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REFERENCE DOCUMENT Containing the Annual Financial Report Fiscal Year 2016 PROFILE
REFERENCE DOCUMENT containing the Annual Financial Report Fiscal Year 2016 PROFILE The Lagardère group is a global leader in content publishing, production, broadcasting and distribution, whose powerful brands leverage its virtual and physical networks to attract and enjoy qualifi ed audiences. The Group’s business model relies on creating a lasting and exclusive relationship between the content it offers and its customers. It is structured around four business divisions: • Books and e-Books: Lagardère Publishing • Travel Essentials, Duty Free & Fashion, and Foodservice: Lagardère Travel Retail • Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage: Lagardère Active • Sponsorship, Content, Consulting, Events, Athletes, Stadiums, Shows, Venues and Artists: Lagardère Sports and Entertainment 1945: at the end of World 1986: Hachette regains 26 March 2003: War II, Marcel Chassagny founds control of Europe 1. Arnaud Lagardère is appointed Matra (Mécanique Aviation Managing Partner of TRAction), a company focused 10 February 1988: Lagardère SCA. on the defence industry. Matra is privatised. 2004: the Group acquires 1963: Jean-Luc Lagardère 30 December 1992: a portion of Vivendi Universal becomes Chief Executive Publishing’s French and following the failure of French Offi cer of Matra, which Spanish assets. television channel La Cinq, has diversifi ed into aerospace Hachette is merged into Matra and automobiles. to form Matra-Hachette, 2007: the Group reorganises and Lagardère Groupe, a French around four major institutional 1974: Sylvain Floirat asks partnership limited by shares, brands: Lagardère Publishing, Jean-Luc Lagardère to head is created as the umbrella Lagardère Services (which the Europe 1 radio network. company for the entire became Lagardère Travel Retail ensemble. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Memory, History, and Entrapment in the Temporal Gateway Film
Lives in Limbo: Memory, History, and Entrapment in the Temporal Gateway Film Sarah Casey Benyahia A thesis submitted for the Degree of Doctor of Philosophy (PhD) Department of Literature, Film, and Theatre Studies University of Essex October 2018 Abstract This thesis examines the ways in which contemporary cinema from a range of different countries, incorporating a variety of styles and genres, explores the relationship to the past of people living in the present who are affected by traumatic national histories. These films, which I’ve grouped under the term ‘temporal gateway’, focus on the ways in which characters’ experiences of temporality are fragmented, and cause and effect relationships are loosened as a result of their situations. Rather than a recreation of historical events, these films are concerned with questions of how to remember the past without being defined and trapped by it: often exploring past events at a remove through techniques of flashback and mise-en-abyme. This thesis argues that a fuller understanding of how relationships to the past are represented in what have traditionally been seen as different ‘national’ cinemas is enabled by the hybridity and indeterminacy of the temporal gateway films, which don’t fit neatly into existing categories discussed and defined in memory studies. This thesis employs an interdisciplinary approach in order to draw out the features of the temporal gateway film, demonstrating how the central protagonist, the character whose life is in limbo, personifies the experience of living through the past in the present. This experience relates to the specifics of a post-trauma society but also to a wider encounter with disrupted temporality as a feature of contemporary life. -
LAST NAME FIRST NAME TITLE PUBLISHER PRICE CONDITION ? ? the Life of Fancis Covell E
LAST NAME FIRST NAME TITLE PUBLISHER PRICE CONDITION ? ? The Life of Fancis Covell E. Wilmshurst, Blackheath $15 poor to fair ? ? Good Housekeeping's Book of Meals Good Housekeepind $23 poor ? ? A Supreme Book for Girls Dean & Son $10 good ? ? Personal Hygiene for Every Man and Boy A Social Guidance Enterprises $13 fair Abbey J. Biggles in Spain Oxford University Press $13 good with d/c Abbot Willis The Nations at War Leslie-Judge Co. $35 fair to good Abbott Jacob Mary Queen of Scots Makers of History $12 good Adler Renata Gone Simon & Schuster $20 Excellent with d/c Ainsworth William The Tower of London W. Foulsham $20 fair Ainsworth W. H. Windsor Castle Collins $8 fair to good Ainsworth W. H. Old St. Paul's Collins $10 good Ainsworth William Rookwood George Routledge and Sons $13 good to excellent Ainsworth W. H. The Tower of London Collins $5 good to excellent Alcott Louisa May Little Men Whitman Publishing Company $10 good Alcott Louisa May Little Women Goldsmith $22 good Alcott Louisa May Eight Cousins Whitman Publishing Company $7 fair to good Alcott Louisa Rose in Bloom Whitman Publishing Company $15 poor Alcott Lousia Little Women Juvenile Productions $5 fair to good with d/c Alcott Louisa An Old-Fashion Girl Donohue $10 poor to fair Alcott Louisa Little Women Saalfield $18 fair Alger Horatio In a New World M. A. Donohue $12 fair Allen Hervey Anthony Adverse Farrar and Rinehart Inc. $115 fair to good Angel Henry Practical Plane and Solid Geomerty William Collins, Sons $5 fair Appleton Victor Tom Swift and His Giant Robot Grosset & Dunlap $5 good Aquith & Bigland C. -
Liberté. Je Filme Ton Nom Gérard Grugeau
Document generated on 09/26/2021 3:12 a.m. 24 images Liberté. Je filme ton nom Gérard Grugeau Denys Arcand Number 44-45, Fall 1989 URI: https://id.erudit.org/iderudit/23128ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Grugeau, G. (1989). Liberté. Je filme ton nom. 24 images, (44-45), 4–12. Tous droits réservés © 24 images inc., 1989 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ FEMAL DE MES: SELECTION OFFICIELLE par Gérard Grugeau ne meilleure tenue d'ensemble de la Compétition officielle que l'an dernier, un tiercé de films marquants (Pluie noire, Le temps des Gitans, Trop belle pour toi),de belles rencontres entre des œuvres et un public (Cinéma Paradiso, Ufésus de Montréal, Sex, Lies and Videotape, Monsieur Hire, Do The Right Thing), un objet cinématographique rare donc précieux (Sweetie), des rendez-vous plus ou moins manques (Splendor, Rosalie Goes Shopping, Chimère), des manifestations parallèles riches en découvertes et en confirmation de talents (voir nos capsules critiques), des colloques à la pelle, une jeune Acadienne sur le jury (Renée Blanchar), un prix pour Denys Arcand et Gilles Carie, un soleil éblouissant : CANNES 89 aura vécu, malgré une Croisette endeuillée. -
An Analysis of Film As a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile Megan C
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile Megan C. Schneider Claremont McKenna College Recommended Citation Schneider, Megan C., "Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile" (2019). CMC Senior Theses. 2256. https://scholarship.claremont.edu/cmc_theses/2256 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile submitted to Professor Sarah Sarzynski by Megan Schneider for Senior Thesis 2019 April 29, 2019 ii Contents Acknowledgements .......................................................................................................... iv Abstract .............................................................................................................................. v Chapter 1: Introduction ..................................................................................................... 1 Chapter 2: Statement of Methodology ............................................................................. -
The Reptant Eagle
The Reptant Eagle The Reptant Eagle Essays on Carlos Fuentes and the Art of the Novel Edited by Roberto Cantú The Reptant Eagle: Essays on Carlos Fuentes and the Art of the Novel Edited by Roberto Cantú This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Roberto Cantú and contributors Cover image: The Garden of Earthly Delights (detail), Copyright © Hieronymus Bosch, 1510. All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7083-8 ISBN (13): 978-1-4438-7083-2 To Gigi and Alfredo TABLE OF CONTENTS Introduction ................................................................................................. 1 Roberto Cantú Part One: Readings of La muerte de Artemio Cruz La muerte de Artemio Cruz: Laura Rivière en ‘1934: 12 de agosto’ ......... 26 Steven Boldy Hands-on Modernism: Touch and Gesture in Carlos Fuentes’s The Death of Artemio Cruz ........................................................................ 36 Maarten Van Delden Carlos Fuentes’s The Death of Artemio Cruz: A Writer’s Perspective ..... 51 Eliud Martínez Lives Flashing Before Our Eyes: Narrative Speed in Orson Welles’s Citizen Kane and Carlos Fuentes’s La muerte de Artemio Cruz ................ 65 James A. Hussar La muerte de Artemio Cruz, un tortuoso y modernista Bildungsroman .... 79 Valentín González-Bohórquez Part Two: Studies on Terra Nostra Coloquio del sueño y la razón en Terra Nostra ........................................ -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Basic Books 3 YORAM HAZONY
BABASICSIC BOOKSBOOKS FALLFALL 20182018 Renowned publisher of serious nonfiction by leading intellectuals, scholars, and journalists new titles fa ll 2018 new hardcovers 3 highlights 38 meet the editors 46 contact information 48 COVER DESIGN BY ANN KIRCHNER PATTERN ILLUSTRATION BY ASHLEY CASWELL ADAM ZAMOYSKI NAPOLEON A Life hat a novel my life has been!” “ Napoleon once said of himself. W Born into a poor family, the callow young man was, by twenty-six, an army general. Seduced by an older woman, his marriage transformed him into a galvanizing military commander. The Pope crowned him as Emperor of the French when he was only thirty-five. Within a few years, he became the effective master of Europe, his power unparalleled in modern history. His downfall was no less dramatic. The story of Napoleon has been written many times. In some versions, he is a military genius, The definitive biography of in others a war-obsessed tyrant. Here, historian Napoleon, revealing the true Adam Zamoyski cuts through the mythology and man behind the legend explains Napoleon against the background of the European Enlightenment, and what he was himself seeking to achieve. This most famous of men is also the most hidden of men, and Zamoyski NEW HARDCOVER • OCTOBER dives deeper than any previous biographer to find Biography / History • $40.00 / $45.00 CAN him. Beautifully written, Napoleon brilliantly sets 6 x 9G • 800 pages the man in his European context. Forty-eight color illustrations and thirty-two maps ADAM ZAMOYSKI is the 978-0-465-05593-7 author of numerous books E-BOOK 978-1-5416-4455-7 about Polish and European Selling Territory: USC history, and has written for publications including the Times (London), the Times Literary Supplement, and the Guardian. -
Hachette Book Group V. Internet Archive
Case 1:20-cv-04160 Document 1 Filed 06/01/20 Page 1 of 53 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - x HACHETTE BOOK GROUP, INC., : HARPERCOLLINS PUBLISHERS LLC, JOHN WILEY & SONS, INC., and PENGUIN RANDOM : 20 Civ. _____________ HOUSE LLC, : ECF Case Plaintiffs, : : COMPLAINT -against- : TRIAL BY JURY DEMANDED : INTERNET ARCHIVE and DOES 1 through 5, : inclusive, : Defendants. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - x Plaintiffs Hachette Book Group, Inc. (“Hachette”), HarperCollins Publishers LLC (“HarperCollins”), John Wiley & Sons, Inc. (“Wiley”), and Penguin Random House LLC (“Penguin Random House”), by and through their attorneys Davis Wright Tremaine LLP and Oppenheim + Zebrak, LLP, for their Complaint, hereby allege against Defendant Internet Archive (“IA” or “Defendant”) and Does 1 through 5 as follows: NATURE OF THE ACTION 1. Plaintiffs Hachette, HarperCollins, Penguin Random House, and Wiley (collectively, “Plaintiffs” or “Publishers”) bring this copyright infringement action against IA in connection with website operations it markets to the public as “Open Library” and/or “National Emergency Library.” Plaintiffs are four of the world’s preeminent publishing houses. Collectively, they publish some of the most successful and leading authors in the world, investing in a wide range of fiction and nonfiction books for the benefit of readers everywhere. All of the Plaintiffs are member companies of the Association of American Publishers, the mission of which is to be the voice of American publishing on matters of law and public policy. 1 Case 1:20-cv-04160 Document 1 Filed 06/01/20 Page 2 of 53 2. Defendant IA is engaged in willful mass copyright infringement. Without any license or any payment to authors or publishers, IA scans print books, uploads these illegally scanned books to its servers, and distributes verbatim digital copies of the books in whole via public-facing websites. -
Study Guide: the Elderquest in Today’S Movies and Novels
THE ElderquestIN TODAY'S MOVIES AND NOVELS A Study Guide Developed by the Osher Lifelong Learning Institute (OLLI) At the University of Massachusetts Boston Funded in part by a grant from The National Endowment for the Humanities Visit Our Website: www.olli.umb.edu\elderquest © Copyright, 2006, the Gerontology Institute, John W. McCormack Graduate School of Policy Studies, University of Massachusetts Boston. Gerontology Institute University of Massachusetts Boston 100 Morrissey Blvd. Boston, MA 02125-3393 Call: (617) 287-7300; fax: (617) 287-7080 e-mail: [email protected] Gerontology Institute website: http://www.geront.umb.edu/ Osher Life Long Learning Institute website: http://www.olli.umb.edu Study Guide: The Elderquest in Today’s Movies and Novels Introduction For Facilitators and Discussion Leaders The background information and many of the questions for discussion contained in this study guide seemed essential since the Elderquest, its history, its nature, and its implications are such new subjects, ones that have been researched, developed, and tested by Chuck Nicholas and the other members of the project staff. The insistence that all facilitators have doctorates in the humanities is, on the other hand, a requirement that the National Endowment for the Humanities builds into all its educational program grants. Some of you have had to ask for exceptions to this requirement, and in all instances, we have approved these exceptions because you have come up with people who are both experienced teachers and also have a special interest in film, literature, and/or aging. In short, we are fully confident that you will all do an excellent job introducing your students to this new, timely, entertaining and yet extremely important subject, one that promises to have a direct personal impact on its participants. -
City of Fear: Reimagining Buenos Aires in Contemporary Argentine Cinema CATHERINE LEEN National University of Ireland, Maynooth, Ireland
Bulletin of Latin American Research, Vol. 27, No. 4, pp. 465–482, 2008 City of Fear: Reimagining Buenos Aires in Contemporary Argentine Cinema CATHERINE LEEN National University of Ireland, Maynooth, Ireland Argentine cinema has experienced a rebirth since the late 1990s, despite the country’s economic crisis. Buenos Aires, long a key setting for the nation’s fi lms, has not escaped the negative impact of the crisis, yet fi lm- making in the capital has thrived. This article explores the radically different presentation of the city since the fi rst explosion of fi lm in Argentina after the end of the military dictatorship of 1976– 1983. It takes Luis Puenzo’s controversial La historia ofi cial as a starting point for a refl ection on the current presentation of Buenos Aires as a city plagued by fear in productions from the late 1990s to the early twenty- fi rst century. Keywords : Buenos Aires , city , crisis , desaparecidos , fear , military dictatorship . Recent writing on Argentine cinema abounds with praise for the vitality of indepen- dent fi lm in a country hard hit by economic recession. Paul Julian Smith, while acknowledging the continuing diffi culties resulting from the recent economic crisis, notes that ‘Argentina has an enviably healthy fi lm culture dedicated to exploring the tragedies and ironies of national life’ ( Smith, 2004: 11 ). Pablo Suárez comments that ‘the latest crop of so-called New Argentine cinema continues to break fresh ground’ ( Suárez, 2003: 11 ), while Dennis West reports that the fi lms screened at the third Bue- nos Aires International Festival of Independent Cinema ‘suggest that the nation’s cin- ema will continue to boom’ ( West, 2001: 51 ).