Title Format Released & His Orchestra South Pacific 12" 1958 Abdo

Total Page:16

File Type:pdf, Size:1020Kb

Title Format Released & His Orchestra South Pacific 12 Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol. 1 12" 1961 Ammons, Gene All Star Sessions Cassette 1982 The Soulful Moods Of Gene Ammons 12" 1962 Blue Gene 12" 1959 Jug 12" 1961 Preachin' 12" 1963 Ammons, Gene & Benny Green Juggin' Around 12" 1981 Ammons, Gene & Sonny Stitt Prime Cuts 2LP 1972 Amy, Curtis Katanga! 12" 1984 Mustang 12" 1967 Anderson, Chris Trio Inverted Image 12" 1962 Anderson, Ernestine Sunshine 12" 1980 My Kinda Swing 12" 1960 When the Sun Goes Down 12" 1985 Hot Cargo! 12" 1956 Andrews, Ernie Sings From The Heart 12" 1981 Armstrong, Louis Giants Of Jazz 3 LP Box Set 1978 Armstrong, Louis & Duke Ellington Louis Armstrong & Duke Ellington 12" 1970 Page 2 of 67 Title Format Released Armstrong, Louis & Earl Hines The Louis Armstrong Story - Vol. 3 12" 1956 Armstrong, Louis And His Hot Five The Louie Armstrong Story - Vol. 2 12" 1956 The Louis Armstrong Story - Vol. 1 12" 1956 Arnold, Horacee Tales of the Exonerated Flea 12" 1974 Art Ensemble of Chicago, The Nice Guys 12" 1979 The Third Decade 12" 1985 Ashby, Dorothy The Jazz Harpist 12" 1957 Auld, George & His Orchestra In the Land of Hi-Fi 12" 1955 Auld, Georgie And His Sextet Good Enough To Keep 12" 1959 Austin, Sil Sil Austin Plays Pretty For The People 12" 1961 Ayler, Albert My Name Is Albert Ayler 12" 1965 Bagley, Ben Ben Bagley's Cole Porter Revisited Vol. IV 12" 1979 Rodgers and Hart Revisited 12" 1964 Ben Bagley's Irving Berlin Revisited 12" 1967 Bailey, Dave One Foot in the Gutter (Live) 12" 1960 Bailey, Pearl The And Only Pearl Bailey Sings 12" 1956 Pearl's Pearls 10" 1956 Baker, Anita Rapture 12" 1986 Baker, Chet Once Upon a Summertime 12" 1980 Chet Baker In Europe: A Jazz Tour Of The NATO Countries 12" 1956 Chet Baker & Crew 12" 1958 Chet Baker Big Band 12" 1957 Baker, Chet And Srings Love Walked In 12" 1962 Baker, Chet Quintet Smokin' With The Chet Baker Quartet 12" 1966 Baker, LaVern LaVern Sings Bessie Smith 12" 1988 Page 3 of 67 Title Format Released Barnes, George Guitar Galaxie (Stereo) 12" 1962 Guitar Galaxies (Mono) 12" 1962 Barron, Kenny One Plus One Plus One (1 + 1 + 1) 12" 1986 Sunset to Dawn 12" 1973 Autumn In New York 12" 1985 Barry Galbraith The Rhythm Section 12" 1956 Bartz, Gary With Ntu Singerella 12" 1974 Basie, Count Giants Of Jazz 3 LP Box Set 1982 Count Basie at Newport 12" 1956 Count Basie And His Orchestra 10" 1952 April in Paris 12" 55/1982 Count Basie Swings, Joe Williams Sings 12" 1956 Afrique 12" 1971 The Soloist 1941-1959 12" 1995 Blues by Basie 12" 1980 Basie Live In Person 12" 1979 Kansas City Shout 12" 1980 Count Basie Swings, Joe Williams Sings 12" 1962 Basie Plays Hefti 12" 1958 Basie, Count & His Orchestra Basie 12" 1981 Basie, Count & Sarah Vaughan Count Basie/Sarah Vaughan 12" 1979 Basie, Count & The Mills Brothers Count Basie & The Mills Brothers 12" 1979 Basie, Count & Zoot Sims Basie & Zoot 12" 1976 Basie, Count and His Orchestra One O'Clock Jump 12" 1957 Basie, Count and the Kansas City 7 Count Basie and the Kansas City 7 12" 1962 Basie, Count Orchestra With B.B. King Compositions Of Count Basie And Others 12" 1959 Basie, Count w Billy Eckstine Basie/Eckstine Inc. 12" 1979 Basie, Count with Oscar Peterson Satch and Josh 12" 1975 Page 4 of 67 Title Format Released Bass, Sid From Another World 12" 1956 Bassey, Shirley Good, Bad But Beautiful 12" 1975 Batiste, Alvin Musique D'Afrique Nouvelle Orleans 12" 1984 Baxter, Les African Jazz 12" 1956 Bebob And Beyond With Mel Martin, George Cables, Warren Gale Bebop And Beyond 12" 1984 Bechet, Sidney The Grand Master Of The Soprano Sax & Clarinet 12" 1956 Giants Of Jazz 3 LP Box Set 1980 Beiderbecke, Bix Giants Of Jazz 3 LP Box Set 1979 Belafonte, Harry Calypso 12" 1956 Belafonte Sings The Blues 12" 1958 Bell, Dee, Eddie Duran And Stan Getz Let There Be Love 12" 1983 Bellson, Louie Just Jazz All Stars 10" 1952 Bellson, Louie & The Explosion Orchestra Sunshine Rock 12" 1978 Bennett, Max Max Bennett Vol. II 12" 1956 Bennett, Tony Sings His All-Time Hall of Fame Hits 12" 19NA Long Ago...Fnd Far Away 12" 1958 The Very Thought of You 12" 1971 The Beat of My Heart 12" 1957 Bennett, Tony & Count Basie Strike Up The Band 12" 1963 Bennett, Tony And Gene Krupa Tony & Gene 12" 1979 Benson, George Weekend In L.A. 12" 1978 Livin' Inside Your Love 12" 1979 In Concert - Carnegie Hall 12" 1976 Bergen, Polly The Party's Over 12" 1957 Bergen Sings Morgan 12" 1957 Page 5 of 67 Title Format Released Berigan, Bunny Giants Of Jazz 3 LP Box Set 1982 Bernstein, Elmer The Man With The Golden Arm 12" 1958 Walk On The Wild Side, Music From The Motion Picture 12" 1962 The Sweet Smell Of Success Sountrack 12" 1957 Bernstein, Leonard What is Jazz 12" 1956 Betters, Harold Harold Betters Takes Off 12" 1964 Bettye Miller Trio, Marilyn Maye Cool Sounds (From Kansas City) 12" 19NA Bishop Jr., Walter Keeper Of My Soul 12" 1973 Blackburn, Lou Jazz Frontier 12" 1963 Blakey, Art Indestructible 12" 1963 Hard Drive 12" 1978 The African Beat 12" 1961 Drum Suite 12" 1956 Orgy In Rhythm Volume 1 12" 60s Blakey, Art & The Jazz Messengers Art Blakey in Sweden 12" 1982 A Night in Tunisia 12" 1966 Straight Ahead 12" 1981 Oh, By the Way 12" 1982 Moanin' 12" 1963 Blanchard, Terence & Donald Harrison Discernment 12" 1986 Bloom, Jane Ira Slalom 12" 1988 Bluiett, Hamiet Dangerously Suite 12" 1981 Nali Kola 12" 1989 Bluiett, Hamiet Quartet SOS: Live In New York City 12" 1979 Blythe, Arthur Lenox Avenue Breakdown 12" 1979 In The Tradition 12" 1979 Light Blue: Arthur Blythe Plays Thelonious Monk 12" 1983 Da-Da 12" 1986 Page 6 of 67 Title Format Released Bob Brookmeyer, Jo Jones, Emmett Berry, Jazz Reunion 12" 1978 Bobby Troup, Jack Teagarden, Ziggy Elman Escapade Reviews The Jazz Scene 12" 1957 Bobo, Willie Spanish Blues Band 12" 1967 Bostic, Earl Dance to The Best of Earl Bostic 12" 1956 Boswell Sisters, The Okay, America! 12" 1986 Boswell, Connee Connee 12" 1984 Boswell, Connie Connie Boswell Sings The Golden Era Of Irving Berlin 12" 1958 Bowie, Lester The Great Pretender 12" 1982 The 5th Power 12" 1978 Bowie's, Lester Brass Fantasy I Only Have Eyes for You 12" 1985 Bown, Patti Patti Bown Plays Big Piano! 12" 1959 Brackeen, Joanne & Friends Fi-Fi Goes to Heaven 12" 1987 Brackeen, Joanne Trio Havin' Fun 12" 1985 Bradshaw, Evans Trio Pieces of Eighty-Eight 12" 1959 Braff, Ruby You're Getting to Be a Habit with Me 12" 1959 Ruby Braff Featurung Dave Dave McKenna 12" 1956 Braff, Ruby And His Men Hi-Fi Salute To Bunny 12" 1957 Braff, Rudy Braff! 12" 1957 Braith, George Extension 12" 1966 Brass Ensemble Of The Jazz & Classical Music Society, The Music For Brass 12" 1956 Braxton, Anthony Seven Standards 1985, Volume I 12" 1985 Seven Standards 1985, Volume II 12" 1986 Page 7 of 67 Title Format Released Brookmeyer, Bob The Dual Role of Bob Brookmeyer 10" 1955 Jazz Is A Kick 12" 1960 Traditionalism Revisited 12" 1957 The Bob Brookmeyer Quartet 10" 1954 Brooks, Hadda Femme Fatale 12" 1957 Brown, Clifford At Basin Street 12" 1955 Clifford Brown With Strings 12" 1955 Brown, Les Jazz Song Book 12" 1959 Brown, Les And His Band Of Renown Musical Weather Vane 10" 52/1953 Brown, Marion Marion Brown Quartet 12" 1966 Brown, Oscar Jr. In a New Mood... 12" 1962 Brown, Ray This Is Ray Brown 12" 1958 Brubeck, Dave The Dave Brubeck Quartet Featuring Paul Desmond 12" 1956 Dave Digs Disney 12" 1957 Countdown: Time in Outer Space 12" 1962 The Dave Brubeck Quartet Vol.
Recommended publications
  • Various All Star Sessions Mp3, Flac, Wma
    Various All Star Sessions mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: All Star Sessions Country: Netherlands Style: Bop MP3 version RAR size: 1694 mb FLAC version RAR size: 1421 mb WMA version RAR size: 1940 mb Rating: 4.9 Votes: 322 Other Formats: MP1 DXD XM AHX WAV DTS ADX Tracklist Hide Credits Capitol International Jazzmen You Can Depend On Me Acoustic Bass – John KirbyAcoustic Guitar – Oscar MooreAlto Saxophone – A1 Benny CarterClarinet – Buster BaileyDrums – Max RoachLead Vocals – 2:55 Kay StarrPiano – Nat "King" Cole*Tenor Saxophone – Coleman HawkinsTrumpet – Bill Coleman A2 If I Could Be With You 2:43 A3 Riffamarole 2:47 Metronome All Stars - 1947 Leap Here Acoustic Bass – Eddie SafranskiClarinet – Buddy DeFrancoDrums – Buddy A4 3:18 RichGuitar – Billy BauerPiano – Nat "King" Cole*Tenor Saxophone – Flip PhillipsTrombone – Bill HarrisTrumpet – Dizzy Gillespie Add Metronome Riff Alto Saxophone – Art Pepper, George WeidlerBaritone Saxophone – Bob GiogaDirected By – Stan KentonDrums – Shelly ManneTenor Saxophone – A5 2:37 Bob Cooper, Warner Weidler*Trombone – Harry Betts, Harry Forbes , Milt BernhartTrombone [Baritone] – Bart VarsalonaTrumpet – Al Porcino, Buddy Childers, Ken Hanna, Ray Wetzel Metronome All Stars - 1951 Early Spring Acoustic Bass – Eddie SafranskiAcoustic Guitar – Billy BauerAlto Saxophone – Lee KonitzBaritone Saxophone – Serge ChaloffClarinet – John A6 2:42 LaPortaDrums – Max RoachPiano – George ShearingTenor Saxophone – Stan GetzTrombone – Kai WindingTrumpet – Miles DavisVibraphone – Terry Gibbs
    [Show full text]
  • Ellington-Lambert-Richards) 3
    1. The Stevedore’s Serenade (Edelstein-Gordon-Ellington) 2. La Dee Doody Doo (Ellington-Lambert-Richards) 3. A Blues Serenade (Parish-Signorelli-Grande-Lytell) 4. Love In Swingtime (Lambert-Richards-Mills) 5. Please Forgive Me (Ellington-Gordon-Mills) 6. Lambeth Walk (Furber-Gay) 7. Prelude To A Kiss (Mills-Gordon-Ellington) 8. Hip Chic (Ellington) 9. Buffet Flat (Ellington) 10. Prelude To A Kiss (Mills-Gordon-Ellington) 11. There’s Something About An Old Love (Mills-Fien-Hudson) 12. The Jeep Is Jumpin’ (Ellington-Hodges) 13. Krum Elbow Blues (Ellington-Hodges) 14. Twits And Twerps (Ellington-Stewart) 15. Mighty Like The Blues (Feather) 16. Jazz Potpourri (Ellington) 17. T. T. On Toast lEllington-Mills) 18. Battle Of Swing (Ellington) 19. Portrait Of The Lion (Ellington) 20. (I Want) Something To Live For (Ellington-Strayhorn) 21. Solid Old Man (Ellington) 22. Cotton Club Stomp (Carney-Hodges-Ellington) 23. Doin’The Voom Voom (Miley-Ellington) 24. Way Low (Ellington) 25. Serenade To Sweden (Ellington) 26. In A Mizz (Johnson-Barnet) 27. I’m Checkin’ Out, Goo’m Bye (Ellington) 28. A Lonely Co-Ed (Ellington) 29. You Can Count On Me (Maxwell-Myrow) 30. Bouncing Buoyancy (Ellington) 31. The Sergeant Was Shy (Ellington) 32. Grievin’ (Strayhorn-Ellington) 33. Little Posey (Ellington) 34. I Never Felt This Way Before (Ellington) 35. Grievin’ (Strayhorn-Ellington) 36. Tootin Through The Roof (Ellington) 37. Weely (A Portrait Of Billy Strayhorn) (Ellington) 38. Killin’ Myself (Ellington) 39. Your Love Has Faded (Ellington) 40. Country Gal (Ellington) 41. Solitude (Ellington-De Lange-Mills) 42. Stormy Weather (Arlen-Köhler) 43.
    [Show full text]
  • Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
    Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney.
    [Show full text]
  • Neglected Jazz Figures of the 1950S and Early 1960S New World NW 275
    Introspection: Neglected Jazz Figures of the 1950s and early 1960s New World NW 275 In the contemporary world of platinum albums and music stations that have adopted limited programming (such as choosing from the Top Forty), even the most acclaimed jazz geniuses—the Armstrongs, Ellingtons, and Parkers—are neglected in terms of the amount of their music that gets heard. Acknowledgment by critics and historians works against neglect, of course, but is no guarantee that a musician will be heard either, just as a few records issued under someone’s name are not truly synonymous with attention. In this album we are concerned with musicians who have found it difficult—occasionally impossible—to record and publicly perform their own music. These six men, who by no means exhaust the legion of the neglected, are linked by the individuality and high quality of their conceptions, as well as by the tenaciousness of their struggle to maintain those conceptions in a world that at best has remained indifferent. Such perseverance in a hostile environment suggests the familiar melodramatic narrative of the suffering artist, and indeed these men have endured a disproportionate share of misfortunes and horrors. That four of the six are now dead indicates the severity of the struggle; the enduring strength of their music, however, is proof that none of these artists was ultimately defeated. Selecting the fifties and sixties as the focus for our investigation is hardly mandatory, for we might look back to earlier years and consider such players as Joe Smith (1902-1937), the supremely lyrical trumpeter who contributed so much to the music of Bessie Smith and Fletcher Henderson; or Dick Wilson (1911-1941), the promising tenor saxophonist featured with Andy Kirk’s Clouds of Joy; or Frankie Newton (1906-1954), whose unique muted-trumpet sound was overlooked during the swing era and whose leftist politics contributed to further neglect.
    [Show full text]
  • I the Use of African Music in Jazz from 1926-1964: an Investigation of the Life
    The Use of African Music in Jazz From 1926-1964: An Investigation of the Life, Influences, and Music of Randy Weston by Jason John Squinobal Batchelor of Music, Berklee College of Music, 2003 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Master in Ethnomusicology University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Jason John Squinobal It was defended on April 17, 2007 and approved by Dr. Nathan T. Davis, Professor, Music Department Dr. Akin Euba, Professor, Music Department Dr. Eric Moe, Professor, Music Department Thesis Director: Dr. Nathan T. Davis, Professor, Music Department ii Copyright © by Jason John Squinobal 2007 iii The Use of African Music in Jazz From 1926-1964: An Investigation of the Life, Influences, and Music of Randy Weston Jason John Squinobal, M.A. University of Pittsburgh, 2007 ABSTRACT There have been many jazz musicians who have utilized traditional African music in their music. Randy Weston was not the first musician to do so, however he was chosen for this thesis because his experiences, influences, and music clearly demonstrate the importance traditional African culture has played in his life. Randy Weston was born during the Harlem Renaissance. His parents, who lived in Brooklyn at that time, were influenced by the political views that predominated African American culture. Weston’s father, in particular, felt a strong connection to his African heritage and instilled the concept of pan-Africanism and the writings of Marcus Garvey firmly into Randy Weston’s consciousness.
    [Show full text]
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • Ellingtonia a Publication of the Duke Ellington Society, Inc
    Ellingtonia A Publication Of The Duke Ellington Society, Inc. Volume XXIV, Number 3 March 2016 William McFadden, Editor Copyright © 2016 by The Duke Ellington Society, Inc., P.O. Box 29470, Washington, D.C. 20017, U.S.A. Web Site: depanorama.net/desociety E-mail: [email protected] This Saturday Night . ‘Hero of the Newport Jazz Festival’. Paul Gonsalves Our March meeting will May 19-23, 2016 New York City bring in the month just like the proverbial lion in Sponsored by The Duke Ellington Center a program selected by Art for the Arts (DECFA) Luby. It promises a Tentative Schedule Announced finely-tuned revisit to some of the greatest tenor Thursday, May 19, 2016 saxophone virtuosity by St. Peter’s Church, 619 Lexington Ave. Paul Gonsalves, other 12:30 - 1:45 Jazz on the Plaza—The Music of Duke than his immortal 16-bar solo on “Diminuendo and Ellington, East 53rd St. and Lexington Ave. at St. Peter’s Crescendo in Blue” at the Newport Jazz Festival in 1956. That’s a lot of territory, considering Paul’s quar- 3:00 - 5:30 “A Drum Is A Woman” - Screenings at The ter century with The Orchestra. In addition to his ex- Paley Center for Media, 25 West 52nd St. pertise on things Gonsalves, Art’s inspiration for this 5:30 - 7:00 Dinner break program comes from a memorable evening a decade ago where the same terrain was visited and expertly 7:15 - 8:00 Gala Opening Reception at St. Peter’s, hosted by the late Ted Shell. “The Jazz Church” - Greetings and welcome from Mercedes Art’s blues-and-ballads-filled listen to the man called Ellington, Michael Dinwiddie (DEFCA) and Ray Carman “Strolling Violins” will get going in our regular digs at (TDES, Inc.) Grace Lutheran Church, 4300—16th Street (at Varnum St.), NW, Washington, DC 20011 on: 8:00 - 9:00 The Duke Ellington Center Big Band - Frank Owens, Musical Director Saturday, 5 March 2016—7:00 PM.
    [Show full text]
  • Brass Chamber Music Library
    B12.2c - Two Trombones 1 Locke One Dozen Duets 2 Lassus Two Fantasias 3 Hidas Intro & Fughetta 4 Bach/Miller Brass Duet Notebook B12.2f - Mixed Duets 1 Bach Invention #3 101.00 2 Bach Invention #13 101.00 B12.3a - Trumpet Trios 1 James Six Fanfares 300.00 Editions Marc Reift 2 arr Lichmann Trumpet Sonatas 300.00 manu 3 Nehlybel Musica Festiva 300.00 manu 4 arr Stewart Intrada 300.00 manu 5 Britten Fanfare St Edmundsbury 3000.00 Everyone reads score. 6 Kaisershot Tableau Royale 3000.00 8th Note 7 Kaisershot Solemnis Elegiac 3000.00 8th Note 8 Kaisershot Three and three quarters 3000.00 8th Note 9 Kaisershot Triplet Trove 3000.00 8th Note B12.3b - Horn Trios 1 Schneider 18 Trios 030.00 International 2 Wurm 30 trios 030.00 King 3 Nehlybel Musica Festiva 030.00 Cim 4 Shaw Tripperies 030.00 Hornists Nest 5 Walshe Divertimento #2 030.00 Hornists Nest 6 Various 30 selected works 030.00 Belwinn Mills 7 Stich 20 horn trios 030.00 Edition KW 8 Shaw Bach Trios 030.00 Hornists Nest 9 Mozart 3 Mozart Trios 030.00 8th Note # Kaisershot Three and three quarters 030.00 8th Note ## Kaisershot Marche Heroique 030.00 8th Note B12.3c - 3 Trombones 1 Byrd/Horton Carman's Whistle 003.00 Cim 2 Nehlybel Musica Festiva 003.00 Cim 3 Shaw Tripperies 003.00 Hornists Nest 4 Solomon Three Tableaux 003.00 Southern 5 arr Sauer Music fm the Renaissance 003.00 WIM 6 Hidas Interludio 003.00 Edito Musica Budapest 7 arr Christiansen 3 Chorale Preludes 003.00 No Score 8 arr Ostrander Suite for 3 Tbns 003.00 Edition Musicus 9 Kaisershot Marche Heroique 003.00 8th Note 8/22/17
    [Show full text]
  • Jazzletter Jujy 1936, VOI
    Jazzletter Jujy 1936, VOI. 5 NO. 7 \ how much jazz had infused his playing. The miscegenation of Are You Reading jazz and hillbilly has longgone on in-Nashville. and some ofthe best of its players are at ease in both idioms. Someone Else’s Copy? Lenny Breau came up through country-and-western music. Each issue of The Underground Grammarian contains the his parents beingprofessionals in the field. and it was'Nashville above question. lt’s discouraging. in the struggle to keep a small that made him welcome. He is. like Garland,‘Carllile and Reed, publication alive. to hear someone say something like, “-1 just the result ofthejazz-country fusion, exceptythat Breau took it a love it. A friend sends me his copies when he’s through with step further and brought into his work the full range ofclassical them.” . A guitar technique. Chet Atkins was the first a&r man to givehim ' In publications supported by advertising. salesmen boast to his head, letting him record for RCAia milestone album in potential advertisers about how many people read each copy. which he showed 0-ff his startling. .for the time, jazz-classical and to the advertiser seeking exposure of his message. those ‘technique, Gene Bertoncini, who is ‘probably the best living figures have weight. He is less interested in how manyypeople exponent of jazz on the five-finger classical guitar. admires buy a periodical than in how many see it. An important Breau; but then you’ll search far to find a guitarist who doesn’t. phenomenon in periodical publishing is what is known as Lenny was a heroin addict.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • VPI HR-X Turntable & JMW12.6 Tonearm
    stereophile.com http://www.stereophile.com/turntables/506vpi#5kC628WHPF3lKHV2.97 VPI HR-X turntable & JMW12.6 tonearm VPI Industries' TNT turntable and JMW Memorial tonearm have evolved through several iterations over the last two decades. Some changes have been large, such as the deletion of the three-pulley subchassis and the introduction of the SDS motor controller. Others have been invisible—a change in bearing or spindle material, for example, or the way the bearing attaches to the plinth. And, as longtime Stereophile readers know, I've been upgrading and evolving along with VPI, most recently reporting on the TNT V-HR turntable (Stereophile, December 2001). But about the time I was expecting the next iteration, designer Harry Weisfeld threw me a curve by unveiling a completely new turntable design, the HR-X. First shown in prototype form at Stereophile's Home Entertainment 2002 show in New York City, the HR-X is a stunning, milled-from-aluminum showcase of everything Weisfeld has learned from designing turntables for the past 25 years. Nuts & bolts Although the HR-X is a clean-slate design, it was obviously informed by the TNT. There are four corner towers with internal pneumatic bladders, a huge platter belt-driven by an outboard motor and flywheel, and a JMW tonearm mounted directly to a massive plinth. Beyond that basic configuration, however, everything is different— rethought, improved, optimized, and executed to the highest standard possible. It's immediately obvious that even VPI's workmanship and cosmetics have been raised to new levels: the TNT was well-built and solid; the HR-X is striking and sumptuous.
    [Show full text]
  • The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
    THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St.
    [Show full text]