EXPLORING a TREASURE TROVE Secular Music
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Sonny Rollins Louis Sclavis Monika Roscher Eric Stach Patricia Kaas Gunter Hampel Jimmy Amadie
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Sonny Rollins Louis Sclavis Monika Roscher Eric Stach Patricia Kaas Gunter Hampel Jimmy Amadie Sylvia Cuenca M Top Ten CDs and Concerts of 2013 JazzFest Berlin Int. jazz news jazz stories CD Reviews BooK REVIEWS in memory Volume 40 Number 1 Jan Feb Mar 2014 A HISTORICAL EDITION! Join us for 4 days of concerts sound art installations and visual arts Full program at www.fimav.qc.ca 15 to 18 May 2014 2 | CADENCE MAGAZINE | JAN FEB MAR 2014 4 | CADENCE MAGAZINE | JAN FEB MAR 2014 ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. Nakasian ___ IC 1073 Music Of Jerome Kern - Al Haig ___ IC 1006 S. Nakasian - If I Ruled the World ___ IC 1075 Whale City - Dry Jack ___ IC 1012 Charles Sullivan - Genesis ___ IC 1078 The Judy Roberts Band ___ IC 1014 Boots Randolph - Favorite Songs ___ IC 1079 Cam Newton - Welcome Aliens ___ IC 1016 The Jazz Singer - Eddie Jefferson ___ IC 1082 Monica Zetterlund, Thad Jones/ ___ IC 1017 Jubilant Power - Ted Curson Mel Lewis Big Band ___ IC 1018 Last Sessions - Elmo Hope ___ IC 1083 The Glory Strut - Ernie Krivda ___ IC 1019 Star Dance - David Friesen ___ IC 1086 Other Mansions - Friesen/Stowell ___ IC 1020 Cosmos - Sun Ra ___ IC 1088 The Other World - Judy Roberts ___ IC 1025 Listen featuring Mel Martin ___ IC 1090 And In This Corner… - Tom Lellis ___ IC 1027 Waterfall -
N E W S L E T T E R Fall 2018
Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Fall 2018 National Music Council NMC Director Dr. David Sanders hosted Honors Jazz Legends the event, and praised the honorees for setting an extraordinary standard for Chick Corea and The ongoing contribution to American Manhattan Transfer at musical culture and heritage, and for serving as mentors and role models to 35th Annual American aspiring jazz artists. The evening Eagle Awards opened with a performance by the Nashville School of the Arts jazz ensemble Swing Thing under the direction of James Satterwhite, who reminded the audience of why access to music education for all students is so vital. Nashville Singer/Songwriter Dianne Davidson performed an emotional musical tribute to The Manhattan Transfer before presenting TMT members Janis Siegel, Alan Paul, and Cheryl Bentyne with the first award. Davidson was responsible for introducing late Manhattan Transfer The National Music Council honored founder Tim Hauser to Janis Siegel, jazz legends Chick Corea and The forming the iteration of the group that Manhattan Transfer at the organization’s created their great success and earned 35th annual American Eagle Awards on them ten Grammy Awards. Hauser died Thursday, June 28 at the Summer in 2014. NAMM Show in Nashville. The honors are presented each year in recognition Internationally renowned flutist Hubert of long-term contributions to American Laws presented Chick Corea’s award, musical culture and heritage, the citing Corea’s great contribution to the importance of music education and art of improvisation and an inspiration to inspiration for all children, and the need himself and musicians all over the world. -
Publicacion7135.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca. -
We Offer Thanks to the Artists Who've Played the Nighttown Stage
www.nighttowncleveland.com Brendan Ring, Proprietor Jim Wadsworth, JWP Productions, Music Director We offer thanks to the artists who’ve played the Nighttown stage. Aaron Diehl Alex Ligertwood Amina Figarova Anne E. DeChant Aaron Goldberg Alex Skolnick Anat Cohen Annie Raines Aaron Kleinstub Alexis Cole Andrea Beaton Annie Sellick Aaron Weinstein Ali Ryerson Andrea Capozzoli Anthony Molinaro Abalone Dots Alisdair Fraser Andreas Kapsalis Antoine Dunn Abe LaMarca Ahmad Jamal ! Basia ! Benny Golson ! Bob James ! Brooker T. Jones Archie McElrath Brian Auger ! Count Basie Orchestra ! Dick Cavett ! Dick Gregory Adam Makowicz Arnold Lee Esperanza Spaulding ! Hugh Masekela ! Jane Monheit ! J.D. Souther Adam Niewood Jean Luc Ponty ! Jimmy Smith ! Joe Sample ! Joao Donato Arnold McCuller Manhattan TransFer ! Maynard Ferguson ! McCoy Tyner Adrian Legg Mort Sahl ! Peter Yarrow ! Stanley Clarke ! Stevie Wonder Arto Jarvela/Kaivama Toots Thielemans Adrienne Hindmarsh Arturo O’Farrill YellowJackets ! Tommy Tune ! Wynton Marsalis ! Afro Rican Ensemble Allan Harris The Manhattan TransFerAndy Brown Astral Project Ahmad Jamal Allan Vache Andy Frasco Audrey Ryan Airto Moreira Almeda Trio Andy Hunter Avashai Cohen Alash Ensemble Alon Yavnai Andy Narell Avery Sharpe Albare Altan Ann Hampton Callaway Bad Plus Alex Bevan Alvin Frazier Ann Rabson Baldwin Wallace Musical Theater Department Alex Bugnon Amanda Martinez Anne Cochran Balkan Strings Banu Gibson Bob James Buzz Cronquist Christian Howes Barb Jungr Bob Reynolds BW Beatles Christian Scott Barbara Barrett Bobby Broom CaliFornia Guitar Trio Christine Lavin Barbara Knight Bobby Caldwell Carl Cafagna Chuchito Valdes Barbara Rosene Bobby Few Carmen Castaldi Chucho Valdes Baron Browne Bobby Floyd Carol Sudhalter Chuck Loeb Basia Bobby Sanabria Carol Welsman Chuck Redd Battlefield Band Circa 1939 Benny Golson Claudia Acuna Benny Green Claudia Hommel Benny Sharoni Clay Ross Beppe Gambetta Cleveland Hts. -
September 2018 Dizzy's Club Coca-Cola Page 17 Club Bonafide Page 10
194975_HH_Sept_0 8/24/18 11:05 AM Page 1 DE The only jazz magazine THE LATIN SIDE in NY in print, online P32 and on apps! OF HOT HOUSE P31 September 2018 www.hothousejazz.com Dizzy's Club Coca-Cola Page 17 Club Bonafide Page 10 Jimmy Cobb Verve Jazz Ensemble Migiwa "Miggy" Miyajima Donald Harrison Birdland Page 10 Blue Note Page 21 Where To Go & Who To See Since 1982 194975_HH_Sept_0 8/24/18 11:05 AM Page 2 2 194975_HH_Sept_0 8/24/18 11:05 AM Page 3 3 194975_HH_Sept_0 8/24/18 11:05 AM Page 4 4 194975_HH_Sept_0 8/24/18 11:05 AM Page 5 5 194975_HH_Sept_0 8/24/18 11:05 AM Page 6 6 194975_HH_Sept_0 8/24/18 11:05 AM Page 7 7 194975_HH_Sept_0 8/24/18 11:05 AM Page 8 8 194975_HH_Sept_0 8/24/18 11:05 AM Page 9 9 194975_HH_Sept_0 8/24/18 11:05 AM Page 10 WINNING SPINS By George Kanzler N ENSEMBLE IN JAZZ CAN BE bass trombone and pizzicato bass before he any size group, from a duo or trio is engaged by the full ensemble in shouts throughA an orchestra with a full comple- and chord blasts punctuated by his acapel- ment of horns and strings. This Winning la hi-hat. Spins encompasses two very different "An Ending," the other track with ensembles, one a big band, the other a flex- Miggy on piano, spotlights vocalist Tomoko ible small ensemble ranging from trio up to Nagashima of the group Orange Pekoe, septet. However, both the Miggy singing a repeated three word, and word- Augmented Orchestra and the various less, lyric over shifting ensemble cushions. -
Piano Bass (Upright And/Or Electric)
January 2017 VOLUME 84 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Belgium: Jos Knaepen; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Everything Old Is New Again
Volume 46 • Issue 1 january 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. “Professor” Adrian Cunningham and his Old School Band made their Suncoast Jazz Classic debut and played sets throughout the weekend, including a CD release party for their latest Arbors album, Swing It Out! Here the leader pays close attention to bassist Jim Robertson’s solo on November 17. Photo by Mitchell Seidel. everything old Is new again By Mitchell Seidel verything we’re playing tonight is prior and ASCAP licensing rights, but it could just “E to 1923,” half-seriously joked trumpeter as easily have meant the repertoire of a good Dave Tatrow of Wally’s Warehouse Waifs, number of repeat performers at the 27th performing in the ballroom for the pre-festival annual event. Indeed, Tatrow and the Waifs sponsors’ dinner for the 2017 Suncoast Jazz have been performing at the event since the Classic in November. His quip referred to BMI turn of the century (21st, not 20th). Despite continued on page 28 New JerseyjazzSociety in this issue: new jersey jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/join njjs . 51 Crow’s Nest . 52 New/Renewed Members . 53 his marks my final “Prez Sez” column (it’s hard There were also some disappointments, the main to believe I have written 55 of them), because ones being the discontinuance of Jazzfest due to storIes T Suncoast Jazz Festival . -
Validating the Voice in the Music of Lambert, Hendricks & Ross
VALIDATING THE VOICE IN THE MUSIC OF LAMBERT, HENDRICKS & ROSS by Lee Ellen Martin Bachelor of Music, McGill University, 2008 Master of Music, The University of Toledo, 2010 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Lee Ellen Martin It was defended on March 23, 2016 and approved by Geri Allen, Masters of Music, Associate Professor Michael Heller, PhD, Assistant Professor Farah Jasmine Griffin, PhD Dissertation Advisor: Gavin Steingo, PhD, Assistant Professor ii Copyright © by Lee Ellen Martin 2016 iii VALIDATING THE VOICE IN THE MUSIC OF LAMBERT, HENDRICKS & Ross Lee Ellen Martin, PhD University of Pittsburgh, 2016 Lambert, Hendricks & Ross was an unusual vocal jazz trio. Made up of Dave Lambert, Jon Hendricks, and Annie Ross, they were the only interracial and mixed gender vocal jazz group in the United States in the late 1950s. In the wake of the Montgomery bus boycott victory and President Eisenhower’s consideration of the Equal Rights Act, the trio became one of the most popular vocal jazz groups of the day by singing lyricized arrangements of famous instrumental jazz recordings through a medium called vocalese. Although they seemed to reflect a utopian ideal of an integrated American society, each member of the group faced unique challenges. Referred to as the Poet Laureate of Jazz, African American lyricist and singer Jon Hendricks considers himself “a person who plays the horn without the horn,” and he is known for his gift with words. -
The Empire State of Jazz Story and Photos by Mitchell Seidel Here’S That Old Expression About the the Times
6OLUME s )SSUE 3EPTEMBER Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Trumpeter Ingrid Jensen pauses to soak in the sounds during her quartet’s performance on the Gazebo Stage at Freihofer’s Jazz Festival in Saratoga Springs, June 30, 2013. Photo by Mitchell Seidel. The Empire State of Jazz Story and photos by Mitchell Seidel here’s that old expression about the the times. They’re both cold and snowy in popular way to catch the action is a $200 Tweather that says if you don’t like it the winter but lovely when the days grow go-as-you-please club pass ticket that covers now, just wait a few minutes. There are a long. They both host festivals at the start of admission to venues that range from concert couple of jazz festivals in New York State summer that sometimes seem to only have halls to churches to honky-tonk bars. Major that seem to have that same philosophy the word “jazz” in common. headliners carry a separate admission, when it comes to programming. sometimes as much as $100 per, but since Now marking its 12th year, the Xerox they’re rarely jazz acts anyway, that’s no Rochester and Saratoga Springs, while Rochester International Jazz Festival is as concern to the diehard fan. Free music on sharing Empire State mailing addresses, much a celebration of the city as it is of street stages of various sizes is featured couldn’t be more different. Rochester’s a music. Drawing support from a variety of nearly continuously during the nine-day once-vibrant rust belt manufacturing sponsors, chiefly Xerox, the city and M&T event. -
Bending Towards the Light a Jazz Nativity
December 2011 | No. 116 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com bending towards the light a jazz nativity HOLIDAYGIFT GUIDE VINCENT •••••LUKAS BAIKIDA OGUN FESTIVAL EVENT CHANCEY LIGETI CARROLL RECORDS REPORTS CALENDAR The Holiday Season is kind of like a mugger in a dark alley: no one sees it coming and everyone usually ends up disoriented and poorer after the experience is over. 4 New York@Night But it doesn’t have to be all stale fruit cake and transit nightmares. The holidays should be a time of reflection with those you love. And what do you love more Interview: Vincent Chancey than jazz? We can’t think of a single thing...well, maybe your grandmother. But 6 by Anders Griffen bundle her up in some thick scarves and snowproof boots and take her out to see some jazz this month. Artist Feature: Lukas Ligeti As we battle trying to figure out exactly what season it is (Indian Summer? 7 by Gordon Marshall Nuclear Winter? Fall Can Really Hang You Up The Most?) with snowstorms then balmy days, what is not in question is the holiday gift basket of jazz available in On The Cover: A Jazz Nativity our fine metropolis. Celebrating its 26th anniversary is Bending Towards The 9 by Marcia Hillman Light: A Jazz Nativity (On The Cover), a retelling of the biblical story starring jazz musicians like this year’s Three Kings - Houston Person, Maurice Chestnut and Encore: Lest We Forget: Wycliffe Gordon (pictured on our cover) - in a setting good for the whole family. -
The Manhattan Transfer Meets Take 6 in the Summit Concert Coming to the Marcus Center on Wednesday, October 26
FOR IMMEDIATE RELEASE CONTACT: MOLLY SOMMERHALDER TEL / E-MAIL: 414-273-7121 X399 [email protected] The Manhattan Transfer meets Take 6 in The Summit Concert Coming to the Marcus Center on Wednesday, October 26 Tickets On Sale Friday, May 20! MILWAUKEE, WI (Wednesday, May 11, 2016) – The Marcus Center Presents series, sponsored by Envoy Restaurant and Lounge, is excited to bring the two- mega groups, The Manhattan Transfer and Take 6, to the intimate Wilson Theater at Vogel Hall for The Summit Concert. This one night only performance is on Wednesday, October 26 at 7:30 pm. Tickets are $75 and go on sale on Friday, May 20 at 12:00 pm. Tickets can be purchased at the Marcus Center Box Office at 929 North Water Street, online at Ticketmaster.com or MarcusCenter.org or by phone at 414-273-7206. Group are available for 10 or more by calling Group Sales at 414- 273-7121 x210. Combining forces for the first time, The Manhattan Transfer and Take 6, two of the most acclaimed, award-winning vocal groups in pop music, create an unforgettable concert event that will thrill audiences of all ages. Between them, the two groups boast a remarkable 20 Grammy Awards, and a range of styles that covers nearly every genre of popular music; from jazz to swing, from gospel to R&B. As The Manhattan Transfer mark the 40th Anniversary of their debut, while Take 6 shares their crystal clear harmony, demonstrating why this sextet is recognized as the pre-eminent A cappella group in the world. -
THE MANHATTAN TRANSFER It's Been More Than Thirty Years Since
THE MANHATTAN TRANSFER It’s been more than thirty years since Tim Hauser worked as a marketing executive and New York cabby with dreams of creating a vocal group. One night in 1972, Hauser’s taxi fare was an aspiring singer named Laurel Massé, who was familiar with Jukin’, an album Hauser had made with an earlier Manhattan Transfer combo. A few weeks later Hauser met Janis Siegel at a party. Although Siegel was then performing with a folk group called Laurel Canyon, Hauser convinced her and Massé to be part of his nascent group. At the same time, Alan Paul was stirring hearts on Broadway, appearing in the original production of Grease. When he met with Hauser, Siegel, and Massé, the groundwork was laid for The Manhattan Transfer, which was officially “born” on October 1, 1972. Early on, the group developed a strong cult following, while playing such New York clubs as Trude Heller’s, Reno Sweeny, and Max’s Kansas City. In 1975 they released their self-titled album, and enjoyed early success in Europe. Their next two albums, Coming Out and Pastiche, brought them a string of top ten hits in Europe, and their overseas popularity was cemented with the release of The Manhattan Transfer Live. Massé then left the group in 1978 to pursue a solo career, and was replaced by Cheryl Bentyne, a young singer/actress from Mt. Vernon, Washington. Their next album, Extensions, earned them their first domestic pop hit, “Twilight Zone/Twilight Tone,” penned by Alan Paul and Jay Graydon. The album featured “Birdland,” the piece that has since become The Manhattan Transfer signature tune.