DOCSLIB.ORG

Publicacion7135.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca. Al final de los años 90, Haynes formó un trío con el pianista Danilo Pérez y el bajista John Pattitucci, y grabaron un disco: "The Roy Haynes Trío featuring Danilo Pérez & John Pattitucci", que apareció en Verve a principios del 2000. En el año 2001 editó su disco: Birds of a Feather: A Tribute to Charlie Parker. En el año 2003, vio la luz: Love Letters, y en el año 2004, editó otros dos discos mas: "Quite Fires" y "Fountain of Youth". Al parecer la tradición jazzistica familiar está garantizada dado que su hijo, Graham Haynes, es hoy un excelente cornetista. Fuente: apoloybaco.com ENLACES DE INTERÉS • tomajazz.com • wikipedia.org [español | inglés] DISCOGRAFÍA Como solista: • 1954 Busman's Holiday • 1986 True or False • 1954 Roy Haynes Sextet • 1992 Homecoming • 1956 Jazz Abroad • 1992 When It's Haynes It Roars • 1958 We Three • 1994 My Shining Hour • 1960 Just Us • 1994 Te Vou! (con Pat Metheny) • 1962 Out of the Afternoon • 1998 Praise • 1963 Cracklin' • 2000 The Roy Haynes Trio • 1963 Cymbalism • 2000 Roy Haynes • 1964 People • 2001 Birds of a Feather: A Tribute to • 1971 Hip Ensemble Charlie Parker (con Roy Hargrove, Dave • 1972 Equipoise Holland y Kenny Garrett) • 1973 Senyah • 2003 Love Letters • 1976 Jazz A Confronto vol.29 • 2004 Fountain of Youth • 1976 Sugar Roy • 2004 Quiet Fire (reissue de Thank You • 1977 Vistalite Thank You y Vistalite) • 1977 Thank You Thank You • 2006 Whereas • 1978 Vistalite • 2007 A Life in Time: The Roy Haynes Story • 1979 Live at the Riverbop 3CD-1DVD Boxed Set, 1949-2006' BIBLIOTECA PÚBLICA DE ALICANTE Colaboraciones: • 1955 In the Land of Hi-Fi (Sarah Vaughan) • 1957 Live at the Five Spot (Thelonious Monk) • 1960 Outward Bound (Eric Dolphy) • 1961 Focus (Stan Getz) • 1961 The Straight Horn of Steve Lacy (Steve Lacy) • 1961 The Blues and the Abstract Truth (Oliver Nelson) • 196: Domino (Roland Kirk) • 1963 Black Fire (Andrew Hill) • 1963 Smokestack (Andrew Hill) • 1963 Newport '63 (John Coltrane) • 1968 Now He Sings, Now He Sobs (Chick Corea) • 1978 Birds and Ballads (Johnny Griffin) • 1983 Trio (Chick Corea) • 1987 Live in Montreaux (Chick Corea) • 1987 Blues for Coltrane (McCoy Tyner) • 1989 Question and Answer (Pat Metheny) • 1994 Wanton Spirit (trio con Kenny Barron y Charlie Haden) • 1998 Like Minds (Gary Burton) DISPONIBLE EN LA BIBLIOTECA Vaughan, Sarah (1924-1990) April in Paris [Grabación sonora] / Sarah Vaughan. -- Madrid : Polygram Ibérica, D.L. 1989 1 disco : 33 rpm., estéreo ; 30 cm. -- (Maestros del jazz) Sarah Vaughan, voz ; Clifford Brown, trompeta ; Paul Quinichette, saxo tenor ; Herbie Mann, flauta ; Jimmy Jones ; Joe Benjamin, RD. 2581 contrabajo ; Roy Haynes, batería Grabado en 1955 D.L. M 12887-1989 Música vocal (Jazz) 1.VAU 40 13209 Corea, Chick (1941-) Trio music [Grabación sonora] / Chick Corea . -- Madrid : Nuevos Medios, D.L. 1983 2 discos (57 min., 17 seg.) : 33 rpm., estéreo ; 30 cm Contiene: Disco 1. Trio Improvisations -- Disco 2. The music of Thelonious Monk RD. 1046 Chick Corea, piano ; Miroslav Vitous, bajo ; Roy Haynes, batería Grabado en 1972 en Nueva York D.L. M 15978-1983 Jazz 1.COR 50 253538 BIBLIOTECA PÚBLICA DE ALICANTE Nelson, Oliver (1932-1975) The blues and the abstract truth [Grabación sonora] Original Sessions / Oliver Nelson . -- [S.l.] : MCA, p 1995 1 disco compacto (37 min.) : DDD Contiene: Stolen Moments -- Hoe-Down -- Cascades -- Yearnin´ -- Butch and Butch -- Teenie's Blues RCD. 3636 Int.: Oliver Nelson, saxofón alto y tenor, Eric Dolphy, saxofón alto y flauta, Freddie Hubbard, trompeta, George Barrow, saxofón barítono, Bill Evans, piano, Paul Chambers, bajo, Roy Haynes, batería Jazz 779302 Haynes, Roy A Life in Time [Grabación sonora] : The Roy Haynes Story . -- [S.l.] : Dreyfus Jazz, p 2007 3 discos compactos (ca. 70, 78, 68 min.) : digital ; 12 cm + 1 DVD Contiene: CD 1: 1949 - 1963: 1. Ding Dong / Lester Young. 2. Bouncin' With Bud / Bud Powell. 3. My Little Suede Shoes / Charlie RCD. 6162 Parker. 4. Morpheus / Miles Davis. 5. Down / Miles Davis. 6. I Know / Sonny Rollins. 7. I'll Walk Alone / Charlie Parker. 8. Shulie-A-Bop / Sarah Vaughan. 9. Two Brothers / Nat Adderley. 10. How High the Moon / Sarah Vaughan. 11. Reflection / Roy Haynes. 12. Rhythm a Ning / Thelonious Monk Quartet. 13. Don't Go to Strangers / Etta Jones. 14. On Green Dolphin Street / Eric Dolphy. 15. I'm Late I'm Late / Stan Getz. 16. Stolen Moments / Oliver Nelson. 17. Long Wharf / Roy Haynes -- CD 2: 1. Snap Crackle / Roy Haynes. 2. Esoteric / Jackie McLean. 3. After The Rain / John Coltrane. 4. Black Fire / Andrew Hill. 5. Poppa Daddy and Me / Jack DeJohnette. 6. Matrix / Chick Corea. 7. Transfiguration / Alice Coltrane. 8. Litttle Peace in C for U / Stephane Grappelli & Michel Petrucciani. 9. Question and Answer / Burton, Metheny, Corea, Holland, Haynes. 10. My Favorite Things / John Coltrane -- CD 3: 1970 - 2006: 1. James / Roy Haynes. 2. Equipoise / Roy Haynes. 3. After Sunrise / Roy Haynes. 4. My Heart Belongs To Daddy / Roy Haynes. 5. Vistalite / Roy Haynes. 6. Water Children / Roy Haynes. 7. Brown Skin Girl / Roy Haynes. 8. Greensleeves / Roy Haynes. 9. Hippidy Hop / Roy Haynes. 10. Segment / Roy Haynes -- CD 4: Bonus DVD Jazz 1.HAY 40 1106651 BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA The Manhattan Transfer es un grupo vocal de origen estadounidense relacionado principalmente con el jazz, pero también con otros géneros musicales. Se formó en Nueva York en 1972 cuando Tim Hauser conoció a Laurel Massé durante un viaje en taxi, y ambos descubrieron su afinidad por el mismo tipo de música. Posteriormente Laurel también se encontró con Janis Siegel, en ese momento cantante en un grupo folk, y la convenció de sumarse al proyecto. Finalmente la formación inicial se completó con Alan Paul, galán y cantante en Broadway, Nueva York, el 1 de octubre de 1972, la que se considera como fecha de fundación del grupo. Al principio actuaban en clubes de jazz neoyorquinos y dada la buena acogida del público, grabaron su disco presentación The Manhattan Transfer en 1975. Posteriormente les siguieron los discos Coming Out y Pastiche, de buen éxito en Estados Unidos, pero que fueron aún mejor recibidos en Europa. En 1978 Laurel Massé decidió abandonar el grupo para desarrollar su carrera solista, y fue reemplazada por Cheryl Bentyne. Esta formación (Laurel, Siegel, Paul y Bentyne) se ha mantenido inalterable desde entonces. Al poco tiempo de la salida de Laurel Massé de Manhattan Transfer, se editó el disco en vivo The Manhattan Transfer Live, que fue seguido por el disco en estudio Extensions en el cual aparece Birdland, una de sus interpretaciones más conocidas. Posteriormente vendría el reconocimiento de la industria con varios premios Grammy, el primero de los cuales fue recibido en 1980 por Mecca for Moderns, y luego también por su trabajo de 1982 Route 66. Aunque Manhattan Transfer ya era un grupo reconocido en su ambiente, por sus colegas y la crítica, faltaba aún su definitiva consagración, que llegaría en 1985 con Vocalese, donde interpretaban los clásicos del jazz con letras aportadas por Jon Hendricks, quien era considerado el genio que ponía letras al jazz. El tema que titulaba el disco fue nominado para 12 premios, situación sólo superada en la historia de los Grammy por Thriller de Michael Jackson. Fuente: wikipedia.org ENLACES DE INTERÉS • manhattantransfer.org • wikipedia.org [ español | inglés] • tmtfanclub.com (club de fans) • singers.com DISCOGRAFÍA • 1971 Jukin' • 1994 The Very Best Of The Manhattan • 1975 The Manhattan Transfer Transfer • 1976 Coming Out • 1994 The Manhattan Transfer Meets Tubby • 1978 Pastiche The Tuba • 1978 The Manhattan Transfer Live • 1995 Tonin • 1979 Extensions Atlantic • 1996 Man-Tora! Live In Tokio • 1981 Mecca For Moderns • 1997 Swing • 1981 The Best Of The Manhattan Transfer • 1997 Boy From New York City And Other • 1983 Bodies And Souls Hits Flashback • 1985 Bop Doo-Wopp • 2000 The Spirit of St. Louis • 1985 Vocalese • 2003 Couldn't Be Hotter • 1987 Live • 2004 Vibrate • 1987 Brasil • 2004 / 2006 An Acapella Christmas Album • 1992 The Offbeat Of Avenues • 2006 The Symphony Sessions • 1992 Something Cool (Cheryl Bentyne) • 2006 The Definitive Pop Collection • 1992 Anthology: Down In Birdland • 2000 Vocalese Live DVD • 1992 The Christmas Album Columbia BIBLIOTECA PÚBLICA DE ALICANTE DISPONIBLE EN LA BIBLIOTECA The Manhattan Transfer (Grupo musical) Comming out [Grabación sonora] / The Manhattan Transfer .
Recommended publications
  • Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long

    Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long

    MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler.
  • Download This List As PDF Here

    Download This List As PDF Here

    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
  • &Blues GUITAR SHORTY

    &Blues GUITAR SHORTY

    september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974.
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters

    The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters

    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
  • 2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS

    2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS

    2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT FOR THE ARTS 2015 Fellows Carla Bley George Coleman Charles Lloyd Joe Segal NEA Jazz Masters 2015 Contents Introduction ..............................................................................1 A Brief History of the Program ................................................2 Program Overview ...................................................................5 2015 NEA Jazz Masters............................................................7 Carla Bley .......................................................................................8 George Coleman............................................................................9 Charles Lloyd ...............................................................................10 Joe Segal ......................................................................................11 NEA Jazz Masters, 1982–2015..............................................12 NEA Jazz Masters Awards Ceremony ...................................14 Pianist Jason Moran and guitarist Bill Frisell perform 2014 NEA Jazz Master Keith Jarrett’s “Memories of Tomorrow” at the 2014 awards concert. Photo by Michael G. Stewart The NEA is committed to preserving the legacy of jazz not just for this ”generation, but for future generations as well. ” IV NEA Jazz Masters 2015 IT IS MY PLEASURE to introduce the 2015 class of NEA Jazz Masters. The NEA Jazz Masters awards—the nation’s highest recognition of jazz in America—are given to those who have reached the pinnacle of their art: musicians
  • Sonny Rollins Louis Sclavis Monika Roscher Eric Stach Patricia Kaas Gunter Hampel Jimmy Amadie

    Sonny Rollins Louis Sclavis Monika Roscher Eric Stach Patricia Kaas Gunter Hampel Jimmy Amadie

    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Sonny Rollins Louis Sclavis Monika Roscher Eric Stach Patricia Kaas Gunter Hampel Jimmy Amadie Sylvia Cuenca M Top Ten CDs and Concerts of 2013 JazzFest Berlin Int. jazz news jazz stories CD Reviews BooK REVIEWS in memory Volume 40 Number 1 Jan Feb Mar 2014 A HISTORICAL EDITION! Join us for 4 days of concerts sound art installations and visual arts Full program at www.fimav.qc.ca 15 to 18 May 2014 2 | CADENCE MAGAZINE | JAN FEB MAR 2014 4 | CADENCE MAGAZINE | JAN FEB MAR 2014 ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. Nakasian ___ IC 1073 Music Of Jerome Kern - Al Haig ___ IC 1006 S. Nakasian - If I Ruled the World ___ IC 1075 Whale City - Dry Jack ___ IC 1012 Charles Sullivan - Genesis ___ IC 1078 The Judy Roberts Band ___ IC 1014 Boots Randolph - Favorite Songs ___ IC 1079 Cam Newton - Welcome Aliens ___ IC 1016 The Jazz Singer - Eddie Jefferson ___ IC 1082 Monica Zetterlund, Thad Jones/ ___ IC 1017 Jubilant Power - Ted Curson Mel Lewis Big Band ___ IC 1018 Last Sessions - Elmo Hope ___ IC 1083 The Glory Strut - Ernie Krivda ___ IC 1019 Star Dance - David Friesen ___ IC 1086 Other Mansions - Friesen/Stowell ___ IC 1020 Cosmos - Sun Ra ___ IC 1088 The Other World - Judy Roberts ___ IC 1025 Listen featuring Mel Martin ___ IC 1090 And In This Corner… - Tom Lellis ___ IC 1027 Waterfall
  • Jerry Goodman (Chicago, Illinois, March 16, 1949) Is an American Violinist Best Known for Playing Electric Violin in the Bands T

    Jerry Goodman (Chicago, Illinois, March 16, 1949) Is an American Violinist Best Known for Playing Electric Violin in the Bands T

    Jerry Goodman (Chicago, Illinois, March 16, 1949) is an American violinist best known for playing electric violin in the bands The Flock and the jazz fusion Mahavishnu Orchestra. Goodman actually began his musical career as The Flock's roadie before joining the band on violin. Trained in the conservatory, both of his parents were in the string section of the Chicago Symphony Orchestra. His uncle was the noted composer and jazz pianist Marty Rubenstein. After his 1970 appearance on John McLaughlin's album My Goal's Beyond, he became a member of McLaughlin's original Mahavishnu Orchestra lineup until the band broke up in 1973, and was viewed as a soloist of equal virtuosity to McLaughlin, keyboardist Jan Hammer and drummer Billy Cobham. In 1975, after Mahavishnu, Goodman recorded the album Like Children with Mahavishnu keyboard alumnus Jan Hammer. Starting in 1985 he recorded three solo albums for Private Music -- On the Future of Aviation, Ariel, and the live album It's Alive with luminaries such as Fred Simon and Jim Hines—and went on tour with his own band, as well as with Shadowfax and The Dixie Dregs. He scored Lily Tomlin's The Search for Signs of Intelligent Life in the Universe and is the featured violinist on numerous film soundtracks, including Billy Crystal's Mr. Saturday Night and Steve Martin's Dirty Rotten Scoundrels . His violin can be heard on more than fifty albums from artists ranging from Toots Thielemans to Hall & Oates to Styx to Jordan Rudess to Choking Ghost to Derek Sherinian. Goodman has appeared on four of Sherinian's solo records - Inertia (2001), Black Utopia (2003), Mythology (2004), and Blood of the Snake (2006) In 1993, Goodman joined the American instrumental band, The Dixie Dregs, fronted by guitarist Steve Morse.
  • N E W S L E T T E R Fall 2018

    N E W S L E T T E R Fall 2018

    Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Fall 2018 National Music Council NMC Director Dr. David Sanders hosted Honors Jazz Legends the event, and praised the honorees for setting an extraordinary standard for Chick Corea and The ongoing contribution to American Manhattan Transfer at musical culture and heritage, and for serving as mentors and role models to 35th Annual American aspiring jazz artists. The evening Eagle Awards opened with a performance by the Nashville School of the Arts jazz ensemble Swing Thing under the direction of James Satterwhite, who reminded the audience of why access to music education for all students is so vital. Nashville Singer/Songwriter Dianne Davidson performed an emotional musical tribute to The Manhattan Transfer before presenting TMT members Janis Siegel, Alan Paul, and Cheryl Bentyne with the first award. Davidson was responsible for introducing late Manhattan Transfer The National Music Council honored founder Tim Hauser to Janis Siegel, jazz legends Chick Corea and The forming the iteration of the group that Manhattan Transfer at the organization’s created their great success and earned 35th annual American Eagle Awards on them ten Grammy Awards. Hauser died Thursday, June 28 at the Summer in 2014. NAMM Show in Nashville. The honors are presented each year in recognition Internationally renowned flutist Hubert of long-term contributions to American Laws presented Chick Corea’s award, musical culture and heritage, the citing Corea’s great contribution to the importance of music education and art of improvisation and an inspiration to inspiration for all children, and the need himself and musicians all over the world.
  • EXPLORING a TREASURE TROVE Secular Music

    EXPLORING a TREASURE TROVE Secular Music

    EEXPLORINGX P L O R I N G A TTREASURER E A S U R E TTROVER O V E Secular Music for Mixed Voices by Ruth Watson Henderson Hilary Apfelstadt Hilary Apfelstadt is professor and director of choral activities at the University of Toronto <[email protected]>. IINTRODUCTIONNTRODUCTION of the Missa Brevis often include the Pater Noster, Ruth Watson Henderson (b. 1932) has estab- composed for the Iseler Singers in 1973, as this was lished herself as an outstanding composer of cho- how conductor Elmer Iseler frequently presented ral music, with an output that includes numerous the Missa Brevis. (Their most recent performance, works for children’s choirs, treble voices, and however, shared with the University of Toronto mixed ensembles. As accompanist of the Toronto MacMillan Singers at the 2012 national conference Children’s Chorus for 29 years, she contributed of the Association of Canadian Choral Communities much to the repertoire for that (ACCC) in Ottawa, omitted voicing. Music such as Come, the Pater Noster.) Ye Makers of Song (Gordon V. For additional information Thompson, publisher) is wide- about Henderson’s career, go ly performed. She also wrote to the Canadian Music Centre repertoire for Oriana Singers, Web site <www.musiccentre. an adult treble ensemble in ca/home>. Here you will fi nd Toronto, for which she is hon- a link to Podcasts, episode orary patron. Several of these 20, which is an interview works are featured on CD’s with Ruth Watson Henderson, made during the distinguished recorded on November 15, leadership of William Brown, 2011, in conversation with conductor from 1996–2011.
  • Ortad. Y Indice

    Ortad. Y Indice

    a c i s ú m e d s a r o d a e r c creado ras de úsic a www.migualdad.es/mujer creadoras de úsic a © Instituto de la Mujer (Ministerio de Igualdad) Edita: Instituto de la Mujer (Ministerio de Igualdad) Condesa de Venadito, 34 28027 Madrid www.inmujer.migualdad.es/mujer e-mail: [email protected] Idea original de cubierta: María José Fernández Riestra Diseño cubierta: Luis Hernáiz Ballesteros Diseño y maquetación: Charo Villa Imprime: Gráficas Monterreina, S. A. Cabo de Gata, 1-3 – 28320 Pinto (Madrid) Impreso en papel reciclado libre de cloro Nipo: 803-10-015-2 ISBN: 978-84-692-7881-9 Dep. Legal: M-51959-2009 Índice INTRODUCCIÓN 9 EDAD MEDIA: MÚSICA, AMOR, LIBERTAD 13 Blanca Aller Nalda DAMAS Y REINAS: MUSICAS EN LA CORTE. RENACIMIENTO 29 Mª Jesús Gurbindo Lambán LABERINTOS BARROCOS 41 Virginia Florentín Gimeno MÚSICA, AL SALÓN. CLASICISMO 55 María José Fernández Riestra “COMO PRUEBA DE MI TALENTO”. COMPOSITORAS DEL SIGLO XIX 69 María Jesús Fernández Sinde TIEMPOS DE VANGUARDIA, AIRES DE LIBERTAD. LAS COMPOSITORAS DE LA PRIMERA MITAD DEL SIGLO XX 89 Gemma Solache Vilela COMPONIENDO EL PRESENTE. SONIDOS FEMENINOS SIN FRONTERAS 107 Ana Alfonsel Gómez Bibliografía y Discografía 125 Libreto 151 7 Introducción En el curso académico 2006-2007, siete profesoras de Música de Educación Secun- daria llevaron a cabo un proyecto que, tanto por su planteamiento pedagógico y didáctico como por su rigor, belleza e interés, llamó la atención del Instituto de la Mujer. Algunas de estas profesoras, que habían coincidido en un Tribunal de Oposiciones al Cuerpo de Profesorado de Enseñanza Secundaria por la especialidad de música, for - maron un Grupo de Trabajo para que el alumnado investigara la composición musi - cal también como obra femenina.
  • Carla Bley Wurde Im Kalifornischen Oakland Geboren Und Lebt Heute in Den Catskill Mountains Im US-Bundes- Staat New York

    Carla Bley Wurde Im Kalifornischen Oakland Geboren Und Lebt Heute in Den Catskill Mountains Im US-Bundes- Staat New York

    Bley, Carla Carla Bley wurde im kalifornischen Oakland geboren und lebt heute in den Catskill Mountains im US-Bundes- staat New York. Mit verschiedenen Bands, kammermusi- kalischen Ensembles und Orchestern hat sie die ganze Welt bereist, vor allem Europa und Südostasien. Als „composer-in-residence“ war sie unter anderem beim Glasgow Festival und wurde in die Essener Philharmo- nie eingeladen. Biografie Carla Bley wurde am 11. Mai 1936 als Lovella May Borg in Oakland, Kalifornien, als Tochter zweier Musiker gebo- ren. Bei ihrem Vater Emil Borg erhielt sie ersten Klavier- und Orgelunterricht und begleitete bereits im Alter von vier Jahren Hochzeiten und Begräbnisse. Mit acht Jah- ren verweigerte sie jeden weiteren Unterricht (Carla Bley betrachtet sich selbst als Autodidaktin). Im selben Jahr starb ihre Mutter Arline Borg. Fünfzehnjährig brach sie die Schule ab und jobbte in einem Plattenladen. Zusätzli- ches Geld verdiente sie mit Auftritten in örtlichen Piano- Bars. Insbesondere die Musik Erik Saties, die sie zufällig Carla Bley im Radio gehört hatte, beschäftigte ihre Fantasie. Carla Bley 1957 verließ sie Kalifornien und ging nach New York, wo Geburtsname: Carla Lovella Borg sie sich Carla Borg nannte. In den einschlägigen Jazz- clubs der Stadt nahm sie diverse Jobs von der Zigaretten- * 11. Mai 1936 in Oakland, Kalifornien, USA verkäuferin bis zur Tischfotografin an, um so die großen Musiker live hören zu können: „That is where I learned Komponistin, Pianistin, Organistin, Bandleaderin, everything“, sagte sie über diese intensive Zeit, in der sie Improvisateurin, Arrangeurin, Musik-Verlegerin, alles wie einen Schwamm aufgesogen habe (Frank Oteri, Herausgeberin On Her Own. New York, 2003, S.
  • 12.11.2019 Facebook TWITTER #EFFKHP EQUUS FILM CHANNEL ALL SCHEDULED TIME ARE SUBJECT to CHANGE WITHOUT NOTICE 1

    12.11.2019 Facebook TWITTER #EFFKHP EQUUS FILM CHANNEL ALL SCHEDULED TIME ARE SUBJECT to CHANGE WITHOUT NOTICE 1

    12.11.2019 www.equusfilmfestival.net Facebook TWITTER #EFFKHP EQUUS FILM CHANNEL ALL SCHEDULED TIME ARE SUBJECT TO CHANGE WITHOUT NOTICE 1 2019 EQUUS FILM & ARTS FEST FAST FACTS WHAT: EQUUS Film & Arts Fest - 7th Annual WHY: The EQUUS Film Festival has been created to highlight and reward the diverse and creative efforts of those who artistically pay homage to the horse. EFF offers a platform to educate and enlighten the world to all issues related to horses. EQUUS Film Festival’s ultimate goal is to better the world for horses. WHEN: DECEMBER 5, 6, 7 & 8, 2019 Thursday: Opening VIP event 6 pm – 10 pm EQUUS Pop-Up Gallery & PANELS - Friday & Saturday & Sunday – 9 am – 5 pm FILMS - Friday 12 pm - 10 pm \ Saturday 10 am - 10 pm \ Sunday 10 am – 6pm Sunday WINNIE Awards Ceremony 7 pm – 9 pm TICKETS: https://filmfreeway.com/EQUUSFilmFestival/tickets WHERE: KENTUCKY HORSE PARK, Lexington KY - https://kyhorsepark.com/ FILMS - WRIGLEY MEDIA GROUP Theaters POP-UP GALLERY – International Museum Of The Horse @ Kentucky Horse Park HOST HOTEL: GLO Lexington – Ask for EQUUS Film Festival Rate https://www.bestwestern.com/en_US/book/hotels-in-lexington/glo-best-western- lexington/propertyCode.18114.html AIRPORTS: Bluegrass Regional Airport 4000 Terminal Dr, Lexington, KY 40510 26 min (14.2 mi) via Newtown Pike Code: LEX - https://bluegrassairport.com/airlines.html Louisville International Airport 600 Terminal Dr, Louisville, KY 40209 1 h 8 min (73.8 mi) via I-64 E Code: SDF - https://www.flylouisville.com/ HOW: Tickets available online, visit the website