Hered at to 1948
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
JREV3.8FULL.Pdf
JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc. -
391 À 437 .Cwk
Aux Etats-Unis, Blood, Sweat and Tears est sans conteste le groupe de rock de la fin des sixties qui intègre le plus de jazz à sa démarche musicale : passages swing intégrés aux compositions binaires, présence active d’une phalange de souffleurs (trompette, trombone, sax) qui ne se limite pas à un travail de section (comme dans le R’n B ou dans un groupe comme Chicago) mais est faite de vrais solistes - parmi ces solistes, un trompettiste qui fera ensuite une belle carrière dans le jazz, Lew Soloff, le tromboniste Jerry Hyman et un saxophoniste dont on ne sait trop ce qu’il est devenu depuis, Fred Lipsius. Tous trois sont mis à contribution dans la superbe version du God bless the child de Billie Holiday qui figure dans le disque BST 2 (sans doute le meilleur) : 439. Blood, Sweat and Tears: God Bless the child David Clayton-Thomas (voc) Lew Soloff, Chuck Winfield (tp, flgh) Jerry Hyman (tb) Fred Lipsius (as, pn) Dick Halligan (org, pn) Steve Katz (gt, hca) Jim Fielder (b) Bobby Colomby (dms); rec 1968 (CBS) A côté de ces groupes rock (et de plusieurs autres) qui lorgnent vers le jazz, il nous faut maintenant repasser de l’autre côté, et évoquer le phénomène inverse : l’impact qu’a le rock sur de nombreux jazzmen, à commencer par Miles Davis ! Electric Miles - Le Jazz-Rock en gestation Et revoilà Miles Davis ! Décidément omniprésent dans l’histoire du jazz moderne. Un petit rappel, peut-être ? 1945 : débuts dans le be-bop aux côtés de Charlie Parker : d’emblée, le son et le phrasé de Miles se situent aux antipodes de ceux de Dizzy et des autres trompettistes be-bop. -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
Down Bea MUSIC '65 10Th YEARBOOK $1
down bea MUSIC '65 10th YEARBOOK $1 The Foundation Blues By Nat Hentoff Jazzmen As Critics By Leonard Feather The Academician Views De Jazz Musician ,By Malcolm E. Bessom The Jazz Musician Views The Academiciau By Marjorie Hyams Ericsson Jazz 1964: Good, Bad, Or Indifferent? Two Views Of The Year By Don DeMicheal And Tom Scanlan Articles by Stanley Dance, Vernon Duke, Don Heckman, George Hoefer, Dan Morgenstern, Pete Welding, and George Wiskirchen, C.S.C., Plus Many Other Features GUITARS Try a Harmony Soon ELECTRIC AT YOUR GUITARS gt AMPLIFIERS Favorite Music Dealer MANDOLINS BANJOS UKULELES Write for FREE full-color catalog •Address: Dept. 0Y5 Copyright 1964. The Harriony Co. Chicago 60632, U.S.A. introduces amajor current in Meateeee titiVe as COLTRANE presents SHEPP Highlighting a release of 12 distinguished new albums, is the brilliant debut A-68 J. J. JOHNSON - PROOF POSITIVE recording of ARCHIE SHEPP, who was discovered and introduced to us by A-69 YUSEF LATEEF LIVE AT PEP'S JOHN COLTRANE. We think you will agree that the young saxophonist's lucid A-70 MILT JACKSON - JAll 'N' SAMBA style and intuitive sense of interpretation will thrust him high on the list of A-71 ARCHIE SHEPP - FOUR FOR TRANE today's most influential jazz spokesmen. A-73 SHIRLEY SCOTT - EVERYBODY LOVES ALOVER A-74 JOHNNY HARTMAN - THE VOICE THAT IS As for COLTRANE himself, the 1964 Downbeat Poll's 1st place Tenor Man has A-75 OLIVER NELSON - MORE BLUES AND THE again produced a performance of unequalled distinction. ABSTRACT TRUTH Other 1st place winners represented by new Impulse albums are long-time favor- A-76 MORE OF THE GREAT LOREZ ALEXANDRIA ites J.J. -
HANDPICKED July 30-August 4 • Blue Note
WWW.JAZZINSIDEMAGAZINE.COM AUGUST 2013 Interviews Andrew Cyrille David Chesky Satoko Fujii Francisco Mela Dizzy’s Club, August 19 Roy Hargrove Big Band Blue Note, August 20-25 Marcus Strickland EARL Jazz Standard, August 13-14 Comprehensive Directory of NY Club Concert KLUGH & Event Listings HANDPICKED E view Section! July 30-August 4 • Blue Note xpanded CD Re The Jazz Music Dashboard — Smart Listening Experiences www.ConcordMusicGroup.com www.Chesky.com www.WhalingCitySound.com www.SatokoFujii.com The Stone August 20-25 Like Us facebook.com/JazzInsideMedia Follow Us twitter.com/JazzInsideMag Watch Us youtube.com/JazzInsideMedia TJC14_Ad_Jazz Inside.pdf 1 4/26/13 5:31 PM 13TH ANNUAL SAILING OF THE JAZZ CRUISE WHERE EVERY PERFORMANCE IS SPECIAL Ernie Adams Tony Kadleck John Allred Tom Kennedy Shelly Berg Joe LaBarbera MUSIC DIRECTOR Christoph Luty Alonzo Bodden COMEDIAN Dennis Mackrel Randy Brecker Manhattan Transfer Ann Hampton Callaway Marcus Miller Quartet Quartet Bill Charlap Trio Bob Mintzer Clayton Brothers Lewis Nash Trio Quintet Dick Oatts C Freddy Cole Trio M Ken Peplowski Kurt Elling Quartet SHOW HOST Y Robin Eubanks Houston Person CM Quartet John Fedchock MY BIG BAND DIRECTOR John Pizzarelli CY Quartet JAN. 26-FEB. 2 David Finck Gregory Porter Quartet CMY Chuck Findley 2014 K Poncho Sanchez Bruce Forman Arturo Sandoval Nnenna Freelon Trio Gary Smulyan Wycliffe Gordon GOSPEL SHOW HOST Cedar Walton Trio Jimmy Greene Jennifer Wharton Jeff Hamilton Niki Haris Antonio Hart Tamir Hendelman Dick Hyman Tommy Igoe Sextet Sean Jones TO L L -FREE US & C ANADA FT LAUDERDALE • TURKS & CAICOS • SAN JUAN 888.852.9987 ST. -
Actionnow Sdgs Celebration 2019-2020 Music for Sdgs Hosted by Glocha in New York on 6 October 2019 and July 2020
#ActionNow SDGs Celebration 2019-2020 Music for SDGs Hosted by Glocha in New York on 6 October 2019 And July 2020 as of 20 September, 2019 Mack Okubo Executive Producer (Project Director, Music for SDGs & Glocha Associate) Music for SDGs Project with Social-Japan & ACTION NOW 2 What we do: The Secretariat Under the slogan of No one will be left behind! established with aiming to provide opportunities for general public to deepen understanding of SDGs in an easier and enjoyable way through music events integrating entertainment and education What is Music for SDGs Project? 3 What are SDGs? Sustainable Development Goals (SDGs) were adopted by the United Nations (UN) aiming to achieve 17 goals by 2030 for a sustainable, equitable, and inclusive society with no one left behind as a keyword. All UN member countries are asked to work together through public (government) and private (corporations and citizens) partnership to achieve this goal. It is a common global language for sustainable society. How music can help promote SDGs? While a number of papers and meetings provide high-quality education for those who are already informed and motivated on SDGs, most general public are still not aware of SDGs or interested in the subjects. We aim to provide opportunities for general public to learn about SDGs in an easier and enjoyable way through musical and music concerts integrating entertainment and education. What makes Music for SDGs Project unique? The project director is a global policy advisor who chairs a working group to promote sustainable development in the Asia-Pacific and collaborates with the UN on SDGs. -
(Incorporated 1990) Offers Books and Cds
Saxophone Catalog 21 Van Cott Information Services, Inc. 5/13/21 presents Saxophone Music, Books, CDs and More This catalog includes saxophone books, videos, and CDs; reed books; woodwind books; and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores in the US. We also have clarinet, flute, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping on this item if ordered with another item with paid shipping. Price and Availability Subject to Change. Table of Contents S995. Londeix Guide to the Saxophone Repertoire Saxophone Books .................................................................. 1 1844-2012 edited by Bruce Ronkin. Roncorp Publica- tions, 2012, HB, 776 pages. The latest version of this book Saxophone Jazz Books........................................................... 3 is 130 pages longer than the previous edition. It is in French Saxophone Music .................................................................. 3 and English. More than 29,000 works for saxophone from Excerpts ....................................................................... 3 1844 to 2012–the entire lifespan of the saxophone–are -
News Release Bird’S Blindfold Test: a Jazz Listening Party in Conjunction with the Fifth Annual Charlie Parkertm Celebration July 6, 2018
News Release Bird’s Blindfold Test: A Jazz Listening Party in conjunction with TM The Fifth Annual Charlie Parker Celebration July 6, 2018 CONTACT: Greg Carroll | KC Jazz ALIVE & Midnight Blue Jazz, LLC 816.588.4804 | [email protected] The Celebration of "Bird" in Kansas City Continues with multi-partner collaboration to include The Kansas City Jazz Orchestra, MOKAN Record Collectors, Westport Coffee House and Midnight Blue Jazz, LLC What: Bird’s Blindfold Test: A Jazz Listening Party When: August 20, 2018 | Bird’s Blindfold “Test:” 6:30 pm – 8:00 pm | Jazz Showcase: 8:00-10:00 pm Where: Westport Coffee House | 4010 Pennsylvania, Kansas City, MO Tickets/Info: $10 – Includes admission + a special Bird’s Blindfold Sandwich! | Visit www.charlieparkercelebration.com for tickets. The 5th Annual Kansas City Charlie Parker Celebration will again explore and recognize the legacy of one the most influential saxophonists and jazz icons to ever perform. The Celebration, a comprehensive Charlie Parker tribute, is recognized as the largest celebration of its kind in the world. Parker was born in 1920 in Kansas City, Kan., and moved in 1927 to Kansas City, Mo. -- where jazz was flourishing, and the city was one of several ports instrumental in ushering in the musical improvisation style of Bebop, which Parker is identified with. The 2018 Charlie Parker Celebration includes a mix of jazz venue showcase performances throughout the city as well as education, public programs and special events. In collaboration with The Kansas City Jazz Orchestra, MOKAN Record Collectors, Westport Coffee House and Midnight Blue Jazz, LLC, this year’s celebration will include a new “edutainment” program entitled Bird’s Blindfold Test: A Jazz Listening Party. -
Standard Resolution 21MB
The e-journal of analog and digital sound. no.23 2009 Ladies and gentlemen, the Beatles. Bob Gendron Reviews the Beatles Remasters TONE A 1 NO.23 2 0 0 9 PUBLISHER Jeff Dorgay EDITOR Bob Golfen ART DIRECTOR Jean Dorgay r MUSIC EDITOR Ben Fong-Torres ASSISTANT Bob Gendron MUSIC EDITOR M USIC VISIONARY Terry Currier STYLE EDITOR Scott Tetzlaff C O N T R I B U T I N G Tom Caselli WRITERS Kurt Doslu Anne Farnsworth Joe Golfen Jesse Hamlin Rich Kent Ken Kessler Hood McTiernan Rick Moore Jerold O’Brien Michele Rundgren Todd Sageser Richard Simmons Jaan Uhelszki Randy Wells UBER CARTOONIST Liza Donnelly ADVERTISING Jeff Dorgay WEBSITE bloodymonster.com tonepublications.com Editor Questions and Comments: [email protected] 800.432.4569 © 2009 Tone MAGAZIne, LLC All rights reserved. TONE A 2 NO.23 2 0 0 9 features Old School: Love Those LED’s 10 The SAE 2200 By Jerold O’Brien Please Please Me: 21 The Beatles Remasters Reviewed By Bob Gendron 104 Simon Drake Talks About 40 Naim’s Music Label: Embracing Past and Future Technologies By Jeff Dorgay Dealers That Mean Business: 21 85 We visit Nuts About HiFi (on the cover) By Jeff Dorgay Budget Gear: 90 Rotel RA-1520 Integrated Amplifier and RDC-1520 CD Player By Mark Marcantonio A Visit to Rega: 104 Roy Gandy’s Model of Efficiency By Jeff Dorgay 7. NEW CONTRIBUTORS 8. PUBLISHER’S LETTER 9. TONE TOON By Liza Donnelly TONE A 3 NO.23 2 0 0 9 tone style An Afternoon With the Focal 67 Grande Utopia EM By Jeff Dorgay The B&W Panorama 71 The Fantastic Soundbar By Jeff Dorgay The Olympus E-P1 74 DSLR Performance, Compact Size By Jeff Dorgay TomTom for the iPhone 78 Let Your iPhone be Your Guide By Jeff Dorgay 67 The Sound of the Future 79 of Radio: WiFi Is Here By Ben Fong-Torres RedEye’s Remote System 81 Grab This All In One By Jeff Dorgay Little City Coffee: 82 Austin’s Best Roast.