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Art Ensemble of Chicago Thelonious Sphere Monk
Art ensemble of chicago thelonious sphere monk Find a Art Ensemble Of Chicago* With Cecil Taylor - Thelonious Sphere Monk: Dreaming Of The Masters Vol.2 first pressing or reissue. Complete your Art. Thelonious Sphere Monk: Dreaming of the Masters Series Vol. 2 is an album by the Art Ensemble of Chicago and Cecil Taylor released on the Japanese DIW. Art Ensemble of Chicago, Cecil Taylor - Thelonious Sphere Monk: Dreaming of the Masters, Vol.2 - Music. This CD promises much more than it delivers, appearing to be a tribute to Thelonious Monk that features the Art Ensemble of Chicago and guest pianist Cecil. Find album release information for Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2 - The Art Ensemble of Chicago on AllMusic. Thelonious Sphere Monk - Dreaming of the Masters Vol. 2 Recorded in , at Systems Two Studios, Brooklyn. Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2, an Album by Art Ensemble of Chicago With Cecil Taylor. Released in on (catalog no. CK Albuminformatie voor Thelonious Sphere Monk: Dreaming of the masters ; vol.2 van Art Ensemble of Chicago. ART ENSEMBLE OF CHICAGO WITH CECIL TAYLOR ~ Thelonious Sphere Monk - Dreaming Of The Masters Vol. 2 []. C'est comme un. Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2 by The Art Ensemble of Chicago release on May 06, Thelonious Sphere Monk: Dreaming of the. "Dreaming of the Masters"、"Intro to Fifteen"、"Excerpt from Fifteen, Pt. 3A" とその他を含む、アルバム「Thelonious Sphere Monk」の曲を聴こう。 . Acquista il CD album Thelonious Sphere Monk di Art Ensemble Of Chicago in offerta; album e dischi in vendita online a prezzi scontati su La Feltrinelli. -
Joseph Jarman's Black Case Volume I & II: Return
Joseph Jarman’s Black Case Volume I & II: Return From Exile February 13, 2020 By Cam Scott When composer, priest, poet, and instrumentalist Joseph Jarman passed away in January 2019, a bell sounded in the hearts of thousands of listeners. As an early member of the Association for the Advancement of Creative Musicians (AACM), as well as its flagship group, the Art Ensemble of Chicago, Jarman was a key figure in the articulation of Great Black Music as a multi- generational ethic rather than a standard repertoire. As an ordained Buddhist priest, Jarman’s solicitude transcended philosophical affinity and deepened throughout his life as his music evolved. His musical, poetic, and religious paths appear to have been mutually informative, in spite of a hiatus from public performance in the nineties—and to encounter Jarman’s own words is to understand as much. The full breadth of this complexity is celebrated in the long-awaited reissue of Black Case Volume I & II: Return from Exile, a blend of smut and sutra, poetry and polemic, that feels like a reaffirmation of Jarman’s ambitious vision in the present day. Black Case wears its context proudly. A near-facsimile of the original 1977 publication by the Art Ensemble of Chicago (which itself was built upon a coil-bound printing from 1974), the volume serves as a time capsule of a key period in the development of an emancipatory musical and cultural program, and an intimate portrait of the artist-as-revolutionary. Black Case, then, feels most contemporary where it is most of its time, as a document of Black militancy and programmatic self-determination in which—to paraphrase Larry Neal’s 1968 summary of the Black Arts Movement—ethics and aesthetics, individual and community, are tightly unified. -
Wk 18 – 1961 May 1 – USA Top 100
Wk 18 – 1961 May 1 – USA Top 100 1 1 9 RUNAWAY Del Shannon 2 3 6 MOTHER-IN-LAW Ernie K-Doe 3 7 8 I'VE TOLD EVERY LITTLE STAR Linda Scott 4 6 7 A HUNDRED POUNDS OF CLAY Gene McDaniels 5 2 9 BLUE MOON Marcels 6 4 11 BUT I DO Clarence Frogman Henry 7 9 8 TAKE GOOD CARE OF HER Adam Wade 8 10 9 ONE MINT JULEP Ray Charles 9 8 6 YOU CAN DEPEND ON ME Brenda Lee 10 5 9 ON THE REBOUND Floyd Cramer 11 17 9 PORTRAIT OF MY LOVE Steve Lawrence 12 14 9 BABY BLUE Echoes 13 16 8 TONIGHT MY LOVE TONIGHT Paul Anka 14 11 15 APACHE Jorgen Ingmann 15 20 6 DADDY'S HOME Shep & The Limelites 16 21 3 BREAKIN' IN A BRAND NEW BROKEN HEART Connie Francis 17 28 9 TONIGHT I FELL IN LOVE Tokens 18 42 3 MAMA SAID Shirelles 19 34 3 FLAMING STAR Elvis Presley 20 12 10 PLEASE LOVE ME FOREVER Cathy Jean & The Roommates 21 15 11 ASIA MINOR Kokomo 22 18 14 DON'T WORRY Marty Robbins 23 26 8 JUST FOR OLD TIME'S SAKE McGuire Sisters 24 38 4 RUNNING SCARED Roy Orbison 25 19 11 SURRENDER Elvis Presley 26 33 6 BUMBLE BOOGIE B. Bumble & The Stingers 27 13 19 DEDICATED TO THE ONE I LOVE Shirelles 28 79 2 MESS AROUND Chubby Checker 29 30 6 FUNNY Maxine Brown 30 23 15 PONY TIME Chubby Checker 31 39 5 WHAT'D I SAY Jerry Lee Lewis 32 35 4 FROGG Brothers Four 33 58 5 BONANZA Al Caiola 34 71 2 TRAVELLIN' MAN Ricky Nelson 35 31 6 TENDERLY Bert Kaempfert 36 55 3 GIRL OF MY BEST FRIEND Ral Donner & The Starfires 37 47 5 THE CONTINENTAL WALK Hank Ballard 38 54 4 SAVED LaVern Baker 39 62 4 FOUR WALLS Faron Young 40 44 7 SOME KIND OF WONDERFUL Drifters 41 51 6 I'M IN THE MOOD FOR LOVE Chimes -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Art Pepper a Taste of Pepper Mp3, Flac, Wma
Art Pepper A Taste Of Pepper mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: A Taste Of Pepper Country: Europe Released: 2010 Style: Bop MP3 version RAR size: 1175 mb FLAC version RAR size: 1614 mb WMA version RAR size: 1715 mb Rating: 4.8 Votes: 650 Other Formats: VOC WMA AC3 AAC MIDI AIFF MPC Tracklist Hide Credits Art Pepper Meets The Rhythm Section ( 1957 ) You'd Be So Nice To Come Home To 1-1 5:29 Composed By – C. Porter* Red Pepper Blues 1-2 3:41 Composed By – R. Garland* Imagination 1-3 5:55 Composed By – J. Van Heusen And J. Burke* Waltz Me Blues 1-4 3:00 Composed By – A. Pepper*, P. Chambers* Straight Life 1-5 4:02 Composed By – A. Pepper* Jazz Me Blues 1-6 4:50 Composed By – T. Delaney* Tin Tin Deo 1-7 7:45 Composed By – C. Pozo*, G. Fuller* Star Eyes 1-8 5:16 Composed By – D. Raye*, G. DePaul* Birks Works 1-9 4:20 Composed By – D. Gillespie* Mucho Calor ( 1958 ) Mucho Calor 2-1 6:55 Arranged By – Bill HolmanComposed By – B. Holman* Autumn Leaves 2-2 Arranged By – Benny CarterComposed By – G. Parsons*, J. Prévert*, J. 3:07 Mercer*, J. Kosma* Mambo De La Pinta 2-3 5:30 Arranged By – Art PepperComposed By – A. Pepper* I'll Remember April 2-4 2:22 Arranged By – Art PepperComposed By – D. Raye*, G. DePaul*, P. Johnston* Vaya Hombre Vaya 2-5 3:23 Arranged By – Bill HolmanComposed By – B. Holman* I Love You 2-6 5:49 Arranged By – Bill HolmanComposed By – C. -
Scholarships…A Mission, Not an Option! by Don Bestor, Jr
Winter, 2012 The Fort Pierce Jazz & Blues Society Newsletter Volume XVI MISSION: To promote the growth, appreciation and performance of Jazz & Blues – great American music art forms – through scholarships, workshops, clinics, weekly jazz jams and community outreach programs. Scholarships…a mission, not an option! By Don Bestor, Jr. prospective scholarship applicants to basis requires an extra effort to affect President get involved. Our very well put together positive results. This is just part of what A while ago, one scholarship program, I might add, is goes on “behind the scenes.” None of of our regular fans headed by one of our Board members, this deters our determination to get on approached me Mr. Al Hager, an award-winning educa- with what we’re here to accomplish. and asked if we were still sponsor- tor for more than 25 years! Please allow me to yell the answer ing students on their way to college in To manage an organization like the to the question of us being pro-active in the form of scholarships. That ques- Jazz and Blues Society of Fort Pierce the scholarship program: "YES!" We tion took me by surprise because that is an honor and it is something that remain committed to providing scholar- is why many of us dedicate our time I’m very respectful of. As you may or ships to those high school seniors who to this organization. The Society ac- may not know, many things happen, qualify for our program and we are so tively pursues student applicants with transpire, pop-up and sometimes it can very proud to be able to do that! We a monthly letter to every band director happen every day. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.