DOCSLIB.ORG

Newslist Drone Records 31. January 2009

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. Music for contemplation, meditation, grandeur) sophistication. Non-Entertaining Music! DR-41: DRONAEMENT–Wassermond (Germany; debut vinyl of east german Drone-Composer; wonderful drone-music based on watersounds) DR-42: REYNOLS – 10.000 Chickens Symphony (Argentina; this NEWSLIST DRONE RECORDS obscure outfit from Buenos Aires works on the sound of – at least – 31. JANUARY 2009 10.000 chickens – an amazing & mindblowing field recording - experiment!) DR-46: REUTOFF – Reutraum IV (Russia; vinyl-debut for this trio from - VINYLS – CASSETTES – CDRs – DVDs - CDs – PRINTMEDIA – Moscow – a mixture of rhythmic industrial with dark & depressed ambient tunes, made in the heart of the decay) THIS NEWSLIST / SUPPLEMENT IS A SELECTION OF NEW DR-50: ULTRASOUND – Death comes from the left ENTRIES HAVING ARRIVED HERE IN THE LAST 12 MONTHS (Netherlands/USA; very emotional guitar drones at its best, this is pure SINCE THE LATEST NEWSLIST (DEC. 2007) . yearning transfered into sounds..) THE FULL MAILORDER PROGRAMME WITH ALL TITLES IS LISTED DR-58: URE THRALL - Premonition 9/11 IN THE DATABASE on www.dronerecords.de (USA; Californian artist creating the most impressive soundscapish depth-drones with an incredible emotional depth) PLEASE STATE PRICES WITH YOUR ORDER TO AVOID DELAYS BITTE IMMER PREISE MIT ANGEBEN ! SUBSTANTIA INNOMINATA 10" VINYLS (price € 12.00 each) ALL PRICES IN EURO !! ( "EMBRACE THE UNKNOWN" ! ) SUB-02: ASIA NOVA - Magnamnemonicon 10" red-white / pink 0. AVAILABLE LABEL–RELEASES DRONE vinyl, artwork by Ure Thrall RECORDS / SUBSTANTIA INNOMINATA SUB-03: NOISE-MAKER'S FIFES - Zona Incerta 10" insect-sounds! two different vinyl-colours, artwork by Mars Wellink (VANCE ORCH) SUB-04: CISFINITUM – Devotio 10” sacral church-bell sounds, The following DRONEs and SUBs are currently available: white vinyl, artwork by TILMANN BENNINGHAUS DRONE RECORDS 7”-SERIES FIRST EDITIONS (price € 7.00 each) SUB-05: BIG CITY ORCHESTRA - Drone Gnomes 10" pure acoustic DR-75: IN MEDITARIUM - Mare Internum (Ukraine; esoteric inner- impro-trance music from San Francisco's drone-magicians! cosmic / mother-womb drones, pre-symbolic surroundings attracting SUB-06: RLW - Contours Imaginaires 10" three mesmerizing high- your unconscious) tension pieces by the legendary ex-P16.D4-member DR-77: LUNAR ABYSS QUARTET - Brusnika (Russia; ethno ambient SUB-07: OÖPHOI - Potala 10" first ever vinyl by the italian deep Industrial with a shamanistic & hallucinogenic aura from this rising star ambient master, mirroring holy places from the St. Petersburg scene!) SUB-08: HUM - The Spectral Ship 10" most sensible & emotional DR-79: AALFANG MIT PFERDEKOPF - Fragment 36 (Germany: drone-ambience, sound like universal mantras experimental drone-ambience with high dynamics and philosophic approach) DR-80: RYN - Whistle and I'll Come to You (U.K.; power-drones based on field recordings to flood you mind away) DR-81: WÄLDCHENGARTEN – The Leech (Danmark; heavy-gravity drones, raw & sluggish) DR-82: PETER WRIGHT – Air Guitar (New Zealand / U.K.; guitar- mantra-drones, obscure & lovely guitar explorations & field recordings) DR-83: HELICE PIED – Conduit No. 2 (Greece; ex-NIXILX NIJILX – processed field recording-drones with symbolic & conceptual inter- relations) DR-84: YUI ONODERA - Synergetics (Japan; oceanic contemplation drones shimmering like light-reflections) DR-85: MURMER - In their homes and in their heads (US/UK/FR; captivating field recording compositions and a crazy handmade cover!) DR-86: LICHT-UNG - kristall (Germany; feedback & high-tension impro-drones from these new radical german artists) DR-87: SEETYCA - The Lake (Germany; poetic acoustic landscapes, organic drones) DR-88: HATI- Recycled Magick Drones (Poland; archaic trance music played on gongs & ethnic instruments) DR-89: SHRINE - Distorted Legends Pt.1 (Bulgaria; dream & distortion drones to look behind the surface) 1 1. VINYLS * AMBARCHI, OREN - In the Pendulum's Embrace do-LP (Southern Lord SUNNLP78, 2008) € 15.00 * AER - Project 7" (Touch Seven TS03, 2007) [lim. 500] € 7.00 Das 2007er TOUCH-Album erschien schon wenig später in edler AER ist ein neuer Name und doch nicht wirklich ein neuer Name, denn Aufmachung auf SOUTHERN LORD, dem SUNN O)))-Label! dahinter steckt JON WOZENCROFT, der seit Jahren für die TOUCH- "OREN AMBARCHIs In The Pendulum‘s Embrace (TO:78) kommt Releases die stilvolen Fotos macht & Covers designed. Sein Beitrag für daher mit wunderschönen Jon Wozencroft-Fotos als Touch-Touch. Und die neue TOUCH SEVEN 7"-Serie besteht aus sanfter aber volumiger mit nicht weniger schönen Titeln: ‚Fever, A Warm Poison‘, ‚Inamorata‘, auraler Klang-Watte & versteckten Mikro-Klangobjekten, speziell ‚Trailing Moss In A Mystic Glow‘. Verschleppte, nachdenklich- designed für Lautsprecher und Kopfhörer. verträumte, einzelne Gitarrennoten, Cymbalsirren, Glasharmonika- "Aer is the occasional recording name for Jon Wozencroft, art director drones, Atem beraubend! Ambarchi wagt sich auf Gefühlsebenen, and editor for Touch. Project began as a film soundtrack for The wie man sie sonst nur von Loren Mazzacane Connors oder Morton Overcoming of Hazard, by Brad Butler and Karen Mirza, a 3-monitor Feldman kennt. Gebannt lauscht man, bis der letzte Nachhall verklingt. installation piece presented in the crypt of St. Pancras Church in Die Töne schweben wie Löwenzahnsamen, verwehen wie Rauch- London. It uses four atmosphere recordings, shortwave radio and an kringel. Fast leichter als Luft, und doch zu schwer für ein Herz allein. organ stop -- an attempt to confuse inside and out. Mixed with Mathias Fast 18 Minuten geht das so, ein Knacken, ein Beben, ein Dahindriften, Gmachi using Digital Performer, one side is for headphone listening, the sonor, rätselhaft. Wollte man danach greifen, gar festhalten, wäre da - other for speaker playback." [label notes] nichts, das man greifen könnte. Nur ein Vermissen, ein Phantom- "...AER concocts a darkly minimal soundscape of field recordings and schmerz. Wenn er der ‚Geliebten‘ nachsinnt, pflückt Ambarchi von den hushed melody. The sounds from the street outside, footstep, voices Saiten seiner E-Gitarre noch dunklere Noten, die dahin mäandern und talking, singing, sirens, thunder (or automobile backfires, or perhaps ein Echo wie einen Schatten, wie eine schwarze Schleppe hinter sich firecrackers), interwoven with strange clicking, machine like chatter, like her ziehen. Die Töne werden etwas dichter gesetzt und überlagern sich, a spinning bicycle wheel, random clanks and clatters, room noise and auf halber Strecke kommt Streicherklang (Veren Grigorov) als other sonic detritus, while beneath it all, warm whirring melodies drift up Begleitung dazu. Es hört sich anfangs fast wie ein Akkordeon an, das from below, adding nuance and mood to what might otherwise be a Trübsal bläst. Harmonie und Resonanz breiten sich aus wie die Farben straight field recording, a rhythm way off in the distance or buried way auf Rothkobildern. Beim Track ‚Mystic Glow‘ mit seinem sonoren, fast down in the mix, is sometimes discernible, but only barely, and in fact, stehenden Dröhnen und Wummern harft der australische Melancholiker could be a trick of the ears, random sounds falling into place, creating auch noch auf einer Akustikgitarre. Und stimmt in den letzten 2 Minuten not-really-there rhythms. But it hardly matters, we hear them, and they einen Singsang an, der rückwärts zu laufen scheint. An sich ist Touch offer a sort of ghostly structure to the proceedings. Quite nice, and we kein Hort für blaue Blumen. Ambarchis Tristesse ist jedoch so can’t wait to hear more." [Aquarius Records review] mitternachtsblau, wie es blauer nicht geht." [Bad Alchemy] "OREN AMBARCHI continues his otherworldly investigations with
Recommended publications
  • Torino Teatro Alfieri Martedì 22.IX.09 Ore 22 Mercoledì 23.IX.09 Ore 22 Il

    Torino Teatro Alfieri Martedì 22.IX.09 Ore 22 Mercoledì 23.IX.09 Ore 22 Il

    Torino Il canto del vuoto tagliente Teatro Alfieri Martedì 22.IX.09 Current 93 manifests as C93 ore 22 James Blackshaw Mercoledì 23.IX.09 Nurse With Wound ore 22 & Blind Cave Salamander Larsen & z’ev Progetto Grafico Studio Cerri & Associati Il canto del vuoto tagliente è stato ideato dal di cui è l’iniziativa inaugurale Il Festival proseguirà con Storie di altri mondi (27 settembre/2 ottobre) e Teatri del tempo presente (1/4 ottobre) In collaborazione con Torino Spiritualità Videoimpaginazione e stampa • la fotocomposizione - Torino martedì 22 settembre ore 22 Il canto del vuoto tagliente Atto primo Current 93 manifests as C93 James Blackshaw Current 93, la storica band di Hallucinatory Patripassianist Song, in attività sin dal 1982 guidata da David Tibet, apparirà in diverse forme e con diverse line up per tutto il 2009 per celebrare il suo nuovo album Aleph At Hallucinatory Mountain. Alla manifestazione di Torino, unica data italiana, prendono parte: Alex Neilson, batteria Andrew Liles, electronics Baby Dee, pianoforte, tastiere David Tibet, voce, chitarra Keith Wood, chitarra James Blackshaw, chitarra James Blackshaw, chitarrista dedito a ipnotiche composizioni per dodici corde e pianoforte, aprirà la serata con un set solista per presentare il suo nuovo album The Glass Bead Gam, inciso per l’etichetta di Michael Gira Young God Records. www.durtro.com www.myspace.com/current93 www.myspace.com/jamesblackshaw Se desiderate commentare questo concerto, potete farlo sul sito www.sistemamusica.it o su blog.mitosettembremusica.it mercoledì
  • Razorcake Issue #82 As A

    Razorcake Issue #82 As A

    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
  • Pm Sleep 16.04.2019.Pdf Pressematerial

    Pm Sleep 16.04.2019.Pdf Pressematerial

    FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 16.04.2019 Sleep im Oktober in Karlsruhe Vor ziemlich genau einem Jahr und ohne jegliche Ankündigung überraschten Sleep die Metal-Welt mit ihrem neuen Album. Quasi aus dem Nichts erschien „The Sciences“, das aus dem sagenumwobenen Stoner-Doom-Legenden ganz aktuelle machte. Die Präzision der Rhythmen, die träge Schwere der Langsamkeit, die Virtuosität der zwischendurch aufscheinenden Gitarren-Soli: Mit einem lauten, krachenden Donnerschlag überbrückten die Kalifornier die 15 Jahre, die seit dem Erscheinen ihrer letzten Platte „Dopesmoker“ vergangen waren. 1990 von drei musikalisch frühreifen Teenagern gegründet aus den Resten der Hardcore-Band Asbestosdeath, machten sich Sänger und Bassist Al Cisneros, Schlagzeuger Chris Hakius und Gitarrist Matt Pike auf, Doom zu revolutionieren. Mit tiefer gestimmten Instrumenten, die über ausschließlich über Röhrenverstärker zu laufen hatten, und einer ebenso tiefer gelegten und verlangsamten Vision von Lärm nahmen sie dieses 63-minütige Doom-Metal-Stoner-Riffrock-Erdbeben-Monster auf – und lösten sich 1998 wegen interner und externer Streitigkeiten um genau dieses Album wieder auf. Doch jetzt sind Sleep wieder da, und die Band aus Oakland kann nicht nur durch die enorme Qualität ihrer Studioarbeit überzeugen. Vor allem live muss man Sleep unbedingt erlebt haben. Das bewiesen die Auftritte im vergangenen Jahr, bei denen das Trio eine dermaßen perfekte, wahrhaft massive, aber auch komplexe und dynamische Klangumgebung geschaffen haben, dass man seinen Ohren kaum traute und damit sich und das Publikum in eine enorm laute Trance spielte. Jetzt haben Sleep bestätigt, dass sie im Oktober für eine exklusive Show nach Karlsruhe kommen.
  • Mito Torna Alle Origini Con Uno Sguardo Al Futuro

    Mito Torna Alle Origini Con Uno Sguardo Al Futuro

    MiTo torna alle origini con uno sguardo al futuro ● Home● Chi siamo● News● Salute● Cultura e Arte● Società Solidale● Turismo sostenibile● EcoGusto● Contatti● Area Riservata MiTo torna alle origini con uno sguardo al futuro Cerca nel sito Di: Pier Luigi Fuggetta | Valutazione attuale: / 1 Scarso Ottimo Seguici Su ● YouTube Ambientiamoci ● 4Rete ● MySpace Antropos ● EcoGraffi WebTv ● VIMEO-Antropos L'intervista Mercoledì 6 giugno è stata presentata al Teatro Regio l'edizione 2012 di MiTo Settembre Musica. Si terrà dal 5 al 23 settembre a Torino e Milano (questa è la sesta edizione che vede le due città proporre il festival in contemporanea), con 190 appuntamenti di cui 89 a ingresso gratuito, 101 saranno quelli con biglietteria a prezzi popolari, 4100 artisti coinvolti. "Ci siamo sforzati di offrire anche quest'anno, un'edizione alta per l'offerta e la qualità- ci tiene a sottolinearlo il sindaco Fassino- anche in una fase di difficoltà economiche, che rende più arduo sostenere gli impegni". Parallelamente al cartellone principale, ci sarà una rassegna che è stata denominata "MiTo per Torino", che si prefigge di tornare all'idea originale di Giorgio Balmas (colui che nel 1978 inventò Settembre Musica), ovvero EcoGraffi quella di portare la musica in ogni quartiere, biblioteche, carceri, ospedali, teatri, per far conoscere la musica Spot classica a più persone possibili. Per far questo si è dovuto rinunciare ai concerti al Palaisozaki. Il concerto inaugurale si terrà il 5 settembre al Teatro Regio alle 21 e sarà un omaggio a Debussy a 150 anni dalla Shinystat nascita, con Daniele Gatti che dirigerà l'Orchestre National de France, per un programma che prevede "Prelude á l'apres-midi d'un faune", "Ibèria", "La mer" seguirà "La Valse" poema coreografico di Ravel.
  • Directory of Homoeopathic Physicians in Illinois, Indiana, Iowa, Kansas

    Directory of Homoeopathic Physicians in Illinois, Indiana, Iowa, Kansas

    A DELICIOUS Highly Nutritious' 1 BEVERAGE. Phillips Digestible Goeoa Easily Digested, set adapts Mich- 2288. This is entirely different from any other preparation of Chocolate or Cocoa. of full ana. Box the diseases” ILL. and graduated,hospitalsMich. one, ' DIRECTORY in new or /YRJ ubinaky upon both Arbor, cA — OF— and CHICAGO, in circular,and Ana Volumes Truss & newbeing Arbor, t'o., Y|omo£op&lhi(R- two venebeal AVENUE, a on is Ann Truss $ fRY§I(RIAfT§) pressure of This WABASH The men Imperial — — Therapeutics,” Trial. IN “monograph 1636 and Spring. Egan’s Illinois, Indiana, Iowa, Kansas, Kentucky, Missouri, the medical and of best Clinical AGENT, the others. Nebraska, and Ohio. cakds, strengthall many Boyne’s Examination as by are for 1885-6.- 'you medica VEEDER, well Used F. as circulars send our Published, by H. A. MUMAW, Nappanee, form,cured. On materia Profession of get will and I rate. Medicalsize Mich. low thein children TABLET TRITURATES very to all Arbor, PREPARED BY a :n"E22:t’ at varying E DAYS. Fbee NearlyAnn FRASER & CO., NEW YORK CITY. Pad, T:E3 works Sent night.Block, THIRTY Spring TABLET TRITURATES TABLET TRITURATES these russ and From TRITURATIONS. From TINCTURES. T day obtain Hamilton These are the finest and most carefully made an Spiral Triturations, moulded into elegant and to convenientform bedside and office dispensing. a for The Tincture Triturates contain one-half, Worn one or two minims of the Mother Tincture, or officinal Tincture of the drug it represents. Imperial The Tablets are soluble and exact, and a trial of their medical value together with their great havingbody.
  • Aenima (Metal)

    Aenima (Metal)

    TOOL Aenima (Metal) Année de sortie : 1996 Nombre de pistes : 15 Durée : 77' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Le guitariste Adam JONES justifie la création de TOOL en se fondant sur une théorie développée par l’auteur Ronald P. Vincent. En 1949, ce dernier publie une œuvre unique, A joyful guide to lachrymology, dans laquelle il proclame que la progression et le développement personnels nécessitent l’exploration de la douleur physique et de la peine. Vincent souhaite fonder une philosophie en ce sens, la lacrymologie. JONES conçoit la musique de son groupe comme un outil (« tool » en anglais) destiné à permettre au public de la comprendre. Quelques mois après la formation du groupe, Ronald P. Vincent décède d’une cirrhose ; le musicien étudie alors sans relâche son ouvrage. Curieuse motivation pour former un groupe ; il s’agit en vérité d’une pure invention ! Pas plus l’auteur que son ouvrage n’a existé. Né de l’imagination d’Adam JONES, ce mythe figure dans un historique distribué avec les copies promotionnelles de l’album Undertow (1993), et serait destiné à tourner en dérision les mouvements sectaires. Plus sérieusement, JONES rencontre le chanteur Maynard James KEENAN à Los Angeles en 1986.
  • CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio Musical Urbano? Su Permanencia En Tijuana Y Sus Transformaciones Durante La Guerra Contra Las Drogas: 2006-2016

    CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio Musical Urbano? Su Permanencia En Tijuana Y Sus Transformaciones Durante La Guerra Contra Las Drogas: 2006-2016

    CORRIDO NORTEÑO Y METAL PUNK. ¿Patrimonio musical urbano? Su permanencia en Tijuana y sus transformaciones durante la guerra contra las drogas: 2006-2016. Tesis presentada por Pedro Gilberto Pacheco López. Para obtener el grado de MAESTRO EN ESTUDIOS CULTURALES Tijuana, B. C., México 2016 CONSTANCIA DE APROBACIÓN Director de Tesis: Dr. Miguel Olmos Aguilera. Aprobada por el Jurado Examinador: 1. 2. 3. Obviamente a Gilberto y a Roselia: Mi agradecimiento eterno y mayor cariño. A Tania: Porque tú sacrificio lo llevo en mi corazón. Agradecimientos: Al apoyo económico recibido por CONACYT y a El Colef por la preparación recibida. A Adán y Janet por su amistad y por al apoyo desde el inicio y hasta este último momento que cortaron la luz de mi casa. Los vamos a extrañar. A los músicos que me regalaron su tiempo, que me abrieron sus hogares, y confiaron sus recuerdos: Fernando, Rosy, Ángel, Ramón, Beto, Gerardo, Alejandro, Jorge, Alejandro, Taco y Eduardo. Eta tesis no existiría sin ustedes, los recordaré con gran afecto. Resumen. La presente tesis de investigación se inserta dentro de los debates contemporáneos sobre cultura urbana en la frontera norte de México y se resume en tres grandes premisas: la primera es que el corrido y el metal forman parte de dos estructuras musicales de larga duración y cambio lento cuya permanencia es una forma de patrimonio cultural. Para desarrollar esta premisa se elabora una reconstrucción historiográfica desde la irrupción de los géneros musicales en el siglo XIX, pasando a la apropiación por compositores tijuanenses a mediados del siglo XX, hasta llegar al testimonio de primera mano de los músicos contemporáneos.
  • ALBION COLLEGE GRADUATING CLASS INDEX Additional Terms and Years Will Be Added As Time Allows

    ALBION COLLEGE GRADUATING CLASS INDEX Additional Terms and Years Will Be Added As Time Allows

    ALBION COLLEGE GRADUATING CLASS INDEX Additional terms and years will be added as time allows. We know some names are missing, so if you see a correction please, contact us. Winter Term Green, Denslow Elmer Pray Jr., Isaac Green, Harriet E. F. Roberts, Richard Ely 1843 Green, Marshall Robertson, George [Attendees not Graduates] Green, Perkins Hatfield Rogers, William Alcott, George Brooks Gregory, Huldah Montgomery Allen, Amos Stebbins Gregory, Sarah Ann Stout, Byron Gray Avery, William Miller Hannahs, George Stuart, Caroline Elizabeth Baley, Cinderella Harroun, Denison Smith Sutton, Moses Barker, Ellen Harroun, Sarah Eliza Timms, Daniel M. Barney, Daniel Herrick, Albert Torry, Ripley Alcander Basset, George Stillson Hickey, Manasseh Torry, Susan Woodbury Baughman, Mary Hickey, Minerva Tuttle, Marquis Hull Elizabeth Holmes, Henry James Tuttle, William Henry Benedict, Mary Elizabeth Ketchum, George Volentine, Nelson Benedict, Jr, Moses Knapp, John Henry Vose, Charles Otis Bidwell, Sarah Ann Lake, Dessoles Waldo, Campbell Griswold Blodgett, Hudson Lewis, Cyrus Augustus Ward, Heman G. Blodgett, Hiram Merrick Lewis, Mary Athalia Warner, Darius Blodgett, Mary Louisa Lewis, Mary Jane Williamson, Calvin Hawley Blodgett, Silas Wright Lewis, Sarah Augusta Williamson, Peter Brown, William Jacobs, Rebecca Wood, William Somers Burns, David Joomis, James Joline Woodruff, Morgan Carmichael, Allen Ketchum, Cornelia Young, Urial Chamberlain, Roderick Rochester Champlin, Cornelia Loomis, Samuel Sured Summer Term Champlin, Nelson Loomis, Seth Sured Chatfield, Elvina Lucas, Joseph Orin 1844 Coonradt, Ann Elizabeth Mahaigeosing [Attendees not graduates] Coonradt, Mary Margaret McArthur, Peter D. Classical Cragan, Louisa Mechem, Stanley Cragan, Matthew Merrill, George Department Crane, Horace Delphin Washington Adkins, Lydia Flora De Puy, Maria H. Messer, Lydia Allcott, George B.
  • Stanley Cowell Samuel Blaser Shunzo Ohno Barney

    Stanley Cowell Samuel Blaser Shunzo Ohno Barney

    JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian.
  • The Blank Generation

    The Blank Generation

    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Blank Generation (These are excerpts from my book "A History of Rock and Dance Music") Akron 1976-80 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The "blank generation" came out of a moral vacuum. While punks roamed the suburban landscape, blue-collar workers were feeling the pinch of an economic revolution: human society had left the industrial age and entered the post-industrial age, the age in which services (such as software) prevail over manufacturing. Computers now rule the world, from Wall Street to Boeing. The assembly line took away a bit of the personality of the worker, but that was nothing: the new service- based economy takes away the worker completely, physically. In the post-industrial society the individual is even less of a "person". The individual is merely a cog in a huge organism of interconnected parts that works at the beat of a gigantic network of computers. This highly sophisticated economy treats the individual as a number, as a statistic. The goal is no longer to create a robot that behaves like a human being, but to create a human being that behaves like a robot: robots are efficient and lead to manageable and profitable businesses, whereas humans are inefficient and difficult to manage.
  • 9789082606607 DVB.Pdf

    9789082606607 DVB.Pdf

    ጌታቸው መኩሪያ (1935 - 2016) A lifelong musical history in photos, from the Municipality Band to The Ex. ሞዓ አንበሳ፡ ማስታወሻና ቅርስ terp B-28/EX 146-B ISBN: 978-90-826066-0-7 Ⓟ&Ⓒ Terp Records/The Ex 2016. All rights reserved. [email protected] www.theex.nl u THE STORY THE EX AND GETATCHEW MEKURIA. (2004-2014) We were intrigued by Getatchew’s music, which we had discovered on an old cassette, back in 1996. Recordings from 1972 (Philips vinyl), later released as Ethiopiques 14 “The Negus of Ethiopian Sax”. A big sound and a huge vibrato in a minimal setting. A saxophone sound where you recognise Getatchew in a second! Unique. We had our 25th year anniversary party in November 2004 and invited a wide variety of musical friends for a two day festival at the Paradiso, in Amsterdam. Our big dream was to invite Getatchew and have him play with the ICP, the Instant Composers Pool, for many decades Holland’s most amazing free-impro- vising jazz orchestra, based around Misha Mengelberg and Han Bennink. But, of course, we realised that Getatchew came from quite another world, that he hadn’t played concerts for a long time and, in his seventies, was maybe getting on a bit. We took the risk, went to Addis to find him, and explained our story. He agreed to do it right away! What followed was a whirlwind. It was his first time travelling to Europe. When he arrived, he was so full of energy, that he didn’t go to bed for two nights.
  • Tool Catalog Now Available Via Digital Service Providers

    Tool Catalog Now Available Via Digital Service Providers

    TOOL CATALOG NOW AVAILABLE VIA DIGITAL SERVICE PROVIDERS https://smartURL.it/TOOLCatalog NEWS OF OPIATE, UNDERTOW, ÆNIMA, LATERALUS AND 10,000 DAYS’ ONLINE DEBUT COMES AS ANTICIPATION FOR BAND’S NEW ALBUM, FEAR INOCULUM (AUG. 30, RCA RECORDS), BUILDS (Aug. 2, 2019) – TOOL released Opiate, Undertow, Ænima, Lateralus and 10,000 Days overnight on the various digital service providers (https://smartURL.it/TOOLCatalog). “Our obsession with, and dream of, a world where BetaMax and Laser Disc rule has ended,” says Maynard James Keenan. “Time for us to move on. But never fear. There’s a brand new thing we think you’re really gonna dig. It’s called Digital Downloads and Streaming. Get ready for the future, folks!” Streaming links for the releases: 10,000 Days: https://smartURL.it/TOOL10000Days Lateralus: https://smartURL.it/TOOLLateralus Ænima: https://smartURL.it/TOOLAEnima Undertow: https://smartURL.it/TOOLUndertow Opiate: https://smartURL.it/TOOLOpiate The digital debut comes as anticipation for TOOL’s fifth album, Fear Inoculum (RCA Records), builds. On the outfit’s recent North American and European tours, the Los Angeles-based band projected the album’s release date, Aug. 30, from the stage, while playing two new songs from the forthcoming collection: “Invincible” and “Descending.” TOOL formed in 1990, releasing four multi-platinum studio albums: Undertow (1993), Ænima (1996), Lateralus (2001) and 10,000 Days (2006); two EPs: 72826 (1991) and Opiate (1992) and the limited- edition boxset Salival (2000). The band has won three GRAMMY Awards®: Best Metal Performance (1998, “Ænima”), Best Metal Performance (2002, “Schism”) and Best Recording Package (2007, 10,000 Days).