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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
State District Organization Name Discipline / Field City Project
State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount To support the translation from the German of "The Art of Topiary," selected poems by German poet Jan Wagner. Wagner (b. 1971) is the award-winning author of six poetry collections, as well as a translator of Anglo-American poetry, an essayist, editor, and literary critic. His poetry has been translated into 30 DC 0 Keplinger, David Literature Washington 2017 $12,500 languages. Not readily categorized, Wagner writes both formal and free verse poems. This collection includes a sonnet about a rhino, a long haiku series about rain barrels, and a sestina with the book's title poem, in which the repeated words describe a garden that eats its creator. To support the translation from the Czech of the novel "Heaven Has No Ground" by Hana Andronikova. This is the final novel of Andronikova (1967-2011), who died of cancer less than a year after it was published in 2011 and just weeks before receiving, for the second time, the Czech Republic's highest literary prize, the Magnesia Litera Award. The bestselling, autobiographical novel depicts the author's early decision to forego conventional medical treatments in search of a more holistic solution, and describes her DC 0 Kostovski, Roman Literature Washington 2017 $12,500 subsequent journeys to consult a shaman in the Amazon jungle, travel through the Nevada desert, and climb Israel's Mount Masada in pursuit of some spiritual insight that would allow her to cope with her fate and, ultimately, return to Prague to fight for her life. -
FOR IMMEDIATE RELEASE the MIM Music
FOR IMMEDIATE RELEASE The MIM Music Theater Announces Winter/Spring 2020 Concert Series PHOENIX (December 12, 2019) – The MIM Music Theater proudly announces its Winter/Spring 2020 Concert Series, with tickets on sale to the public on December 12 at 10:00 a.m. The new series, running from January through May, includes more than thirty-five concerts spanning multiple genres across the globe. Highlights this season include Inuit throat singer Tanya Tagaq; Playing for Change, a unique fusion of talents who come together to inspire the world through music; blues vocalist and pianist Marcia Ball with virtuoso slide guitarist and bandleader Sonny Landreth; legendary trumpet player Herb Alpert and Grammy-winning vocalist Lani Hall; and Juan de Marcos, founder of the Buena Vista Social Club, leading the Afro-Cuban All Stars. The Winter/Spring 2020 Concert Series welcomes some artists who will be performing at the MIM Music Theater for the first time. New artists include Americana and folk duo the Secret Sisters; iconic Mexican American singer Lila Downs; pioneer of the minimalist movement, composer, and musician Terry Riley, accompanied by his son Gyan Riley on guitar; and country music hitmaker and piano-pounding powerhouse Phil Vassar. Concertgoers can also look forward to the return of several favorites to the MIM Music Theater, including Grammy-winning bass player Victor Wooten, traditional Irish music group Altan, classical tabla virtuoso Zakir Hussain, and Grammy- and Tony-winning jazz giant Dee Dee Bridgewater paying tribute to musical icon Ella Fitzgerald. The MIM Music Theater presents over 290 concerts per year and has had over 150 Grammy- winning artists perform on its stage. -
Sen.Braynon'deeplyregrets'affair
Volume 95 Number 21 | JANUARY 10-16, 2018 | MiamiTimesOnline.com | Ninety-Three Cents Sen. Braynon ‘deeply regrets’ affair Democrat admits to fling with Republican Sen. Anitere Flores NYAMEKYE DANIEL AND JAYDA HALL [email protected] A pair of leading Miami-Dade state senators from opposite political parties, Oscar Braynon II and Anitere Flores, admit- ted to having an affair after video footage showed Flores leav- ing Braynon’s Tallahassee apartment. A website exposing the footage blasted the news on Tuesday just as Florida’s annual legislative session began. The two mar- ried lawmakers responded and issued a joint statement apolo- Photos via Wikimedia Commons gizing for their indiscretion. “As this 2018 session of the Florida Legislature gets under- way, we do not want gossip and rumors to distract from the important business of the people,” Braynon and Flores wrote in a SEE AFFAIR 4A Right: Sens. Oscar Braynon II and Anitere Flores at the Millennial Action Project’s 2017 Future Summit in Boston. Top: Sen. Oscar Braynon II, his wife Melissa and their two sons. Bottom: Sen. Anitere Flores, her husband Dustin Ander- son and their children. Photo via Rep. Shevrin Jones’ Twitter CITY OF MIAMI Commissioners will vote on new manager Emilio Gonzalez makes rounds in Black community during the holidays BY ANDREA ROBINSON [email protected] Francis Suarez’s pick for city manager, Emilio T. Gonzalez, spent the Christmas holiday reaching out to various constit- uent groups within the city, including several stops in Black Miami. In an interview, Gonzalez said he wants to bring innovation and opportunity to Miami-Dade County’s largest city, and he wants to spread those things to all neighborhoods. -
Numero53.Pdf
INUTILE aprile 2013, numero 53 Supplemento al #4205 di PressItalia.net, registrazione presso il Tribunale di Perugia #33 del 5 maggio 2006, pubblicazione trimestrale a cura di INUTILE » ASSOCIAZIONE CULTURALE la redazione leonardo azzolini, marco montanaro, nicolò porcelluzzi, alessandro romeo, matteo scandolin, tamara viola hanno collaborato francesca ballarini, fabio deotto, andrea maggiolo, gianluca nativo, andrea pomella correzioni elisa sottana copertina yuanyuan yang {yuanyuanyang.com} layout leonardo azzolini {leonardoazzolini.com} stampa Le Colibrì - Agenzia di stampa, Gubbio {[email protected]} abbonamenti rivistainutile.it/abbonarsi wild wild web rivistainutile.it twitter.com/inutileonline vimeo.com/inutile Il presente opuscolo è diffuso sotto la disciplina della licenza CREATIVE COMMONS Attribuzione - Non commerciale - Non opere derivate 2.5 Italia. La licenza integrale è disponibile a questo url: http://tinyurl.com/8g7sw5 3 editoriale 4 counselling gianluca nativo 7 via rinaldi 46, ninopoli francesca ballarini 10 quelli che sanno si salvano marco montanaro 16 the mars volta: una storia di confini fabio deotto 24 micronarrativa andrea maggiolo editoriale C’è Gianluca Nativo col suo racconto in grado di sal- la redazione tare da qui a là senza farti mai fermare; c’è Francesca Ballarini con la sua Ninopoli, che c’ha fatto innamo- La copertina di questo numero è un arcobaleno per rare; c’è Marco Montanaro che ci ha fatto riflettere, noi e per voi: per quelli che sono stanchi e abbat- come sempre fa lui; c’è Fabio Deotto che cerca di tuti, la siamo andati a recuperare direttamente da metabolizzare lo scioglimento dei Mars Volta; c’è la Yuanyuan Yang, artista cinese che lavora a New York. -
Musica Jazz Autore Titolo Ubicazione
MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
BAM Announces November Bamcafé Live Lineup
BAM announces November BAMcafé Live lineup No cover! No minimum! Friday and Saturday nights Brooklyn, NY/October 8, 2015—Now in its 16th season, BAMcafé Live (30 Lafayette Avenue)—the performance series curated by Darrell M. McNeill, associate producer, music programming— announced its November lineup featuring rock, jazz, R&B, world, pop, and more. BAMcafé Live events have no cover charge and no drink minimum. For information and updates, call 718.636.4100 or visit BAM.org. Friday & Saturday night schedule Fri, Nov 6 at 9pm—Audra Isadora Sat, Nov 7 at 9pm—Tammy Scheffer Sextet Fri, Nov 13 at 10pm—God’s Unruly Friends Sat, Nov 14 at 10pm— REBELLUM - Burnt Sugar Arkestra’s Avant Splinter Cell Fri, Nov 20 at 9pm—Awesome Tapes From Africa (DJ Set) Presented in conjunction with World Music Institute Sat, Nov 21 at 9pm—Gato Loco Presented in conjunction with World Music Institute Fri, Nov 27 and Sat, Nov 28 at 9pm—Akim Funk Buddha’s Hip-Hop Holiday Host: Phillip Andry House DJ: DJ Idlemind “The Appropriate Agent” For press inquiries, contact Baha Ebrahimzadeh at 718.636.4129 x 1 or [email protected]. About the artists Fri, Nov 6 at 9pm Audra Isadora Drawing inspiration from iconoclasts like Kate Bush and David Bowie, Audra Isadora combines outré glam eccentricity with irresistible pop hooks. Her seductive, powerhouse contralto propels synth-heavy dance-floor rave-ups and soaring, down-tempo ballads alike, all wrapped in offbeat arrangements that feature oboe lines played by Isadora. Sat, Nov 7 at 9pm Tammy Scheffer Sextet Tammy Scheffer’s crystalline voice draws listeners into her imaginative jazz experiments. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
The New York City Jazz Record
BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 THE NEW YORK CITY JAZZ RECORD BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR ANTHONY BRAXTON—Solo (Victoriaville) 2017 (Victo) BILL CHARLAP WITH CAROL SLOANE DARCY JAMES ARGUE’S SECRET SOCIETY PHILIPP GERSCHLAUER/DAVID FIUCZYNSKI— January 11th, Jazz Standard Dave Pietro, Rob Wilkerson, Chris Speed, John Ellis, UNEARTHED GEMS BOXED SETS TRIBUTES Mikrojazz: Neue Expressionistische Musik (RareNoise) Carl Maraghi, Seneca Black, Jonathan Powell, Matt Holman, ELLA FITZGERALD—Ella at Zardi’s (Verve) WILLEM BREUKER KOLLEKTIEF— TONY ALLEN—A Tribute to Art Blakey REGGIE NICHOLSON BRASS CONCEPT Nadje Noordhuis, Ingrid Jensen, Mike Fahie, Ryan Keberle, Out of the Box (BVHaast) and The Jazz Messengers (Blue Note) CHARLES LLOYD NEW QUARTET— Vincent Chancey, Nabate Isles, Jose Davila, Stafford Hunter Jacob Garchik, George Flynn, Sebastian Noelle, TUBBY HAYES QUINTET—Modes and Blues Passin’ Thru (Blue Note) February 4th, Sistas’ Place Carmen Staaf, Matt Clohesy, Jon Wikan (8th February 1964): Live at Ronnie Scott’s (Gearbox) ORNETTE COLEMAN—Celebrate Ornette (Song X) KIRK KNUFFKE—Cherryco (SteepleChase) THE NECKS—Unfold (Ideological Organ) January 6th, Winter Jazzfest, SubCulture STEVE LACY—Free For A Minute (Emanem) WILD BILL DAVISON— WADADA LEO SMITH— SAM NEWSOME/JEAN-MICHEL PILC— ED NEUMEISTER SOLO MIN XIAO-FEN/SATOSHI TAKEISHI THELONIOUS MONK— The Danish Sessions: -
The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan ..................................................................................................................................