Al Di Meola New World Sinfonia
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QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
Musica Jazz Autore Titolo Ubicazione
MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis -
June 14-20, 2018
JUNE 14-20, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM ----------------------- Feature • Al Di Meola --------------------- Master of the Guitar By Deborah Kennedy tar player. In the early 80s, he turned more toward the electric side of things, writing and recording Electric Like Mozart, New Jersey-born guitarist Al Di Rendezvous and Scenario, which included the key- Meola has sometimes been criticized for playing too board work of Jan Hammer, who would go on to com- many notes. The criticism is actually a compliment in pose the theme to the television show Miami Vice. disguise. Di Meola, who will be at the Clyde Theater Guitar in all its forms is Di Meola’s primary pas- Wednesday, June 20 at 7 p.m., is able to blaze through sion. He also loves to collaborate with other artists, and songs so quickly, listeners are often left stunned by his in 1980, he teamed up with flamenco guitarist Paco de passion, technique and precision. Lucia and British fusion guitarist John McLaughlin to Di Meola grew up in Bergenfield, New Jersey and release Friday Night in San Francisco, a beloved and began playing guitar at eight years old. His love of popular live recording of three musicians at the top of Elvis inspired him to pick up the instrument. Later, he their game. became an enthusi- Since then, ast for jazz, country Di Meola has played and bluegrass. Still with basically ev- later, he enrolled eryone, including at the prestigious Paul Simon, Car- Berklee College of los Santana, Steve Music in Boston, Winwood, Herbie and his education Hancock, Stevie continued when, at Wonder, Les Paul, age 19, he was re- Jimmy Page, Frank cruited by keyboard- Zappa and Luciano ing and composing Pavarotti. -
Frickler Unter Sich
# 2006/49 dschungel https://jungle.world/artikel/2006/49/frickler-unter-sich Frickler unter sich Von Jan Süselbeck Was ist eigentlich aus den guten, alten Helden an der Fusion-Gitarre geworden? Aktuelle Jazz-CDs üblicher Verdächtiger. von jan süselbeck Unter dem Einfluss von Jimi Hendrix’ »Electric Ladyland« (1968), Miles Davis’ »Bitches Brew« (1969) und den ersten Platten von John McLaughlins Mahavishnu Orchestra zu Beginn der Siebziger war der E-Gitarre im Jazz eine neue Bedeutung zugewachsen. Was jedoch folgte, ist oft genug beklagt worden: Alben wie Al Di Meolas »Land Of The Midnight Sun« (1976) präsentierten muckibudenartige Fingerakrobatik, deren Verblüffungseffekt schnellstens verpuffte und den Eindruck intellektueller Schlichtheit hinterließ. Uli Krug hat in seiner Prog-Rock-Artikelserie in der Jungle World allerdings daran erinnert, dass längst nicht alles Mumpitz war, was seit den späten Sechzigern im Grenzgebiet von Jazz, Klassik, Blues, Folk und Rock entstand, bevor Ende der siebziger Jahre der Punk aufkam und das progressive Genre im Mainstream versandete. Mittlerweile behaupten Bands wie The Mars Volta sogar, ihr aufgefrischter Prog-Rock sei der wahre Punk unserer Tage. Kündigt sich damit etwa auch eine Renaissance des virtuosen Jazzrock-Genres alter Schule an? John McLaughlin beispielsweise produziert nach wie vor fleißig Platten und geriert sich darauf als eine Art Gastgeber nachgewachsener Talente. Auf seiner letzten mit dem albernen Titel »Industrial Zen« (2005) gibt es ein Gastsolo des US-Gitarristen Eric Johnson. Sicher nicht von ungefähr: Ist Johnson doch einer der auch schon nicht mehr ganz so jungen Musiker, in deren Spiel die Anleihen bei Hendrix mit am deutlichsten herauszuhören sind. Johnson bezieht sich damit auf die »gute alte Zeit«, in der auch McLaughlins innovativste Arbeiten entstanden sind. -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
Publicacion7135.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca. -
Splendido Hotel Al Di Meola Columbia C2X 36270
Splendido Hotel Columbia C2X 36270 Al Di Meola personnel Al Di Meola (g, vc, dr, perc); Chick Corea (p); Les Paul (g); Jan Hammer (synth); Anthony Jackson (b); Mingo Lewis (cga, bgo, perc); Philippe Saisse (keyb, marimba); Steve Gadd (dr); Eddie Colon (perc); a.o. tracks Alien Chase On Arabian Desert; Silent Story In Her Eyes; Roller Ju- bilee; Two To Tango ; Al Di’s Dream Theme; Dinner Music Of The Gods; Splendido Sundance; I Can Tell; Spanish Eyes; Isfahan; Bianca's Mid- night Lullaby Just how much creative gunpowder had Al Di Meola ignited in his early career? First of all there was the flamenco firework in the best-seller Elegant Gypsy, and secondly his mega-successful live album resulting from a summit meeting in San Francisco with catalogue # Paco de Lucia and John McLaughlin. After this great start it was no wonder that such 36270 prominent colleagues as Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson and Les Paul were eager to participate in the present album Splendido Hotel. This great set contents 2 LPs / gatefold sleeve line-up of musicians produce a rich, saturated sound and create numerous "flavours" in this cocktail of sounds, which - as a double LP - can be likened to a fantastic long pricecode drink, as it were. Di Meola's idea of fusion starts off in the opening number as a slow, SC02 sluggish oriental-like melody, which develops to take on a rock rhythm. High-speed release date and lovingly detailed flamenco such as is found in Splendido Sundance alternates with February 2016 subtle rhythms (Two To Tango) and good-humoured lighter numbers with an elec- barcode tronic undertone such as Roller Jubilee and a funky version of Bert Kaempfert's Span- ish Eyes. -
The Daily Egyptian, June 27, 1980
Southern Illinois University Carbondale OpenSIUC June 1980 Daily Egyptian 1980 6-27-1980 The aiD ly Egyptian, June 27, 1980 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_June1980 Volume 64, Issue 168 Recommended Citation , . "The aiD ly Egyptian, June 27, 1980." (Jun 1980). This Article is brought to you for free and open access by the Daily Egyptian 1980 at OpenSIUC. It has been accepted for inclusion in June 1980 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. 'Daily 13gyptian fridav. JunE' Ti. I!.. tl- Vol. 64. No. Ifill Southern Illinois University ·: :· ·r~{'-~: J ';. ~ SID appropriations . ·' - ·t' ..~ headed to governor Ry Jacqui Koszczuk the legislature Thursday. Rep three weeks when he has Staff Writf'r James Rea. D-Christopher. rt!Ceived the entire proposed A double victory for the SIU tacl;ed a $600.000 ethacoal budget. system in the General pro)ect onto pending SenatE' In the casE' of a veto. Rich Assembly Thursday SE'nt both legislation despitt: Sit: op- mond. who sponsored the House the Davies Gym renovation position. SIU-C officials earlier bill. said he would work for <m project and next year's $149.9 said the University is not yet override. million appropriation-with an prepared to undertake an Kenneth Buzbee. D- 8.5 perce11t salary increase ethacoal project which would Carbondale. guided the Davies intact-to the governor's desk involve ronverting htgh sulfur bill through the Senate. for the final test coal and ethanol to low suifur In :\laY the St>nate added l Special legislation for a $3.34 coaL percent, ·fJr about $92.1.000 mere million refurbishment of the 56- The gover'lOr had recom- in Sit: salary monies. -
Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by floating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving off error messages) and the thought of the loss of all that data was crushing. -
Writing the Nation: a Concise Introduction to American Literature
Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation: A Concise Introduction to American Literature—1865 to Present is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorporated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a reasonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. -
Top 5 Chieftains Albums
JazzWeek with airplay data powered by jazzweek.com • January 8, 2007 Volume 3, Number 7 • $7.95 World Music Q&A: The Chieftains’ PADDY MOLONEY On The Charts: #1 Jazz Album – Diana Krall #1 Smooth Album – Benson/Jarreau #1 College Jazz – Madeleine Peyroux #1 Smooth Single – George Benson #1 World Music – Lynch/Palmieri JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger anuary 10-13 marks the 2007 International Association MUSIC EDITOR Tad Hendrickson fo Jazz Education Annual Conference. Here’s a quick Jplug for the events JazzWeek is sponsoring each day CONTRIBUTING WRITER/ from 10:00 a.m. to noon: PHOTOGRAPHER Tom Mallison Thursday Workshop: Jazz Radio In Crisis: Why That’s A Good Thing PHOTOGRAPHY Barry Solof This session will focus on why some stations are disappearing or seeing big drops in audience, whie other stations with more progressiveapproaches are Contributing Editors seeing audience increases. Panelists will discuss the adoption of more youth- Keith Zimmerman oriented music, the realization that there’s a younger demographic during lat- Kent Zimmerman er hours, and the success stations programming for that audience are seeing. Founding Publisher: Tony Gasparre Panelists: Bob Rogers, Bouille & Rogers consultants; Jenny Toomey, Future of Music Coalition; Gary Vercelli, KXJZ; Linda Yohn, WEMU; Rafi Za- ADVERTISING: Devon Murphy bor. Location: Riverside Ballroom, Sheraon 3rd Fl. Call (866) 453-6401 ext. 3 or email: [email protected] Friday Workshop: Jazz Radio and the Community: How to Make Your Station More Relevant. Stations around the country have made their pro- SUBSCRIPTIONS: gramming more in tune with the local community by reaching out to arts Free to qualified applicants Premium subscription: $149.00 per year, organizations, schools, colleges and universities.