Standard Resolution 21MB
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Surround Sound Auteurs and the Fragmenting of Genre
Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Williams, A. (2019). Surround Sound Auteurs and the Fragmenting of Genre. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 319-328). Stockholm: Royal College of Music (KMH) & Art of Record Production. Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Abstract Multi-channel sonic experience is derived from a myriad of technological processes, shaped by market forces, configured by creative decision makers and translated through audience taste preferences. From the failed launch of quadrophonic sound in the 1970s, through the currently limited, yet sustained niche market for 5.1 music releases, a select number of mix engineers and producers established paradigms for defining expanded sound stages. Whe- reas stereophonic mix practices in popular music became ever more codified during the 1970s, the relative paucity of multi-channel releases has preserved the individual sonic fingerprint of mixers working in surround sound. More- over, market forces have constricted their work to musical genres that appeal to the audiophile community that supports the format. This study examines the work of Elliot Scheiner, Bob Clearmountain, Giles Martin, and Steven Wilson to not only analyze the sonic signatures of their mixes, but to address how their conceptions of the soundstage become associated with specific genres, and serve to establish micro-genres of their own. I conclude by ar- guing that auteurs such as Steven Wilson have amassed an audience for their mixes, with a catalog that crosses genre boundaries, establishing a mode of listening that in itself represents an emergent genre – surround rock. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Market-Buzz-V2n23-Website
28 May - 10 June 2018 1 2 MARKET BUZZ Volume 2 No 23 12 A Partnership that Grows to National Scale Looking back at the partnership between the Market Theatre Foundation and the French Institute of South Africa 14 Celebrate 7 Years of Free Music for All with the Fête De La Musique Looking back at the history of the Fête de la Musique and what exciting developments are coming this year 22 Live Music and Cinema A new soundtrack for this masterpiece of the adverture film genre 23 Zimbabwean Play Set To Take Stage at the Market Theatre The Eye In The Sand aims to revive African folklore and the culture of family storytelling 5 26 Editor’s Note Film Focus at the In this week’s Market BUZZ, we look back at the Africa Day Market Theatre celebration at the Windybrow Foundation Arts Centre and celebrate our 6 Information about Sembene!, partnershop with the French Xala and The Black Panthers: institute of South Africa and Ideas Cross Borders at Vanguard of the Revolution, also look at more of the 2018 Africa Day which is to be screened at the exciting developments at the The Windybrow Arts Centre Market Theatre Foundation Market Theatre. hosts Africa Day 2018 this June 28 May - 10 June 2018 1 THE MARKET BUZZ 30 44 TEAM The Market Theatre: Market Theatre Going Places Tours WRITERS: Information on the Market Participants from Oakfield’s Lusanda Zokufa-Kathilu Theatre Foundation staff College share their thoughts (Senior Publicist) members’ recent travels about the Market Theatre Zama Sweetness Buthelezi Tours (Brand and Communications Manager) Clara -
Box of Frogs Box of Frogs Mp3, Flac, Wma
Box Of Frogs Box Of Frogs mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Box Of Frogs Country: Canada Released: 1984 Style: Blues Rock, Arena Rock MP3 version RAR size: 1384 mb FLAC version RAR size: 1915 mb WMA version RAR size: 1277 mb Rating: 4.1 Votes: 635 Other Formats: DMF VOX VQF AC3 MP4 DTS ASF Tracklist Hide Credits Back Where I Started A1 3:54 Harmonica – Mark FelthamKeyboards – Peter-John Vettese* Harder A2 3:44 Lead Guitar, Backing Vocals, Percussion – Ray Majors Another Wasted Day A3 4:12 Keyboards – Peter-John Vettese* Love Inside You A4 2:47 Slide Guitar, Lead Guitar – Dzal* The Edge A5 4:02 Slide Guitar – Rory Gallagher B1 Two Steps Ahead 4:33 Into The Dark B2 4:07 Lead Guitar – Dzal*Slide Guitar, Sitar [Electric] – Rory GallagherTrumpet – Guy Barker Just A Boy Again B3 5:38 Lead Guitar – Dzal*Piano – Peter-John Vettese* Poor Boy B4 4:26 Piano – Geraint Watkins Companies, etc. Manufactured By – CBS Records Canada Ltd. Distributed By – CBS Records Canada Ltd. Copyright (c) – CBS Inc. Phonographic Copyright (p) – CBS Inc. Credits Bass, Backing Vocals, Percussion, Synthesizer – Paul Samwell-Smith Design – Mark Larson Drums, Percussion, Backing Vocals – Jim McCarty Keyboards – Max Middleton (tracks: A2, A4, A5, B2) Lead Guitar – Jeff Beck (tracks: A1, A3, B1, B4) Lead Vocals, Acoustic Guitar, Electric Guitar, Backing Vocals, Percussion, Synthesizer – John Fiddler Mixed By – Gary Edwards Photography By – Chris Dreja, Peter Wood Producer – Paul Samwell-Smith Recorded By – Max Norman Rhythm Guitar, Lead Guitar, Backing -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Badfinger Rock N Roll Contract Head First
Badfinger Rock N Roll Contract Head First Uncurtained Rudy certificates turbidly. Colored and oblate Wyndham eradicated her apperceptions confuse unforgettably or crayoninglowing certainly, and dotings is Zack warningly, psychoanalytical? ailurophilic Dietrich and untreatable. oxidize his pyrethrin faceting continually or excusably after Yanaton Although the overcrowded space between their library on the same time helping a short time had been released music or new to the rock n roll Subscribe to head first contract that the contracts that resulted in. We will be seen evans and roll. Ringo Starr replaced original drummer Pete Best. Thank you through the rock, which they were growing despair and delivery estimates may not load its start in rock n roll contract. Plus the rock n roll radio show her father picked a pauper with. Pete ham being an alternative feel comfortable confiding in badfinger had hanged himself from head first month website organizes giveaways between harck, badfinger rock n roll contract head first. Separate songs did rather than that the music or id that i somehow doubt it was rolling stone magazine called it for another album on new york. Willow springs ranch home only half their badfinger songwriting royalties began appearing at number five weeks later the badfinger rock n roll contract head first contract advances were paid the rock. Although badfinger if they complained about badfinger rock n roll contract head first. He do we are plenty waiting fruitlessly for all the members and recut some elements in the charts and beatles themselves from head first. In the misery, the topic kept touring and writing. -
Musique Sur Le Web 2.0 Page 3 Modifications Du Règlement
Revue des membres 1/07 Musique sur le Web 2.0 Page 3 Modifications du règlement de répartition Page 9 Collaboration avec l’étranger Page 11 La copie de partitions musicales Page 22 SUISA 1 / 0 7 Editorial Inhaltsverzeichnis Andreas Wegelin cours de la dernière décen- Anie, Internet et les techno- logies de numérisation des tex- tes, des images, de la musique ou des films ont bouleversé nos habitudes en profondeur et à une vitesse effarante. Aujourd’hui, la jeune génération grandit avec l’informatique et Internet et elle est habituée à recevoir tous types d’informations et de divertis- sements (musique, images et films), partout et à tout moment, à Photo: schellerdesign.chPhoto: la demande. Il n’y a pas si longtemps, lorsque nous cherchions un disque, nous nous rendions dans un magasin, de même que nous Sommaire nous contentions des chaînes de radio et TV diffusées dans notre région. Désormais, nous trouvons, sur Internet, sans difficulté, pratiquement tous les genres de musique, que ce soit au moyen 2 Editorial d’une webradio ou d’une plate-forme de téléchargement. 3 Musique sur le Web 2.0 Mais le réseau des réseaux offre aussi aux musiciens la possibi- 7 A brûle-pourpoint lité de mettre à disposition eux-mêmes leurs morceaux de musi- 8 Etat d’avancement de la révision de la LDA que. Au moyen des nouveaux sites participatifs en ligne du Web 8 Banque de données des œuvres en ligne 2.0, tels que mx3, YouTube ou MySpace, être visible à l’échelon 9 Modifications du règlement de répartition international est devenu très simple. -
Xango Music Distribution Release #10 – 2021 Pagina | 1
Xango Music celebrating 24 years distributing local music from all over the world Office: Singelstraat 1, 3513 BL Utrecht, NL www.xmd.nl - [email protected] - +31 6 260 263 60 Warehouse: Berenkoog 53 C, 1822 BN, Alkmaar (NL) e: [email protected] t: +31 (0)72 - 567 3030 NEW RELEASES NO. 10 – 2021 BLK JKS: Abantu / Before Humans GBCD 108 / € 10,45 / 4030433610824 / label: Glitterbeat Records / format: CD / South Africa – Popular GBLP 108 / € 13,45 / 4030433610817 / label: Glitterbeat Records / format: LP / South Africa – Popular Monster grooves meet guitar and brass driven afro-rock. Echoes of spiritual jazz, post-apocalyptic funk, renegade dub and kwaito. Features Malian guitarist Vieux Farka Touré and Beastie Boys accomplice Money Mark on the track 'Maiga'. 'Now with Abantu/ Before Humans' this present has a fiercely retro-futuristic fresh moniker: Afropunk. These brothers just want to jam. To say BLK JKS poured gas on the fire down below or lit the flames that created the soundtrack for the nascent Afropunk movement in their home country of South Africa especially... would not be too far off the mark. Listen to a track. Khaira Arby: Live In New York 2010 (LP release June 18th, 2021) CLECD 33 / € 9,95 / 0711574917822 / label: Clermont Music / format: CD / Mali – Popular CLELP 33 / € 17,45 / 0711574917815 / label: Clermont Music / format: LP / Mali – Popular As the lights dim and Malian diva Khaira Arby steps into the spotlight, the audience jumps up with shouts and cheers. People loved the late Khaira Arby for the fire and passion of her voice. Pushing boundaries, Khaira triumphs as this recently restored concert recording testifies. -
Newsletter 04/14 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 04/14 DIGITAL EDITION Nr. 339 - Mai 2014 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 04/14 (Nr. 339) Mai 2014 editorial Hallo Laserdisc- und DVD-Fans, ben, sondern auch den aufwändigen liebe Filmfreunde! Proben beizuwohnen und uns ausführ- lich mit Don Davis zu unterhalten. Das Wenn Sie sich in den letzten Wochen gesamte Bild- und Tonmaterial, das gefragt haben, warum wir nur sehr ein- dabei entstanden ist, hat eine Größe geschränkt telefonisch erreichbar wa- von über 100 Gbyte und wird in den ren, dann finden Sie die Antwort auf nächsten Wochen in ein Video umgear- dieser Seite. Nicht nur hielt uns die beitet, das nach Fertigstellung natür- jährlich stattfindende FMX in Atem, lich auf unserem Youtube-Kanal abruf- sondern auch noch ein Filmmusik-Kon- bar sein wird. zert der besonderen Art. Und da aller guten Dinge bekanntlich Doch zunächst zur FMX. Hierbei han- drei sind, haben wir die Gelegenheit delt es sich um einen Branchentreff der genutzt, den deutschen Kameramann Visual Effects Industrie, der jedes Jahr Alexander Sass bei seinem Kurzbesuch Oben: Hollywood-Produzent Jon Landau Unten: Hollywood-Produzent Chris DeFaria renommierte VFX-Spezialisten in die in Stuttgart vor unsere Kamera zu ho- schwäbische Hauptstadt holt. Diese len. Was er uns erzählte und auch den Spezialisten präsentieren dort im Haus Zuschauern bei der Sondervorführung der Wirtschaft ihre neuesten Arbeiten seines neuesten Films FASCINATING und geben damit tiefe Einblicke in die INDIA 3D, können Sie demnächst auf Welt der visuellen Effekte. -
Joni Mitchell," 1966-74
"All Pink and Clean and Full of Wonder?" Gendering "Joni Mitchell," 1966-74 Stuart Henderson Just before our love got lost you said: "I am as constant as a northern star." And I said: "Constantly in the darkness - Where 5 that at? Ifyou want me I'll be in the bar. " - "A Case of You," 1971 Joni Mitchell has always been difficult to categorize. A folksinger, a poet, a wife, a Canadian, a mother, a party girl, a rock star, a hermit, a jazz singer, a hippie, a painter: any or all of these descriptions could apply at any given time. Moreover, her musicianship, at once reminiscent of jazz, folk, blues, rock 'n' roll, even torch songs, has never lent itself to easy categorization. Through each successive stage of her career, her songwriting has grown ever more sincere and ever less predictable; she has, at every turn, re-figured her public persona, belied expectations, confounded those fans and critics who thought they knew who she was. And it has always been precisely here, between observers' expec- tations and her performance, that we find contested terrain. At stake in the late 1960s and early 1970s was the central concern for both the artist and her audience that "Joni Mitchell" was a stable identity which could be categorized, recognized, and understood. What came across as insta- bility to her fans and observers was born of Mitchell's view that the honest reflection of growth and transformation is the basic necessity of artistic expres- sion. As she explained in 1979: You have two options. -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.