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THE TUFTS DAILY Est
Where You Rain Read It First 49/46 THE TUFTS DAILY Est. 1980 VOLUME LXI, NUMBER 40 MONDAY, APRIL 4, 2011 TUFTSDAILY.COM BY MICK B. KREVER document. She did, however, financial document online. Daily Editorial Board tell the Daily in an email that New group leaksthe university does confidential not currently A new player A group of current and for- hold any direct investments. This In his interview with the Daily, mer Tufts students identifying would mean that the Jumboleaks Ramsdell was opaque about the Tuftsthemselves as “Jumboleaks”financial on document information is wholly outdated. makeup of onlineJumboleaks. He said Saturday posted online an out- Ramsdell rejected the signifi- that the organization consists dated list of university financial cance of this fact. of Tufts students and people holdings, citing financial trans- “I don’t really think that that’s whom he believed to be Tufts parency and responsible invest- relevant to the issue here,” he graduates. ment among their motivations. said. “The 2010 list is still a valid Ramsdell described the The list, posted to the web- representation of what the Tufts organization as a group of like- site Jumboleaks.org, comprises endowment represents.” minded individuals who were 35 companies ranging from CVS The initial Saturday post on drawn together by a common Caremark to Monsanto, a pro- Jumboleaks.org did not identify interest when the document vider of agricultural products the list as specifically reflecting surfaced. that has often been linked to information from 2010, nor did “The organization formed controversial business prac- it acknowledge that the infor- around the existence of the leak tices. -
25 Aniversario
REVISTA PORTAVOZ DE A.R.T.E. Nº 218 • Año XXVI • Enero/Febrero 2019 25 ANIVERSARIO CAMELA , RECONOCIMIENTO CARTA ABIERTA SOUNDS FROM A.R.T.E. 2018 A LA TRAYECTORIA SOBRE LA LEY DE CONTRATOS SPAIN REFUERZA SU ARTÍSTICA, EN SU 25 ANIVERSARIO DEL SECTOR PÚBLICO ACTIVIDAD EN 2019 SUMARIO AÑO XXVI • NÚMERO 218 EN ESTE NÚMERO CAMELA ALBA MESSA: 14 Reconocimiento A.R.T.E. 46 “En el escenario me siento 2018 a la Trayectoria libre, me siento yo misma sin Artística máscaras y poder hacer lo que amo me provoca una felicidad inmensa” Índice de anunciantes TEQUILA: RAYA REAL: 22 “Volvemos en 2019 52 “Nuestro secreto está en ARTISTI-K PRODUCCIONES MUSICALES 58-59 para despedirnos” no perder nunca nuestros ATTRACTION MANAGEMENT 2 orígenes flamencos” BONI ALDAYA CORREDURIA DE SEGUROS 41 CARVER ESPECTÁCULOS 94 Y 96 CERSA PRODUCCIONES MUSICALES 3 CLIPPER´S LIVE 65 Y 69 DANIEL BOADA GIL 55 DEEPDELAY MANAGEMENT 76 Y 78 CAMI GALLARDO: ELY SILVA: 28 “El fin de la música 60 “Nunca voy a perder las DIAGONAL PRODUCCIONES 27 es compartir y no ganas de subir a un DM PRODUCCIONES 104-105 competir” escenario porque es algo DUE MUSIC 57, 62-63 Y 87 que llevo dentro” EDICIONES SENADOR 5,7,9 Y 101 EMEDEMUSICA 70-71 EN GIRA 19 Y 25 ENTRADAS.COM 21 ERA PRODUCCIONS 43 COTI: SOUNDS FROM ESMERARTE INDUSTRIAS CREATIVAS 50-51 34 “Nunca he parado de 72 SPAIN ESPECTÁCULOS DOBLEA 83 hacer conciertos Reforzado en 2019 el porque es algo que FOKKER EVENTOS 75 apoyo a la exportación necesito” de la música española FORUM T. -
Reflections 3 Reflections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS AUSGABE 2019/2020 AUSGABE | TAUSEND FENSTER Der tschechische Sänger Karel Gott („Und samkeit in der großen Stadt beim Eurovision diese Biene, die ich meine, die heißt Maja …“) Song Contest 1968 in der Royal Albert Hall wurde vor allem durch seine vom böhmischen mit nur 2 Punkten den bescheidenen drei- SONG CONTEST CLUBS Timbre gekennzeichneten, deutschsprachigen zehnten Platz, fi ndet aber bis heute großen Schlager in den 1970er und 1980er Jahren zum Anklang innerhalb der ESC-Fangemeinde. Liebling der Freunde eingängiger U-Musik. Neben der deutschen Version, nahm Karel Copyright: Martin Krachler Ganz zu Beginn seiner Karriere wurde er Gott noch eine tschechische Version und zwei ÖSTERREICHISCHEN vom Österreichischen Rundfunk eingela- englische Versionen auf. den, die Alpenrepublik mit der Udo Jürgens- Hier seht ihr die spanische Ausgabe von „Tau- DUNCAN LAURENCE Komposition „Tausend Fenster“ zu vertreten. send Fenster“, das dort auf Deutsch veröff ent- Zwar erreichte der Schlager über die Ein- licht wurde. MAGAZINDAS DES Der fünfte Sieg für die Niederlande DIE LETZTE SEITE | ections Refl AUSGABE 2019/2020 2 Refl ections 4 Refl ections 99 Refl ections 6 Refl ections IMPRESSUM MARKUS TRITREMMEL MICHAEL STANGL Clubleitung, Generalversammlung, Organisation Clubtreff en, Newsletter, Vorstandssitzung, Newsletter, Tickets Eurovision Song Contest Inlandskorrespondenz, Audioarchiv [email protected] Fichtestraße 77/18 | 8020 Graz MARTIN HUBER [email protected] -
Book De Prensa
BOOK DE PRENSA JURADOS CAMI Con tan solo 21 años, Camila Gallardo se ha convertido en uno de los talentos jóvenes más exitosos y con mayor proyección a nivel internacional. Su interés por la música nació cuando tenía 6 años. Un video grabado por su padre, en el que Camila interpretaba “Gracias a la vida” de Violeta Parra, y que fue subido a YouTube, comenzó a hacerla conocida a los 14 años. Su salto a la fama lo dio mientras participaba en la primera temporada de la versión chilena del programa busca talentos “The Voice”, donde finalmente obtuvo el segundo lugar. En aquella ocasión, fue apadrinada por quien fue su coach, Luis Fonsi, quien escribió y produjo su primer single “Más de la mitad”. Debido a su éxito, se convirtió en la interprete más `stremeada´ en Spotify, alcanzó el #1 del chart de radios de artistas nacionales y logró ser single de Platino Digital. Desde entonces, la carrera de Camila Gallardo se ha llenado de elogios y éxitos. En 2017 participó en la Obertura del 58º Festival de la Canción de Viña Del Mar, donde fue parte del homenaje a Violeta Parra, en el centenario de su natalicio. Sus singles, “Abrázame” y “Un poco más de frío” se transformaron en hits alcanzando una importante rotación en las radios nacionales y millones de descargas en las plataformas digitales de música y gran número de visitas en YouTube. Camila ha protagonizado campañas publicitarias, ha participado de innumerables programas de televisión y ha cantado ante miles de personas en sus conciertos realizados a lo largo de todo Chile. -
The Bottom Shelf Review Wilson College 2009
The Bottom Shelf Review Wilson College 2009 Edited by: Jessica Carnes and Jess Domanico Advised by: Dr. Michael G. Cornelius Review Staff: Kayla Chagnon, Suzanne Cole, and Nicole Twigg My Mother’s Hands Debbie Arthur I think of my mother and I think of her hands; Why? When looking back over my life, all of the things that I seem to remember about her, she was using her hands I remember when those hands patched walls with plaster. They took off rooms and rooms of wallpaper; painted every wall in our home with every color of the rainbow. They carried coal to the furnace to keep us warm in the winter; and dug out the cellar to store that coal. Those hands took care of her children, digging stones out of our knees, putting bandage upon bandage on so many cuts and bruises to make them better. They smacked us when we disobeyed and marched us to church 3 times a week. They took care of us when we were sick, patting our hot little heads; feeding us when we were too sick to eat, and with all those kids that was a lot of feeding. They tucked warm blankets around each of her children to keep out the cold at night. They folded in prayer each and every day to talk to God. You would think they would be worn out with all that work they have done over the years for so many of us. But they are not. When I walk into that house today, stressed or upset, those hands on my face and wrapped around me give me peace, it flows through those hands into me and they don’t let go till I am calm. -
Press Kit, High-Rez Images, Clips for Broadcast
THE MOVIE NETWORK AND THE MATCH FACTORY PRESENT A SPHINX PRODUCTIONS FILM “CARMINE STREET GUITARS” EXECUTIVE PRODUCERS CARTER LOGAN, MICHAEL HIRSH DIRECTOR OF PHOTOGRAPHY JOHN MINH TRAN, BECKY PARSONS SOUND RECORDIST MICHAEL GUGGINO SOUND DESIGN TED ROSNICK MUSIC SCORE THE SADIES EDITOR ROBERT KENNEDY WRITTEN BY LEN BLUM PRODUCED AND DIRECTED BY RON MANN PRODUCED IN ASSOCIATION WITH BELL MEDIA, TELEFILM CANADA AND THE ROGERS GROUP OF FUNDS THROUGH THE THEATRICAL DOCUMENTARY PROGRAM AND WITH THE PARTICIPATION OF THE ONTARIO MEDIA DEVELOPMENT CORPORATION AND THE CANADIAN FILM OR VIDEO PRODUCTION TAX CREDIT WITH RICK KELLY, CINDY HULEJ, DOROTHY KELLY FEATURING ESZTER BALINT, CHRISTINE BOUGIE (BAHAMAS), NELS CLINE (WILCO), KIRK DOUGLAS (THE ROOTS), ELEANOR FRIEDBERGER, BILL FRISELL, DALLAS GOOD (THE SADIES), TRAVIS GOOD (THE SADIES), DAVE HILL, JAIME HINCE (THE KILLS), STEWART HURWOOD, JIM JARMUSCH (SQÜRL), LENNY KAYE (PATTI SMITH BAND), MARC RIBOT, CHARLIE SEXTON (BOB DYLAN BAND) 4K / COLOR / 80 MIN 1 THE FILM Once the centre of the New York bohemia, Greenwich Village is now home to lux restaurants, and buzzer door clothing stores catering to the nouveau riche. But one shop in the heart of the Village remains resilient to the encroaching gentrification: Carmine Street Guitars. There, custom guitar maker Rick Kelly and his young apprentice Cindy Hulej, build handcrafted guitars out of reclaimed wood from old hotels, bars, churches and other local buildings. Nothing looks or sounds quite like a Rick Kelly guitar, which is the reason they are embraced by the likes of Bob Dylan, Lou Reed, Patti Smith, Jim Jarmusch, just to name a few. -
OFF-CAMERA NOMINATIONS ANNOUNCED for the 42 Nd ANNUAL ACADEMY of COUNTRY MUSIC AWARDS
OFF-CAMERA NOMINATIONS ANNOUNCED FOR THE 42 nd ANNUAL ACADEMY OF COUNTRY MUSIC AWARDS NASHVILLE, TN (March 27, 2007) – The Academy of Country Music is announcing nominations for the following categories, which, due to time constraints, will not be televised during the 42 nd ANNUAL ACADEMY OF COUNTRY MUSIC AWARDS : ON-AIR PERSONALITY – NATIONAL Kix Brooks- American Country Countdown (ABC Radio Network) Bill Cody- Classic Country Weekend (Jones Radio Network) Bob Kingsley- Bob Kingsley’s Country Top 40 (Jones Radio Network) Lia Knight- (Jones Radio Network) Danny Wright - All Night (Jones Radio Network) ON-AIR PERSONALITY - MAJOR MARKET Cornbread with Pat James- WIL, St. Louis, MO Edwards & Lee - WYCD, Detroit, MI Tim Hattrick & Willy D. Loon- KNIX, Phoenix- AZ Jim, Deb and Kevin- WFMS, Indianapolis, IN Randy & Dave- WQYK, St. Petersburg, FL ON-AIR PERSONALITY - MEDIUM MARKET Ron Bee and Becky Palmer- WBBS, Syracuse, NY Broadway- WBCT, Grand Rapid, MI Dawson, Kristina & Levi- The Get Up Gang- KRST, Albuquerque, NM Brian Gary & Todd Harding- KUAD, Ft. Collins, CO Charlie James & Pam Wilder- WCOS, Columbia, SC ON-AIR PERSONALITY - SMALL MARKET Paul Dupuis and J.R. Mitchell (The Breakfast Flakes)- WQCB, Bangor, ME Gator & The Styckman- WGSQ, Cookeville, TN Barry Kent, Bobbie Ashley and Frank Rush (The WakingCrew)- WTHI, Terre Haut, IN Mike Lawrence and Dana Carole- KHKX, Midland, TX McFly and the Ride Home with Marty McFly and Stewart James- WGSQ, Cookeville, TN RADIO STATION - MAJOR MARKET KEEY- Minneapolis, MN KSON- San Diego, CA WQYK- St. Petersburg, FL WSIX- Nashville, TN WXTU- Philadelphia, PA RADIO STATION - MEDIUM MARKET KIIM- Tucson, AZ KUAD- Ft. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Steve Waksman [email protected]
Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i1.9en Live Recollections: Uses of the Past in U.S. Concert Life Steve Waksman [email protected] Smith College Abstract As an institution, the concert has long been one of the central mechanisms through which a sense of musical history is constructed and conveyed to a contemporary listening audience. Examining concert programs and critical reviews, this paper will briefly survey U.S. concert life at three distinct moments: in the 1840s, when a conflict arose between virtuoso performance and an emerging classical canon; in the 1910s through 1930s, when early jazz concerts referenced the past to highlight the music’s progress over time; and in the late twentieth century, when rock festivals sought to reclaim a sense of liveness in an increasingly mediatized cultural landscape. keywords: concerts, canons, jazz, rock, virtuosity, history. 1 During the nineteenth century, a conflict arose regarding whether concert repertories should dwell more on the presentation of works from the past, or should concentrate on works of a more contemporary character. The notion that works of the past rather than the present should be the focus of concert life gained hold only gradually over the course of the nineteenth century; as it did, concerts in Europe and the U.S. assumed a more curatorial function, acting almost as a living museum of musical artifacts. While this emphasis on the musical past took hold most sharply in the sphere of “high” or classical music, it has become increasingly common in the popular sphere as well, although whether it fulfills the same function in each realm of musical life remains an open question. -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
Concord Overall Score Reports
Concord Overall Score Reports Mini (8 yrs. & Under) Solo Performance Platinum 1st Place 1 274 Loud - The Perfect Step - Gastonia, NC 110.1 Emma Bowen Platinum 1st Place 2 82 Wild Wild West - Victory Talent Dance & Gymnastics Studio - Marshville, NC 109.5 Trinity Davis Platinum 1st Place 3 710 Holly Rock - Miss Donna's School of Dance - Charlotte, NC 109.1 Sara Aydt Platinum 1st Place 4 278 Real Wild Child - The Perfect Step - Gastonia, NC 108.9 Karyss McDonald Platinum 1st Place 5 276 My Boi and Me - The Perfect Step - Gastonia, NC 108.8 Trinity Hall Gold 1st Place 6 465 Rocky Top - Southern Starz Cheer and Dance Company - Iron Station, NC 108.6 Chloe Lunsford Gold 1st Place 7 277 Breakout - The Perfect Step - Gastonia, NC 108.3 Lilian Beaty Gold 1st Place 7 707 Baby - Miss Donna's School of Dance - Charlotte, NC 108.3 Austin Kohler Gold 1st Place 8 547 Play Something Country - Academy of Dance Arts & Performance - Elkin, NC 108.2 Chloe Andrews Gold 1st Place 9 1226 I Want You Back - MADE Dance Elite Charlotte - Charlotte, NC 108.1 Yazmon Horton Gold 1st Place 10 155 Invading My Mind - Floyd Ward School of Dance - Vinton, VA 107.8 Mary Beth Hoye Advanced Double Platinum 1 709 The Way You Make Me Feel - Miss Donna's School of Dance - Charlotte, NC 112.6 Brianna Ellis Double Platinum 2 281 Dimples - The Perfect Step - Gastonia, NC 111.5 Laney Linder Platinum 1st Place 3 864 Boombox - Coastal Performing Arts Academy - Pooler, GA 110.3 Wyatt Oswald Platinum 1st Place 4 956 Everything at Once - Xtreme Dance Studio - Asheville, NC 110.2 Ella -
Monitor 5. Maí 2011
MONITORBLAÐIÐ 18. TBL 2. ÁRG. FIMMTUDAGUR 5. MAÍ 2011 MORGUNBLAÐIÐ | mbl.is FRÍTT EINTAK TÓNLIST, KVIKMYNDIR, SJÓNVARP, LEIKHÚS, LISTIR, ÍÞRÓTTIR, MATUR OG ALLT ANNAÐ SIA.IS ICE 54848 05/11 ÍSLENSKA GÓÐIR FARÞEGAR! ÞAÐ ER DJ-INN SEM TALAR VINSAMLEGAST SPENNIÐ SÆTISÓLARNAR OG SETJIÐ Á YKKUR HEYRNARTÓLIN. FJÖRIÐ LIGGUR Í LOFTINU! Icelandair er stolt af því að Margeir Ingólfsson, Hluti af þessu samstarfi er sú nýjung að DJ Margeir, hefur gengið til liðs við félagið heimsfrumflytja í háloftunum nýjan tónlistardisk og velur alla tónlist sem leikin er um borð. Gus Gus, Arabian Horse sem fer í almenna Sérstök áhersla verður lögð á íslenska tónlist sölu þann 23. maí næstkomandi – en þá hafa og þá listamenn sem koma fram á Iceland viðskiptavinir Icelandair haft tæpa tvo mánuði Airwaves hátíðinni. til að njóta hans – fyrstir allra. FIMMTUDAGUR 5. MAÍ 2011 Monitor 3 fyrst&fremst Monitor Ber Einar Bárðarson ábyrgð á þessu? mælir með FYRIR VERSLUNARMANNAHELGINA Margir bíða æsispenntir eftir Þjóðhátíð í Eyjum og margir hafa nú þegar bókað far þangað. Nú gefst landanum gott tæki- færi til að tryggja sér miða á hátíðina á góðu verði því forsala miða hefst á vefsíðu N1 föstudaginn 6. maí og fá korthafar N1 miðann fjögur þúsund krónum ódýrari. FYRIR MALLAKÚTINN SÓMI ÍSLANDS, Hádegishlaðborð VOX er eitt það allra besta í bransanum. SVERÐ ÞESS OG... SKJÖLDUR! Frábært úrval af heitum og köldum réttum ásamt dýrindis eftirréttum og einstaklega Dimmiterað með stæl góðu sushi. Það kostar Nemendur FSU 3.150 krónur á fögnuðu væntanlegum Í STRÖNGU VATNI ER hlaðborðið svo skólalokum á dögunum með því að dimmit- STUTT TIL BOTNS maður fer kannski ekki þangað á hverjum degi en svo era.