Fredric Jameson's the Antinomies of Realism
THE ANTINOMIES OF REAL15M FREDRIC JAMESON THE ANTINOMIES OF REALISM THE ANTINOMIES OF REALISM N FREDRIC JAMESON Y VERSO London • New York For Kim Stanley Robinson This paperback edition published by Verso 2015 First published by Verso 20 13 © Fredric Jameson 2013, 2015 "The Experiment ofTime" first appeared in Franco Moretti, ed., Il Romanzo, Torino: Einaudi, 2004 "War and Representation" was first published in PMLA 124:5, October 2009 Ail rights reserved The moral rights of the author have been asserted 13579108642 Verso UK: 6 Meard Street, London W1F OEG US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN-13: 978-1-78168-817-5 (PB) ISBN-13: 978-1-78168-133-6 (HB) eiSBN-13: 978-1-78168-191-6 (US) eiSBN-13: 978-1-78168-502-0 (UK) British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Typeset in Garamond by MJ & N Gavan, Truro, Cornwall Printed in the US by Maple Press Contents Introduction: Realism and lts Antinomies 1 PART ONE:THE ANTINOMIES OF REALISM l The Twin Sources of Realism: The Narrative Impulse 15 Il The Twin Sources of Realism: Affect, or, the Body's Present 27 Ill Zola, or, the Codification of Affect 45 IV To lstoy, or, Distraction 78 v Pérez Gald6s, or, the Waning of Protagonicity 95 VI George Eliot and Mauvaise Foi 114 VIl Realism and the Dissolution of Genre 138 VIII The Swollen Third Person, or, Realism after Realism 163 IX Coda: Kluge, or, Realism after Affect 187 PART TWO:THE LOGIC OFTHE MATERIAL l The Experiments ofTime: Providence and Realism 195 Il War and Representation 232 Ill The Historical Novel To day, or, ls lt Still Possible1 259 Index 315 Introduction: Realism and lts Antinomies 1 have observed a curious development which always seems to set in when we attempt to hold the phenomenon of realism firmly in our mind's eye.
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