DOCSLIB.ORG

Stanley Cowell Samuel Blaser Shunzo Ohno Barney

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. It is especially impressive in the world of jazz, which takes an unnatural toll on those who Contributing Writers pursue it. Everyone talks about the rock ‘n’ rollers who died young; what about the myriad Duck Baker, Brad Cohan, Phil Freeman, jazz musicians? But the difference between the two genres is that jazz players are still creative Anders Griffen, George Kanzler, and probing into their later decades (take that, Mick Jagger). Mark Keresman, Ken Micallef Celebrating this feat is pianist/educator/vocal collaborator par excellence Ran Blake (On The Contributing Photographers Cover). He has worked with Jeanne Lee, Patty Waters, Christine Correa, Dominique Eade Scott Friedlander, Peter Gannushkin, and, most recently Sara Serpa, the latter with whom he will appear at Jazz at Kitano, celebrating Andy Hurlbut, Vera Marmelo, their new release and his milestone birthday (a couple of months late). Pianist Stanley Cowell Rainer Ojaste, R.I. Sutherland-Cohen, (Interview) is six years shy of 80 but has the activity level of someone half his age, releasing Jack Vartoogian, Nils Winther albums annually and now making his leader debut at Village Vanguard. It would take 2.42 Samuel Blasers (Artist Feature) to add up to 80 but the young trombonist is already prolific as a leader and collaborator beyond his years. He appears around town throughout the month. Oak is a traditional gift for one’s 80th anniversary while diamonds or pearls are a more modern nycjazzrecord.com option. All speak aptly to longevity, strength and beauty. On The Cover: Ran Blake (photo by Andy Hurlbut) In Correction: In last month’s What’s News, the full name of the Jazz Journalists Association Jazz Hero for Boston is Mark Sumner Harvey. All rights reserved. Reproduction without permission strictly prohibited. All material copyrights property of the authors. 2 JUNE 2015 | THE NEW YORK CITY JAZZ RECORD WWW.BLUENOTEJAZZ.COM JUNE 2015 SAVION GLOVER HIROMI: ROY HAYNES STANTON MOORE JUNE 2 - 3 THE TRIO PROJECT JUNE 9 - 10 TRIO FEAT. ANTHONY JACKSON & SIMON PHILLIPS JUNE 12 - 13 JUNE 4 - 7 DAVID MURRAY TRIO ABDULLAH IBRAHIM ROBERT GLASPER BEBEL GILBERTO FEAT. TERRI LYNE CARRINGTON & EKAYA TRIO JUNE 29 - JULY 1 JUNE 15 - 17 JUNE 18 - 21 JUNE 24 - 27 LEE KONITZ JUNE 1 • REVIVE PRESENTS IGMAR THOMAS FT. Special Guest MARC CARY (8PM) / RAVEL RE-IMAGINED + ORIGINAL WORKS FEAT. ELDAR & MORE (10:30PM) JUNE 8 KATHLEEN BATTLE: SOMETHING TO SING ABOUT III W/ CYRUS CHESTNUT Produced By Jill Newman Productions JUNE 11 • GATO BARBIERI JUNE 14 & 23 • OLIVER LAKE ORGAN QUARTET JUNE 22 • AYO Produced By Jill Newman Productions JUNE 28 SUNDAY BRUNCH THANA ALEXA JUNE 7 • CAMILA MEZA QUARTET JUNE 14 • JOHNNY O’NEAL TRIO - BLUE NOTE DEBUT JUNE 21 • YOUNGJOO SONG QUARTET *SAT, JUNE 27* • ALAN BROADBENT TRIO JUNE 28 LATE NIGHT GROOVE SERIES DESSY DI LAURO’S NEO-RAGTIME JUNE 5 • RABBI DARKSIDE JUNE 6 • RES Produced By Jill Newman ProductionsJUNE 12 • LEX SADLER’S RHYTHM & STEALTH W/SPECIAL GUESTS JUNE 13 THE BRIGHTON BEAT JUNE 19 • SOUL INSCRIBED JUNE 20 • TBA JUNE 26 • OKAYPLAYER PRESENTS: A NIGHT W/ SKYZOO - ALBUM RELEASE JUNE 27 RD bluenotenyc l3l WEST 3 STREET NEW YORK CITY • 2l2.475.8592 • WWW.BLUENOTEJAZZ.COM @bluenotenyc TWO SHOWS NIGHTLY 8PM & l0:30PM • FRIDAY & SATURDAY LATE NIGHTS: l2:30AM TELECHARGE.COM TERMS, CONDITIONS AND RESTRICTIONS APPLY @bluenotenyc SUNDAY BRUNCH, ll:30AM & l:30PM, $35 INCLUDES BRUNCH MUSIC AND DRINK 2751 Broadway NYC, NY (btw 105th & 106th Streets) www.smokejazz.com 212.864.6662 JUNE 2015 JUNE WEEKENDS JUNE WEEKNIGHTS JUNE ’ROUND MIDNIGHT 6/5, 6/6 & 6/7 M 6/1 THE CAPTAIN BLACK BIG BAND Tu EMMET COHEN ORGAN TRIO STEVE DAVIS SEXTET Tu 6/2 MIKE LEDONNE’S GROOVER QUARTET W CAMILLE THURMAN QUARTET “SAY WHEN” CD RELEASE / W 6/3 THE BRICKTET Th NICKEL & DIME OPS Th 6/4 MICHELLE WALKER F JOHN FARNSWORTH QUARTET or J.J. JOHNSON TRIBUTE F PATIENCE HIGGINS’ SUGAR HILL QUARTET Jim Rotondi [tpt] Eric Alexander [ts] Steve Davis [tbn] Harold Mabern [p] M 6/8 THE CAPTAIN BLACK BIG BAND Sa JOHNNY O’NEAL & FRIENDS Nat Reeves [b] Joe Farnsworth [d] Tu 6/9 MIKE LEDONNE’S GROOVER QUARTET Su WILLERM DELISFORT QUARTET W 6/10 TIM GREEN QUARTET 6/12, 6/13 & 6/14 Th 6/11 JD WALTER JAM SESSION INGRID JENSEN’S FAMILY QUINTET M JAM SESSION w/CAPTAIN BLACK BIG BAND Ingrid Jensen [tpt] Christine Jensen [saxes] M 6/15 THE CAPTAIN BLACK BIG BAND Gary Versace [p] Matt Clohsey [b] SUNDAY JAZZ BRUNCH Jon Wikan [d] + Joel Miller [ts - sat only] Tu 6/16 MIKE LEDONNE’S GROOVER QUARTET Su ANNETTE ST. JOHN & HER TRIO W 6/17 ROXY COSS QUARTET 6/19, 6/20 & 6/21 Th 6/18 ALEXIS COLE Sets at 7, 9 & 10:30pm GEORGE COLEMAN QUARTET George Coleman [ts] Harold Mabern [p] M 6/22 THE CAPTAIN BLACK BIG BAND ’ROUND MIDNIGHT SETS at 11:30PM John Webber [b] Joe Farnsworth [d] Tu 6/23 MIKE LEDONNE’S GROOVER QUARTET FRI & SAT also at 12:45AM W 6/24 LUMMIE SPANN QUARTET 6/26, 6/27 & 6/28 MON at 7 & 9pm only Th 6/25 GREGG AUGUST QUINTET HELEN SUNG QUARTET MON Jam Session starts at 10:30pm John Ellis [ts] Helen Sung [p] Reuben Rogers [b] Donald Edwards [d] M 6/28 THE CAPTAIN BLACK BIG BAND SUN Brunch sets at 11:30am, Tu 6/29 MIKE LEDONNE’S GROOVER QUARTET 1:00pm & 2:30pm NEW YORK @ NIGHT The venerable Dutch ICP Orchestra played a three- For 24 years, Bruce Gallanter’s Downtown Music night run at Roulette in May with a rotation of guests, Gallery has been a hub for fans of creative improvised the first night (May 6th) being trombonist Ray Anderson music. To celebrate and support the retail store/ and singer Fay Victor. The trombonists, in fact (Anderson performance space, The Stone staged a benefit (May and Wolter Wierbos) were among the first to take the 11th) featuring a series of quartets drawn from a pool stage, joining violinist Mary Oliver and cellist Tristan of ten musicians: Chuck Bettis and Ikue Mori NEW RELEASES Honsinger in a peppy dissonance. The rest of the tentet (electronics), Sylvie Courvoisier (piano), Marty Ehrlich flanked the stage waiting for the music to open up and Chris Pitsiokos (alto saxophones), Mark Helias enough to let them in, which wouldn’t take long— (bass), Jason Kao Hwang (violin), Ned Rothenberg things often don’t within the ICP sphere and nobody (alto saxophone/clarinet), Adam Rudolph (percussion), makes atonality swing like the celebrated band from Steve Swell (trombone) and Nate Wooley (trumpet). Amsterdam. They touched on some Monk, so beloved The changing combinations of improvisers made for by co-founder Misha Mengelberg (who no longer travels diverse musical chemistry, from Ehrlich and with the band) as well as a coterie of his compositions. Rothenberg’s two-alto onslaught; Mori and Bettis’ In his absence drummer Han Bennink was the elder, if psychedelic washes under Pitsiokos’ frenzied alto not the leader. He set the pace for the second piece, full squawks; and Swell and Wooley’s pinched brass of rich harmonies across the entire ensemble. Michael timbres against Hwang’s incisive pizzicato. The set MICHAEL GIBBS & THE NDR BIGBAND Moore took a soulful clarinet solo while Bennink hit finished with a delicate, intuitive trio piece by harder than hardbop concurrent with decorations from Rothenberg, Courvoisier and Helias. Next, pianist Play A Bill Frisell Set List the rest of the horns. For the third piece, Victor joined in, Matthew Shipp and bassist Michael Bisio played an Guitar great BILL FRISELL delivers a tour de force accompanied three clarinets in another bit of dissonance, extended improvisation with two original compositions performance on a program of arrangements designed this time slow and sweet. Victor is one of the few who (“LP-X” and “The Conduct of Jazz”) inserted. At first, specically for him and the NDR BIGBAND.
Recommended publications
  • Vindicating Karma: Jazz and the Black Arts Movement

    Vindicating Karma: Jazz and the Black Arts Movement

    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
  • THE TUFTS DAILY Est

    THE TUFTS DAILY Est

    Where You Rain Read It First 49/46 THE TUFTS DAILY Est. 1980 VOLUME LXI, NUMBER 40 MONDAY, APRIL 4, 2011 TUFTSDAILY.COM BY MICK B. KREVER document. She did, however, financial document online. Daily Editorial Board tell the Daily in an email that New group leaksthe university does confidential not currently A new player A group of current and for- hold any direct investments. This In his interview with the Daily, mer Tufts students identifying would mean that the Jumboleaks Ramsdell was opaque about the Tuftsthemselves as “Jumboleaks”financial on document information is wholly outdated. makeup of onlineJumboleaks. He said Saturday posted online an out- Ramsdell rejected the signifi- that the organization consists dated list of university financial cance of this fact. of Tufts students and people holdings, citing financial trans- “I don’t really think that that’s whom he believed to be Tufts parency and responsible invest- relevant to the issue here,” he graduates. ment among their motivations. said. “The 2010 list is still a valid Ramsdell described the The list, posted to the web- representation of what the Tufts organization as a group of like- site Jumboleaks.org, comprises endowment represents.” minded individuals who were 35 companies ranging from CVS The initial Saturday post on drawn together by a common Caremark to Monsanto, a pro- Jumboleaks.org did not identify interest when the document vider of agricultural products the list as specifically reflecting surfaced. that has often been linked to information from 2010, nor did “The organization formed controversial business prac- it acknowledge that the infor- around the existence of the leak tices.
  • Demorest's Family Magazine. August 1881. Vol. 17, No. 8

    Demorest's Family Magazine. August 1881. Vol. 17, No. 8

    NO. CXCIX. AUGUST, 1881. VOL. XVII. NO. 8. BY ELLA WHEELER ELEN and Sara Rivera, the village “ Oh, of course,” Helen replied a little I The father was a little more difficult to ■ merchant's daughters at Berryville, abashed; “ I knew that of course, but it seems reconcile. sat out on the pleasant veranda I too bad to be tied down to this little town all “ I meant you and your mother should both I one mild May afternoon. your life when there are so many larger places. | go away this summer,” he said. “ Helen was H Or rather Sara sat in a little But then you have always been here, and 1 gone half the winter, and I thought it but fair rocker, sewing. She was making a dress for | don't suppose it seems to you as it does to me. that she should stay at home and let you go her baby brother. And Helen lounged in the I I know I am spoiled for a quiet life, and I j now.” hammock with a novel. must go to the sea-shore. Badie, try and make “ Mother can go all the same,” Sara re­ Suddenly Helen closed her book, and spoke. papa see that a great deal depends upon it! 1 sponded. * * She could not go before the last “ Sadie dear,” she began. “ I want you to shall meet so many people, you know—my of July any way. And I do not care at all tease papa to let me go to the sea-sliore with kind of people who will all be of social benefit about a change.
  • Spinning Wheel (1969) Blood, Sweat & Tears

    Spinning Wheel (1969) Blood, Sweat & Tears

    MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide).
  • Press Kit, High-Rez Images, Clips for Broadcast

    Press Kit, High-Rez Images, Clips for Broadcast

    THE MOVIE NETWORK AND THE MATCH FACTORY PRESENT A SPHINX PRODUCTIONS FILM “CARMINE STREET GUITARS” EXECUTIVE PRODUCERS CARTER LOGAN, MICHAEL HIRSH DIRECTOR OF PHOTOGRAPHY JOHN MINH TRAN, BECKY PARSONS SOUND RECORDIST MICHAEL GUGGINO SOUND DESIGN TED ROSNICK MUSIC SCORE THE SADIES EDITOR ROBERT KENNEDY WRITTEN BY LEN BLUM PRODUCED AND DIRECTED BY RON MANN PRODUCED IN ASSOCIATION WITH BELL MEDIA, TELEFILM CANADA AND THE ROGERS GROUP OF FUNDS THROUGH THE THEATRICAL DOCUMENTARY PROGRAM AND WITH THE PARTICIPATION OF THE ONTARIO MEDIA DEVELOPMENT CORPORATION AND THE CANADIAN FILM OR VIDEO PRODUCTION TAX CREDIT WITH RICK KELLY, CINDY HULEJ, DOROTHY KELLY FEATURING ESZTER BALINT, CHRISTINE BOUGIE (BAHAMAS), NELS CLINE (WILCO), KIRK DOUGLAS (THE ROOTS), ELEANOR FRIEDBERGER, BILL FRISELL, DALLAS GOOD (THE SADIES), TRAVIS GOOD (THE SADIES), DAVE HILL, JAIME HINCE (THE KILLS), STEWART HURWOOD, JIM JARMUSCH (SQÜRL), LENNY KAYE (PATTI SMITH BAND), MARC RIBOT, CHARLIE SEXTON (BOB DYLAN BAND) 4K / COLOR / 80 MIN 1 THE FILM Once the centre of the New York bohemia, Greenwich Village is now home to lux restaurants, and buzzer door clothing stores catering to the nouveau riche. But one shop in the heart of the Village remains resilient to the encroaching gentrification: Carmine Street Guitars. There, custom guitar maker Rick Kelly and his young apprentice Cindy Hulej, build handcrafted guitars out of reclaimed wood from old hotels, bars, churches and other local buildings. Nothing looks or sounds quite like a Rick Kelly guitar, which is the reason they are embraced by the likes of Bob Dylan, Lou Reed, Patti Smith, Jim Jarmusch, just to name a few.
  • MUNI 20121022 – Piano 5 - Youtube 1 Teddy Wilson Trio: Honeysuckle Rose 5:49 Jimmy Atwood-B; Jo Jones-Dr

    MUNI 20121022 – Piano 5 - Youtube 1 Teddy Wilson Trio: Honeysuckle Rose 5:49 Jimmy Atwood-B; Jo Jones-Dr

    MUNI 20121022 – piano 5 - youtube http://www.youtube.com/watch?v=R5NqUoM-WZo 1 Teddy Wilson Trio: Honeysuckle Rose 5:49 Jimmy Atwood-b; Jo Jones-dr. Civic Opera House, Chicago, 1963 – hosted by Willis Conover http://www.youtube.com/watch?v=X2oDW1cTydA 2 Jess Stacy – Complainin’ Bob Cats 1951 2:44 Billy Butterfield trumpet, Matty Matlock clarinet, Eddie Miller tenor sax, Warren smith trombone, Jess Stacy piano, Nappy Lamare guitar, Bob Haggart bass and Ray Bauduc drums http://www.youtube.com/watch?v=qYcZGPLAnHA http://www.youtube.com/watch?v=MNp-ldlnf5s 3 Art Tatum: Humoresque 2:46 http://www.youtube.com/watch?v=D9Cs_zb4q14 4 Art Tatum: Yesterdays 2:01 http://www.youtube.com/watch?v=mVuE0ywwBO0 film Fabulous Dorseys (1947) – Art’s Blues 3:00 Ziggy Elman-tp; Tommy Dorsey-tb; Jimmy Dorsey-cl; Charlie Barnet-ts; Art Tatum-p; George Van Eps-g; Stuart Foster-b; Ray Bauduc-dr. http://www.youtube.com/watch?v=dCYApJtsyd0 5 Nat King Cole Quartet: Route 66 3:07 http://www.youtube.com/watch?v=cIkQNti8_EU 6 Oscar Peterson solo: I Can’t Get Started 4:58 http://www.youtube.com/watch?v=Q4Ht4Rm-qo4 Oscar Peterson Trio Live at Newport Jazz Festival 8:27 Ray Brown-; Ed Thigpen-dr. …….. 7 od 2:33 Yours Is My Heart Alone http://www.youtube.com/watch?v=xdd5pn1xs7M&feature=related 8 Peterson-Kessel-Pedersen: Boogie Blues Etude at Ronnie Scott’s 1974 8:04 http://www.youtube.com/watch?v=-rpdxSMgtUc&feature=related 9 Peterson-Pass-Pedersen: Sweet Georgia Brown, Italy 1985 8:40 Live at the Bussoladomani, Lido di Camaiore http://www.youtube.com/watch?v=XIs1vcoPQbw&feature=related 10 Oscar Peterson-Count Basie: Jumpin‘ at the Woodside 3:05 Niels Henning Ørsted-Pedersen, Martin Drew http://www.youtube.com/watch?v=5-mIHk2rM0Q 11 Oscar Peterson Quartet: Hymn to Freedom 5:58 Ulf Wakenius-g; NHØP-b; Martin Drew-b.
  • October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 Min)

    October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 Min)

    October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 min) Directed by Jim Jarmusch Original Music by Neil Young Cinematography by Robby Müller Johnny Depp...William Blake Gary Farmer...Nobody Crispin Glover...Train Fireman John Hurt...John Scholfield Robert Mitchum...John Dickinson Iggy Pop...Salvatore 'Sally' Jenko Gabriel Byrne...Charlie Dickinson Billy Bob Thornton...Big George Drakoulious Alfred Molina...Trading Post Missionary JIM JARMUSCH (Director) (b. James R. Jarmusch, January 22, 1981 Silence of the North, 1978 The Last Waltz, 1978 Coming 1953 in Akron, Ohio) directed 19 films, including 2013 Only Home, 1975 Shampoo, 1972 Memoirs of a Madam, 1970 The Lovers Left Alive, 2009 The Limits of Control, 2005 Broken Strawberry Statement, and 1967 Go!!! (TV Movie). He has also Flowers, 2003 Coffee and Cigarettes, 1999 Ghost Dog: The Way composed original music for 9 films and television shows: 2012 of the Samurai, 1997 Year of the Horse, 1995 Dead Man, 1991 “Interview” (TV Movie), 2011 Neil Young Journeys, 2008 Night on Earth, 1989 Mystery Train, 1986 Down by Law, 1984 CSNY/Déjà Vu, 2006 Neil Young: Heart of Gold, 2003 Stranger Than Paradise, and 1980 Permanent Vacation. He Greendale, 2003 Live at Vicar St., 1997 Year of the Horse, 1995 wrote the screenplays for all his feature films and also had acting Dead Man, and 1980 Where the Buffalo Roam. In addition to his roles in 10 films: 1996 Sling Blade, 1995 Blue in the Face, 1994 musical contributions, Young produced 7 films (some as Bernard Iron Horsemen, 1992 In the Soup, 1990 The Golden Boat, 1989 Shakey): 2011 Neil Young Journeys, 2006 Neil Young: Heart of Leningrad Cowboys Go America, 1988 Candy Mountain, 1987 Gold, 2003 Greendale, 2003 Live at Vicar St., 2000 Neil Young: Helsinki-Naples All Night Long, 1986 Straight to Hell, and 1984 Silver and Gold, 1997 Year of the Horse, and 1984 Solo Trans.
  • The Singing Guitar

    The Singing Guitar

    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
  • It's All Good

    It's All Good

    SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes.
  • Student Life the Arts

    Student Life the Arts

    Student Life The Arts University Art Collection the steps of Low Memorial Library; Three- “Classical Music Suite,” the “Essential Key- Way Piece: Points by Henry Moore, on board Series,” and the “Sonic Boom Festival.” Columbia maintains a large collection of Revson Plaza, near the Law School; Artists appearing at Miller Theatre have art, much of which is on view throughout Bellerophon Taming Pegasus by Jacques included the Juilliard, Guarneri, Shanghai, the campus in libraries, lounges, offices, Lipchitz, on the facade of the Law School; a Emerson, Australian, and St. Petersburg and outdoors. The collection includes a cast of Auguste Rodin’s Thinker, on the String Quartets; pianists Russell Sherman, variety of works, such as paintings, sculp- lawn of Philosophy Hall; The Great God Peter Serkin, Ursula Oppens, and Charles tures, prints, drawings, photographs, and Pan by George Grey Barnard, on the lawn Rosen; as well as musical artists Joel Krosnick decorative arts. The objects range in date of Lewisohn Hall; Thomas Jefferson, in front and Gilbert Kalish, Dawn Upshaw, Benita from the ancient Near Eastern cylinder seals of the Journalism Building, and Alexander Valente, Speculum Musicae, the Da Capo of the second millennium B.C.E. to con- Hamilton, in front of Hamilton Hall, both Chamber Players, Continuum, and the temporary prints and photographs. by William Ordway Partridge; and Clement New York New Music Ensemble. Also in the collection are numerous por- Meadmore’s Curl, in front of Uris Hall. The “Jazz! in Miller Theatre” series has help- traits of former faculty and other members ed to preserve one of America’s most important of the University community.
  • The Blue and White

    The Blue and White

    THE UNDERGRADUATE MAGAZINE OF COLUMBIA UNIVERSITY, EST. 1890 THE BLUE AND WHITE Vol. XIX No. V November 2013 Endangered Speeches Columbia, Cornell, and Yale join forces to offer less commonly taught languages The Student Doth Protest A look at how Student-Worker Solidarity is taking shape ALSO INSIDE: JUDGING A BOOK BY ITS COVERS THE BLUE AND WHITE Vol. XIX FAMAM EXTENDIMUS FACTIS No. V COLUMNS FEATURES 4 BLUEBOOK Conor Skelding & 10 AT TWO SWORDS’ LENGTH: ARE YOU CRYING? CONOR SKELDING, CC ’14, Editor in Chief 6 BLUE NOTES Mikey Abrams Our monthly prose and cons ANNA BAHR, BC ’14, Managing Editor 8 CAMPUS CHARACTERS ndANGERED PEECHES WILL HOLT, CC ’15, Senior Editor 12 VERILY VERITAS Naomi Sharp 14 E S TORSTEN ODLAND, CC ’15, Senior Editor 13 CURIO COLUMBIANA Columbia, Cornell, and Yale join forces to offer less commonly SOMER OMAR, CC ’16, Senior Editor 30 MEASURE FOR MEASURE taught languages NAOMI SHARP, CC ’15, Senior Editor 40 SKETCHBOOK JESSIE CHASAN-TABER, CC ’16, Layout Editor 42 DIGITALIA COLUMBIANA Luca Marzorati 18 THIRD IS THE ONE WITH THE TREASURE CHEST LEILA MGALOBLISHVILI, CC ’16, Senior Illustrator 43 CAMPUS GOSSIP Columbia dropout, Jack Hidary, runs for mayor MATTHEW SEIFE, CC ’16, Publisher Tamsin Pargiter 20 ABSOLUTISM Absolute’s hold on the Morningside bagel market Staff Writers NAOMI COHEN, CC ’15 ALEXANDER PINES, CC ’16 Torsten Odland 21 WILSON DANIEL STONE, CC ’16 ALEXANDRA SVOKOS, CC ’14 Andrew and Wilson head to Brooklyn Contributors MIKEY ABRAMS, CC ’16 Channing Prend 24 FLAGGING ENTHUSIASM MICHELLE CHERIPKA,
  • Lee Morgan Chronology 1956–1972 by Jeffery S

    Lee Morgan Chronology 1956–1972 by Jeffery S

    Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).