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Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
391 À 437 .Cwk
Aux Etats-Unis, Blood, Sweat and Tears est sans conteste le groupe de rock de la fin des sixties qui intègre le plus de jazz à sa démarche musicale : passages swing intégrés aux compositions binaires, présence active d’une phalange de souffleurs (trompette, trombone, sax) qui ne se limite pas à un travail de section (comme dans le R’n B ou dans un groupe comme Chicago) mais est faite de vrais solistes - parmi ces solistes, un trompettiste qui fera ensuite une belle carrière dans le jazz, Lew Soloff, le tromboniste Jerry Hyman et un saxophoniste dont on ne sait trop ce qu’il est devenu depuis, Fred Lipsius. Tous trois sont mis à contribution dans la superbe version du God bless the child de Billie Holiday qui figure dans le disque BST 2 (sans doute le meilleur) : 439. Blood, Sweat and Tears: God Bless the child David Clayton-Thomas (voc) Lew Soloff, Chuck Winfield (tp, flgh) Jerry Hyman (tb) Fred Lipsius (as, pn) Dick Halligan (org, pn) Steve Katz (gt, hca) Jim Fielder (b) Bobby Colomby (dms); rec 1968 (CBS) A côté de ces groupes rock (et de plusieurs autres) qui lorgnent vers le jazz, il nous faut maintenant repasser de l’autre côté, et évoquer le phénomène inverse : l’impact qu’a le rock sur de nombreux jazzmen, à commencer par Miles Davis ! Electric Miles - Le Jazz-Rock en gestation Et revoilà Miles Davis ! Décidément omniprésent dans l’histoire du jazz moderne. Un petit rappel, peut-être ? 1945 : débuts dans le be-bop aux côtés de Charlie Parker : d’emblée, le son et le phrasé de Miles se situent aux antipodes de ceux de Dizzy et des autres trompettistes be-bop. -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
Hered at to 1948
Join us for more DUOS! Our generous donors are the key to our successful community band. Ticket In the Fall of 1994, as Bob Briggs was leading the California Marching merican music of the 1920’s to 1940’s is celebrated tonight through the Band through5/18/2012 his last season : Stage before his& retirement,Screen Bill Doherty suggested revenues makelens of up tw lesso musicalthan 30% ge ofnius oures :overall George budget, Gershwin and and your Pe helprcy isGrainger. always needed! Your tax deductible donation will help us in expanding our music to him that he could fill his Guesttime in Artists: retirement by starting up a community While their music shares a familiarity with today’s audiences, both band to conduct in Fairfield. Before becoming the Director of Bands at the library, commissioningcomposers brok ae necowncert grou ndpiece in their to owben ways.composed for our band, University of California, BobEric was Seiler, the Dire Tenoctorr of the Armijo SuperBand, A purchasing and renting musical instruments and equipment, and sponsoring George Gershwin mastered the twin genres of “popular” and “classical” music. building a standard of excelMelanielence with Seil thater, Sopranhigh schoolo program. Strong guest artists at our performances. The Gershwin “songbook” has been sung by virtually every important jazz high school bands in Fairfield have been around since that time, including vocalist Beco,mi anngd scoranes Admirer,of his tunes Devotee are consid orered Enthusiast “standards” me inans the repertoireyou receive. At many successful Fairfieldyears fo rCenter the Fair forfield Cr eaSctivearlet ArtsBrig ade, the Armijo thmembershipe same time bene, his fits.classical Help wo usrks spread introduc theed sound new soundsof fine concertinto that band arena, music and Superband, the Rodriguez Entertainment Unit, and the Vanden Viking manythroughout are now our likewise community! “classics”. -
Actionnow Sdgs Celebration 2019-2020 Music for Sdgs Hosted by Glocha in New York on 6 October 2019 and July 2020
#ActionNow SDGs Celebration 2019-2020 Music for SDGs Hosted by Glocha in New York on 6 October 2019 And July 2020 as of 20 September, 2019 Mack Okubo Executive Producer (Project Director, Music for SDGs & Glocha Associate) Music for SDGs Project with Social-Japan & ACTION NOW 2 What we do: The Secretariat Under the slogan of No one will be left behind! established with aiming to provide opportunities for general public to deepen understanding of SDGs in an easier and enjoyable way through music events integrating entertainment and education What is Music for SDGs Project? 3 What are SDGs? Sustainable Development Goals (SDGs) were adopted by the United Nations (UN) aiming to achieve 17 goals by 2030 for a sustainable, equitable, and inclusive society with no one left behind as a keyword. All UN member countries are asked to work together through public (government) and private (corporations and citizens) partnership to achieve this goal. It is a common global language for sustainable society. How music can help promote SDGs? While a number of papers and meetings provide high-quality education for those who are already informed and motivated on SDGs, most general public are still not aware of SDGs or interested in the subjects. We aim to provide opportunities for general public to learn about SDGs in an easier and enjoyable way through musical and music concerts integrating entertainment and education. What makes Music for SDGs Project unique? The project director is a global policy advisor who chairs a working group to promote sustainable development in the Asia-Pacific and collaborates with the UN on SDGs. -
(Incorporated 1990) Offers Books and Cds
Saxophone Catalog 21 Van Cott Information Services, Inc. 5/13/21 presents Saxophone Music, Books, CDs and More This catalog includes saxophone books, videos, and CDs; reed books; woodwind books; and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores in the US. We also have clarinet, flute, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping on this item if ordered with another item with paid shipping. Price and Availability Subject to Change. Table of Contents S995. Londeix Guide to the Saxophone Repertoire Saxophone Books .................................................................. 1 1844-2012 edited by Bruce Ronkin. Roncorp Publica- tions, 2012, HB, 776 pages. The latest version of this book Saxophone Jazz Books........................................................... 3 is 130 pages longer than the previous edition. It is in French Saxophone Music .................................................................. 3 and English. More than 29,000 works for saxophone from Excerpts ....................................................................... 3 1844 to 2012–the entire lifespan of the saxophone–are -
David Clayton-Thomas Bloodlines Mp3, Flac, Wma
David Clayton-Thomas Bloodlines mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Bloodlines Country: US Released: 1999 Style: Jazz-Rock MP3 version RAR size: 1453 mb FLAC version RAR size: 1835 mb WMA version RAR size: 1815 mb Rating: 4.1 Votes: 258 Other Formats: ADX AU AIFF FLAC MP2 VQF MMF Tracklist 1 Nawlins Gal 2 Mornin' Blues 3 Dancin' To LaBelle 4 We Tried 5 Biscuit 6 Ashleigh's Song 7 Secretive Child 8 I Can't Complain 9 Verbal Abuse 10 Bobby's Blues 11 Surely You Know 12 After You Fall Credits Backing Vocals – Angela Clemmons, Janice Pendarvis, Patrick And The Dixie Hummingbirds, Vanese Thomas Bass – Gary Foote Drums – Brian Delaney , Ricky Sebastian, Zach Danziger Guitar – Danny Draher, Jamie Fox, Mike Docampo, Mike Stern, Tom Guarna Harmonica – Rob Paparozzi Keyboards – Dan Zank, Doug Riley Percussion – Don Alias Producer – David Clayton-Thomas Saxophone – Dave Riekenberg, Fred Lipsius, Tim Ries Trombone – Pat Hallaran Trombone, Tuba – Dave Bargeron Trumpet – Lew Soloff, Tony Klatka Trumpet, Flugelhorn – Jon Owens, Randy Brecker, Steve Guttman Written By – David Clayton-Thomas Notes Recorded At Beartracks Studio,Rockland County,New York Barcode and Other Identifiers Barcode: 660355351228 Related Music albums to Bloodlines by David Clayton- Thomas David Clayton-Thomas - Tequila Sunrise Various - Nothing But Funk (12 JB Produced Funk Instrumentals 1967-1977) Ray Guntrip And Tina May - Out Of The Blue David Clayton-Thomas - Combo Buck Clayton - All The Cats Join In (A Buck Clayton Jam Session) David Clayton-Thomas - David Clayton-Thomas! Blood, Sweat & Tears - Blood, Sweat & Tears John Barry - The Cotton Club Original Motion Picture Sound Track David Clayton-Thomas - Anytime....Babe Blood, Sweat And Tears - Blood, Sweat And Tears 3. -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 11-14-1968 Kenyon Collegian - November 14, 1968 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - November 14, 1968" (1968). The Kenyon Collegian. 2284. https://digital.kenyon.edu/collegian/2284 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. I LIBRARY A NOV 1 8 19G8 Vo ARCHIVES d wit tfrftir Co 0 Vol XCV Kenyon College GamJbier Ohio November 14 1968 Na 9 Senate Studies Columbia o 9 Security Role Students Hits End Womens Hours Protestors The Undergraduate Dormitory Council at Columbia College has elimi- In a relatively quiet nated on i session restrictions womens visiting hours marked by the eating According to a of marsh- New York Times report of November 8 the student mallows and french organization fries Campus exercised authority delegated to it by the Dean last Wednes- Senate passes day Dean some new legislation Carl Hovde delegated to the council responsibility for setting and discussed and enforcing student participation dorm regulations He maintained a veto power because V in policy- making of the legal liabilities of the university According a Several senators -
PDF (V. 73:1 September 23, 1971)
Don't just stand there looking like Act like one! a dumb frosh! lRlIFORNIA Copyright 1971 by the Associated Students of the Ca.liforniaTechInstitute of Technology. Incorpcor;tfed. Volume LXXIII Pasadena, California, Thursday, September 23, 1971 Number 1 "Goodnight, David" Frosh Camp Huntley -Replaces Lurie As Dean New Location, Same Old Program Dr. Stirling L. Huntley, an Dr. Huntley, 46, has had a broad National Association for Foreign administrator of the University of range of experience in university Student Affairs, serving as vice Hawaii,was appointed as associate affairs. He went to the University of president in 1966-67; the American by Phil Neches Pedro, the mode of transit will dean of graduate studies at Caltech. Hawaii in 1969 as director of Association of Collegiate Registrars This year's freshman orientation, switch to boat, with arrival at Camp Dr. Huntley will join the Caltech admissions. Later, as director of and Admissions Officers, and the to be held at Camp Fox, Catalina Fox slated for 12:30. faculty early in October after he participant services, he became College Entrance Examination Island, will feature a "minimal Welcome completes his commitments as direc responsible for the office of admis Board. He has traveled widely in his formal program, " according to In one of several semi-formal tor of participant services at the sions, alumni and records, com work and in 1966 was in the Associate Dean of Students David sessions, the usual "welcoming University of Hawaii's East-West m unity re la tions, conferences, Philippines as a Fulbright-Hays Wood. There will be more time for remarks by dean types and ASCIT Center. -
Teaching and Learning Jazz Trombone Dissertation
TEACHING AND LEARNING JAZZ TROMBONE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Julia M. Gendrich, B.S., M.S. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Dr. William T. McDaniel, Co-Adviser _______________________________ Co-Adviser Dr. Timothy A. Gerber, Co-Adviser School of Music Dr. Jon R. Woods _______________________________ Co-Adviser School of Music ABSTRACT The purpose of the study was to identify and assess methods of teaching and learning jazz trombone improvisation that have been implemented by jazz trombone professors. Its intent was to describe learning procedures and areas of trombone study. A survey instrument was designed after interviewing 20 professional jazz trombonists. The survey was pilot-tested (n = 9) and adjustments were made. Jazz trombone professors (n = 377) were sent questionnaires, with a response rate of 28 percent after an additional reminder to all and follow-up phone calls to one-third of the sample. Of the 106 total respondents, 58 were deemed to be eligible participants as both trombonists and as teachers of jazz improvisation. Three areas were explored: 1) early stages of development, 2) teaching, and 3) trombone technique. Data showed that most of the professors (77%) had learned to improvise between 7th-12th grades. They identified the most important method of learning for themselves as listening and playing-along with recordings. Learning occurred on their own for many, though college also had an impact. Schools (K-12) were not strongly rated as being helpful in the trombonists learning to improvise (2.49 on a scale of one to five), though schools did provide many jazz performance experiences. -
The BG News October 28, 1969
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-28-1969 The BG News October 28, 1969 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News October 28, 1969" (1969). BG News (Student Newspaper). 2377. https://scholarworks.bgsu.edu/bg-news/2377 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Group suggests dorm integration By SUZY McCUI.LOUGH to freshmen and upperclassmen Trevor J. Phillips, assistant pro- result rather than a souring. "We The question of disadvantages Staff Writer being segregated," she said. fessor of Education. "This way also fe't It would help bring a of this system .' housing didn't "What the people had in mind both sides could benefit." degree of sophistication," he said. seem to arise in th>» committee's Founders, Quadrangle, Mc- was housing the two together, giv- Some of the more conservative discussion. Donald West, Rogers and Kohl ing the freshmen a quicker view members of the committee felt The concept of Integrated hous- "We felt something highly edu- Halls house freshmen exclusive- of the academic world." said Dr. the Incoming freshmen might have ing evolved from a discussion of cative could develop in the fresh- ly. In a sense, these tour dormi- Robert Goodwin, prof essor of mar- their enthusiasm soured by the dormitory autonomy. -
Blood, Sweat & Tears the Complete Columbia Singles
(2-CD Set) BLOOD, SWEAT & TEARS THE COMPLETE COLUMBIA SINGLES They were a pioneering jazz-rock outfit and a hit singles band (which shows how progressive pop music got in the late ‘60s/early ‘70s) that wowed fans and critics alike. They were Blood, Sweat & Tears—and this two-CD, 32-track set offers not only the most Al KoKooper Steve KaKatz Bobby Colomby Jim FFielder Frered Lippsius eckRandykeer re Jerrryy WeWeis Br comprehensive collection ever compiled of their work,Dick Halligan but Bobby also Doyle the Lewew Soloffmost ChuckChuck appropriate W Winfield Jerry Hyman lens Dave Bargerrgroo Jerrryy Fisher Jerry Fisher Lou Marinirini Larr y Wryillis Georg Larr WWadenius ToTom MaloneMa Randy Brecker Chuck Winfie through which to view their long and often chaoticJerr career.ryy LaCrrooix Bill Very Tillman Ronfew McClur bandsree Luther experienced KeKent Jerry LaCroix Joe Giorrggiannii Mik kee Stern the kind of turnover that Blood, Sweat & Tears Don Alias Danny Tririfan Tr FoForreest Buchtell Al Kooper Steve Katz Jim FFielder Bobby Colomby Frered Dick Halligan David Clayton--TClayton-Thomas Lew Soloff Chuck WWinfieldfield Jerrryy Hyman Da avegerroo rg Bar did and lived to tell the tale—the group began Jerry Fisher Louou Marini Bobby Doyle Larrryry Willi T To om Malone ToTony Klatka Jerry Fisher Chuck Randy Brreeckkeerr Bill Tillman Ron McClurree J rr y LaCrrooix Lutherher KeKent Joe Giorgianni Mikkee Ster with the Blues Project’s Steve Katz and Al Don Alias Danny Trifanrifan Forreest Buch ll JJerry eiss Lou Marini David Clayton--TThoThomas