DOCSLIB.ORG

FOR IMMEDIATE RELEASE the MIM Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FOR IMMEDIATE RELEASE the MIM Music FOR IMMEDIATE RELEASE The MIM Music Theater Announces Winter/Spring 2020 Concert Series PHOENIX (December 12, 2019) – The MIM Music Theater proudly announces its Winter/Spring 2020 Concert Series, with tickets on sale to the public on December 12 at 10:00 a.m. The new series, running from January through May, includes more than thirty-five concerts spanning multiple genres across the globe. Highlights this season include Inuit throat singer Tanya Tagaq; Playing for Change, a unique fusion of talents who come together to inspire the world through music; blues vocalist and pianist Marcia Ball with virtuoso slide guitarist and bandleader Sonny Landreth; legendary trumpet player Herb Alpert and Grammy-winning vocalist Lani Hall; and Juan de Marcos, founder of the Buena Vista Social Club, leading the Afro-Cuban All Stars. The Winter/Spring 2020 Concert Series welcomes some artists who will be performing at the MIM Music Theater for the first time. New artists include Americana and folk duo the Secret Sisters; iconic Mexican American singer Lila Downs; pioneer of the minimalist movement, composer, and musician Terry Riley, accompanied by his son Gyan Riley on guitar; and country music hitmaker and piano-pounding powerhouse Phil Vassar. Concertgoers can also look forward to the return of several favorites to the MIM Music Theater, including Grammy-winning bass player Victor Wooten, traditional Irish music group Altan, classical tabla virtuoso Zakir Hussain, and Grammy- and Tony-winning jazz giant Dee Dee Bridgewater paying tribute to musical icon Ella Fitzgerald. The MIM Music Theater presents over 290 concerts per year and has had over 150 Grammy- winning artists perform on its stage. Within the span of only nine years, the theater has been recognized as one of the top music venues of its size, anywhere in the world. Audiences and musicians have praised its unparalleled intimate atmosphere and acoustically superb sound quality. Linford Detweiler of singer-songwriter duo Over the Rhine calls the MIM Music Theater a “lovely place to make music.” David Harrington of Kronos Quartet says, “MIM is a new American treasure. It’s like walking into the soul of mankind.” Tickets went on sale to members who give $250+ annually on Thursday, December 5, at the Winter/Spring 2020 Concert Series Preview Event. Circle of Friends members starting at $250 enjoy exclusive member benefits, including advance purchase opportunities for concerts and invitations to Concert Series Previews with MIM’s artistic director. Members who give $500+ annually also receive 10% off concert tickets. Additional artists will be added to the lineup throughout the season. To get the latest announcements from the MIM Music Theater, visit MIM.org and sign up for concert newsletters. 2020 Concert Series sponsored by Sanderson Lincoln. ### About MIM and the MIM Music Theater The Musical Instrument Museum (MIM) enriches our world by collecting, preserving, and making accessible an astonishing variety of musical instruments and performance videos from every country in the world. MIM offers guests a welcoming and fun experience, incomparable interactive technology, dynamic programming, and exceptional musical performances. MIM fosters appreciation of the world’s diverse cultures by showing how we innovate, adapt, and learn from each other to create music—the language of the soul. In addition to hosting performances by renowned artists, the MIM Music Theater introduces guests to emerging talents from around the world. It has been called “the best 300-seat venue in the country” by Grammy-winner Shawn Colvin. Each performance is an extension of the museum’s exhibits―showcasing the instruments, the people who play them, and the musical language we all share. Find MIM on Facebook: Facebook.com/MIMphx; Twitter and Instagram: @MIMphx Media Contact Raj Dayal, Media Relations Manager, MIM [email protected] 480.478.6065 Winter/Spring 2020 Concert Series Lineup Jan. 2020 Legends: Keola Beamer and Henry Kapono with Moanalani Beamer Juan de Marcos and the Afro-Cuban All Stars Tue., Jan. 28 | 7:00 p.m. Tue., Jan. 14 | 7:00 & 9:00 p.m. Wed., Jan. 15 | 7:00 & 9:00 p.m. Vieux Farka Touré Wed., Jan. 29 | 7:00 p.m. Victor Wooten with Steve Bailey and Gregg Bissonette: “Bass Extremes” John Mayall Wed., Jan. 22 | 7:00 & 9:00 p.m. Thu., Jan. 30 | 7:30 p.m. Victor Wooten with Steve Bailey, Gregg Feb. 2020 Bissonette, and Daniel Levitin Thu., Jan. 23 | 7:00 p.m. Tanya Tagaq: Retribution Sun., Feb. 2 | 7:00 p.m. Herb Alpert and Lani Hall Fri., Jan. 24 | 7:30 p.m. George Winston Sat., Jan. 25 | 7:30 p.m. Mon., Feb 3 | 7:00 p.m. Tue., Feb. 4 | 7:00 p.m. Ladysmith Black Mambazo Red Baraat Fri., Feb. 7 | 7:30 p.m. Fri., Mar. 13 | 7:30 p.m. Sat., Feb. 8 | 7:30 p.m. Cherish the Ladies Terry Riley with Gyan Riley: Live at 85! Sat., Mar. 14 | 7:30 p.m. Wed., Feb. 12 | 7:00 p.m. Altan Acoustic Hot Tuna with Special Guest Dick Boak Sun., Mar. 15 | 4:00 & 7:00 p.m. Fri., Feb. 14 | 7:30 p.m. Sat., Feb. 15 | 7:30 p.m. Amanda Shires Opening Act: L.A. Edwards Phil Vassar: “Stripped Down” Acoustic Tour Tue., Mar. 17 | 7:00 p.m. Sun., Feb. 16 | 7:00 p.m. Paul Thorn Band Marcia Ball and Sonny Landreth Opening Act: Jesse Dayton Mon., Feb. 17 | 7:00 p.m. Wed., Mar. 18 | 7:00 p.m. Tue., Feb. 18 | 7:00 p.m. The Manhattan Transfer Dee Dee Bridgewater: “Dear Ella” Sun., Mar. 22 | 7:00 & 9:00 p.m. A Tribute to Ella Fitzgerald Mon., Mar. 23 | 7:00 & 9:00 p.m. Sat., Feb. 22 | 6:00 & 8:00 p.m. Charles Lloyd and Gerald Clayton Lila Downs: Al Chile Tue., Mar. 24 | 7:00 p.m. Thu., Feb. 27 | 7:30 p.m. Fri., Feb. 28 | 7:30 p.m. Zakir Hussain Tue., Mar. 31 | 7:00 p.m. Mar. 2020 Apr. 2020 Stacey Kent Mon., Mar. 2 | 7:00 p.m. Loudon Wainwright III Sun., Apr. 5 | 7:00 p.m. Avi Kaplan Mon., Mar. 9 | 7:00 p.m. Kenny Endo Contemporary Ensemble with Abe Lagrimas, Jr. and Kaoru Watanabe Dreamers’ Circus Sun., Apr. 12 | 7:00 p.m. Tue., Mar. 10 | 7:00 p.m. Playing for Change Tinsley Ellis Fri., Apr. 17 | 7:30 p.m. Wed., Mar. 11 | 7:00 p.m. Sat., Apr. 18 | 7:30 p.m. Skerryvore Sierra Hull Thurs., Mar. 12 | 7:30 p.m. Mon., Apr. 20 | 7:00 p.m. The Secret Sisters Opening Act: Leslie Stevens Thu., Apr. 23 | 7:30 p.m. May 2020 Special EFX All-Stars Featuring Chieli Minucci, Eric Marienthal, Gerald Veasley, Lao Tizer, Karen Briggs, and Gene Coye Fri., May 1 | 7:00 & 9:00 p.m. Alan Doyle Opening Act: Chris Trapper Sun., May 3 | 7:30 p.m. .
Load more

Recommended publications
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with Dee Dee Bridgewater
    Biographical Description for The HistoryMakers® Video Oral History with Dee Dee Bridgewater PERSON Bridgewater, Dee Dee Alternative Names: Dee Dee Bridgewater; Life Dates: May 27, 1950- Place of Birth: Memphis, Tennessee, USA Residence: New Orleans, LA Occupations: Singer; Actress Biographical Note Singer and actress Dee Dee Bridgewater was born on May 27, 1950 in Memphis, Tennessee. Raised in Flint, Michigan, Bridgewater was exposed early to jazz music; her father, Matthew Garrett, was a jazz trumpeter and teacher at Manassas High School. After high school, Bridgewater attended Michigan State University before transferring to the University of Illinois at Urbana-Champaign. In 1969, she toured the Soviet Union with the University of Illinois Big Band. In 1970, Bridgewater met and married trumpeter Cecil Bridgewater and moved to New York City. She sang lead vocals for the Thad Jones/Mel Lewis Jazz Orchestra in the early 1970s, and appeared in the Broadway musical The Wiz from 1974 to 1976. Bridgewater also released her first album in 1974, entitled Afro Blue. Then, after touring France in 1984 with the musical Sophisticated Ladies, she moved to Paris in 1986 and acted in the show Lady Day. Bridgewater also formed her own backup group around this time and performed at the Sanremo Song Festival in Italy and the Montreux Jazz Festival in 1990. Four years later, she collaborated with Horace Silver and released the album Love and Peace: A Tribute to Horace Silver. She then released a tribute album, entitled Dear Ella, in 1997, and the record Live at Yoshi’s in 1998. Subsequent albums included This is New (2002); J'ai Deux Amours (2005); Red Earth (2007); and Eleanora Fagan (1915-1959): To Billie with Love from Dee Dee Bridgewater (2010).
    [Show full text]
  • Dee Dee Bridgewater
    B.H. Hopper Management Stievestr. 9 - D-80638 München - Tel. +49 (0)89-177031 - Fax. +49 (0)89-177067 email: [email protected] - http://www.hopper-management.com DEE DEE BRIDGEWATER Biography Today Dee Dee is a sparkling ambassador for jazz, but she bathed in its music before she could walk: her mother played the greatest albums of Ella Fitzgerald for her, and her father was a trumpeter who taught music - to Booker Little, Charles Lloyd and George Coleman, amongst others - and who also played in the summer with Dinah Washington. It's the kind of background that leaves its mark on an adolescent, especially one who appeared solo and with a trio as soon as she was able. Dee Dee's other vocation, that of a globetrotter, reared its head when she toured the Soviet Union, in 1969, with the University of Illinois Big Band. A year later, she followed her then husband, Cecil Bridgewater, to New York. Cecil was playing with pianist Horace Silver, and Dee Dee's dream was to sing Horace's compositions one day... Love and Peace, (Verve), her irresistible 1994 album, was that same dream come true. The young singer made an earth-shattering debut in New York; for four years she was the lead vocalist with the band led by Thad Jones and Mel Lewis, an early career marked by concerts and recordings with such authentic giants as Sonny Rollins, Dizzy Gillespie, Dexter Gordon, Max Roach, Roland Kirk... and also rich experiences with Norman Connors, Stanley Clarke, and Frank Foster's "Loud Minority".
    [Show full text]
  • Dear Ella (SATB W/Rhythm Section)
    SATB Vocal Score Sole Selling Agent for this Arrangement: Jazz Ballad www.MichMusic.com Level II+ Dear Ella (SATB w/rhythm section) MUSIC & LYRICS: Kenny Burrell ARRANGEMENT: Michele Weir Permission to print or perform this arrangement granted only to purchaser of this arrangement. Violators will be prosecuted. SATB Level II+ Dear Ella Recorded by American River College Vocal Jazz Ensemble's CD "Orange Colored Sky" (Art Lapierre, Director) Music & Lyrics: Kenny Burrell Jazz Ballad å=58 Arranged: Michele Weir Sop/Alto P & 4 ‰ ∑ ∑ Ó Œ ‰ j dearœ P Ten/Bass œ ? 4 ‰ ∑ ∑ Ó Œ ‰ J * (See Note Below) 3 3 3 Solo P & Ó Œ ‰ j ‰ Ó ∑ 5 œ œ œ œ œ œ œ œ œ ˙ ourœ spec-ial first la-dy of song here's to you S/A & ∑ ∑ Ó Œ ‰ j 5 œ œœ œœ ˙ el-la dearœ T/B œ œ œ ? œ œ œ ˙ ∑ ∑ Ó Œ ‰ œ 5 J 3 3 3 Solo Ó Œ ‰ ‰ ∑ 9& j œ œ œ œ œ œ œ œ œ w youœ gave us your best for so long yes it's true F S/A ∑ ∑ Ó Œ 9& œ œ œ b˙ el-la dearœ T/B œ œ œ b˙ F œ ? œ œ œ ˙ ∑ ∑ Ó Œ 9 * Solos can be somewhat improvisational, esp. later in the chart. Distribution of solos is at your discretion: a variety of different singers (female or male, 8vb) can be featured, or, one or two only. 3 S/A j & bœ œ œ œ ‰ j œ œœ œ œ ‰ œ j 13 œ œ œ œ œ œ œ œ œ œ œ œ b˙ el - la we'reœ all so glad that you ans-wered the call ans-wered the j j j j T/B bœ œ œ œ œ œ #œœ œœ œ œ œ bœ œ ? b œ œ œ œ ‰ nœ œ Œ œ œ œœ ˙ 13 J ansJ -wered theJ call 3 S/A j Œ œ œ œ œ ‰ œ œ œ œ œ ‰ 16& ˙ #œ œ œ #œ œ #œ œ œ œ #œ œ œ #œ a œ n˙ for it's cer - tain that you and your mu - sic b willœ call 3 (Crossed ˙ parts) œ œ œ #œ œ œ œ œ œ #œ
    [Show full text]
  • Dossier De Presse
    DOSSIER DE PRESSE DIRECTEUR ARTISTIQUE Jean-René PALACIO RELATIONS PRESSE Agnès MARSAN [email protected] T. +377 98 06 64 12 WEB & RÉSEAUX SOCIAUX montecarlosbm.com facebook.com/montecarlojazzfestival twitter.com/montecarlosbm #MCJF 2 3 SOMMAIRE Édito de Jean-René PALACIO p. 5 Programmation p. 6 Exposition photographique de Philip DUCAP p. 19 Partenaires p. 20 L’Opéra : consécration du raffinement et des arts p. 21 Informations p. 23 4 ÉDITO DE JEAN-RENÉ PALACIO Du 25 au 29 novembre 2014, se déroulera la 9ème édition du Monte- Carlo Jazz Festival à la Salle Garnier de l’Opéra de Monte-Carlo. La musique de jazz et la musique en général trouvent toute leur place dans ce lieu merveilleux, temple de la musique et de la création depuis plus d’un siècle. Cette nouvelle édition du Monte-Carlo Jazz Festival reflète le jazz d’aujourd’hui, qui s’ouvre vers les musiques du monde et qui donne une large place à la voix. Nous ouvrirons le 25 novembre avec Galliano, Lagrène, Lockwood Trio : accordéon, guitare, violon sont les symboles d’un jazz aux racines européennes. Le même soir, Sylvain Luc & Stefano Di Battista Quartet, une formation exceptionnelle autour de deux solistes de grand talent. Jean-Lou Treboux, jeune vibraphoniste de talent, ouvrira la soirée. Mercredi 26 novembre, Ibrahim Maalouf et Kenny Garrett et leurs différentes formations nous permettront d’aller des couleurs de l’Orient, du rock et du jazz, à la musique afro-américaine. Le 27 novembre est une soirée placée sous le signe des musiques du monde avec Céu tout d’abord, jeune vocaliste brésilienne, puis avec l’Orchestre El Gusto qui est une véritable expérience humaine et musicale avec 20 musiciens sur scène.
    [Show full text]
  • Monterey Jazz Festival on Tour
    CAL PERFORMANCES PRESENTS Saturday, January 19, 2013, 8pm Zellerbach Hall Monterey Jazz Festival on Tour 55th Anniversary Celebration Dee Dee Bridgewater vocals Christian McBride bass, musical director Benny Green piano Lewis Nash drums Chris Potter saxophones Ambrose Akinmusire trumpet PROGRAM The program will be announced from the stage. Music will be an assortment of classic jazz repertoire and original compositions by band members. Jazz at Cal Performances is sponsored by Nadine Tang and Bruce Smith. Cal Performances’ 2012–2013 season is sponsored by Wells Fargo. CAL PERFORMANCES 5 PROGRAM NOTES ABOUT THE ARTISTS he monterey jazz festival, the lon- bringing leading jazz performers to work with The multitalented, two-time James Brown, Queen Latifah, Carly Simon, Tgest continuously running jazz festival in students throughout the year, includes their ap- Grammy-winning vocalist Sonny Rollins, and Roy Haynes. As a recording the world, has presented nearly every major jazz pearance at the Next Generation Jazz Festival, and Tony Award-winning ac- artist, Mr. McBride has released albums on the star—from Billie Holiday and Louis Armstrong Summer Jazz Camp, and the Monterey Jazz tress Dee Dee Bridgewater Verve, Warner Brothers, and Mack Avenue la- to Esperanza Spalding and Trombone Shorty— Festival, both in performance and instruction. has had an illustrious career. bels, including the critically acclaimed Kind of since it was founded in 1958. World-renowned A leader in jazz education, the Festival Since her New York debut Brown (2009), recorded with his group Inside for its artistic excellence, sophisticated infor- has also presented the winning bands from its in 1970, she has appeared Straight, and the Grammy-winning The Good mality, and longstanding mission to create and high school competition since 1971, and has with the Thad Jones/Mel Feeling (2011), his first big-band recording as a support year-round jazz education and perfor- showcased talented young musicians in an Lewis Orchestra, Sonny leader, arranger, and conductor.
    [Show full text]
  • Downbeat.Com November 2015 U.K. £4.00
    NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk;
    [Show full text]
  • Bio the Clayton Brothers John and Jeff Clayton Prove Conclusively, That
    Bio The Clayton Brothers John and Jeff Clayton prove conclusively, that while blood may be thicker than water, it can also carry an unimpeded flow of pure creativity. The Clayton Brothers Quartet was originally founded in 1977, and while their paths would sometimes diverge, the brothers continued to share a common musical vision that would draw them back together. Their latest CD, Back In The Swing of Things (Hyena) demonstrates their unique musical vision and swing. That CD as well as Expressions and Siblingity (Qwest) are bristling with surprises, delights and the kind of musical telepathy that could only come from tuned in siblings. The brothers place a strong emphasis on sharing what it is they know. They are dedicated jazz educators. In the fall 2004, The Clayton Brothers were featured on the cover of JazzTimes' Education Resource Guide, naming them jazz educators for the year. John Clayton served as the Artistic Director of Jazz for the Los Angeles Philharmonic from 1998 through 2001. A seven time Grammy nominated artist, John gained prominence as a bassist in both the jazz and classical fields. His serious study of the double bass began at age 16 under the tutelage of Ray Brown. He held the principal bass chair in the Amsterdam Philharmonic Orchestra for more than five years. He is a composer/arranger/conductor, who counts among his mentors Robert Farnon, Count Basie, Johnny Mandel, Henry Mancini, and Quincy Jones. He has written and arranged music for Milt Jackson, Nancy Wilson, Ray Brown, Regina Carter, McCoy Tyner, Carmen McRae, Quincy Jones, Diana Krall, Kurt Elling Dee Dee Bridgewater (including her Grammy award winning CD, Dear Ella (Verve), Gladys Knight, Natalie Cole, and many others.
    [Show full text]
  • Friday, October 13, 2017 @BLUEWHALE
    Angel City Jazz Festival The tenth annual Angel City Jazz Festival continues its tradition of Criss Cross (featuring Donny McCaslin and Dan Weiss); and Elliott being Los Angeles’ most adventurous modern jazz celebration. This Sharp playing Monk in a solo guitar performance for the closing night year’s theme celebrates the centennial of Thelonious Sphere Monk of the festival. In addition, Dwight Trible is curating a Monk-themed (born October 10, 1917). A very innovative individual and creative double-bill at The World Stage with James Leary’s Bassed (six force throughout his career as both a pianist and a composer, many basses and a drummer) premiering original arrangements of Monk’s of Monk’s songs (best-known of which is “’Round Midnight”), while music, and Dwight Trible’s band ‘Cosmic Vibrations’ with special way ahead of their time when they were introduced in the 1940s and guest award-winning actor Roger Guenveur Smith adding a bit of ‘50s, have since become jazz standards. His unique piano style has abstract storytelling based on Monk’s life and career. also been very influential while being impossible to duplicate. As is always the case at the Angels City Jazz Festival, there is much Rather than merely recreating Monk’s classic recordings, many much more. You can find full details about all of the performances of the performers at this year’s Angel City Jazz Festival will be listed within this program. paying tribute to the musical genius in their own unique way. The special opening night concert at the Ford Theatres features Dee We hope you’ll enjoy our musical presentations and we’d like to Dee Bridgewater’s “Afro-Cuban Dream” — her interpretation of invite you to support our programming efforts through our non- Carmen McCrae’s famous Carmen Sings Monk album — under the profit organization Angel City Arts.
    [Show full text]
  • Cry of the Nameless" in Japanese So Let Us Hear No More of These Feeble, Excuses As To.Why
    Page Three Know ye all men hy these presents that this lay appears "before you one CRY 155 dated Dec 1 9 6 1 and hailing from Box 92, 5°7 3rd Ave, Seattle 4,- Washington, Deponent affirmed its availability at 250 or 1/9 each appearance (5 for $1 or ?/-, 12 for $2 or 14/-), its susceptibility to generosity toward contributors., letierhacks, and -occasional vagrant traders, its connection with the UK^agency of John Berry, 31 Campbell Park Ave, B'elmont, Belfast 4$ Northern Ireland, Deponent equivocated concerning its Regular Monthly Schedule, disclaiming responsibility for the months of July and September, Under further questioning, deponent implicated several accomplices, of . whom'Wally Weber, Burnett Toskey, Jim.Webbert, Wally Gbnser, and F M and Elinor • Bushy are’ known to be currently involved in its activities. Sworn // to this day ' of £rd December, 1961 anno doihini. Further hearing was set for 31st December. It must be the New.York influence,,,. \ '■ ■, 0 K , the Contents; Cover by ATom.(logo Multigraphed by Toskey) page 1 Page Three ... Buz ■ 3 . - The Interloper (Part 3, Conclusion) . John Berry 4 : --^Hwyl? Part 2 Elinor Busby 8 Le'sVille J Les Piper 9 With Keen Blue Eyes and st Bicycle F M Busby 10 Minutes' Wally "Weber 12 Fandom Harvest Terry Carr . 14 Hwyl, Part 1 ((no, don’t even ask!)) Elinor Busby ’ 17 CRY of the Readers conducted by Wally Weber ■ 18-36 Art Credits; ATom 1, Jones 4? Nirenberg 9? Notoff 10. Stencil-cutters’ scoring; Wally "Weber 21, Elinor 11, Buz 3. Duplication (and the counter has gone bust!); Webbert,.
    [Show full text]
  • Dee Dee Bridgewater Biografia I Discografia
    DEE DEE BRIDGEWATER http://www.deedeebridgewater.com/ BIOGRAFIA I DISCOGRAFIA Dee Dee Bridgewater és una de les realitats tangibles en el món del jazz vocal en l’actualitat i el seu futur es preveu molt millor. Nascuda a Memphis, al maig de 1950, com a Denese Garrett -va adquirir el seu nom artístic al 1970 després de casar-se amb el trompetista Cecil Bridgewater- es va incorporar el 1971 a la Big Band de Thad Jones i Mel Lewis, una brillantíssima i innovadora orquestra amb la qual va realitzar nombroses actuacions fins ben entrat l’any 1974. Allí va adquirir la formació suficient per donar un salt de qualitat en la seva carrera i col·laborar amb els grups de les figures consagrades del jazz: Max Roach, Dizzy Gillespie, Sonny Rollins, i Dexter Gordon. Entre els anys 1974 i 1976 va treballar en un musical de Broadway, titulat The Witz, amb el qual va aconseguir un important premi teatral. Aquesta faceta interpretativa va continuar fins a la seva participació a l’obra d’Stephen Sthal, titulada Lady Day, interpretant a Billie Holiday, que es va representar a Hamburg, Londres i París i a la revista musical Sophisticated Lady sobre la música de Duke Ellington. Instal·lada a París des de mitjan anys vuitanta, ha gravat ja nombrosos i importants discs on s’observa l’enorme influència en el seu estil de les cantants Nancy Wilson i la pròpia Sarah Vaughan. Des del blues a l’scatt, passant pels estàndards o els discs en directe, Dee Dee Bridgewater va pel camí de fer història en el món del jazz vocal i el seu registre en directe en el club Yoshi's de Tokio és tot un recital de saber cantar.
    [Show full text]