Jerry Goodman (Chicago, Illinois, March 16, 1949) Is an American Violinist Best Known for Playing Electric Violin in the Bands T

Total Page:16

File Type:pdf, Size:1020Kb

Jerry Goodman (Chicago, Illinois, March 16, 1949) Is an American Violinist Best Known for Playing Electric Violin in the Bands T Jerry Goodman (Chicago, Illinois, March 16, 1949) is an American violinist best known for playing electric violin in the bands The Flock and the jazz fusion Mahavishnu Orchestra. Goodman actually began his musical career as The Flock's roadie before joining the band on violin. Trained in the conservatory, both of his parents were in the string section of the Chicago Symphony Orchestra. His uncle was the noted composer and jazz pianist Marty Rubenstein. After his 1970 appearance on John McLaughlin's album My Goal's Beyond, he became a member of McLaughlin's original Mahavishnu Orchestra lineup until the band broke up in 1973, and was viewed as a soloist of equal virtuosity to McLaughlin, keyboardist Jan Hammer and drummer Billy Cobham. In 1975, after Mahavishnu, Goodman recorded the album Like Children with Mahavishnu keyboard alumnus Jan Hammer. Starting in 1985 he recorded three solo albums for Private Music -- On the Future of Aviation, Ariel, and the live album It's Alive with luminaries such as Fred Simon and Jim Hines—and went on tour with his own band, as well as with Shadowfax and The Dixie Dregs. He scored Lily Tomlin's The Search for Signs of Intelligent Life in the Universe and is the featured violinist on numerous film soundtracks, including Billy Crystal's Mr. Saturday Night and Steve Martin's Dirty Rotten Scoundrels . His violin can be heard on more than fifty albums from artists ranging from Toots Thielemans to Hall & Oates to Styx to Jordan Rudess to Choking Ghost to Derek Sherinian. Goodman has appeared on four of Sherinian's solo records - Inertia (2001), Black Utopia (2003), Mythology (2004), and Blood of the Snake (2006) In 1993, Goodman joined the American instrumental band, The Dixie Dregs, fronted by guitarist Steve Morse. Goodman appeared on one studio recording "Full Circle" (1994), and the live album "California Screamin'" (2000). In 1996 Session violist and producer Ray Tischer featured Goodman on the award winning CD Canciones del Sol/Britt Bossa Orchestra (baon Tischer's original instrumental Toca del Angel. .
Recommended publications
  • Ebook / John Mclaughlin and the Mahavishnu Orchestra
    RCRGU0FGTS \\ John McLaughlin and the Mahavishnu Orchestra: Score Edition, Score (Paperback) » eBook Joh n McLaugh lin and th e Mah avish nu Orch estra: Score Edition, Score (Paperback) By Professor of Land Studies John McLaughlin Alfred Music, 2007. Paperback. Condition: New. Language: English . Brand New Book. John McLaughlin and the Mahavishnu Orchestra was the most influential band of the 1970s fusion jazz movement. Fresh from turning the jazz world upside down on Miles Davis immortal In a Silent Way, John McLaughlin teamed with Jan Hammer, Rick Laird, Billy Cobham, and Jerry Goodman to form the Mahavishnu Orchestra, an amazing fusion of jazz, blues, rock and Indian music. This book contains John s own miniature scores to 28 classic Mahavishnu songs. Titles: A Lotus on Irish Streams * Awakening * Be Happy * Birds of Fire * Celestial Terrestrial * Commuters * Dawn * Dream * Earth Ship * Eternity s Breath * Faith * Hope * If I Could See * Lila s Dance * Meeting of the Spirits * Miles Beyond * Noonward Race * On the Way Home to Earth * One Word * Open Country Joy * Opus I * Pastoral * Resolution * Sanctuary * Sapphire Bullets of Pure Love * The Dance of Maya * Thousand Island Park * Vital Transformation * You Know, You Know. READ ONLINE [ 1.53 MB ] Reviews It is an amazing ebook i actually have at any time study. We have read and so i am certain that i will likely to read through yet again once again later on. Your way of life period will likely be change when you complete looking at this pdf. -- Cristina Rowe Extremely helpful to all class of individuals. It really is writter in straightforward terms instead of diicult to understand.
    [Show full text]
  • January 1992
    VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments
    [Show full text]
  • Indian Music Integrates Every Dimension of the Human Psyche ORCHESTRA to REMEMBER
    SEPTEMBER/OCTOBER 2012 ISSUE MMUSICMAG.COM SEPTEMBER/OCTOBER 2012 ISSUE MMUSICMAG.COM MUSICIAN Is there a theme guiding the album? he was doing. But the Beatles were doing TOOLS OF THE TRADE Not at all. The music just came. But each it, and the Beach Boys, too—we were all piece has an anecdote behind it. The looking for answers to these profound opening piece, “Trancefusion,” is from my existential questions: Who am I? What does John McLaughlin played some of his favorite old hippie days, my trance days. Even it all mean? What is this thing called God? guitars on Now Here This including one he today, when I meditate, I go into another The big questions of life. That was tied with received as a gift from PRS owner Paul state of consciousness that some would my musical search. It took me a long time. Reed Smith. “It’s a standard model with call a trance. Trance is not a bad word, and Some people get it younger and quicker, McCarty pickups and a whammy bar, and is fusion is a label that’s been put on me for but not me. The whole of the ’60s was really a wonderful instrument,” he says. the last 40 years. But I like the real word research and work. “There are two pieces on the new transfusion, too. It’s a healthy word. When album where I play MIDI through a Godin you put fresh blood into someone, you make Miles Davis named a song after you. Freeway, which has the new wireless MIDI them feel better.
    [Show full text]
  • The Synth Issue
    THE SYNTH ISSUE KORG ARP ODYSSEY REDUX REVIEWED HANDS ON PREVIEWS Sequential Prophet-6 Moog System 55 Modular Modal Electronics 002 MODES DEMYSTIFIED No Sheet Music Required FAKE IT ’TIL YOU MAKE IT Bigger Samples Aren’t Always Better ROLAND JD-Xi SPACESTATION 3 ARTURIA Meet the Mid-Side Stereo iPROPHET SLOW BLUES MASTER CLASS Mini-Synth to Beat from One Amp Vector Victory Get the Real-Deal Feel 5.2015 | $5.99 A MUSIC PLAYER PUBLICATION 40 YEARS OF GROUNDBREAKING SYNTHS Grammy® winner and MIDI co-creator Dave Smith has designed more groundbreaking synths than anyone. Ever. Whatever your musical need or budget, Dave’s award-winning line of analog and analog/digital hybrid instruments has the right tool for you. Pro 2 · Prophet 12 · Prophet ’08 Mopho · Mopho x4 · Mopho SE Tetra · Tempest · Evolver THE PROPHET-6 IS COMING SOON! www.davesmithinstruments.com Designed and built in California CONTENTS MAY 2015 KNOW TALK 32 SYNTH SOLOING CÞ 8 Voices, tips, and breaking news from the Keyboard community. 4 œ œ We’ve explored his sound; now dive &4 œ œ œ Jan Hammer NEW GEAR SYNTH EDITION into the playing style of . D minor pentatonic 34 BEYOND THE MANUAL 10 In our special synthesizer-focused issue, we bring you first-look Learn tweaks to get more soft synth coverage of the Dave Smith Instruments Prophet 6, Modal mileage from your computer. Electronics 002, and Moog’s Modular systems, plus ten more new synth releases. 36 DANCE Making classic sounds with the ARP. HEAR REVIEW 16 ROAD WARRIORS In NRBQ’s 50th anniversary year, keyboardist 38 ANALOG SYNTH and founding member Terry Adams discusses Korg ARP Odyssey his touring gear, and the Monk tribute he’s always dreamed of making.
    [Show full text]
  • JAZZIZ-Metheny-Interviews.Pdf
    Pat Metheny www.jazziz.com JAZZIZ Subscription Ad Lage.pdf 1 3/21/18 10:32 AM Pat Metheny Covered Though I was a Pat Metheny fan for nearly a decade before I special edition, so go ahead and make fun if you please). launched JAZZIZ in 1983, it was his concert, at an outdoor band In 1985, we published a cover story that included Metheny, shell on the University of Florida campus, less than a year but the feature was about the growing use of guitar synthesizers before, that got me to focus on the magazine’s mission. in jazz, and we ran a photo of John McLaughlin on the cover. As a music reviewer for several publications in the late Strike two. The first JAZZIZ cover that featured Pat ran a few ’70s and early ’80s, I was in touch with ECM, the label for years later, when he recorded Song X with Ornette Coleman. whom Metheny recorded. It was ECM that sent me the press When the time came to design the cover, only photos of Metheny credentials that allowed me to go backstage to interview alone worked, and Pat was unhappy with that because he felt Metheny after the show. By then, Metheny had recorded Ornette should have shared the spotlight. Strike three. C around 10 LPs with various instrumental lineups: solo guitar, A few years later, I commissioned Rolling Stone M duo work with Lyles Mays on the chart-topping As Wichita Fall, photographer Deborah Feingold to do a Metheny shoot for a Y So Falls Wichita Falls, trio, larger ensembles and of course his Pat cover story that would delve into his latest album at the time.
    [Show full text]
  • Publicacion7135.Pdf
    BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca.
    [Show full text]
  • Tesisw: Tecnología Midi: Análisis De Esta Tecnología
    UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO FACULTAD DE INGENIERÍA TECNOLOGÍA MIDI: ANÁLISIS DE ESTA TECNOLOGÍA PARA SU ADAPTACIÓN A LA GUITARRA ELÉCTRICA TESIS Que para obtener el título de Ingeniero en Computación P R E S E N T A Sergio Emiliano Duque Vega DIRECTOR DE TESIS M.C. Alejandro Velázquez Mena Ciudad Universitaria, Cd. Mx., 2017 UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Tecnología MIDI Sergio Emiliano Duque Vega Agradecimientos Al Alfa y Omega, principio y fin de todo, por regalarme el don de la música y permitirme escuchar. Todo viene de ti y todo vuelve a ti. A mi madre y a mi padre, Susana y Sergio, por creer en la educación como una puerta que transforma la vida de quienes decidimos pasar a través de ella. Sin su apoyo y orientación no hubiese sido posible realizar este trabajo. A mis hermanas, Michel y Paola, por siempre ofrecerme su ayuda, ejemplo y amistad. A mi cuñado y sobrino, Carlos y Carlitos, por traer nueva alegría y música a nuestra familia.
    [Show full text]
  • Downbeat.Com December 2020 U.K. £6.99
    DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Was Macht Eigentlich Jan Hammer?
    Q2 Leute Was macht eigentlich Jan Hammer? Der Tscheche schrieb den legendären Sound zur Krimi-Serie „MIAMI VICE“ und wurde mit zwei Grammys ausgezeichnet Jan Hammer, 64, Jan Hammer mit Key- mit Hund Dascha in New York board 1983 bei einem Konzert in Dallas ZUR PERSON Es war ein modernes, höchst at- traktives Produkt, und die Musik Jan Hammer wurde 1948 nahm eine prägende Rolle ein. in Prag geboren. Seine Lange Passagen ohne Dialog – Re- Mutter war Sängerin. gen, Nacht, eine Straße, Neon- Schon mit vier Jahren lichter und ein paar coole Typen. begann er, Klavier zu spie- Das hatte was. len. Mit 14 gründete er ein Und Ihr „Miami Vice Theme“ auf Jazztrio, später studierte Platz eins der Charts … er an der Prager Musik- Fantastisch. Es fühlte sich an wie hochschule. Während des die Mischung aus einem Lotto- Einmarschs der Sowjets gewinn und einer Goldmedaille. in sein Heimatland 1968 Und dann bekamen Sie auch noch war er in München, von Grammys. Wie war die Nacht? dort ging er in die USA. Ich war gar nicht da. Hammer wurde einer der Wie bitte? besten Keyboarder der Im Jahr davor waren wir für einen Welt. Er trat unter anderem Emmy nominiert. Die ganze Crew mit Jeff Beck, Eric Clapton, war angereist. Don Johnson, Mi- Joe Cocker und Mick chael Mann, ich. Doch wir gingen Jagger auf. Heute schreibt ie kamen Sie zum Auf- bing. Als im August 1968 russi- leer aus. Als dann die Grammys er hauptsächlich Film- trag Ihres Lebens? sche Truppen in Prag einmar- anstanden, dachte ich: ‚Ohne und TV-Musik.
    [Show full text]
  • Sprzedać Duszę Diabłu
    Steve Vai Derek Sherinian Richie Kotzen Paul Gilbert Jordan Rudess Manowar Billy Sheehan Ian Gillan Mike Portnoy Queensrÿche Yngwie J. Malmsteen Mariusz Duda Gary Moore James LaBrie Daniel Lanois Steven Wilson Ray Wilson Joe Bonamassa Steve Lukather Steve Vai Derek Sherinian Richie Kotzen Paul Gilbert Jordan Rudess Manowar Billy Sheehan Ian Gillan Mike Portnoy Queensrÿche Yngwie J. Malmsteen Mariusz Duda Gary Moore James LaBrie Daniel Lanois Steven Wilson Ray Wilson Joe Bonamassa Steve Lukather Dawid Brykalski Sprzedać duszę diabłu Kagra 2011 Dawid Brykalski Sprzedać duszę diabłu Kagra 2011 Projekt okładki i opracowanie graficzne - Paweł Kasprzyszak Zdjęcie na 1 stronie okładki – Marcin Nowak (Daniel Lanois podczas koncertu w łódzkiej Wytwórni, 2009 r.) Zdjęcia: Karolina Karbownik, Marcin Nowak, Tomasz Przybył, Magdalena Zaleska Redakcja - Magdalena Zaleska © Copyright by Dawid Brykalski, 2011 Wszelkie prawa zastrzeżone. Wykorzystanie tekstu, zdjeć w całości lub w części bez zgody Wydawnictwa i Autora stanowi naruszenie praw autorskich i będzie karane. Dotyczy to także kopiowania, tłumaczenia i przetważania przy pomocy systemów elektronicznych. ISBN 978-83-87598-24-2 Wydawca I got to keep movin’ KAGRA Blues fallin’ down like hail Adres do korespondencji: And the days keeps on worryin’ me Kagra, P.O. Box 6 There’s a hellhound on my trail 60-993 Poznań 64 Hellhound on my trail e-mail: [email protected] Robert Johnson “Hellhound On My Trial” www.kagra.com.pl Projekt okładki i opracowanie graficzne - Paweł Kasprzyszak Zdjęcie na 1 stronie okładki – Marcin Nowak (Daniel Lanois podczas koncertu w łódzkiej Wytwórni, 2009 r.) Zdjęcia: Karolina Karbownik, Marcin Nowak, Tomasz Przybył, Magdalena Zaleska Redakcja - Magdalena Zaleska © Copyright by Dawid Brykalski, 2011 Wszelkie prawa zastrzeżone.
    [Show full text]
  • Readers Poll
    84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat.
    [Show full text]
  • Personal Music Collection
    Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros.
    [Show full text]