. The awards ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 30th, 2017. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 28th, 2017. The 44th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, “The Talk,” on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 44th Annual Daytime Emmy Awards in the historic Pasadena Civic Auditorium,” said Bob Mauro, President, NATAS. “With an outstanding roster of nominees, we are looking forward to an extraordinary celebration honoring the craft and talent that represent the best of Daytime television.” “After receiving a record number of submissions, we are thrilled by this talented and gifted list of nominees that will be honored at this year’s Daytime Emmy Awards,” said David Michaels, SVP, Daytime Emmy Awards. “I am very excited that Michael Levitt is with us as Executive Producer, and that David Parks and I will be serving as Executive Producers as well. With the added grandeur of the Pasadena Civic Auditorium, it will be a spectacular gala that celebrates everything we love about Daytime television!” The Daytime Emmy Awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m. -
1 April 22Nd, 2013 Dear Fellow Shareholders, in Q1, We Added
April 22nd, 2013 Dear Fellow Shareholders, In Q1, we added over 3 million streaming members, bringing us to more than 36 million, who collectively enjoyed on Netflix over 4 billion hours of films and TV shows. Our summary results for Q1 2013 follow: (in millions except per share data) Q1 '12 Q2 '12 Q3 '12 Q4 '12 Q1 '13 Domestic Streaming: Net Additions 1.74 0.53 1.16 2.05 2.03 Total Members 23.41 23.94 25.10 27.15 29.17 Paid Members 22.02 22.69 23.80 25.47 27.91 Revenue $ 507 $ 533 $ 556 $ 589 $ 639 Contribution Profit* $ 72 $ 87 $ 96 $ 113 $ 131 Contribution Margin* 14.3% 16.4% 17.2% 19.2% 20.6% International Streaming: Net Additions 1.21 0.56 0.69 1.81 1.02 Total Members 3.07 3.62 4.31 6.12 7.14 Paid Members 2.41 3.02 3.69 4.89 6.33 Revenue $ 43 $ 65 $ 78 $ 101 $ 142 Contribution Profit (Loss) $ (103) $ (89) $ (92) $ (105) $ (77) Domestic DVD: Total Members 10.09 9.24 8.61 8.22 7.98 Revenue $ 320 $ 291 $ 271 $ 254 $ 243 Contribution Profit $ 146 $ 134 $ 131 $ 128 $ 113 Global: Revenue $ 870 $ 889 $ 905 $ 945 $ 1,024 Operating Income (Loss) $ (2) $ 16 $ 16 $ 20 $ 32 Net Income (Loss)** $ (5) $ 6 $ 8 $ 8 $ 3 Net Income Excluding Debt Extinguishment Loss $ - $ - $ - $ - $ 19 EPS** $ (0.08) $ 0.11 $ 0.13 $ 0.13 $ 0.05 EPS Excluding Debt Extinguishment Loss $ - $ - $ - $ - $ 0.31 Free Cash Flow $ 2 $ 11 $ (20) $ (51) $ (42) Shares (FD) 55.5 58.8 58.7 59.1 60.1 *Contribution profit & margin for prior periods reflect reclassification of marketing overhead costs to G&A **Net Income/EPS includes a $25m loss on extinguishment of debt ($16m net of tax) 1 Domestic Streaming Our U.S. -
Kod Nazwa 337975 Smartfon Samsung A705f
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Lhcb Prepares for RICH Physics
I n t e r n at I o n a l J o u r n a l o f H I g H - e n e r g y P H y s I c s CERN COURIERV o l u m e 47 n u m b e r 6 J u ly/a u g u s t 2 0 07 LHCb prepares for RICH physics NEUTRINOS LHC FOCUS InSIDE STORY Borexino starts On the trail of At the far side to take data p8 heavy flavour p30 of the world p58 CCJulAugCover1.indd 1 11/7/07 13:50:51 Project1 10/7/07 13:56 Page 1 CONTENTS Covering current developments in high- energy physics and related fields worldwide CERN Courier is distributed to member-state governments, institutes and laboratories affiliated with CERN, and to their personnel. It is published monthly, except for January and August. The views expressed are not necessarily those of the CERN management. Editor Christine Sutton CERN CERN, 1211 Geneva 23, Switzerland E-mail [email protected] Fax +41 (0) 22 785 0247 Web cerncourier.com Advisory board James Gillies, Rolf Landua and Maximilian Metzger Laboratory correspondents: COURIERo l u m e u m b e r u ly u g u s t V 47 N 6 J /A 20 07 Argonne National Laboratory (US) Cosmas Zachos Brookhaven National Laboratory (US) P Yamin Cornell University (US) D G Cassel DESY Laboratory (Germany) Ilka Flegel, Ute Wilhelmsen EMFCSC (Italy) Anna Cavallini Enrico Fermi Centre (Italy) Guido Piragino Fermi National Accelerator Laboratory (US) Judy Jackson Forschungszentrum Jülich (Germany) Markus Buescher GSI Darmstadt (Germany) I Peter IHEP, Beijing (China) Tongzhou Xu IHEP, Serpukhov (Russia) Yu Ryabov INFN (Italy) Barbara Gallavotti Jefferson Laboratory (US) Steven Corneliussen JINR -
DIGITAL ORIGINAL SERIES Global Demand Report
DIGITAL ORIGINAL SERIES Global Demand Report Trends in 2016 Copyright © 2017 Parrot Analytics. All rights reserved. Digital Original Series — Global Demand Report | Trends in 2016 Executive Summary } This year saw the release of several new, popular digital } The release of popular titles such as The Grand Tour originals. Three first-season titles — Stranger Things, and The Man in the High Castle caused demand Marvel’s Luke Cage, and Gilmore Girls: A Year in the for Amazon Video to grow by over six times in some Life — had the highest peak demand in 2016 in seven markets, such as the UK, Sweden, and Japan, in Q4 of out of the ten markets. All three ranked within the 2016, illustrating the importance of hit titles for SVOD top ten titles by peak demand in nine out of the ten platforms. markets. } Drama series had the most total demand over the } As a percentage of all demand for digital original series year in these markets, indicating both the number and this year, Netflix had the highest share in Brazil and popularity of titles in this genre. third-highest share in Mexico, suggesting that the other platforms have yet to appeal to Latin American } However, some markets had preferences for other markets. genres. Science fiction was especially popular in Brazil, while France, Mexico, and Sweden had strong } Non-Netflix platforms had the highest share in Japan, demand for comedy-dramas. where Hulu and Amazon Video (as well as Netflix) have been available since 2015. Digital Original Series with Highest Peak Demand in 2016 Orange Is Marvels Stranger Things Gilmore Girls Club De Cuervos The New Black Luke Cage United Kingdom France United States Germany Mexico Brazil Sweden Russia Australia Japan 2 Copyright © 2017 Parrot Analytics. -
TELÉFONOS 7870-9639 Y 7879-7787
OFERTA DE SERIES ANIMADAS TELÉFONOS 7870-9639 y 7879-7787 LLAMAR DESPUÉS DE LAS 10am HASTA LAS 8pm DE LUNES A SÁBADO SI NO ESTAMOS LE DEVOLVEREMOS LA LLAMADA PARA GRABAR EN MEMORIA Y DISCO DURO DIRÍJASE A LA CALLE BELASCOAIN # 317 BAJOS, ESQUINA A SAN RAFAEL. ESTA ABIERTO DESDE LAS 10am HASTA LAS 8pm. NUESTRO PLACER ES COMPLACER A NUESTROS CLIENTES. PRECIOS EN MEMORIA O DISCO DURO. 1 $ EN MONEDA NACIONAL POR CAPITULO MENSAJERIA GRATIS A TODOS LOS MUNICIPIOS DE LA HABANA Llevamos pedidos a su casa sin costo adicional siempre y cuando su pedido sea de 175 $ MN en adelante. ¡Gratis! la actualización del Antivirus. LLÁMENOS YA AL 78-70-96-39 Y AL 78-79-77-87 VISITE NUESTRO SITIO WEB seriesroly.com South Park [ADULTOS] País(es): USA Género(s): Comedia Sinopsis: South Park es una serie PARA ADULTOS de comedia animada distribuida por WarnerBros. Trata sobre las aventuras de cuatro niños que viven en el pequeño pueblollamado South Park, Colorado. South Park hace sátira y crítica de muchos aspectosde la cultura estadounidense y eventos históricos recientes, reta a las firmescreencias, y los tabúes y muy frecuentemente hace uso del humor negro. DOBLADA Temporada 1-6(13+18+17+17+14+17 Capítulos)[1997-*] Temporada 18(10 Capítulos)[2014] Temporada 21-23(10+10+10 Capítulos)[2017-2019] SUBTITULADA Temporada 7-16(15+14+14+14+14+14+14+14+14+14 Capítulos)[*-2011] Temporada 17-23(10+10+10+10+10+10+10 Capítulos)[2013-2019] Star Wars The Clone Wars País(es): USA Género(s): Fantástico, Comedia, Drama, Ciencia Ficción, Aventuras Sinopsis: Situada entre Star Wars Episodio II: El ataque de los clones y Star Wars Episodio III:La venganza de los Sith. -
Mary Consetta Glumb
Mary Consetta Glumb Cell: (260) 452-4162 | H: (260) 497-0852 [email protected] Portfolio: http://www.maryglumb.com 1420 Holly Ridge Run, Fort Wayne IN, 46845 Work Experience: DreamWorks Animation, Glendale, CA Marketing Services Intern May 2016 – August 2016 o Managed artwork and theatrical assets for the Boss Baby and Trolls “Art Of” Books o Managed and delivered requests for theatrical assets to studio partners o Created and organized asset library for the Boss Baby “Art Of” Book o Selected key graphics and assets for use in Trolls and Boss Baby marketing campaigns o Responsible for key publicity still images for 20th Century Fox marketing campaigns DreamWorks Animation, Glendale, CA Marketing Services Intern September 2015 – December 2015 o Selected key graphics for use in Kung Fu Panda 3 theatrical marketing campaigns o Edited and composed still images using Photoshop from Dragons Race to the Edge, Dinotrux, Turbo Fast, and Dawn of the Croods o Led a small team of interns in developing a Trolls marketing campaign Education: Purdue University, Indianapolis Campus (IUPUI), Indianapolis, IN Bachelor of Science Degree in Computer Graphics Technology GPA: 3.96/4.00 Expected Graduation Date: December 2017 o Graphic Design Officer of SIGGRAPH IUPUI Chapter o IUPUI Dean of Faculties Scholarship and Sam H. Jones Service Scholarship o Experience instructing middle and high school students about graphic design o IUPUI Dean’s List Recipient all previous semesters Freelance Experience: Creative Treasures Preschool, Fort Wayne, IN Graphic Designer May 2013 - Present o Designed and implemented marketing tools, including logos and brochures Technical Expertise: Experienced with Adobe Photoshop / Premiere / After Effects / Illustrator / Bridge / DreamWeaver, Maya, HTML5, CSS, JavaScript, Linux o Proficient in G-Mail, Google Docs, Microsoft Word, Excel, PowerPoint o Knowledge of ticketing systems, such as JIRA o Knowledge of AV and video production o Works well in a fast-paced environment o Excellent organizational and communication skills, detail-oriented . -
Holy Spirit Lutheran Church
Holy Spirit Lutheran Church Item Listing by Title Call#1 Title : Subtitle (Series) All Author(s) Subject(s) F-Smi #1 Ladies' Detective Agency, The (Book 1) Smith, Alexander McCall Women P.I.-Fiction --- HSLC Book Club Selection --- Women private investigators -- Botswana -- Fiction. --- Ramotswe, Precious (Fictitious character) -- Fiction. --- No. 1 Ladies' Detective Agency (Imaginary organization) -- Fiction. --- Detective and mystery stories. --- Botswana -- Fiction. 339.4.Edi $2.00 a Day : living on almost nothing in America Edin, Kathryn J. / Shaefer, H. Luke. Poverty -- United States. --- Income distribution -- United States. --- Poor -- United States -- Social conditions -- 21st century. --- SOCIAL SCIENCE / Sociology / General. --- SOCIAL SCIENCE / Poverty & Homelessness. -- - SOCIAL SCIENCE / Sociology / Marriage & Family. 339.4.Edi $2.00 a Day : living on almost nothing in America Edin, Kathryn J. / Shaefer, H. Luke. Poverty -- United States. --- Income distribution -- United States. --- Poor -- United States -- Social conditions -- 21st century. --- SOCIAL SCIENCE / Sociology / General. --- SOCIAL SCIENCE / Poverty & Homelessness. -- - SOCIAL SCIENCE / Sociology / Marriage & Family. 222.53.Bru 1 Kings Brueggemann, Walter Bible - O.T. Kings, 1st--Commentaries --- Bible. O.T. Kings, 1st--Homiletical use 649.1.Van 10 Greatest Gifts I Give My Children, The : parenting from the heart Vannoy, Steven W. Parenting-Psychological Aspects --- Child Rearing --- Child rearing. --- Parent and child. --- Parenting -- Psychological aspects. -
Jan 2014 Earnings Letter.Docx
January 22, 2014 Fellow Shareholders, We ended 2013 with over 44 million members. We had higher domestic net additions than in 2012, growing international success, and an impressive first slate of original series. We expect to end Q1 with 48 million members. Our summary results, and forecast for Q1, are below. (in millions except per share data) Q4 '12 Q1 '13 Q2 '13 Q3 '13 Q4 '13 Q1 '14 Forecast Domestic: Net Additions 2.05 2.03 0.63 1.29 2.33 2.25 Total Members 27.15 29.17 29.81 31.09 33.42 35.67 Paid Members 25.47 27.91 28.62 29.93 31.71 34.26 Revenue $ 589 $ 639 $ 671 $ 701 $ 741 $ 796 Contribution Profit $ 113 $ 131 $ 151 $ 166 $ 174 $ 198 Contribution Margin 19.2% 20.6% 22.5% 23.7% 23.4% 24.9% International: Net Additions 1.81 1.02 0.61 1.44 1.74 1.60 Total Members 6.12 7.14 7.75 9.19 10.93 12.53 Paid Members 4.89 6.33 7.01 8.08 9.72 11.52 Revenue $ 101 $ 142 $ 166 $ 183 $ 221 $ 267 Contribution Profit (Loss) $ (105) $ (77) $ (66) $ (74) $ (57) $ (42) Contribution Margin -103.2% -54.2% -39.7% -40.6% -25.9% -15.7% Total (including DVD): Revenue $ 945 $ 1,024 $ 1,069 $ 1,106 $ 1,175 Operating Income $ 20 $ 32 $ 57 $ 57 $ 82 Net Income $ 8 $ 3 $ 29 $ 32 $ 48 $ 48 EPS $ 0.13 $ 0.05 $ 0.49 $ 0.52 $ 0.79 $ 0.78 Free Cash Flow $ (51) $ (42) $ 13 $ 7 $ 5 Shares (FD) 59.1 60.1 60.6 61.0 61.3 1 Domestic Domestic net additions in Q4 of 2.33 million were 14% higher than prior year Q4 at 2.05 million. -
Netflix's Original Programming and Its Impact On
Home Blogs Reviews Cartoons Multimedia Features The Magazine About Campbell's Condensed Satisfy your hunger to stay up to date with pop culture trends and underground secrets. Grab your spoon and get the scoop on some of the hottest TV shows, music and movies before they boil over. Dig in for all of that ...and...and soso muchmuch more!more! NETFLIX’S ORIGINAL PROGRAMMING AND ITS Contact Rachel at IMPACT ON NETWORK [email protected] TELEVISION or follow Written by Rachel Campbell on 11 September 2013. Posted in Campbell's Condensed @rachelcmpbl In 2013, we have numerous ways of getting our television entertainment. You can watch it on just that – a television – live, pre-recorded via DVR or purchased in the form of a DVD box set. You can also stream those shows originally aired on TV on subscription services like Netflix or Hulu on your computer, smartphone or again, on your TV. Some of the newly launched TV shows that you can only get on Netflix are raising some questions in the entertainment industry. Are they even actually "TV shows"? You could be watching these cable or network shows on your TV, but that's not the medium they originally began in, so why are they making waves in places like the Primetime Emmy Awards? Who needs network television when you can binge-watch a show just as good in one sitting? Netflix has been launching items exclusive to their subscription service since 2009, but more so during the past year. "Splatter" was a horror webisode that allowed viewers to vote on which characters would survive, and it hit Netflix in October 2009 as the first series whose production was paid for by the company.